#in that the last scene he shot for The End of Time was out-of-sequence and unimportant

[afrognamedfizzarolli]

Holy. Fucking. Shit.

SEASON 2 TRAILER BITCHES

I'm absolutely loosing my mind! I actually woke up to my phone blowing up about it. And I've spent the last few hours rewatching it and trying to break it down. So I'm going to share my thoughts!

Ive organized all the clips into the separate episodes I believe they are from, so lets start with The Full Moon. Here's my theory about how I think these clips line up and what the episode will be about!

So to start, I'm confident these clips with Vassago and Andrealphus take place in this episode. Probably the first part asking where Stolas is being near the very beginning of the episode. The shot of Andrealphus I'm not sure of though. (I'd like to mention how much I love how his tail comes up and makes it clear he is in fact a peacock)

Next we have these clips of Blizø and Stolas. Stolas is evidently frustrated. While this could very likely be in the later half, I have a feeling this is early in the episode, probably when Blitzø shows up for their full moon meeting. I'm guessing this is where Stolas dumps on Blitzø that he wants to actually be loved. The shot of the flower would also make sense to be in this scene as they are in the garden.

I believe this form we see attack Stolas and Blitzø is Vassago. This is tricky as far as where it goes, but I'm going to place it here as Blitzø is in his signature outfit here like he was in the last scene. Stolas has changed though

Here's where we start to see Blitzø in his outfit specific outfit. I think this is later that day or the next day, him planning to go back to see Stolas and properly express that he indeed loves him. Here I think he is telling Moxxie that he is not going to be working that day and literally dumping the work load on Mox.

I looove these clips! My guess to whats happening here is that Blitzø goes to Fizz looking for help, one of them has the idea to bring a gift to Stolas, Fizz takes Blitzø into this part of the palace with a bunch of Ozzies creations. He pulls out the absurdity large toy as an idea. Eventually they end up deciding on the "Dankee" candle, which Blitzø brings to Stolas. I also love that it looks like he scaled the wall up to the balcony while dragging this comically large candle in a sack.

Here's the part we've all been dreading waiting for... The crystal. I think here is where Stolas gives it to him, and express' how much he hates the transactional deal they have going on. Blitzø completely takes it the wrong way, thinking Stolas is giving it to him as a way to tell him to fuck off.

Here Blitzø also says the "You fucks think you can do this every time" which is alluding to again that Blitzø has experience and possibility was involved with another royal at some point. I know this isnt a new theory, but I think Vassago is a very likely candidate as its very convenient to have this line and Vassago introduced in (presumably) the same episode. This could also just be referring to higher class demons in general, such as Verosika

These next few clips I believe all take place in The Full Moon as well, but I'm not confident on their placement. The shot of Octavia maybe not, but her line what was over it, saying how Stolas doesn't love her or Stella, only Blitzø, is most likely near in this episode though.

For these 3, I think they are during the Stolitz duet, either in the very beginning or ending of the episode (I seem to remember it being said the episode will open with it, but I might be imagining that)

In the part where the images of Blitzø shatter, it's the one closest to Stolas first and then makes its way out, it's also the one closest to him where Blitzø looks the happiest and as they get further he looks more upset/distressed.

The sequence of Blitzø and Stolas' silhouettes could also be almost anywhere but makes sense during the duet. I love the detail of Blitzø's tattoo showing as a heart as a child and as an adult its a broken heart (it's hard to see in these screen shots cause Tumblr decided to nuke the quality)

In the part where Stolas is singing with the celestial imagery he is again wearing a red turtle neck under his cape which bares a resemblance to the one hes wearing when Blitzø is protecting him. I'm not sure if this means anything, but fells worth pointing out.

Again I am sorry for the shit photo quality, and possible bad grammar and spelling. I currently have the posts for the rest of the episodes nearly done so expect those in the next few hours ♡ Id love to hear any other ideas or theories about the upcoming episodes, or anything I missed/got wrong!

Pt. 1: The Full Moon | Pt. 2 :Apology Tour | Pt. 3: Ghostfuckers | Pt. 4: Mastermind | Pt. 5: Sinsmas

#helluva boss #blitzø #brandon rogers #stolas #stolitz #fizzarolli #stolas goetia #octavia goetia #Vassago #Vassago Goetia #moxxie knolastname #andrealphus goetia #Hellaverse #Blitzo #Blitz #blitzo buckzo #Helluva analyzations #season 2 trailer #vivziepop #Spindlehorse

[halemerry]

I’m doing it. I’m breaking down the Scene. You know the one. I've been tearing it apart for a week straight now in discord and figured I should leave my observations here. So, uh, yeah, this one's a big one so buckle up folks!

I want to start with the build up because I can never leave well enough alone and because I think the framing we have coming into this sequence is important. We start with the camera on Mr. Acts of Service himself. Crowley, after banishing Muriel, starts cleaning up the bookshop. The music playing is the soft slow rendition of the opening theme. He is returning this space to the status quo, resetting back to normal, fully intending to do this for Aziraphale before dragging him out to the Ritz, falling back on their typical pattern of going out together for food and drink.

Now in a moment he's going to get interrupted by Nina and Maggie but before we get there I want to take a second to draw attention to the area of the bookshop that Crowley will be operating in for the bulk of this. This space is one we very frequently see Aziraphale in. It's his desk behind the till - a spot linked intrinsically to him, even down to the fact that it's located on the east side of the shop. The windows are throwing beams of light onto Aziraphale's chair and onto the same spot Crowley will stand during The Scene. This lighting choice will not change from now until our last shots in the bookshop and the way the blocking plays around these sunbeams is very aware (as Good Omens nearly always is) of exactly where they will land.

Nina and Maggie enter the scene to have a chat about boundaries and communication. Maggie, his own mirror, tells him flat out that he can't play with their lives like that. Maggie and Nina then both tell him that he and Aziraphale need to talk. And I don’t think they're wrong, exactly, but I do think that Aziraphale and Crowley are actually a lot better at communicating in general than they are in these following high stakes scenes. But that's some meta for later - for now I want to just focus on the particular way Crowley's been primed for the conversation he and Az are about to have. Nina in particular does something really interesting. She does exactly what we as the audience did when we first saw Nina and Maggie: she mistakenly projects herself onto Crowley. She says he has trust issues because she does and in the process accidentally frames the core of their problem as Crowley needing to allow himself to trust Aziraphale, a thing that he actively already does and has done for quite some time and has been shown to us several times throughout the two seasons.

Now the build up we get for Aziraphale going into this conversation is very small. By which I mean practically non-existent. We start at the end of his conversation with the Metatron who tells him to go tell his friend the good news - which notably does not imply that the news is something that would require Crowley to make a choice - and sends Aziraphale on his way. Now the most crucial thing in this sequence, to me, is the expressions Aziraphale makes when he thinks the Metatron isn't looking at him. While polite and smiley when engaged with him, Az's expression falls as soon as he doesn't have eyes on him. Something is wrong and Aziraphale knows it.

Aziraphale enters the shop. The doorway is dark and shadowy and he hasn't composed himself yet - though he does give Nina and Maggie a little smile as they leave. Then, as soon as they're not looking at him, but before he approaches Crowley, the tension is back.

He hesitates, then smiles and approaches Crowley. Crowley, planted dead center in that beam of light from earlier, takes off his glasses and promptly starts nervously rambling. The music cuts off here entirely, giving us nothing to focus on but the noises coming from our lead actors, the background noise from the street, and the ticking of the clock in the background. Aziraphale puts up his hands like he's going to interrupt then lowers them again as Crowley keeps talking, his face shifting into this helpless sort of smitten look.

Now look at the light and how it hits the bookshelves behind Crowley as he tries to get his confession going. It's in the shape of a wing. Keep an eye on that - when the camera chooses to show us this one wing of light is important.

Aziraphale then interrupts and there are two things I want to draw attention to here as Aziraphale fumbles for words. First of all is the fact that he glances in the direction of the door (and the Metatron) at least three times as he's struggling to speak.

Secondly, I want to draw attention to the words Az actually says here. He first echoes the Metatron's earlier statement about good news. He then does not roll into the news itself and instead glances at the door and says the Metatron. He starts rambling about the Metatron to a very confused looking Crowley and evetually talks his way into that the Metatron said something. He then hits a wall again, scrambling to find words and instead of explaining the context of what the Metatron says he lands on Gabriel. His brain latches onto someone obviously on the forefront of both their minds and something vaguely relevant to the news he's about to share. He rambles more about Gabriel's job, glancing once again at the door in the middle of this, still avoiding getting to the actual point or perhaps even synthesizing said point as he goes.

We then cut to what is framed as a flashback. I think it is very notable we only see this as Az is telling it to us. In other words that this is not us witnessing an event happening but us witnessing what Aziraphale is telling Crowley. This sequence is the single scene where the Metatron calls Crowley by name despite actively avoiding it in any real time continuity sequences. He uses it twice here which I think also is the strongest thread in here that tells us that we are seeing what Crowley is being told not necessarily what actually happened.

