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#he was literally making in-character decisions
sirfrogsworth · 2 days
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Let's talk about vintage lenses.
Here is your cool samurai show with modern lenses.
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Here is your cool samurai show with vintage lenses.
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Hollywood is no stranger to fads.
We are currently in the middle of a "make everything too dark" fad. But that fad is starting to overlap with "let's use really old lenses on ridiculously high resolution cameras."
This is Zack Snyder with a Red Monstro 8K camera.
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He is using a "rehoused" vintage 50mm f/0.95 Canon "Dream Lens" which was first manufactured in 1961.
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This old lens is put inside a fancy new body that can fit onto modern cameras.
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Which means Zack is getting nowhere near 8K worth of detail. These lenses are not even close to being sharp. Which is fine. I think the obsession with detail can get a bit silly and sometimes things can be "too sharp."
But it is a funny juxtaposition.
The dream lens is a cool lens. It has character. It has certain aberrations and defects that can actually be beneficial to making a cool photograph. It's a bit like vinyl records for photography.
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[ Peter Thoeny ]
It has vignetting and distortion and a very strange swirly background blur.
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[ Gabriel Binder ]
Optical engineers have been spending the last 60 years trying to eliminate these defects. And I sometimes wonder if they are confused by this fad.
"I WORKED 70 HOURS PER WEEK TO GET PERFECT CORNER SHARPNESS!"
And whether you prefer to work with a perfect optic or a vintage one... it is a valid aesthetic decision either way. I think vintage glass can really suit candid natural light photography. You can almost get abstract with these lenses.
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[ Peter Theony ]
Personally I like to start with as close to perfect as possible and then add the character in later. That way I can dial in the effect and tweak how much of it I want. But even with modern image editing tools, some of these aberrations are difficult to recreate authentically.
That said, it can be very easy for the "character" of these lenses to become distracting. And just like when someone first finds the lens flares in Photoshop, it can be easy for people to overdo things.
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Zack Snyder decided to be his own cameraman and used only vintage glass in his recent movies and it has led to some complaints about the imagery.
I mean, Zack Snyder overdoing something? I can't even imagine it.
Non camera people felt Army of the Dead was blurry and a bit weird but they couldn't quite explain why it felt that way.
The dream lens has a very wide aperture and it lets in a lot of light. But it also has a very very shallow depth of field. Which means it is very difficult to nail focus.
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[ Peter Thoeny ]
Her near eye is in focus and her far eye is soft. You literally can't get an entire face in focus.
There is no reason you have to use the dream lens at f/0.95 at all times. But just like those irresistible lens flares, Zack couldn't help himself.
Here is a blueprint that you can't really see.
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Extreme close ups of faces without autofocus at f/0.95 is nearly impossible to pull critical focus on.
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Looks like Zack nailed the area just above the eyebrow here.
Let's try to find the point of focus in this one.
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Ummmm... she is just... blurry. Missed focus completely.
But Zack isn't the only one going vintage. I've been seeing this a lot recently.
Shogun is a beautiful show. And for the most part, I really enjoyed the cinematography. But they went the vintage lens route and it kept going from gorgeous to "I can't not see it" distracting. And perhaps because I am familiar with these lens defects I am more prone to noticing. But I do think it hurt the imagery in a few spots.
Vingetting is a darkening of the corners of the frame.
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Light rays in the corners are much harder to control. A lot of modern lenses still have this problem, but they create software corrections to eliminate the issue. Some cameras do it automatically as you are recording the image.
Vintage lenses were built before lens corrections where a thing—before software was a thing. So you either have to live with them, try to remove them with VFX, or crop into your image and lose some resolution.
It's possible this is the aesthetic they wanted. They felt the vignetting added something to the image. But I just found my eyes darting to the corners and not focusing on the composition.
And then you have distortion.
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In this case, barrel distortion.
This is mostly prominent in wide angle lenses. In order to get that wider field of view the lens has to accept light from some very steep angles. And that can be quite difficult to correct. So you kind have to sacrifice any straight lines.
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And sometimes this was a positive contribution to the image.
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I thought the curved lines matched the way they were sitting here.
But most of the time I just felt like I was looking at feudal Japan through a fish's eye.
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It's a bit more tolerable as a still, but when all of these verticals are bowing in motion, I start to feel like I am developing tunnel vision.
I love that this is a tool that is available. Rehousing lenses is a really neat process and I'm glad this old glass is getting new life.
This documentary shows how lens rehousing is done and is quite fascinating if you are in to that sort of thing.
youtube
But I think we are in a "too much of a good thing" phase when it comes to these lenses. I think a balance between old and new can be found.
And I also think maybe Zack should see what f/2.8 looks like. He might like having more than an eyebrow in focus.
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dropthedemiurge · 2 days
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Some language comments for Gray Shelter [Episode 5], just like I promised!
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"Do whatever/however you want to. (literally: 'Do it the way your heart desires') You do things how you want to anyway."
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"I'm sorry" - the translation is correct, it's just it's funny how Yoondae's level of apology to his friend he just lashed out at last time + he wants to ask him for HELP, and all he says is: 미안 (mian). The most informal and short way of apologizing possible. He's so teenager-minded still.
Even when he asks "Can I leave my stuff in your dad's warehouse?" it comes out grammatically more of a demand, like 'Let me do that'. Yoondae is talking like someone who has a lot of walls and doesn't reach out to people, he doesn't talk kindly but he's honest and straightforward and he cries easily but he's very angry about it.
