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doctenwho · 3 years

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A Night With The Stars

Hello! So, a bit of housekeeping first! Sorry once again for this taking a while, I mentioned yesterday in an ask that I hurt my shoulder right after Christmas, so writing was a bit of a struggle! Thankfully it’s starting to feel better now, and hopefully I can keep working through the requests I have waiting! Sorry if you’ve been waiting a while, I promise I’ll get to it!

This request was so much fun to work on, and how cute is that idea? Just sitting with Ten looking at the stars? Adorable! Also, cute and flirty Ten is best Ten. That’s all, so, please enjoy!

Rating: None?

Word Count: 2,707

Summary: Read prompt above!

(As always, lovely gif doesn’t belong to me! Credit to the creator!)

You liked quiet evenings with the Doctor in the TARDIS. Sitting with your legs hanging off the edge of the TARDIS doors, just taking in what the universe had to offer.

There really was nothing better than sitting up in the stars, seeing it and, if you really wanted to, leaning out and touching those stars (though the Doctor strongly recommended you didn’t touch stars, nor lean out too far). You’d heeded his warnings, of course, but the thought still crossed your mind every so often.

The universe was far more extravagant than anything that the earth had to offer, and it felt like it was just for your eyes. It put earth planetariums and that experience to shame, and you weren’t sure you’d never manage to find anything quite as beautiful anywhere else.

This was a special gift only you, a few other companions you knew about, ever got to see. A privilege that came with the Doctor’s hectic life.

Sure, you could see the stars from earth, or with a telescope, but once you’d experiences this, seeing planets, and stars and all their details and glory up close, a telescope would no longer deliver that amazing experience.

Honestly, if you had to guess, you were sure the Doctor really just liked to ruin telescopes and star gazing for people when he got to option too, because now that you’d seen this, nothing would ever compare.

You crossed one ankle over the other, and just stared out. Taking it all in.

It was early in the evening, you knew, not that the darkness around you told you anything regarding what time of day it was. It was always dark and stary in space, the sun certainly wasn’t the way to tell time in the TARDIS.

The Doctor was behind you, not that you bothered to look. He was probably steering the TARDIS silently, like he tended to do. There was a gentle hum of the TARDIS surrounding you, one you’d gotten used too early on. It was a comfort to you now, more than it was annoying.

“Y/N?”

You drew your attention back to the Doctor, turning to look at him briefly.

The Doctor moved to join you, sitting down beside you and shifting so his legs were also hanging out like yours. The doorway was wide enough to accommodate the two of you perfectly well, but he still chose to sit beside you so his thigh settled against yours.

You smiled to yourself, as you leaned a bit into his side. You could feel his fond gaze on you, but you didn’t look towards him to confirm it. He lightly tapped his foot against yours, hanging down into the darkness of space and shimmering stars beneath the TARDIS, and you pushed yours back against his playfully.

You liked this.

Just being with the Doctor in the best sense of the word. Just... being.

Where you weren’t in danger, or being chased, or any other dangerous situation you’d been stuck in before while accompanying the Doctor in his travels. The good times far outweighed the bad ones, but it just made moments like this all the while more special.

Moments where you could just breath, with the Doctor by your side.

Calm.

“What’re you doing?” the Doctor questions, kicking his feet lightly so they waver back and forth. You don’t have to look at him to know he’s look at you. You can feel his eyes on you, so you keep your attention straight, looking over the beauty of the universe. Taking in the details that were always passing you by as you whipped off, to whatever destination the man beside you had in mind, now that you had the chance.

“Taking it in,” you mumbled, finally lulling your head in his direction, “I still can’t get over how... pretty this is,” you gestured a hand towards the expanse of the stary world surrounding you, “it’s just... so much more beautiful up close...”

“Indeed,” the Doctor agreed, looking out as well. He didn’t look quite as impressed as you, but he had been travelling space and time for over nine-hundred years. He’d seen it since he was young, you were sure.

But he still did like to be the one to introduce space to people. To experience it with his companions and share the beauty of it all, and you could tell that just from the knowing smile playing on his lips as he looked back towards you, “nothing your earth has to offer will ever truly capture this kind of view, will it?”

“Not in my time,” you shrugged with a light smile, “but that’s alright, because I get to see it with you. Not everyone is that lucky.”

A grin spread across the Doctor’s face, small but prideful, “I’m honored.”

“You should be,” you laughed. “Don’t get cocky, Spaceman.”

“Never,” the Doctor teased. He gave an easy sigh, leaning back with his arms supporting him. “I’m truly lucky to have a companion like you, (Y/N). Nothing cocky about that, now is there?”

You shook your head with an embarrassed smile, ducking your head so he couldn’t see your face anymore. Beside you, the Doctor cleared his throat, voice following a bit nervously, “I’ve prepared something for us, if you’d like to see?”

“You did?” You raised an eyebrow skeptically, “and what would that be?”

“It’s a surprise,” the Doctor grinned, shaking his head as if saying he wasn’t going to tell you, like his use of ‘surprise’ had implied, “you wait here, and I’ll be right back with it, alright?”

“Alright.”

The Doctor was only gone for about a minute—maybe two. You didn’t bother looking back at him until he was sitting himself back down beside you. He’s set something down, then pulled it close so it took up residence between the two of you, which drew in your attention.

You looked down at what the Doctor had brought, eyeing it thoughtfully.

“A picnic?” You blinked in surprise, eyes lifting up to the Doctor’s smiling face.

Beside the Doctor, settled between the two of you, was an old picnic basket. The kind you’d really only seen in films, or tv shows. Old and probably obtained before you even existed. You weren’t even sure they made picnic baskets like that anymore.

It was perfect down to the checkered fabric covering the inside and peeking out of the rim of the basket.

“A picnic,” the Doctor confirmed, flipping the top of the picnic basket open so you could gaze in at what he’d brought along, “you didn’t seem too keen on leaving the doorway today, and I know you humans tend to eat three meals a day so... I thought you’d like to have something to eat... a picnic in the stars?”

You shifted your eyes from the basket, back to the galaxy before you, smiling lighting up slowly. You looked back at the Doctor to see him watching you, a fond expression on his face. “Do you like it?”

“It perfect,” you decided. And it was.

No one had ever gone the lengths like the Doctor was. You’d never even really been on a picnic on earth, where you were sure the idea stemmed from, unless it was one of those whole neighborhood picnics, or family gatherings. Never one as... romantic as this.

Your cheeks flushed at the thought-- at the Doctor being romantic-- since he was usually all hyper and bold, running you ragged on various adventures. He had his sweet and tender moments, of course, when he’d come to your aid, or put himself in harm’s way for your sake, but there was just something so... genuinely sweet about this.

About him putting in the time and effort of organizing and making a picnic up for the two of you. The thought that had gone into it, when he could’ve just told you it was close to dinner time and you would’ve stood to leave the TARDIS doorway, shutting the doors behind you.

“Good,” the Doctor flashed a grin, digging different food items out of the basket to show you the selection. There were basics, like earth sandwiches and snack items like chips and cookies—a few fruits and vegetables that had been cut down to bite sized pieces for easy eating.

A good selection of the foods you’d brought into the TARDIS after your latest trip to earth.

As interesting as space foods, and the kind of things the Doctor liked were, you still liked to stick with what you knew. There was always an off chance something could make you sick, or even be poisonous to humans, so earth food was usually the way to go. Plus, the Doctor didn’t mind occasional trips to earth for you to pick up earth food.

Then there were other snacks from other planets—various berries and vegetables that you’d tried along the way and liked, as well as some snacks the Doctor liked that you wouldn’t try. Somethings just didn’t look very appealing to an earthling.

It was all so carefully constructed, put together with you at mind. From the sandwiches, to the snacks he’d selected for you (your go to snacks when you were hungry), even to the food from different planets that you liked.

“You made sandwiches,” you mumbled out, looking at the plate of triangle sandwiches. They were made exactly the way you liked them, down to the smallest details. The Doctor had never made you sandwiches before. He’d never really made you anything food wise, just since you had such vast different tastes in foods—much less earth foods.

“I did,” he gave a hum of agreement, pawing through the snacks he’d brought, before pulling out your favorite type of drink, “earth-y, isn’t it? It’s what you usually have on picnics, right?”

“Yeah,” you blinked shyly before shaking your head, “I mean, I think? I’ve never... No one really does picnics anymore—Not like this, I mean... Not, like, as a date, I guess?”

“Oh?” the Doctor tilted his head. “You humans always seemed so proud of your picnics.”

“It’s just easier to go out to dinner, or catch a movie now,” you shrugged, playing with your fingers nervously, “but, wow, this is... it’s perfect, Doctor. Really perfect.”

“I just thought you should eat,” the man gave you a small smile, “I know it’s been busy these last few days, and you just looked so content out here tonight... Didn’t want to disturb it.”

You opened your mouth the reply, but the Doctor beat you to it, “anyways, sandwich?” He offered you the plate of sandwiches, to which you took one without speaking. The Doctor grabbed his own off the pile and took a bite.

“I’m never sure about your earth food,” the Doctor mumbled after swallowing his bite, “I barely branch out further than the occasional holiday dinner I get invited too, but these sandwiches are really good.”

You eyed him for a second before taking your own bite. It was really good. It tasted just like you’d made it, but you knew you hadn’t. You actually wondered when he’d managed to slip away to prepare this meal.

“You did a good job,” you told him, taking another bite. The Doctor gave you a wide grin before you looked back out at the world around you. You finished off your sandwich, just looking at the stars that gleamed around you.

It was quiet, but you didn’t mind. You were both just enjoying the view around you, and the company beside you. You didn’t have to be talking, it was a comfortable silence.

You ate together, not really talking more than occasional comment about something being good. It was nice. You didn’t get a lot of time with the Doctor like this, where nothing was happening, or going to happen. Where he wasn’t distracted by one thing or another, because as much as he rarely had a plan, he was always busy.

“You should try this,” the Doctor waved a piece of some kind of fruit in front of you, “it’s a delicacy on the planet Sontar. Those little guys love this stuff, and for good reason too. It might be one of the best things I’ve ever tasted. You won’t believe what I had to go through to get it.”

“What’s it taste like?” You wrinkled your nose at the fruit held a couple inches from your face. It smelt sweet, almost familiar, but not all the same.

“A mix of earth fruits really,” the Doctor gave a shrug, as he inched the fruit towards your lips, “c’mon, (Y/N) trust me. It’s very good, and perfectly fine. You’re not the first human to be wary of this stuff. You’ll love it though.”

His voice dropped, and his smile widened as you looked towards him, unsure even though it had clearly been tested by other companions before you. The thought of biting into the fruit held in the Doctor’s fingers had you shyly staring at man’s fingers and not letting your eyes wonder back to his face.

You gave in after a second though, leaning forwards to taste the fruit. His hand didn’t waver as you finally bit a small piece off, biting the cubed fruit from his fingers as a blush crawled up your cheeks.

You leaned back, chewing slowly and trying to understand the mix of tastes in your mouth. It didn’t taste bad or anything, it was just overwhelming. It was good, you decided. The Doctor’s eyes were on you again, watching and waiting for your opinion.

“So?” he prompted with a crooked smile, “how is it?”

“Good,” you told him, ducking your attention from his charming glance, “really good. Can I have more?”

“Of course,” the man grinned. He paused briefly, between moving to offer you the bowl. His eyes flickered up to your face for a moment before he slowly lowered the bowl back into his lap, and instead offered you another bite, testing his luck.

He raised one eyebrow, almost challenging you to repeat your actions and let him feed you more fruit. Your cheeks lit up once more in embarrassment as you leaned over the basket in a bold move to bite the fruit again. The Doctor watched your movements, smile fond.

You didn’t hate being fed by the Doctor, in fact it was nice.

When you leaned back, the Doctor popped the remained of the piece you’d bitten into his mouth, grinning at you. You giggled at him, tucking a piece of hair behind your ear.

You ate a bit more of the Sontaran fruit before you both called it quits on the picnic. You were full. You made it through a lot of the food, but the Doctor had definitely overpacked. You tidied up, putting everything back in the basket to be sorted back into the cupboards and fridge later, before flipping the backet closed again.

The Doctor pushed the basket back so it sat just behind the two of you, before sliding closer to you and settling at you side, like he had earlier that night. You looked towards him with a smile, but he wasn’t looking at you now, or, he wasn’t until he felt your gaze on him, “what?”

“Thank you,” you told him, looking down at his knee, just barely touching your own. “I don’t think I’ll ever forget this it was... amazing.”

“It was my pleasure,” the Doctor told you softly, “I’m so glad you enjoyed this.”

His arm wrapped around your shoulders, pulling you carefully into his side. You let your head fall against his chest as you looked out around you. It hadn’t changed, but it was just as beautiful.

“It really is beautiful,” you sighed fondly, not bothering to look up at the Doctor. His arm tightened around you, holding you against his side. You melted into the embrace, just enjoying this one night of perfection, since you were sure things would return to their usual hecticness tomorrow.

But you wouldn’t want it any other way.

“Yeah,” the man’s voice broke the quiet atmosphere after a few seconds of silent contemplation. He spoke softly, agreeing with you distractedly. “Indeed, it is.”

But the Doctor wasn’t looking out at the starry universe—no, his eyes were trained on you.

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Another beautiful gif just to give you an idea of what I pictured while writing this, I stumbled upon this gif and thought it was perfect! Credit to the creator once more!

Thank you so much for taking the time to read, and I hope you enjoyed! As always, if it wasn’t what you were looking for, feel free to prompt me again! Wishing everyone a very Happy New Year (RIP to me saying that way too late).

#Tenth Doctor #tenth doctor x reader #tenth doctor x you #10th doctor #10th doctor x reader #10th doctor x you #dw #doctor who #doctor who 2005 #reader insert #writing prompt #TARDIS #picnic #fanfiction #fanfic

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heyheydidjaknow · 3 years

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Hiya! I have a request for an x reader songfic. Snap out of it by the Arctic monkeys gives me so many 2012 Donnie vibes. Maybe one where the reader is in love with Donnie but he likes April and the reader wants Donnie to, you know, "snap out of it" and notice that maybe April isn't the best person towards him. It can end in unrequited love or with a happy ending, that's for you to decide but I just really want to see this concept. Thanks! :>

(feel free to ignore this request if you want 👁️👁️)

Oh, I’m not about to turn away a chance to be pushed out into foreign territory. I admittedly hadn’t known what a songfic was until wikipedia and @kunimikat saved my ass, so this was fun-- and a bit scary-- to write. I hope you like it, even if it might not have been exactly what you were expecting.

April was your friend. She had been for a while, now, since she had moved to NYC. The two of you had come even closer after her kidnapping and initiation into the “Hamato Clusterfuck” as you had affectionately called it at first—you had wisely made a conscious effort to only get involved with them as far as you could throw them, sticking solidly to offering emotional support and half-decent food. At the beginning, you had, on multiple occasions, even begged her to stay out of it, trying to reason with her that getting herself killed by a psychotic armored man with an axe to grind for the crime of hanging out with four teenage shut-ins was an incredibly bad idea. When your logical arguments fell on deaf ears—her owing them apparently being her ball and chain—you had designated yourself as her supervisor to make sure she did not do something overly impulsive. She was reckless, overly trusting, immature, but you loved her like a sister. You balanced each other out.

One of the benefits of knowing someone for so long is that you learn things about them that they do not know about themselves. In April’s case, it had been that she was terrible at making up her mind

What's been happenin' in your world?

You had borne witness to the love triangle transpiring between Donatello Hamato, Casey Jones and her for the better part of a year now. You were relieved that the two boys had backed off each other’s throats somewhat over the period, but it was as infuriating as it was fascinating to watch them fight over her like a chew toy. Of course, April had her preference between the two, favoring the hockey player mainly for his general normalcy, which was a decision you could approve of, but she had hesitated until recently to make that obvious to the other point because, in her words, “The last thing I want is to deal with is all of that awkwardness.” You could hardly blame her for her hesitation, but you thought it almost cruel not to make her feelings apparent to her lovestruck puppy.

