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celestialholz · 9 months

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The Resurrectionist (or 'Crowley's dying briefly because character-building, and here's why')

I should start off by saying, friends, that I have written exactly zero books. (Bloody lot of fanfiction, but no actual novels). And I like coffee, but not particularly with oat milk. (The poison's metaphorical, not physical), but... well, you guys can keep both of 'em, because they're just not relevant to this conversation. I am also, as you may have already guessed, not Neil Gaiman. A chick can only speculate, but she does like to back it up with actual evidence.

No, I'm simply here to ask you a question.

What's the single worst thing Heaven could ever do to Aziraphale?

What would drive our angel so far from the clutches of Heaven that he would never, ever wish to return? What would set him unequivocally free from six millenia of assumed responsibility; what would make him realise that God can never change? What would strip everything away from him?

Because of course, this is what we have to do next series. This is Aziraphale's whole arc. If he doesn't try and change things and fail, he will always wonder. Always have a 'what if.' Will never be able to truly move on, will never be free from the eternal abuse cycle.

And so the severing has to be monumental, and everlasting. Then we get our happy ending. Storytelling, loves, done flawlessly. (Again, not a novelist... just a girl who's been writing for over half of her lifetime.)

And so, I ask again:

What's the single worst thing Heaven could ever do to Aziraphale?

And, well, it's a manifold question isn't it, with lots of potential ans - no I'm just kidding. Very simple question, very simple answer.

So congratulations to the very likely hundreds of you who have just said 'murder Crowley,' because a. you're very much correct and b. we've all just predicted the end of series three.

(... I mean, probably not the very end. But the emotional crux, definitely.)

And naturally, I'm not talking discorporation. I'm talking 'wiped from the universe altogether, leaving our angel eternally alone' kinda murder. The real shit. The good shit. Never mind any of this 'editing the Book of Life leading to an ineffable paradox' kinda bullshit - this is Heaven, the natural source point of holy water. One miracled Supersoaker and our demon's ancient history, friends.

Because y'see guys, severing Aziraphale's connection isn't the only problem we face in terms of narrative romance. We've also got Crowley, who has spent six millennia being in love with a guy who just takes, takes, takes... him for granted.

And this is NOT to say that Aziraphale gives him nothing back - he so very clearly does. (I am a consummate Aziraphale apologist, Crowley's just as much of a fool post-series two as our angel is, and Aziraphale needs this, as I've mentioned.) But... Crowley is his teacher. His moral guide. His protector. It mostly goes one way, and despite all of that and him being happy to be that guy for all this time... right when it matters most, Aziraphale (to Crowley, at least) has abandoned him. He's told him he isn't good enough.

(... Which is bollocks. That's not what Aziraphale's said at all, they're both as overprotective as each other and have a desperate, painful longing to keep one another safe in their own best way. But it sure fucking looks like it to CROWLEY, which is what matters.)

And so, we have two issues in achieving our happy-ever-after.

Sundering Aziraphale from Heaven forever;

Ensuring Crowley trusts him fully and knows completely that he is Aziraphale's only choice.

(And also by GOD do they need to have a proper conversation, but that one kinda goes without saying. It'll happen.) We have to even up this relationship; we have to make it absolute narrative equilibrium, and I am absolutely sure Neil knows this probably far better than I do.

... And so, how do we achieve both these things in one hit, whilst also telling a Second Coming story and holding a celestial war?

Well, we kill Crowley. Obviously. Not until episode five or six and after an emotional, romantic reunion of mutual understanding, but... we kill Crowley.

... And then Aziraphale brings him back. Yes, from complete death.

I would like at this juncture to remind you that miracles, apparently (and this is a thing we've just learned guys, almost like it's suddenly going to be relevant ongoing) are measured in Lazarii.

(Great thanks to the Aziraphale to my Crowley, @porgthespacepenguin, for these few screenshots I'm showing off here today. You'd never leave me, not even for my own good. <3)

Lazarii is very obviously named after Jesus' apparently greatest miracle, of raising Lazarus from the dead in the book of John. They managed to achieve twenty-five times the necessary amount of energy it takes to bring someone back from death... without actually fucking trying.

Let's take a look at the book of John a sec. Or more specifically, its eleventh chapter and twenty-fifth verse.

Jesus told her, "I am the resurrection and the life. The person who believes in me, even though he dies, will live."

My thanks to Neil once again for murdering me like Heaven's going to murder Crowley. Cold blood, point-blank.

'Who believes in me.' Huh. Only for the past six thousand years, Aziraphale dear...

Here's a little of what the internet has to say about the number 25 in numerology, by the way.

And may I also remind you at this stage that there is a pub in this series called The Resurrectionist, and only Aziraphale goes into it.

I mean sure, Crowley's booksitting and trying to make the ladies hilariously like him and Aziraphale fall in love in the same way he himself did, but the fact remains... one relevant pub name. One guy. (We all need a narrative excuse sometimes Neil, I get you.)

Considering all this, friends, let me ask you another question. This one's a little more wordy, that's on me.

What do you think would happen when a being capable of raising someone from the dead twelve and a half times over for the sake of his beloved's protection loses said beloved beyond all doubt?

... And this will be after he gains the ultimate celestial power-up, by the way. In case we'd forgotten that that alone is also about to boost Aziraphale to the fucking stratosphere, and finally put him on an equal footing with Crowley. (Who is clearly an ex-archangel, but not Lucifer, so Neil's since said.)

... And I think we know the answer, don't we? The kind of miracle that

(You can't see me, but I'm staring into the camera like I'm one of The Office main cast right now.)

This is the kind of power that fucks with reality - the kind of power that scares Heaven and Hell to absolute death, hence Metatron being in the DMs. And crucially, this miracle was boosted because of love. Because of a desire to keep the status quo, their 'own side'. You amplify both those conditions to the nth degree by destroying one of them? It's over, lads. Resurrection is the beginning.

Resurrection evens up a playing field. It destroys Aziraphale and renews him in one hit; it proves to Crowley once and for all that Aziraphale loves him exactly as he is.

... It's a no-brainer, pals.

And what do they do after this? Well, fuck up the celestial order, naturally. I have theories, the main one of them being that they're going to be God and Satan respectively and unite Heaven and Hell in eternal marriage, but... that's just a theory. A television theory.

The resurrection thing? Not so much.

... See, this is the thing, my friends. You don't need to have written a 16k essay to predict the future.

All you need is the ability to tell a story, an observant eye for that which is already present, and a simple question. (Followed by a mildly more complex one. It's a working allegory.)

... I'm just going to leave you with this one shot of Aziraphale picking up his own destiny. Because poetic cinema.

#good omens #good omens 2 #good omens season 2 #and even a little bit of #good omens season 3 #ineffable husbands #crowley #aziraphale #the nice and accurate prophecies of celestialholz #good omens meta

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jackoshadows · 5 months

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I feel like GRRM is stuck on Bran Stark. Bran being hard to write is why, despite being one of the central characters of the books, he only has half the POV chapters of Jon Snow. And why he is unable to finish The Winds of Winter and is doubtful of even finishing by 2025.

As a serial procrastinator, I can sympathize with a tendency to put off the hardest task with excuses, while eagerly completing the easiest first.

It's clear that GRRM loves writing Tyrion and Arya. He has an entire novel's worth of material in Braavos for Arya and I feel like the difficulty will be in editing it and cutting it down to fit into TWoW. Similarly Tyrion is most probably done as well, considering all the mentions of him writing Tyrion chapters in his notablog posts. So he's most likely done with the Tyrion and Arya POV chapters. They are the easiest characters for him to write.

Tyrion being done would mean that the Essos plot is largely dealt with as well considering Dany's POV would intersect with Tyrion's at some point and he can't fully finish Tyrion until Dany's is mostly done as well. In May 2012 he mentioned writing Dany's Essosi chapters.

WINDS OF WINTER. Yes, I’m working on that too. At the moment, I am writing about the Dothraki. More than that, I sayeth not, you know I don’t like to talk about this stuff. - Daenerys POV (Essos)

In June 2020, he mentioned Barristan and more chapters in the North.

In between tapings, I return to Westeros. Of late I have been visiting with Cersei, Asha, Tyrion, Ser Barristan, and Areo Hotah. I will be dropping back into Braavos next week. - Cersei, Asha (North), Tyrion, Barristan (Essos)

He has also mentioned writing Victarion chapters.

We also know that the two battles - battle of fire in Essos and the battle of ice in the North - is already written and was simply moved from ADwD to TWoW.

With all this being intricately tied together into one giant plot - Stannis Vs Boltons at Winterfell, Theon and Asha with Stannis, the pink letter to Jon, Jeyne being send to the Wall, GRRM writing about how we will be getting 'Direwolves Vs Ramsay's hounds' etc. - means most of this is also done. GRRM has also mentioned writing Melisandre - the only POV at the Wall now that Jon Snow is dead - chapters. Which means the North/Wall is also mostly done.

“I think we’re gonna start out with a big smash with the two enormous battles,” Martin says (Essos and North). In addition, Martin says, “We have more deaths, and we have more betrayals. We have more marriages.” Let the speculation begin. As he’s noted before, Martin says the Dothraki are coming back into the story (“in a big way”), and he says “a lot of stuff is happening at The Wall.” - GRRM

August 2020:

My life is at home, on hold, and I am spending the days in Westeros with my pals Mel and Sam and Vic and Ty. And that girl with no name, over there in Braavos. - The Wall/Mel, Sam, Victarion, Tyrion, Arya

So there's also Sam/Oldtown/Euron chapters - Sam is another character he loves writing. So that section of the story - possibly Euron's attack on Oldtown seen through Sam and Aeron POV chapters - has also got attention.

What about KL and the Riverlands?

November 2020:

Of late I have been spending a lot of time with theLannisters. Cersei and Tyrion in particular. I’ve also paid a visit to Dorne, and dropped in to Oldtown a time or three. In addition to turning out new chapters, I’ve been revising some old ones (some very old)… including, yes, some stuff I read at cons ages ago, or even posted online as samples. I tweak stuff constantly, and sometimes go beyond tweaking, moving things around, combining chapters, breaking chapters in two, reordering stuff. - Cersei (KL), Tyrion, Sam(Oldtown)

June 2022

WINDS, you say? Yes, still working. Finally finished a clutch of Cersei chapters that were giving me fits. Now I am wrestling with Jaime and Brienne. The work proceeds, though not as fast as many of you would like. - Cersei(KL) Jaime, Brienne (Riverrun, Lady Stoneheart)

So GRRM has recently (recent for us asoiaf fans lol!) finished Cersei, Jaime and Brienne chapters as well. So that's Essos, the North, the Wall, Oldtown, King's Landing and the Riverlands.

What's missing is Bran and Sansa in the Vale in terms of major POV characters. The Vale may just be an instance of being too isolated and unconnected from the rest of the plot until Littlefinger makes his move or GRRM may find writing LF's plotting a bit hard to tackle.

However, it's Bran that stands out for me in not being mentioned, considering this is the penultimate book and the threat from beyond the Wall has to be a big part of this book.

It has been my intention from the start to gradually bring up the amount of magic in each successive volume of A Song of Ice and Fire, and that will continue. - GRRM

“ And it is important that the individual books refer to the civil wars, but the series title reminds us constantly that the real issue lies in the North beyond the Wall. Stannis becomes one of the few characters fully to understand that, which is why in spite of everything he is a righteous man, and not just a version of Henry VII, Tiberius or Louis XI.” - GRRM

From all his interviews here and there, I can think of 3 reasons why the Bran chapters are hard.

