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#had to  sketch this scene messy or now
soft-cryptids · 1 year
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“It’s okay, baby girl. I got you.”  ____ more of my artworks: (x) you can support me on Ko-fi! (x)
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foxaoxarts · 1 year
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BEE KISS TOMORR- *dead* /j
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If anyone wants to watch me drawing this like a little victorian child then the timelapse is below the cut 🤣
(FLICKER WARNING. It's all through out so be careful!👍 )
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How did catnap died..
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quick messy sketches, their ages are around 20 when this happend so it's been 5 years for Dogday to grieve his best friend...
basically Dogday and real Catnap were a duo in the old planet saving crew, their job was to secure planets filled with danger.
Catnap wanted to prove to Dogday that he can do it on his own as a bet ( they were both pretty cocky back then ) but it all went wrong when space thieves had dangerous weapons that can cause damage to your organs ( they missed the first shot thats why he has a missing ear, he's was pretty fast )
Dogday was to late to the scene and couldn't save his friend anymore all he has now is his symbol to keep memory of ( the sun )
also extra funfact these space thieves are pretty important to Alien Catnaps situation but you'll see that in the future chapters
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hijacking-hearts · 8 months
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YO! I'M ALIVE! HOW ARE Y'ALL!?
I bring gifts for y'all! Please excuse me and my tendency to disappear!
First art:
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I've seen so many fanarts of the scene where Quackity just stares in confusion at Richarlyson's signs. Bro that stream had me fucked up dude.
Second art:
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Quackity when he was being taught how to write. Couldn't quite decide wether this is with Cucurucho or Cellbit so I'll leave it up to y'all which one y'all wanna interpret it as.
Third art:
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A very happy and definitely not delulu Mr. President Forever. Bro the fanarts of this man do a good job of capturing his forced decent into madness. Someone save this man.
Fourth art:
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Today was the first time in a while I managed to catch a Philza stream, he tends to stream when I'm working so I can't always catch em so I'm super glad I caught this one. Bro I got to see the Philza Minecraft rping like bro.
Anyways this is from the scene where forever hears the ticking that only he could hear and then pulls out a fucking gun on Philza. That shit had me shook.
And now for some super messy sketches:
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Alright so the first one is this idea I had where ElQuackity would be 'dancing' with his twin in some twisted form of like the waltz or something. Quackity is like heavily implied to be unconscious and stuff.
The second one is just a quick little sketch to show the physical differences between the twins. It's not as precise as I would've like it but eh.
The last two are from the stream of Quackity's return, sad wet duck and then happy wet duck with his pan con aguacate!
Anyways hope y'all like these, imma pull a Quackity and disappear for like a month so... yeah! Bye!
( Oh! Rápidamente! Si usted quieren y'all can leave me some requests in my inbox! Hopefully eso me motivará a dibujar más and to post more as well! )
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callsign-rogueone · 1 month
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braids - b.s.
Brennan Sorrengail x reader (duchess!) ✉️: Duchess has her hair in traditional braids right? Do u think Bren would learn how to braid her hair? And do it on days that she's tired or exhausted. Or maybe he would help her get the braids out of her hair at night. words: ~1k 🏷: no book spoilers, no triggers. just my response to the above and my thoughts about Bren, Duchess, and her hair. I promise there’s sweet headcanons under all my rambling about how I picture her braids. and I tried to make this as inclusive as possible and discuss multiple hair types, but I’m not very knowledgeable about that so I apologize if something is wrong!
The short answer: yes, absolutely. Brennan is a caretaker and protector first and foremost. It’s why he became a mender; he’s the eldest of the family, takes responsibility for younger siblings, and he’s just that kind of guy. He’d take incredibly good care of you as his partner, and that extends to every aspect of your life, especially your daily routines and self care.
The (very) long answer: I’ve purposely left descriptions of her hair as “intricate traditional braids” both as a nod to the Tyrrish knots that Xaden has Violet learn in the books, and for inclusivity, because I think that description can apply to anyone. The exact styles, the care required, and the length of time that she would wear them (doing them up on a daily basis, or leaving them in for weeks/months) depends on her hair type, so I’ve been leaving it up for interpretation because I want to cater to everyone. But I think that regardless, Bren would absolutely be willing and eager to learn how to help you with it.
I’ve never watched Game of Thrones, but I’ve seen pictures and clips of Daenerys, and she was a major inspiration for Duchess -- powerful woman of noble status who commands (or in Duchess’s case, speaks for) a riot of dragons, shows femininity through her dress and hair, but isn’t afraid to fuck someone up if they wrong her or her family.
So I’d imagine something like her character wears, but a bit more practical for fighting and training (maybe ending in one braid going down her back instead of having a half-up, half-down thing). Some examples I found on pinterest:
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Another thing I’ve been imagining is several tiny silver charms / clips woven into the braids, decorated with runes (this will come into play later on in their story 👀) like these.
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Now for the headcanons:
As we saw in allies, Bren recognized the braids as something of traditional importance, and it was one of the things that drew him to her. He loves and admires her dedication to her culture, and he also thinks they're absolutely gorgeous -- the girl looked him in the eye and said his name and he folded. Man was smitten from day one. 
He loves seeing you with them or without them: the first time he saw you with your hair down, completely out of the braids and messy, loose, it changed his brain chemistry forever (it didn’t help that you were half-dressed at the time, as well, but I digress)
I didn’t want to get too into deep this, because I do have a scene like this sketched out already, but I’m a weak weak woman so I’ll give it to you anyway:
One of the first few times y’all ~spent the night~, he was entranced watching you fix up your hair in the morning, at the ease and speed with which you redid the sections that had come undone / smoothed everything out, put the clips back in, and got it ready for the day.
He would have offered to help if he wasn’t so shy about it (still in disbelief that this actually happened, and she’s still here), and if you didn’t seem so capable yourself; after all, you’ve been doing this on your own for years now.
Braiding behind your own head takes some considerable upper body strength, so if your back or arms are injured, he won’t hesitate to help out, because he knows it’s important to you and he wants to help, wants to be close to you, and even after he mended you, he still doesn’t want you straining yourself.
You’re a little skeptical at first, but you quickly realize he knows what he’s doing. Think about it: this man is the older brother of two sisters, with parents who worked long hours at high-stress jobs. He absolutely knows how to properly detangle and brush (starting at the ends, being gentle with it) and can do basic braids, etc. 
He’ll stand behind you and help you take them down, incredibly careful not to pull too hard. When they’re all out, he’ll work his fingertips into your scalp ever so gently, noting the way you sigh in relief. Gives the back of your neck some attention, too. Those hands… sorry, where were we?
He’ll also help you do them up again -- they may not be as fancy or as pristine as if you did it yourself, but they’re pretty good. He’s bashful about it as you look over your shoulder in the mirror to examine his work, but he practically glows when you thank him and tell him he did well. 
He keeps a few of your hair bands in the pockets of his flight jacket in case one breaks. Not embarrassed to wear one around his wrist, either -- his hair isn’t long enough to use it himself, so it’s a clear sign that he’s holding it for someone else, that he’s spoken for.
I talked about this the other week in some Garrick headcanons I did, but I’m gonna say it again: hair washing. 
It would take a while for y'all to get to a point where you can shower together because you're both shy nervous bbs for a while, who can’t hold hands without bursting into flames (no pun intended) but like, after you're married, for sure. 
He really gets in there, gets all the dirt and blood out, washes the day off and leaves you nice and clean and relaxed. He does not miss a single spot. Helps you condition, rinse, and dry it after, too. Full service, complete with forehead kisses.
Another thought that I won’t get too far into, and am leaving as a strict hypothetical: IF you were to have a daughter, and IF she wanted to wear her hair like her mama does, Brennan would 100% be on the job. The Duke Consort of Lindell and the Colonel of the Tyrrish army has years of experience brushing and braiding and detangling, and he takes incredibly good care of his girls. They’re gonna be looking fresh at all times.