What have you been up to?

Donnie was the most tolerable of the five, the most normal in your opinion. He was an infatuated, insecure teenage boy with more an affinity towards machines and, best of all, seemed concerned for your friend, all things that you could get on board with. In your opinion, overbearingness is preferable to negligence in this case, and you were just happy that someone physically capable had her back. As such, when you were stuck at the lair for hours waiting for her lessons with Splinter to be over—you were her ride—you found yourself spending the most time around him, and as time went on, you started going out of your way to do so.

Seeing as April and Casey were your only other friends, it was natural you would get romantically attached. They—a couple by high school standards—approved of your crush, and all you told your guardian(s) was that they were smart, fit, and financially responsible, so they asked few questions.

You knew, logically, this was not a competition and that April had little interest in him.

But something about the way he gazed at her made you burn green with envy.

I heard that you fell in love, or near enough.

His eyes were just so… wistfully longing. He watched as the redhead and her boyfriend played against Michelangelo and Raphael in a game of charades. His expression was just so soft, lips pursing and popping silently as he grieved from his seat in his lab.

It had been a downhill spiral on your end from there, and as your own attachment grew for him, his own depression worsened. Your eyes drifted from your friend as you tried to make him see that, no, the world was not ending because his first crush did not like him back. You would make subtle comments about how happy his brothers were, how happy she and Casey were together, how smart he was and how many people would die for a kind, loving, smart guy to come around and sweep them off their feet. This, again, fell on deaf ears; he would always comment on how, if he were such a catch, April would not have chosen Casey, like It is his fault for her having more of a taste in cocky, fun-loving guys than intelligent ones. Half of it was probably your lack of experience in subtlety, but no matter what you would try to say, whenever romance came up in conversation, his words turned sharp and bitter.

On that day, you just cracked.

I gotta tell you the truth.

You walked over to the lab door, closing it in a single fluid motion. ‘I’m better at being blunt, anyways.’

He blinked; his trance was interrupted by the small slam.

“She’s not into you.”

“Huh?”

You crossed the room and placed your hand on the desk, expression stern and stone cold. “April,” you repeat. “She’s not interested.”

He did not meet your gaze. “You don’t know that.”

“I do, actually.” You leaned down to look him in the eye. “You aren’t her type. You’re supposed to be smart.” You placed the other on the back of his chair, arms cagging him in, almost. “ She has a boyfriend,” you continued, softer. “You know that, right?”

“I do.” He tapped the side of his thumb against the table absently, throat tight. “But what else do you suppose I do? Submit to the fact that I’ll be alone forever?” He looked up at you. “I know this may be hard for you to believe,” he continued, easily slipping out from under your arms, “but I don’t exactly have a ton of options. She’s the only person who’s ever looked at me like that; how am I supposed to move on from the only person who’s ever even given me a chance?”

I wanna grab both your shoulders and shake, baby.

You rolled your eyes, turning to watch him as he crossed to the other side of the room. “That is some blatant bullshit,” you glared curtly.

“Is it, though?” His back was to you as he crouched down in front of his centrifuge, fiddling with it. “As someone who’s never—”

“So help me, if you go off about me not understanding being rejected and feeling like they’d die alone, I’ll rip your tongue out.” You stood back up properly.

“What would you know about it?” He followed suit, eyes locking on yours. “You have other people to choose from.”

“And you don’t?” You crossed your arms, smiling incredulously. “How do we differ, exactly?”

“Besides the obvious?”

You scoffed. “You’ve seen your brothers. Never stopped them.”

“And I’m happy for them, that they’re so charismatic as to be able to find partners so easily.” You could taste the bitterness in his words. “But I’m not them, in case you didn’t notice. That girl out there?” He pointed to the door. “She’s the first and only person in the universe who’s ever given me a second glance.”

“So you’re just fucking blind, now?” You heard your voice rise without your input.

“What’re you talking about?” His voice grew with yours.

“You’re lovesick,” you spat. “Snap out of it.”

Snap out of it.

You ran your fingers through your hair. “Or maybe you’re just dense.” You felt a laugh rise in your throat. “I mean,” you gestured, “clearly picking up on verbal subtext isn’t your forte.”

You gave him five seconds. “What,” you continued, rubbing your face with your hands, “Are you—” You stopped. “You are, aren’t you?”

Nothing.

You took a slow breath, hearing your heartbeat in your ears. “Let me put it in simple, plain English for you.”

I get the feelin' I left it too late, but baby—

“As her friend? You’re a fucking creep.” You crossed your arms across your chest. “Following her the way you did—wait your turn—” A finger interrupted his defense. “Following her the way you did? Objectively creepy. Staring at her all the time? Also fucking creepy.” You felt your nails dig into your skin. “Any person would call it as it is.”

He opened his mouth again to argue. You did not interrupt him this time, but he did not argue, the silence falling like a weighted blanket over the two of you.

“As your friend,” you continued, voice lowered, “as someone who cares about you, I know April, and she can’t give you what you want. It’s not her; she needs to be free, and I love her, but you’re looking for something that’s just not there.” Your voice was certain. “You’re looking for someone to spend your life with. I’m right, aren’t I?”

Snap out of it.

He was still for a moment, looking off into the ether. He nodded, face melancholy.

You walked over, resting a hand on his shoulder tentatively. “I’m not saying it’s stupid of you to not be over her. Again, I love her to bits, so I see the appeal.” You broke eye contact, trying to articulate exactly what you meant. “But I’m worried,” you explained slowly, “you’re only hung up on her because you’re scared of being alone. That’s not fair to her or yourself.”

“Do you know that?”

“No,” you admitted easily, “but you and I are the same way, and trust me, I’ve been around the heartbreak block.” You smiled, trying to relieve the tension.

That earned a chuckle. A small one, but a chuckle none the less.

You reached up, cupping his cheek in your hand. “There are seven billion people on this planet. Any one of them—myself included—would be lucky to have a life with you.”

If that watch don’t continue to swing—

A pause.

“Do you honestly believe that?”

You nodded, your thumb running along the line of his eye socket. “I do.”

—or the fat lady fancies havin' a sing—

You leaned forward, pressing your lips against his cheek gently.

—I'll be here, waitin' ever so patiently—

“Y/N!” You pulled back as you heard April calling your name. “We need a moderator!”

You started back towards the door, waving gently. “I wish you good tidings, Donatello.” You smiled quietly, serenity itself standing in the doorway. “May whoever is fortunate enough to call you their own bring you happiness. You deserve it.” You slipped out of his lab, running over to break them up.

Donatello rested his fingers on where your mouth had lit his skin. He felt a bittersweet smile fade onto his face.

—for you to snap out of it.

And that was when it began.

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jazzanddaydreams · 3 years

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Evidence and reasons to ship Sophiana that literally no one asked for

Disclaimer: I myself am a multi-shipper, so I ship both Sophiana AND Dexiana (and sokeefe of course), but anyway here's my reasoning for Sophiana (no hate to the other ships). This is WAYYYYY overly long and my adhd brain is crying trying to proof-read it so fair warning

1. Representation in this series. Even though I know it probably won't happen with these two, I can still dream.

2. Both Sophie and Biana are strong independent females who have been sucked (mainly unknowingly) into love triangles in the midst of whatever mess is going on with the Neverseen.

3. In the beginning of the series, Biana seemed to hate Sophie, but after persuasion from Alden, became friends with Sophie. From there, the two of them have had a couple of rocky moments (Alden's memory break, where she didn't hate Sophie, she just wouldn't talk to her or anyone, which is less harmful of a reaction that Fitz's. Also when Stina reveals that Biana became friends with Sophie initially because of her dad) but overall have been growing into good friends.

Now for my evidence (be forewarned there's a LOT, but still not all my evidence bc I mainly skimmed through my books I had on hand):

Book 1:

Fitz in the first book is shocked when Sophie says she thinks Biana hates her, stating that they're pretty similar (first book, I don't remember the page number or exact quote).

Page 272, in general, when Sophie hands Biana her midterms present, and Biana asks if she's coming over for dinner. After that interaction, both Dex and Maruca (Biana's best friend at the time) are glaring at Sophie. Maruca's reaction can be explained by being best friends and feeling like she's losing Biana (though hmm....), but Dex's reaction is a bit harder to explain, thus my reasoning. Dex at this time has a major crush on Sophie, and yes he hates the Vackers, but that doesn't explain why he's mad at Sophie, unless he feels like he has competition from Biana for Sophie's affections, and is glaring to try and stop her from forgetting he's an option (oh boy my poor child).

Also just through the rest of this book, when Sophie is having troubles or avoiding her, Biana is actually worried, and cares about her friend, not lashing out at her, just wondering if she's going to come over, and being obviously disappointed when Sophie declines her invitations. "She's right though. Red is definitely your color."

Book 2:

Page 567. "'Uh, I've always known that,' Dex said, sitting on her other side. 'But remember? I like weird.' 'Me too,' Biana chimed in." We know later that this statement from Dex was him literally saying that he liked Sophie, but the big thing about this is that Biana agrees immediately after. Before Fitz agrees. This could be read as just friends, but I read it otherwise.

Book 3: Page 590. Biana is fighting Gisela on Mount Everest, in extreme conditions. Sophie looks at her and is like "Did you know Biana could fight like that?" like she's impressed, and I mean it's very impressive because she's taking down an adult in extreme conditions, but they're in the middle of a fight, and Sophie takes the time to notice and point out Biana's fighting skills. Which seems a little bit ship-y. Later on this page she is written as smiling at imagining Biana fighting Fitz and Keefe and smiling, and then screaming when Biana almost dies, along with Biana's former crush (Keefe) and her brother (Fitz).

Page 511. Biana literally hides in Magnate Leto's office when Sophie was getting her ability restricting circlet (HIGHLY FORBIDDEN AND DANGEROUS) and watches in silent support. She breaks so many rules doing that, and then to top it off, on this page she says she doesn't "think I could've been that brave." Which is extremely sweet given the circumstances, and knowing just how much she risked going in with Sophie and yet calling Sophie the brave one, it's just very sweet.

Book 4:

(Oh boy I love this one there's so much fuel here.)

Page 9. "Dex pretended to gag, while Biana stared at Keefe's arm around Sophie." This is generally read as Biana being jealous of Sophie getting Keefe's attention, but it can also be read as Biana being jealous of Keefe being able to get that close to Sophie in that way (and that is how I am choosing to interpret it).

I would also like to point out that Biana chooses to run away with Sophie to be with the Black Swan. She doesn't have to. She could stay in the Lost Cities and serve her minimal punishment, then get back to her life. But she chooses the dangerous option to BE WITH SOPHIE, which speaks a lot about these two and how their relationship has grown from mutual animosity to ride-or-die friendship.

Page 31. "'But we're in costume!' Biana argued. 'Yeah, but you guys will stand out. I mean...look at you. You look like models.'" Sophie literally says Biana looks like a model (along with the boys of course, but she's including EVERYONE in her group) (plus she also comments in her head NUMEROUS times that Biana is gorgeous, or pretty, or looks like a princess, and I don't know about you but I don't go around thinking about how gorgeous all my friends look, I mean they're all amazing people but I don't go around thinking "oh wow [friend] looks like a fabulous princess with their on point makeup and effortless looking outfit." It's just a little bit indicative that Sophie might like Biana as more than just a friend, hidden in the deep reaches of her oblivion at least).

Also I would just like to point out that on page 38, when the group sees the statue of David, Keefe immediately reacts to it, and Sophie has no immediate gross out factor, she's just like yeah it's art and this dude is naked so what, which I find a bit telling but idk.

Bonus: Biana finds the fact that the statue is naked a bit disgusting, and is terrified at the thought of running into it, which also seems a bit telling.

Page 77. aka the page where Biana compliments Sophie's eyes and calls them "striking and unique."

Page 167, 168, 169. THEY LITERALLY SLEEP IN THE SAME BED TOGETHER TO COMFORT EACH OTHER. BIANA WENT TO SOPHIE'S ROOM FIRST WHEN SHE COULDN'T SLEEP AND IS IN NEED OF COMFORT, EVEN THOUGH HER MOM IS literally within walking distance away.

Page 168 "The soft sound of Biana's breathing made the room feel warmer"

Page 615 "...especially when she realized Biana was there too. She pulled her soggy hair forward to cover her face. 'It's cold here.' 'It is,' Biana agreed. Sophie couldn't tell if the strain in Biana's voice was exhaustion or something else." This is after Biana and Alvar interrupt Sophie and Keefe basically cuddling in the cold after almost dying. This could be interpreted as Biana being sad that Sophie seems to be choosing Keefe over her, and she's struggling to deal with that.

*~*

After these moments, Biana kind of fades into the background, along with Dex, until around book 8 (and even then....yes I'm a bit bitter that my girl doesn't get page time), so I'm going to skip ahead.

Book 8:

page 135. "...next to her daughter wearing a peacock blue gown with shimmering gold beading that was almost as stunningly beautiful as she was." Reminding you of her constant appeal to Biana's appearance, and also this is after Biana has been MAJORLY scarred, yet Sophie still finds her beautiful and oh look I'm crying now (onto the next!)

Page 256: "'You okay?' Biana asked, plopping down beside Sophie on the grass and reaching out to brush some of the fallen pinkish, purplish, bluish petals out of Sophie's hair." this kind of thing is generally reserved for Fitz or Keefe, so I was SHOCKED when I read this. She's pulling the 'brushing the person's hair out of their face' ploy and I'm so here for it.

Also, just Biana's reactions to Sophie dating her brother are a bit odd, as if she is only reluctantly okay with them being together.

Unlocked (8.5):

Biana's file: page 76. "Ultimately, though, Biana and Sophie have grown to genuinely respect and admire each other, and are now well and truly friends." This is under the heading explaining that Biana has trouble making friends because of complications with her brother, and then goes on to mainly explain Biana's friendship with Sophie, which just...points toward the slim possibility of Sophiana.

I'm not holding out a lot of hope, because I know it's probably not going to become reality, but I do have my reasoning and a decent amount of evidence, and I still can enjoy my ship from afar as the ship wars rage on. Because with these two gals, we could:

1. Have the possibility of a healthy relationship where neither party is afraid to tell the other something

2. both balance each other out personality-wise

3. they've also gone through some rough spots but in all have retained a steady friendship in which Sophie isn't afraid Biana will betray her or hate her for anything (unlike SOME boys (I'm sorry, I love Keefe it’s just his decisions haven’t been all that great lately))

So yeah, tl;dr Biana and Sophie have the possibility of being in a great relationship built on support and trust and I put way too much effort into this

(Part 1 bc I’ll have more evidence eventually)

#this got out of hand #oh well #I love my gay children #gay-otlc #I love that tag #kotlc #keeper of the lost cities #shipping #Sophie Foster #Biana Vacker #sophie x biana #these two have quite a bit of shipping fuel ngl #sophiana #kotlc sophie #kotlc biana #kotlc sophiana #this is what I do with my life apparently

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dahlia-coccinea · 3 years

Text

I reread Patsy Stoneman’s essay, “Catherine Earnshaw's Journey to Her Home among the Dead: Fresh Thoughts on Wuthering Heights and 'Epipsychidion,” and my feelings towards it pretty similar to how I feel about J. Hillis Miller’s essays. I enjoyed reading it but I don’t agree with 85% of it. I haven’t reread any of Miller’s takes (since there are a plethora of metaphysical interpretations it would be so repetitive) and that probably allows for me to still appreciate his essays as much as I do...I think rereading Stoneman’s essay was a bad idea because reading it a second time made it much less enjoyable and I read it much more critically.

There are a lot of similarities between the metaphysical and Romantic love narratives, and they also share a lot of the same failings. They tend to be very selective about what scenes are analyzed and they aren’t put into a larger context, and they tend to be the most poetic scenes. Typically these arguments cannot place the meaning of the 2nd generation into the context of the novel either. I’ve already said quite a bit about the metaphysical arguments, so I’m going to try and discuss just the points in this specific essay. Sorry parts may be a little repetitive because critics often bring up the same quotes and ideas again and again. And this will be very long.