I especially love his facial expression, even when he's at his most miserable, he'll make it everyone else's problem, as if being pitiful is the worst thing that could happen to him. "I have no one else I could ask for help but you >:(("
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Fun fact about Korean's sentence structure, when you quote someone or express your thoughts, you put your sentence this way: "quoted phrase" and then + "that's what they said/what i thought/etc". So oftentimes, I see Kdramas use that trick when characters say a phrase... and then take it back with "that's someone else's thoughts" or "that's what you thought I'd say, right? LMAO". It's funny how the translators' way of transferring this was using the word "Sike!" xD
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"It wasn't a mistake to me." "If it wasn't a mistake, then [what]? Since you started talking [about it], let me ask you. So what if it wasn't a mistake? What do you want to achieve with me?" "Can I do anything about it? In the past or now, you're the one who runs away and avoids me. I asked you, can I make a decision (do I have any choices)?" "You made the move but you want me to decide? Fine, then. Let sleep together once and end it once and for all. Go wash up first. I don't have time, I only left office for a short time."
The way they both care about each other but their dialogues and words are very sharp and bitter almost all the time, especially here, aaaah. That's the contrast that hooked me for all these 5 episodes. Soohyuk doesn't swear but he's talking to Yoondae very harshly and emotionless here, and for Yoondae harsh talk is the default, it's like Soohyuk is lowering his manners to talk on his level, to provoke him (or maybe that's also how he distances himself from the discovery that Yoondae has feelings for him).
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And Yoondae is holding back his frustration and tears, but he understands the way such words were aimed to hurt him, so instead of lashing out back at Soohyuk, as he probably wants him to, he swallows and unusually calmly, almost softly says: "Let's talk when you can be honest. Because I will shut up and wait for you."
And it makes Soohyuk stand there in shock and contemplate.
I'll add next scenes in READ MORE since this post is getting long!
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Here's the moment when the boss asks their youngest employee to write something more 'trendy' for their marketing text xD It's very true that trends in Korea come and go very quickly, they also love to invent new terms and phrases all the time. Like "MZ slang", there are many phrases, and the one trendy phrase the boss uses as the example is 킹받네 (king-pad-nae) which literally written as 'receive the king' but means "I got angry" - but with a teasing/playful subtext, like friends could say each other 'ah you're so cute, it makes me angry'.
If I'm not wrong, this phrase was widely used like 1-2 years ago and not really in its trendy peak as well right now but kudos to boss to even learning it xD And it's funny how translator chose to (I assume) use "[living in my head] rent-free" phrase as a substitute. Another fun fact, they ended up using some trendy lingo in their ad that translator gave us as "no cap!" but that part of phone msg was so blurry, I couldn't see which exact Korean phrase they ended up using x)
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"Hyung, if you have any ask for help, say so. For you, 2 million... No, I'll try to give you until 3 million won in any way."
Can I just say that we had this character for one moment and I'm so not ready to let him go, I want Jeongwan to have his own storyline and everything and he's too sweet and also caring for strangers/his colleagues, and so he stole the spotlight for me xD
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Yoondae said there's no food at home. But also, as you can see, there is: beer, water, rice that you can cook in the microwave, kimchi for a side dish and some other microwaved food. According to my Korean friends, typical Korean person (poor like student) can survive if they have rice, kimchi and also ramyeon. That's their the most basic food. Just a fun fact. xD
Also he was on his third can of beer, and he already made a drunken longing call on the verge of tears to Soohyuk, lying about being hurt and bringing trouble just so he'd return home. "Is that okay with you?" - just shoot me, please. :')
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"I called [the cleaning service/you] to tell you to stop it [sleeping outside of home]" "Let's have that dinner [that I promised you] today. Wait for me."
After days, Yoondae was ready to give up, he "tricked" Soohyuk to return home just so he could tell him he'll move out and stop pushing any talk. And then, Soohyuk brought up the dinner (the feelings) that he kept avoiding. No wonder Yoondae looked so struck and confused. It just gave him his hopes back (and viewers too, but we probably should've known better with this kind of series haha)
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Interesting cultural context: they are getting samgyeopsal - grilled meat, chosen by Soohyuk because Yoongdae said there wasn't anything he wanted to eat. And usually, the youngest one has to set the cutlery and grill meat, out of respect for the seniors. And here we see that Soohyuk is the one choosing the place, menu and even grilling the meat and pouring soju for Yoondae.
Once again, it shows that despite Yoondae's emotions and pleads, he is not mature enough, he is not ready to focus on other people. We know he can't plan his own future, he doesn't know what to do, and we see where their relationship stands now - Yoondae is still more of a burden than an equal partner to Soohyuk, and Soohyuk is more of a parent.
Even when they drink soju (in Korean drinking etiquette usually you don't drink alone, you toast together and drink together), notice how they don't even clink their glasses together, then Soohyuk is the only one drinking and Yoondae wants to follow him but puts the glass back. He's taking a shot later, when Soohyuk grills the meat again. They are totally unsynchronized at this point of their lives, and it's painful to watch.
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"I said he [my father] was dead because that's the truth/reality for me. There was no other [hidden] meaning. I didn't plan to lie to you."
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"I moved out completely. If I don't organize my life starting from doing this, then I don't think I'll be able to live like all the other [normal] people."
The fact that Yoondae started thinking about improving his life (the word 'organizing'), immediately made Soohyuk stop in surprise. So he started asking what does the normal life like others mean to him, hopeful to find that equal adult footing from Yoondae... but Yoondae's thoughts stopped there. And Soohyuk offered his own goal and life meaning: "to have a place to go back to, that's enough for me".
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Here's when Yoondae thoughtfully agreed with him: "It's important to have a home", and took the meat tongs from Soohyuk, saying how high-maintenance he is. Yoondae embraced that realization, he took the responsibility (even a small cultural gesture) and even though Yoondae nagged him, Soohyuk smirked. Because it wasn't a completely hopeless situation. And Yoondae proved it, by saying how eating like this and going home together is his normal life as well. (and yet they were still unsynchronized until the very end! we can't have happy ending yet)
AND HERE IS WHERE I HAVE TO MAKE A SECOND POST! Because tumblr only allows 30 images in one, and I can't stop screenshotting the last conversation so I'm going to make another post that you can find in 'gray shelter comments' or 'dropthemeta' tags (upd. or here's the link to the post!)^^
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mixterglacia · 5 hours
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WARNING: VIVZIEPOP CRITICAL, STOLITZ CRITICAL CONTENT.
