Tumgik
#i learned so much about photoshop
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Album of Horses (1951) written by Marguerite Henry, illustrated by Wesley Dennis
135 notes · View notes
chalkrub · 12 days
Text
Tumblr media
been doodling some bri'ish wildlife - love seeing these guys. because they are the classics aren't they?
534 notes · View notes
presiding · 5 months
Text
Tumblr media Tumblr media
you'll never guess which level we're up to in this dishonored 2 rewrite
#if i haven't stuffed up my timezones this post should land on thanksgiving so here's somethin' to read to go with your food coma#dishonored#dishonored shitposting#emily kaldwin#billie lurk#dishonored fic#interesting the way the resurrection was handled - rock up to aramis stilton's powerpoint presentation basically#does anyone else think it would have been cool if you had to do the duke's palace first.#grab delilah's mortality and give it back in the past. like while she's vulnerable#kind of makes sense too from an emily character perspective#because she shows SO much character growth in stilton's manor#and then goes to the duke's palace next and IMMEDIATELY says the dumbest shit she says all game re: her entitlement and obliviousness#stilton's manor: wow ive learned so much i finally get it now!#nek minnet. emily misunderstands class warfare so bad she thinks she needs to sharpen her dads folding blade. emily. no#and if you think about it the duke's palace would have made a lot of sense for an earlier level just from emily's perspective.#hes very clearly her enemy compared to meagan's vague idea of where sokolov might be. a darker timeline perhaps#lovely Off_Topic mentioned hating time travel as a plot device and i have to agree. here's my take on that level anyway#also big thank you to RoseEll (<3) for saying it parallels the limitations of the game's mechanics interestingly ♥#using this meme template was like. 'oh hey lingering hatred for jeremy clarkson i forgot i had you'#making the badly photoshopped heads too big. my beloved.#ah crap rambling again
60 notes · View notes
crossbackpoke-check · 4 months
Note
Hello, im wehaveagathering from my main blog, im kind of obsessed with your hockey poetry edits and I think your blog is great! I guess I kind of have a dumb question, where do you find the images you use for your edits? Did you say Getty in your tags?? I’ve gotten into making icons recently (and i have ideas for poetry edits hrrrghhh) but it’s hard to find high res images. Thanks for your time and I hope you have a nice day :)
first of all thank you so much 🥹 and second that’s absolutely not a dumb question!! i do pull a lot of images from getty and i’ll also download pictures from sports articles (i got a lot of the hugheses pictures from online access articles, for example), or sometimes from instagram/facebook/twitter if an account is public. freely admitting that i am not technologically advanced? inclined? in the slightest here, but the image editing software that you use and how you import/export photos with it makes a difference in the quality of them as well!
if you haven’t seen them yet, i would also recommend checking out @simmyfrobby @national-hockey-lesbian @hauntedppgpaints @tapedsleeves @starscelly and @captainbradmarchand’s blogs just off the top of my head!!! they might know more places to get high res images and also i love their work 💕🫶
#sorry can’t type hands all butterfly hearts i’m just out here like 🥰🥰🥰🥹🥹🥹😭😭😭💕💕💕#@ everyone i tagged ty i love you i hope you don’t mind the tag 😘 also i KNOW i am unintentionally forgetting people so tag them at will#forgive me i am eepy. we are running on <4 hours of sleep and over 18 hours awake 🫡#liv in the replies#join the club!!! join the club!!!!! we love the hockey poetry edits!!!!!! i’m so excited to see what you create!!!!! :)))))#the process of me finding images is very much like. either i have a vision in my head and i troll getty looking for it or my screenshots#if i know i have one l m a o but either way i am always 68 pages deep in a hyper specific search labeling my photos like ‘ohHHH buddy’#‘menace 1 abd 2’ ‘but he’s not a cup winner’ ‘ohhhh the nolpat media scrums are rich earth’#‘because WILLY WON’T CUT HIS HAIR’ ‘deJA FUCKIN MILK BAYBE’ ‘is it truly sn edit if u don’t find a devastating baby pic’ ‘yes MF last line’#and so forth. like. glad it’s comprehensible to ME but if anyone else ever tried to use these photos based on file name alone i am so sorry#also i forget that y’all can’t see all of the metadata notes on photos to know where they’re from :/ i gotta be better abt making it clear#also on the note about image quality i just need to state for the record i am so photoshop whatever illiterate.#i learn one (1) new trick on GIMP a year maybe two if i am lucky & no i have never figured out consistent sizing 🫡 but the one hack for res#i HAVE figured out is that when i do edits i usually make a whole doc w/the poem lined up on it (helps me keep somewhat consistent sizing)#and then i export that document as a pdf and edit the pdf in the software instead of trying to screencap or jpeg or anything. PDF quality >#that is probably so convoluted lol if anyone has tips please lmk i am always learning#ANYWAY. rambling u did not ask for but is inherent to Me.#have a great day too!!!!! you literally made mine so 💕😭#wehaveagathering#indecisor
9 notes · View notes
little-peril-stories · 3 months
Text
Character Backstory Playlist Tag
I was tagged in this post by @mysticstarlightduck. Thanks for the tag!