First, Stoneman identifies that there are two popular theories about Catherine and Heathcliff’s relationship: “One is the myth of star-crossed lovers, who are cheated of marriage by social forces,” and then the metaphysical argument which, “presents Catherine and Heathcliff’s love as of a kind which is in itself incapable of social consummation.” She then volunteers a third option that is based on concepts of free love and/or “twin love” that can found in Romantic literature.

It is interesting, but I’m pretty sure Catherine also thinks she betrayed her own heart? She does tell Nelly she knows in her heart and soul she shouldn’t marry Edgar, and on her deathbed, she says “If I’ve done wrong, I’m dying for it.” I know some take it to mean she thinks that she didn’t do what was wrong to her, but she does add “You left me too” so I think she does agree with Heathcliff that she, in a way, left him.

There is ample room in the novel to compare Heathcliff and Edgar as there are few similarities between them. The society in which they live is violent and hierarchical and that never seems to be questioned by any character - I think that is an important backdrop and allows for commentary on class, race, and gender. I don’t think this particularly has to do with how we view exclusive relationships. And based on the reasons Catherine gives for why she would marry one and not the other, I think Catherine understands she is limited by this society. Her reasons for marrying Edgar are all very practical.

Instead of any fulfillment, from the start, Nelly says Catherine struggled and had an “objection to her two friends meeting at all.” Catherine is aware they dislike each other from the start and this makes things more difficult for her as Hindley wants her to marry Edgar, Heathcliff is more and more remote, and the two of them are stuck suffering Hindley’s cruelty. Nelly even says during this time, “I’ve had many a laugh at her perplexities and untold troubles, which she vainly strove to hide from my mockery.” If what Stoneman says is true she would have to be beyond naive, if not utterly foolish, to think that a relationship with both Edgar and Heathcliff would be desirable for spiritual fulfillment after Heathcliff’s treatment at the Grange, or his throwing applesauce on Edgar (which this scene brings her to tears and she blames Edgar for Heathcliff’s resulting punishment).

Stoneman does attempt to reconcile the Catherine confiding in Nelly that she knows in her heart and soul she is wrong to accept Linton’s proposal - she says this statement is negated by her insistence of never being parted from Heathcliff and that therefore means her love for him must simply be different and Romantic, rather than romantic/marriage-oriented. I’ve written a lot about this already but so I’ll just say that is pretty selective of the whole conversation with Nelly.

Stoneman says, that from this scene and how we see Catherine greet Heathcliff this shows, “No sense of tragic irony seems to enter into her consciousness, nor any foreboding of difficulties.”? Seems to be a bit of an overstatement when you consider that Edgar’s proposal brings Catherine to tears because she feels she isn’t meant to be with him. She doesn’t excitedly tell Nelly that she loves them both, and she doesn’t seem very optimistic when she says Edgar, “must shake off his antipathy, and tolerate him, at least.” While idealistic in thinking Edgar would help Heathcliff she is still pragmatic in understanding how few options she has. She fears Heathcliff listening to this conversation and will be hurt by this, or him finding out how much she loves him. Is her "delirious” joy upon Heathcliff’s return really a sign of her lack of conformity and utter loss at understanding their jealously? Or is it more likely because she thought he might be dead for those three years? She also tirelessly spends the next 3 months balancing Heathcliff’s dislike of Edgar (which I believe also spurs her to continue concealing her feelings towards him), Edgar’s jealously, and a new fun problem: Isabella’s infatuation with Heathcliff.

I won’t go into too much detail in this because it’s so similar to the metaphysical argument, but Stoneman notes that in Shelley’s ‘Epipsychidion’ there isn’t just the concept of free love but of “twin love” between 2 of the 3 person triangle, so it assumes that Catherine/Heathcliff could more platonic or at least asexual.

In this interpretation Catherine “revises the traditional masculinity” of the “Romantic lover:”

“Shelly’s experiment depended on women’s readiness to be generous and co-operative, and Catherine’s similar plan founders on the combative notion of masculinity endorsed by our culture. Attempting to ‘divide’ her love between men who seem to her too different to be rivals, she finds them transformed into the ‘chained friend’ and ‘jealous foe’ of convention.”

I don’t agree with the idea that Catherine sees them as too different to be rivals? She does compare them which casts them as two men vying for the position of her husband. Also, she based her decision to marry one and not the other on socioeconomic advantage, not who she loves more, or how they differ as people and might give her different kinds of love, although she points out her changing/more superficial and limited love for Edgar compared to the love she has for Heathcliff which are like the “eternal rocks beneath.”

Her love for Edgar is full of stipulations - she would “only pity him—hate him, perhaps, if he were ugly, and a clown.” Heathcliff’s degraded state does nothing to change her love, which is why I say her love for them is unequal. I honestly think saying she loves them equally yet differently, or that she is totally unaware of their jealousies is so preposterous based on the text, I don’t understand how so many critics, that have written extensively on the book all parrot it? Yet Stoneman continues to assert Catherine is “innocent” and “baffled” by their jealously. With almost everything she says about Catherine I find myself thinking, “well yes, but no?” For example, with this idea:

“Catherine’s apparent self-destruction has to be seen, not as willful egotism, but as a despairing response to her two lovers’ failure to love her enough to share her attention”

I do think this is mostly true. It is not willful egotism, and she is upset that they can’t tolerate each other - but Catherine’s illness is a long-running problem that is closely associated with her relationship with Heathcliff and his absence that began after he first runs away. Through the next three years, she says she “endured very, very bitter misery.” I’d say it has nothing to do with her feelings towards Edgar who she has been making herself distant during this whole time while telling Heathcliff (in spirit since he isn’t actually in the room): “If I dare you now, will you venture? If you do, I’ll keep you.”

Again I do somewhat agree with Stoneman’s interpretation of Catherine telling Heathcliff, “you and Edgar have broken my heart,” which Stoneman says, “can only be explained if we accept that while Catherine still relates to both her lovers, Edgar and Heathcliff have broken her heart by defining love as exclusive.” I think they do break her heart by their selfishness over her, and I think she never intends to hurt either of them. She has at different times suffered to protect one or the other. But this still doesn’t change her stronger, unconditional, yet socially unacceptable and thwarted love for Heathcliff. Her issue isn’t the loss of Edgar, they broke her heart by both behaving in a way that cast Heathcliff from her company. Divorce was not really an option for her - the most dysfunctional couple in the novel, Heathcliff and Isabella, never legally separate even. So why wouldn’t she try to keep the peace between them to be near Heathcliff? The Romantic love interpretation is difficult to reconcile with her rejection of Edgar which happens on a few occasions and most apparent when she tells him, “What you touch at present you may have; but my soul will be on that hill top before you lay hands on me again. I don’t want you, Edgar: I’m past wanting you. Return to your books. I’m glad you possess a consolation, for all you had in me is gone.”

As the essay went on I felt it got weaker. Stoneman says Catherine’s haunting of Heathcliff must be read as an “appeal against his failures of generosity.” Not because she wishes she was never parted from him, as Catherine herself said? Catherine doesn’t seem to die with any animosity towards Heathcliff - she forgives him for leaving her, asks for forgiveness, and tells him, “You never harmed me in your life.”

**** EDIT *** I just meant that he goal isn’t to punish Heathcliff, since before her death she makes it clear she doesn’t want to parted from him. I do prefer the theory that she she haunts him in part to call him off his revenge and harming those she loves and to bring him back to her. I don’t think her ghost is static or simply a “reward” for Heathcliff despite all the wrong he did. I think she does become “incomparably above and beyond” them all and remains a force as she was in her life. Or she could be not a ghost at all and he encounters with could be proof of Heathcliff’s madness and later becomes a simple old folktale and superstition. (I’ll admit I like to view the ghosts are real and I think there number of references to them by other characters do suggest that we are meant to read them that way). ***

After Catherine’s death, Stoneman says, “There is, after all, something in the haunting which the usual readings of the novel fail to explain. If the ghost of Catherine wails to be let in, and Heathcliff begs her to return, what is it that keeps them apart?” I think we’d have to all agree that what Lockwood saw was actually a ghost, and I have seen this interpreted a million times? Stoneman says it is Heathcliff’s own “implacable obsession with revenge, which effectively shuts her out of his consciousness.” Which I could agree if we are reading it assuming the ghosts are real...but then she says that Heathcliff reaches his heaven only as he abandons his revenge against Edgar and “at last he ‘comprehends in his person’ the preposterous simultaneity of her loves.” This made no sense to me. I don’t see any reason for thinking he begins to accept Catherine’s love for Edgar, which he kind of already had? He tells Nelly that he doesn’t physically hurt him for that reason, he just also believes she loves him more. And I would say he does defeat Edgar and Hindley? Just because he can’t also destroy Hareton and Cathy II doesn’t negate that in his lifetime he outlives his enemies and has control of everything and everyone at Wuthering Heights and Thrushcross Grange (which he never shows signs of regretting his actions). It might not have gone as far as he originally planned, but I would say he does sort of win. And his abandonment of revenge isn’t ever associated with Edgar? Heathcliff does give some insight to what causes him to lose interest in his plot, an aspect of it being the connection to Hareton. In a discussion between him and Nelly he tells her she may think he’s insane “if I try to describe the thousand forms of past associations and ideas he (Hareton) awakens or embodies.” It is because of this intense association with him that he says, “his society is no benefit; rather an aggravation of the constant torment I suffer: and it partly contributes to render me regardless how he and his cousin go on together. I can give them no attention any more.” I believe the last time Heathcliff mentions Edgar is right after his death and he tells Nelly that, “I wish he’d been soldered in lead,” and goes on to describe yet another plot against Edgar by having his and Catherine’s graves opened on the side nearest each other so that they don’t have any barriers between them and then, "by the time Linton gets to us he’ll not know which is which!” So the idea he softens towards Edgar or becomes more willing to share Catherine in any way is...improbable to me.

The theory also suffers (like so many others), in ignoring the ending when forming the narrative. Stoneman mentions the three graves and says that the people seeing Heathcliff and Catherine’s ghosts are basically country folk who are inclined to sympathize with “Heathcliff's final possession of his 'woman’” and also most readers fall into these same “hegemonic constructions” by not considering that the "the sleepers in that quiet earth” are at peace together. I agree with @princesssarisa that it doesn’t quite fit into the fact that many of the people that see the ghosts didn’t support or even know of Heathcliff and Catherine’s relationship - the young shepherd boy doesn’t seem to know who Catherine even is. To also say that the reader is projecting their desired ending doesn’t feel right because the ending is something that Heathcliff and Catherine have been foreshadowing through the whole book. Catherine says, “I’ll not lie there by myself: they may bury me twelve feet deep, and throw the church down over me, but I won’t rest till you are with me. I never will!” She doesn’t refer to Edgar, who she says can be buried anywhere, it doesn’t matter to her (poor Edgar). She also tells Heathcliff, “I shall not be at peace,” and “I only wish us never to be parted,” as well as other similar quotes implying that she will be waiting for Heathcliff to come to her. I don’t like the view that Catherine is so lacking agency in her relationship with Heathcliff either - I’ve never thought that he “possesses” her. She’s the one who makes the demand that he leave the world behind and join her - the end does seem to be him finally following her, as she says he always does.

And then, what of Cathy and Hareton? How do we reconcile the narrative with the features of the second generation? It would seem, if we assume Catherine has a differing yet equal love of the two men, and wished for a relationship where they can be peaceful together, and then the only scene we have of them together is in their graves, it feels pessimistic. Our one Shelleyan model is dead and buried with two people incapable of overcoming their jealousies and possessiveness. When considering the ending with Hareton and Cathy, would we have to conclude this a cautionary tale of Catherine’s naivety? Stoneman does make almost this suggestion and says it could also be because Emily had watched Branwell and Charlotte get hurt by love married people, so it could be showing what tragedy befalls if love is selfish and possessive. Though there is nothing to suggest that Hareton and Cathy love isn’t any of those things?

I must be terribly boring because I think the easiest way of describing Catherine and Heathcliff is that they are, “star-crossed lovers, who are cheated of marriage by social forces.” Obviously, that is simplistic and glosses over their more spiritual aspects and certainly, they are not how the 1939 film interpreted them, which Stoneman rightly says, “recasts the novel in class terms as 'the story of the stable-boy and the lady’” - but I still think its closer than saying they are models of Freudian psychology, siblings, celestial beings, or Shelleyan. There certainly is spirituality and complexities in their love, and throughout the plot, as well as other characters, but it is still very much possible to read too deeply into double meanings and what is left unsaid.

My end take - some lyricism of Epipsychidion is echoed in quotations from Catherine and I would have much preferred to compare and contrast the two works rather than the attempt to shoehorn the rest of the story into a similar narrative. I think if you made a comparison to just the part after Heathcliff returns, a really interesting and strong argument could be made about how Catherine does try to create a similar relationship as described in Shelley’s work. I don’t think the situation was ever her ideal, but she certainly has no desire to be cunning or vampish - that’s not in her nature, and her relationship with Heathcliff doesn’t necessitate them having sex. She does try to put into practice a semi-Romantic love triangle but I don’t think she harbors any delusions of Edgar’s and Heathcliff’s animosity. Rather than a bohemian approach, it is her forcefulness and controlling that keep them both at bay. Tellingly she tells Nelly, “I believe I might kill him (Edgar), and he wouldn’t wish to retaliate.” She feels confident in her sway over him to get what she wants and she wants to be able to continue her relationship with Heathcliff in any way she can. It’s not necessary to revise and add new narratives to situations in the novel that are clearly able to be discerned from the text - such as Heathcliff’s failing desire for revenge or people seeing their ghosts at the end. I don’t think Epipsychidion is a terribly good lens to read Catherine through as her love can also be jealous, selfish, and possessive. There are too many aspects of Catherine’s character that conflict with the ideas Epipsychidion expresses.

#wuthering heights #heathcliff #catherine earnshaw #emily brontë #wow that ended up being real rant-y #it's probably i've just read so many essays now i more flippant about the ideas that don't make sense to me #thoughts

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mc-critical · 3 years

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What are your thoughts on Ibrahim? For me it went from indifference and dislike in season 1 to liking in season 2 and becoming my favorite male character in season 3 tbh. Actually the only good male character by season 3 (season 4 has many other options too). He is probably the most complex and well written character and I really sympathise with him. His arrogance was his downfall but if Suleyman wasn't such a bitch it wouldn't have been lol. He wasn't wrong in that imo. He was a slave, a fisherman's son but his intelligence and skill took him farther than anyone else and it's not wrong to be proud of such a feat. He deserved the pride more than just about anyone, even Suleyman. What I dislike the most about him is his treatment of Nigar after their relationship ended. She's my favorite character and although their relationship itself was my favorite in the whole show (other than Nurbanu and Selim) it ended really badly

Ibrahim is one of my most conflicting characters on the series: one time I feel like I don't get the appeal, especially not the stans in one Bulgarian forum, he doesn't elicit such a strong emotional reaction in me as he does in others, but then once he hits an incredibly strong arc and I begin to analyze his character and all its dimensions, I come to love him for what he is and realize how much effort has gone in conceiving and developing him. He's certainly the most well-written male character that isn't a sultan or a prince in the entire franchise. (the sultans aren't the brightest, but the bar is so high when it comes to their writing. There isn't any of them that is badly written. The princes are also well developed, but now that I think about it, Ibrahim surpasses some of them as well!) He's delightfully fleshed out with every detail; his actions, while morally ambiguous at times, are very understandable and you can clearly see the deeper, nuanced reasons why he does what he does. His arc was a sight to see from beginning to end and watching it reach its inevitable tragic conclusion was heartwrenching. At a point he became so important to the narrative, whether it was intentional or not, that the show (or actually, S03B in particular, because S04 was absolutely fantastic!) began to lowkey miss something without him. He had such a strong presence that couldn't be matched by anyone else after him.