I get fairly mean in this one, you've been warned.
I am so sorry, Viv. You can't convince me to see Stolitz as anything beyond a toxic, doomed to fail, train wreck.
I'm SO down for a good toxic ship.
In fact, I found their pilot dynamic far more interesting than the current writing seems to be depicting.
I refuse to feel bad for a man that caught feelings for a childhood """friend""" so hard he ruined his own life. Blitz owes NOTHING to Stolas. He agreed to fuck him so he could run a business that is barely discussed, even though it was the original point of the show.
Does it suck that Stolas had to deal with an arranged marriage that he never wanted with a mean wife? Yeah.
You know what else sucks?
THAT STELLA HAD TO MARRY A MAN SHE NEVER WANTED, AND HAD TO GIVE BIRTH TO HIS CHILD. ALL WHILE HAVING A FUCKING CREEP OF A BROTHER. ALL WHILE BEING TREATED AS A MONSTER BY THE FANDOM THAT CAN'T UNDERSTAND HYPOCRISY IF IT BIT THEM IN THE FACE.
Like yes, she's a cantankerous bitch. But you can't seriously pretend like she isn't also suffering in this relationship. The only difference is she turns her pain into external anger, where as Stolas has been turned into uwu soft bird who can do no wrong.
Even though he destroyed his family in an extremely public way. Octavia is going to have to live with the impact of her father's decisions for the rest of her life. You can't seriously expect me to feel bad for a man that is the agent of his own destruction.
You also can't tell me that Blitz just needs to get over himself just so he can be with a man who's father BOUGHT HIM FOR HIS SON AS A PRESENT.
To reiterate. If this was meant to be read as a terrible toxic arrangement that just keeps happening? I'm down for that. But this is not, and will never be cute or healthy.
Blitz doesn't owe Stolas anything. He keeps up his end of the bargain. It's purely sexual, and just because Stolas can't accept that doesn't make it Blitz's problem.
Stolas needs to learn how to accept rejection and move the fuck on. He knew he would catch feelings and considering he basically has Blitz on a leash, that doesn't make this any less gross.
The fact that he knows Blitz will leave if he's given the power to go to earth on his own proves it.
Blitz has frankly done very little IF ANYTHING to warrant being subjected to this level of obsession on Stolas' part. He's just trying to make a living.
Frankly, if you wanted us to actually think Blitz was interested, you've totally missed the boat with that one. This should have been worked on ages ago and it makes it feel exceptionally rushed and out of character on Blitz's part.
At this point I'm starting to think Fizz and Ozzie are a fluke of good writing in a sea of godsawful shit. Charlie and Vaggie felt like a literal afterthought in their own show. Husk and Angel are so rushed it felt like watching a relationship at double speed. Are we even supposed to think Pen and Cherry are actually a thing? Because if I was Cherry I would have punched Pen for that shit.
Christ. I don't drink but Viv makes me feel like starting.
Thank you for coming to my TedTalk.
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nrilliree · 11 hours
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https://www.tumblr.com/lovelyherruins/748933862826115073/omg-sometimes-i-forget-team-black-are-real-people?source=share
1. God allow Alicent fans to discover that she is not the eternal powerless victim they think she is.
2. rhaenicents should leave rhaenyra alone, most of them don't even like her character and will always be willing to throw her under a bus so they can benefit alicent the eternal perpetual victim. if you go to this person's account there are literally anti rhaenyra posts, they hate her so much.😭😭
3. Larys has the power he has because Alicent allowed it the same with Criston, she could make Larys disappear whenever she wanted. Alicent wasn't taking care of her business either when she decided to send for a baby that was just coming out of her mother's womb she was just being mean and playing with the power she has.
To paraphrase "omg sometimes I forget team green ARE real people and not just mindless bots". And then he blocked the user because after the first sentence I see that I don't want to read anything at such a low level. If someone starts off personally insulting someone who has a different opinion, it means that he or she has no rational arguments.
Alicent created herself most of her own problems when she decided to lie to Rhaenyra and not tell her for months that Otto had ordered her to visit Viserys. For months. Before Viserys asked if Alicent wasn't telling Rhaenyra about this. The moment she chose not to do so, she had lost any trust Rhaenyra had and had no right to expect Rhaenyra to trust her. Why would she? Alicent lied to her for months, and then she became queen, while her father sent spies after Rhaenyra. When she decided to declare open war at Rhaenyra's wedding, showing blatant disrespect to the crown, the king and House Velaryon, she lost any chance of real support from Viserys. Viserys said in a conversation with Otto that he only now understands that Alicent's visits were out of calculation, and she confirmed this to him with her embarrassing appearance in the green dress. Viserys was a bad husband and father, but Alicent only made it worse. Viserys already knew that it was just a power play, which is why he referred to Aegon as "Otto's blood". He realized too late, but then they started to notice that he was no longer interacting with his children. Previously, he was seen interacting with little Aegon several times. In my opinion, he distanced himself from the children he had with Alicent to make it clear that he still firmly declared Rhaenyra as his successor. It was Alicent who declared war on Rhaenyra, and therefore on Viserys.
It was Alicent who spent twenty years as queen, gaining no allies other than Criston and Larys, and then feeling sorry for herself that no one supported her in the entire Kingdom… after she publicly abused the heiress who she was bleeding through the halls of the Red Keep. It was Alicent who committed high treason by planning the usurpation. It was Alicent who turned her children against Rhaenyra and the crown. It was Alicent who usurped the throne when Aegon did not want it. It was her decisions that caused the civil war and she contributed to the death of her own children. These are her decisions, because Otto wasn't even near her for ten years!
Alicent wasn't a mindless puppet.
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so what's your process for designing characters?