Rules: Pick 5 songs you feel represent/inspired your OCs' backstories, or just otherwise fit their past's vibe/aesthetic. Choose as many or as few OCs as you want.
I'm leaving this an OPEN TAG - please play if you want, and let me know if you do! 💕
Tumblr media
So I did once make a playlist for The Prince of Thieves (find it here), but it is a typical WIP playlist - not backstory-focused. (I *did* steal a few songs from there, though.) So this was a fun challenge!
Tumblr media
Will and Jamie Wardrew
Tough to be a Dreamer by Felix Hagan & The Family
I built my castle on broken dreams, and as time goes by, I must admit it seems that I was sold a lie.
In the Meantime by Randall Kent
You’ve got a friend when times get mean; yeah, in the meantime, I’m on your team.
Same Suit, Different Tie by The Maine
All done up in my hand-me-down clothes, shaking off the dust and assuming a pose. Well, these threads are so old, but they'll never know. No one will ever know.
Is It Really You? by Loathe and Sleep Token
Face away, deal with the pain your own way.
Some Days by Brent Morgan
Some days I'm overwhelmed. Some days I'm lost inside this hell.
Tumblr media
Bree Cooper / Breanna Hatchett
Sleepless Nights by Faber Drive
Put yourself in her position; all she needs is recognition. Love's not enough when you say it. Don't you know you gotta mean it?
Because of You by Kelly Clarkson
I will not make the same mistakes that you did; I will not let myself cause my heart so much misery… I was so young; you should have known better than to lean on me.
Running Away by Midnight Hour
I'll never let you find me; I'm leaving you behind with the past. No, I won't look back.
All I've Ever Known from Hadestown
I was alone so long, I didn't even know that I was lonely. Out in the cold so long, I didn't even know that I was cold.
(Un)Lost by The Maine
And you are not allowed to be anybody else. Control what you can and confront what you can't, and always remember how lucky you are to have yourself.
Tumblr media
Colette Meunier
Boulangerie by Recent Rumours
She's gone, she's gone, she's gone; she's not coming back.
The Man by Taylor Swift
I'm so sick of running as fast as I can, wondering if I'd get there quicker if I was a man.
mars by YUNGBLOOD
She can't be herself when she's somebody else... Do you feel like you're irrelevant?
Perfect by Simple Plan
Hey, Dad... Did I grow up according to plan? Now it's just too late, and we can't go back. I'm sorry I can't be perfect.
Safe by All Time Low
Gotta take your time, find your space.
Tumblr media
Geoff Marks
3 Hours of White Noise
Tumblr media
Bonus Songs
Jamie & Will: I Steal Everything from Twisted: The Untold Story of a Royal Vizier
Want food, but got no money? I’m screwed, or so it would seem… That’s why I came up with this brilliant scheme! Just steal everything!
Bree & Colette: What the Hell by Avril Lavigne
All my life I've been good, but now I'm thinking, "What the hell?"
Will: I Will Follow You Into the Dark by Death Cab for Cutie
In Catholic school, as vicious as Roman rule, I got my knuckles bruised by a lady in black, and I held my tongue as she told me, "Son, fear is the heart of love," so I never went back.
Will: Where Dreams Go to Die by The Downtown Fiction
Teacher thinks you're rude, says, "I don't like your attitude." Well, maybe you're just condescending. But bring us up to follow rules and throw us all in cubic rooms - but we're not gonna sit by idle.
Breanna H: According to You by Orianthi
According to you, I'm stupid, I'm useless, I can't do anything right
Tumblr media
Me begging my sisters for song recs because I had NO CLUE…
Tumblr media
5 notes · View notes
piecesofneptune · 1 year
Text
Tumblr media
ok so I eventually succumbed to gif-making, so here's my first one! I think we all know what he's about to say, so no text was needed
also this almost killed my old computer, so I don't know how many more of these I'll make, but I had a lot of fun!
thanks so much to @twocarsonenight for the gif tutorial <33
16 notes · View notes
groovyinsects · 2 years
Photo
Tumblr media
progress for a spur of the moment gif of cloyce
14 notes · View notes
hoedameron · 1 year
Photo
Tumblr media Tumblr media
and they say a brunette couldn’t be back in the gifmaking game
2 notes · View notes
drchucktingle · 3 months
Note
Chuck, how do you deal with people who are rude about you and your work? I write queer romance and I want to put my writing out there for people to read, but I'm a very sensitive person and I know it will be hard not to take insults personally and let them affect me. I don't want to let that stop me from expressing myself and sharing my art, but I'm scared!
very good question buckaroo. i am a good example of this as pretty much EVERYONE was rude about my work for many years calling it 'so bad its good' (it is just good) and 'terrible photoshop' (i think it has a great and instantly recognizable style) and 'intentionally stupid premises' (i dont think there is anything stupid about sex being fun and whimsical and playful). even these days the reaction of the VAST majority of buckaroos who discover chuck have this reaction AT FIRST, and then learn to appreciate the tingleverse in a more sincere way over time.