The instant the idea of restoring Crowley comes up the wing of light behind Crowley loses visibility. Crowley's speechless for a moment so Aziraphale fills the silence, already looking like he wants to cry as he talks about the old days. (I also can't help but to notice that the lights behind Az in this shot look like eyes.) Crowley finally speaks and circles around the beam of light he's been standing in like an object seeking to re-establish a source of gravity. The music cuts back in here with tense drawn out notes.

Crowley talks about how Hell offered him his place back and he turned them down. Aziraphale in turn presses on ideas that we know he doesn't really believe. It's a echo of the bandstand and uses a lot of the same language of that fight - another fight we know features Aziraphale saying things he knows aren't true. By now, we have seen him multiple times this season express he does not want to go back and make it abundantly clear that the side they have made for themselves is important to him. We see him actively calling angels bad and incompetent, contrary to everything he's telling Crowley here. We see him be the one to repetitively remind Crowley that they are on their side and be the one that always draws attention to that first. Yet here he says Heaven is the side of light to Crowley - who by the way is literally framed in light. The frame is telling us outright that Crowley is already Good as he is, while Az's expressions are telling us he knows Heaven isn't.

Aziraphale can't tell him that he did not turn down the job and Crowley does another orbit. The music cuts again. This time, he stops with his back to Az, tilts his head upward and decides to ruin me by invoking God.

Here he is, hearing these awful things that he was sure they had moved on from, hearing these things he has tried for so long and so hard to help them both unlearn. But these sorts of habits and lessons are insidious and he knows that and he himself is even a victim of that himself. I mean, don't get me wrong, he recognizes this is weird, I think, but between his own self worth issues and the stress of the few days they'd had can't work out what exactly is off here. He's confused and lost and just been told, in his mind, that he is not good enough as he is - a thing he has always on some level also believed. Yet he reaches out to the parent that taught him that lesson in the first place for strength and grounds himself with that. He circles back to stand in the beam of light and, with that wing of light finally backlighting him again, he is brave and tries to be enough anyway. He bows his head downward, fully emerging the line of this body in the light and tries again. Because even now, even after that emotional blow, Crowley is an optimist who can't help but to try.

At first Aziraphale can't figure out quite what is going on here. He squints at Crowley and glances at the door again. Crowley meanwhile keeps continually glancing upward, whether at God or to hold back tears or some combination of both. In most of these shots Crowley bisects the room, creating a dark half to his left and a light half to his right.

Crowley says he relies on Aziraphale. Even here, even now when he's just hurt him. Because it is the truth. Because Aziraphale makes him feel less alone. Because Aziraphale proves to him that no matter how fucked the system is that there is still good in the world, even if he doesn't always agree with it.

It is only once there is no doubt what Crowley is doing that Aziraphale starts shaking his head in very small quick shakes. He looks panicked even as they both physically draw closer to each other. It's huge not here, not like this energy to me. Aziraphale asks Crowley to come with to help him run Heaven. This is the point where Crowley starts tearing up.

Crowley then says you can't leave this bookshop, trying to say you can't leave me. Az, nearly in tears himself, says 'oh Crowley. Nothing lasts forever' as a means to convey that the books aren't what is important here. Crowley, naturally, hears 'including us.'

Crowley looks down again, quietly agrees, and puts on his glasses, covering himself up again. He then wishes Aziraphale good luck and the music starts up again, still tense but sorrowful now. He leaves the light and heads to the door. Az can't help but to call after him. Please wait. And Crowley can't help but to listen. It's worth noting here that even as he rotates toward the north door, the light still gently hits his face. The shots in general are darker though. He's moved away from the light but it still can't help but to touch him.

"Come with me," says Aziraphale and then after a pause adds "To Heaven." Aziraphale, looking heartbroken, starts one of two 'I' statements he will struggle around in the next few moments. He lands on I need. Which. I want to pause there a moment because holy shit. That is not something they say out loud either. Az looks at him a moment, visibly struggling before he says his dialogue about Crowley not understanding his offer. Like he's said something he didn't mean to and needs to cover it up or like he can't handle the silence after such an honest statement. And on some level he's not wrong there. Because Crowley doesn't understand what Aziraphale is trying to say. But Aziraphale doesn't understand the way Crowley is reading it to course correct either.

Crowley says that he does understand and that he understands better than Aziraphale does. And he also isn't wrong either, from his perspective. Because he does understand the implications behind the offer theoretically in play here. Because he does know that the position Aziraphale is presenting him is not going to result in the outcome Aziraphale is presenting him with. There are some things you can't undo just like memories slipping through the cracks.

Az says there's nothing more to say, trying to dismiss Crowley despite having been the one to pull him to a stop moments ago. He puts on a fake polite smile for a beat but then his is jaw sets, mouth working as his eyes drop - unable to look Crowley in the eye.

Crowley tells him to listen as the music fades out and points upward. Aziraphale humors this, glancing up a few times before looking frustrated, saying he can't hear anything. The light from the window shines down in his direction without actually touching him. Crowley tells him "That's the point. No nightingales." The shot he's on here is a dark one without even any of the book shops pillars visible in it to brighten the shot.

Aziraphale looks frozen a moment here and then as Crowley calls him an idiot and says 'we could have been us' his face completely crumbles. He rapidly glances away to hide his face and Crowley moves and reaches to pull him back. They're both distraught. Az is clearly already holding back tears even before Crowley touches him. The angle of this shot frames Aziraphale in the light of the window. For the first time in this whole sequence Aziraphale is in the light, literally being physically pulled into it by Crowley.

The music swells, playing a similar theme to the one that plays as the Pillars of Creation are formed at the start of the season. They shift back and forth, the camera focusing on Aziraphale's face and hands. His hands move uncertainly, trying to reach out even as he's struggling emotionally. He is visibly shaking but he crucially does not pull away, not even a little.

His hands settle on Crowley's back, right where his wings would be, and for a brief moment gets taller, like he's allowing himself to lean into the kiss. They press together tightly, their mutual gravity sending them crashing together before they break apart. When they do Aziraphale looks devastated and his eyes move pretty much instantly to look out the window where the Metatron would be.

Crowley's glasses make him harder to read here, but he looks at Aziraphale like a man awaiting judgement in a trial he knows he's already lost. He's sad too, but as always, is waiting for Aziraphale's reaction. Because he might push continually at he boundaries of them as a unit but he has always let Aziraphale decide where to set them in stone.

Az fumbles over words here. He gets stuck on "I" here and lets it hang in the air. He then visibly thinks his words over, his expression slowly filling with resolve as he comes to some sort of conclusion. Then, like it's difficult to say, he falls back into old coded language. "I forgive you." A thing he has always said in response to things that he agrees with but cannot or should not allow himself to have.

Crowley sighs and tells him not to bother, refusing to fall into the old pattern that Aziraphale has. He is setting a boundary, for once, and even if it is one born from misunderstanding I am proud of him for being able to. He turns away and leaves. And this is where Az seems most in danger of falling apart. His lips move as Crowley goes, forming the start of a 'no' after him. He draws back from the door and turns his body away from it, physically distancing himself from anything that would feel like following Crowley. Except he can't help himself. With shaking hands he reaches up to touch his lips. He presses in, like he's trying to recreate the pressure and then his jaw works a moment and his expression sets as resolved.

The Metatron enters through the front door, which is framed in dark lighting. Aziraphale looks panicked and immediately turns his whole body away from him to hide his face while he collects himself.

He turns around after a beat and the Metatron asks 'how did he take it?' This is an odd question that only sort of half fits the fact that we are meant to believe at this point - that Aziraphale should be obtaining a yes or no from Crowley. It's not asking Crowley's choice at all. It's like the Metatron assumed a different conversation had happened or perhaps that he already knew the answer.

Aziraphale says he took it badly and the Metatron just takes a moment to direct a few casual digs at Crowley. He references him being stubborn and too curious - all the while avoiding the use of this name. At this point Az's eyes are locked out the window in the direction Crowley vanished to. The Metatron asks if he's ready to start despite originally having promised Az time to think over his answer. Aziraphale keeps glancing out the window.

For a moment he cracks, stepping away from the Metatron and back toward the east side of the bookshop. For the only time in this whole sequence he steps right into the sunbeam Crowley started in. It notably never illuminates his face as he mentions the issue of his bookshop (a statement absolutely not about the bookshop).

The Metatron explains Muriel will take care of it. Aziraphale looks back out the window with the start of an objection.

The Metatron interrupts him asking if there's anything he needs to take with him. Az's mouth takes a moment to try and form words. He steps out of the light again, starts to object, and then cuts off, eyes back to the window. Then his expression shifts again, settling in another state of resolve before he puts on his falsely polite face and follows the Metatron out.

As they leave the shop we cut back to Crowley. Crowley, who could've left to go handle his own emotions, did not leave. Instead he planted himself there, nice and noticeable. Like he wanted Aziraphale to see and know that he still has a choice. Like he needs to see Aziraphale make that choice for himself. Like he can't quite bring himself to be the one to close that last door. He stands there, framed by light, and doesn't move until the doors to the elevator to Heaven close behind Aziraphale. He then glances at Nina and Maggie and then gets in the Bentley, which starts playing the song that we now know he knows is supposed to be theirs. He turns off the music and drives away.