This is where a lot of the hard core high fantasy happens. And we know that there's a backstory with Hodor that involves some complex time travel shenanigans - not going to be easy to write for someone in his seventies. Even more complicated in terms of causal loops and temporal paradoxes if it's Bran's consciousness that's doing the time traveling.

Age. GRRM has admitted before that he finds Bran the hardest to write as a disabled little boy. Bran's grown up a couple of years and yet he's still a little boy - Arya's age in AGoT.

Isolation with few fun side characters. GRRM really loves that world building and writing for those tertiary characters surrounding his main character. Arya meeting fun new characters everywhere she goes, her arc in Braavos, Dany in Essos, Jon's colorful and fun side characters, Tyrion traveling through Essos. One reason for why the series blew up from a trilogy into this unfinished mess is because GRRM enjoying writing for the side characters more than the main characters. Brienne got 8 chapters traversing the Riverlands searching for Sansa while Bran languished with 3 chapters in ADwD. Thus far Bran's world is very isolated and disconnected and has the least side characters - Meera, Jojen, Summer, Bloodraven and Coldhands. Of these, only 3 speak.

I think therefore that having written everything that GRRM can of the characters he does enjoy writing and finishing off the political plot points, he has finally turned his attention to Bran Stark. This is hardest part, involves a lot of sticky notes and attention to detail and needs to cover a lot of ground, bringing the Others back into the story in a big way.

I wish him luck. It's not going to be easy to write plots and details that he thought of some 30 years ago but I hope that he gets to finish a decent chunk of Bran chapters so that TWoW can finally be published.

#GRRM #TWoW speculation #asoiaf #TWoW #The Winds of Winter #Bran Stark

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em-dash-press · 1 year

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Are Prologues Worth Your Time?

It felt like every book I picked up when I was a kid and a teenager had a prologue. I thought they were super deep and essential foreshadowing, but then I went to college for creative writing.

You know what every professor taught?

Prologues are outdated and unnecessary.

I was shocked. Not that I’d ever say that I had only read the greatest books (many were trash—and some, beloved trash), but how could so many published books have outdated and unnecessary prologues where they’re supposed to hook a reader?

Here are a few thoughts you can consider when unwrapping this problem for yourself.

Give Your Prologue a Purpose

There are two primary purposes for prologues:

They give the reader a glimpse of a future event in the plot (like a movie trailer).

They give the reader a glimpse into the fictional world’s past to set the scene for the current world (like a flashback).

You don’t necessarily need to put a prologue in your manuscript. Your reader will likely get hooked from the first chapter you’ve worked so hard on. However, if your character/world/conflict will drastically change later, you can make the reader wonder, “How does it get from here to there?” after the first chapter with a prologue.

Flashback prologues are also helpful. A handful of pages could introduce the reader to a conflict (a deity getting betrayed by other gods and cursing all humans to forget they exist) that sets the tone/explains why your universe exists the way it does (every single character and person in the novel doesn’t know about gods because their history has been wiped from their minds, but the protagonist meets one of the gods who betrayed the antagonist deity and wants others to see/hear them too).

How to End a Prologue

Your prologue should end with the reader fully engaged, but wondering—WHAT?!

This might mean that you write your prologue (after deciding on one of the purposes mentioned above) when you’ve finished your manuscript. You’ll know exactly which historical or future point in your world will be most relative to your plot and the most captivating for your reader.

If George R.R. Martin had become inspired to write Game of Thrones based on an idea like this—historically powerful households go to war with each other to regain the most powerful throne in the realm, based on their various birthrights—and written the prologue immediately, we never would have been introduced to the potential-dead-brought-back-to-life in the actual prologue.

You gotta admit, zombies are a much more gripping hook than political rivalries. Especially when there are so many rivalries and so much history to learn before the tension builds!

When a Prologue May Be Necessary

Sometimes writers feel that their first few chapters are basically info dumps. You may have created a complex world with lots of history, lore, and ongoing conflict. The reader has to understand it all in the first five chapters, but it makes your story read like a textbook.

Prologues can help by summarizing the most important information the reader has to grasp to enjoy your manuscript. Challenge yourself to write some flash fiction (in this case, ~1-3 pages) about your novel’s world to see if you can create a prologue that condenses the most essential info for the reader. You can edit the next few chapters to see if they have better flow/pacing.

Reasons to Avoid Writing a Prologue

You may need to remove your prologue or pass on writing one if you agree with any of these factors:

The info explained in the prologue (history, initial conflict) reappears later in the plot.

You’re including the prologue because your first chapter is boring (just rewrite the first chapter—it will likely still feel boring even with an amazing prologue).

You feel like you have to have one. (This is common in fantasy/sci-fi.)

You want a prologue to set the mood for your story. (That’s the job of your first chapter.)

You need a prologue to do all of your world-building. (Introducing the reader gradually to your world through action-based events the first few chapters is much more engaging than an info-dump prologue.)

Make Your Decision After Getting to Know Your WIP

I tend to think of prologues as something you consider and potentially write well after developing your WIP. Get to know your characters, your plot, the stakes, and the world’s history/conflict before deciding if a prologue would hook your readers. You can always write it in a separate document/page and play around with removing/adding it with beta readers.

#writeblr #prologues #writing a prologue #writing tips #writing advice #creative writing #writers of tumblr

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notsocheezy · 1 month

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A Messy Attempt at a Writeblr Intro

This is way overdue, but as my one-hundred-and-first post on the hellsite, I'll go ahead and tell you a little about me. Too much, perhaps. No matter - that's what I always do.

I'm Cassandra Erica, local girlish-shaped thing carrying she/they pronouns under each arm (despite how much more difficult it makes grocery shopping). I'm traumatized and so are mostly all of my characters, and they deserved it just as much as I did (none) but that's the cards they're dealt. By me. I swear, I tried to stop writing about childhood trauma, it just didn't work.

"So," you're wondering, "what have you written so far? What are you working on? Are you going to keep up this weird reflexive second-person perspective?" To answer back-to-front: no, many things, and not quite as many things. Here are some lists!

~~~

RELEASED ON NOTSOCHEEZY.COM!

The Real Me (2022, Short Story)

There's something a bit off about businessman Mr. Shirley Jones. What's he hiding?

Three Takes on Death (2022, Short Story)

What might happen when we die?

Pink Bow (2022, Novella)

Who knew trying on one dress at the mall could change a person's entire life? Chris - or, uh, Kris - certainly didn't. Was it just a dress inside that box with the pink bow, or was it something more?

Plus some other things, don't worry about it.

~~~

BRAIN CURDS

Brain Curds are lightly edited flash fiction - practically first drafts - posted daily and sometimes written with the express intention of being terrible… but, you know, in an endearing way. Here are some of the greatest hits!

Three. Two. One. (#31)

The Characters V The Author (#28)

The Frank Program #1 (#13)

Passable. #1 (#30)

Government Man #1 (#4)

The Heart Wants What It Wants (#39)

~~~

WIP!

Anthill Theory (Short Film) Post-Production

An exploration of free will through a time loop that the protagonist doesn't know he's in.

Mercy's Ocean (Short Story) Awaiting Feedback

Alternate opening chapter for a Novel written by my high school English teacher.

Blue Rabbit (Short Story) Pre-Final

Sequel to A Covenant of Rust (see below). I keep telling myself I'm going to finally finish this one.

One Late Night Easter Morning (Short Story) First Draft

A chance encounter at a bar leads to late-night musings about humanity.

The Order of the Degenerati (Novel) Outlining

A secret society was formed after the tragedy of the holocaust to make sure it never happened again. Unfortunately, nowadays the most they can do is make YouTube videos go viral.

It Goes Up (Never Never NEVER NEVER NEVER) Complete

You will never read it.

Memories Retained (Novella?) Outlining

Ever had a dream where you were back in high school, before it all went to shit, and you decided to do something differently? Ever woke up and found out it really happened?

Dominic of the Darkness (Series?) Brainstorming/Partially Written

The antichrist is about to celebrate his sweet 666th birthday by breaking hell - that is, going to live on Earth for a week. Fan favorite for those in the know.

And MORE! THERE IS ALWAYS MORE!

~~~

MY BOOK!(?)

Publishers don't seem super interested in collections of short stories, and I'm afraid a collection of short stories and novellas may make a literary agent's head explode, so expect to see Tales from Starved Childhoods as a self-published debut! It includes a fully rewritten new version of Everyone Has Their Price (2017); newly revised versions of Next Day Delivery (2017), The Real Me (2022), Three Takes on Death (2022) and Pink Bow (2022); and all-new stories such as:

A Covenant of Rust (2023, Novella)

A newlywed couple moves into a 1950s prefab home in early 2020, but finds more hidden beneath the surface than the floor plan could reveal. Will forgotten secrets and isolation bring them together, or tear them apart?

AND SOME OF THOSE WIPs UP THERE! THEY'RE WHY THIS ISN'T OUT YET!