Man people keep asking me how do I design characters, how do I make characters, how do you pick characters genders, etc. and I feel SO bad because I!! There is no process!! Especially with designing AphidClan characters in particular, my process is EXTREMELY wild and intuitive and spontaneous and very “just wing it first try it’ll be fine. I totally won’t hate it 3 months later ((I will and I do))”
I. I don’t know how to explain it. Like. Alder for example, I knew Lilacpaw was this kind of pinkish purple with an orange gradient, so I wanted her dad to be pinkish purple and her mom to have the orange gradient, so when it came time to design him, I jus. made him purple. and that’s all he is there isn’t any thought put into this, this is a. Random, not professional at all, “I made a quick concept sketch as my first and only attempt, he came out purple, that’s all he is, just purple” and “I got it first try” bullshit, and everything else about his design happened because. it felt right, and I never questioned that, so now hes. alder. he exists now. “how did you make him?” i don’t know but he sure as hell is here now
That’s how I make literally all of my character designs and decisions, especially since this is just a Warrior cats blog that I do as a fun “low-effort” hobby. I had a single idea of “rainbow,,,” it felt right, I never questioned it, it happened, I made a single quick sketch of concept art as prep to solidify what already existed in my brain, and now it exists, and then 4 months and 10 updates later I become deeply unhappy with the design and I try all over again lol. It’s extremely extremely intuitive for me, it’s all just feeling. I don’t really follow any professional tips or legitimate art techniques, I don’t really make concept art, half of the time the characters first appearance in a moon update or ask response is literally the first time I’ve ever drawn them, as you can tell from the Fire/Gravel kids and their extensive “gradually redesign them piece by piece over each moon until I decide I hate all of it and start over entirely” process which is NOT something I’d recommend for a webcomic or any legitimate art project you want to take seriously or professionally!! I don’t really. have a process, I just start drawing the moon update and they appear lolol
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mdhwrites · 2 days
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Have you seen the leaked TOH pilot and pitch bible yet? IMO it’s crazy how most of it is better than the final product.
I have! And... I don't know if I entirely agree with that.
What I found most fascinating about it is that a lot of the contradictions and issues of scope with TOH that doomed it are still in the pitch bible itself. Just some quick examples of what I'm talking about: When talking about themes, they talk about Fantasy versus Reality but it's as shallow as it is in the show. After all, one of the episode concepts pitched within it features a plot that has Luz literally going "This is just like in my fanfiction!" and being better able to handle it because of that.
It builds up the emperor of the land and Belos (known as Oberon) when talking about them but NONE of the plotlines include Oberon in the episode pitches or even mention the coven system for that matter. They are still barely a thing to the show with the only episode concept about that part of the show being the one about William.
An utter lack of real stakes like how King has to face the deep crises of a decision of either being a lackey to the people he used to run with while also losing any chance to ever reclaim his lost power... Or he can save Eda and Luz and lose the chance to work with these people again. That's not really a compelling decision, is it?
The pitch also claims that the show will mostly be about Luz and Eda's relationship and how Luz's determination will push Eda to be a better person... And most of the episodes pitched are still not actually about the two spending time together. Just Eda making Luz upset so she goes off to do her own thing, just like the same problem as in the actual series.
You actually have MORE characters in this version which sucks harder for trying to narrow things down, especially since more of them are disconnected from each other than before. At least Boscha, unlike Pascha, has a connection to literally anyone in the main cast.
You also have stupidity with your magic still. "Look! I need to work hard to make small objects float!" And apparently that's enough to make all of Hexside lose their fucking minds. WHY!? In 90% of settings, that is as basic as the light spell Luz learns. It's why it's one of the first spells Harry learns.
Oh and let's not forget "Almost all known portals to the human realm have been severed" but apparently Amity has access to one of those known portals freely enough to attend two schools. It's a small thing but it would cause problems in theory.
BUT.
I will give credit to this: Luz is MUCH more compelling in this version. I think if there is something that is just unequivocally true, it's that. She is way less inoffensively nerdy, instead her interests being more upfront and troublesome, helping explain why that would be why she is rejected and not because, you know, she puts people in danger. Also her rise to power is just better.
Arguably, Luz in canon is a chosen one essentially from episode FOUR onwards. Now, this is up for debate but being given a power almost out of nowhere, with no training, that no one else has, is usually a sign of a chosen in a narrative. Episode 4 is when she gets the light glyph. She doesn't work for it, it's not a big character growth moment, etc. like that. She mostly just oops into it. Making it that Luz ACTUALLY has to work for her magic and the show actually has to explore how the magic works, making it so she has something to learn is just strictly better, especially for the concept of her learning to be a witch. Eda would actually be able to teach her something instead of shrugging and going "Welp, good luck!"
I will say that the bible does also lean more into an adventurous aspect though. This version of episodes would easily be more fantastical and include more magic in them which would help the Isles not feel so much like our realm. I will say the fact that there's also active anti-human prejudice also would be good because then Luz being human would, you know... Matter. Not that the Isles is really given a personality even here besides the oppression they're theoretically under. It's still a very generic fantasy setting.
A lot of the rest though? It's really not that unique or different from the show itself. Lilith is almost exactly the same, Tibbles is just Gus but a demon, there are slightly more restrictions on things like being human or magic but, you know, the show didn't care about its one law, why would it care about three? Even Amity, who does look better on here, is only because it's on paper. This is literally just Amity's pitch in S1 after all. All the reasons people loved Amity are here.
Conceptually it is fine but I am surprised about how not only this got picked up but also how it was greenlit so heavily as to get a pilot animatic, with voice acting, based on these concepts. There's just some very clear cleaning up that needs to be done, basic questions on its own setting and own logic that isn't even playing into the comedy/fantasy angles that could let you let it pass. It's not all of them or even the majority but a skeptical prereader could even raise these basic sorts of inconsistencies like the ones I brought up above. After all, this is half a season's worth of episodes pitched and a fifth of them are still going to Amity and more of them have Luz directly interacting with King than they do Eda.