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h0r0gur4mu · 1 year
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Retracing the Footsteps of Those Who Got Lost in The Snow
so desperate for content they got me writing my own material
pjsekai card ass title 💀
stream arctic monkeys
cw: hurt/comfort, gn reader, lots of cuddling damn, implied family issues so true, so self indulgent that it’s insane
Deleting soon
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New York always looks different painted in white—it sort of catches you off guard every time. Not in a bad way, but a more or less hopeful way. The world is still spinning and you’re still living. Somehow.
So after months of having little to no tension with your family mid-winter, you were sort of shocked at the sudden conflict that arose. You didn’t want to ruin an otherwise perfect winter—so you did what you always did whenever such things happened. Run into the always open arms of the Morales’.
“I’m sorry for bothering you all again,” You whispered. You were always on the quieter side but whenever fights went down you lost your voice far easier than any other time.
“Nonsense! You know us, we’re always going to be like a second family to you.” Ms. Rio said. She never failed to make you guilty, not because ever purposely did so—but because her kindness was overwhelming. You felt as if you could never repay that.
“Yes, we always have a home for you here,” Mile’s dad gave a rare smile, not that he didn’t smile, it was just more heartfelt than the ones he showed when he was joking or laughing. All these observations you knew over the years because you depended on them often. It had been easier when you were younger though, mostly only coming over because you were playing with Miles. You balled one of your hands up into a fist trying to fight that overwhelming nostalgia.
“(Name)? Are you alright? I’m going to call Miles to come dow—,”
“N-no sir. —Go up there myself… th-a-ank you.” You fought back tears and made your way to Mile’s room, avoiding his parent’s concerned gaze.
A knock on a door. Just a simple and quiet knock that takes you back that far. You can almost see your younger self racing around with glee, being reckless. When you didn’t lie about being loud and extroverted just to please a crowd; it felt so long ago but it was just a few years ago.
“Dad I’m not hungry!”
“A-ah! It’s not—!”
The door swung open before you could finish and you were quickly wrapped into a tight hug. You couldn’t help melt into it. It was so warm and comfortable—you could feel your heart pounding. You did your best to cling on to the wall that was holding back the hot tears that were basically begging to be released, but you kept it in anyway.
“It’s pretty snowy outside, huh? I’m drawing a picture of it—actually.” He always did his best to distract you. And who were you not to give in?
You nodded, signifying that you wanted to see. You entered his room and immediately felt calmed down by the familiar atmosphere. The tranquility of it was dear to you, but so ways a utter messiness of it that made it feel like home. The windows had those same yellow curtains draped over them, but in between the cracks you could see a winter scene outside.
Hopping onto the bed, you wrapped yourself with the blankets. Miles sat next to you, bringing you into his arms. He kissed your forehead and flipped through the pages of the art book, reaching a page with a sketch of Mile’s home from the exterior view. “Alright, now give me those art skills.” He nudged you.
Alright, yeah, you did art every once in a while. You didn’t do it as much though. Not after…
“Dunno… em…phasize the frost in the window. They wouldn’t look that normal.”
“See! You’re good at art without even trying.” He started to add shading to the windows, making sure to leave snowflakes on top of them.
“Th…” You didn’t want to stutter but at this point it felt like at any moment you were going to overflow. So you stayed silent. It engulfed the situation uncomfortably. In between those non-existent lines layers of trauma was stacked in your words. And it was separating you and Miles. You knew it was.
A tune interrupted the silence. It was so soft and quiet that if the two of you had been speaking neither would notice. You gradually made your way to the window and looked out down onto the street. There it was—a double decker bus decked out with Christmas decorations and playing to the tune of Jingle Bell Rock. You stared at it in awe with child-like wonder. Then the feeling of nostalgia hit you like a truck.
You remember begging your parents to take you on one of those busses, so short that you thought the top of those busses might as well be the empire skate building. That if you reached high enough you could touch the stars. Did you ever end up going on one?
You already know the tears are falling down your face. They are just as silent as the room was before. And you can feel the comfort of the Miles’ hands wiping them away, and just for that night, your fears and terrors were wiped away too.
And somehow someone found you in the middle of a blizzard.
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bluginkgo · 4 months
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"Nice Corpse House My Guy" Remastered Behind Scenes!
The most glaring and obviously annoying thing that's evident in this comic- if you even wanna call it that- are the god forsaken BACKGROUNDS. There was a lot of experimentation going on for backgrounds here. Because the first couple pictures, THAT is what I used to draw backgrounds as. Trees are sticks and grass is flat. I realized that wasn't gonna cut it. I didn't like it at all. So I started experimenting and boy was it messy. It finally sorta settled on the style by the end of the comic. I'm still unhappy with it, but it'll have to do for now.
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Here's a small comparison
One thing that I ran into was how I was gonna show that N was in his "killer mode." I could have placed the X's over the pupils, but found it unnatural looking in my style. So instead, it was settled to a concentrated light in the pupils.
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Best seen between these two. The second N snaps out of it, the X/light in his pupils disappears, and the normal light returns to his eyes, which is similar to Uzi's.
Another thing I started slowly including was Uzi's little tooth on her beak.
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The jutting out portion on her beak is a personal touch. Although it doesn't really matter, I included it to separate her from the rest of the "worker drones." Seen as she's an absolute solver host and has a solver form, something was going to creep up in her crow design, hence the little teeth. Doll would have them too, given I draw her in the form I've been thinking about.
Another thing I ran into, was WHAT WAS UZI GONNA TAKE N DOWN WITH?! This is a bird vs. a dog! No way was a bird gonna decommission a whole dog! Then this scene came up in my recent rewatch of Murder Drones.
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And it clicked. Loooong long time ago, I had a very specific hyperfixation: birds. One thing I learned that some pigeons do, was they're capable of doing a somersault. And in mid-air, too!
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I was finally set. The SICK AS HELL RAILGUN was downgraded to a simple piece of shiny glass/pebble that attracted Uzi- and crows love shiny things. And the same pebble will be used to launch at N's sensor that made him trip over. Because I was also not going to draw N doggo losing his head. I love gorey and bloody shows and art- hence why I watched Murder Drones- but I honestly had no idea how to recreate that, and I suck at drawing gore in general, I mean, did you SEE the crow N was chewing on? That was my best try honestly.
Here are some progress shots and how the layers worked in the scene where N is bonked with a stick.
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As per usual, start with a sketch, this is actually 2nd sketch. The first is much rougher, just some circles and random shapes to outline his body form.
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Then, this is all outlined and rendered. Along with some additions like the stick and the little rock.
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The background was the hardest, aside from some weird angles I picked to draw Uzi and N at. I suck at backgrounds, like I've mentioned many times before. So, this needed a lot of testing and experimenting. Most of this works because I found some cool brushes to use. But aside from that, I honestly still don't like how it looks. It's slightly better than my stick trees and flat grass though, I guess.
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Put it all together, add a black layer to simulate nighttime, put some lights to show moonlight through trees and voila, you've got an N doggo that got bonked by a stick! I see this project/comic mostly as practice and testing. Background testing mostly, and some brushes. The background/brush testing actually spilled over into another post of the solver Uzi I made a bit back. I'd say I was pretty happy how it turned out, but brush wise, I was going to test around a little more.
NUzi comic 'Sleep' is my next project. Uhhh, don't ask me when I'm gonna have it out, I have no idea. I'm guessing sometime end of Jan and beginning of Feb. But that might be delayed seeing as Murder Drones ep7 should be out sometime soon too, so I'll need to go crazy about that for a bit and then I'll go back to my usual thing ^_^ 'Sleep' will take place still between the Pilot and Heartbeat.