So there's a lot in these sequences and most of it probably won't help us figure out exactly what comes next, but there are definite signs that all is not as it's being presented to us. Whether he's actively lying or not, something is wrong that Aziraphale either can't or won't talk about frankly with Crowley. I suspect, whether it's under stress from a literal threat or because he believes that it is the safest option for them, that Aziraphale is doing all of this to protect Crowley.

There are also all sorts of signals here, especially in the lights, that gesture at the fact their togetherness is a net good. Together they are balanced and stronger for it and likely more in alignment with the Ineffable Plan. And, more importantly than that, that said togetherness is so clearly what they both want. They have loved each other longer than anything alive has ever loved anyone and none of this changes that. They both are saying that in their own ways here, even if those ways are not ones the other is particularly good at picking up and I for one cannot wait to get to see the payoff of them learning how to.

#good omens #gos2 spoilers #good omens spoilers #good omens meta #kind of #is it meta if its mostly me pointing and yelling? #come suffer with me #you have no idea how many times i had to watch these sequences for this #crowley #aziraphale #the bookshop

[swampjawn]

Dungeon Meshi Episode 12 is all about hair. (and lesbians of course)

With that in mind, I really can't understand why they wouldn't adapt this panel of Marcille letting down her hair in preparation for the resurrection ritual.

It marks the scene transition and shows Marcille in a whole new light. Exhausted and blood-stained, but determined, there's a newfound darkness in her eyes. And I can just imagine how poignant it could have been if they gave it the same level of attention they did to the rest of the scene.

On the other hand, key animator Ichigo Kanno knocks it out of the park with this resurrection sequence, in which her hair dominates the composition in a way it didn't in the manga!

I love the way Kanno uses the characters hair to convey their energy and emotions. He did it with Senshi last episode with this crazy dynamic cut, but it fits even better thematically here.

In these three cuts, Marcille's hair takes on a life of its own and dominates the composition.

It flows across the screen like a raging river in this 12-frame loop,

and grows more and more supernatural in appearance as it twist and flaps up into the air in this 9-frame loop, forming these crazy unnatural shapes that almost look more like flames than strands of hair.

And when it finally settles down, it forms long ribbons that float downward starting at the scalp and eventually flowing away at the ends like water draining from a basin.

Marcille's hair really becomes a living embodiment of her own spirit and magical energy.

And by the time the spell is over, it's as if it's grown to an almost unnatural length, stretched to its limits, and when she collapses on the ground, it looks tangled, jagged, and frayed at the ends, completely spent.

And this is all without even getting into what was obviously the best shot of the episode.

I get into that and the entire rest of the episode in this full breakdown video, from which this post is an excerpt! Blah blah blah, I really can't be bothered to think of a creative way to say this today, just go watch it.

#dungeon meshi #anime #marcille donato #video #animation analysis #mini essay #delicious in dungeon #Youtube

[chirpsythismorning]

Mike's character regression can be explained in large part by one emotion in particular: guilt

Just want to preface this by saying that, this is not Mike slander. I love this dude. In fact, I think what makes Mike such an interesting character is that a lot of his behavior throughout the series can be explained in part by previous moments, and after really looking at all these moments together, what you end up with is a pretty fucked up story.

So while some might want to take this as Mike slander, these points I'm making are a part of Mike and things he has done and said and whether they were intentionally harmful or not, it's Mike. It's all shaped him and his role in the story. The fact that we're seeing a visible shift in his behavior at all, with plenty of moments from the show to back up what brought us here, makes it compelling enough to talk about.

So, without further ado, back to our roots:

Ah yes, the infamous canon proof disputing Mike's I think my life started that day we found you in the woods, claim during his monologue. Not only that, but in this original scene from 1x02, it turns out Mike actually intended to send her away the next day (all of which El could hear Mike saying from the open bathroom door).

Mike outright calling El a weapon, again telling the others they need her because they stand no chance at getting Will back otherwise.

I wont elaborate on this now, because there is way too much to unpack that'll honestly be more worthwhile discussing further on.

For now, this is a secret tool that will help us later.

These next couple scenes right here though, are pretty painful if I'm being completely honest. The way its shot, specifically El's very visible exhaustion, accompanied by the varying priorities of others around her, leaves me feeling pretty unsettled upon rewatches.

I obviously can't remember how I felt when I watched these scenes for the first time, but I imagine I viewed them as this huge romantic moment for Mike and El (I was tricked by heteronormativity, okay?). But, again, upon rewatching them since then, I've realized I get this sort of sad feeling by the end. You'll see what I mean.

El obviously just went through something extremely traumatic. She tried to go find Will and Barb in the void, only to find Barb dead and Will presumably alive, but then slipping through her fingers at the last second (no, literally).

We then got a moment where Joyce held El while the others sat by quietly because she clearly needed a moment of comfort given what she just endured.

Then in this scene shortly after, everyone is leaving to get ready for their final attempt at saving Will.

Now, notice how not only Lucas, but also Dustin make the effort to reach out to El to comfort her affectionately after that traumatic event, with those twos' actions specifically being showcased in sequence?

Lucas, who spent the better part of the season being critical of El, is now ending the season rubbing El's shoulder to warm her up, literally soothing her to make her feel better.

Then there's Dustin, who right after Lucas' gesture makes a gesture of his own, putting his hand on her knee reassuringly, to show her he's there and he's happy she's okay.

And lastly there's Mike, who is so kindly allowing El to rest her head on his shoulder. This placement of Mike and El here is definitely a testament to the fact that Mike has vouched for El this whole time in contrast to the others and so, understandably, she put her head on his shoulder for reassurance, because out of the three of them, he's the one whose been looking out for her the most. (Right?)

Now you might be thinking that this sequence's only purpose was to show Lucas and Dustin's development with El, and that it wasn't intentional that they focused on Lucas and Dustins' priorities in this moment in contrast to Mikes'. And I raise you, this next scene.

Here we have a focus on Mike looking on to where everyone left, while the others beside him are presumably just processing what went down and taking a rest (and boy oh boy do they (El) need one).

Mike on the other-hand decides to take this moment of rest to display the most cliche and universal forms of distracted unrest known to man: he checks his watch.

Mike then stands up abruptly, causing El to fall without his shoulder there for her to rest on anymore, all while her and Dustin are looking on after him, sort of like... Okay?

It's small. It might seem insignificant. But if you actually pay attention to what this scene is trying to make you feel, after really looking at it for what it is, it's kind of sad.

In a moment that chooses to highlight the other boys' acknowledgment of El after what just happened, and not only that, but at the tale end of their final battle of the season, Mike is... distracted?

Mike, who has been presumably looking out for El more than the others in the party this whole time, is conveniently out of commission? And right now when El is looking for his reassurance the most? Mike doesn't even have a moment to say, 'Hey I'll be right back, I just want to check something. Can one of you?--', asking Lucas or Dustin to sit next to her in his place. No. Dude just stands up without even acknowledging her.

If it was any other moment in the show, under less post-traumatic circumstances for El, then I wouldn't even think much of it. But it's at this point in the story when El is essentially at her most exhausted and quite literally seeking out support from others, specifically Mike, that makes his distractedness so eery.

Again, you might still be thinking that this isn't that deep. However, I think based on the events leading up to this, and what follows right here, could quite literally hold the answer to the guilt Mike is still keeping to himself to this day.

So... How are we feeling?

Are we feeling like Mike None of you are thinking about El's wellbeing right now! She could get brain damage from using her powers too much! She's not a weapon!* Wheeler is a little bit of a hypocrite? (I told you that tool would come in handy!)

It's actually quite terrifying how similar this scene is framed to the scene in Hopper's cabin in s3, where Mike pretty much says the exact opposite. In s1 Mike goes from being one of the first people to refer to El as a weapon within the context of them using her powers to find Will, with him being completely un-attuned to the fact that she is exhausted in this moment while the others are saying El's rest and safety is the most important, to then in s3 completely flipping script and saying El was using her powers for nothing, blaming the others for treating her like a weapon and not taking her wellbeing into consideration.

It would be one thing if Mike had a little arc where he acknowledged this script flip. Because that's what it is. It is them having Mike use a word in s1 to describe El, that being weapon, only to say the others are treating her like that with that same word being used. It is them having Mike not agknowledge El's well being after overusing her powers, only to say the others aren't taking her wellbeing into consideration for overusing her powers.

And it would be one thing if Mike had spoke to El or literally anyone about how he felt like he wronged El for planning on sending her away the next day after they found her so that they could go back to looking for Will, or how he said she was a weapon that they needed in order to find Will, essentially being no better than the people she just escaped from, who also used her for her powers. But we don't get that (actually we do.. but it's not acknowledged for what it is aka survivor's guilt. It's instead seen as romantic... another tool for later...)

Now, don't get me wrong, I don't think any of Mike's behavior takes away from what Mike did do for El, because yes he was kind and accepting when the others weren't. But even despite all of that, at the end of the day, he was often at the forefront of expecting El to risk her life for them, even if he wasn't outright asking that of her.

Before you freak out, No. I don't think Mike, a literal child, was capable of fathoming that El was going into these situations risking her life. She's a superhero. El's alternative was literally going back to the lab, running, or staying with Mike. This was her safest option.