[To be brutally honest though, I find his dynamic with Hürrem in terms of screentime to be kinda overrated. Not that it's bad or anything, quite the contrary - their chemistry was great, they were consistent and fun to watch, they had quite a few great scenes that were definetly more than Hürrem and Mahidevran's, I dare even say this is one of the most solid antagonistic dynamics of Hürrem's writing-wise, but I just find it sometimes gets way too much credit? It's weird, I know.]

The most interesting thing about him is, without a doubt, his fatal flaw that I... actually don't think is arrogance. It's not up for argument that Ibrahim can definetly come off as arrogant, but the arrogance is rather a manifestation of his fatal flaw, not his fatal flaw itself. I believe that it's precisely his inferiority complex that is the root of his vulnerabilities: as you said, he's been only a fisherman in Parga, and his background is both a source of memories where he can recall his more "innocent" days with his family and a tough spot for him where he is consistently reminded of something that is already in the past after all he has achieved. He did want to return to Parga, to see who he used to be one more time, but after that it's as if he never gets a chance to forget, to put it behind him. He pretends he has forgotten, but that consistent reminder of how he has started seems to be constantly haunting him to the point he begins to remind himself of it. It's not only people like Figani, Iskender Çelebi or the other members of the divan in early S01 that don't let him forget, it's as if he himself doesn't want to forget. It's undeniable that he had climbed up to heights he wouldn't dream of and the role of a grand vezier needed getting used to and to be dealt with with care. On one hand, we could argue that he reminds himself of Parga as a way to preserve his moral compass, in a way, to realize when and how he has screwed up or remind himself of the limitations of how far can he go, for Süleiman is his friend and companion who he wouldn't want to disappoint. But on the other hand, the more he rose in the hierarchy, the stronger became a wish for him to exceed these limitations placed upon him by everyone around. Süleiman is able to give him everything if he wishes, so why not let it happen? Then he's going to prove to everyone, prove to his inner demons, this sense of inferiority that he, in fact, can not only become the most politically adept grand vezier there is, but a person who has his own country within the country and can rule it with ease. The political arena ultimately becomes a target of his inner conflict where he projects more power than anyone else, is most influential and does the best in order to gain the goal, not only to gain SS's approval, but show that, yeah, he can do his best for the role he's put in, fixating on the Ottoman country he claims to be a ruler of and his apparently endless rights. It turns into a coping mechanism where he can escape his past and background and he gets so sucked in it that his self awareness becomes less and less. That's where his arrogance comes from and I feel that if he didn't possess that complex of his, he would've managed things way better and had more self control, as a result. He was a very good politician in the show, setting in motion many good strategies (his strategy gave them the Mohacs victory after all), having a strong, pragmatic mind and many innovative ideas and if he didn't try his hardest to convince himself he's worth something that isn't just the story of the fisherman in Parga, Hürrem wouldn't stand a chance against him.

This inferiority complex is the reason for his infidelity, too. He loves Hatice dearly and he never expected that she of all people would do the very thing he dreads the most. Her pulling rank on him came as such a shock for him that it seemed he would never forget or forgive. It put infinetly more salt to the wound, deeply hurting his ego and the self-esteem he was just beginning to gain. That's why he let himself in Nigar's hands for so long, for she would only want to please him, for that relationship would have no limitations whatsoever and wouldn't restrict Ibrahim in any way. It was something that was his, something the dynasty would never touch or learn about. I love Nigar and Ibrahim's relationship, too. Principally, I'm not a fan of love triangles at all, but that one is a notable exception for how wonderfully, but crushingly psychological it is. It wasn't added in only for the sake of the drama, it was set up for very long and it was like the characters actually got there through their own actions and they had to truly face that struggle to flesh out and evolve. But there wasn't genuine love there, not in Ibrahim's part. That was his biggest weakness speaking, causing the illusion of love, not the real feeling of it. He wanted to preserve this relationship as the fisherman in Parga, but to me, it felt like he showed something more similar to his own confident assertions of the power of a grand vezier than actual regard for Nigar's feelings. It all was a lie he wanted to believe, because of his ego's denial, and he believed it so much he told Nico that Nigar was the person he truly loved in E51. And when he did get out of the lie (the monologue in E57), see how he reacts differently in front of her now - he turns off every single try of hers to give him affection, he reacted very badly when he learned she was pregnant, it was as if he wanted her to wake up from the dream and move on, too? And due to his inner conflict that perpetuates his arrogance grew even more in S03, he got over Nigar, but not over her child. Esmanur's birth made him return to and enforced his old habits that made him consider that child as another piece of solace, something out of the dynasty, also only his, trying so desperately to have her live with him and Hatice. The infidelity and the way he treated Nigar after he realized the error of his ways are ones of the worst things Ibrahim did, along with Leo (now, I get he wanted to knock Hürrem down a peg, but that was admittedly much for me.) and while I understand why these events and interactions came to fruition, I can't justify him for them.

I agree that had Süleiman not given him as much power, his inferiority complex would be highly downplayed, at the very least. He underestimated the possible consequences of Ibrahim's rise and it really doesn't look like he knows him as much as he thinks he does. Whether he did it to test him (SS's lasting reminders that Ibrahim gets closer to death) or because he loves him dearly and wants to embrace his potential ("I want you to use that mind only for me!") or both, it's like he gave him both too much freedom and too many boundaries at once. I mean, I understand why SS executed Ibrahim: his affirmations, no matter their backstory and how metaphorical they are, pose a definite threat for a padişah and along with his growing paranoia of betrayal, he couldn't be sure how far he was going to go anymore. It's as if Ibrahim crossed every line, openly acting like he controls the padişah and his state in front of the fellow pashas, efendis and ambassadors and that couldn't be controlled anymore. It's as if he had done his best efforts to bring him down to earth, but since none of it was working, he decided to act accordingly. The many "failures" of Ibrahim have been piling up in the narrative in the span of 81 episodes and I get why SS would finally snap for what was the final straw. However, doing so much unprecedented stuff for a grand vezier was bound to bring disasters for the padişah due to the chance in his mind that he would try to question or prevail over him, hence Süleiman should've realized that it was only natural one would want more and more. And that happened with S03 Ibrahim - he fought more and more with his inner demons, hence wanting to have more and more to be validated by the others and by his own ego that perhaps wouldn't feel satisfied regardless.

While his fatal flaw underlines his complexity, it also gets complimented by his many positive qualities: his love for Hatice was very sweet in the beggining and after the Nigar plot, it turned out to be really genuine - their reconciliation was very telling in that aspect; his relationship and loyalty to Süleiman deserves respect, even though his inferiority complex came in the way, he still would never give him up and never once lost hope in his recovery when he was in his deathbed and while that may become up for debate in S03, he would never openly stand against him and would gladly try his best to please him; his bond with Mustafa is amazing, too - I love how he practically raised that kid and gave him sound advice as well as his mother; that said, his relationship with Mahidevran deserves more appreciation and it is one of the most reciprocal and understanding, soft and "carefee" dynamics of the show; I love his dedication to his family and how he loves them as much and remembers them with the same fondness as ever before. In short, when going in depth, this multifaceted character has so much to offer, like, wow!

Okay, when I first watched the show, there was that point where I felt Ibrahim overstayed his welcome and I even wanted for Hürrem to finish him already (heh, those were the days! 😅) but now when I've rewatched and reexamined MC many times, I see that despite of his few negative traits, everything about this character flows so well and so organically and it's one of the characters in the series that have aged really well with time in my eyes. And I respect him so much for that.

#magnificent century #ibrahim pasha #ask #illusorybeing

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writing-with-olive · 4 years

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Hi!! I am having trouble with my Story. is the second part ,and Im right now trying to include a love triangle that I think it's going to bring a lot of tension and that's what im looking for. Do you have any ideas on how to make it work???? Besides, im havin trouble with the male protagonist, he's pretty reckless and hopeless in this book, so if you have any recommendation to showcase how hes feelin, I would love to read them! I'd live to get your help!! Love xx

Hey anon!

First thing - as someone who is ace and generally doesn’t tend to appreciate romance in fiction as avidly as an average reader does (it’s fine, I just don’t tend to care as much), I may not ultimately be the best person to come to with romance related questions. However, I do have some VERY strong feelings about certain types of love triangles, so hopefully my limited advice can still be helpful. Let’s do this!

First up, love triangles!

(for reference, I’m assuming the MC is the one making the decision. If that is not the case, replace MC with whoever is doing the decision-making)

1) I know it can cause tension, but for the love of all that is good in this world, make sure to avoid abusive relationships. Too often, they are glorified and either the reader gets invested anyway (which perpetuates real world abuse as readers - especially teens and kids - may not be able to actually tell that it’s abusive, as that’s the normal they read about), or the reader realizes it’s abusive and gets bored/stops liking the book. None of these are ideal. Nor romantic. Don’t do it. (if you find yourself unsure if whether something is not a good idea, research signs of abusive relationships. A good rule of thumb is that neither side should be controlling of the other - it’s about balance)

(More on love triangles and my thoughts on ideas for your protagonist below the cut)

2) The thing about a love triangle is that it largely stems from indecision. However, keep in mind that in addition to the two options of love interest for your MC, your MC can also choose to opt out and not go with either of them. With love triangles, you don’t want this, as it robs all of the tension, meaning that you’ve got to make pretty compelling reasons for them to narrow down their choices to choosing one of the two love interests. This can be done by making each of the potential love interests equally as appealing, or, depending on your story, you could go the forbidden romance route, in that your character is promised to one of the love interests, but is actually in love with another.

3) Make sure the MC has agency. Basically, they should make active choices about their life, rather than letting others make all of the decisions for them, or just agreeing to whatever decisions people make all the time. In part, this is because no one roots for a character they can’t connect with, and no one connects with a character made of cardboard, and also because there is no way two different people would be competing for said cardboard character’s love and affection.

4) This may just be because I am ace, but PLEASE make all of your characters actual characterization interesting, rather than just making them hot. Yes, being hot is a way for characters to get each other’s attention, but it is not a foundation for any sort of healthy relationship.

5) Make sure all of the characters have lives outside of the love triangle. They should not revolve their life around it, but instead let it be a piece of their life.

Okay, that’s all I have for love triangles. Onto your pesky protagonist!

First off, the recklessness will probably showcase itself, so long as you give your protagonist a place where they make a decision and they brashly make the wrong one off of gut instinct and emotions.

Regarding his hopelessness, that could come through in both dialogue and in actions. In general, he’s probably going to be less likely to be the one hatching the plans because “it’s no use, we’re all going to die anyway.” Also, body language. If someone is talking about a bright future, or something that does not fit into his more hopeless worldview, he’s likely to disagree and his body language is going to reflect that (see rolling eyes, crossing arms, etc)

The one thing with hopelessness that you’re going to want to keep in mind is that it can pretty easily yield itself to passive charactarization, which is never a good thing in a protagonist. To counter that, I’d give them one thing they have going for them and that they’re committed to. They work for that goal and really don’t care about much of the rest because again, hopeless.

To showcase that, their overarching goals should be related to this thing, and so should their scene-by-scene goals. Given that this is the thing they are solely working for, they might be reckless elsewhere, but here, they’re probably going to logically focus on it. Which will likely help make this goal stand out more.

Hopefully this was at least a good starting place for you, even if I didn’t have quite the answers you were looking for. Happy writing!

#writing #writing advice #writing tips #writers on tumblr #writeblr #writing asks #writing questions #love triangles #character romance #writing romance #male protagonist #reckless characters #hopeless characters #olive's writing vibes

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danwhobrowses · 3 years

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AEW: Predicting the Next Champions (from Dec 2020 Onward)

Note: Spoilers for AEW Dynamite ‘Winter is Coming’ 2nd December Show

So Winter Came, and it came for Jon Moxley’s title reign. With a new champion, Kenny Omega’s reign will begin and most likely rule into and potentially beyond the year 2021 - along with what seems to be a budding relationship with IMPACT wrestling as well. At this current point I am expecting all the current champions: Darby, Cage, Young Bucks, and Shida to still be champions come the year’s end. So now is time to determine who will take the title from them? Note: While I am Legitimizing the FTW Championship for these predictions I am not doing predictions for the AEW Diamond Ring since it seems to be an annual trophy thing, the same applies for the Deadly Draw medals.

Potential AEW Trios Championship Prediction: Death Triangle Alternative Options: Jurassic Express, Best Friends & Orange Cassidy or Dark Order This is just an out-there one because there currently is no Trios Championship, but recently Tony Khan has noted that there is the possibility of a Trios Championship being introduced in 2021, and with several stables having 3 members it does look very likely. So for my money, PAC and the Lucha Bros’ faction Death Triangle (or Triángulo de la Muerte) will be the first to claim the gold. Currently a tween faction having feuded with Eddie Kingston and family, Death Triangle is definitely one of the most popular trios stables in AEW, to the point that we’ve anticipated their reunion longer than they’ve been a stable. Also, the Lucha Bros are due a title win, they fell short on the AEW Tag tournament and kinda hovered in the midcard, so they do need this the most. Alternatively, I can see other trios winning with the same appeal. Jurassic Express have been a favourite babyface faction who also seem to lose more than they win, the Best Friends with OC could use their experience to establish a solid reign and the Dark Order’s resurgence and usage of the Freebird Rule could allow them to enable dominance by numbers. While Team FTW and the Inner Circle could also be long shots, FTW have their own title and the Inner Circle, may have other plans for them. One can wish that the Trios Championship could be Intergender to allow more women to wrestle and be involved in factions, could have All-Women trios or mixed Trios but I do doubt so I won’t entertain for now.

FTW Championship Prediction: Cody Rhodes Alternative Options: Eddie Kingston, Lance Archer, ‘Hangman’ Page, Wardlow or Mr. Brodie Lee Recently the FTW Championship has been gaining attention due to Team Tazz’s prolonged feud with Darby Allin overlapping with Cody Rhodes. The rankings do have Cage and Starks very high up without title matches - save for Cage’s Casino Ladder Match victory entitling him to one. In the prior Dynamite, Tazz demanded that the FTW Championship be legitimized, and I feel like this will only happen if it changes hands to Cody. As much as he is talented and has a good head on him, Cody has unfortunately been reluctant to leave a form of spotlight. With the Shaq thing going nowhere like the Tyson thing was with Jericho, Cody making a ‘rise up’ feud with Cage and winning the FTW Championship would be a means to keep Cody in a top billing as he looks to legitimize the title only under his possession. This could also further storyline with Tazz, having ‘Hook’ perhaps side with his father and FTW fight to reclaim their branded title, or even Tazz vacating the title from Cody in stubborn rage. The alternative would be down to who else would have Brian Cage in their corsairs to be a legitimate threat. The FTW Championship this way could be a ‘Big Man’ belt since not many can beat Cage and share the FTW mantra Tazz would allow the belt to change hands for. With that in mind, Archer, Wardlow and Brodie are definitely ‘Big Man’ wrestlers capable of dethroning Cage and Eddie Kingston would definitely be someone who fits the FTW attitude, the man is money after all. Hangman Page would also be a decent shout to further his slow-burn storytelling, having Hangman fall into nihilism with this title, but for it to bring him no joy since this first singles title of his is from an illegitimate championship.

AEW World Tag Team Championship Prediction: Santana & Ortiz (Inner Circle) Alternative Options: FTR, Best Friends or Dark Order It is no easy feat to dethrone the Young Bucks. There’s not much else you can say about that, because of this it is not easy to determine who in the uber talented tag division can usurp them. Acclaimed, TNT, Private Party and Top Flight are not ready and Hybrid 2 are so talented but not in the champion mentality, the Trios Title talk also makes JE and Death Triangle less likely to just go for the tandem title. As a result, I am picking the former LAX to beat the Bucks. While Jericho and Hager seem to be representing the Inner Circle’s tag front right now, I do not think they would be successful to defeat the Bucks, this could trigger Santana and Ortiz to finally get involved. Like the Lucha Bros, despite some stellar matches they have found themselves aimless, so this is a good time to rebuild them to the great tag team we know them to be. With the advantage of the Inner Circle backing them also, it would restore legitimacy to the faction’s name. Other than the Inner Circle, FTR are probably the most likely to usurp the Bucks, I only don’t think they will because as the former holder it’d be a bit of a flip flop. The feud doesn’t need a title after all. Best Friends may not have to team with OC to capture gold, the same way that Dark Order don’t need to go for the Trios to capture gold, the Dark Order’s overness and the fact that the Bucks have taken responsibility for their booking could mean that they will seek to pay off the faction as a whole.