P.S. I have all 26 pages story boarded... good god what happened to the 'mini' part of the comic 😭
Anyways, why are you still here?! Have a cookie ^_^ you made it! Have a nice day now, bye bye <3
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sneakertin · 6 months
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if anyone is still interested in the bounty hunter tentoo au, here's my huge little ramble about it!! it's a bit wild. sorry not sorry.
also, there's some more details in this post, in case anyone missed it.
and here's a couple of sketches, of course^^
ok so. when tentoo finally finds thirteen and yaz it's almost like an episode-style kinda story with him as the villain of the week, simply because i think in this format. after he has his hysterical little explanation of everything that's happened the doctor is visibly traumatized and yaz is profoundly concerned. predictably, he tries to kill the doctor(but not yaz). they manage to get away, and now she has to tell yaz about who tentoo is. she basically sits her down like a grandpa and tells her the entire long ass story. reasonably, yaz has very conflicting emotions about him. yes, his story is heartbreaking and all, but he does want to murder the woman she loves?? anyway. tentoo soon finds them again. he's a very tough enemy, maybe one of the toughest the doctor has ever met. he spent years preparing for their confrontation, he has her memories and her mind, her thought process. not only that, he knows all her weak spots and all her insecurities(he's a bit like the master in that respect). at first it seems like he's always a step ahead of them, but that soon changes. after all, he is extremely mentally unstable. he has been running on spite for the last ~15 years, and the doctor is much older than when they last met. he may have her memories, but she had plenty of time to gain new ones, to become wiser. this goes on for a while, tom and jerry kinda shit, but tentoo looses in the end.
also, there's this little scene where he stumbles upon the tardis while chasing the doctor and yaz. he sees her, stops dead in his tracks. he hasn't even realised how much he missed her. he approaches slowly and feels a faint presence in his mind. his telepathy is very weak, his time sense practically gone. he leans his forehead against the door and tardis welcomes him. he almost cries. that's the first friendly telepathic contact he's had in years. he feels at peace as he reaches for the door handle and.. it doesn't open. he tries again. she doesn't want him there, he realises. anger rises in him. he kicks the door.
"Oh, I see how it is. You want to protect her. You know that I'm going to hurt the Doctor. I mean, of course you do. I don't know what I was expecting."
he gives her one final, longing look before leaving.
initially, he dies during their battle. killed by his own weapon or something like that. it's all very dramatic and tragic, he forgives the doctor right before dying and asks her to live the life he couldn't. she gives him a gallifreyan funeral. she and yaz hold hands as they watch his body burn. the doctor has a strong sense of deja vu.
BUT then i thought that i don't want this story to end so soon because i need something to think about during the day, and i'm not ready to let go of this au yet. so, i made tentoo travel with thirteen and yaz!! this doesn't make much sense but it's fun so i don't care. the doctor feels insane amounts of guilt over tentoo and she desperately wants to make it better(it's a rather selfish decision, very typical of the doctor). and tentoo probably just realises that the doctor is not nearly as evil as he thought all those years. meeting her in the flesh reminded him of when he was her, of the fact that he never did anything out of any malice and yet people still blamed him for the things that weren't his fault. he's completely burned out, all the fight leaves him. on a subconscious level he just wants some company, wants to travel properly again. and after all the shit he went through, the doctor is probably the only person who can understand him. so, to his own surprise, he agrees. yaz is not too excited about bringing a serial killer aboard, but she sees the potential in him.
their battle was messy. his spaceship is destroyed, and it feels like the end of an era. they walk back to the tardis in silence, there's rubble all around them.
he realises, as he stands in front of the blue box, that he's trading one stolen spaceship for another. that brings a laugh out if him and yaz gives him a weird look. by that point, the doctor is nearly vibranting with excitement.
"Ready to see what she looks like?"
right, the tardis must have redecorated. he nods. the door makes a familiar creak as he takes a step forward. his jaw drops.
"Oh, you gorgeous!!"
he rushes ahead and moves around the console, touching the corals and admiring their colours. yaz is a bit shocked at his surge of enthusiasm. he seems so... doctor-like, she thinks. yes, his smile is manic and his eyes are filled with pain. his face is marked with a scar and there's nothing but an empty space where his right hand used to be. but in that moment, he is human.
slowing down, he runs his fingers along some buttons with a solemn expression. he lifts his gaze up at the moving column.
"I'm sorry for kicking you. You were doing the right thing and I... I was just upset that you didn't let me in. You understand, don't you?"
the tardis makes a low, gentle noise. he smiles.
"I missed you too, old girl."
he startles a bit when the doctor approaches from behind.
"I take it you like her new look." she laughed, awkward. "Erm, listen, I wanted to ask... About your name. Or, the lack of one. We couldn't very well keep calling you the instantaneous two-way biological metacrisis, could we? Now that you're not trying to kill me anymore, you could be the Doctor ag-"
"No!" he blurted, suddenly. "I mean, I... I don't wanna be you. I'm not you." she stared at him, open mouthed. "I think I wanna be my own person now. Fresh start, you know? Not the Doctor, not the Verisian Slayer or whatever it was that they called me." he looked lost, scared by the thought of his own future, but determined.
"That's the spirit!" she grinned and slapped him on his back. he grimaced. "Sorry. Anyway, we still need to come up with a name for you! How about good old John Sm-"
"Absolutely not!"
"Alright. John Handy?"
"Be careful, I might change my mind about not trying to kill you. By the way, you owe me a new hand." he angrily flapped his empty sleeve at yaz. she raised her hands in defence, laughing. she felt a bit guilty now, for nicking and breaking it earlier that day. oh, what a mad day that was.
"I'll make you a one! Back on the topic, how about James? You know, like Jamie Mccrimmon."
his shoulders sagged and she saw his eyes fill with memories of an old friend.
"Yeah, I think I like that."
...
AHEM!! got a bit carried away there. this thing nearly turned into a fic, but i'm not a writer so it's probably very messy. i don't wanna pull the "english is my second language" card so i'll just apologise for the ungodly amount of grammatical nonsense. sorry.
ANYWAY, they start traveling together and it's literally the most dysfunctional friendship ever. you may be thinking: "how is this gonna work? are they just gonna forget about the fact that james spent the last ten years killing people left and right?" well, he can't be any worse than the master, right? but he is a very troubled character and he spends a lot of time trying to recover from everything that's happened. the doctor and yaz are there for him all the while.
as for their relationship... basically, the doctor is very protective of james. as i said earlier, she feels directly responsible for what happened, even tho he doesn't really blame her anymore.
also, damn. that name change is very sudden, isn't it? i still can't tell if it's cringe or not. but i don't want him to go back to being the doctor, so it's not like there's any other options. the way it works is that he doesn't actually reject his past. has the memories of being the doctor and even tho he didn't actually live through them, to him it feels like he did. he was the doctor up to a certain point and then he became an entirely new person, albeit with a mutual past with her. he finally embraces his humanity. during their travels he is surprised at how refreshing it is to be in the role of the companion, to not be the doctor anymore. he no longer feels the weight of all the responsibilities and expectations that come with that bearing that name. people no longer blame him for every little thing gone wrong, for the most part. he's relieved to feel that kind of freedom, but at the same time he feels sorry for the doctor who is still being treated like that, and probably always will be. tho he is faced with his own bad reputation occasionaly. someone recognised the doctor and james once and called them "the doctor and their personal assasin".
relationships, yes. james has no problems getting along with the doctor, for obvious reasons, but he and yaz take some time to get used to each other. in the end, they bond in a way that i can't really explain. he sees right through yaz, and it kinda freaks her out. he immediately recognises the exact kind of relationship she has with the doctor and oh boy, he turned himself into a fucking matchmaker. you'd think he'd be horrified at the prospect of the doctor falling in love with a human again, considering the massive trauma he has regarding this topic, but no. i guess that as a human he takes it much easier this time around. he is mortal, and so is yaz, and that kinda makes her seem less fragile to him.