After a bunch of rewatches and putting together a lot of these moments as a whole, I've come to a point where I believe that Mike's behavior throughout s1 was him thinking that because of who El was, she's already in danger at all times. That is a constant reality for her. And so why not have her help them find Will, because she is able to, all while he can also help her. And El clearly wanted to help them, because she wanted to help good people and finally do something meaningful with her powers for a change. Unfortunately, she also had to endure PTSD flashbacks almost every single time Mike and the boys had her use her powers to help find Will.

Speaking of Will, he is currently missing and possibly dead. Will also, in contrast to El (for now...), does not have any sort of superpowers.

Mike's concern over the threat of Will's livelihood is much greater than Mike's acknowledgement to the true risks El is exposing herself to each time she uses her powers to help them. That is s1 canon.

Is there times when Mike is focused on El and her well being. Absolutely! But is there also times when Mike is not showing any display of concern to El's well being in the moment, in complete contrast to the other characters around him... Also yes.

And so the events happening the way they did, with Mike himself not fully comprehending the severity of what's been going on during these high stake situations going on around him, makes sense.

And that's what makes it all the more sad that when Mike finally does realize what he's truly been asking of El this whole time, which is to risk her life for them, it's too late.

This whole scene is obviously very emotional. All of the boys are crying, but the focus on Mike calling out for El painfully is heartbreaking.

But what's even more sad to me, is that El has been sort of used to mistreatment her whole life. She's used to having to find any comfort she could get from people in her life, all the while they were using her for her powers. I mean even despite Brenner being who he was and doing what he did, she still showed these signs of wanting to love him despite it. Which is very very fucked up. But knowing what she's gone through, makes sense.

Mike on the other-hand does greatly contrast Brenner because he was one of the first people to actually treat her with genuine kindness right from the start (before he even knew she had powers), making it a lot easier for her to care for him even despite that pesky trait of using her for her powers being almost synonymous with Brenner's very similar trait.

So when she looks back at Mike, and points him out specifically before sacrificing herself, it feels like a few things at once.

It feels like her acknowledging the fact that she appreciated him specifically for taking her in and supporting her more genuinely than anyone has in her entire life.

And yet it also feels like her, either intentionally or unintentionally, acknowledging the unfortunate side affect caused by days of Mike leading the efforts to find Will, with the expectation of her to do things to achieve that, which could have all lead to her demise technically. And so now when it all comes down to it and the stakes are at their highest yet, same as the risk, she's got to a point where she believes there is no other choice but to do just that, risk her life, especially if it means saving them.

While this is happening, Mike is backtracking in real time. He is trying to get El to stop and it's because he doesn't want her to die. Obviously.

But that's the fucked up part isn't it? When he finally realized what he's been asking of her this whole time, it's too late.

Which takes us to S2 Mike Wheeler, known by many for being a boy whose been calling his true love everyday for almost a year now because he's just so in love, but is actually in fact a boy suffering the most intense form of survivors guilt, one that involves a person who genuinely feels responsible for the persons death...

But that will probably take at least another 2,000 words so I'm thinking maybe I better split this into multiple parts.

I will tease that the next part involves one specific detail in particular that I never see anyone talk about, a detail that I think, in combination with what's discussed in this post, is so important to understanding Mike's breakdown for what it truly was at the end of season 2. I will also probably do more posts beyond that for s3-4, to delve into the impacts these moments from the first two seasons have basically put in place a perfect recipe for what is currently going down.

So feel free to stay tuned for those nonsense updates.

Continued

#byler #stranger things #mike wheeler #this is not mike slander! #this is mike deconstructed #this is mike in all his glory #well not all his glory #bc i think s2 and s3 and obviously s4 build off of this #making all of these moments all together overall a lot more compelling as a whole #but these right here are our roots ppl #find the root of the problem and everything else just falls into place #i can't wait for part 2 though #it's even more heartbreaking and tragic somehow #the suppressed guilt of it all #the denial #the shame #the gall at times #it's only gonna pile up for this kid #watch out dominos (mike wheeler) #your dominos are gonna fall...

[peterpastrahmii]

SPOILERS FOR THE FNAF MOVIE!!

I just got home from seeing the fnaf movie and I'm basically gonna unload everything I thought of it.. bear in mind it's just my opinion (haha get it cause.. bear. freddy fa- *gunshot*)

it wasn't bad!!!! we won 🎉🎉 it was literally so good and completely worth my five year wait

now obviously it wasn't a perfect film, there were definitely moments where I was like hmmmm.... really???... but other than that it had pretty much everything I ever wanted out of a fnaf movie

speaking of hm really moments.. matpat? in MY fnaf movie??? it's more likely than you think. he literally said it's just a theory. I'm not mad that he's in it I do love that he got that opportunity but did you really have to make him say it? it was kinda funny tho... I'll give them that

we're sooo back william girlies HE'S NOT JUST STEVE RAGLAN 🙏 I was so right

I wasn't right about mike being an afton but do I care? no. at least they're still connected in some way

however.. vanessa? is william's daughter? really didn't see that one coming and idk how to feel about it. I know there were theories here and there from sb that vanessa is his niece or grand daughter or smth, but still

ok now I wanna talk about the positives.. there are way more positives than negatives obvi yay

i LOVED the ending. that last shot of william squirming around on the floor in the spring bonnie suit while the spirit was watching... I was gagged

I have to talk about the scene of mike in will's office when they meet for the first time cause that was kind of insane... the way he paused in the middle of saying mike's name I was like oooooo 🤭🤭 and ngl when he stood up bro I almost moaned matthew lillard is so fine fr. speaking of, matthew was absolutely my favourite part. he had the least screen time but he stole the whole spotlight, he was THE best choice and I stand by that

mike's dream sequences were so cool and interesting I loved how much the spirits were involved with the story and how they got to interact with mike

yk that scene where abby, mike and vanessa were making the fort with the animatronics.. I know for a fact that people are gonna complain about that and say that it was cringey and unnecessary but you kinda have to understand... they're still kids. yeah they're not alive, but they're not just animatronics either. it was a bit nice to see them be like that with the main characters. and when abby handed bonnie that little heart I was just 😭😭😭 that was so cute

the. the fucking. scene with max?? getting her whole body split in half.. woah I was speechless it was so cool. plus a reference to the bite of 83 kind of? so good

I'll definitely have some more thoughts once I go see it again cause trust i WILL be seeing it as many times as I can idc

#fnaf #fnaf movie #five nights at freddy's #josh hutcherson #matthew lillard #mike schmidt #william afton #matpad #cory kenshin #vanessa shelly #freddy fazbear #fnaf movie spoilers

[pandagalo]

[PJO SERIES EPISODE 1x08 COMMENT]

What an amazing episode!!

Starting from the RECAP: Poseidon speech as we relive Percy's quest is amazing, not just a montage of what has happened, but actually video editing to tie all together!

Annabeth confused about Kronos, great continuity.

THEY ARE IN MONTAUK. Poseidon is right by his side in the exact place where he met Sally! I know it was for time and budget, but it's a change that I personally L O V E.

WAIT, YOU PUT PERCY'S TRAINING WITH LUKE THERE? AND YOU MIRROR THEM AS IF YOU PUT THE TWO SHOTS TOGETHER THEY ARE POINTING SWORDS AT EACH OTHER. WHAT?!

Fight with Ares check: Percy easily overpowered, he finally has confidence in his powers and distract Ares as he hurts him. Of course Ares thinks Percy is going for the head. Ares thinks everyone in battle wants to kill the other, Percy used his brain and went for the ankle.

GOLDEN ICORE.

ANNABETH'S NECKLACE.

Now to Zeus. That sequence is absolute PERFECTION. We saw kids acting most of the time, now we got two adults that just DELIVER with their perfomance. Zeus is scary, has authority, HE IS A GOD. Poseidon portrayal is such a loving father, such powerful emotions and acting. They killed the scene, I couldn't stop smiling from how good it was.

"DO YOU EVER DREAM ABOUT MOM?"

Now to the Luke scene. Percy figured it out, but this time it was too late. He was already alone with Luke in the forest and was recalling the prophecy. The scene is masterfully portrayed, Luke tries to recruit Percy, only for him to have developed trust in his father, which push him to try and change Luke's plans. But when he mention Hermes, the fight starts.

PERCY APOLOGIZES WHEN HE HURTS HIM. He wasn't being serious, he probably thought it was like sword practice, but this time he didn't have a wooden sword. It's only when Luke hurts him that he understands how grave is the situation.

AND ANNABETH SHOWS UP. Because she had the same thoughts as Percy. She emphasized that they needed CONCRETE PROOF. Something wasn't quite right. She actually followed them with the cap. And when Luke harmed Percy, she understood that they weren't getting their friend back. And Luke couldn't bear her seeing him like that, and he escaped.

MR. D WHAT A SWEETIE PIE YOU ARE.