AEW TNT Championship Prediction: MJF Alternative Options: Sammy Guevara, Jungle Boy, Ricky Starks, Orange Cassidy or Miro Darby Allin is definitely entertaining as hell, but now he has the test of seeing if he can carry momentum on a weekly TV basis as a champion. I am certainly sure he can do it, but his downfall can easily be putting his body in too much harm’s way, which fits the strategy of MJF. Potentially without the AEW Diamond Ring when his challenge comes around, MJF can certainly profit from being a title holder in year 2 of AEW, his prior snipes at Darby especially before his World Title match against Moxley can fuel his confidence going against him and with the Inner Circle and Wardlow flanking him it can lead to him resorting to cheat tactics for heat and potentially lead to his downfall for when he loses the title, as well as neutralizing the legendary Sting - who I expect to stick around Darby, or at the least have a paternity test - for that extra dose of nuclear heat. Ricky Starks is considered the common alternative right now given their long-term feud, but let’s not forget Sammy Guevara had a great series of matches with Darby in the early days too. Miro right now is in one of AEW’s weaker gimmicks at the moment but a TNT title reign can restore dominance to his character. One possibility we do have to consider though is the heel turn, Darby could easily become consumed with defending his championship by any means, or his challenger obsessed with claiming gold, the former would better suit against opponents like Orange Cassidy - who will then be forced to ‘try’ - or Jungle Boy - who would seek to establish himself as a future world champion and not just an athletic midcarder.

AEW Women’s World Championship Prediction: Britt Baker DMD Alternative Options: Abadon, Kris Statlander, Thunder Rosa or Jade Cargill Despite its criticism, I believe that Hikaru Shida’s record-breaking title reign has been for the most part great. Shida herself has made a great fighting champion, calling on all contenders and having very good matches, to the point where we hold Shida matches at a higher standard to others. While I would love to have a strike match between her an a strongly-booked Tay Conti, I don’t think it’ll happen in time for Shida to still be champion, because the Doctor is in. Britt Baker was intended to be the Face of the Women’s Division, but after failing to connect with the crowd she became a revelation as a heel, only to be cut down by injury. In my opinion, AEW have maintained confidence in Shida’s reign because they want Britt to overcome her, likely by snide heel tactics to subdue Shida when she continues a juggernaut run through the division. Bringing a heel champion in will also open the door for more face challengers to shine, including returns for Riho, Statlander and Yuka Sakazaki. Currently Abadon has began to feud with Shida, crossing paths for the first time since Abadon’s only AEW loss against the then-not-champion Shida. Leaning on having the champion face fear, despite the Champion’s insistence that she is not afraid, it is still possible for fear to take over and for Abadon to win the championship, her gimmick definitely stands out and she has a definite following, there is also crossover value for her if AEW link her with or against IMPACT’s Su Yung and/or Rosemary. Other than Abadon, Statlander’s return from injury could start with a Heel turn of her own, allowing Statlander to use her power moves to more intensity, former NWA Women’s Champion Thunder Rosa may also rekindle the rivalry for a second crack. While I’ll admit I’ve not seen Jade Cargill wrestle, if looks are to be judged, Cargill can certainly rule as a smarmy heel champion, and there can be added story with Vickie Guerrero allying with her and guiding her to get personal vengeance on Shida where Nyla failed.

AEW World Championship Prediction: ‘Hangman’ Page Alternative Options: PAC, Brodie Lee or Brian Cage Storytelling doesn’t have to be convoluted to be great, AEW and NXT have proven that with stellar stories even when we knew how it would end. And climbing Adam Page from the gutter to the top is certainly the story one would top off a big PPV or an Anniversary show on. Granted, it’d be a super slow burn, but Omega is certainly a champion you expect to hold ‘Big Platinum’ for a long time, it also serves AEW better to limit the amount of times their main belt changes hands, which I’m sure the EVPs are all well aware of. Kenny’s alliance with Callis can usher in some IMPACT wrestlers to perhaps bolster Kenny’s allies and opponents but for now I feel that AEW should keep their world title at the very list restricted to their roster. Outside of Hangman, PAC definitely has unfinished business with Omega, the Bastard’s talent cannot go amiss and his character has been a proven success in WWE and the Indies as strong titleholder. Brodie may also fit the top title, his feud with Moxley was brief but very entertaining, I would love him to have the same coveting that he did in the Moxley feud, even having Dark Order members carrying the title for him to the ring. The final option so far has to be Brian Cage, in NJPW Kenny had multiple foils; Okada, Tanahashi, but one of the major ones was the ‘Stone Pitbull’ Tomohiro Ishii, a man with plenty of physical similarities to Brian Cage. Cage’s deceptive speed and monster power could prove to be a similar foil to Omega as Ishii had been for him years prior. So yeah, congrats to AEW’s new champion, I wonder how many I’ll get right.

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wineanddinosaur · 3 years

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Bravus Brewing Company’s Philip Brandes Is Making Non-Alcoholic Beer History

Philip Brandes doesn’t want to tell folks how to live their lives. He just wants them to have access to great beer — even if they don’t drink alcohol.

Brandes didn’t have any experience in the beer world when he began brewing non-alcoholic beer in his garage in 2015. A former software programmer who worked long hours alone in front of a screen, he says he could feel that his chosen profession was killing him — figuratively and literally. When a close friend began drinking non-alcoholic beer after battling alcoholism, Brandes decided to put his analytic skills to work by finding the perfect method for making it. A year later, he filed to form an LLC, and Bravus Brewing Company became America’s first exclusively non-alcoholic craft brewery.

In 2016, Bravus expanded out of Brandes’s garage into a 1,400-square-foot production brewery in Santa Ana, Calif. Then, in mid-2020, the brewery expanded again — this time, into a 23,000-square-foot facility in Anaheim’s Platinum Triangle neighborhood, less than a mile from Angel Stadium and big-name breweries Golden Road and Karl Strauss. Since then, Bravus’s year-round brands have earned shelf space at Total Wine stores across the country.

Brandes attributes much of his brewery’s success to the quality of the beer, which is made using a proprietary brewing method. He’s also ventured into ultra-limited beer releases, producing the world’s first non-alcoholic bourbon-barrel-aged brew, Gravitas, which medaled at the 2019 Great American Beer Festival. Last year, amid the Covid-19 pandemic and a consumer market looking for healthier choices, Bravus saw a 300 percent increase in direct-to-consumer sales.

While NA beer competitors are targeting athletes or others looking to replenish electrolytes, savvy beer drinkers will find Bravus’s branding to be almost indistinguishable from a regular craft brewery’s. That’s because, according to Brandes, the audience is simply “anyone who wants a beer.”

1. Before starting Bravus, did you ever see yourself working in beer?

Never. I didn’t even think about it. But when I looked to change careers, I saw how much fun my brother was having. He was a sales rep for a local brewery and [part of his job was] driving to various breweries and tasting new beers. Everyone was always cheers-ing and drinking, and I could see everyone was having a bunch of fun. So, I thought, I want to do this, too.

2. What is Bravus Brewing Company’s mission?

As you know, there is such a stigma surrounding not drinking alcohol, to the point where it can be pretty alienating in a social setting. I had a friend who would whisper to the waiter and order O’Douls, then turn the bottle promptly around when it arrived at the table so that the label faced him, preventing others from knowing he was drinking a non-alcoholic beer. It was that awkwardness, along with the fact that non-alcoholic segment has consisted of poor-quality choices, that gave me the inspiration not only to launch, but really take it to the next level by creating an ultra-rare, limited-release beer that was not only extremely enjoyable, but something you could show off.

I think the mission is to give someone something that tastes like a beer, looks like a beer, feels like a beer, and allows them to fit in with the rest of us. We want people to have a beer they can be proud of, not embarrassed by.

3. Is there a beer that Bravus Brewing Company makes that best illustrates who you are and what you do?

One summer, I came up with this crazy idea to attempt the world’s first non-alcoholic bourbon-barrel-aged stout and release it to our customers around the holidays. This isn’t an easy feat because barrel aging normally imparts quite a bit of alcohol to the product. After a lot of testing, I developed a method that didn’t impart alcohol. I took it a step further by creating a luxurious package around it, and really making it a labor of love.

And so, “Gravitas” was born, named after our corporate entity, Gravitas Brewing Company, LLC. The product is truly craft beer: It is brewed in a small batch, hand-bottled, hand-labeled, and hand-capped, all by me. It’s a chance for me as the brewer to really connect with our customers and give them something they can proudly display on their table. Side note: I believe it became the first non-alcoholic beer to be traded among alcoholic beer aficionados!

4. What goes into Bravus’s brewing method that makes it so different from other NA breweries?

What makes us different is that we just don’t have a lot of alcohol production with our process in the first place. Most non-alcoholic brewers take an actual beer and filter out the alcohol, but when you take an alcoholic beer and burn off the alcohol, you’re burning or filtering out all the flavor and aroma — all the things that make the beer taste good. I think when you start putting stuff in and removing it, it’s like a chef taking ingredients out of a dish. We’ve developed a process that mimics alcoholic craft beer production as much as possible. There’s a lot of intellectual property around it, and we’re still learning new stuff about it every day, but I’ll say that we don’t vacuum distill, we don’t remove the alcohol, and it’s not arrested fermentation. It’s just a completely unique way of brewing that, at the end of the day, produces some pretty good beer.

5. A growing interest in “better-for-you” brews has caused a lot of brands to pivot into the non-alcoholic beer category — Samuel Adams, Lagunitas, Budweiser, and Heineken, to name a few. In the past year, has Bravus changed to address growing consumer interest in these beers?

Yes, and no. I think the concept of NA still kind of confounds people, especially [with] macro producers coming into the market. We’ve always maintained that, in the long run and to fight off competition, it has to be about two things: flavor, which we have everyone beat on; and brand, which is probably the hardest part. But there’s just so much desire to have high-quality, small-batch options, and that’s what we do. We made that choice a long time ago and haven’t really pivoted away. In the long term, these more-of-the-same macro beers aren’t going to last.

6. What do you think about the trend toward “better-for-you” beer?

I don’t think it’s a trend. This is what it is. People want and demand healthier drinks. The days of sugary sodas and high-calorie foods, I think those days are close to being over. And that’s a smart thing. That’s a good thing. And I think people should be mindful of what they do, but not at the sacrifice of taste. That’s the trick. I’m impressed with a lot of these offerings now that are coming into the space. So, I think it’s great and here to stay.

7. Where do you see this segment going next?

Even “better-for-you” isn’t really good for you. I think shifting in that direction is great, so it actually becomes a good-for-you category that has some health benefits to it. And that’s what’s so great about us. There’s nothing really terrible about our products, and there’s a lot of really great things in NA craft beer, like polyphenols and certain vitamins. So, I think it’s a good thing to go towards.

8. What else is Bravus doing that’s different from other exclusively NA breweries?

I’m interested in just being a beer for beer drinkers. I don’t want to be a recovery drink or a Gatorade or a Red Bull. I think people want a beer. And it’s funny, because investors and marketing people don’t like beers that appeal to everyone, right? They want you in a box. But I kind of like the fact that we have such a diverse market. I’m not here to tell you what to do, so if you want a non-alcoholic beer, I mean, hey, pick this up.

9. What’s your long-term vision for Bravus?

The non-alcoholic space and better-for-you space is really hot right now, so I think using our technologies to look at some other opportunities, like spirits and wines and things like that, would be great. I feel like we can just do such a better job at making these by using the technology that we’ve developed. But there are also a lot of cool things that NA beer can do that alcohol can’t. You can find niches, like the military, food trucks, things like that. We’re looking at maybe expanding at some point to the Middle East, because there’s a huge market for non-alcoholic beer amongst the Muslim population [there]. There are all these cool little opportunities ahead that I’d love to explore.

Ed. note: This interview has been edited for length and clarity.

The article Bravus Brewing Company’s Philip Brandes Is Making Non-Alcoholic Beer History appeared first on VinePair.

source https://vinepair.com/articles/bravus-brewing-philip-brandes-non-alcoholic-beer/

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rocknrollbodhisattva · 5 years

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The Paranormal and the Sitcom: A So Weird & Girl Meets World Crossover Essay

Inspired by @fi-phillips | @thats-so-weird | @boymeetsworldconfessions | @rilaya | @rileymatthews-xo

Introduction

From 1999 to 2001, Zoog Disney aired a paranormal show named So Weird, the Disney version of the X-Files. Micheal Jacobs revived Boy Meets World with a continuation called Girl Meets World. On the surface So Weird and Girl Meets World have nothing in common. The former show filmed in Canada, the latter was filmed in California. Cooksney and Jacobs couldn't be more different, Jacobs is known for comedic sitcoms like My Two Dads, John Astole and producer Jon Cooksney, focused on speculative fiction. Astole worked on Stargate, and the 1980s Twilight Zone revivals. Disney Channel hosting their television shows is their only commonalities so far. What made these programs successful was pushing Disney's Astole limits on what considered acceptable. As a result, So Weird was the darkest show Disney Channel aired where Girl Meets World was one of the smarter television shows of modern Disney Channel. Audiences don't think of Disney tackling death acceptance, religion, or feminism

Fiona "Fi" Philips (Cara DeLizia) along with her older brother Jack, join their mother Molly Phillips (Makenzie (Phillips) on her comeback tour. Having a Rockstar mom isn't easy, especially when evil spirits begin stalking Fiona. When Annie (Alexz Johnson) arrives a paranormal panther follows suit. Riley Matthews (Rowen Blanchard) along with her best friend Maya Hart (Sabrina Carpenter) continue the lessons her father learned almost Boy Meets World. At six years old I loved stories about hauntings and dark creatures, so, So Weird naturally appealed to me. Nostalgia over Boy Meets World influenced my decision to watch its sequel and the quality of it surprised me. This cross-over essay's purpose is dissecting these shows popularity and their similarities rather than their differences.

Surface Similarities & Differences

At the surface level SW and GMW's similarities are minor., Fi Phillips and Riley Matthews are our brunette primary protagonists; Annie Thelon and Maya Hart are our blonde secondary protagonists. Fandoms hated Annie and Riley because they interfered with the fandoms' favorites then subsequently blamed for the lackluster third seasons. Celebrities Carpenter and Johnzon used their shows as advertisement for their music careers. Actually Disney gave Carpenter a record deal before casting her as Maya. Carpenter is talented but still sounds like a Disney pop star, however, Johnson has more experience. SW had better music because there was a larger variety of genres like Rock, Pop, Blues, and Celtic music. SW alluded to Celtic and Greek mythology like changelings and sirens. GMW alluded to BMW and nothing else like Cory and Shawn's jellybean scene. Both shows had actors who appeared in crime shows including Carpenter and Eric von Detten.*1

What else SW and GMW had in common was that they had realistic friendships and family dynamics. Friendships weren't used as problem-solving devices but to deepen the characters. Jack (Patrick Lewis) and Clu (Eric von Detten) hung out because they wanted to not because the plot required them to. Parents were written as people. Molly struggled with widowhood and had goals outside of being a mother. Irene felt inferior to her younger sister and Ned Bell was a biker before he married Irene. In addition, Cory taught History yet offered fatherly advice to his daughter and her friends. Single mother, Katy, struggled with her part-time job and caring for Maya. As siblings, Jack/Fi and Riley/Auggie neither fought constantly nor always got along. 'Singularity' Jack and Fi do nothing but argue but in 'Medium' Jack uses "colourful language" when a psychic angers Fi. In GMW, Riley and Auggie argued in 'Forgiveness' then have a touching moment in 'Christmas Maya.' When writing only children Jacobs and Astole never relied on only child stereotypes instead showing the complexity of being one. Not to mention, as an only child myself, I loved this. Maya and Annie weren't spoiled were confused over siblings concepts, like sharing. Trapped in endless detention, Annie's confused by Jack standoffishness finding out that he falsely believes that Annie's replacing his sister. After assuring him that was never her intention, she and Jack become friends. Likewise, Maya confuses Rucas' (Riley/ Lucas) relationship with that of a brother-sister one because she doesn't understand how siblings act. Siblings are loving and friendly but also bicker like Lucaya (Maya/Lucas). Eventually, they develop sibling dynamics with other characters, Annie/Jack and Maya/Lucas.