all that is to say BEING DOUBTED HAS WORKED OUT VERY WELL FOR ME. art that changes meaning over time can be very powerful, so if someones initial reaction to my trot is one thing and then it evolves into another thing, well that is just good art. while it can feel bad to get a bad review, i would say a bad review just means you have entered a realm of tension and change and discord and WE ARE TALKIN ABOUT ART BUD so that, in itself, is very exciting.
i think of what i do as 'punk writing', and a big part of that means pushing against preconceived sensibilities. not many other authors will proudly say 'there SHOULD be some spelling errors in my erotic shorts because i wrote it in a day and edited it once. that is the FEELING i want to create', but that is my way. by creating what is in my soul i KNOW i am going to bother some buckaroos and that is okay.
now i am NOT assuming you are also doing punk writing (that is okay of course we all have our own styles. what i am doing with tinglers is pretty rare), but it still stands to remember that there are 7.8 billion people on the planet of this dang timeline and some of them are bound to be bothered by your creations. that is not a problem, that is just part of baring your authentic self.
the other thing to remember is theres no REAL right or wrong in art. it can be analyzed in different ways and i tend to look at it in a way of comparing intention to result, but even THAT is not strictly correct. therefore any bad review of something you make is not actually BAD it is just someones information and feedback for you to take or leave. a one star review is just another opinion, it is no more right or wrong than your own opinion, and that is wonderful. it is freeing.
if i see a bad review of my own book, lets just say CAMP DAMASCUS for instance, i do not get upset because i know this: that reviewer is not wrong. camp damascus is five stars for me, but it is one star for someone else AND THAT IS OK. THAT IS THE WAY IT SHOULD BE. THAT IS GREAT ART. also MAYBE THEY KNOW BETTER THAN I DO. just because i wrote the book does not mean i am the authority on it, and the conversation and tension between those that enjoy something and those that despise it is a creative act. the audience engaging with your work is just your art emerging from its cocoon and saying 'here i am. lets see where i flutter off to now'
do not fear the river of this timeline sweeping away your creations and carrying them where it will. this is inevitable, but it is also beautiful and freeing. you cannot swim against it and that is okay bud, because YOU HAVE ALREADY WON. you have already created something and given a piece of yourself back to this timeline and that is a great honor and privilege. it is literally all there is
by creating ANYTHING you are proving love is real, and that is something to be proud of
2K notes · View notes
transmascissues · 2 months
Note
it's silly but the biggest reason why im not into t yet is bc im so afraid of losing my hair. do you have any solutions/tips for it?
first of all, i don’t think it’s silly — it’s natural to be worried when hair loss is talked about by so many people as like…one of the worst results of aging for men. listening to my dad talk about how much he hates balding definitely did not make me feel particularly good about the knowledge that i may very well be joining him someday. i’m not saying the fear is right, because i don’t think hair loss is something awful that we should avoid at all costs, but it’s an understandable fear given the beauty standards we’re working with, and it’s one that a lot of us (myself included) feel.
one thing that’s helped me is just…paying more attention to the guys that i interact with on a daily basis. i’ve learned two things from it: 1) hair loss is super fucking common. i’d say it’s much harder to find an adult man who isn’t balding at all than it is to find one who’s completely bald. and 2) if you forget everything you’ve been told about how bad hair loss is, you’ll realize that quite frankly, every single one of those guys looks totally fucking fine. it doesn’t ruin their appearance and make them ugly, it looks totally natural and isn’t really even something you’d notice if you weren’t looking for it. we put so much weight on it but it’s really just not that big of a deal. i’ll hear my parents talk shit about men in my family who are losing their hair when i didn’t even notice a difference last time i saw them. it’s one of those things (like so many other appearance-related things) that you really only notice at all because you’ve been taught that you’re supposed to care about it.
this isn’t something i’ve done personally, but if you really want to desensitize yourself to the idea of it, embrace the time-honored queer tradition of just shaving your whole damn head! find out what you’d look like without hair, find out how you feel about it and what you can do that makes you feel good about your appearance without hair, test the waters while it’s still a temporary change and not something permanent. that way, it won’t feel like this big scary unknown, and you’ll actually have a frame of reference for your feelings about how you look without hair rather than accepting the societal assumption that you’ll inevitably hate it. if you don’t want to actually shave your head, you could also just fuck around with bald filters or photoshop and see what happens.
oh, and if you’re attracted to men, keep an eye out for guys who are bald or balding and also hot as fuck. in my experience, there’s no insecurity or potential future insecurity that being gay for other men hasn’t helped me with. just off the top of my head, i can think of a couple actors who i think are absolutely fucking gorgeous who have helped me get over my fears about losing my hair. despite what our anti-aging-obsessed world might want you to think, there is no such thing as a physical feature that automatically makes someone less attractive, and while making attractiveness less of a priority in your life is good, it can’t hurt to also give yourself some proof that actually, you might lose your hair and look hot as hell doing it.
basically, entertain the possibility that it won’t be a bad thing at all! whether that’s just because it turns out to be a neutral thing for you or because you end up actually liking it, it’s not an inherently bad thing. i’ve ended up liking a lot of things that were “supposed to” be bad effects of t — i love the weight i’ve gained and the new shape it gives my body, i get a lot of gender euphoria from the fact that my acne is now on parts of my face that i saw a lot of guys in high school get it and i’m not complaining about the scars i get from it either because i’ve always liked the added texture that acne scars give my skin, and so on. i think there’s a lot of joy to be had in the changes we’re taught to fear, once we look past that conditioning and actually explore how we feel about it.