Gabe wasn't portrayed as abusive and bad as the book, if it was Sally to petrify him it wouldn't have sound right. BUT TO POSEIDON TO DO IT? To send back the Medusa's head, knowing Gabe would have opened their mail? To Poseidon to actually save Sally? (Friendly prophecy reminder: "You will not save what matters the most" in the book is about Percy letting Sally use the Medusa's head on Gabe, it isn't Percy who saves his mother, but herself)

GROVER GOT HIS LICENSE. Well, it's not actually that they never checked the sea, it's just no one ever returned. But probably no one knows it.

In the end, loved the episode and the show. Episodes 7 & 8 REALLY sold it to me. In my opinion, it went from a 7 to an 8/8.5 just because of the last two episodes. I'm really excited about Sea of Monsters, I don't think they will have any problem with the green light for Season 2, as the show is a success and it deserves it.

#percy #percy jackon and the olympians #percy jackson #pjo #pjo series #pjo tv show #percy jackson fandom #annabeth chase #luke castellan #grover underwood #ares pjo #zeus #poseidon

[fruitsalad864]

Fable SMP Commission Experience 7/7 + Bonus Images!

In this section, I'll be sharing sketches from what I call "Scene 6: Finale," which includes the moment Centross looks up at Fable up to the conclusion. Also included are some thank yous and some bonus images!

"Centross smiles at Fable. Centross pulls Fable close into a hug, stabbing through Centross' heart. Centross looks up across the cave."

In the colored version, I believe John was the one who added some purple in the eyes of Centross looking up! Very nice touch! It makes Centross look more like the one in control of how the fight will go.

When Centross gets impaled by the sword, I wanted to make sure to get a good shot of it going though his chest with some blood on the blade, especially the dribbling bits.

"The reaver is flung spinning across the cave towards both of them. It impales through Fable. A golden light glows around Fable and is sucked into the reaver. Blood begins to ooze from Fable’s wound for the first time ever. He is stripped of his immortality."

This is the big one! I was trying to figure out how best to portray the light absorbed by the Reaver. I settled for a crackling energy, kind of like Zeus and his lightning bolts!

In the final, I emphasized the impact of the Reaver through Fable with blood spurting from his mouth. His body is hazy near his waist because I wanted to show that the borders of his physical body were beginning to dissolve.

I'm not sure if this was an intentional part on the writers' ends, but I'm a big fan of how this scene is a direct contrast to Centross and the souls! The contrast between purple energy being given vs yellow energy being taken...cinema.

In the final, I snuck in a hazy image of a skull on the Reaver's gem as a little bit of a treat!

"Centross headbutts Fable, who falls backwards, stunned. Centross shakily stands to his feet..."

An unused close-up of a teary, bloody, sweaty Fable. He has been undone! He's never had to keep track of so many fluids before!

It completely slipped my mind to draw in the headbutt scene, so I mostly worked it in digital.

"A loud heart thumps as part of Centross becomes stardust... More of him becomes stardust..."

The doodles are a bit lackluster, but I knew that I wanted this sequences to be very colorful and luminescent with a hazy brush. The scene transitions back to the smooth brush in order to show that the action has mostly calmed down.

"He looks towards Icarus... He turns to Fable."

For the frame Icarus is in, I wanted to make sure to emphasize his distress, confusion, and sadness. Lots of tears and furrowed brows.

For the frame Fable is in, I wanted to emphasize the loss of his immortality and pride. He's on the floor, nursing a new wound and drained of power and life.

"His body is almost fully stardust...Blackness...Centross’ eyes flutter open, glowing violet irises and pitch black scleras."

His face was not at all legible in the sketch. I wanted his eyes to look like they were beginning to close, but it wasn't reading well in digital. I'm much happier with the final product.

Although Centross is inhabiting a void, I still wanted there to be a sense of space and emptiness, so I layered some thick black brushstrokes in an overlapping pattern in the final.

Last Words:

I understand that these past few posts have been very lengthy! I don't expect anyone to read ALL of my notes (but if you did, holy smokes, many thanks). These are just mostly here for me to practice explaining my creative choices.

This project had a pretty tight deadline (a little under a month), but I feel like our team was very efficient and responsible about getting the work done in time! A little pressure goes a long way.

I'm thinking of opening up commissions or a small print shop in the future! I'll be sure to make an announcement for when that happens.

I'm very open to any future Fable SMP projects or collaborations! You guys are all very lovely and creative, and I always like hearing about new projects.

And now, some thanks!

Thank you to Centross for the opportunity to create this cutscene! It was really fun showing you my sketches and getting your feedback on them. This project really helped me flex my art muscles, and I'm grateful to have met you and become friends!

Thank you to @strawberripine for keeping me company in the wee hours of the night as I was trying to finalize in digital! Your presence helped me to keep focus and not sweat about the small stuff!

Thank you to @sherbertquake56 for editing the scenes into a finalized product! It was really cool to see how the visuals and audio flowed together!

Thank you to @johnyyyyyboy, who put in a ton of work on backgrounds and lighting! It really helped to elevate all the action that was occurring!

Thank you to the Fable cast members for the kind words of support throughout the process! You all are a lovely creative bunch, and I'm sorry that when I met some of you in person, I was having a bit of trouble engaging in conversation!

Last but not least, thank you to the Fable SMP audience for enjoying the cutscene! A lot of work was put into it, and it was very gratifying to see everyone's reactions in real time! You all have a nice community, and it's so cool to see everyone's cosplays, fanart, fanfiction, etc.

Until the next time I crawl out from my cave,

Fruit 💙

#drawing #sketch #fruitsart #fable smp #fsmp #centross #fruitchat #mcyt #icarus morningstar #rae morningstar

[trutrustories]

Just some thoughts I have, immediately after viewing ep 6.

spoilers! oh my god, oh my god! I´m honestly relieved! Can you believe it??? I´m SO GLAD endindg didn´t ruin the show! Quite the opposite, actually! I think that with the context of this ending, they actually made season 1 much BETTER. which is like... complete surprise for me! What the hell???? I seriously didn´t expect that! AT ALL! 🤯 It was funny, It was clever, it was epic, and absolutely heartbreaking 🥺😭 Ouroboros, Casey, Timely, and Sylvie... they all survived, and can live they lives however they choose! O. B. making the sequel of his bestseller is the best thing ever! And he has friends now!!! My precious boy!!! Good for him! He deserves it! And Loki and Mobius both survived as well THANK GOD!!!! And they still remember each other! (I was prepared for much worse scenarios, to be honest.)

Anyway, I´m sucker, for bitter sweet endings. So I´m FINE. ....except I´m not.

Because It´s so fucking tragic at the same time!!! God, what a love story! (what isn´t denied is allowed, so... ) they ended it with two of them, alone. Mobius isn´t actually getting back to his boys, because they already have Don. But he didn´t want to stay at TVA because Loki is not there anymore.

Last few shots are Mobius, just standing there, watching life he can´t have and for the first time he is free to wonder around the world on his own. he´s able to WASTE HIS TIME now. And then we see right after Loki, stuck on his throne, alone. And it is implied that he was able to hear Mobius (or see him, even!) And he looks lonely, but also happy for his man!!! GOSH. I was crying like a baby. whole sequence from that scene in a theatre room right until the end! And that freaking music!!! I only have one complaint, and that being: we should see Mobius actually enjoy some JETSKI! Or even better: last shots should have been Mobius happily steering a jet ski on the open sea (wind in the hair and all) AND then Loki on his throne with a smile on his face (because he´s watching him). Last thing: there is actually so much potential, after this finale. If not for actual Marvel project, then for fanfiction writers and for imagination. They left so much room for the good stuff! 😍 For example:

Mobius struggling to addapt to normal life on a timeline. And then he somehow finds out, Loki can see him/ hear him. And he will starts talking to him. And because Loki is so alone and unable to go anywhere, this starts to be his source of fun. Something that makes him happy. And he finds way, to talk to Mobius back somehow... or

Loki will find out that he can travel to his past selfs without having to leave his throne. He stays there, but his mind can travel to his body at any point before.

I am actually mad, I have no time to write fanfics right know (but hey, my english is totally tragic and terrible, so it´s probably a good thing 😅)

Anyway. I feel sad, and also happy. And inspired and satisfied. And I´m still sobbing. All at once! It was beautiful, and I enjoyed every second of it! Can´t remember last time marvel actually managed to do that to me.

*standing ovation* I applaud to creators, actors and everyone involved. You guys did a fenomenal job! (at least that is how I see it)

👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏

#loki #lokius #loki spoilers #loki season 2 #mobius #mobius m mobius #loki and mobius #loki spoiler #marvel #mcu #finale #glorious purpose

[marvel-starwarsfangirl]

BB Season 3 Trailer Breakdown

I am very excited, as you know, for the final season of The Bad Batch. Despite its ups and downs, this show means a lot to me and I adore the characters, particularly Omega and Crosshair. So, without further ado, here we go!

The trailer starts off with the Empire pursuing the boys on a turbo tank as they escape from some sort of facility (I think). Later in the trailer, we see the same tank firing upon the Empire while they head away from wherever they are.

As Hunter, Wrecker, and Crosshair (he can be seen for a split second) realize that they can't get out of trouble with the tank, Phee drops in to pick them up, commenting "not exactly a stealth exit boys." This makes me wonder if the boys snuck in to get information on Hemlock or Mt. Tantiss. I also believe that this sequence with the tank chase correlates to the episode titled "Juggernaut." It makes sense to use a name meaning something big while the Batch are in a huge tank.