There's a final thing I have to bring up due to it being why I think the show changed so drastically from this pitch bible to its final form: This is way more complicated. TOH already has extremely decompressed storytelling and too many elements working in tandem. Meanwhile, every character is MORE complicated in this one and less connected to each other, necessitating that each, except maybe Eda, will take more time to get through their stuff. The writing team either had to sharpen how much they could do in an episode or simplify and congregate elements. We see this a LOOOOT in S2A, especially Escaping Expulsion, where it seems the writers went "Even with three whole seasons planned, we don't have enough time to do everything we want to, the way we like to, so we need to start cutting and simplifying even more than before."
One example of this that's really easy: In the pitch bible, Willow is a random witch who lives near Eda. Well that means she'll likely either take time out of a couple episodes as she's introduced or take up an entire episode just for herself. Tibbles is also just on their own, like in the show. Introducing both of these characters is not really an option. However, put them both into Hexside and suddenly you can introduce three characters at the same time organically, like we saw with I Was a Teenage Abomination.
Luz just being gifted magic is another element to this. Her having to actually experiment for every spell and having to have a real system to her spells limits what she can do but also means spending a LOT more time on her magic. You can't just have a flower open up and give her the glyph of the day as easily, nor have her be able to throw her spells around as she wants. Making it so she just needs reams of paper and/or a marker makes it a lot easier and simpler to have her start casting magic.
This version of TOH would have SHATTERED under its own scope while the current version mostly bends and cracks from it. However, if people do use this to go "FUCK DISNEY EVEN HARDER!" I won't be surprised. Grand scope ALWAYS looks better on paper than it does in action. It sounds epic and multi-faceted and complex. The problem is that it still has to fit its format and it is MUCH harder to execute on than a more simple concept.
There's a reason the only perfect project is the one you never do because you can promise the world without ever having to deliver. So, while it's nice to see an earlier version, I am by no means going to say this would have been a better version of TOH.
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Sorry for anyone hoping for a link to the pitch bible btw. I just don't have one as I got given it as a document.
I have a public Discord for any and all who want to join!
I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.
A Twitter you can follow too
And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.
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hiro--aoki · 2 days
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TWD Incorrect Quotes from my classmates
Tw: contains swear words, mention of sex, use of slut and maybe some other offense things, idk
Michonne: Because your minds are still developing you want to….
Y/N: Do drugs!
Michonne: Take more risks…
Y/N: Nah…
Michonne: A risk is any unsafe action or stupid, thoughtless and careless behaviour.
Carl to Y/N: Literally me.
*Coughs that sound like an erupting volcano*
Abraham: My tummy hurts.
Michonne: Can you name three risks?
Merle: Sex with no protection!
Carl: A gun with no safety on!
Y/N: Having a forehead as big as Merle’s!
Deanna: So, we have codes A, C and D.
Rick: Why not code B? Where’s the B????
Aaron: B-cause.
Glenn: You should b- ashamed of yourself…. I’m not funny
Maggie: You’re not funny
Deanna: So, code A stands for….?
Daryl: Ass!
Eugene: Acceptable!
Aaron: Yeah *fistbump*
Y/N: Nerd!
Deanna: What about code C?
Maggie: Coffee.
Eugene: Calculated!
Deanna: Yes! How about code D?
Abraham: Deez nuts!
Sasha: Dangerous!
Carol: Destructive!
Deanna: Yeah! You guys concern me!
Y/N: Ron, shut up you acoustic monk.
Glenn: Guys I accidentally wrote relationhips instead of relationships.
Carl: Y/N, has relationhips.
Y/N: What’s that supposed to mean?!?!
Y/N: Carl, has a shirt that says ‘ Roblox is life’ shirt, and he said it suits me.
Negan: Feel how soft my water bottle is.
Simon: Stop stroking your water bottle like that!
Michonne: What’s something that was legal, but was a destructive decision?
Merle: Weed!
Enid: I wanna jump off a cliff.
Y/N: I wanna kiss a 12 gauge.
Enid: My dad jumped out of a plane without a parachute…
Carl: My dad is a plane.
Andrea: My butt hurts.
Dale: *Gives strange look*
Andrea: You’re looking at me like you wanna fuck me.
Dale: What?
Shane: Ha!
Dale: No, I actually didn’t hear.
Amy: Real.
Negan: Did you wash your ass today?
Michonne: So, tell me an example of a safety risk?
Merle: Your mom
Michonne: …and some conatin cannabis
Judith: These gummies tastes funny.
*Watching a budget direct ad and Captain Risky comes on*
Jesus: Smash
Ron: Bro’s him
Daryl: I mean he has all the skills
Carl: Bluds the main character
Y/N: You look like a potato
Dwight: You look like a trash can
Y/N: Nuh uh
Dwight: Yeah uh
Negan: Dwight, keep working *Lightly caresses the shovel Dwight’s hand*
Y/N: Stop!
Dwight: Stop it I don’t like it!
Y/N: Yes, we are Sluts
Rosita: Sexy Ladies Under Tonnes of Stress
Y/N: I can’t make a decision that big, I can’t even tie my own shoes!
Enid: Please tell me you’re joking.
Y/N: I’m not, I tie them like a three-year old! Let me show you!
Enid: No, no thanks…
Y/N: Watch my feet! Watch my shoes. *Ties laces with two loops*
Enid: Ew *visibly cringes*
Carl: …I just asked if you wanted pancakes or waffles….
Glenn: Look how much funny shit we said today.
Daryl: I can’t it’s too black
Glenn: Ayo?
Daryl: I meant too dark!
Y/N: Nah!
*Glenn adjusts lighting*
Daryl: Now it’s too white!
Y/N: !!!
Daryl: Too bright! Too bright!
Negan: BALLS
Y/N: Gotta rizz ‘em with the ‘tism
Negan: I’m a Savior….save ya mom!