but if it’s something you really don’t want and you just want to improve your chances of not having to deal with it, it’s not like there’s nothing you can do! products like finasteride (oral) and minoxidil (usually topical but i think there might also be oral versions) are pretty commonly used among trans guys, for the purpose of avoiding hair loss and for other reasons, and there are plenty of other anti-hair loss products out there (though i don’t know how effective any one of them might be). if it’s a big enough deal for you, you can just decide that you’ll go off of t if/when you start noticing signs of it, since no longer having higher t levels would stop the process in its tracks. and if you don’t find prevention options that work for you so it ends up happening, you can always explore different hair styles (judging by the pattern of hair loss i see in my family, i suspect that keeping my hair long would make it less obvious if i started losing mine), find your preferred method of covering it when you don’t feel good about it (personally i love a good beanie generally and would probably wear them a lot more if i didn’t have hair to worry about because my main complaint is the way they press my hair onto my neck), or just shave it all off if you don’t like the look of the partial balding but don’t mind a shaved head. the point being — you have options!
at the end of the day, whether you go on t or not, you’re going to see your body change as you age in ways that aren’t always going to be attractive to others or aesthetically pleasing to you. that’s just the reality of having a body. even if you never went on t, you’d get older and you might see your hair thin out even if you don’t bald, you’ll see your skin start to wrinkle and sag in places that used to be smooth, your metabolism might slow or your body fat might start to gather in new places; hell, you might lose your hair for a totally different reason and end up in the same place but without the benefits of having been on t that whole time. life is full of bodily changes like that. transphobes will fearmonger about the permanent changes of testosterone all day long but the truth is, there is no escaping permanent bodily changes. whether or not you go on t, your body now isn’t the same as it will be in 1 or 5 or 10 or 20 or 50 years, just like it isn’t the same as it was at any point in your life before now. our bodies are never supposed to stop growing and aging and changing throughout our lives. there’s no guaranteeing that we’ll love every single change our bodies go through, but that’s okay! there are so many things in life that are more important than the way our bodies look. even if you go on t and lose your hair and don’t like how it looks, your life won’t be ruined; plenty of other things will bring you joy and more than make up for the insecurities.
just think about the gender euphoria and relief from dysphoria that t could give you. would losing your hair be bad enough to outweigh all of that? or is it just the pressure of a society that decided balding is bad that’s making you fear one single change despite how much joy you could have if you let that fear go? only you can decide if going on t is worth the potential downsides for you, but i suspect that for most of us, the benefits of going on t far outweigh the possibility of side effects like hair loss happening down the line.
812 notes · View notes
colleendoran · 1 year
Text
How Do I Do Stuff
The question was phrased a little strangely, and I don't want to embarrass the person by posting exactly what was said, but I'll answer it and hope this clears everything up.
I do almost all of my drawing by hand. No, I don't trace in Photoshop. Not a judgment on those who do, but I come from a generation of artists who did not use Poser programs or other digital tools. We learned to draw using a technique called the Sight Size method. I know a lot of people assume everyone - including the old masters - traced everything using optical tools, but while it is true some people did, it is just as true that most didn't, and you can draw with great accuracy if you learned how to draw the old fashioned way.
Sight Size breaks everything down into its barest components of geometric shapes and you build from there. Once you learn it, you never forget, and it applies to everything you will ever draw.
I learned it using a set of Famous Artist Course books my mom had since she was a kid, and they are still the gold standard. They're often on ebay. If I were you, I'd buy them.
Tumblr media
I actually find using figure reference really annoying because I like exaggerations and modifications from reality in my final work.
This page from Neil Gaiman's Chivalry was drawn and painted without figure reference of any kind.
Tumblr media
I don't know why people assume I trace all the time. If you were to try to use photographs to replicate these figures, you would find they are slightly off. There is no tracing here.
This is not to say I never use reference. This page, for example, was referenced from a photo of my mother. Isn't she pretty.
Tumblr media
But this page of Sir Galaad was drawn and painted without reference.
Tumblr media
He's pretty, too.
If he were real, I'm sure a lot of people would be very happy about it. But he's not. And had I reference, the art would have gone a lot faster. I had a time trying to nail this face that is very alive in my head but doesn't really exist.
Back in the ancient days, all cartoonists had to learn to draw and paint extemporaneously because reference was limited and digital tools didn't exist. While some high end artists had photography studios and professional models with costume and sets on hand, small fry like me were limited to what was in the house or available at my small local library, which was no bigger than a few rooms of my current house.
Artists kept extensive "morgue files" or "swipe files" which were collected from magazine clippings and photographs so we would have as much of what we might need on hand for quick reference. These ephemera collections could get unwieldy. I have thousands of photographs I've simply never sorted. I finally dumped most of my files this past year.
Have I ever traced anything? Of course, especially if I have to re-use a shot or setting over and over. Making extra work for myself is just silly. It's my job to make pictures, not to perform magical feats, like copying one shot after another over and over without making a mistake.