We then see some sort of transport (?) ship headed towards Coruscant. The next shot is of Rex and Hunter talking so maybe they're on the ship. Rex says that ending the war would mean that the clones would no longer be killed in battle. However, we see that's not the case; the clones are still used as soldiers, experiments, or left to die without a thought. The end of the Clone Wars only made things worse for them.

While Rex says this, we briefly see the palace on Teth, burning. I believe this is where we'll see Ventress as that's where we first meet her in Clone Wars. However, this is pure speculation because the only other place I can see her being is Dathomir. Then, we see a downed ship with two figures walking away from the wreckage. Based on the image of Omega desperately piloting a ship later in the trailer, I think she and Crosshair somehow managed to escape. Unfortunately, only Crosshair was able to actually get out. I think we could see this event happening between episodes 5-8.

Rex then says he was wrong about the clones' fate before we get a brief flashback to the railcar incident and Tech falling to his presumed death. Rex continues on, saying "we can't just walk away" whilst images of an imperial occupation flash by. Citizens run away in terror so this could either be Pabu, found at last, or another planet in which the Batch travel to. Rex finishes by saying "not with the Empire imprisoning the kid."

Then, we cut to images from Mt. Tantiss, including post and pre-time skip Omega. Omega walks in and sees a broken Crosshair. Since this looks like the first two are seeing each other, I think these are shots from the first episode "Confined." Hemlock is shown next saying to secure Omega in her cell. There are two Delta Squad commandos behind him. Now, I'm not sure what Omega is holding in the cell, but it looks like she's being scanned. We also see Emerie looking somewhat unhappy. Hunter says that Omega's been waiting for them for a long time and we see her pre-time skip in a cell overlooking the outside world. Perhaps this is a privilege for cooperating? Hunter also says a "long time," so I'm guessing that it's been at least a year since season 2. Hunter concludes with that the Batch's mission isn't over yet.

The next several scenes show a ship being chased (maybe the one Omega is flying?) and what I assume to be a mirrored shot of Hunter and Wrecker because of their facial characteristics being flipped. Then, we see Palpatine with Nala Se and Hemlock saying that their operation is most important to the Empire's future and Hemlock will have everything he needs. My crazy theory? He wants to build an army of force sensitive clones. Will this come true? Idk.

The Empire is seen firing upon a ship (again, the one Omega stole?) and we get a glimpse of a new antagonist, the dark armor-clad figure commanding the TK troopers. While I Initially thought it was Cross because of the helmet design, I feel like that's backpedaling on this character arc so I'm gonna say it's Tech or CX-1, a new clone we see later. If it is CX-1, then it makes sense why we hear him say that the Batch will be hunted down. I'm not sure who this is but I'll be theorizing later. Speaking of that line from CX-1, we see flashes of Fennec, Cad Bane, and Nala Se. While Cad Bane will definitely be after then, I think Fennec will help because she's spotted on the boat when Hunter almost gets eaten by an alligator.

We later see in the trailer, Hunter on Pabu, Wolffe hopefully leading an early clone rebellion, and two clones running towards a big explosion. I'm not sure what's happening, but it could happen during the "Infiltration" and "Extraction" episodes. There's also a clone with a flamethrower so it could be during the same sequence. There's one shot of Echo walking towards... the Batch, Rex... idk. We'll find out together.

Wrecker, in true fashion, asks for a "real challenge" so I think we hear this in the episode "Paths Unknown." It sounds like the Batch are trying to get money or something to pick themselves back up. There are several shots of ships flying; to where, I'm not sure. Hunter and Wrecker are also getting ready to fight. We see the same two clones from earlier in combat and Hunter, Wrecker, and Crosshair aiming at someone. Hunter says they're not big on following orders. This is proceeded by more shots of Tantiss, TK troopers being attacked by creatures, and troopers being shot at. Hunter tries to hijack a gunship as well. Maybe this happens during "Flash Strike" or the other action heavy episodes. We'll see.

The trailer ends with Asajj Ventress, alive and well, swinging her yellow saber as blaster bolts fly at her. She says that she doesn't plan on killing "you," but "you're" making it very tempting. She might be talking to the Batch. Based on the shot of Hunter and Wrecker, maybe they ask her for information on Tantiss or she is hunting them down. Idk.

Anyways, that's all I have for now. I will be doing some theories on CX-1 and the mysterious imperial as well as what I think might happen based on episode titles and Palpatine's ultimate plan so stay tuned for that!

#star wars #the bad batch #tbb wrecker #tbb crosshair #tbb hunter #tbb tech #tbb echo #tbb omega #captain rex #asajj ventress #royce hemlock #tbb spoilers #tbb speculation #tbb season 3

[aethon-recs]

January 2023 Tomarrymort One-Shots

I wasn't planning to do a month-by-month rec list, but my god did January deliver on one-shots — so many showstopping works were published this month that these 10 fics deserve their own post. And what a variety too(!), with fics ranging from A/B/O to love potion mishaps to fem!Harry, and even canon-compliant(-ish) Harrymort.

Criteria for this list: one-shot, complete, published in January 2023 (yes, in the last month alone!)

Why one-shots?, you may ask. The majority of what I read is chaptered works and longfics, but I think one-shots can be a bit overlooked and underrated — they don't have ongoing updates on AO3, and the first rec lists in this ship that I encountered were dominated by longfics. So I wanted to celebrate and highlight the amazing work that the writers in this fandom are doing in short-form writing. Also, one-shots tell a full story arc in one go — and isn't that wonderful to get plot resolution and closure in a single sitting?

(Thank you also for dropping recs into my ask box! Please keep them coming!!)

*

Tomarrymort Recs (January 2023)

a dream is a wish by @funkyatheart (E, 5k)

This was such a delight to read from beginning to end. Cleverly weaved in between the canon events of book 5 are SUPER HOT dream-sharing sequences that show the escalation of Harry's increasing fascination with Voldemort. And we're gifted with hemipenes and consciousness-sharing through their mental link — what more can I can ask for from a Harrymort smut scene??

A Special Day by @vdoshu (E, 3.5k)

My jaw was ON. THE. FLOOR. for this whole fic. Grumpy old man Voldemort with all his old man habits was such a delight to read about — I don't think I've ever seen this concept done before. And when Harry shows up, the narrative tension is so good and kept me on the edge of my seat. I can't say much more without giving things away, but I definitely recommend this as one of the most unique and twisted concepts I've ever read in Harrymort.

Banish Me to the Garden of Eden by @contrarywiseizybel (M, 7k)

Rich, sumptuous descriptions run through this entire fic and bring to life — very vividly — the entire story arc of Harry locked up in a tower as Voldemort's captive and how he gradually comes to make the best of his fate. The author's writing is so poetic and lyrical and makes really good use of repetition, which gives the whole fic a very fairy-tale-like quality (including the happily-ever-after ending!)

Bruises Like Violets by @noumena-writes (E, 3k)

A forbidden romance between Tom and Harry who are on opposite sides of the war makes their last tryst VERY high-tension and fraught with danger. As always, noumena's writing is full of so many gorgeous and richly detailed phrases, like "The raging fire that burnt through every angry spell was slowly eating away at Harry, leaving a battle-weary shadow in his place." Absolute 🔥 writing.

Cherish by @amors-mordre (G, 1k)

This fic gave me the absolute chills in just 800 words. Voldemort is at his manipulative best here, as well as absolute peak possessiveness. The dynamic between Voldemort and captive Harry is delightfully creepy and leaves you craving more.

his lady in crimson (who reaches through time) by @ellorypurebloodculture (M, 5k)

This was such a cool non-traditional time-travel story! All the descriptions of fem!Harry and her outfits are absolutely gorgeous — I don't think I've come across this level of detail to costuming in very many other fics before; it was one of those really nice details that you can tell the author put a lot of work into and that really made the fic very memorable for me. And oh god, I felt every moment of Harry's heartful yearning and desperation and urgency in reaching out across time to Tom, and how much she loved him already — an absolutely beautiful love story.

never a victimless crime by @duplicitywrites (E, 7.5k)

Someone doses Tom with a lust potion keyed to Harry — and an absolutely wild, chaotic, wet, filthy hot mess of a shower-scene PWP ensues, featuring Tom who's been drugged out of his mind and Harry who's trying to do the right thing but is similarly incapacitated by a mild concussion. This had so much sexy chaotic energy, and is definitely one of the best things I've read on AO3.

Serendipity by @lissiamoonstone (E, 6.5k)

SO MANY LAYERS OF DUBCON. SO MANY LAYERS. And combined with super possessive Alpha Tom and Harry being in heat and somnophilia as the icing on top!? This was such a delicious mind-fuck — I reread it a few times and kept finding new things to notice, and I know I'll come back to reread it many more times.