OH!! i forgot to mention the little running gag i came up with. so, every now and again james gets his prosthetic broken, or stolen, or eaten or absolutely obliterated in the most unpredictable comedic way possible and he gets soooo mad every time. at one point they meet the pting again... you can guess what happens.
oh, i was also thinking about bringing jack into this whole mess because i'm obsessed with tenjack, but i'm still not sure about that. i was just wondering how different their relationship would be if the doctor was human. we already know that jack loves the doctor and will probably never stop. but james doesn't have much of his time lord senses left now and therefore he wouldn't be able to feel jack's "wrongness". moreover, he spent years with barely any human connection and now he's desperate for it. most importantly, the majority of the doctor's relationship hang ups are based on their immortality, and guess what!! james doesn't have that anymore. he's not the doctor, he's changed, but he still has the memories. jack is still his friend. with nothing holding james back, i truly think he would be able to return jack's feelings. or maybe I'm thinking to much about it. maybe i just everyone to be gay, who knows?? i honestly don't know just how weird it would be if they were together but, my god, i just want them both to have some comfort, something that goes farther than friendship.
anyway, jack joins the dysfunctional trio post revolution of the daleks(for him) so he already knows thirteen and yaz. you can imagine his shock when he sees james. james is no less surprised. a wave of insecurity hits him and he immediately tries to explain to jack that he's not who he thinks he is. that's he's not really the doctor, that's he's that weird little guy who grew out of The Hand. jack hears his words, but goes for a hug anyway. james sighs in relief. at least he doesn't have to deal with rejection again. he's also startled to realise that jack doesn't feel wrong anymore. it's supposed to be a bad thing: his mind can no longer sense the timelines. but instead of panicking about it, he just chooses to relax in his friend's embrace. the doctor looks at them, and smiles.
...
aaaand that's all i have for now!! when i tell you i nearly died trying to convert all my loose thoughts into a semi-comprehensible text. you a real soldier if u read all that. hope you enjoyed<3
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descenacre · 7 months
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Art Tutorial (aliased brush, oil painting look)
I've been using Pikmin Echo as a springboard for myself to practice new art techniques!
I had a few people ask me how I draw backgrounds in paint dot net, so I quickly drew this image you see below!
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Now, there isn't one process I use, I mostly freehand it straight from the noggin to the paper. I barely use references, and I really should use them more often!!
But this should show an outline of generally what's going on in my mind when I'm doodling a doodle :)
Step 1: Choose sky color
I personally like to use either a light blue or a light orange!
This reference uses a light orange so I'll steal it.
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Step 2: block the main contrast out with a big brush
There is a foreground and a background to this scene, a clear light and dark.
It's much easier to work with a blocked out pattern! It's like the sketching equivalent in this technique.
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By the way, I'm using an aliased brush because I'm a pixelart nerd (so retro 🤓☝️) and also because it makes selecting blocks of color much less messy! But trust me, it will look soft in the end :)
Step 3: Look for blocks of common color
I see big patches of blue and orange when I squint my eyes, so I plot those in!
Look at how the light comes from the top right, it illuminates the trees on one side!
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Step 4: Look for hue variations in the lights
Natural colors are never going to be flat or homogeneous--theres variations everywhere!
Add in greenish, reddish, bluish and yellowish patches, and even if at first it's a little scary to stray from such bold colors, I promise, gray is essential to making a truly vivid image!
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Step 5: move on to the darks
The tree trunks in the left shade looked blue to me! So I toss in some blue splotches.
Don't worry if it looks messy. You can always clean up your messes later <3
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Step 6: Fine detail in the very back
Going just like a traditional painter, painting the back first is perfect because you will later paint over the back layers with the front ones, creating realistic layers of texture!
It is much easier to go back to front than the reverse.
Think about the shape design and the flow of all of the elements.
The mountains curl up and down in very specific ways, and the trees look like circles from very far away, with leafless outliers few and far between.
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Step 7: let's take a break from the canvas and do homework
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learning how to simplify incredibly complicated shapes is crucial!
Trees, grass, rocks, everything in nature has very complicated structure, but you can simplify them very much!
With newfound respect for the complexity of nature, start noting down the elements of your scene in more detail.
You can move your reference around and crop it so that it's easier to perfectly replicate what you wish to draw....but....
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personally, I like to use the reference more for vibes and just ad lib the rest!
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Study the general shapes of your reference, and apply them in new, unique ways!
I hope this tutorial was helpful for you!
Please feel free to rb this post with any art you make with this! I'll be excited to see what you create :)
Thanks for reading!
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saintbleeding · 1 year
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[ID: Comic of Jon and Martin from TMA, portraying part of their dialogue from MAG 154. Jon is a tall British-Indian man with long, curly hair and a beard, both of which are patchy due to facial scarring, and shot through with grey and white. He wears a partially-tucked business shirt and rectangular glasses, and his hair is tied in a messy bun. Martin is a short, fat, white man with neatly styled, desaturated ginger hair and very pale skin. He wears the waistcoat and trousers from an olive-green three-piece suit, and his sleeves are rolled up and tie loosened. The dialogue shown is the following:
ARCHIVIST: I think I’ve found a way for us to leave the Institute. MARTIN: O--kay? ARCHIVIST: Yeah... But it’s- it’s pretty drastic. MARTIN: What, you going to gouge your eyes out or something? (gets it) Fuck off.
Jon squeezes his hands together apprehensively, then slowly lowers them as they speak. Martin’s facial expressions are sardonically amused until the pause in his last line. As Jon tilts his head forward forebodingly, his eyes glowing dimly red in the low lighting, Martin’s face shows unconcealed shock and then perturbed affront when he says “fuck off”. The background is a dark, mottled green, and their dialogue is shown in two distinct fonts in pale teal. End ID.]
this week the general menace and also specialest boy in the world @hotdrinks introduced me to two very cool things: automatic drawing as a warmup/cool-down, and thinking about the physical circumstances during jmart’s 154 convo, and the combination thereof had me sort of sketching out my idea for the whole scene (which i may or may not ever actually do anything with). these few frames rly amused me so i expanded them and now i am laying it at ur feet and running away love and light xoxo
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vikugnavikugna · 5 months
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Small messy sketch after finishing arc 1!!! Overall my third time going through this one arc now. I liked it, kind of had to force myself to continue at some points because I remember so much of it at this point lol - this is continuing to be a problem with arc 2, which I also got through twice before! Originally I wanted to recreate the drawing Jamie did in his book of Sy after 2 assignments, but this little scene in the second to last chapter got me. I always really enjoyed Jamie as a character - I vaguely recall telling my friend he's my favorite Lamb the last time I tried getting into the book - and his relationship with Sy is so damn sweet. The vague memories of what will come later only made my heart melt more, they're such besties 🥺🥺🥺
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rileys-battlecats · 27 days
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I found some old messy thumbnails from when I was working on The Garden!
Unfortunately I couldn't find any more, I think these might be the only ones. I don't actually remember making them?? I don't think I did them for most of the video, I think these were just scenes that I was having trouble visualizing so I had to plan them out roughly before committing to doing full sketches.
I started by planning how many images i wanted there to be, sectioning off the lyrics (or the musical beats/chords/whatever they're called) so that it would flow the way I wanted it to, and then I would fill those spaces with frames that would communicate the message I wanted for that specific part of the video/song.
These might be the first instances of me planning out my videos through tiny thumbnail sketches, which is now part of my standard video-making process. Neat!
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bonefall · 6 months
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If you flip the spade upside down and put it on Gorseclaw’s neck, it could kind of look like a tie
Hello anon with the most convenient ask in my inbox, you have been selected to receive a FLOOD OF SKETCHES
I had only drawn Gorseclaw and Ripplestar before, and I'm about to do a redesign of Larkstripe so that she has the "hearts" motif that her son gets. I did a bunch of sketches just to try and figure stuff out so, messy post
Glossary:
Ripplestar
Gorseclaw and Spottedpelt
Larkstripe
Birdflight, Marshscar
After I post this I'm gonna jump back into Clip to play with Cloudstar next
RIPPLESTAR
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[ID: A sketch of BB!Ripplestar. The text points out his major features and reads, "Heterochromia: Amber + Brown." Smooth scruff, with an arrow that points out the shape. Ginger on 1 side. Deer-eared. 3 layers with an arrow that points out the three stacks of fur on his chest. Wooly, kinda like a half-shorn sheep.]