However, for almost 15 years of my career, I refused to copy or trace anything, and did not even own a lightbox. On the one hand, that forced me to learn to carefully examine what I saw. On the other hand, it was a stupid hill on which many deadlines died.
Only after I realized many professional artists had lightboxes and overhead projectors did I finally break down and get one.
The one thing I use my lightbox for more than anything is for tracing my thumbnail sketches to the final drawing paper. Instead of trying to capture the liveliness of the original sketch by copying what I see - only bigger - I blow the thumbnail up to the size I want the final art to be, then I trace over the thumbnail using a lightbox onto the final drawing paper.
Here's a look at thumbnails from the graphic novel Neil Gaiman's Snow, Glass, Apples.
Tumblr media
I enlarged these on my computer to fit onto 11"x14" paper, and traced the thumbs before finishing the art which was drawn in pen and ink and colored in Photoshop.
Tumblr media Tumblr media Tumblr media Tumblr media
While I obviously made some changes, the essence of the thumbs is there in the final work. Tracing my thumbs retains some of the looseness of the original sketches, which is often lost otherwise.
So, there is a valid purpose to tracing at times, though in my opinion, too much tracing can weaken drawing ability, substitute for developing skills, and make the work kind of stiff.
If you want to, I'm not your judge. But it's weird to me that people think I must be faking my skills in some way.
Ironically, the word cartoon comes from the Italian word cartone, which is a large heavy sheet of paper - also, the origin of the word carton.
Preparatory sketches were made on this paper which was then transferred to the final work surface via either tracing or by stamping little holes in the paper through which dust was sprinkled, recreating the contours of the drawing for the artist to follow.
So the origin of the word cartoon comes from a process often used...for tracing.
3K notes · View notes
watchmegetobsessed · 2 days
Text
TOO SWEET
A/N: i know originally i teased something else with the hozier song, but this came to me when i saw the pics below and i just had to write them. also, i put the bruises on him so go easy on my photoshop skills lol
WORD COUNT: 1.5k
WARNING: mention of blood and bruises
SUMMARY: You and Harry are worlds apart, yet you can't let go of each other, not even when he stumbles into your home in the middle of the night, bruised and in pain.
MASTERLIST | SUPPORT ME!
Tumblr media Tumblr media
You wake to the sound of the front door closing and by the time his footsteps reach the bathroom down the hall you’re fully conscious. There was a time when you considered yourself a heavy sleeper, when the smallest noises could not bother you enough to wake from your dreams, but those days have been gone ever since Harry came into your life. 
You kind of knew what you were getting yourself into, his reputation and horrific stories about his dark deals were more than well-known around town and there was a time you never thought you’d get involved with him. You’re worlds apart, he is the fire that will burn you if you get too close, but it appears you’re the water that could take his danger out. Just one party, one glance across the room was enough to bound you two together and turn your life upside down. 
Surprisingly, you weren’t the only one fighting against the pull. In the beginning, Harry tried to keep him away from you just as much as you attempted to convince yourself he is nothing but trouble. You still remember what he told you one night when you met him at a dodgy bar against your better judgment. 
“I take my whiskey neat, my coffee black and my bed at three. You’re way too sweet for me, baby.”
It felt like he wasn’t even talking to you but to himself. His light green eyes were darker than ever as he stared down at your lips and you couldn’t figure out what you wanted more, to kiss him or to leave him. Even though what he said sounded a lot like a promise that he’ll step back, somehow you just ended up even closer. 
Life with Harry is like a rollercoaster that takes you through Hell and Heaven at the same time. When it’s good, it’s a high you’ve never experienced before, he is everything you want and could ever need, he fills your heart and eases your mind like no one can and you know he is the piece you’ve been searching for all your life.
But when it’s low… the darkness feels like a weight you can barely carry and it’s hard to remember what it was like when you were blossoming. 
You never asked Harry to stop his underworld deals, you know it’s practically impossible, but it’s also hard to live like this. Fearing every call you get, fighting intrusive thoughts about what might have happened to him every time he doesn’t answer your messages and then there are the nights like this, when he visits you in the middle of the night but it’s always for the wrong reason. 
The first time Harry appeared at your door at two am, blood running down his face, barely holding himself up, you got so worried he had to calm you even though he was the one with the injuries, but you just couldn’t stop crying and sobbing. 
Now you still get yourself worked up but you learned to keep your face straight as you clean his wounds or even stitch them, but it’s still just as much of a struggle emotionally to see the man you love like this all the time. 
You sit up in your bed as you hear him grunt before closing the bathroom door as quietly as he can and then the water starts running. Reaching for your phone on the nightstand you check the time, it’s just a little past three in the morning, the dim light of the streetlamps are the only source of light in your tiny bedroom, but even despite the darkness, it still feels bright and homey, you spent a lot of time to create this bubble for yourself and though Harry’s gruff and edgy presence feels the farthest from your colorful life, he still somehow belongs here, in your life.
Rubbing your eyes you stand up and look for the cardigan you know you left on the chair in the corner. When you find it you wrap yourself into it tight and take a moment to mentally prepare yourself for whatever you’ll see. From what you heard, he wasn’t limping so that’s a good start, but you still know there’s a whole lot that could be terrifyingly wrong with him to make him come to you instead of his place.