Tales from Starved Childhoods is set to be the physical manifestation of my early career as a writer, so stay tuned and look for it someplace books are sold!

~~~

If you'd like to be one of my readers or vice versa, don't hesitate to reach out! I'm always happy to have more eyes on what I'm making and I'm always happy to read something new. It helps with the burnout. I'm open to most any genre - I don't really think much about labels when coming up with ideas.

If you work for a publisher and you see something you like, send an email to [email protected]

#writeblr #women writers #female writers #writing #nsc original #writing community #writerscommunity #writers on tumblr #author #writers #creative writing #intro #writeblr intro #writer things #writeblr community #writeblr stuff

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redgoldblue · 1 year

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Get to know me

I was tagged by @stephmcx and @itwoodbeprefect and @actingcamplibrarian, ❤️❤️❤️

3 Ships: Steve McGarrett/Danny Williams (H50), Starsky/Hutch (Starsky & Hutch), Alec Hardison/Parker/Eliot Spencer (Leverage)

First Ever Ship: In a non-fandom sense, it would have been Fran/Max from The Nanny, who now I’m thinking about it may have very directly influenced the way I drift towards slowburns that are somehow simultaneously very fast-burns; in an at least semi-fandom sense (non-canon queer ship in a show that does and did have a fandom, although it took me a fair few years to come to it), House/Wilson (House MD). I’ve been watching The Nanny more or less my whole life so I can’t give a specific time on that one, but Hilson infected me at age six.

Last Song: Cleaning Windows - Van Morrison. my father played it in the car yesterday and now it’s stuck in my head.

Last Movie: Single All The Way..... what can I say it’s trashy Christmas rom-com season and I didn’t get to watching it last year. Falling For Christmas is next up.

Currently Reading: The Henchmen of Zenda by KJ Charles - it’s a gay romance adventure alternate POV retelling of The Prisoner of Zenda, a classic pulp novel that I have. never actually read. I am obviously enjoying Henchmen anyway because it’s a KJ Charles novel and I greatly enjoy everything she’s ever written and recommend them if you have even the faintest leanings towards historical queer romance.

(and the fact that two of you said the advent calendar. mwah 😘)

Currently Watching: ....i’m rewatching House MD. As you probably know if you’ve been bearing witness to my blogging habits. I’m also watching Abbott Elementary and Leverage: Redemption as they air, and Frasier and The OC. Latter two not as they air, obviously. And I’m rewatching The Nanny as I basically always am.

Currently Consuming: I finished my tea fifteen minutes ago. I keep meaning to get up and make another cup.

Currently Craving: sleep? I’ve woken up before 10am the last three days and we’re on holiday and had a Time of it last night trying to find a hotel at the last minute.

edit: now craving spagbol bc i reread #gayspaghetticouple but any cravings for laughter i may have had have been fully satisfied.

Tagging: @magical-friends, @krysten-knitter, @faorism, @thomtrebond annnd i think anyone else I’d tag has already been picked up. you, dear reader, if you so desire.

#tag games #mine #about me

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discountballoons · 2 years

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Heartstopper and First Kill are both great shows, but I feel like people are setting themselves up for disappointment by using Heartstopper numbers as a baseline for Netflix’s response to First Kill. They are very different shows. Here’s why:

1. Expense. It’s obvious FK was not given a big budget, but I’ve seen people saying it’s also obvious that HS was given way more money. It’s probably the opposite. HS is a high school drama. There are little to no special effects or costly locations. The cast is small with majority first time actors(with one notable exception who only shot for two days). FK is a supernatural show. It has monsters, blood, and gore every episode and that cost adds up. Especially because FK has twice the runtime. That’s twice the footage, twice the time spent editing and filming and acting. Heartstopper is a much cheaper show to make.

2, Different Audiences. HS has a much wider audience it can appeal to, being rated 13+. Kids and family show are always high in demand and safe bet. FK is rated M, which is fine, but it does leave out possible views.

3. Material. I’ve seen a lot of posts saying the because heartstopper got renewed for 2 seasons, FK should get a 2 season renewal as well. I feel like people are forgetting that heartstopper has 4 fully written and published graphic novels to work off of. The producers at Netflix can see exactly where the next 2 seasons are going to go AND they can see that those novels/storylines have already recieved positive feedback from the existing book audience. First Kill is based on a short story that is mostly covered in the first season. I find it unlikely Netflix is going to greenlit it for 2 more seasons if they don’t know where the story is going and how it’s going to be recieved. 2 season renewals are rare and unlikely unless in circumstances like heartstopper for a cheap, already planned out show.

4. Critic Response. Heartstopper has already been nominated for several awards and recieved a majority of very positive reviews from critics. The reviews may not mean much but I’m sure Netflix likes the positive publicity that comes with them and the awards.

In conclusion, I do think First Kill’s going to get renewed(unless they really do hate gays). It has massive views and fostered a big enough community and reaction that I can’t see them not renewing it. However I don’t think it’s going to be a multi-season renewal. Basically stop using Heartstopper as a baseline for a First Kill renewal cause they are extremely different lol.

#first kill #heartstopper #lgbtq #heart stopper #netflix #heartstopper show #ve schwab #victoria schwab #juliette fairmont #calliope burns #charlie spring #nick nelson

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longalpha · 2 years

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Gentle reader i married him

Fear not, dear readers, for if there is any scandal at said event, then I shall uncover it. Choose wisely, for her fate rests upon the hands of each and every one of you.ĭo not fret! I have my quill ready to note any scandal that occurs, so be sure to read my next paper for all the sordid details. But, perhaps the second-born, Benedict Bridgerton, could dominate this season as well.ĭearest reader, the time has come to place our bets for the upcoming social season: who do you think would be most suitable to court our beloved Miss Auclair? As you tap on the name of your choice, it will lead you to the future of Miss Y/N and her eventual husband. Could the 1814 season finally be the season where one of the male Bridgertons marry? Perhaps, Viscount Anthony Bridgerton will grace the woman with his undeniable charms. Would she be the diamond of the season? After all, she grew up along with the famous Bridgerton brothers… Even one particular Bridgerton sister seems to agree that Miss Y/N would fit perfectly into their family. The Duke and Duchess’ new arrival has been the talk of the town, but this Author has been reliably informed that Miss Y/N Auclair is taking residence for the first time back in London after living in France for years. Much excitement is in the air regarding this new addition, and oh, what an adorable addition he is! Is there anything more exhilarating than the announcement of the ball held by Her Majesty, the Queen? Last season we were overjoyed with the success of our beloved Duke and Duchess of Hastings and after much anticipation, I can confirm that our fair city of Mayfair is gaining a new citizen! It is official… the Duke and Duchess of Hastings has welcomed a beautiful baby boy. But be forewarned, dear reader, I certainly know you.ĭearest gentle reader, the ton are abuzz as a new season is upon us. You do not know me, and rest assured, you never shall. "About this title" may belong to another edition of this title.It has been said that, “Of all women dead or alive, a scribbling woman is the most canine.” If that should be true, then this author would like to show you her teeth. More famous for her sensuous novels, Michèle Roberts now writes a short, sharp and witty novel in the spirit of Muriel Spark. in the unfailing sensuality of her descr) Book Description: The real pleasure of Roberts's writing lies. Guardian ( ‘Conundrums and their answers bombard the reader like a shower of carnival confetti in a novel whose characters resemble the cast of a modern-day commedia dell’arte. Roberts has constructed a fantastical Italian city, a capriccio of the sort beloved of Italian artists of the Renaissance, and makes the setting half realistic - imbued with the smel)įinancial Times ( ‘With her sudden offbeat collisions between reality and fantasy, Robert's sensibility is reminiscent of Jeanette Winterson’s, though undeniable shades of Muriel Spark prevail, of the writer fully in control of her measured, ironic tone, however much her n) Mail 'A triumphant tour de force ( Time Out‘Michèle Roberts is on sparkling form with her ludic 11th novel. but don't be deceived: Michele Roberts has written something altogether darker and wittier. The scenario is that of a standard romance. A sizzling firework display of a book ( Sunday Times ‘A deliciously black and breezy affair, the perfect antidote to dull winter days.

#Gentle reader i married him

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septembercfawkes · 3 years

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Scene vs. Summary & When to Use Which

When I was a young writer, I didn't fully understand what a scene was and what a summary was. Later, when I understood the difference, I wasn't always sure when to use which. These days, I occasionally help writers with the same things. They may use summary for what should have been a scene, or they may write a whole scene for what really should have been summary. Understanding the difference and when to use which can be key when writing a successful novel.

Sure, some of it is subjective.

But what might be surprising to some, is that most of the time, one is more . . . "correct" than the other.

Scene

A scene is a structural unit that tends to have these qualities:

- Happens in Real Time

A scene will largely happen in real time. This means we "watch" the characters move, act, and talk, as if it were happening in real life.

- Dramatizes (Shows > Tells)

A scene dramatizes. It uses showing more than telling. If a character is angry with a friend, we see that anger in action and conversation. We may witness her yell or kick a rock, for example. It's like watching a stage play.

- Concrete

Because it is dramatized, a scene will usually be more concrete. It will more likely appeal to our senses and the physical world and experience.

- Characters Acting in a Specific Location

A scene will have characters in a location (in some very rare cases, the setting or society may act as characters). They might be talking on a train ride, or exploring a cave, or dueling in the snow.

Scene Examples

(Because a full scene often lasts pages, these examples are passages from specific scenes.)

"This won't take long, Andrew," said the doctor. Ender nodded. "It's designed to be removed. Without infection, without damage. But there'll be some tickling, and some people say they have a feeling of something missing. You'll keep looking around for something, something you were looking for, but you can't find it, and you can't remember what it was. So I'll tell you. It's the monitor you're looking for, and it isn't there. In a few days that feeling will pass." The doctor was twisting something at the back of Ender's head. Suddenly a pain stabbed through him like a needle from his neck to his groin. Ender felt his back spasm, and his body arched violently backward; his head struck the bed. He could feel his legs thrashing, and his hands were clenching each other, wringing each other so tightly that they arched. "Deedee!" shouted the doctor. "I need you!" The nurse ran in, gasped. "Got to relax these muscles. Get it to me, now! What are you waiting for!" Something changed hands; Ender could not see. He lurched to one side and fell off the examining table. "Catch him!" cried the nurse. "Just hold him steady--" "You hold him, doctor, he's too strong for me--" "Not the whole thing! You'll stop his heart--" Ender felt a needle enter his back just above the neck of his shirt. It burned, but wherever in him the fire spread, his muscles gradually un-clenched. Now he could cry for the fear and pain of it. "Are you all right, Andrew?" the nurse asked.

- Ender's Game by Orson Scott Card

Mrs. Reed occupied her usual seat by the fireside; she made a signal to me to approach; I did so, and she introduced me to the stony stranger with the words: “This is the little girl respecting whom I applied to you.” He, for it was a man, turned his head slowly towards where I stood, and having examined me with the two inquisitive-looking grey eyes which twinkled under a pair of bushy brows, said solemnly, and in a bass voice, “Her size is small: what is her age?” “Ten years.” “So much?” was the doubtful answer; and he prolonged his scrutiny for some minutes. Presently he addressed me—“Your name, little girl?” “Jane Eyre, sir.” In uttering these words I looked up: he seemed to me a tall gentleman; but then I was very little; his features were large, and they and all the lines of his frame were equally harsh and prim. “Well, Jane Eyre, and are you a good child?”

- Jane Eyre by Charlotte Brontë

Summary

A summary has these qualities:

- Condensed Time

Summaries condense time. They may cover a month in a single sentence. They may talk about recurring events over a time period, within one paragraph. They may relay a past event (or in some cases, a future event) within a brief moment. They don't happen in real time.

- Explains through Telling

Since the moment isn't happening in real time, the audience is told more than shown what happened. This gives summary a stronger, guiding, narrative hand. Rather than experiencing the passage like the character, it's more like the audience is being guided by a storyteller (generally speaking).

- More Abstract

For those reasons, telling is more abstract. It's more likely to express ideas and concepts, rather than specific experiences.

- Characters and/or Setting may Change Swiftly (or Maybe Not Even Be Present In Some Cases)