I've actually drawn Ripplestar a lot in the margins of my notes and such, so this design's pretty solid.
I change the side the hearts are on, plus the number of hearts, literally every single time I've ever drawn him lmao. It dozen madder.
What DOES matter though is that there's a HEART over his BRIGHTER eye. I use it as a bit of a visual metaphor, if he's trying to size you up or negotiate with you, he keeps you in the bright eye. When he trusts you or becomes comfortable with you in some way, he turns the brown eye on you.
So in most scenes where he's not talking to family I imagine he's not fully looking at his conversational partner. Especially on the Highrock as leader of ShadowClan, because the layout makes the leaders sit side-by-side. Might as well play with that simple logistic fact, y'know?
He does this because I imagine this marking kind of intimidates people. It's like the ginger of his eye socket has set his iris ablaze with fire, while the other is as cold as rain-soaked peat.
The ear on the "colorful" side is also orange. All of his orange is on one side, except for his tail-tip.
He's actually distantly related to Nightcloud-- his Honor Sire (who was known but not involved) went on to have a mate. So he's the half-brother of one of her ancestors, and Nightcloud has inherited this thick, wooly fur texture.
Again, I draw him a lot so this was the easiest one. I didn't have to decide anything besides that I made his nose into a cute lil carebear heart.
The drawing I did for this synopsis of Ripplestar's Rot was actually the first time I drew him, for comparison! It's fun to see what's been streamlined.
GORSECLAW AND SPOTTEDPELT
FIRST sketches didn't feel right.
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[ID: BB!Gorseclaw and BB!Spottedpelt. They have long, curly tails, long claws, and bell-shaped heads. Gorseclaw has a sharp 'tie' on his chest, and Spottedpelt has a heart]
I feel like Gorseclaw's spades look too much like diamonds in this one, but I was really going for a tie.
I've been giving him those sideburns for months, so, they don't really fit the "shape theory" but I'm having a hard time removing them lmao.
And this is the first time I drew Spots which is a shame. I love a bad bitch.
If you look at my designs, you can notice that I have a few traits that cats from each Clan "tend" to have. They're all pretty genetically similar actually and there's a lot of crossings between the groups, secret or otherwise, but some traits just get selected for more than others, and StarClan is likely to toss them into kits. SkyClan has saggy skin (like a bear) and really bendy tails.
Don't think it's come through well here, though. In future drafts I'm going to try and make them saggier.
(Why? It actually helps them against insect stings and impact damage, like falling from trees and being hit by branches)
Then I went on to draft 2,
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[ID: Second draft of the characters above. Spottedpelt is fatter, with "dapples" on her back which are actually spades, and a distinctive spade-shaped mask. The ears of both siblings are now spade-shaped, and Gorseclaw's tie is different, along with Spottedpelt's heart with is now more of a medal.]
I like Spottedpelt a LOT more in this draft. That's probably going to be close to the final design I do, I'm really vibing with the dapple-spades.
I DON'T like Gorseclaw in this one though, the face shape reminds me waaay too much of Dustpelt's familial face-plate. Absolutely going to revise that, probably making it more mask-like akin to Spots'.
Also very proud of myself for the spade-shaped ears.
Hate Gorse's tie here though, that's not a tie that is a stinkhorn mushroom.
But Spots' medal is excellent. Absolutely keeping that. She is a distinguished little war crime kitty
Still not fat and saggy enough. Coming back to this. I need to learn how to draw a primordial pouch.
LARKSTRIPE
I'm trying to redesign her and I'm losing :/
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[ID: BB!Larkstripe. She's a very plain cat with a string of hearts from her eye down to her leg, with a heart-shaped nose, cutie marks, and a heart-shaped tail tip]
This was the FIRST first draft of the redesign and that heart chain is underwhelming.
It felt like too much of a downgrade from the diamond-pattern Larkstripe I did, and I'm worried that maybe it's because diamonds just look so much nicer in a "chain"
I feel like I see too many perfect hearts on chests in WC designs, so when I do them, I try to do something weird with them like what I did to Heartstar
So I turned hers into a little fur tuft splash. I like the idea tbh, I might repurpose it for another design.
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[ID: A version of the above sketch with bigger hearts on the chain and a single heart on the flank, followed by another sketch attempting to make the stripe more "blobbish"]
I'm beginning to think that maybe I don't like the sketches because Larkstripe is sad :( I like when I can draw her angry, before the strikebreaking broke her
And unfortunately she is the absolute most tragic character in BB. They took the fight out of her. I figure it would be symbolically fitting for the heart shape on her chest to "break" after Dalestar's decree.
For those asking questions, no, she never joins Skypelt. She is convinced she did the wrong thing and ended up unleashing an era of suffering on the Clans by having Ripplestar follow in her footsteps, though she had no control over him.
She's a character who would offer her life as an example during trials involving the Cleric's Vow, especially since I've gutted Moth Flight in BB. She argues about how important it is to avoid birthing cats who will claim their conquest is holy in the name of their parents.
She would also have something to say to Mudfur, admonishing him for breaking his Vow so openly, even saying that he's responsible for Leopardstar and all of her choices.
Basically, Larkstripe is beaten. She is a very tired, shameful spirit who repeats exactly what Silverpelt told her, during her own trial. She's so grateful to be here that she acts with devotion towards it.
Hurt people hurt people and all
But anyway, I still feel like it's a bit of a downgrade from the older design for Larkstripe, so I'm probably going to keep playing with it.
BIRDFLIGHT AND MARSHSCAR
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[ID: BB!Birdflight. She's a tabby with the spades motif, long bases stretching up into hears on her shoulder, side, and flank.]
I want her to look old and tired. She's got that Leafpoolyness about her.
She's technically the very first member of the Tigerkin family, and has those characteristic long-claws.
I imagine in Clanmew her name is actually Yassgafba, "Raptor preparing to take flight." I have this really sad mental image of a majestic hawk that keeps spreading its wings, as if to take off and fly away, but never does.
Fitting, because she waited her whole life for Cloudstar to send word they'd found a new home, to come and fetch her and their children, but never did.
While I'm at the trivia, yes, Ripplestar and her were very close. Larkstripe argues in StarClan that Ripplestar started his war because of her, but it's not true. It was Birdflight who made him believe that Cloudstar would never abandon his family; if they hadn't heard from him, something was very wrong.
She died before he became leader, probably of a sickness outbreak. She likely didn't take the journey because she's immunocompromised in some way, plus the two newborns.
She was given a place in StarClan, but I'm not sure if she followed Ripplestar and Birdflight into the Dark Forest. She DID vote to accept them though.
I think she's practical about this. Leave for the Dark Forest, and you loose your voting power in StarClan.
She sees that there are very few SkyClan ancestors left here, hears Skystar scoff that the others are fools for leaving, that if more had remained then the rebels would not have been damned... and understands the value in his words.
If there's any reason for the Tigerkin Curse (which I hadn't really been working with until now, tbh, I just chalked it up to Bad Mojo on the night of Ripplestar's last stand), it's probably related to Birdflight in some way. Which is why no one knows what's causing it.
I don't know why, yet, though. Maybe it's an accident on her part. She could be crafting their litters, but every time she finishes a set, she can't help but cry about how much the fresh souls remind her of the newborns that stopped her from joining her mate, and her kits in the Dark Forest.
It's probably why the PROPER curse might stop abruptly after SkyClan's return. She joins Skypelt as soon as it's an option.
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[ID: BB!Marshscar. He's a scrawny, battle-scarred old tabby with a diamond motif.]
He doesn't have any markings in-canon so I tried to just make all of his scars diamond-shaped. I don't think it works, I'm going to give him some markings.