The water has stopped running by the time you make your way out of the bedroom and over to the bathroom. Light is flowing out underneath the door and you don’t know before simply twisting the knob and opening the door, revealing Harry sitting in the bathtub, bent forward, his curls wet and brushed back, bruises covering his shoulders, back and jawline, his bottom lip busted open.
Repentance fills his glimmering eyes when he looks at you and you know what he would say if his pride allowed him to speak.
“I’m sorry, baby. I’m so sorry. I want to be better for you, but it’s so hard.”
Walking over you kneel down next to the tub and cup his face with your palm, gentle and soft, not to hurt him and he melts into your touch in an instant. 
“I’m alright,” he rasps as you run your hand down his naked chest, over some of the bruises and you notice how he winces when your cold hand touches a vigorously dark mark on his collarbone. 
You’d do anything to free him from this dark world that keeps him as its prisoner, but ironically you know what kind of consequences one would have to endure to be set free and you fear those would take him from you forever. So every time you see the marks of this evil life on him, a piece of you dies. For him. 
“I’ll get you some pills,” you whisper and try to get up, but his hand grabs your arm, holding you back.
“Just… stay with me, please.” It’s a desperate plea you could never ignore, so you settle back onto the fuzzy rug next to the tub, one arm against his chest as he hugs it like a child, your thumb gently rubbing the side of his neck. But you don’t stay like that much longer. The urge to get closer to him grows unbearable, so you move to stand again and when you see the panic in his eyes you’re quick to calm him.
“I’m not going anywhere.”
Hesitantly, but he lets go of your arm and watches you as you undress yourself and join him in the tub, sitting behind him so you can hug him from behind, your chest melting against his back as your heartbeats sync. 
His head falls back onto your shoulder while your lips pepper kisses onto his every once in a while, your hands gently running up and down his front, eager to feel the softness of his skin. 
“You’re way too sweet for me,” he breathes out.
“Haven’t we been over this?” you ask with a soft smile. He lifts his head and then turns it so he can look at you. 
“I feel like I’m ruining you.”
“Don’t act like it’s all on you. I made a decision too and I chose to be with you.”
“You made a mistake,” he whispers and you see something dark, something desperate take over his face for a moment, but you’re quick to bring him back to you, like you always do.
Soothing his hair back, you pull him closer so your lips meet for the softest kiss. 
“You could never be a mistake,” you whisper against his lips and you feel him inhale sharply before he kisses you, harder and needier and you’re happy to give him whatever he demands from you. 
You stay in the tub until the water gets too cold. Then you grab him a shirt and a pair of underwear he left at yours a while ago and you move to the bedroom. He finally lets you get him some painkillers and you tell him to get in bed when he tries to randomly fix the jammed drawer of your desk. He loves to play the handyman when he’s over, but now is definitely not the time for that.
“Okay, doctor, gotcha,” he chuckles cheekily as he shuffles over to the bed. He watches you with a smirk as you’re moving around, grabbing another blanket before joining him in bed.
“What?” you ask when he just keeps looking at you smugly.
“You take so good care of me, baby. You know, there is one more thing I think I need to feel better.”
Reaching over he hooks a finger into the front of your shirt, tugging it down teasingly. 
“Oh, really?” you arch an eyebrow at him.
“Absolutely.”
Instead of a reply, you move closer and press two fingers into a bruise on his shoulder just enough to make him wince and flinch back from the pain.
“I think you need to stay away from physical activities, that’s the doctor’s order,” you scoff.
“Fuck, there was nothing sweet about that, damn!” he grunts, making you laugh. 
“But you love it when I put you into your place, don’t you?” Grinning you scoot closer, his arm curling around you instantly.
“I do. Only you can do that,” he smiles down at you.
Thank you for reading, please like and reblog if you enjoyed and buy me a coffee if you want to support me!
428 notes · View notes
adrinktostopyourthirst · 11 months
Note
How do you think Bucky would react to the reader admitting that she has a think for his metal arm?
I feel like he would be cocky about it
Oh, you see. Bucky Barnes is by no means a stupid man. At all…
Being trained as an assassin with quite a sensitive core, he knows which traits work for and against him. Yes, the army taught him plenty and Hydra taught him more. How to use weapons; how to properly use each and every one of them, to sharp shoot and count his ammo while he’s at it. How to abuse technology; how to hack into anything, photoshop a new reality and if he really had to, completely disable a traffic system and lay a country down flat.
But lying, manipulating and intimidating – that he learned on his own. Out of pure necessity. He knows what tone of voice will elicit which response, knows body language to a fault, knows how to ask which question to get the information he needs (or simply just wants) and how to stay quiet until the other person has dug themselves their own fucking grave. He knows how to use himself as his most lethal weapon and has had to.
So he knows damn well what his arm does to people. Yes, he can make it seem dangerous and intimidating. Knows exactly how to make people fear that arm. However, he certainly knows how to work it to his benefit. People’s unashamed curiosity with his arm and… Well, there have been plenty of men and women eyeing the appendage with a little too much interest. Bucky knows his sexuality well and the fluidity within it.