A summary may not focus on a specific character or stay in the same setting. It may move quickly through settings or may not even mention a specific setting.

Summary Examples

Mother came home and commiserated with Ender about the monitor. Father came home and kept saying it was such a wonderful surprise, they had such fantastic children that the government told them to have three, and now the government didn't want to take any of them after all, so here they were with three, they still had a Third . . . until Ender wanted to scream at him, I know I'm a Third, I know it, if you want I'll go away so you don't have to be embarrassed in front of everybody. - Ender's Game by Orson Scott Card

John had not much affection for his mother and sisters, and an antipathy to me. He bullied and punished me; not two or three times in the week, nor once or twice in the day, but continually: every nerve I had feared him, and every morsel of flesh in my bones shrank when he came near. There were moments when I was bewildered by the terror he inspired, because I had no appeal whatever against either his menaces or his inflictions; the servants did not like to offend their young master by taking my part against him, and Mrs. Reed was blind and deaf on the subject: she never saw him strike or heard him abuse me, though he did both now and then in her very presence, more frequently, however, behind her back.

- Jane Eyre by Charlotte Brontë

When to Use Which

Most novels are better written with more scene than summary. Scenes dramatize the story, so that the audience feels like they are experiencing and participating in it. Scenes are more impactful. Scenes are more likely to stir emotions. Because they are more concrete, they are more likely to stick in the reader's memory.

However, this is not to say all novels are better with more scene than summary. You can indeed find successful books with more summary. This can be particularly useful in books with huge casts and many viewpoint characters, books that take place over a long period of time (such as a character's entire life), or books with powerful, present omniscient narrators. Not all books that rely on summary more than scene are bad.

But most books are better told largely through scene than summary.

And pretty much all novels need some of both.

So when do we use which?

Sometimes I edit passages that are weakened because they are summarized instead of dramatized. Other times I read scenes that offer very little dramatic value and should have been summarized.

Scenes

A good rule of thumb is the more significant the moment, the more likely it needs to be rendered as a scene.

Big turning points and climactic moments should almost always be a scene--whether that turning point relates to character arc, plot, or theme.

This means that the climactic moments of the beginning, middle, and end, should almost always be a scene.

Anything we've been building up to in the primary plotline related to the arc, events, or theme, should probably be a scene.

If you are following a story structure, key moments in that structure should likely be a scene. The inciting incident should likely be a scene, the midpoint should likely be a scene, Plot Point 2 should likely be a scene . . .

Now, in a novel, there may be many plotlines besides the primary. The less important the plotline, the less likely you need all its turning points in scenes (or even on page).

Impactful moments should usually be scenes. If they are summary, sometimes the audience feels cheated. Imagine building up to the climax of a novel, only to have the author summarize it. It's almost always a letdown.

Sometimes newer writers do this sort of thing, because they are intimidated by trying to write the scene. They may feel unsure that they can write it well. Remember, you can edit, and edit, and re-edit the scene to make it better. Daring to write a poor scene and then edit it, will get you further in the long run than avoiding it altogether.

In many genres, you will have what are called "obligatory scenes." These are what they sound like. They need to happen. In a scene.

So in romance, you almost always need to have a first kiss scene. In a murder mystery, you almost always need to have an opening scene where a body is discovered. Obligatory scenes should be scenes, not summary, most of the time.

Summaries

On the other side of the spectrum, we have summary. If an entire novel were written with scenes, it would probably be long and boring. Not everything is important enough to be a scene. And if you make it a scene, it's a flat scene without any real turning point or change. This kills pacing.

Use summary when the audience needs to know the fact that something happened, but it's not important for them to experience it.

For example, the fact that Jacob didn't get much sleep the prior night probably isn't important enough for a full scene, but it might be important for the audience to know for the next scene. It might influence what happens in the next scene. That is a good time to use summary.

Use summary when you need to cover a broader length of time in a shorter amount of space. For example, you may have characters who need to trek to a distant land, which may take months. But the story isn't about the trek itself. Use summary to tell us about the trek, without making the story only about the trek. (Not to mention if the trek was all in scenes, it'd be overly detailed and likely boring.)

Along the same line, summary can sometimes be great for scene transitions--usually when what happened between the scenes is worth mentioning, but not worth dramatizing.

Summary is also important in providing context for the reader. Summary may be used to set up a situation or to provide additional background information that the reader needs in order to interpret what is happening in the story, accurately.

For example, you may summarize a short backstory to explain a character's current behavior.

Scene vs. Showing; Summary vs. Telling

Scene is mostly like showing, and summary is mostly like telling. However, the concepts are slightly different. For example, I may write in a scene "Emily was tired," which would be "telling" but I wouldn't consider it "summary." Just as I wouldn't necessarily consider "I felt angry" summary, so much as I would consider it to be telling.

Likewise, you may have a scene that is largely introspection, which may be showing a character's thought process as he summarizes events through telling sentences.

Yeah, if we get deep, it turns into splitting hairs.

Even between showing and telling, if you want to make yourself really crazy, sometimes you can use summary and telling on a small scale to show something on a big scale. For example, to show that a character has a habit of being late, you may use summary that includes some telling about his morning routine, to cover several such instances. However, one could easily argue that you could simply do a scene that shows him showing up late, and have another character use dialogue that implies this is a common occurrence.

But let's not induce headaches today! My point is, that the boundaries do blur, and things aren't always as clear cut as we make them sound.

Nonetheless, because summary and telling overlap, you can use many of the same technique that we use to write great telling, to write great summary. And rather than rewrite all those techniques, I have them in my article "10 Cheats to Tell Well."

Mixing Scene and Summary

In order to write a great novel, many scenes will include some summary within them. Like I mentioned above, you may need to slip in some backstory information through summary. Or perhaps in the scene, the characters are having dinner, but you want half the scene to be the cooking and the other half to happen while they are eating. Depending on how long the food takes to make, you may need some summarizing: "Don finished putting the toppings on the pizza and then put it in the oven for 30 minutes."

Similarly, if you are going to have a lengthy passage of summary, it's often effective to include scene-like moments--perhaps a paragraph that captures part of a conversation in real time, before going back to summary. Or maybe the summary includes a significant action that would be rendered better with a little more detail, like a half-scene.

In any case, we want to make sure we are using both scene and summary, and perhaps just as important, that we are using them at the right moments.

#writing tips #writing tips and tricks #writeblr #writing reference #writing tip #fanfic #written #editing

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yuyuntianyu · 3 years

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[2HA analysis blog] To love you is torment but leave you I cannot

I wanted to write this (hopefully not-too-long) blog to give 2HA fandom a different perspective of the events in the past timeline. I noticed that there are many little things that could not be carried over to the English language. These little things can give more explanations to our characters’ actions so I hope sharing this would help the novel make more sense. This blog focuses on Taxian-jun and Chu Fei.

Warning: Spoilers ! ! ! Taxian-jun and Chu Fei are their own trigger warnings ! ! !

Despite the novel having 350 chapters, we really know little about what happened between Taxian-jun and Chu Fei besides the abuse and mistreatment and that little is relayed to us by the Most Unreliable Narrator of the Cultivation World - Mo Ran Mo Weiyu. If we only take Mo Ran for his words then a lot of his and Chu Wanning’s decisions told later on would seem irrational and almost silly. So let’s dive deep in the past so we can understand how the great cultivator Beidou Xian-zun could raise such a dumb husky since the events in the past would explain the more irrational decisions made by both main characters.

Given Mo Ran’s narrator is about as reliable as his character in the first 120 chapters, we have to look at other more subtle clues and some of them are due to cultural and linguistic differences.

1. I used to like you a lot

At his coronation day, Taxian-jun stated that he once greatly looked up to Chu Wanning and that he used to love and respect him dearly. Maybe I am reading into this too much but this is my theory: The flower could erase the memory itself but cannot erase the feelings associated with the memory. He had his memories of the good deeds Chu Wanning did for him erased but still remembered that he used to love and respect him. It doesn’t make sense unless it is indeed that the flower could not erase its host’s feelings. So throughout the novel, Mo Ran’s complicated emotions are complicated possibly because he could not remember how he came to have these feelings. Similarly, Hua Binan could mess with the undead Taxian-jun’s memory to a great extent but could not erase his obsession with Chu Wanning.

2. I gave you a new title

Chu Fei. 楚妃. In the Imperial Chinese harem hierarchy, “Fei” means consort and not concubine (嬪 “Pín"). Consorts were highly respected positions in the palace weidling much political power and were only seconds to the Empress Consort. Another major difference is a consort would be married to the emperor while a concubine would not. So if Taxian-jun had truly wanted to only humiliate Chu Wanning and keep him for the carnal pleasures (I am intentionally ignoring his breeding kink completely), he would keep him as a concubine but he gave Chu Wanning the Consort title and hid him from the world. At this point, Taxian-jun had almost lost Chu Wanning once and had spent a lot of effort to bring him back from the verge of death after hearing Chu Wanning’s apology so his anger might have softened a bit. Also, given that Chu Wanning is a man, having a legitimate offspring ( (I am still intentionally ignoring Mo Ran's breeding kink completely) is not an issue so although this is not clearly stated, I believe Taxian-jun wanted to force a relationship and somewhat proper marriage on Chu Wanning. Another hint of this is in an Extra chapter where Taxian-jun tried to get Chu Wanning a birthday gift. He recalled that in his past timeline, he had wanted Chu Wanning to give him something on his birthday as well and that he had wanted Chu Wanning’s heart.

3. Shizun likes to write letters and poems

On Book 3 Chapter 247, Chu Wanning sat down and wrote a few unsent letters to the people he used to know. He also wrote a few lines of poetry. In the first few lines taken from different literature works, he expressed his sense of helplessness and his wish to remain untainted despite the circumstances. The more important two lines are from a poem written by a real poet named Fàn Chéngdà ( 范成大) who lived in the 12th century Southern-Song dynasty. The two lines read:

“May I be like the stars, may you* be as the moon. Night after night, may we shine together side by side.” **

*In the original work, the character used instead of you is “jun” 君 (as in 踏仙君 Taxian-jun). 君 could mean king, emperor, lord, or gentleman ** This is my rough translation - I haven’t found an English version of this poem

These two lines are commonly used in romantic novels as a way to express one’s unchanging love and loyalty to another person despite the circumstances. He compared himself as the stars and wanted to remain by Taxian-jun whom he viewed as the moon. Chu Wanning wrote this to express his willingness to stay but he would never voice this out loud. In the next timeline, he did the same thing by quietly loving and caring for Mo Ran 1.0 despite the mistreatment and was content with never expressing his feelings vocally. Mo Ran was rather uneducated and thus could not fully comprehend these two lines and misunderstood that Chu Wanning was missing Xue Meng.

4. You are all I have left

In chapter 252, after Chu Wanning returned to The Red Lotus Pavilion, he found Taxian-jun already waiting for him. Taxian-jun told Chu Wanning about a dream he had and said:

“I am afraid I don’t resent you… I want to resent you… Otherwise, I…” “In the end, it’s just you and I”.

This is not the first time he expressed that Chu Wanning was all he had left or they only had each other. I believe that at this point, Taxian-jun might have somewhat believed Chu Wanning and recognized that his memories were missing. His words and behaviors seemed a lot more gentle and he mentioned they did have periods of time where their marriage was easier. I believe it was after this point. He told us about the numerous times he attempted to spoil his consort or expressed his affection through gifts, a trip outside the palace, goods, jewels, and even teaching Chu Wanning how to cook or personally taking care of Chu Wanning when he was sick. At one point, Taxian-jun expressed his wish for a more peaceful marriage with Chu Wanning through his breeding kink by saying that if they had children, perhaps they would be more civil towards each other.