They, of Riddle Manor by riddlereading (M, 16k)

I think this is one of the most unique Voldemort-wins story arcs I've read in Tomarry. Just one thing goes differently when Tom goes to Riddle Manor for the first time, and he doesn't end up killing his muggle relatives, which then sets off a sequence of events that result in Lily not dying and Harry growing up (with a happy childhood) in Riddle Manor. It's absolutely adorable from start to finish, and I had a huge smile on my face when I finished.

Tom Riddle’s Guide to Repeatedly Failing to Get Laid in the Restricted Section by TheOnceandFutureQueenofTarts (M, 3k)

I jumped to open this fic when I saw some of the tags here — dubcon, amnesia, mind manipulation(!!) This was such a fun and snappy read, featuring one of my favorite things — Tom repeatedly fucking with Harry's head to get what he wants (in this case, getting laid). He is absolutely undeterred and plays dirty, and we would expect nothing less of our favorite babygirl dark lord in training 💕

*

#tomarry #harrymort #tomarrymort #tomarry recs #tomarrymort recs #hp fic recs #one-shot recs #ao3 recs #fanfic recs #harrymort recs #2023 reads #2023 recs

[didntyoubelieveinme]

i posted this yesterday but it flopped so i’m posting it again!!! 🤭🤭

In velvet goldmine, we see 2HB being used (technically??) in three different scenes. The first time is when we see brian preform (chronologically), second was in the bar restaurant thingy curt and arthur were in, and the third time was at the end of the movie when jack fairy preforms

The first time this song plays, it sets up the major use of it further in the movie. We see it when brian is very new to making music and performing, this idea of the early days. Before he was taken over and changed by playing as maxwell demon. This was before maxwell demon was even a thought. He was just brian.

A big point made in this movie is the change between decades. The 80s is depicted as this grayer and duller era while the 70s an era of expression and creativity. At the end of brian’s interview, mandy says, “for the first time in brian’s life, he was simply telling it like it was. did he realize what he’d actually done? how could he have? i mean today, there’d be fighting in the streets. but in 1972… it was more like dancing.” 2HB is used as this small bit of the past, of what was before.

The second time we hear the song was with arthur and curt. The entire scene plays as this sense of regret and what went wrong. They then have their whole conversation, and we have the very iconic quote, “we set out to change the world, ended up just changing ourselves… what’s wrong with that?… nothing, if you don’t look at the world.” We then get a longshot of all the other tables and people. With the grays and the dull colors you get more imagery of just how much is different. In the end the world did change, just never how they expected it to. Curt mourns the past while brian appeals to the present, ever craving for fame.

As curt gives arthur the pin from brian, someone plays 2HB on the jukebox and, after this entire conversation about how things have changed, its almost this blast from the past—how things started out, how they used to be beautiful.

The last time we hear this song is in the ending sequence of this movie. We see jack fairy singing it and as we do, there is this backdrop that projects the faces of the big glam rock stars in this time period. The scene then fades into the same sequence we saw from the beginning of the movie, and as the shot pans into a radio that no one is taking the time to pay attention to, we see just how much things are different. It will never be like it one was, but we’ll have this one thing. Their music will forever be an echo of the past, no matter how much the world changes they will have always happened.

#velvet goldmine #curt wild #brian slade #i’m nothing if not a lover of 2HB #thom yorke ate that up tbh #slaps roof the amount of analysis i can fit in here #I FEEL LIKE THIS IS ALL OVER THE PLACE BUT IT MAKES SENSE IN MY HEAD

[ultraviolet-cello]

I'm gonna be honest guys, I looked at today's episode and was like Oh No because Episode 9 is my Achilles heel. not that there's nothing to say about it. But that there's so much To say abt it lmao. While 6 & 7 are my favourites, Knives is a character that I see soooooo much like. I need to put him under my microscope.

Anyway, today's analysis/detail watch/@tristampparty is episode 9 - Millions Knives.

Spoilers for Trimax and Tristamp, CW for uh. Knives in general, and enjoy!

It's probably just the angle here, but Knives does look marginally shorter in this shot, and it's extremely funny to me

Okay I did just get jumpscared by being in dub for some reason I was looking for the subtitles and heard English and had The Most dramatic reaction. okay we're normal now.

Knives,,,, Knives Knives Knives,,,, so I, once again, think that the narrative is working against him. It's interesting, then, I guess, that he's the only main character in Tristamp who doesn't get the portrayed-as-younger treatment in Tristamp.

Knives here is experiencing things that Trimax Knives only did way way later; the last run in particular. Trimax Knives witnesses a last run and starts fusing with other Plants midway through Trimax. This scene in Tristamp, however, takes place just 5 years after the Big Fall.

Trimax Knives ends up like he does by spiraling very very quickly after he starts fusing (And he was dead/in a coma for 20 years!); Tristamp Knives, however, has had at least 145 years to build up his power, build up his hatred, go down that spiral. No 20 years of being dead, just alllll that.

In that respect, Tristamp Knives is Trimax Knives taken to the end of that spiral, the extremist endpoint that Trimax Knives never quite achieved because of Vash - he never really had the time to reach the end of the spiral and settle in it, whereas Tristamp Knives has had that going for again, 145 years.

It's a fun inversion of what's going on in Trimax actually - the 20 years between July and the present are what gives most of the main cast their development and personality - They've had the time to develop those coping mechanisms, trauma responses, their characterizations past all the traumatic things that have happened.

Trimax Knives isn't present for those 20 years, he's down and out for the count. So that 20 years of Important development does not apply to him, making him the least Progressed character in Trimax actually.

So to have Tristamp Knives be the inversion of that is really fascinating, because it applies to how extremist he's willing to go, and how,,,, Bad[tm] the actions he takes are.

Some Knives characterization things that I see criminally overlooked are that,,, well, Vash struggles with empathy sometimes, but Knives often feels things far too much, as in a hyper-emotive or overstimulated state (he's autistic ur honour), which is what contributes to his overall spiral - he's so emotionally driven that he doesn't recognize the emotional weight behind his decisions anymore. I don't think he knows quite how much his grief and anger contributes to how he says he hates Rem. He doesn't really explore that but instead just turns it into motivation for himself.

Anyway him feeling things Way too hard is an entire mood and Studio Orange did an incredible job with his expressions.

Like for example, in this sequence he looks like he's about to physically Gag in response to seeing the Plant die

Or this one, where he looks like he's about to cry but shoves his hood over his face hurriedly in case he does. Daily reminder that Knives was the kid who cried a lot

So Vash steps in in the middle of Knives' little breakdown, but he hasn't really Seen that breakdown. To him, Knives is immediately just spouting about how humans are so bad, but from Knives' POV he just watched his sister die while the humans who surround him are unapologetic and uncaring. And that's gotta be devastating for Knives, because Vash really does not understand the context of the situation here. I think that gets to Knives a little bit, and unpauses his breakdown.

The other thing that really cements the Absolutely God Awful Time that Knives is happening is the guards going to grab him. We've already seen Knives be relatively adverse to touch (looking uncomfortable when Rem grabs him), and now he's having a really bad day, he's experiencing Trauma^2, and people just Grab him? Not to be dramatic but I understand the urge to start killing

But he also,,,, doesn't resort to violence first. He literally appeals to everyone's sense of heart, he points out that the Plants are crying out, can't you hear it? And then nobody listens, nobody comes to help him, and at this point there's probably a lot of fear.

A bunch of humans have turned up who are,,, apparently happy to exploit plants, conrad knows he's a plant, and he's being restrained by several people. That's a really scary position to be in, especially if you happen to have seen what happened to, oh, I don't know, Tesla?

Self-defense, in this case, would surely be justified to him.

Also the scene of Knives attempting to get Vash to shoot someone with a gun is a 98-only detail which I love actually - 98 has its moments, even if it's only 3rd in my Top Triguns list! (I love 98 to be clear, I just like Trimax and Tristamp more)

Vash tells Knives that he lost Rem because Rem was protecting Vash, and That's Not A Great Thing To Hear. Knives loved Rem very much and now Vash is telling him that yeah, she's dead because of him. Which he'd definitely known before, but it's such a gut punch to hear your own brother say that, scream it in your face even. Your mother is dead because of you. She was only protecting Vash.

And again, that too much emotion spills over into just inescapable grief and rage that goes into violence and taking it out on Luida which. Yeah. Yeah.

Tristamp fascinates me in that Knives actually has a genuinely good reason to amputate Vash's arm - he's in a haze, and he needs to think quickly, nobody else can do anything, and if that arm goes off it could evaporate everything in the immediate vicinity. So yeah chop chop. It's not a great solution, of course, but it's the quickest one he's got, and also starts desensitizing Knives to violence he commits against Vash. Because, of course, if this one piece of harm had saved Vash's life (which it probably did), then everything else that Knives does is also saving him, right? Right?!

Why does Vash get like. B cups in this scene and only this scene. Top ten questions science can't answer /j

Godddd okay Meryl and Roberto's reaction to seeing plants is,,,, It's nice, actually. I like that Roberto gets to see hope and flora before he dies. I like that the last positive, lovely thing that he gets to experience is the hope of the world. Even if he denies it.