*Carl and Ron carrying a log*
Enid: For a second I thought that was in their ass’s
Y/N: I want them up my ass
Enid: What?
Y/N: What?
*Truck passes*
Daryl: Awww yeah, listen to tha’
Y/N: I can smell the air…
Daryl: No shit, sherlock!
Glenn: Don’t judge a book by it’s-
Eugene: Erm actually, it’s in the human instincts system, for us to make a quick judgement on a person appearance to determine whether they are friend or foe.
Y/N: Oooh, did I appear friend or foe when you first saw me?
Eugene: Well, when I first encountered you, you looked like you couldn’t hurt a fly, but since then, I have realised my mistake and have grown scared of you.
Rosita: He’s scared of everything…
Eugene: Not pickles!
Beth: What song do you wear?
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nin-carab-nidh-madt · 21 hours
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I have thought on Jadzia Dax from Star Trek Deep Space 9.
I'm currently rewatching the show (midway season 2), probably my 4th watch through over 8 years? My first time with slightly more youtube-essay-driven media analysis skills. I'm enjoying picking up on a lot more things than I used to but there's one thing that bugs me above all else.
Jadzia Dax doesn't really have a strongly defined character that shines through.
I've spent a while thinking about it. Obviously as a science officer its a little harder to tell stories the audience can understand and relate to compared to Odo's murder investigating or Sisko's exasperated diplomacy, but her stories have issues greater than that.
Both the stories centred on Dax, in season 1 where she stands trial for a crime supposedly committed by a former host, and in season 2 where someone tries to steal her symbiont, are about things that happen to Dax. Not the things Dax does. She is neither the perspective character through which we can see the world of Star Trek, with her own unique views and feelings, nor is she the one actively moving the plot forwards. She's either the victim who sacrifices herselr or quite literally refuses to do anything. Unfortunately this is quite a common failing of writing that's easy to fall into, writing about a character instead of the character making decisions that drive the plot. Its one that sci fi writing at the time seemed to do quite often with a lot (but not all) female characters. Ivanova and Talia from Babylon 5 fall victim to this too, especially in early seasons. In contrast, Major Kira, and even Ezri Dax later on have stronger characterisation and are the centre of their own stories.
I doubt this was intentional, its clear through the successes of writing other characters in the show that the writers, actors, and showrunners are trying to make everyone alive and meaningful, so what went wrong?
Looking at Jadzia Dax's character, I think what's clearly missing is a strong drive for her character. No real desires or vulnerabilities. No questions either. To provide constrasting examples:
Odo (who gets almost too much screen time in season 1) is clearly driven by a sense of justice no matter whatever starfleet rules say. He's in constant conflict with Quark, ever vigilant, somewhat isolated from other people. No one ever asks "Why does Odo do what he does?" His motivations are clear, and they even tie it up with an extra motive that's very plot relevant: the mystery of where he comes from. All things a single episode writer can use and explore.
Major Kira has her own conflict with starfleet, her desire to do right by her own people, to get justice for Bajor, and always stand up for the underdog which creates really good stories as she struggles with her own values and constantly has to make choices that affect the story.
Bashir wants acclaim, accomplishment, romance, and also for everyone to like him. Quark wants profit without putting himself at risk. O'Brien wants to just do his job and go home to his family. Sisko wants to hold everything together with the responsibility of peace and reason on his shoulders while singlehandedly raising his son. Jake wants community, friends, and freedom in his life. Funnily enough Ezri Dax has far better drive. Trying to figure out what she wants in life, handling this enormous change and overwhelming personality, and her own lack of confidence that she's useful to anyone sometimes. She grows and changes more over the course of a season than we ever see in early seasons Jadzia.
What does Jadzia Dax want?
I think in attempting to make a wise 300 year old person who's seen everything, they accidentally wrote themselves into a corner. Jadzia has no strong motivations to do much at all. She does fine as a secondary character, and I love how her friendship with Sisko plays out on screen, but beyond being surprisingly enlightened about a lot of things as the result of age and experience there's no drive there.
And so no drive or motivation, and no stories told from her perspective. We have ourselves a problem.
I thought for a while if I could find a solution to the issue rather than just offer criticism. I originally tried writing an outline for an episode. Jadzia would be a fantastic protagonist for any wacky sci fi short story concept that required a scientist to explore, such as time travel paradoxes, simulations, weird space anomolies that do "plot relevant thing" that she would be perfectly posed to actually explore instead of "technobabble and tap console" until the problem is solved.
Then I decided that all we really needed to have a framework any writer could use is to establish a strong character motivation for her. Here's my shot at it.
Jadzia Dax, in harmony with seven lifetimes of experience, is an extremely competent twenty seven year old woman. She can almost certainly do the job of anyone on the station better than they can. Fix a computer? Better than O'Brien can. First aid? She's there and solved the issue before Julian can get there. Solve a murder? A past host was an invesigator of course she can to Odo's chagrin. She has better ideas of what Sisko can do to bring the Bajorans towards the federation. Hell she's the best representative of federation values on that station and could constantly be presenting that of the story.
Dax struggles to hold herself back when she sees her friends failing at what she can solve the problem for them. She tries not to, that's what her training tells her to do. But out here on the edge of Federation space where there's constantly lives on the line? She finds herself interfering in other people's work more and more often. She just doesn't want it do be done wrong. She pushes herself hard to do too many jobs. She doesn't sleep or eat enough while telling everyone else to take care of themselves better. After a while people start relying on her. It turns from her helping to her having those responsibilities. Pilot. Diplomat. Linguist. Researcher. Mechanic. Leader. So much emotional support for her friends because everything they're suffering she's been through herself. It becomes too much for her and you could make the core of one story her just crashing. Learning how to balance her experience with giving room to other to shine through and solve their own problems, which they're very capable of doing. There's plenty more detail to elaborate on but I think this gives a core drive and conflict that lasts a character a couple of seasons at least to explore and grow through.