Edit: I really wanted to go about this blog without having to refer to their particular taste in bed

5. Are you still mad?

This is a smaller detail but in the original text and the Vietnamese official translation, the way they talked to each other had a bit more of the “husband-wife” dynamic. Especially Chu Wanning ( l┐(︶▽︶)┌ ), the comment section said he sounded like when your wife is mad that you didn’t take out the trash but still says: “I’m not mad” and Taxian-jun, the husband, would come around and ask “Are you still mad at me?” after every fight.

6. I did not think you would really leave me.

On Chapter 99, Mo Ran recalled the fight between him and Chu Wanning after an assassination attempt. In order to convince Mo Ran to not go to Taxue Palace, Chu Wanning said:

“If you destroy Taxue palace, if you kill Xue Meng, I will die before you”.

Now the line “I will die before you” in my language is less of a suicidal ideation but more of a threat. It's used when a person already knows that they are important to the other person and is using their own death as a threat to make the other person do something. This line is thrown around a lot during heated arguments between people close to each other but they almost never mean it. (Even my mom said it numerous times before T_T . I personally think it’s manipulative). Therefore, it is understandable Taxian-jun did not take this line seriously and replied almost mockingly. After all, they had been married for almost a decade at that point, Taxian-jun probably felt somewhat comfortable that Chu Wanning would not do anything reckless. He could not foresee that Chu Wanning meant what he said and actually followed through with his words. I believe that if Taxian-jun had known that Chu Wanning was serious, Taxian-jun would not have gone to Taxue Palace. 7. Don't leave me, ok?

Then Chu Wanning died and Mo Ran spent two years alone. In those two years, we know he basically went insane because of grief, talked to a corpse everyday, and deep fried his Empress Consort. But strangely enough, Mo Ran 1.0 did not immediately mention this after being reborn although it was the main reason he committed suicide. And at that point, it had been well over a decade since Shi Mei faked his death in the past timeline, yet Mo Ran 1.0 seemed to still hold a lot of resentment towards Chu Wanning. Also, he said he could accept Shi Mei’s death but would never accept Chu Wanning’s. So honestly, it did not make sense to me the first time I read the novel and I believed Mo Ran resented Chu Wanning for a different reason.

The answer was first hinted at in chapter 9 when Mo Ran scolded the sleeping Chu Wanning. He called Chu Wanning a donkey hoof (lol) and this is actually an idiom to scold someone who is disloyal and unfaithful in love. The puzzles came together when the undead Taxian-jun showed up and immediately went after Chu Wanning (and not Shi Mei). He believed Chu Wanning used his death to hurt him and was angry at Chu Wanning for leaving him. This is the resentment Mo Ran 1.0 carried over to the next timeline. He hated Chu Wanning for abandoning him. This is solidified in chapter 262 by the undead Taxian-jun pleading to Chu Wanning:

“Don’t betray me” “Don’t leave me the second time. The first time you left, I could choose death as a relief. This time, even death is not an option any more… I won’t be able to bear it…”

So there it is! I hope this blog brings some new information and feel free to discuss! Let me know if you have any questions for me ＼(￣▽￣)／

Disclaimer: Plenty of this is my conclusion drawn from the already ambiguous original text and various translations. Unless Meatbun says it, it’s not canon. I am looking at the novel in three different languages so I might have made some mistakes. Pls forgive. Also, I am not making excuses for Mo Ran 0.5’s actions nor am I justifying the abuse in any way. Chu Wanning never said Mo Ran 0.5 was innocent of these crimes nor will I.

#2ha #the husky and his white cat shizun #chu wanning #mo ran #mo weiyu #ranwan #taxian jun #chu fei #erha #husky is dumb but husky tried his best

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the-fiction-witch · 3 years

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Books

TV SHOW: THE QUEENS GAMBIT COUPLE: BENNY WATTS X READER RATING: FUNNY + FLIRTY

I walked down the half broken, foul smelling new york streets. Hearing my heels clacking in the pavement as I walked, the swishing of my petticoats and my dress, the small sun trying to peek through the thick grey clouds. I put my sunglasses in my handbag as I arrived at the tall buildings I saw the beaten up beetle parked in the street and the small handful of parking tickets it had under the wiper blade so I picked them up and sighed turning to look down into the ever stretching darkness of the stairwell. I stepped down trying not to touch the handrail to the first level of little doors with some lights and then down the second stairwell into the dark nothing's, it smells like shit down here.

I got to the door trying to not touch the gross walls tapping in the door as hard as I could hearing the metal echo through the basement.

The door opened tenderly and careful a first as if trying to peak before it opened fully revealing a barefoot, Benny watts. Stood in his black dirty jeans where he'd clearly wiped his hands down his legs for some reason, his black t shirt with his usual chains, his hand fixing his hair out of his eye with a small smile on his lips

"Hey you"

"Hey" I smiled briefly stepping inside, as soon as my foot crossed into his apartment he put his hand on my waist and gave my cheek a kiss "move your car" I told him pushing the tickets into his chest he took them and I headed inside slipping my Jacket off and laying it over the chair

"I'll move it in a bit" he says "coffee?"

"Tea" I Answered "extra milk t-"

"Extra milk two sugars I know" he laughs going over to his kitchen setting the tickets down in a forming pile on his kitchen counter

"You should pay them"

"I should do a lot of things"

"Pay your parking tickets Benny"

"Suck my dick y/n" he says leaning against the counter looking at me crossing his arms over his chest "we both don't do what the other wants us to"

"You make me suck your dick I'll bite your cock off" I sighed sitting at the table

"I know, I still have the bite mark from Last time" he sighed bringing the cups over sitting across from me with his coffee instantly I took my little hanki from my handbag and cleaned the top of the cup seeing the white cotton turn grey

"What is it Benny? What did you summon me to the slums of new york for?"

"Oohh sorry, next time should I request an audience at mi lady's palace?"

"What do you want Benny before I pour this tea down your pants"

"I need your help"

"... Hu. Never thought I'd hear you say that but go on"

"I need your help with something that only you can help me with"

"Right…"

"I wanna write a book"

"A book?"

"Yes"

"What kinda of book?"

"One with... words?"

"No shit. Fictional or non fictional?"

"What's the difference?"

"Fictional is a story, non fictional is real life."

"Oh, non fiction"

"Okay, do you have a plot structure"

"A who what?"

"What's the plan for the book Benny?"

"I shall write it. And then I shall publish it."

"Did you wanna edit it somewhere in the middle there?" I laughed

"Eh, you can do that"

"Okay… so lemme guess this is a book about you? Or about chess?"

"Little I'd both"

"Who's publishing it?"

"Me?"

"Ohh so you have four thousand dollars laying around do you?"

"What!"

"If you wanna self publish Benny, the basic level is four thousand dollars and that will get you local distribution if your lucky which is about five states out if that."

".... Uuuughh, I'll publish through a publisher? Your publisher?"

"Eleanor doesn't take non fiction"

"Then she has to know someone who does? Right?'

"She does but then have to pay for meetings which cost roughly fifty bucks per ten minutes, and you have to get an approved manuscript before they'll even meet you, and even though a publisher for international you’re taking nine to ten thousand. Dollars."

"Uuuuuuughhh, wait. It's a chess book so I could get funding for it from the chess federation"

"Maybe, but then they are going to need to approve it first, and the send to a publisher willing to carry it, and then designing, and editing and printing and stocking which could take over five years"

"Five years!"

"Yep. The novel world is a slow one Benny" I said "besides that's all publishing stuff, you can worry about that when you have a manuscript"

"A what now?"

"Manuscript is like the… actual book pages and all the words that will be on them"

"Ohh, well that shouldn't be too long, bang it out over a long weekend or something"

"You think you can write a book manuscript over a long weekend? Three days?"

"Yes"

".... Okay, so you wanna write a book? Which for non fiction about chess really a good level would be five or six hundred pages minimum, your going to get it written, edited, and ready to send to the chess federation for approval by Monday morning, even though they might reject it or just plain not fund it, you'll be already one thousand dollars in the red, before you add shipping, handling, copywriting, paying me for editing because I ain't doing that shit for free and as it's currently four pm on a Saturday afternoon and you haven't even writen a word yet"

"Oh."

"Yeah. Oh."

"How long did it take you to write your book?"

"Six years, in and off with a full time job and without an editor"

"I'm fucked aren't I?'

"Not fucked Benny. Overambitious" I laughed "do you have a title?"

"No."

"Do you have a synopsis?"

"No."

"Do you have a typewriter?"

"I was going to write it by hand?"

"With your handwriting?"

"What's wrong with my handwriting?"

"Benny, it looks like a spider learnt cursive and then got drunk"

"I don't own a typewriter. May I borrow yours?"

"No. Buy one"

"There like sixty dollars!"

"I will buy you a pre-owned typewriter"

"Aww thank you sugar"

"How are you intending to pay me for being your editor?"

"... Royalties?"

"Awww Benny darling, if you sell your book for a dollar each you'll be lucky to make 25 cents per book in royalties, less if you go though a publisher, and even less if it's being funded by the federation… you'll maybe get about six pennies if your lucky" I explain

"Then how the hell do you afford your car? Your house? Your dresses?"

"I sell alot of books Benny"

"I'll give you three pennies if my six pennies royalties?"

"Of your not yet existing book? So I'm just meant to wait and see if I get paid?"

"I'll bake you a cake?"

"You can't cook Benny"

"... I will eat you out?"

"No deal"

"I promise you half of all royalties, editor credit and I'll fuck you as much as you want, now will you please just help me?"

"Fine. I'll be needing a deposit payment" I said

"Alright, you know where the bedroom is I'll finish my coffee and be there in a sec"

I sat on the leather chair looking at the handwritten chapter structure Benny had given me "Benny?"

"Yeah?" He asks slightly jumping where he had been sat for so long at his table with his notes and the old typewriter I got for him trying to figure out how he loaded paper in it

"What is this word?"

"What word?" He asks

"The something with something"

"Which chapter?"

"Four?"

"The faults with defense"

"That is how you write an s?"

"Yes"

"... How do you not write an s right it's in your name?"

"No it's not?"

"Yes it is"

"B. E. N. N. Y. No s there?"

"Watts?"

"Ooohh yeah"

"You fool"

"Also, does this have a E?"

"No."

"And how am I meant to write a chess book without the letter e? I sort of need it? Chess. Defensive. Queen. Benny."

"Antidisestablishmentarianism"

"That's a word?"

'"yep"

"Can you use it in a sentence?"

"Screw you bitch I can spell antidisestablishmentarianism"

"A.n.t.i.d.i.s.t?"

"Nope"

"Damn it" he sighed "but I need e how am I meant to write chess without an e?"

"Write an o and then draw a line in the middle?"

"Fine" he said starting to type one key at a time "Openings… and… tactics… by… Benny… watts" he said but the typewriter had got to the end of the spool "y/n! Why won't it type!"

"Benny just… ughh come here you child" I sighed getting up going over and moving the spool back to the centre so he could write "there. You have to do that at the end of each line"

"Really?"

"Yep. Isn't writing fun" I smiled kissing his head

I sat listening to the clicking and clacking of his typewriter keys, sounded like music to my ears in his quiet dark and cold apartment

"Fuck!" He yelled breaking me from my relaxation as he stopped

"What?" I asked

"How do I undo?" He sighed rubbing his eyes

"You can't what happened Benny?"

"I typed porn instead of pawn" he sighed resting his head in his hands

"You fool" I giggled "you wanna know how we fix mistakes Benny?" I giggled going over wrapping my arms around his neck

"We we write the whole page?"

"Nope. White out" I smiled handing him the shall bottle

"Fuck! That smells like paint"

"Ehh pretty much is"

"Thank you y/n"

"Your welcome" I smiled giving his head s kiss "call me when chapter one is done I'm going for a shower"

"Uuuuhhh… yeah I'll do that" he says not sounding confident

"How close to finished are you with chapter one?"

"Uuuuuuuuuuuuuuuuuuuuuuhhhhhhhhhhh… next week sound good?"

"And you could bang out a whole book in a weekend" I laughed sitting back on the chair

"I said I'm sorry! I didn't know it was this hard" he says

I sat the other side of the table with my lovely blue pen, my leg over my knee, smirking slightly at him as Benny sat on the other side his hands to his face watching me Intently, panic in his eyes everytime he saw me use the blue pen, which I was having to do alot.

"Here" I said throwing it back to him now I was done "you should probably re write that's a little too much editing for white out watts"

"What's wrong with this?" He asks as he looked over the page

"You used the wrong there"

"I hate you. Beyond words can express."

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ruleofexception · 2 years

Note

Ok so! For fic questions I was wondering 1) what are your top three favorite fics that you have written (are writing/wanting to write)? 2) What fic of yours has hit you MOST in the feels? 3) And what fic of yours would you consider the FLUFFIEST :3? [small question: but any specific headcanons or extra thoughts you wanna dash on any of your fics? :3] Hope this is okie!

Ohhhh! Of course! This is more than okay <3

All great questions. Okay. Uhm...

1) Top three favourites would probably be:

- The Fall of the Crown rewrite! I actually look forward to Saturday nights now, just to post the next chapter haha. I do still need to wrap up the final chapter/epilogue, but am finally done editing the last few chapters (we're up to a whooping 227K)!