Neither show's focus was on romance. SW focused on family while GMW focused on friendship and love interests didn't appear in more than one episode. Jack's girlfriend, Gabe, appeared in 'Angel.' Ryan was Fi's first kiss in 'Second Generation' and GMW had two date episodes. 'Brother' was about Cory and Topanga's date night; 'First Date' was about Lucas and Riley first kiss. If romance wasn't plot important then why did GMW develop a shipping war while SW was immune to such disputes? In comparison to GMW, SW had limited couple options meaning there weren't many options before couples became slash or incestuous Those options are: Annie and Fi with either Clu or Carrey. GMW avoids this pitfall with a diverse amount of characters but started shipping wars by introducing the leads and love interest simultaneously. Fanon favourites were Jack/Annie, Carrey/Molly, Lucas/Maya despite the intended couples are Cory/Topanga, Riley/Lucas, and Fi/Clu.

Why did Anti-Annie fans hate her less than Anti-Riley fans? Again, the fandom hated Riley more because of differences in character casting. If a Jerkass character is among the main cast the fandom automatically absolves them, giving their retribution to the kinder characters. Maya's the "broken bird" so fans will prefer her and discount Riley giving fans reason to pair Maya in a love-hate romance. For extra information on this, TvTropes offers an analysis using Nickelodeon television as examples. SW main characters aren't jerkasses toward their friends meaning Annie gets less hate and Friend-Lovers are on equal levels with Love-Hate ones.

Seekers: Fiona & Riley

Seekers of the 12 Archetypes are constantly searching for expanded knowledge of the world at large or themselves. Riley and Fi want to understand other people's perspectives in a worldly sense (Riley) and supernaturally (Fi). However both are open-minded toward unproven phenomenon as opposed to our blond protagonists who rather "go with the flow." Also as the primary protagonists they possess the most contradictions of their worlds. Fi's an amateur parapsychologist but wants a normal life to protect her family. ('Lightening Rod') Fi is a computer geek struggling academically but loves learning new subjects ('Tulpa', 'Escape', 'Vampire'). In comparison, Riley succeeds with her schoolwork but is naïve to the world around her. ('Pluto') She insecure often becoming victim to peer pressure but craves uniqueness away from her peers ('Popular', 'Jexica') Riley and Annie love feminine hobbies – makeup and shopping – but love masculine pursuits too. Both of them love the outdoors, athletics, but are terrible at sports. ('Ski Lodge' in GMW and 'Sacrifice' in SW) Riley can't make the cheerleading team but loves basketball; Fi fails at baseball but tries appreciates the sport. ('Singularity', 'Rah Rah') Contradictions make them rounded characters but causes internal conflict when they attempt to form a stable Ego.

Upon waking up in the middle of the night, Riley eavesdrops on her parents where she doubts if she's good enough compared to her parents. After all Topanga is a successful lawyer, Cory is a successful teacher, and have a perfect fairytale love. ('Cory & Topanga') Unable to connect with her father, Rick, Fi seeks resemblances between herself and him. Just like Riley's atelphobia, Fi feels disconnected from her family because of her paranormal interests. An example is 'Strange Geometry' where Fi feels betrayed that her mother kept Rick obsession a secret. Since Lucas doesn't differentiate between Riley and Maya during the love triangle, Riley further doubts her worth as a girlfriend. In the pilot and a deleted 'Upstate' scene, Riley molds herself into Maya so she'll have an identity. Constant identity searching is another aspect of the Seeker archetype.

Caretaking drives our protagonists to seek out the world's answers. Fi wants closure with her father yet her investigations aren't just for her benefit, but for the benefits of her loved ones. Molly's friends Rebecca left when she was Fi's age, thus Fi confronts Rebecca's "daughter" so Molly will have some closure of her own. Reluctantly, Fi leads the two of them to Rebecca's house where history repeated itself again; Rebecca's family disappeared again leaving Molly more betrayed and confused. 'In Forgiveness' Riley back talks to Kermit wanting answers as to why he left her best friend when she was younger. Town members become annoyed by Fi when she forces them to remember the alien invasion the day before. ('Memory') Fi helps a coma girl's mother and grandmother with technology to revive the girl from her coma even though these people are strangers to her. ('Lost') Riley invades her friends' boundaries so Maya will have hope ('Master Plan'), tries jumping into a bull pen to save Lucas ('Texas'), and keeps her friends in a stairwell so they'll reflect on their surroundings ('High School'). Fi challenges Bricriu to hangman so he'll stop possessing her brother. ('Will-o-Wisp') Riley gives up her relationship with Shawn, her godfather, so Maya will have a father. She forgets her affections for Lucas so Maya will have a chance at love. ('Texas', 'New Years') Occasionally their actions cause annoyance among their friends but its for the greater good. Sacrificing one's own desires is the key component in the Caretaker's goal.

Creators: Annie & Maya

Creators turn illusion into reality and similar to Seekers, Creators are invested self-identity and possibilities. When we're introduced to Annie and Maya both are immediately drawn to creative fields. By the ending of 'Lightening Rod', Annie confides in Fi that she's always had an eerie connection to music and find inspiration from something as insignificant as a stick. Furthermore, Mr and Mrs Thelon inform Molly that Annie has the ability to master most any instrument. 'In the Darkness', the theme song, shows Annie playing as well as popular instruments like the guitar. Maya gained that same artistic guidance from the stars or a paint war. ('Meets Boy', 'Upstate', 'Maya's Mother'). Partly due to Carpenter portrays her, Maya masters singing and guitar quite easily. ('1961', 'Creativity') An added bonus to Annie's is that they act as retrocognition from her past.

Both blondes quickly give up old lifestyles for chances at an art or singing career. For example, Annie's ecstatic she'll join Molly's band on tour, granted her parents reason this is so Annie will have a normal and balanced life. ('Lightening Rod') Impulsive, Future Maya leaps at the opportunity when she receives a SoHo gallery internship. ('Bay Window') Creators share the fear of not having an identity. When a recording agent steals Annie's voice and likewise when the art teacher grades Maya's painting as incomplete, the girls doubt their self-worth. In 'Carnival' Annie's reflections mock her abilities when she rescues her friends from an evil ringmaster. Season one Maya wonders if Riley was right and Maya's troubled past is responsible for her artistic ability. What's more is that the Creator archetype gives the character a dangerous duality; either they're practical with their art or they drown themselves in their disillusion. Which is why the Orphan archetype lurks beneath the Creator.

The Thelons and Hart families are alive but their actions produce an orphan effect on their daughters. Traveling across the globe before the So Weird eventsprohibitedestablishing permanent roots somewhere. Kermit's physical abandonment compounded with Katy's emotional abandonment ensured that Maya wouldn't have a support system. Although being an only child isn't problematic, not having someone to depend on made connecting with others difficult. Neither would form a real connection until they made surrogate families out of the Phillips and Matthews families. Its not surprising their friends would find them selfish at times.

Death Acceptance

The major difference between Cooksney and Jacobs is Cooskney never intended lessons for So Weird whereas Jacobs' moralizing hindered character development on Girl Meets World. Jacobs's lesson was the vague statement, "People Change People" I'd argue his actual moral is not taking people for instead. Cooksney's moral, if you could consider it one, was sacrifice. Fi gets lost camping and sacrifices immediate help to save Big Foot. ('Sacrifice') Barring those morals, the writers over-arcing themes of both were acceptance. SW's primary theme was death acceptance for the Phillips and Matthews family with the minor theme of childhood acceptance Annie) and Maya. All stories lead back to sex and death, Disney's not going to discuss sexuality, but death resounds through every film since Disney's inception. Also no SW or GMW character was exempt from death confrontation. Elisabeth Kubler-Ross's Five Stages of Grief: Anger, Sadness, Denial, Bargaining, and Acceptance aren't linear and one may never gain acceptance. All the characters are stuck in one of the stages and only Fi gains acceptance.

Earnest Becker's seven reasons why people fear death are as followed:

1. Fear of pain

2. Fear of not knowing what becomes of our bodies

3. How our dependents will manage after our death

4. How our loved ones will cope emotionally after our death

5. Fear of an afterlife, such as eternal oblivion, or Heaven/Hell

6. Fear of dying with an unlived life

7. Fear of dying with uncompleted projects

Thantophobia is why humans behave the way they do. Rick's untimely death when Fi was three-years-old affected her because she has no memories of her father. She often resented her brother and mother because they knew him and she did not. Rick/Fi's shared fear is emotionally coping of his death. Maya struggled with coping with the metaphorical death of her father, possibly thinking he's dead to her. Kermit intentionally abandoned his family, whereas Rick intended on returning to his family, but he didn't plan on evil spirits murdering him. Fi and Maya are stuck in the anger phase of grieving. When her grandfather is visited by a banshee, Fi tracks the creature down and asks Death personified the fairness in taking her father away from her. Death responds that it will even the imbalance by extending her grandfather's life for a time. But for seasons 1 and 2 Fi copes with death by actively seeking the paranormal afterlife to escape and accept death.

Jack's death phobia is similar to Fi's except he fears losing his sister and mother like he lost his father; his nightmare is a manifestation of that fear. In the midst of gang's lucid dream, Jack leaves them for a method to awaken from the dream but is transported to the night of Rick's. Dream Rick promises he'll return, but knowing the future Jack chases after his father. Fear trapped Jack in Grief's denial stage subsequently causing his resentment of the paranormal his dad loved so much. And it's not until 'Changeling' when Jack accepts his dad's death when he starts singing again. Surprised, Clu comments that Jack hadn't sung since Rick died. Jack responds with, "Well, maybe it's time I started again."

Minor episodes such as 'Fall' (SW) and 'Gravity' (GMW) discuss death on a smaller scale. 'Fall' details Ned and his childhood friend, Sam, on the death anniversary of their other friend's drowning. Haunted by the memory, Sam is literally haunted by Pete's ghost leading to Pete's recent. The men's responses to death are vastly different; Ned would rather forget Pete's death and Sam tries to confront it. Both are part of the grieving sequence but overall, 'Fall' discuses the myriad of complex emotions after death. Childhood deaths are rightly considered "Bad Deaths" whether or not loved ones are complicit with the death, we often feel that we could've prevented it. Sam is stuck in the bargaining and grieving stages before he can move on. As the men relive that fateful day admits he was scared of dying and can finally accept death now. In 'Gravity' the teens are crushed when a beloved bakery owner dies leaving the bakery to Topanga. The episode ends with Auggie opening his gift with a note reading "It's not My-Kranian bakery, I'm dead." Cory phones telling him that he is glad Feeney isn't dead, perhaps this was an allusion to 'I Dream of Feeney' when Cory wished him ill. Riley gives the eulogy and everyone learns to cherish their loved ones while they're alive.

Next is Molly and her death phobia in the series. Molly's emotions toward her husband are erratic in all three seasons. It's been over a decade since Rick's death and she still hasn't accepted it. In the Christmas episode 'Fountain' Molly admits to a young Fi that her loss bothers her. In 'Medium' Molly began to resent Rick's memory because she felt haunted by him wishing that she could forget him. Molly misses being a lover but is guilt-ridden because she feels like she is betraying her husband. ('Fathom') And in season 3's 'Muse,' Molly and the band travel to the town of their first concert to recapture the inspiration she felt there. Molly never gains acceptance over death and I loved that this option was shown as well. Not everything is wrapped up in a happy ending.

The final lesson is accepting your own death. Self-death may be literal like the episodes 'Rebecca', 'James Garr', 'Angel' or 'Grave Mistake'. Or death can be metaphorical like Riley becoming new personas, Maya losing herself, or the death of love. The former episodes dealt with the concept of immortality and coming to terms with one's final moments. Fi investigates a girl claiming to be Rebecca's daughter in truth, she's Rebecca herself. Amazed at how much this immortal girl knows and has seen in her years, Rebecca refutes this saying that she hates her immortality. She can never marry, she had to leave Molly, her only friend, behind. Who wants to live forever? 'James Garr' is about the titular character undergo cryonic preservation as a cancer cure. The procedure's successful, but James Gar hasn't a soul anymore with this realization he gives his life to an elderly patient Jack met. In the subplot that elderly man dying of cancer beleives that whenever death comes for him he will greet death with willingness and bravery. James Garr realizing his hollow life switch places with the man so he can live a little longer. 'Grave Mistake' is about a family friend of the family who's been receiving death threats and runs to Annie and the Phillips for help. With Annie's guidance, the woman discovers her dead husband wrote "You're dead" so that she'd remember she died. It's rare that a children's show relays the message that death isn't ominous, it's part of life.

During an interview Cooksney admitted that if Disney had allowed them to, Fi would descend into Hell to rescue her father's soul.*2 Jack would have discovered his past life as a Celtic knight who begged that his next incarnation would be as Fi's older brother. Moreover, it explains that dragon's fear of Jack in 'Strangling' and aside from familial bonds, knight life explains his overprotection of him mom from a mermaid siren. ('Fathom') A tenet of the Order of the Good Death's death positivity is "I believe that my open, honest advocacy around death can make a difference, and can change culture." Cooksney probably didn't intend for SW to have so much death focus but it's applicable to the show.

'Yearbook', 'Triangle', and 'Ski Lodge' are examples of metaphorical death. Whenever Riley embraces different personas, she's undergoing an Ego Death in an attempt to discover her true self. She becomes a Goth Girl so her classmates visualize her shadow side. Contrary to her masquerade, Riley's shadow side isn't Goth but is a metaphor of her dark side coexisting with her light side. Maya lost herself during her dalliance with Lucas to understand her relationship identity contrasting he singular identity. Later on during the love triangle's conclusion, Riley's first comment is "This love triangle needs to die. Nature knows that it needs to die." Of all her friends Riley mentions death the most, examples are 'Yearbook', 'Gravity', and 'Pluto.' Continuing with this death theme involve the teenagers' fantasies as a metaphor for the death of their romance. During their respective daydreams, Riley and Maya inform each other that their dream romance isn't reality. In Dream Riley's fantasy she dies, in essence, the girls kill their ego and their romances to grow.

Childhood Acceptance

Transforming themselves from childhood trauma are Annie and Maya's ultimate goals within the series. Annie's panther and Maya's hope are key in reaching their transformations. For this essay portion, I'm using Widow's Walk', 'Pen Pal', and 'Annie's Song.' For Maya's episodes, I'll use are 'World of Terror 3', 'Forgiveness', and 'Goodbye.'

Symbolically the panther represents the death-rebirth cycle and confronting fears. According to Spirit Animal's website, those with the panther guide are blessed with powerful protectors. In addition, panthers indicate supernatural journeys with occult leanings. Therefore her character's introduction served a purpose in So Weird despite being unplanned. Finally as Annie's panther endows her with strength to confront any obstacle before her.

'Widow's Walk' acts as a transition between death acceptance into childhood acceptance. Tired of her age limiting her privileges Annie swaps ages with an elderly woman. Shocked by her transformation she finds a bottled message from the woman's husband. Desperate for her youth back Annie begs the woman to reverse their ages. Selfishly, the woman refuses due to her thinking that her husband's waiting for her at home not realizing he died in sea storm that turned the woman into a widow. Growing weaker daily Annie knows if she can't convince the woman of the truth she will die. When Annie feints in an attempt to reach the woman and true to its nature, Annie's panther appears at her side giving her strength to continue on. Obviously Annie's successful getting her age back. What's interesting are the contradictions between the elderly woman and Annie. Both characters fear death desperately clinging to life, but Annie's aware of death while the woman would rather delude herself of human mortality. At the climax the women's remorseful of her selfishness wishing she knew how to reverse her wish. Annie's regrets her wish understanding living in the present is better than living in living in the future.