I happily invite thoughts as to whether my original observations are astute, or wether you think there aren't any problems with how Jadzia's passivity plays out in the show. If you think there are problems, do you think my perscribed solution helps fix them? How would you go about it?
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arlathvhenan · 1 day
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I don’t really understand why people complain about the Inquisitor being somehow contrived into plot relevance when that’s sort of how all RPG video games work? At least when it comes to ‘PC saves the day’ type games. It’s kind of a given that some contrivance is necessary to get the Player front and center where the action is concerned.
The Warden was conveniently selected by Duncan to serve the order. Then they were conveniently saved by Flemeth, not out of kindness, but because Alistair happened to be relevant to Flemeth’s plans and The Warden happened to be with him when he was rescued.
Then you have Hawke, whom the plot demanded to be in Kirkwall, ergo Hawke conveniently had family there. Hawke also happened to be conveniently saved by Flemeth because—again—she had some scheme-hatchery afoot and for some damn reason happened to know that Hawke would be going to The Free Marches and she needed a gofer. Then you have the further contrivance with Corypheus and Hawke’s bloodline nonsense which I won’t even get into.
I don’t see how the Inquisitor is any more contrived than either of these two, in fact it kind of feels the least contrived given your character was literally in the wrong place at the wrong time. Everything after that falls neatly into place. You were screwing around where you shouldn’t have been, ended up with a power you don’t understand completely by accident, and now you’ve got enemies who either fear that power or want it for themselves. No Flemeth magically appearing at the start of the plot to nudge the protagonist this way or that.
And finally that brings me to Dreadwolf. There’s been a lot of chatter about DA needing to return to the Everyman protagonist, when I don’t see how they ever left? And to be frank, Dreadwolf is the one story where an Everyman protagonist makes the least sense and will therefore be the hardest to pull off. The new PC will basically be usurping the role that—if this were anything but a video game—would logically go to the Inquisitor, or Varric, or Dorian, or literally any of the characters who have a pre-established relationship with Solas. Narratively speaking, that’s what makes the most sense.
But they can’t do that. We need someone new. A nobody. And getting this nobody to be at the center of all this prophetic fate of the world business is going to take some level of contrivance. They will need to come up with a strong enough reason as to why this new character is exceptional enough to make world-changing decisions on behalf of everyone else in existence. We need a reason why Solas—our alleged antagonist—would take a special interest in this person or be otherwise tied to them because if not then what is the point of having them front and center?
Not saying it can’t be done, but they’ll need some really damn good excuses to justify the new perspective. And those excuses will probably be contrived. You don’t have the fate of the world resting on one person without massive contrivances.
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catusbeanius · 14 hours
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One thing I love about TWST is how interconnected all the stories are! Even events and vignettes. My best example is the Halloween event and Diasomnia's vignettes. They're very good foreshadowing. Silver literally says (in his Halloween vignette pt. 2) "[I]f Lilia and Malleus chose to fight us of their own volition, could I oppose them? Would I be able to turn my blade against them?” (His whole dialogue there was amazing). He also says he was afraid of Malleus disappearing, not time stopping.
Imo, that's exactly how you use events and vignettes. They're supplementary to the characters/story/world and provide questions the main story can answer. Nowhere in the main story did Silver say "I'd hate it if Malleus disappeared rn. But time stopping? Whatever!" That's a facet of his character you get when your hard work getting gems pays off. The gacha system is still ass, though. Looking at you, Pop Music Club Lilia. Smh. I'm still salty about that.
Anyway, my preamble is over. This is a tidbit post LSKJD
Instead of just random fact, though, I want to share my favorite things about each character!
Tidbit (6.25) about Malleus:
You can tell how much he admires the Thorn Fairy.
In his Birthday Boy vignette pt 2. he offers to fill the party with briars—like the Thorn Fairy did. When the MC tells him that's dangerous, he says he thought it'd be an "amusing diversion." (He's so silly) I'm sure there's a few other examples, but I yapped enough already.
Tidbit (6.50) about Silver:
He's so naïve and candid, it's adorable.
He's not cautious of the Octavinelle guys. In his Fairy Gala vignette, Jade had a plot to get his dishes looking new, and Silver needed a translation bell; so they worked together. Silver also genuinely complimented the craft fairy's work and Jade thought he was being deceptive. In the White Rabbit Fest, a delinquent asked if he was scared and he was like "No, I'm okay. Thanks for asking, though."
He should know Octavinelle is bad news, though, because Sebek was hostile to Azul in his Labwear vignette. Tbf, Sebek quickly accepted his miracle detergent, so idk.
Tidbit (6.75) about Sebek:
He's so dramatic!!
He was sobbing every time Malleus sung during rehearsals for the Masquerade event (Sebek's Masquerade vignette pt 1) Like I mentioned before, he makes a big deal out of helping anyone. (A little off topic, but there's a cute moment in his Ceremonial Robes vignette where the MC hides under his arm!!)
Tidbit (7) about Lilia:
Everything <33 he's my wife!!
But if I had to pick one thing, it'd probably be his speech and dynamics with everyone.
My favorite line from him is "Growing boys need their calories. If the beast hungers, I say feed it." (from Sebek's Labwear vignette pt. 1 about Malleus)
You can just tell how much he loves them and how much they love him back. He'll tease Malleus and Sebek and they'll be dramatic about it, but it's all in good fun!
He protects Malleus from creeps (Rook) and Malleus protects him in turn!! (Lilia's P.E uniform vignette). Silver says thinking about cooking for Lilia keeps him awake (Apprentice Chef vignette pt. 2) , and Sebek trusts everything Lilia says (P.E Uniform vignette)
That's why his decision to leave them all is so damn heartbreaking. Like, girl, LOOK AT WHAT'S IN FRONT OF YOU!!!! I'm gonna shake that mf.