- Unheavenly Creatures! I. Love. This. Fic. It's easily one of the ones I'm most proud of. And I have a lot of fun when writing it. I'm so excited for FOTC to finally wrap itself up, so I can dive into this one and do it justice <3

- If my brain ever gives me more than just random shenanigans for Life Eternal, I would love to continue this one. But, until I figure out a plot I'm happy with, this'll be one of those fics that sits on the back-burner with the rest of my poor drafts. So many pots on the stove. All of them burning.

2) Most feels:

I have exactly two fics that have made me cry while writing them: Sword & Bauble and Fall of the Crown. S&B for the obvious reason (I legit cried my way through writing ch 1 and the only reason I could keep going was because I just kept muttering that it would be fine. That I would fix it). And you've yet to see the scene that made me cry in FOTC (and as it's not until like, ch38, you won't see it for a while lol). But I definitely teared up and had to walk away and make myself some tea (hahah), because it was hitting me right in the feels.

3) IT’S SO FLUFFY!

I'll be honest, I rarely write strictly fluff-fics, so this was difficult. If we're talking ‘long-fic’, with the most fluff rot-your-teeth scenes, I'd probably say All These Years or Forgotten. One-shots/drabbles might be Names or this prompt from Joanna's bday a few years ago!

And small the headcanon question is below the cut because I have no self control and wrote you a novel.

Headcanons that I like (or make frequent appearances in my fics):

- One that is pretty much canon at this point (and is repeated in almost every fic I can squeeze it into), is that Obi is a cagey mofo who does not trust or like having people tend to him. Like, he won't tell anyone that he's hurt. Ever. The only time he admits to being injured is if someone notices. And I think that it takes Shirayuki a long time and a lot of bribing to get him to confide in her and for her to be able to properly treat him. I fully believe that at least some of their time in Lilias has been spent with Shirayuki chasing after him, offering to buy him dinner or a drink, if he'll just sit still long enough for her to examine whatever injury he's managed to get while he was training (eventually it gets to the point where he's comfortable enough going to her with injuries. But also, he may have started associating having her patch him up, with having a belly-full afterwards lol. Obi's brain: Get healed. Get snacks. More time with Shirayuki. It's wins across the board.). And as much as I know Obi trusts Ryuu and thinks him a good pharmacist, I don't think even Ryuu is able to treat his injuries like Shirayuki can (if Shirayuki isn't around, and it's not that bad, he won't go seek help. The most he'll do is like, slap a bandage on it and call it a day). Which means I am also convinced that the reason he didn't pull away in this scene:

was because 1) they weren't even meant to find out he was hurt, 2) he had an audience (Zen would have been even angrier with him, if he'd pulled away and refused treatment) and 3) this was more for Shirayuki than it was for him.

He's not that hurt. He'd have just left it to scab over and do its own thing, if he was the only one who knew about it. But he lets her do it anyways, because it makes her feel better that he has a bandage.

- Another one that's basically my canon lol... Aside from maybe Garrack or Lata, Shirayuki is the most colourful and casual curser. She doesn't usually curse loudly (like Garrack does) or mumble curses at or about people (like Lata), but she does curse, almost constantly, under her breath. Spills an ink-well? It's just five minutes of her muttering 'fuck' and 'shit' as she tries to clean up the spill. She sees/reads something strange and unusual and it's a 'what the fuck' so quiet that no one else really registers what she's said. And I will forever believe that the moment, right before she jumps off that tower and into the water for Popo's bell, she just sorta shrugged to herself and went 'fuck it, let's do this I guess'.

- I also think that Shirayuki is the kind of person who has two anger settings: 1) Tread carefully or I will throat punch you with no hesitation and zero remorse, and 2) we got into an argument about paint colours and you said ‘I don’t care’, which is a bold-faced lie because clearly you do care, so I took every single paint chip from the store and now they’re tacked up on our wall until you make a decision.

- A HC I really like, but haven't really called much attention to or explored, is the one where Obi is colourblind and that's why he's so hum-drum about her hair. Because her hair isn't anything (for him at least) to bat an eye over. Like, he knows it's red, because people keep telling him that. But that, in no way, defines who she is to him.

- Recently I’ve been vibing with the HC that Obi wouldn’t kiss Shirayuki (especially a first kiss) when they’ve been drinking or are intoxicated. He wants to. And he definitely thinks about it. A lot. It may even come close. But he doesn’t want to feel like he’s taking advantage of her, or have it be something she regrets come morning. If there’s going to be a drunk anything that happens between them, Shirayuki is the one who starts it and any chance he gets, Obi just keeps asking her if that’s what she really wants and if she’s sure.

- Obi didn’t win Shirayuki’s hair-bauble from that fight. I don’t know whether it was one of his few possessions from before (maybe it used to belong to someone important to him) or if he purchased it beforehand JUST for her, but a I don’t buy it for one second that he was fighting some thug and the winnings just HAPPENED to include a hair bauble. He 100% used the fight as an excuse to give it to her.

- While I do really like and appreciate the idea that Ryuu doesn’t think of Obi and Shirayuki as his parentals, I refuse to accept it lol. In any fic, when I have the opportunity to have Ryuu call either Shirayuki ‘mom’ or Obi ‘dad’, I take it. They are his parents and I will die on this hill.

- Also, while we’re on the subject of Ryuu... there is a small part of me that likes the idea that Ryuu is Kain’s bastard son. I realize it’s probably a bit of a stretch, but I so don’t care haha. So, for your consideration: we don’t know much about Kain other than he died ‘tragically’ when Izana and Zen were still fairly young. After his death, Haruto took over for a while, but then she peaced out to the north because she was suddenly ‘allergic’ to the palace. Now. We all know and love the Crazed King Kain theory (basically canon lol). I like to think that Crazed King Kain knocked up one of the staff members and, in 9 months when this servant girl comes forward with a wholeass baby, saying that it’s his, Kain is actually thrilled, because yayyy! Another son! He wishes to go about actually having the boy legally recognized as his son and Haruto loses her shit (probably not the first time she’s caught Kain burying his dick somewhere it shouldn’t be, but definitely the first time his infidelity has sired an illegitimate - soon to be legitimate - heir that would feel no obligation or fealty towards her). So, Kain’s accident is no accident (hard to legitimize a bastard, if the king is dead and parliament is - for the most part - unaware of said bastard lol). The servant girl is dealt with. And Haruto basically gives the baby to Haruka to ‘figure it out’. Haruka opts for keeping Ryuu close (easier to control and monitor the child, when living near/in the palace - just in case genetics decided to make a mini-Kain). Haruka low-key freaks out the day that Ryuu starts asking around about what happened to his parents and tells Garrack that she needs to stop him from questioning or it’s the last question he’ll ever ask; Garrack just sits Ryuu down and tells him that his parents died, shortly after he was born (not a lie). And that’s the end of that. Eventually, when Haruto’s guilt catches up with her and she can’t stand to see Ryuu around the palace, she packs up and leaves, claiming allergies. The older Ryuu gets, the less like Kain he looks and the more freedom he’s given. ANYWAYSSSSS. It’s a bit like grasping at straws. But I like it.

- And we’ll end with a FOTC specific thinky-thought (I guess it’s sort of an easter-egg now?) that’s somehow both vague and spoilery? I actually hummed and hawed about including this in here, because we haven’t even seen this character yet, but aside from a few disconnected lines here and there, I don’t actually make reference to this scene (it really is just a nice little thought that lives in my brain rent free). So! That said, since FOTC is technically a canon-divergence fic, this canon scene with the roka harvesting would have happened. It is my delightful little thinky-thought that there is a specific FOTC character he’s mistaken Shirayuki for in this scene. Kudos to you guys if you remember this and figure out who it is.

And, there you have it. Some headcanons and thinky-thoughts I enjoy. I could keep going, I’m sure. But those are some of my main ones that, at this point, are basically canon for me ahaha

#my writing #obiyuki #ans #akagami no shirayukihime #writing #fanfic #fandom #<3 #thank you for the ask!#this was a lot of fun #and took a lot longer than I was expecting because I got super into it hahah #and in a shocking development that actually surprises no one.... I don't have a lot of fluff fics #I had to go digging for those fics and like... skim them to make sure they weren't going to go straight to angst #and even then I think that of the 4... the 'names' one is the sappiest (and also written forever and a half ago lol)#so many headcanons #so. many.

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dandylion240 · 3 years

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All of the story asks please :) (Character specific ones I'd say up to you, but would love to have them be Jonah/Cecil or my usual favorites ;) )

what’s the last screenshot you’ve taken for your story?

2. describe your story in three words or less

Family, Angst, Drama

3. describe (insert character here) in three words or less

Jonah - unassuming, brave sensitive

Cecil - insightful, supportive, caring

Evan - self-sacrificing, helpful, innocent

Jayden - protective, stubborn, active

4. how did you choose the name of your story?

I try to use titles that is kind of thematic of the story I'm writing. It takes me forever to come up with a name and sometimes the name changes multiple times before it gets posted.

5. how do you choose your characters’ names?

It depends upon the story. For my Reagan family stories (TS4) I use the parents names. It's kind of a family tradition. For instance Jonah/Ethan. All boys will start with E and the girls will start with J. In my TS3 stories I sometimes choose a theme for names and use that. Like next gen of NSQL the theme is nature.

6. how long have you been working on your story for?

Well it depends on the story. With my Reagans I started writing for them in the summer of 2019. For my TS3 legacies I started in 2014 I think.

7. whats the biggest risk you’ve taken with your story? did it pay off?

I think my biggest risk is my current story Into the Depths of Darkness. I wasn't sure I could pull it off and the story has changed from what I thought it would be and the hero of the story has changed from first conception. I'm happy that Jonah is the hero of his own story and it's given him so much character growth and he's becoming more of what I always invisioned him being. I owe a lot to @mahvaladara to how the story has progressed and the ideas she has contributed. It wouldn't be what it is without her.

8. what about your story are you proud of?

There are many things I'm proud. Mostly that I continue writing even though sometimes it feels like I'm ripping my heart out to write some of things I write about and also that I don't quit even when it's hard.

9. what about your story are you looking to improve on?

There's always things that can be improved. Writing is a process that the more you do it the more you learn and get better. I could say pictures but I'll admit the storytelling will always come first over pretty pics and sometimes I just can't find the right pose to fit. Maybe one day I'll be able to make my own poses but I'm not there yet.

10. is your story fully planned or are you still working things out? is there a definitive end?

It's a work in progress. I start writing from an outline of how I think the story should go but it's loose enough for me to rearrange things or remove/add things to it as the story evolves.

11. why have you decided to tell this story? are there any messages or meanings within it?

I just like to write. If there's any message in my stories it's that family is important and no matter awful things you might face in life if you have people who love and care for you that you can endure it. But mostly that you can rise above your circumstances and still be a healthy, functioning person despite everything even if you have a mental or health problems, you can still be happy, loved.

12. do you actually play the game or do you just use it as a storytelling medium?

It's mostly a storytelling medium for me. I do play it sometimes but tbh though TS4 lacks so much depth and gameplay I find it boring after a while. I've gotten into playing TS3 again now that I have a better computer that it doesn't lag as much.

13. from basic planning to a finished post, how long does that take you?

I don't honestly know. I've never stopped to consider how long it takes.

14. do you have any regrets about your story so far? if you could go back in time, how would you fix these?

No I don't think I have any real regrets. Sure I go back and think I could have written that better or edited that picture more but for the most part I'm happy with my stories.

15. what have been the highlights of creating your story?

The highlights have always been the people who become involved in my characters lives.

16. what about the process do you enjoy?

Seeing my stories come to life. How my characters change as the story progresses.

17. what about the process do you hate?

When I struggle to write a scene and it doesn't flow the way it should. It's generally because I'm coming at it wrong. Once I figure that out than it flows. Sometimes the seeming lack of interest in what I write from the readers is hard to overcome and I feel like quitting. But the few who comment I thank because that always revs up my motivation to continue.

18. choose a song that reminds you of your story

Just one song....that's really difficult say. There are so many songs out that fit my current story. This song fits Into the Depths of Darkness because where there's a lot of darkness there's still hope to be found.