Similarly 'World of Terror' along with 'Pen Pal' shows the girls' adolescence if their positive influences were absent in their lives. By befriending Jennifer and not meeting Riley, Annie and Maya become rebellious Goths. Maya no longer believes that she deserves good things; Annie pushes her friends away. Following this change, Alternate Annie's panther is a worthless tattoo, Alternate Maya begins bulling Riley for not letting her in her bedroom. . Deprived of hope or understanding our alternates protagonists cannot accept their pasts. Being Disney, these girls defeat their alternates. Annie through using her panther power, Maya through befriending Riley in the parallel universe.

These last three deal with Maya and Annie discovering the truth and making amends with their childhoods. In 'Forgiveness' Maya writes and letter to her father, Kermit, in an attempt to forgive him as part of Cory's homework assignment. That following day Kermit returns to town hoping what his daughter said in her letter was true. Unable to forgive Kermit, he leaves once more reducing Maya to tears. As a result Maya realizes she's forgiven herself for believing she had caused Kermit's departure. By forgiving herself, Maya's ability to accept her past and find a new father figure in Shawn Hunter when he adopts her in 'Goodbye.'

In the penultimate episode the characters travel to a Native American reservation as a break from touring. Unlike her friends Annie can't enjoy her day off with strange flashbacks coming to mind. Coyote possesses the tribe's leader when a little girl becomes lost in the forest, forcing Annie to remember her childhood memories. Years earlier the Thelon family visited a jungle for a research assignment, little Annie awakens before her parents do and wanders into the forests. She happens across a petrified tribal man and it's only when a poisonous snake attacks her she realizes the danger she's in. As her parents discover their daughter's disappeared, the man rushes her to his village in an attempt to save her life. With shaman magic, the man's father removes the venom and takes Annie to a location where her parents will find her. Grateful Annie sacrificed her life to save his son, the father promises to protect her all her life in the form of a panther. With full understanding of her childhood, Annie manages to accept her past as Maya did.

Conclusion

Girl Meets World and So Weird are different shows catering to wildly different audiences. Still, each character follows similar archetypes as well as themes people wouldn't expect of Disney Channel to allow on their network. More importantly, the fact that it does shows its capability to portray mature, darker subject matters for all audiences. Readers may disagree with my argument but these are shows the current generation should watch. Girl Meets World is a television show that my generation should watch. Anyway, I hope you enjoyed my essay and I would love it if you gave me your opinions on each program, as well.

End Notes

*1 – Many Disney Channel actors starred in Law & Order: SVU episodes. Von Detten, Carpenter, and Kimberly Jean Brown as examples were in that Law & Order spinoff. Someone even wrote a crossover fanfic of GMW and SVU. If a fan theorist could invent a theory that Disney and any crime universe are connected I would be ecstatic.

*2 – Walt Disney has had hell landscape stories since the 1930s. Silly Symphonies' 'Goddess of Spring' had Satan-Hades drag Persephone to Hell. Fantasia ended with the song 'Night on Bald Mountain' where Demon Satan tortures souls only stopped when Holy light/God intervenes. Frollo damns Esmerelda to Hell if he can't possess her and little mentions God and Satan. (Hunchback of Notre Dame) CoCo takes place primarily in the afterlife. Disney Channel could've done a Hell episode.

Links

www . orderofthegooddeath resources / death-positive-movement

so-weird . proboards

Disney . wikia wiki / So_Weird

www . youtube user / OrderoftheGoodDeath (Ask A Mortician)

www . youtube user / littlemissfuneral (Little Miss Funeral)

www . youtube user / UnderTheKnifeShow (Under the Knife)

www . fanfiction s / 6178294 / 1/Love-As-True-As-Time

www . fanfiction s / 6067416/1 / An-Ultimate-Hey-Arnold-Essay

www . spiritanimal . info / panther-spirit-animal /

post / 125280313440 / so-weirdgirl-meets-world-parallels-these-are-my (SW & GMW)

#so weird #girl meets world #mine #fi phillips #annie thelen #alexz johnson #cara delizia #maya hart #sabrina carpenter #riley matthews #rowen blanchard #disney #disney channel #the disney channel #comment leave notes #reblog

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twistedscandal · 5 years

Text

Title: Netflix and No Chill

Pairing: Bonnie Bennett/Kai Parker

Summary: Bonnie and her friends are supposed to be gathering at Lockwood Manor for Halloween to watch scary movies with Kai. What could possibly go wrong?

Warnings: None really. A little language.

A/N: I come from a long line of procrastinators, but this is ridiculous. The Vampire Diaries was still on the air when I started writing this. Then I thought I would revise it and post if for this year's bookai week on tumblr and I still didn't finish until now. So now I am posting a Halloween fic on the day after Thanksgiving. Shameful. I stopped watching the show during season five then picked back up for bonkai in season six then stopped again when I realized they were only going to continue to pay Bonnie dust, so I apologize for any details I may have gotten wrong. This fic contains vague spoilers for a couple of old movies.

It didn’t really surprise Bonnie that Halloween would be one of Kai’s favorite holidays and he had gone all out with the decorations. The pumpkin under Bonnie’s arm seemed to grow even heavier when she realized how unnecessary it was to have brought it. The winding driveway leading up to the front door was already littered with jack o lanterns. Each one bearing a different, grotesque carved expression. The front porch was covered with fake spiderwebs, cartoon cut outs of witches and skeletons posed in a variety of compromising positions. He had done his best to make Lockwood Manor look like a haunted house. Bonnie thought the outside of the house looked sufficiently spooky but knew it didn’t compare to the scariness of the monster currently dwelling inside.

The post it note stuck to the front door read, “Come on in” in Kai’s neat, blocky handwriting; a demented looking smiley face hastily drawn in the corner. Bonnie let herself into the Lockwood house, trying to ignore the general sense of unease that had been hovering over her all day. It was bad enough that they were even having a get together here in the first place but the fact that somehow, she was the only one whose schedule would allow her to get there first and get things set up left a sour taste in her mouth.

It had been a while since Bonnie and her friends had all been in the same room for reasons that weren’t life threatening, so Elena had suggested that with Halloween approaching, it would be a great time to get together and watch a bunch of scary movies. Horrible events that were confined to a screen and happening to other people seemed like a nice change of pace. Also, the thought of a get together that had almost zero potential to end in bloodshed was appealing.

There was one problem however, they didn’t really have anywhere to host said movie night. The dorm room was too small, casa Gilbert was no more and neither Bonnie or Caroline had stepped foot in their homes in over a year; there were too many memories of lost loved ones in the places they grew up to imagine going to either place for a party.

Not even the boarding house was a viable option. Stefan and Damon’s big, beautiful flat screen had been broken during some fight or other and they hadn’t bothered to buy another one to replace it. Neither of them watched a lot of tv anyway. Bonnie supposed that drunken housewives, cooking shows and whatever teenage love triangle tripe the CW was offering, didn’t have much appeal when you were over 100 years old.

There was a tv in Damon’s bedroom that he claimed he only used to “hate-watch” Grey’s Anatomy. Bonnie wondered if it really was hate-watching though, considering how misty-eyed Damon got when McDreamy bit it. That was all beside the point because there was no way Bonnie, Stefan, Caroline, Damon and Elena were all going to cram into Damon’s bedroom (can you say awkward) to watch movies anyway.

They were kind of stumped until Caroline suggested an alternative: “Why not just go to Kai’s place?” And by Kai’s place she meant Tyler’s. Kai had been squatting on the Lockwood property for so long that people had actually started referring to it as his. Bonnie had objected, but of course she had been unanimously overruled. There really weren’t any better choices and the Lockwood estate did have an actual home theater.

Apparently socializing with Kai was a small price to pay for cushioned seats and surround sound.

Bonnie was less than thrilled about the situation but determined not to let having to be around Kai ruin the evening.

She made her way to the kitchen, put down the pumpkin, shrugged out of her coat and began to unpack the grocery bag she’d brought with her. She laid tomatoes, onions, garlic, jalapenos, cilantro and a couple of limes on the island and got a cutting board off the counter. She searched around for a bowl and found one in the cabinet over the stove. Bonnie stretched up onto the tips of her toes and had just about gotten her finger hooked over the edge of the bowl when it suddenly seemed to move further back out of her reach.

Bonnie leaned further in and just when she got her hand on the bowl, once again it seemed to move closer to the back of the cabinet. She closed her eyes and sighed. “Stop it, Kai.”

“I’m not doing anything.” Kai appeared so suddenly that Bonnie wondered if he had cloaked himself and been standing there watching her all the while. He had perfected the art of casually draping himself in doorways and there he stood, his hair damp, his chest bare and a black t-shirt thrown over his shoulder.

Bonnie turned to face him full on. “I know you moved that bowl out of my reach.”

“Come on, Bonnie,” Kai said attempting and failing to look innocent. “Do I seem like the kind of person to engage in that sort of pointless and immature behavior?”

“Yes, Kai. You seem exactly like that sort of person because you are exactly that sort of person.”

“Don’t be like that. I was just having a little fun and I don’t see what the big deal is anyway. You do remember that you’re a witch, right? You could have floated the stupid thing right into your hands.”

“Yeah, well not all of us witches are powerful coven leaders with magic to spare.”

“You’re a Bennett. I seriously doubt that moving a bowl would tire you out.” Kai scoffed.

“Whatever. My Grams taught me that it was a waste of energy to use magic for anything that I could do like a normal person.”

Kai gave Bonnie an incredulous look. “That’s terrible advice. You’re not normal; you’re extraordinary. Try acting like it and you might actually have some fun once in a while.”

Bonnie ignored Kai, turning her back to him while she made another grab for the bowl.

“You are the most hard headed person I’ve ever met in my life.” Kai slid in behind Bonnie and reached over her to pull the bowl down from the cabinet.

Bonnie’s breath caught in her chest as she felt his body move against hers. For just a moment something in her brain went sideways and she wondered what it might feel like to lean back onto Kai’s muscular frame; to let herself be overwhelmed by the warmth of his body and the clean soapy smell emanating from his skin. The moment passed as quickly as it came though and her common sense clicked back into place as she elbowed Kai in the stomach. “Are you even vaguely familiar with the concept of personal space?”

The bowl clanged against the counter as Kai unceremoniously dropped it from his hand. “Are you familiar with the concept of saying thank you?”

“As if I would ever thank you for anything.” Bonnie grabbed a knife and began chopping tomatoes. She watched Kai out the corner of her eye, thankful as he finally shrugged into his t shirt and pulled it down over his torso.

He leaned against the island, his dark blue eyes locked on Bonnie. “So, you’re the only one here?”

“Do you see anybody else?”

“The rest of the scooby gang is actually coming though, right?”

“Of course they are. Why would you even ask me that?”

“I’m just trying to make sure that I’m not being lured into some type of Netflix and chill situation.”

Bonnie knew that she shouldn’t be, but she was continuously amazed by some of the nonsense that made its way out of Kai’s mouth. “First of all, ew. Second of all, what the hell would you know about Netflix and chill?”

“Call it whatever you want, but inviting someone over under the pretense of watching a movie just so you can get them alone in a dark room and start making moves is a tale as old as time. I’m sure there was some Neanderthal back in the day trying to get a woman to come over for cave drawings and chill.”

“Elena and Damon are at the grocery store getting more snacks.”

Kai’s eyebrows shot straight up. “You’re letting those two be in charge of the food? Don’t be too surprised if they show up with nothing but a bag of gummy bears, a few pints of o-negative and a gallon of bourbon. What about vampire Barbie and Ken? Where are they?”

“If you’re talking about Stefan and Caroline, he’s picking her up from Whitmore. She has a late class on Fridays. They should all be here in a little while. You and I will not be alone and your virtue, such as it is, shall remain intact.”

Kai made a dramatic show of rolling his eyes. “Bummer.” A hint of a smile danced around his lips. “I’ll be right back.” He bounced out of the kitchen, humming to himself.

Bonnie resumed chopping tomatoes and wondered if that was going to be the new normal for her interactions with Kai. Ambiguous (and potentially sinister) hovering had been replaced with flagrant (and terrible) attempts at flirting.

Kai returned to the kitchen a few moments later. He took a couple of beers out of the fridge and opened them; he put one bottle down in front of Bonnie as he took a long drink from the other. “What are you making?”

“Salsa.”

“I’ve heard that there’s places called grocery stores where they sell salsa already made in jars.”

“Do you really want to be a smart ass while I have this knife in my hand?”

Kai ignored Bonnie’s threat. “Want some help?”

“No.”

Kai washed his hands then grabbed another knife from the butcher’s block. He stood beside Bonnie and began working on an onion.

Bonnie, understandably, was still somewhat wary of Kai with a sharp object in his hand, but after her initial apprehension passed they worked in a somewhat companionable silence. She thought it might not be so bad after all. Her friends would be there soon and then there would be four people to buffer the space between her and Kai. Damon especially always seemed quite eager to provide a barrier between Bonnie and Kai, both metaphorically and physically. All she had to do was hold on and hope that he could be quiet for just a little while longer.

“Hey, Bon.” Kai’s voice cut into Bonnie’s thoughts; she should have known him being quiet wasn’t going to last. “May I ask you a personal question?”

“If I say no, aren’t you just going to ask me anyway?”

“You know me so well. How come you and Dudley Do Right never hooked up?”

“Why do you keep calling him that? You know his name is Matt.”

Kai stared at Bonnie as though she had said something ridiculous. “And you know that I don’t care. Stop trying to change the subject.”

“There is no subject because I never agreed to have this conversation in the first place.” Bonnie put down her knife and looked at Kai, curiosity getting the better of her. “Why do you want to know anyway?”

Kai shrugged. “I don’t know. I guess I’m just curious. He’s around. You’ve known him forever. You’re hot. He’s hot.”

Bonnie raised an eyebrow at Kai. “You think Matt is hot?”

“I’m very comfortable with who I am so I’ve got no problem saying another guy is attractive. Young Matthew is quite handsome; in a bland, generic, Sears catalog model kind of way.”

“How is it that even your compliments manage to be insults?”

“Just one of my many God given talents.”

“I doubt that God has anything to do with any of your so-called talents.”

“I can’t really argue with that. Now let’s get back on topic, Bonbon. Do you not think Matt is cute or were you worried you two would bore each other into a coma?”

“I don’t know.” Bonnie said while shrugging her shoulders. “I guess I’ve always thought of Matt in a brotherly way. Not to mention the fact that he and Elena were attached at the hip for as long as I could remember. Even after they broke up it was hard not to think of him as her boyfriend. Then he was with Caroline and had that thing with Rebekah. After that….” Bonnie voice trailed off.

Kai leaned in closer. “What?” Bonnie shook her head and looked away. “Come on, tell me.”

“I don’t know.” Odd as it was, it felt good to finally voice her feelings out loud. Kai obviously would not have been her first choice for a confidante but at the very least she knew she could tell him anything, he wouldn’t judge and wouldn’t share it with anyone else.

“Matt’s a great guy but there’s never really been any kind of spark between us and even if there had been, I’m not interested in being anyone else’s second or third or in Matt’s case, fourth, choice. Been there, done that and it wasn’t a whole lot of fun. The next relationship I’m in I need to know that I’m not somebody’s consolation prize because they wanted someone else and settled for me. I need to be somebody’s first choice.”

Kai was silent for a moment. “Can I tell you a secret?”

“Again, even if I say no, you’re just going to keep talking anyway.”

Kai shot a couple of finger guns in Bonnie’s direction. “Exactly.”

“In that case sure,” Bonnie said, her voice dripping with fake enthusiasm. “I’d love to hear a secret.”

“I’ve never had a girlfriend before.”

“Shocking.” Bonnie responded in a deadpan tone.

“I know right. These boyish good looks and devilish charms, I should have been beating the ladies off with a stick.”

Bonnie wondered if her sarcasm had truly gone over Kai’s head or if he was simply choosing to ignore it. “Not what I meant, at all, but okay.”