Their relationships are weird, but it's obvious what they are!! If you raise a kid, they'll think you're their father. SMH
Alright, I'm done yapping.
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Hi uh
What's Chonny Jash? Or who? /nm
I'm seeing it everywhere and I have no idea what it is or what it entails
Chonny Jash is a who! ^^
He's a musical artist most well known for his album, Chonny's Charming Chaos Compendium, which covers songs from a band called Tally Hall, as well as the band members' other projects, like Joe Hawley's Miracle Musical/Hawaii: Part II.
The gist of it is a character named Whole who stands in for Chonny himself, who splits either metaphorically or literally into three halves. The Heart, the Mind, and the Soul.
The majority of the album is Heart, Mind, and Soul struggling to come Whole again.
The characters TECHNICALLY don't have official designs so you can envision them however you want!
It's also a time loop, so that's fun XD
These posts should be of use to you!
Also, there are technically some reprises of songs, and Chonny made the reasonable decision to put all the variations of the songs into single videos with each variant, which is convenient, but may lead to some confusion. I recommend this playlist if you want to watch all the music videos:
And THIS one, if you're ok with having some songs be audio only! (aka the official playlist!)
But if you're ok with multiple songs in one video, there's always this playlist right here!
And there's of course the nifty full album videos too!
First one is audio only and official!
youtube
Second one has all the music videos in chronological order and is UNofficial!
youtube
If CCCC isn't up your alley, Chonny also makes covers of other music artists and his own original music!
I believe that's everything? I hope this was helpful and have fun dipping your toes into the wonderfully creative and inventive world of Chonny Jash, Eli! :D
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fearandhatred · 5 months
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"we need more nuanced and complex characters" y'all can't even handle the possibility that aziraphale chose to go back to heaven freely
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turtleblogatlast · 18 days
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Something I like about Leo is that he’s honestly really chill? It’s easy to remember the moments where he’s being obnoxious or excitable but I feel like most of the time he’s incredibly “go with the flow” and has an overall affable demeanor.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt leo#rise leo#Genuinely speaking I feel like said demeanor is incredibly useful for when he has to charm and/or persuade people into listening to him#I have a whole post talking about Leo’s charm and how he consistently gets people to hear him out even if he’s annoyed or upset them#like they’ll still listen to what he has to say in full#his charisma stat is real and utilized quite often in this series I swear he’s not just a loser cringeboy all the time 😭#if he wants to persuade and/or charm then he honestly sooo often does#me listing the 400th reason why Leo grows up to be the worlds best ninja and a good 365 of those reasons are Leo’s various subterfuge skill#Like most episodes where he’s not the main focus (and even many where he is)#he’s a voice of reason who notices things quickly and is often the one taking point to talk down situations#something interesting I found between Leo and Mikey is that#Mikey tells people what they need to hear#Leo tells people what they want to hear#not only out of his own agenda either#when bullhop was wrecking their home leo was the one that negotiated to make the situation go smoother#even if he would have rather bullhop left#meanwhile Mikey is the one who bluntly tells things as it is#small character moment that means a lot to me#Mikey is an honest boy who is upfront about his feelings#Leo prefers to let people make their own decisions he wants them to through steering the convo in that direction#but he is easily cowed by guilt#regardless leo is a people person - he knows how to talk to them and how to manipulate/persuade#and I like that his bros know this and often push him forward to do the talking if they wanna charm someone into doing what they want#I think Leo’s hope speeches are also an example of this - he’s saying what people really want to hear (and often it’s ALSO what they NEED)#the further the series goes on the higher Leo’s inner stress rises and he just keeps that chill aura anyway#there’s a reason!!! he wanted to go to a SPA so badly!!#literally the first thing he does when he gets in is rest#no joke meditation would do him good? like- it’s a Leo thing and I genuinely think rise leo would be no different here
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mwagneto · 5 months
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jack remarking that he's "missed this" while running from danger with the doctor is so crazy like his life since the doctor left him has been nothing but constant danger as the head of torchwood except back there he's thrust into the role of leader as the person who's objectively the most experienced but he's just some guy!! he doesn't know anything he's constantly fucking up and put in impossible situations and ruining things and we even see how easily the team organises in his absence. like clearly he did not miss danger he just missed having someone who can tell him which way to run from it....
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atlasdoe · 14 days
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"Dumbledore raised an army of children TWICE"
y'all do know that WE were the ones who made the order of the phoenix so young right??? The Marauders and Lily were the only ones with cannon ages
AND YOU HAD TO BE AN ADULT TO JOIN!!!!
we can't make all of the characters young and then hate Dumbledore for making an "army out of children"
for all we know marlene and dorcas could've been elderly women! we were the ones who hc them to be the marauders age
and again. THE MARAUDERS WERW ADULTS WHEN THEY JOINED
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littlebigmouse · 5 months
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One worldbuilding detail Soul Eater really had going for it was the way they explained everyone having weird, unique and horror-movie inspired names such as Soul Eater, Black*Star, Franken Stein.
The school all these kids attend allows them to sign up with any name they want and to change their names once every six months.
You better believe if I were a thirteen year old with the ability to turn into a scythe and eat monster souls I'd call myself Soul Eater too. "But isn't his original name 'Soul Evans'? That's already a weird first name." He's from a family of musicians. He probably has a cousin called R'n'B.
It also made for the very nice touches in charaterisation where you'd see a character calling himself "Ox Ford" and knew immediately which brand of arrogant, insufferable child-prodigy this guy represented and you'd be absolutely right. Why is there a girl who can turn into a lantern who's name is "Jackie O'Lantern"? Because she's the funniest teenager on the squad.
Shoutout to Maka Albarn for taking her education so seriously she decided to not get herself a fun name, and to Justin Law, who let's say, subverted expectations.
It also just makes total sense for their wacky and non-conforming headmaster to not give a shit about names, or birth names, or gender norms. Death said trans rights, yo.
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