19. choose a song that reminds you of (insert character here)

Ok I'll do this for Jonah - Fight Song

20. choose your favourite shot from your story so far

21. choose your least favourite shot so far

22. choose a favourite character from your story so far

Jonah is my baby. It may not show it by I love him.

23. choose your least favourite character so far

Hmm this is difficult because there were characters I created purely to be hated. Currently my least favorite is Ethan but it's not because I don't love him but it's because of his roll in the story.

24. are there any characters who remind you of yourself?

Not really. There are certain aspects of me in all my characters or people I know in them but none are an incert of myself.

25. what inspirations have you drawn on for your story?

There are so many. I draw inspiration from people around me. From movies and TV shows I watch. The books I read. Sometimes from the people I interact with on here mainly @izayoichan @mahvaladara @jenpants and @legendofsim They've let me bounce ideas off of them and their input helps me in my stories.

26. have other sim stories inspired you?

Yes they have. See above. All their stories have inspired me.

27. what genres would you describe your story as?

Modern fantasy drama??? I have no idea if that's a thing but it best describes what I write.

28. if you could reproduce your story in another medium (movie, novel, comic, etc.) what would you choose and why?

Hmm I'd say novel or maybe series. A movie would be cool too.

29. what would your story’s rating be? (G, PG, M etc.)

Hmm interesting I'd like to say its somewhere between PG-13 and mature just because of some of the topics.

30. if you were leaving simblr and had to choose another creator to continue the story for you, who would you ask?

I think either @izayoichan or @mahvaladara for my TS4 stories since they've helped me write some of them and they would keep true to the characters as they love them as much as I do.

For my TS3 stories I would say @legendofsim since for a long time our stories had been intertwined.

31. drop some random trivia about your story

Ethan was supposed to die trying to save Jonah

Caiden was supposed to have played the part of the hero instead of Jonah

Cory was going to heal Jonah's broken heart over the of Ethan.

But as they say the story changed...

32. give a light spoiler

Someone will be heartbroken at the end of the story.

33. recommend another creator’s story!

There are so many: @izayoichan @mahvaladara @nikatyler @justkeeponsimming @amuhav @legendofsim @simlit @lilyshadowwriter @wannabecatwriter

Please don't be upset if you weren't listed on here. I love everyone I follow but these are my favorites. I have others but some aren't active anymore and stuck with the ones I'm always waiting for the next installment, even if I'm behind on a few of them.

Thank you for asking!

#storyteller asks

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ais-n · 3 years

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hi!!! firstly i just want to say i LOVE ICOS with my whole being. i read it for the first time in high school abt 5 years ago and read it again over quarantine last summer and it drew me in and wrapped me up wholly, i couldn’t put it down. i love the story and characters so much.

i also love writing very much and have always written small stories, fan fiction etc., the past couple weeks i’ve felt inspired to write fiction of my own, a novel of sorts with my own original plot and characters, and i wanted to ask you for some advice/ words of wisdom.

how did you plan out the characters you wrote? or did you more just let them write themselves? and did you plan out chapter by chapter how the plot would unfold before writing, or again let it happen as you wrote it? i’ve found it easier for me personally to let things happen as i write, and that the characters do things and say things i never planned for, was wondering if you felt the same or if you were more organized lol.

also what platform did you use to write on?

sorry for the long post, i hope you’re doing well.

Aww thank you, that's so sweet! I'm glad you like it :)

Side note, before I forget to mention - I just made a subreddit for my writing/stuff which will include ICoS things... I'll be adding more info on there this weekend hopefully, and I'm sure I'll do another post over here too but the link if you want it is https://www.reddit.com/r/aisylum/ It may be a place to find some other stuff in the future if you think of anything. I was thinking of doing an AMA or Q&A type thing over there too. Obviously, always feel free to ask here too <3 I love either place. Just wanted to mention while I'm thinking of it :)

I'm so happy you've been inspired to write - good luck and great job! I think that sounds absolutely awesome and I bet your story will be fantastic :)

We kind of did a bit of a hybrid.... I really wish I had the original bulletpoint list for what the book was originally going to be, but "Sonny" and I had opposite ways of looking at things. "He" would delete things as we went, and I would squirrel it all away until later lol So "he" deleted a bunch of bulletpoints/early info as we went because neither of us actually expected anything to come of any of it, so I also wasn't super anal about keeping track of things way early on. I might still have some documents buried somewhere with info but offhand I don't know where.

Anyway so I kind of am more like you in the way you write, but I will sometimes make the effort to try to plan a bit, especially if there's a cowriter. For ICoS for example, we had a rough outline planned of what was going to be the story, we started writing, we let the characters/plot/etc go where it needed to go, that meant things we hadn't planned from the start came in. The original story was basically mostly Evenfall, then skip Afterimage and Interludes for the most part but not entirely, and then we didn't really have a hugely detailed end initially from what I recall but we knew generally what was going to happen, so some of the stuff from later Fade would probably have been in the bullets. But when we got to the end of Evenfall, whatever was our next bulletpoint just did not feel right; we knew all the other stuff that starts Afterimage would happen instead.

For my long ongoing LGBTQ+ fantasy series I'm working on, the first book is finished but I'm editing it to change/add some significant stuff. I have a whole bunch of info on that which I've compiled over the years, so to an extent I have a general idea of plot things that will go down in the rewrite and also in the future into the other books, but a lot of details and even bigger points are left untouched. I prefer to let the characters/story/world/plot go where it wants to go, and I just have general points that I know make sense or have to happen eventually, and I look for how to fit them in as organically as possible to the way the story is going. If that makes sense. I will occasionally try to really work out exact storyline bullets but I get so bored so quickly that I never finish.

Because I like world-building and character development, I actually find it more fun and more useful for my organizational skills (any that exist, anyway, lol) to be aimed more toward that. Rather than focusing on the story and what the plot will be and what character will say what in which chapter, I prefer to dig into the past of the characters, dig into the world, the magic system or whatever is relevant, and have that info all squirreled away somewhere if needed. That way, as I'm going forward with writing the characters/story more organically, if things are going around what I initially thought the plot would be, this gives me something to then pull from for inspiration on how to incorporate this new plot/etc into the world more seamlessly, and make it feel more at home. And if you have all that info on characters, it also makes it easier to throw in things that flesh the character out more, and that can all lead toward character development in the future.

Boyd, for example - when we first had the valentine thing come up, it was just going to be a thing that happened that showed their miscommunication and how fucked the Agency was. But then it didn't make sense to me for it to just be a thing mentioned once and never again. So then that added to Boyd's story; now he was a valentine, so if it made sense or it was relevant, that was a thing that could or should come up. As the story progressed and the world grew, and with that the Agency and other factors were more fleshed out, it became more and more relevant. Then, by the time Fade came around, it was fully integrated into Boyd's story because by that point it would be weirder if it weren't - and because it made total sense in the characters' perspectives and the different organizations' perspectives and the story as a whole for the things to happen the way they did. But all of that, of course, then informs Boyd's mental health, physical health, and overall stability. Which then affects how he interacts with the world and other characters, which then affects the plot to an extent because of the choices he would make that may be different now, in the context of these life experiences, compared to prior to those life experiences. If the valentine thing never happened in Evenfall, a lot of Fade would be different. When we had that coming up in Evenfall, we didn't know another book was coming at all, let alone 3, let alone that it would end up having such a significant impact on the story and character development. But that's just kind of an example of building on things as you go, which is what I tend to do, personally.

As for the program - in the beginning we just used Word I think, and talked on AIM or something. It's been so long I don't totally remember. But for most of it we used Google Docs because that made it easy to share and write/edit at the same time.

Also, haha never be sorry for long posts - as you can see, I will almost always go longer ^_~

Hope you're doing well too! Thanks for your interest :)

#ask ais #icos #in the company of shadows #icosbooks

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savrenim · 3 years

Note

hi hi hi. so I just got into the Hamilton fandom, I swear I am four years late where did everybody go, and, well. I am apparently a hamburr shipper. bcs that is my life now. anyway I saw your fic ifmlam and I swear it is my favourite of all the fics I've ever read (and trust me I've read literally thousands). I love it so so much, how do you write fics like that??? I cried about four times during the whole thing, I stayed up till 4am reading it even when I had to wake up at 7 because it is just. that. good. I could not stop thinking about it for days afterwards and ifmlam has just ruined me. I can't think of listen to Hamilton without thinking of ifmlam anymore.

on to my qursttion: is it abandoned? of course it's perfectly FINE if it is. don't let anyone tell u differently, your fic is YOURS and u are amazing.

but pls I really need closure from ur fic, it has been haunting me if its abandoned or ongoing and I've read ur other fics and they are just chefskiss and thank you so much for writing them all. thank you thank you thank you, I will never be able to thank you enough for writing this fic and for everything it's done for me. I am probably thousands of miles away but I am sending you virtual jugs through a co.puter screen right now.

(don't feel pressured to reply to this or update it flam, I know how overwhelming it can get with so many messages and after a while u get desensitized to it. u can literally reply "thx. itfmlam is abandoned" and I would still be amazingly star struck. anyway has gotten way too long and I need to sleep and I'm sorry u probably won't see this so I'm just talking to myself right now but bye!!)

and thank you so so much for writing itfmlam.

aaaah hello anon!

thank you so so much???? I am so??? honored??? that ifmlam rates so highly to you, and also that you've read my other fics??????

the answer to the "is ifmlam abandoned" question is probably the worst possible one, which is pretty much "I do want to finish it, both for the folks that still want closure as well as it bothers to me have abandoned projects that are in the public eye/ already partially published, but also, it is last on my current writing projects list"

my current actually active writing projects list, kind of in order of priority, is

I'm literally three chapters away from being Actually Fully Done with the not-quite-first-not-quite-second let's call it 1.5th draft of an actual?? full?? original?? novel?? Opus which of course then goes out to beta readers and then gets who-knows-how-much edited and then maybe beta readers again if a lot does change and then a copyeditor my mom, my copyeditor is my mom, and maybe my little brother he's one of the betas but is very good at catching typos and then I!!! get to publish it!!!! which is the single thing I am most excited for!!!!!!!!! this should be closed up in the next week or two, and then take a while for people to actually read the draft and get back to me.

I really desperately want to finish my open-but-like-90%-written fic, which means we raise it up, the final chapter of to the bottom of the river bc I realized that it was kind of incomplete, and the second chapter of a buried and a burning flame because any more work there will need to wait until the author publishes the next book in the series. this should be closed up in the next month or two.

Speedwrite the draft of the second book of the Opus series so that hopefully by the time book 1 edits are happening, I have an almost complete draft of the second book. this is mostly me side-eyeing myself about taking nearly four years to write the first book, but that is solidly in part because I had so many other open projects which point 2 is about clearing that docket. this should be done in the next year.

And then just have my major projects be, at least until books 1-5 are written and published, books 1-5 of that because that is arguably the first major 'plot arc' of the series, so if I'm looking for a pause point on writing, that's probably where to stop.

There are two or three other short side projects (a weird fun second person short story tentatively titled witch-queen, a collection of four short stories Memoirs about a not-so-evil necromancer and the shenanigans he gets up to trying to rule a kingdom, working title Perfectly Normal Recipe Blog which is a collaborative project about a perfectly normal recipe blog that definitely doesn't include anything out of the normal) that will happen when they happen