You are no exception. He catches you looking at his arm the same way he catches you looking at his lips. With the same hunger. Catches your heating face, too. Though he wouldn’t be the insufferable, broody, quiet man if he called you out on it instantly. Oh no. If anything, Bucky is a relentless tease, who doesn’t like it when people can’t ask for what they want or need.
When you started fooling around with him, you were already overwhelmed plenty by the unimaginable possibilities with him. Because he is a God. He knows his body perfectly and knows how to put it to good use. On top of that, it feels destructive, the way he can listen to your body and figure it out in a matter of minutes. He’s not only trained – he’s intuitive.
He had gone relatively easy on you in the beginning, only urging you a few times to verbally communicate to him what it was exactly that you were whining for. “Come on, baby,” he’d whispered in your ear with his flesh fingers slowly pulling out of you. “Can’t make you come if you don’t ask me to.”
He has melted your stubborn persona down to a begging, pleading, whimpering core more times than you can count. Relentless with his teasing, and sometimes going as far as to claim that he is a soldier after all, he ‘only takes orders’. Which is something you’ll get back to another time.
Right now though, you have reached your limit. It has been weeks of Bucky teasing something you cannot get yourself to admit. His metal arm. You want him to choke you with it, finger you with it, pull your hair with it– fuck it, you want to suck on his metal fingers until his jeans pop open at the sight.
And it is like he knows (because of course he fucking knows), because all he will do is stroke his fingers lightly over your pulse. Or brush the cold metal over your folds when he admires his next meal. He’s slid the hand into your hair, only to slide it down your back again without twisting his fist into your locks.
Prick.
“What has got you so worked up?” he asks when you writhe in the sheets uncomfortably. His metal fingers tease the apex of your thighs, mindless shapes burning into your skin. Your breathing is heavy and no amount of orgasms in the world could settle this need for that hand.
You bite your lip to keep from blurting out. Maybe it started with you being a bit shy and apprehensive about it, but honestly, now you’re just pissed. Weeks. Weeks he has been torturing you with absolutely fucking nothing at all.
“Bucky,” you breathe, exasperated.
“What, darling?”
You want to fucking scream at him. Honestly, you might.
Taking a deep breath, you swallow your frustrations and open your mouth to say something. But it is his metal, middle finger that dips into your dripping core that has you stutter on your breath. Yet it’s gone before you can moan out your relief.
“Fuck,” you rasp and swallow thickly.
“Hm?” he hums innocently and you want to throttle him.
“Do– ” you swallow again, ”Do that again…”
He forces a confused frown on his face and moves his flesh hand to your cunt, pushing in his middle finger. His flesh middle finger.
You squirm again.
“Bucky,” you grit out through your teeth, jaw clenching.
Suddenly, he’s there, his face inches from yours. Lips brushing your cheek and warm breath fanning your skin.
“Ask for it, baby,” he whispers, refraining from kissing your flushed skin. “Ask for what you want.”
You feel like you’re a child being told off and huff out your frustrations, making Bucky bite back a smile. Silence drags on and on and on. You try desperately to get your scrambled brain in order, especially since his orders – his voice – is another weakness of yours.
“Bucky, please…”
“Please what?”
“I want– ” you pause, quieting your pride like pinching out a candle, “I want your hand.”
“Say it,” he orders, waiting for the elaboration he knows is coming.
“The metal hand, Bucky,” you mutter breathlessly. “Finger me with your metal hand and I will do anything for you.”
Oh, and it is everything Bucky can do to keep his eyes from rolling back at the sound of those words, of that need in your voice. He might be a bit of a sadist, mentally rewarding himself for teasing you to the point of ordering your needs so sweetly. And he might be a secret sub for wanting to drop everything he is to give it to you the instant you ask for it.
His metal fingers are back at your cunt. Playing. Teasing. “Anything, huh?”
You can only let out a strangled whimper, your sweaty back arching when he brushes your clit. Bucky dips down again, brushing a soft kiss right below your ear that triggers a wave of goosebumps over your skin. “I only need you to do one thing for me. I’ll give it to you, I promise.”
You almost sigh in relief, until you realise who you’re dealing with. And you grit your teeth to the point of grinding them to dust, the metal fingers playing with you driving you to the brink of absolute insanity and dangling your release in front of you like chocolate.
“What,” you bite out. “What do I do.”
Bucky smirks and pushes two metal fingers into you, curling them into your spot with so much precision, you see only white.
“Come.”
1K notes · View notes
what-even-is-thiss · 6 months
Text
I got kinda cancelled in 2017 I think and I still think about that. Mostly because I never quite figured out what I was doing wrong or why it prompted such a gigantic response. I was 19 at the time and was new to having a following and getting backlash and didn’t quite understand how tumblr’s blocking system worked at the time so that led to a couple of embarrassing situations where I fully misunderstood what was going on.
People kept telling me I was mean and I knew what I did wrong. But I never quite figured out what I was doing wrong. And that’s a terrifying place to be in. I’d already gotten a bunch of transphobic attacks and people photoshopping fake screenshots of me saying things I’d never said and then a bunch of people I looked up to decided to call me a terrible person all at once.