I like the ears though, that's staying. I might also borrow from the old Larkstripe design, give him those funky diamond-spikes on his chest.
I have barely talked about him, but he is actually very important to Ripplestar. They've been mates since they were young warriors.
I kinda want to make it so that Spottedpelt was Ripplestar's deputy before being killed that night, but it was always implicit that if something happened to them, Marshscar was next in charge.
This drawing is definitely when he's older and more worn-out, he lives a long life without Ripplestar, ruling ShadowClan reluctantly, half-heartedly doing the bare minimum.
It's a downer story, and I think it really fits the theme here that Clan Culture is about to get a whole lot worse before it gets better... but still I love the fact that Ripplestar's Rot just ends with the entire cast like
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[ID: Spongebob sits at a diner with his hands folded, frowning slightly, disquieted and deep in thought]
Like there really isn't a happy camper in this one lmao. Nobody wins. Alexa play 'That's Not How The Story Goes'
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winterwhisperz-blog · 10 months
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Hi, I really like your blog. I recently just found it, and I was wondering if you could do a part 2 of TouchStarved Characters reacting to MC, drawing themselves. Especially with Vere. Skip if you want to, anyway. Have a nice day. And make sure to eat, sleep, and drink some water.
HI HI !!! I am, so sorry for taking forever, I’ve still been in a huge writing slump )): BUT
I HAVE finally triumphed !! Thank you so much for the ask <333 I’m rlly happy u like my blog !! And I hope you have a nice day too !
Now les get into it !!
Leander, Mhin, And Vere Reacting to Mc Drawing them (a Sequel)
Warnings: Vere is flirty, a person gets snatched away in Vere’s too, (it’s played in comedic effect but just in case) maybe OOC
Notes: GN Mc, Fluff
Vere
ALR ALR ALR so, as we know, Vere draws. So having you two be like, drawing pals/couple ??? Muah muah
But I think it’d be really really funny, if he didn’t find out until you guys walk by a wanted poster—you both know who the subject is, but OMG THEY DO N O T look like that 🤨 also the lines??? So messy— effort ??? None
Determined to correct them, you stomp away, on the lookout to find the Wanted.
You find them waltzing out of a brothel, which is where you and Vere jump em.
Letting out a screech, (either that screech being from you or the Wanted that’s up to you. Could be a battle cry idk) you stuff them in a bag before quickly running off.
Vere of course, has no idea why you WANTED this random person, but he definitely wasn’t going to object to doing a crime with you <33
Plopping the Wanted into your room, you dramatically whisk off the bag, revealing a very frightened, and now hostile fellow.
“MC?? I thought we were FRIENDS, why the hell are you turning me in?”
You shush them, settling down in front, butter-fly legs as you slam open your sketchbook.
“I’m not turning you in, I’m redrawing your wanted poster.”
….
…..
“….What?”
“Vere, keep ‘em still!”
“Yes, darling~”
Your partner in crime does just that, and with your combined efforts, you successfully redraw the wanted poster. Now, it being far more accurate.
Which uhhh, did result in the fellow being captured, BUT— that’s not the point.
The point is, Vere now knows you can draw. And very well he might add!! Despite if your style is realistic or not, the wanted poster was STELLAR
And now as you’re back in your room, duty done, Vere droops himself seductively across the floor, any remaining sunlight catching the pink of his eyes and red of his hair.
“…what are you doing?”
“It’s my turn now,”
You raise a brow, “You want me to draw you a wanted poster?”
He rolls his eyes, running a hand through his long hair. “No, dummy. You can’t keep a secret like this from me and not use me as your new muse.”
“I wasn’t keeping it a secret—“
“Go on, i can’t stay in this position all day.”
Sighing, you kneel down, getting to work. “What am I going to do with you?”
Vere hums, and you know a flirt is coming before he says it. “Oh, MC, I have a list of things you can do with me~”
“Hopefully starting with throwing you in horny jail.”
“Rude.”
You snicker, returning to delicately sketching the details of Vere into the paper.
You draw the playful lift of his lips, the needle like pupils, and the deeper, maybe even rare soft side that he hides beneath flirts and cool remarks.
Once you’re done, Vere leans over your shoulder, humming his approval. A part of him, is both touched and uncomfortable how you managed to capture a side of him he didn’t commonly show.
After this, the two of you would often take turns drawing each other.
Leander
ALR ALR SO, WE ALL KNOW Eridia is like, dreary and cloudy all the time—and to set the scene—it’s storming—walls of rain slash against the roof of the Wet Wick (dang-it rlly be wet now. UHHH pls don’t hate me for that joke 😚)
The bloodhounds had been out doing jobs, leaving you with far less people to greet when walking downstairs.
Leander sits by the counter, large figure shadowed by the darkness cast by the storm. His eyes glowing eerily green in the shade, especially since he looks so deep in thought. His brows lightly furrow, his lips hinting at a frown.
You feel awfully like you’ve spotted something you weren’t supposed to. Especially since…there’s actually no one else around. You hear the faint snores of any other none-bloodhounds occupants still in their rooms, but otherwise it’s hushed against the drum of thunder.
Afraid of breaking some kind of spell, you stay where you are—though, you do tilt your head, taking in every angle of the scene in front of you.
…dang this would make a pretty cool sketch
Like a hesitant deer, you take quiet steps back up the stairs before returning, just as quietly with your sketchbook and pencils.
Though uhhh, Leander is no longer where you left him.
Curious, you take the rest of the steps down before searching the dark. Your only company being the crashing and howling of the outside storm—
“Good morning, MC!”
Out of pure terror, you scream and swing the sketchbook at the voice.
You’re greeted with low laughter and glittering green eyes as Leander reaches for the book, gently taking it from your hands.
“I’m sorry, I didn’t mean to startle you. Are you alright, MC? Did the storm wake you?”
You shake your head, a little thrown by the shift in tone—from laughter to genuine concern. You take your sketchbook back, but not until he’s caught interest.
“You draw?”
“How did you know it was a sketchbook?”
“I caught a glimpse when you whacked me.”
He laughs again, the deep sound nearly matching the thunder above. You feel oddly light when hearing it, though it sends a chill down your back.
For a distraction, you glance outside, the flash of lightning sparking worry into your chest.
“Will the bloodhounds be okay out there?”
Leander frowns, looking a bit confused, perhaps a little irritated before his smile quickly returns to his face. “Oh, they’ll be fine. You can’t live in Eridia without expecting storms.”
And before you can say more, he gestures to the sketchbook.
“What were you thinking of drawing?”
Ah, right. You shift on your feet, feeling a little awkward. You’ve asked to draw people before, and uhhh, with a few different reactions. Some thought it was weird, others annoyingly prodded at you to draw them before you even asked, (then changed your mind) and others kept whatever drawings you did like treasure.
You can’t guess how Leander will react to the question, but you end up asking anyway.
He receives the request with a bit of fluster, a flirt or two, before asking how you want him to pose. You decide you want to capture the moment you saw before—him standing in the dark like some kind of gothic statue, hoping you can somehow sketch in the magic and eerie wonder he had emitted.
Once you were finished, he definitely showed the picture to everyone he could—boasting at how talented you were…and how you chose him for a muse.
Mhin
ALR ALR, to balance out how kinda creepy Leander’s was 🧍🏻‍♀️ like man was just standing there in the dark like a WEIRDO—I wanted to do something cuter with Mhin’s.
So so so, this is for Mhin’s birthday. You know they like sweets, but wonder if they would appreciate a portrait instead
You’ve sketched them before, when they’ve taken care of the stray cats, when they’ve sat beside you in silence, just enjoying your company—but you wanted to make this special
So, after finding them after a little merry soulless hunt, you two get started on your little birthday plan. Mhin, to actually convince them to join you, Is completely unaware of said plan.