There are other projects that are on the backburner -- The Numanok Files, a series of probably 12-15 short novellas about a mercenary/ bounty hunter esque person in space whose specialty is dealing with hauntings, but, like, 80% of their jobs is actually "you are effectively a space home inspector pointing out faulty wiring reacting to solar flares/ there's a weird alien fungus/ it's carbon monoxide okay change your atmosphere filters" and 20% of it is punching ghosts; there's a post-post apocalypse novel that I want to write that I know characters and general pacing and half the setting but need to work out the other half and figure out how much aesthetic I want to commit to; there's Strangeside7 aka spacerace book that is my reaction to how much I love how Redline the anime movie commits itself to "no we are about a race, like 60% of the screentime is just fully going to be an utterly ridiculous sci fi space race"; there's even a ridiculous YA trilogy that I would have to completely transplant the setting but might end up writing because the interplay between angel-physics and physics-physics was one of my favorite things in the world. and I guess the weird ridiculous technically a sequel series to ifmlam that was going to be published as original books that was basically me having fun with 'okay I fucking love star wars prequels old rotting space bureaucracy galactic republic style' except with seers and that also still might happen because it does have some of the coolest sci fi concepts and honestly I thiiiink that's all?

but the tl;dr of that timeline is I'm trying to finish a punch of projects Right Now, so that I can write books 2-5 of Opus, and then when I'm done that (which honestly, my average fiction-writing output is close to 100k a year. if I'm concentrating purely on one project, and writing books that are about 100k, we are talking four years. although my job situation is super up in the air in that period and writing might get put solidly on the backburner as I try to make it in academia, so ¯\_(ツ)_/¯) I will re-evaluate which projects go next, and that's when ifmlam is likely to come up for review.

I do not have any expectations that I will make it as an original author. I'm planning on posting all of my stuff online for free, but, like. it is incredibly difficult to convince people to try out even a piece of free and easily accessibly original work even if one has a huge following, I am a very small fanfiction author, and from what I can tell the majority of the people who are interested in my work are mostly interested in me finishing ifmlam. writing is a hobby for me, and while I'm writing mostly for me--and hence the for me bit at least for the next five years is pretty solidly going to be this series that I am deeply excited about and have sunk my heart and soul into every single aspect of--I'm human, and I don't really like shouting into the void, and I expect if I spend five years publishing to absolutely no response I will either stop writing for a while and do other things gods know my life is busy enough, return to fandom in general to write some other fanfic about whatever I get deeply into, or return to a work that I actually get response to. so ifmlam will probably start getting worked on a bit at that point one way or another. unless, of course, we are in the incredibly rare timeline in which I do make it as an original author, there are people who are deeply hyped for my original works and an actual demand for them, in which case as you may have noticed there are enough ideas there to keep me busy for a decade or two, and they will just get my full attention instead of fanfiction*. in this timeline, I will do what I was considering doing a few years ago, which is officially declare ifmlam otherwise abandoned and make one more giant chapter update which is a full and cleaned up outline of what I was going to write, interspersed with the scenes already written, and have ifmlam be given at least that closure.

*I want to make it clear that I very much love fanfiction and am proud to have been a fanfiction author and in my heart of hearts would keep writing it forever, I just also have a lot of ideas for characters and settings and magic systems and Aesthetics and I have been biting at the bit to write something that is //mine// and all mine and only mine for a while, I don't see original work as superior so much as there are a dozen fandoms that I am currently in and bursting to make content about except oops these fandoms currently only exist in my head, and I want to correct that

of course given how much as writing is my vent activity and I write what I'm in the mood for, there's a chance I'll feel ifmlam cravings before then, just... expect it to take a couple of years for an update, but also for there to be an update one way of another in a couple of years? but as for right now, I'm turning to original writing, because that is what brings me joy.

but I am really deeply honored that it brought you so much joy!!! and while I will never publish spoilers in a public place, if you message me off anon I am perfectly happy to give a run-down of my current plans for the ending, bc I know "wait a couple years and see" is not the most satisfactory of answers! and hey maybe you'll be like me and once you've given Opus a try you'll decide you like it better too, it does have Seers although they are deeply different Seers than in ifmlam but imo it's very gay and fun and at least politics on one side

#my life #my writing #ifmlam

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aelaer · 3 years

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Re: Blood in Your Veins

Hey so uh.

As anyone who’s been following me for a while knows, I started the serial “The Blood In Your Veins” about this time last year (it used to be ‘my veins’ but retitled it on its move to AO3 because execution of prompt had changed a bit over writing). It’s a prompt that I couldn’t stop thinking about and just dabbled in slowly to see where it went. Then 2020 fully hit and my writing came to almost a complete stop until about October, which is when I began again on Illuminating the Shadows, which was finished and posted in December.

Anyway, I’ve been poking and prodding fairly continuously at The Blood in Your Veins. The first four parts that I posted originally here on tumblr are now all on AO3, and once part 5′s up I’ll link it here and link everyone who wanted alerts to the updates then so they can see the new part. Then all future parts will be linked here as well.

(Cut because why the *hell* did I write this much about this?)

I’ve been slow in posting because I, against better judgement but why not, decided to post it as a WIP. But that means I keep on making edits to older parts because I think of something new that should be addressed earlier in the story. Like uh, when I was writing part 9, I realized I needed to go back to part 5 and add an addendum. When I was writing part 12, I realized I totally forgot a part that I ended up adding in part 8, because I needed it for a future connection. This happens all the time in my writing and makes posting WIPs almost dangerous because my thinking is rarely linear if the story takes place over a course of more than a couple days. Thus the very slow posting.

So this silly little prompt thing that I was just prodding and poking at to see where it went? The farking doc passed 50k words tonight. Yup.

Granted, like 10k of that is probably outlining, personal notes, and A/Ns filled to the brim with meta, medical science, fake science, and technical/computer engineering because I love talking about it and giving people info to access easily for their own knowledge. I figure I can’t be the only one who finds this stuff super fascinating and fanfic makes it unique in that it’s not a book where the research is irrelevant, you can show off all the interesting stuff right here and talk about it with people! I love that about fanfic, so much. Sometimes the A/Ns are just as interesting as the story in some stories.

So it’s gonna be a bit slow for however long, but I finished 11 parts (with 10 betaed), have the 12th largely written out (though I’m not 100% sure about it yet so I want to poke at it more), and parts uh, 13 to 17ish outlined. But considering I was like “yeah this is 8 parts at most” like, at the beginning of this, that number is bound to change because characters keep saying things and doing things (including the supporting OCs, who are demanding to be fully fleshed out within the bounds of supporting character roles).

And yeah, this is just a ramble of what I’ve been mostly doing as I haven’t been super active on tumblr this month as this has consumed most of my free time. I haven’t read a lot of works either, and once this is completed I hope to remedy that, before I go into my next two big projects (which were meant to be what I was working on *now*, but then this took over and what will you do. I’m not sure if I’ll be able to complete three novel-length fics in the course of the year, but I’ll see what I can do. I really want to tell these stories).

Uh, this was really long. Sorry, I’m super verbose and don’t know how to be like, succinct. My old boss, two bosses ago now, used to quote Twain about brevity being a sign of wit, but if it is, call me 100% unwitty because I like to ramble. And then I always feel a little bit guilty for writing *so much* about my bullshit, so I feel like if you read this far, you 100% deserve to read a preview of an upcoming section. Especially since you pressed the Read More button! So here you go, thanks for reading my rambles. This is a section from the longest part so far, part 8. It’s a long little bit!

---

"How high's the toxicity now?" Tony asked as he stepped off the scale.

"Yesterday's blood sample came back at 0.45 milligrams per kilogram of your weight," Stephen replied. He snapped on a pair of latex gloves.

Tony offered his arm for the blood draw. "And if 3 milligrams is the magic number for fatality, that'd put my current blood toxicity at 15%."

Stephen inserted the needle at the crook of Tony's elbow and watched the tube fill up. "That's not quite how it works."

"It makes sense to me."

"That's still not how it works." He removed the needle and capped the tube, and as he put everything away, explained, "Saying that your blood toxicity is at 15% implies that you're talking about the whole volume of blood in your body. You're probably at about 5,500 milliliters with your weight, and with the density of blood equaling about 1.06 grams per milliliter, it is like you're saying—"

"That 874.5 grams of my blood is toxic, yeah, yeah, I know," Tony interrupted. By now he was setting up the table for their breakfast.

"I was getting there."

"You were going too slow," he shot back easily. Stephen gave the engineer a look at the comment, but Tony ignored it. "Yeah, I know it's not my whole body's blood volume. Obviously. But putting a percentage on how long until I reach the point that I'm dead makes sense to me. I'm not measuring the whole volume of my blood, I'm measuring how much more can I handle until I'm dead."

Stephen shot him a frown. "It doesn't make sense to call it 'blood toxicity' then."

"Maybe not to you, but it does to me. And I'd design such a measuring tool for me."

The statement caught him off guard. "Design?" He finished packing up the kit and joined Tony at the table.

"Well, if I wasn't stuck in here, I'd design something to automatically read a blood sample, like how glucose meters read blood sugar levels. Wouldn't be hard to engineer something like that. And I'd have it give me the amount of toxicity as a percentage relating to how far along it was until the amount was lethal. Sure, I could memorize the numbers, but the percentage would be more concrete in my head."

Stephen smeared butter over a piece of bread as he listened. He shook his head at the end of Tony's explanation. "Wouldn't work for the consumer market; there's too much room for interpretation as to what the percentage means."

Tony huffed. "Well, like I said, it'd be for me. Not the consumer market."

His brow furrowed. "You're telling me that you can make a blood test as simple as the one used for testing blood sugar levels for something as rare as palladium poisoning?"

He narrowed his eyes. "... yes…"

"You can make it portable like the glucose meters?"

"Yeah, of course."

"And affordable to most hospitals?"

Tony looked up in thought. "I don't usually factor in the costs of materials and manufacturing in personal projects, and others do the number crunching to see if my ideas are viable for production in company projects. If they aren't, but I really want them to be, I'll tinker a bit more, sure."

Stephen couldn't believe what he was hearing. "Do you realize the amount of money you could save for both hospitals and patients across the country with such technology? Specialized blood tests—like for many metal poisonings, for instance—aren't offered at every hospital. It may not be available even in every state. Those types of lab results can take weeks to get back to a doctor and the patient. And you're saying that you can not only potentially create this type of technology, but that you may be able to make it affordable if you really want them to be?"

"Well yeah, sure. I've done it a few times with other things. I could probably do that with a blood meter thing. I doubt the tech's that complicated."

His mouth was partially hanging open, Stephen realized this, but he couldn't bother at the moment. He was flabbergasted. The first thought that came to mind went to his mouth, unfiltered. "And you spent the last two decades building weapons."

"Don't." The word was sharp and filled with an overabundance of emotion.

Stephen fell silent. He crossed a boundary he had yet to see before now, and he was not so callous as to push against it. Instead he turned to his meal and focused on eating. He avoided looking at the other man.

A couple minutes later, Tony spoke again. It was low, pensive. Thoughtful. "There was a good reason I shut down weapons manufacturing after I got back from Afghanistan, you know. If the department ever comes back, it will be with major restrictions and modifications. Likely more defensive than offensive. More shields, less missiles. But in the meantime I've been restructuring. Expanded in commercial aerospace and industry. We entered the energy market properly. Consumer products is coming soon—end of the year, probably." A pause. "Don't see why we can't look into medical tech, either. Certainly wouldn't hurt to try."

He could only nod and say, "It certainly wouldn't."

#my writing #my wips #fic snippet #stephen strange #tony stark #also why do my fics spiral out of control like this #i mean really

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