I’m kind of a blunt person by nature. Was that it? I’m still not sure. Clearly whatever it was I was doing wrong was bad enough that a lot of people joined in on calling me out.
I spent time sobbing in the shower over all that. A lot of time. I also spent a lot of time trying to improve without knowing what I was supposed to be improving.
In retrospect, what was all that? It was six years ago now and I think I learned nothing from an entire fandom dogpiling me all at once. What was I supposed to learn from all that?
That’s why I feel so much sympathy for people that get dogpiled or cancelled online. It’s beyond overwhelming. And so many people expect you to just know what you did wrong even if you don’t.
I’ve got a much thicker skin now and avoid getting in too deep with any one fandom community. But I still think about all that. The time I got cancelled. I still wonder if I was truly at fault, what I was at fault for, why nobody could ever give me a clear answer about why I came across as mean. If I should’ve changed my behavior I never learned how and am probably still making the same mistakes now.
506 notes · View notes
comicaurora · 4 months
Note
Hi! I finally got the chance to read Aurora a bit ago. It's a wonderful story--all I was expecting and better! I was particularly amazed and delighted by the artwork and visual mechanics used to tell the story, so I wrote a post to yell about how cool it is and break some of it down. (No criticism, just praise.) I'm mostly a hobbyist, so I'm hoping I've done it justice.
That said: zero pressure to read it or respond to this ask. Normally I wouldn't send it since I tagged, but I know Tumblr's notifs are a mess and things get lost very easily. I've been in both the "one (1) word of praise will feed me for a year" and the "oh gods don't talk about my writing/art because anything that seems Off will break my brain" modes before, and I absolutely don't want to push or make you uncomfortable!
If you are comfortable, however, I wanted to ask about your use of what I'm assuming are Screen and blending modes in sound effect words. (I'm only guessing that's the technique, though, so I could be totally wrong about how it's done! I'm mostly experienced in image manipulation in Photoshop.) Making them semi-transparent over the actions is genius :) What inspired you to do that, and are there specific techniques you use to make it work?
Same questions go for using specific colors to distinguish different characters' words and actions. I really noticed it in the cave sequence with Falst and Dainix, since their colors are so vivid in the dark (ex. Falst's little swats and Dainix's swooping kick at 1.20.9). It lends excellent clarity to busy scenes.
Thanks! Have a lovely day, enjoy your break, and happy holidays <3
You're correct about the technique! "Screen" is the blend mode I use most often for sound effects. I stumbled on it mostly through trial and error - I love how sound effects add depth to a comic panel, but it's very easy for them to obscure the art in a way I find counterproductive, so "Screen" lets me put the sound effect directly over the origin of the sound while still letting it be visible through the word. Early chapters didn't have it as much-
Tumblr media
Most of the sound effects in early chapters are just solid colors with reduced opacity if I'm feeling fancy. But I started figuring it out around chapter 8 and 9, because Falst is kind of a sound-effect-heavy guy, especially in his fight scenes.
Tumblr media
In order to make sure they don't impede the visibility of the action, I'll often soft-erase the top or bottom half of the SFX to reduce its opacity while still leaving it readable.
Tumblr media
I'll usually double that up with an outline on the SFX so it's still readable. This is an especially important consideration if the SFX goes over an area of the background that's very bright or glowing.
Tumblr media
Color-coding the speed lines and SFX to the character or force causing them isn't a hard and fast rule, but I like using it (in part because it's a habit from the OSP illustrations, where every character has a single pop of color in their lineart) mostly because it sort of codes every sound to make it clear where it's emanating from, or the general feeling of the sound. Since I normally do character-colors for SFX, something like this stands out more jarringly-
Tumblr media
Which it's supposed to, but a big lightning strike doesn't register as anything too worrying because it's just Tess up to her usual shenanigans.
Tumblr media
It's also very useful for magic effects, because each form of magic has its own associated palette.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
And when I had a very complicated fight scene in a dark environment, I used the texture pattern I'd already made for the monster to color its SFX, so when I Screened them onto the panels they didn't obscure too much while still communicating "this is something else."
Tumblr media
Changing the weight, lined-vs-not-lined, and opacity of the SFX words also helps to communicate that not every sound has the same feeling. A strong motion is solid and aggressive, but a crackling, unstable sound is more ephemeral and staticky.
Tumblr media
It's definitely been a process of learning as I go - looking back at the earlier chapters I can actually see when I first tried various tricks I now use regularly, like doubling and distorting an SFX to produce the effect of a camera-shaking impact. I haven't really seen any other comics that do it like I do, probably because most other comics follow a more traditional production pipeline where text bubbles and sound effects get locked into the composition early, before the inking stage, because traditional physical comics don't have digital-art layers to play with. Adding sound effects to a page is almost the last thing I do before exporting them, and that only works because digital art and layers allow for a ton of flexibility.
370 notes · View notes
beckyandfrank · 9 months
Text
Tumblr media
I've been learning to animate! I did this one in Photoshop frame by frame. Thanks so much to everyone who has been supporting our Patreon, we're excited about getting back to our dream of sharing our work directly with you. WE MISSED YOU!
531 notes · View notes