You just give excuse after excuse, like how starving you are and how you’re only craving their favorite type of cookies, how you want to explore the city and conveniently wind up where the stars are most visible, and you have NO idea how this romantically set table even came from?? 😮
Eventually, they do understand what’s going on, and look away, arms folded.
“I told you we didn’t have to celebrate.”
“We didn’t have to, but I wanted to~”
They roll their eyes, but like always, you can spot that flush of pink coating their cheeks.
After dinner, you pat a spot next to you, and when Mhin sits down, you stare up at the stars above. Millions blinking down at the pair of you between thin, grey clouds.
Mhin gets absorbed in the sight soon enough, occasionally pointing out constellations and then rambling about them.
Giving you just enough time to get out your sketchbook and get to work. While ofc still listening, because you always do. Hearing Mhin nerd out about stars is one of your favorite things.
The night is cold, biting at your nose, but it doesn’t bother you. Especially when you feel a warm cloak wrapped around your shoulders.
You look up from your book to see Mhin settling back down, ponytail and white shirt now exposed to the night air. They raise a knee and shrug. “Don’t look at me like that, you looked cold.”
Smiling, you pull them closer, reaching out the cloak so it covers you both. “Thank you, you big softy.”
You hear them grumble, but also don’t ignore how they lean into your side. After awhile, they glance at what you’re sketching, face growing confused as they start to recognize the person in the drawing.
“What is—“
You let them take the book, their eyes wandering over every detail so carefully thought out and drawn in with every pencil stroke.
Them in the portrait sit, gaze watching the sky with a wonder you’ve had the honor to see. Their mouth is open, talking about things that are more beautiful thanks to how they explained them. A little beauty mark seated by their lips.
After a few moments of silence, you lean your head on their shoulder(or head if ur tall), finding comfort in the warmth of the shared cloak.
“Happy birthday, Mhin.”
They didn’t say much, but you can see the appreciation in their eyes. How they look at your drawing with the same amazement as they looked at the sky.
Forever wondering why you’d use this talent to draw them.
Maybe celebrating their birthday wasn’t so bad after all. (Especially if they get to spend it with you <3333)
ALR ALR WE HAVE REACHED THE END
Tysm for the ask!! Again, I’m so sorry for the wait.
Anyway, I hope you have an amazing day, stay cool and hydrated, see three heart shaped things in nature, and watch/read your favorite show/movie/book !!
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lemissingmask · 7 months
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[ID: Sketch of Redemption-era Parker standing some distance behind Eliot, who has messy hair and is deeply shadowed, the part of his face that is lit up showing blood spatter on his face. End ID]
-
Day 8: Dissociation
Parker cautiously approaching Eliot after he's had a moment of complete dissociation and killed a lot of people.
Ficlet below the cut (the final part of a 3-part fic that will develop in reverse over the month)
- Parker watched the silhouetted form of Dr Paul as he tied the boat to some angular shape at the base of the steep rocky beach. He was lit up dimly by the lights from the building a few yards inland, and by the frustratingly beautiful moon. Behind her, the ocean was vast and dark, and the deep shadows on the boat itself made it feel like standing on nothingness. In a moving abyss beneath the clear, cold night sky.
They had shut off the lights of the boat as they neared the island, Paul carefully directing the boat in as Parker watched for the rocks.
They had to evade detection. If they were seen now, it was all over. Element of surprise lost, and with it probably Eliot too. They could maybe escape, but they'd never get a chance like this again.
The sound of Breanna typing broke the calm, gentle lapping of the waves and the soft tapping of the boat against the shore. She was working to get access to the building's security system now they were within range. Close enough for her to sneak inside their system. Get a map of the building and views into the cameras.
From the boat, she would guide Parker and Paul inside and to wherever Eliot was being held, and help them get back out.
Breanna was working as fast as she could, but it was taking so long. It was already past midnight, and they needed to be in and out before dawn.
Paul had returned to the boat, taking a seat and waiting, both he and Parker with eyes fixed on the building. Shrouded in part by a small band of trees and the steep rocky shore, but visible, lit up against the dark sky.
The wind through the trees made it look as though the lights were moving, and maybe people within them, but it was an illusion messing with Parker's already on-edge mind.
Breanna's hushed cry of victory drew their attention, but when they turned, her expression had fallen. Not to despair. To shock.
“I…” she started, her voice cracking on the word, “I don’t think Eliot needs rescuing…” She turned the laptop around, hands shaking as she held it out for them to see.
Camera feeds, cycling through, four on the screen at a time.
In several, there were forms, people. Propped against walls, strewn across floors, over tables. None moving, though dancing shadows and flickering lights in some made it seem as if they might be. Parker wanted to think they were unconscious, just knocked out, but the staring, unseeing, eyes of at least two suggested otherwise. Not to mention the dark spots, patches, on the chests or heads of many that could only be blood.
She took a slow breath, trying to suppress the feelings of intense sadness spreading through her, and turned to Paul, “Let’s go.”
The doctor nodded, “Breanna, you should go below. No lights, not even your laptop.”
Why?
Breanna didn’t ask, Parker knew.
If Eliot had lost control, if he wasn’t himself and he slipped past them, found a boat to escape on, it would be better if he didn’t see anyone onboard. The controls were all above deck. Someone could hide and not be found below.
As they climbed up the beach and reached the more even ground, getting closer to the building, Parker realised that what she had thought were lights on in the building were flames. Flickering, glowing, some orange, some a strange, purple hue.
The whole building was slowly going up in flames.
With the dancing shadows and uneven light, Parker almost failed to see the lone figure stood in front of the building. The only thing in that scene that seemed not to move.
Paul stopped and held up a hand, fist closed, just like Eliot did to make them stop.
“Go ahead,” he whispered, “I’ll shadow you, and move in if necessary.”
At her questioning glance, he smiled kindly, “Eliot told me you understand him in a way no one else does. I think you’re the best person to get through to him right now.”
She nodded, and maybe she looked afraid because he added the reassurance, “I’ll be right there. I won’t let him hurt you or himself.”
Parker could see why Eliot liked this Dr Paul so much. He sounded confident, he sounded safe and reassuring and like he was willing to understand.
And Eliot trusted him so she would too.
She slowly moved closer.
Eliot didn’t move at all as Parker approached him, slowly crossing the space between the shore and the hitter, but she saw the slight increase in tension when she was within four feet, and so there she stopped.
He was facing away, towards the slowly burning building, but he was aware of her presence. Maybe of Paul's too. She could sense him just beyond her, veiled by thick shadow.
There was something wrong with the way Eliot stood.  She couldn’t define what it was, but it made her nervous.  Absurdly nervous.  Her throat felt raw and her heart beat faster.  A fear she had never known around Eliot before - the sense of a threat.
It was nonsense.
Eliot had never - would never - harm her.
So she took another step.  Another two steps.
Close enough now that even in the darkness she could see the red spattered over his skin and clothes. A shirt too big. It wasn't his. General, cheap fabric...a guard's shirt probably.
One more step, and Eliot turned, too quick for her to register what was happening before he had almost got a hand over the back of her neck.
At the same time, Paul appeared from nowhere, got between Parker and Eliot, but Eliot had faltered before reaching either of them, and he stumbled unsteadily back.
His eyes were unfocused, but he seemed to catch sight of her and his gaze fixed on her's.
“Parker,” Eliot’s voice cracked on the second syllable, and he swallowed, winced and looked away.
“You can’t be here,” he said quietly, voice a mere whisper. She understood why, and what he meant.
Eliot was not in full control of himself.
He was dangerous.
“We’re not leaving here without you, Eliot.”
He shook his head, and turned back to the building, seeing not only the crumbling structure but no doubt the gore that lay within.  The aftermath of what Eliot could do.  The violence he was capable of, even now.
Parker knew that the torture he had been through must have dredged up memories.  All that past that would always torment him.
She also knew he was on the edge, his control faltering, he awareness unsteady.
“You won’t hurt us, Eliot,” she didn’t move any closer, kept herself out of the invisible boundary that defined a threat, “I know you won’t hurt any of us.”