“My father tried to keep it under wraps for as long as he could but by the time I was fourteen word was out amongst the coven that I was a magical dud and a budding sociopath to boot, so none of those girls were exactly beating a path to my door. Combine that with dear old dad’s insistence that the family not fraternize with outsiders and that added up to a very empty social calendar for yours truly.”

“So, you never went out with anybody? You didn’t have any friends?”

“Not really. Sometimes I used to sneak into town. As useless and unbearable as I found most of the other kids in the coven, I’ve got to admit that nobody can conjure up a better fake ID than a bunch of bored, repressed teenage witches. And it’s not like we were going to snitch on each other. We all snuck into town. The atmosphere in the coven was suffocating; I wasn’t the only one that needed to get out and breathe every once in a while. Wouldn’t have really mattered if I got caught anyway. I was already a lost cause in my dad’s eyes. I didn’t have anything to lose.”

Kai fell silent as a faraway look crept into his eyes. It was almost like he had forgotten Bonnie was even still in the room; like his mind had gone somewhere else entirely.

“Kai?” Bonnie spoke hoping to jar him from his thoughts.

He sparked back to life. “Anyway, it was nice to get out and talk to people that didn’t know. Hadn’t already decided what I was and what I wasn’t. Sometimes it was just enough to be around somebody that didn’t flinch if I tried to touch them.”

Despite her best efforts, Bonnie sometimes felt herself softening towards Kai. At the very least she felt sorry for the person he could have been had he been born with his own magic or born into a family that could have loved him and taught him to love himself without it. Her sympathy however dissipated quickly when she recalled the look in his eyes as he had stabbed her.

“Why are you telling me this?”

“Right. My point was that I’ve never had a real relationship before, so if I have one whoever I’m with would be my first choice.” He shyly dropped his eyes a way from hers. “My only choice.”

Awkward, Bonnie thought to herself. She hoped Kai wasn’t expecting some sort of response from her because she was literally speechless. She had given up on pretending that Kai didn’t have some sort of weird thing for her but that didn’t mean she was willing to discuss it with him or anyone else anytime soon.

Bonnie looked away from Kai to check her phone. It had been more than enough time for one of the couples coming to have shown up by now. Not only had no one come, she hadn’t gotten any messages or calls either. “Where are they? I wonder if something happened.”

“Please if something happened to any of them they would have already called you begging for help by now, wouldn’t they?”

“Yeah. I guess you’re right, but still maybe- “

“Maybe nothing,” Kai said cutting Bonnie off. “Your friends have the attention spans of rabid billy goats; anything could be distracting them. I say we finish making what is sure to be some very delicious salsa, grab some chips, go downstairs and start on our first movie. I’m sure they’ll be here soon enough.”

***********************************

Bonnie and Kai were settled into the reclining seats with chips, Bonnie’s salsa, a bowl of popcorn and a big bag of Twizzlers sitting on the seat between them. Kai had insisted on dimming the lights for an authentic movie watching experience, so the only real light in the room was emanating from the screen.

It came as no surprise whatsoever that Kai was the type to talk through movies.

“I’m confused.”

“About what?”

“Are we not supposed to know that the boyfriend is the killer?”

“Really, Kai? This movie has only been on for twenty minutes. You’re not supposed to say who the killer is.”

“But I am right, aren’t I? Besides it’s not like I’m spoiling it for you. I’m the one that’s never seen this before.”

“That’s not the point. Will you be quiet?”

“If they don’t want you to guess the killer right away, they could have been a little subtler. I mean look at him. The greasy hair, the chock full of crazy eyes. I know a sociopath when I see one.”

“Well you know what they say. Takes one to know one.”

“Exactly.”

“Please shut up.”

***********************************

The first movie had ended and still Elena and Damon nor Caroline and Stefan had shown up yet. Bonnie had tried calling all of them and had only been able to get their voice mails.

“Knowing them you know what they’re probably doing.”

“What are you talking about Kai?”

He wiggled his eyebrows in suggestive manner. “You know exactly what I’m talking about.”

“Let’s start another movie.”

Amazingly Kai was able to remain quiet until the end of the second movie. “I knew he was dead all along.”

“No, you didn’t.”

“You’re right, they got me pretty good with that one. People must have freaked out back in the day.”

************************************

By the time the third movie started Kai’s chatterbox tendencies had rubbed off on Bonnie. “You do realize that these movies make absolutely no sense. Mrs. Vorhees goes on a murderous rampage to avenge Jason’s death in the first movie, right?”

“Yeah, so?”

“So, Jason goes on a murderous rampage to avenge her death in all the rest of the movies.”

“Do you have a point, Bonnie?”

“If Jason wasn’t dead what was Mrs. Vorhees so pissed off about in the first place? If he was dead, how did he come back to life? Is he a ghost? A zombie? Every single movie other than the first one is utter nonsense because they ruin the entire premise of the series.”

“I. . .” Kai opened his mouth and then immediately closed it again. For the first time since Bonnie met him he had been rendered speechless. “I’ll be damned. I grew up watching these and I never even thought about that. Stop trying to ruin my childhood.”

***********************************

Bonnie awoke with a start. It took a minute for her to get her bearings and remember where she was. She sat up slowly, the odd angle she’d fallen asleep at had caused a crook in her neck. The room was mostly dark as the last movie that she and Kai had been watching had long since ended. She checked the time on her phone and was surprised to see that it was just after midnight. Clearly, her friends had never shown up. She wanted to be more concerned, but it wasn’t like this was the first time they’d ditched her with no warning.

Bonnie looked over at Kai. He was turned sideways in his seat with his cheek against the headrest. She was taken aback at how young and innocent he looked. She supposed even the devil himself might look harmless while sleeping. She reached across the seat between them and shook his arm. “Kai, wake up.” When she got no response, she stood up and went closer; leaning over him and poking his shoulder.

Kai suddenly jolted awake, the contents of the half empty soda can in his hand splashing up onto Bonnie’s shirt in the process. He started apologizing immediately. “I’m so sorry. I didn’t mean to do that.”

“Calm down. I know it was an accident.” Bonnie was surprised by the horrified look on Kai’s face. She wondered where this sort of apologetic energy had been after he’d shot her with an arrow.

Bonnie grabbed a napkin and started dabbing at her shirt, but it wasn’t doing her much good. “I’ll be right back.”

“Where are you going?”

“I always keep a change of clothes in my car.” Life in Mystic Falls had taught Bonnie to be prepared for anything. “I’m just gonna grab a clean shirt.”

Kai followed behind Bonnie as she left the room. “It’s not that bad, is it? You don’t need to leave.”

“It’s cold and it’s sticky.”

“You can just wear something of mine.” Kai almost seemed to be pleading with her to not go outside.

“What is your problem? I’m not leaving, okay. I’ll come back.” And as much as the words leaving her mouth surprised her, Bonnie also knew that she meant them wholeheartedly. She didn’t want to leave. Despite herself she’d been having the best time she’d had in a while and genuinely did not want the night to end.

“I’ll grab a fresh shirt, come back and we can start another movie. Why don’t you go ahead and start up Nightmare on Elm Street and I can tell you all the things wrong with it too? It’ll be fun.”

“Sure.”

“Okay. I’ll be right back.”

“Bonnie, wait.”

“What?”

“I just want to say that I had a really good time with you tonight.”

“Why does it feel like you’re saying goodbye? I told you I’m coming back.”

“I know.”

Bonnie shook her head. “Weirdo.” She made a detour through the kitchen to grab her keys off the counter before making her way outside. As soon as she reached her car, her phone started going crazy.

Kai was leaning against the kitchen counter when Bonnie re-entered the house. “You know, I would have expected better from a mega powerful coven leader.

“I have no idea what you’re talking about.” Bonnie had to admit that Kai’s poker face was world class. If she didn’t know for a fact what he had done his innocent act would have been quite effective.

“I’m talking about the fact that if you had extended the boundary of your spell just a few more feet down the driveway it would have taken me much longer to figure out what you’d done.”

“Still don’t have a clue.”

“Is this really how you want to play it? As soon as I stepped foot outside my phone started ringing. I have dozens of text messages and missed calls. Caroline, Stefan, Damon and Elena have been trying to get in touch with me all night. First, their cars wouldn’t start.”

“That sounds like a problem for Triple A. Don’t know what it has to do with me though.”

“In addition to their cars not starting, they’re bound where they are. Physically incapable of walking more than five feet away from where they are.”

“That’s crazy but strange things happen in this town all the time, am I right?”

“It was a spell Kai. A spell powerful enough to keep four supernatural beings in two different locations rooted to the spots they were standing on. How do you explain that?”

“So, it was a spell. It’s not like I’m the only other witch that’s ever blown through this one-horse town.”

“You’re not the only witch, but you’re the only one that would have done this.”

“Are you kidding? The Mystic Falls Scooby gang has collectively probably made enemies on every continent across the globe. Your bestie Damon alone can’t go two seconds without pissing somebody off. The list of people that might want to ruin their nights isn’t exactly short.”

“You can’t even do me the courtesy of just admitting what you’ve done?” Kai continued to stare at Bonnie, his arms crossed over his chest; his face completely blank. “I don’t know why I bother. I thought we were having a—" She stopped short realizing what she was about to say and pulling the words back into her mouth.

“Go ahead and finish. You thought we were having a good time and that’s because we were.” Kai stepped around the kitchen counter, closing the gap between Bonnie and himself. “Maybe I just wanted an opportunity to be alone with you and show you that I’m not some completely irredeemable monster. Maybe I wanted to be given half as much of a chance as you give everyone else. So maybe I bounced the cell phone signal away from this house. Maybe I bound those idiot friends of yours to the ground they were standing on, so they couldn’t leave.”

“So, you’re finally owning up?”

“I’m owning nothing. I’m just saying maybe I did those things.” He shrugged his shoulders. “Maybe I didn’t.”

“You are so full of shit, Kai.”

“I can tell you one thing I definitely didn’t do. I didn’t do anything to make you stay. You weren’t bound in any way shape or form. None of your friends showed up and you were free to leave at any point, but you didn’t. You sat with me all night watching a bunch of dumb scary movies for no other reason except that you wanted to. There was no trick to it. You were genuinely enjoying my company more than you thought you would and more than you want to admit. I think that’s the part that probably pisses you off the most.”

Bonnie opened her mouth but closed it just as quickly. She was at a loss for a comeback because she couldn’t honestly deny anything Kai had just said. She would have been able to feel it if he had worked any magic against her and there had been nothing. They had laughed and talked, watched movies and taken a nap and she would have come back for more, if only he hadn’t done what he’d done.

This was all a little more than Bonnie was willing or able to process at the moment. “I’m out of here.” Bonnie grabbed her coat off the counter and stalked towards the living room. She turned back to look at Kai one last time before walking out the door. He was leaning back against the kitchen counter, arms dangling loosely by his sides. The air of defeat around him was almost palpable. She paused for a moment almost subconsciously willing him to say something, but he remained silent.

As the door shut behind her, she faintly heard Kai’s voice. “Happy Halloween, Bonnie.”

#bonkai #bonkai fiction #bookai2k18

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i-breathe-therefore-i-read · 6 years

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Unearthly series by Cynthia Hand

In the beginning, there's a boy standing in the trees... Clara Gardner has recently learned that she's part angel. Having angel blood run through her veins not only makes her smarter, stronger, and faster than humans (a word, she realizes, that no longer applies to her), but it means she has a purpose, something she was put on this earth to do. Figuring out what that is, though, isn't easy. Her visions of a raging forest fire and an alluring stranger lead her to a new school in a new town. When she meets Christian, who turns out to be the boy of her dreams (literally), everything seems to fall into place and out of place at the same time. Because there's another guy, Tucker, who appeals to Clara's less angelic side. As Clara tries to find her way in a world she no longer understands, she encounters unseen dangers and choices she never thought she'd have to make between honesty and deceit, love and duty, good and evil. When the fire from her vision finally ignites, will Clara be ready to face her destiny?

*What I thought: 3.5 out of 5 stars

read: 09/18

I like that Clara knew her heritage. No guessing games here

Clara in the first half was kinda annoying and weirdly obsessive. Thankfully that changed because of Tucker. IDK if I could handled it if she was like that the whole book

IDK if it was supposed to be a love triangle. It started to seem that way but veered another way.

LOVE Tucker. Christian who?

What’s with this town? It’s almost like Sunnydale with their hellmouth but more angelic lol

Loved the twist of Clara’s purpose. Surprise

The last 60-70 pages were the best

I was left with questions on a few people. I guess I’ll see what the next book holds....

For months Clara Gardner trained to face the fire from her visions, but she wasn't prepared for the choice she had to make that day. And in the aftermath, she discovered that nothing about being part angel is as straightforward as she thought. Now, torn between her love for Tucker and her complicated feelings about the roles she and Christian seem destined to play in a world that is both dangerous and beautiful, Clara struggles with a shocking revelation: Someone she loves will die in a matter of months. With her future uncertain, the only thing Clara knows for sure is that the fire was just the beginning.

*What I thought: 4 out of 5 stars

read: 09/18

I liked this one a lot better than the first book

Yup, it’s a love triangle. Le sigh. At least Clara made a joke about it. That was kinda funny

A new purpose...a very sad one at that

Not as much of Tucker. I’m very sad about that too

Surprise, your daddy is someone very very important!

It was cool meeting more like them

Her brother, Jeremy, had a purpose too and I was kinda surprise about that

Christian is okay but I don’t know.....I don’t like how the book is going with him

Overall a good book and I’m interested how things will go down in the next book

The past few years have held more surprises than part-angel Clara Gardner could ever have anticipated. Yet from the dizzying highs of first love, to the agonizing low of losing someone close to her, the one thing she can no longer deny is that she was never meant to live a normal life. Since discovering the special role she plays among the other angel-bloods, Clara has been determined to protect Tucker Avery from the evil that follows her . . . even if it means breaking both their hearts. Leaving town seems like the best option, so she’s headed back to California - and so is Christian Prescott, the irresistible boy from the vision that started her on this journey in the first place. As Clara makes her way in a world that is frighteningly new, she discovers that the fallen angel who attacked her is watching her every move. And he’s not the only one. . . . With the battle against the Black Wings looming, Clara knows she must finally fulfill her destiny. But it won’t come without sacrifices and betrayal.

*What I thought:

read: 09/18

College doesn’t stop an angel blood’s purpose! Who needs an education lol

I liked it and thought it was a good book but I felt there was a lot of useless info in the book, mainly the happenings at school and who wasn’t talking to who

Twists and turns galore!

One turn of events was Christian’s family reveal. I didn’t see that!

Another was my sweet, sweet Tucker. I just love the dude

Clara is the friend you want to have. She’ll go to hell and back for you

One thing I really didn’t like was that her brother was almost an afterthought for her. Like one thing happened and I would have thought she would have ran to her brother right after but nope she tries to call and visit him many weeks later. Like do you not care for him?

#unearthly #unearthly series #hallowed #boundless #my bookish thoughts

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johnboothus · 3 years

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Bravus Brewing Companys Philip Brandes Is Making Non-Alcoholic Beer History

Philip Brandes doesn’t want to tell folks how to live their lives. He just wants them to have access to great beer — even if they don’t drink alcohol.

1. Before starting Bravus, did you ever see yourself working in beer?

2. What is Bravus Brewing Company’s mission?

3. Is there a beer that Bravus Brewing Company makes that best illustrates who you are and what you do?

4. What goes into Bravus’s brewing method that makes it so different from other NA breweries?

6. What do you think about the trend toward “better-for-you” beer?

7. Where do you see this segment going next?

8. What else is Bravus doing that’s different from other exclusively NA breweries?

9. What’s your long-term vision for Bravus?

Ed. note: This interview has been edited for length and clarity.

The article Bravus Brewing Company’s Philip Brandes Is Making Non-Alcoholic Beer History appeared first on VinePair.

Via https://vinepair.com/articles/bravus-brewing-philip-brandes-non-alcoholic-beer/

source https://vinology1.weebly.com/blog/bravus-brewing-companys-philip-brandes-is-making-non-alcoholic-beer-history

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