He's got a voice in his head... that's his but not his.
(Tower of Nightmares era)
Oh, all the things he hears and endures.
I only wanted to do the first panel but then I added more sketches and sometimes I dont know when to call it quits.... until I get lazy LOL
Me: Im gonna draw Lore
The Lore: gay
LMAO
Without the extra cropping. I mean i might as well, i drew it all out after all LMAO
He's the reason why he can use the vines and Dreamthistles the way he does, but the more Mabaki uses it, the stronger he becomes, at least in terms of influence. And if he wants to, he can take away the ability to control the vines. (Totally didn't hurt someone because of this as Mbk watched, not able to control them at all, no no).
Bonus, he's the reason Mbk didn't fall to Mordremoth.
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Making a full post for my Fuuta Ballet AU because I actually had more thoughts about it hehe (Ballerina Girl)
+ a version of the au that's more general to the whole cast, with Es as the protag here!
As mentioned in the art, he’s exactly the same as canon except his life now revolves around dance. He’s in a very cliquey company (The Dark Pas de Trois?), surrounded by friends who are very similar-minded. Even though they're not in dance competitions specifically, they're constantly striving for better reviews/reputations than the neighboring companies. Fuuta struggles with stage fright, but doesn't let on to the others -- he just pushes through every time.
They visit a company rehearsing Nutcracker, and one of the snowflake dancers does something problematic backstage. Fuuta blasts him on social media for it, gaining popularity for his own account/dance company. Auditions and things go a bit smoother for them now that they’re internet famous.
There’s a scandal with the dancer playing the demon sorcerer Rothbart in Swan Lake, and Fuuta catches it on film. The video goes viral, once again boosting Fuuta’s popularity and ego. He’s praised as both a hero and talented performer. His friends are also soaring with this newfound fame.
Then, he catches a young background dancer in Sleeping Beauty doing something he deems worthy of a callout. He exposes her all over his social media. Rather than the usual social backlash, the girl is harassed in person. A crowd takes things too far, and an accident results in an injury that ends her career just as it was beginning. She will never dance again.
Facing his suspicious friends (and overcome with his own guilt), Fuuta flees the company. He plans on quitting dance for the rest of his life as well. Instead, he gets a mysterious invitation to the Milgram Dance Academy. He's never heard of them before, and the internet doesn't turn up much on them. Left with few other choices, he shows up for the first lesson.
The first thing that strikes him is it's a boarding school. He must live there and follow their rules in order to attend. They take his phone and restrict outside contact, much to his horror. The school solely focused on the arts -- no competitions, no big shows. There are three major shows they are planning, but Fuuta couldn't find any venues/tickets/advertisements, despite mention of a "global audience". The program is rigorous, and the instructor decides at the end of each semester if their final performance passes or fails.
The only thing more concerning than the sudden restriction of his phone is the strange group of residents he'll be spending his next few years with. His instructor is a mere child, no more than fifteen and very cryptic about their past training. His other classmates range in age and personality. He starts off dancing just as confident as usual, trying to show up the other students and make a strong first impression.
However, he fails the first semester. The grade list is made public to the whole academy, and Fuuta finds himself the subject of watching eyes and condescending whispers. Becoming sensitive to prying stares and audiences, he falls back into his usual stage fright. He endures (emotional) attacks from the passed students, although in his distraction he screws up some cues and gets injured.
Regarding the actual choreography -- as much as I love the classic shows (I mean, just look how cute he is as the nutcracker ;-;) my brain has been going brrrrr picturing ballet adaptations of the mvs... 🎹 / 🎹 / 🎹 / 🎹
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tease tidbit tuesday💀
tagged by @alliaskisthepossibilityoflove @daffi-990 @fortheloveofbuddie @disasterbuckdiaz @hoodie-buck 💖
hi! so, yesterday I randomly opened the doc with the buddie death cast au - which is a fic I started writing last summer on vacation and never got back to it but then made progress lol
it's gonna be MCD, which i know is not everyone's thing so feel free to ignore this 🤣
it's basically buddie in the universe of the "they both die at the end"/"the first to die at the end" books so it's gonna be sad, sorry lol (I never even read mcd, idk why i'm writing this but this idea just wants to be written i guess haha)
gotta put this weird mood I've been in lately to good use and finally write this 🤣
not sure if I'm happy with this snippet, but it all needs editing, the first two snippets were written on my phone and haven't been edited yet lol
I posted two snippets so far, gonna link them both
snippet 1 | snippet 2
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“Is all of this clear, Eddie?” she asks in the end.
“Yeah, sure, whatever.” he says shortly. He should've just hung up immediately. Or cancel this stupid subscription after Shannon died. Sometimes he wonders if maybe people who get the calls and coincidentally get into accidents, for example, just give up and refuse to fight because they think it’s their time. Not like Shannon could do much, her injuries were too severe when they got there, but the point stands. Maybe they get more reckless, thinking it doesn’t matter anyway.
There’s a short pause on the line, but then Jane speaks up again, her tone softer, more sympathy seeping through.
“I know it’s not easy to accept, if you’d like some help with that, on out website you can find therapists and grief counselors specializing in-”
“Listen.” Eddie interrupts. He’s spent enough time in therapy. He’s not doing it on his supposedly last day. “I know it’s all bullshit. I don’t care. You said what you had to say, I listened, for whatever reason.” he rolls his eyes. He really should’ve hung up, or not answered at all. “Is this conversation over yet?” he asks and is met with another moment of silence. She’s probably wondering what everyone else always is: why is he even spending money on this if he doesn’t believe. He has an answer ready to go, but that’s not what she asks.
“Can I ask you a question?” she says quieter, whispering, probably not allowed to go too much off-script.
“Sure, why not.” he shrugs. He’s wide awake now, anyway, he’s not in a hurry. Not like he’s dying anytime soon.
“If it was your last day, how would you spend it? You don’t have to answer, just think about it.” she adds quickly, her tone much softer and gentler now. Eddie’s mind immediately supplies a picture of Christopher and Buck, just a casual hang-out, like usual, maybe going to the movies, or the aquarium, or the planetarium, something fun for his kid. And later a gathering with the rest of their family, maybe a barbecue at Bobby and Athena’s, with Maddie and Chim, and Hen and Karen, all their kids, just everyone having fun together. Yeah, that’d be a perfect day. “There’s no harm in spending today just like this, if possible. Just in case.” Jane adds, still whispering. He doesn’t tell her that’s more or less his plan, anyway, for the evening after his 12-hour shift. During which nothing will happen to him, because Death-Cast doesn’t know shit. “Well, lastly, Eddie,” Jane’s voice is back at normal-volume, tone strictly professional but sympathetic, as she recites the end of her script, “on behalf of everyone here at Death-Cast, we’re so sorry to lose you. Live this day to the fullest.”
Eddie hangs up without a word.
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