“You don’ know that, Parker,” he rasped.
“Yes, I do.  I trust you,” she replied firmly, “We trust you.”
He shook his head, matted hair and the blood in it catching in the light of the burning building.
How long before emergency services turned up?
“Eliot,” she took one step closer, “It’s over.  Come back now.”
For a second he tensed, but his hands were shaking, and the tension ebbed away.
He still didn’t turn back to her as he asked, “Hardison keepin’ tabs?”
“Always.”
“We need to wipe their data.”
“Breanna can…”
“No,” he said sharply, then softened back to that uneasy rasp, “I don’ want…they recorded it. Their experiments.”
Parker nodded.
Breanna might look at the files, and Eliot didn’t want Breanna witnessing that torture.
Hardison knew not to look if Eliot asked him not to.  He could rein in his curiosity because he trusted that if Eliot told him not to look it was for a good reason.  Over long years of working together, that trust had been built, developed, honed into something unseen and beautiful.
Hardison couldn’t hear them.
Too far for comms.
But he was monitoring in whatever way he could, and he knew they had set out to rescue Eliot.  They had all his attention now.
Keeping her eyes on Eliot, Parker pulled out her phone, and looked away just long enough to send an email, one quick form of communication she knew would reach Hardison all the way up in the exosphere.
Eliot says we need to wipe all data here can u do it? Bad guys recorded everything and he doesnt want any1 seing
The last she typed without looking, her attention pulled up as a large part of the burning building crashed in on itself.  Logically, she knew no one was left alive in there, but she chose not to think about that.  Eliot was thinking about it enough for them both.
Her phone vibrated, lit up, and Eliot suddenly tensed, his posture changed, aware of the threat. Parker practically felt Paul tense beside her, reading to intercept if Eliot tried to attack again.
“Hardison’s emailed back,” she said, holding up the phone, and as he looked over at her, she caught a flash of genuine, open fear on his features.
Parker looked back to the phone, hid the tears that expression forced into her eyes behind her fringe, and focused on Hardison’s words.
On it. I can piggyback onto Breanna’s connection and get access. You just gotta stay in range for about ten more minutes. Let you know when it's done. Take care of our boy xx
She would, if she was able. He sure as hell needed it. Eliot had been gone for seventeen days, spanning across Christmas and New Year’s…
She swallowed down the wave of fury, an anger that no longer had an outlet since the perpetrators were definitely dead, and put away her phone.
“Hardison’s working on it,” she said, looking back to Eliot was still stood, watching the building in silence, “He’ll get rid of all their data.”
Silence.
“Eliot, we need to go.”
“Who’s here?”
“Me, Breanna, and Dr Paul,” she replied.
Eliot frowned, “Paul?”
“Yeah, Dr Not-Dead-Paul.”
“I know who…” he winced, shook his head, and scanned the darkness until he eventually seemed to manage to focus on the third person standing there.
Paul smiled at him, “Hola.”
Eliot nodded, not managing a smile in return, looking caught between pain and confusion.
“Ready to get out of here?”
“We have a boat,” Parker added when Eliot looked around as if searching for something, “Just over there. So come with us?”
After a too long pause, he inclined his head.
“Can you walk?” Paul asked, moving an inch closer.
Eliot frowned, then raised an arm, his hand almost hidden under the cuff of the too long sleeve. Paul moved in and ducked under, wrapping an arm around his waist to help take his weight. At a look, a familiar and properly Eliot, glance from her hitter, Parker moved in to help on his other side.
Together they half-carried him across to the shoreline, stumbling unsteadily over the uneven rocky beach, and unceremoniously managing to get themselves all into the boat.
“Where’s Breanna?”
“Cabin below deck,” Parker replied.
Eliot nodded, “How long we got?”
“At least fifteen minutes.”
“Enough time for you to drink this,” Paul handed Eliot a bottle of water, “And let me take a look at your injuries.”
At first, Eliot obliged, sitting down and opening the water as Paul got out his first aid kit and a torch. But then Parker moved, not needed for this and feeling in the way, and he tried to stand.
“Parker! Wait,” he held out a shaking hand and withdrew it quickly, “S-stay. Stay where I can see you. Please.”
That word with almost exactly the same intonation as his plea for her not to ask him what he did for Moreau, and with the same heartbreaking effect.
Just like then, she nodded with tears in her eyes.
If this was what Eliot needed, and he did. As Paul carefully inspected his physical injuries - minor for the most part, save for an incipient infection of the mess of broken skin on his right arm where he had been repeatedly injected - Eliot intermittently focused on her or Paul. If ever his eyes landed on the darkness, on empty space around them, his expression changed. Became pained or sad or, worst of all, empty. Then Parker moved, caught his attention, brought it back to her. Kept his mind in the present and on the people here right now who cared for him.
When they got home, she would call Hardison. He would know what to say to help make Eliot feel right again. Maybe they’d put on a film they’d seen a thousand times before, and Paul would stay too. Surround Eliot with familiar, safe, happy-making things until his mind could finally escape the weeks of brutal torture.
-
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kadssp · 2 years
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thinking about dottore with photographic memory, drawing your face while overstimmed in his pov after a long fuck session
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A perfect sight
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pairing: dottore x afab!reader
warnings: afab!reader, degradation, petnames (pet, doll, darling), overstim, dacryphilia, creampie, minors dni
word count: 572
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Can you blame him for it? Dottore was never one to call himself an artist, far from it. But the sight before him was just too good to let slip away.
The faint lines of previous tears streaming down your cheeks shines in the light as you pant against the desk he just had you pressed up against a few moments ago. Your eyes glossy and pupils blown wide as you tremble against the surface and he can’t help but coo at you as he draws the scene before him on a piece of paper.
“You look perfect like this,” He sighs with a wide smile that shows off his sharp teeth and you whimper when you make eye contact with him, not noticing the pencil and paper in his hands. “My little pet, so needy and fucked dumb. You want more don’t you?”
You shiver as the cool air in the room hits your exposed cunt that drools the mix of his seed and your sticky essence, fluttering around nothing from the intense orgasms you had to endure. There’s a tingle of overstimulation in your veins but it’s calmed down and you can finally relax yourself. Until a thumb covered by the silk of a glove rubs over your messy clit.
“We can’t stop now, doll, I haven’t gotten all the results I needed.” He grins at the way you mewl and arch off the desk. Your shaky hands trying to push him away but he’s unrelenting with the figure eights his thumb does over your sensitive pearl.
“It’s fascinating,” He cackles as he speeds up his demonstrations, he’s got the perfect view of your face contorting in pleasure and he’ll remember to draw it later after he’s had his fun with you. “How a small bundle of nerves can reduce you to a sobbing mess.”
“‘ttore, p-please- haah, ‘t’s too much!” You cry out, fingers grabbing at the desk to try and ground yourself as the overused knot in your belly begins to fall apart as he taps his thumb repeatedly against your clit.
“Too much?” He echos and a sinister grin replaces his previously “calmer” one. “Too bad. You’ll take it for me, won’t you? You’ll be a good little test subject and give me my results, right?”
He loves the way you nod and sob as he brings you to release for the nth time. The way your body shakes as the orgasm washes over you, the way your mouth opens into a scream but nothing comes out, the way your juices cling to his gloved hand as your pussy spasms around nothing. It’s all so perfect in his eyes and he’s going to capture this moment soon enough.
He brushes his other hand over your cheek as you come down, guiding your gaze to his face and through half lidded eyes and a fucked dumb mind you whimper as he licks your taste off his fingers with a hum of satisfaction.
“Stay right there, darling.” He smiles, grabbing the paper and pencil back up and holding it where you can now see as he begins to sketch your blissful face once again. “This is the perfect time to write down that expression you have.”
Dottore was never one to call himself an artist, far from it. But this masterpiece before him would have people from every nation begging to see just a glimpse of what he saw.
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