God, Knives telling Vash that he's the reason for the big fall really did a number on him huh. The man is powered on 17 guilt complexes, CPTSD, and bisexuality

worms took her tights can't have shit in noman's land

Roberto also cracks a lot of jokes all the time I miss him. He's so deeply unserious half the time and the other half he's mysterious as fuck. Love this guy. But also the fact that he does try to,,, make the situation better for Meryl by joking with her is very sweet.

Wolfwood has. 0 experience in riding a Thomas because he was never given transport again,,, Why waste fuel and animals when the Punisher can just walk the desert himself? He's not human enough to die of it. ghrngrhgnrgrngrnnnnn

God that's gonna be so good when he gets Angelina though. His own transport,,,,

Zazie doing the lord's work by putting Aotearoa New Zealand front on the Worm Globe, we're so often left out of maps lmao

Alright I have spent some time condensing that Knives rant and it's still. a Lot lmao. Anyway that was my Normal-About-Knives episode, next is my Normal-About-Roberto episode, which I'm super hyped for! yippee!! yay!!!

#cli speaks #cli analysis #trigun #trigun stampede #tristampparty

[kaiowut99]

Yu-Gi-Oh! Duel Monsters GX Episodes 108-109 Subbed (Finalized)

(Previously: Episodes 106-107 Subbed [Finalized])

(Check out my Subbed!GX Stream Masterpost!)

TURN-108: Professor Cobra's Assassin

Professor Cobra announces the "Disclosure Duels," a system of publicizing one's skill and performing duels openly. He also provides all of the students with their own Dis-Belts to gauge their fighting spirit through their passion, focus, and decisiveness in those duels. Cobra then orders O'Brien to duel Judai--and to do so in a way that brings forth all of Judai's latent abilities. Putting his strategy into action, O'Brien takes Shou hostage and duels Judai.

TURN-109: Judai and the Fiery O'Brien

O'Brien aims to bring out all of Judai's latent abilities by using Shou as a hostage. As expected, Judai causes a serious battle to unfold, which he responds to using his Fire deck, activating his Firewall Permanent Trap against Judai's direct attacks to negate his attempts to attack him directly. For his part, Judai Contact-Fuses Neos with Flare Scarab, summoning Flare Neos for a counterattack, but...

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Sorry, didn't mean to leave these two episodes hanging for just over a month~ sorry Shou

Episodes 108 and 109 are now finalized! Professor Cobra comes in and starts up the Dis-Duels, which will play a big role in this early part of the season, and we get more time with O'Brien as he duels with Judai on Cobra's orders and ends up having a little fun with it towards the end. It's a fun duel, O'Brien makes a fiery entrance with his Blaze Cannon/Blaze Cannon Trident cards, and I love the sequence in 109 as Judai uses Flare Neos with probably my favorite use of the "Fervent Duel" OST track. Also, 109 in general is a fun episode because of all the top-notch artwork going on, with some interesting angles or some really good motion frames from the animation team (Judai ordering Featherman to swoop in against O'Brien [which gets reused once or twice] is so good). Also nice character moments with Shou about reconciling his ideal from Ryou about respecting opponents with the need to have all-out heated duels to survive, a nuance that gets lost in the dub for the most part. Though speaking of the dub, I did like Axel's (O'Brien's) dub voice for the most part, though it has a rough spot or two later on when he's cowering from the Supreme King.

Animation error-wise, we mostly have some quality-of-watching touch-ups, as there weren't any card errors I picked up on; 108 had one minor touch-up near the end, while 109 had just over a handful of mostly split-screen touch-ups. Details below the cut for the interested, as always~

Quick housekeeping: in case you missed it, I reuploaded 105-107 after noticing I didn't catch an update to one of the names under the In-Between Animation credits, along with some minor consistency fixes in the rest of the credits; these were reposted over on NAC and updated in the Masterpost linked above, and 108-109'll join them on NAC in the next day or two.

Anywho, enjoy! With these done, I'll probably go back to some fixes I've been working on for episode 1 that I missed, then I'll get a bit more looked over on Tag Force Special stuff (in case you missed that news~) before working on 110 as a quick two-parter break; stay tuned!

Fixes/Edits! (108)

Near the end of the episode, as O'Brien draws for his turn, there's a coloring error with some shading along the bottom of his left shoulder where the shading is lighter like with the lighter spots higher up; it's fixed for a few frames but then goes back to lighter. Fixed this by recoloring that shading spot in the frames during the quick zoom-out that happens using Photoshop, then masked out and held the shading in the last fixed frame for the rest of the shot.

Fixes/Edits! (109)

After the 108 recap but before the OP, we get this quick scene with Cobra watching on and saying that, even if he loses, O'Brien has to bring out all of Judai's Duel Energy (a scene cut from the dub [I wonder if this error is why]), but there's an odd animation error that happens where the line on the upper left of his mouth (his left) and the jaw shading are pixels away from where they should be--this only happens for the frames where he has this fully open lip-flap and his semi-open lip-flap going. Fixed this in Photoshop by redrawing the mouth line and filling in the jaw shading along the shading that was there.

Later, after O'Brien activates his Firewall and asks Judai if he thought weak attacks would work on him, Judai notes that O'Brien didn't summon any Monsters so it wouldn't be any fun not diving right in; a semi-surprised O'Brien slides in on a split-screen acknowledging this, but there's a quick frame as the split-screen is completed where the border flickers into its final position--fixed this in Sony Vegas by just replacing the earlier frame with the latter. Then, as they split off the screen to show Shou behind them, Judai's side takes a frame longer than O'Brien's to fully get offscreen; fixed in Vegas by using the frame after in that frame's place.

Later, Judai grunts after O'Brien uses Burial from a Different Dimension to return three Fire-Type Monsters to his Cemetery, and O'Brien slides in on a split-screen to say that he's removing one from it to activate Firewall against Flare Neos's attack--but Judai starts moving for it a couple of frames before O'Brien actually starts sliding in, and along with that, the border on their split-screen ends up being off-center. Fixed these in Vegas, first by redoing the split so it's timed with Judai moving, then ending the slide-in with the border centered, moving O'Brien's side into place so that his mouth and hand move properly for the rest of the split-screen. Then, a frame before they start splitting apart as Firewall activates, O'Brien's side moves but Judai's stays still; fixed by holding the split-screen still over that frame.

A bit after, once Judai uses Contact Out to de-fuse Flare Neos and attack to make O'Brien run out of Monsters to remove from play, O'Brien grunts as Judai slides in on a split-screen to remind him about Flare Scarab's power-up effect--but like with Judai in #3 above, O'Brien starts moving for the split-screen a couple frames before Judai starts sliding in. Then, as their split ends, there's a quick frame where they start to split apart to show Flare Scarab behind them but don't actually split; this is likely why their splits then end up sliding out unevenly. with Judai's taking an extra frame to fully slide out. Fixed these all in Vegas by first redoing it so that Judai's slide-in is timed with O'Brien moving; then, I masked in part of Flare Scarab from the next frames over them as they start to split, adding a new border to O'Brien and Judai's splits; and then finally, I redid their split-outs so that they were timed evenly.

After the eyecatch, we see more of Cobra watching the duel, and Judai and O'Brien come up on a split-screen with their current LP counts--they start to split apart a frame before their LP counts disappear to show Cobra, with this quick frame having just white behind them, along with O'Brien's split missing its border. Fixed this in Vegas by just holding the previous frame over it so that the split-out starts in the next frame, once the LP counts are gone.

[continued below because of dumb characters-per-"block" limits]

(6) A bit later, after O'Brien lets Shou go, Cobra looks on in surprise, but there are a few quick frames where the shading along his jaw is incomplete; fixed in Photoshop for the lip-flap frames where it happens, then placed them in the footage in Vegas and moved it into place as needed for the panning shot here.

(7) After O'Brien loads his Volcanic Buckshot into his Blaze Cannon Trident and deals 2000 damage to Judai, he starts to explain Trident's role in that, but Judai's betting that there was more to it; O'Brien slides in on a split-screen to say as much as he explains Buckshot's role, but his split-screen's already halfway into the screen in its first before sliding the rest of the way in, and like with #3 above, the border on the split-screen somehow ends up off-center. Fixed these in Vegas by redoing his slide-in so it slides in more fluidly. Then, because of how off-center the split-screen is, as they split apart, O'Brien's side takes longer to slide out; fixed this, after re-centering the split-screen, by redoing their slide-outs to be timed evenly.

#GX #yugioh gx #yugioh #ygo #ygo gx #yu-gi-oh gx #yu-gi-oh! gx #my subs #Judai Yuki #Austin O'Brien #feelin' the heat yet #[now to go feel some heat from a jog lol]

[chirpsythismorning]

Crack Theory: Will Byers is Twelve (012) - Part 2

4x05: The Nina Project (cont.)

Side note: Remind you of anyone?

(above) Will (?) communicating with Holly from the Upside Down in 1x03: Holly Jolly

Despite being the only kid to not raise her hand, El gets picked to go next.

For some reason they rearranged the kids here the next time we see them lined up, and I do find it interesting this adjustment ends up centering Twelve in the frame, and also in between El and Henry.

What follows is El not being able to prove her abilities, and having to endure snide, hateful and honestly abusive remarks from Two and Brenner as a result.

We do not see Twelve's reaction to this.

4x06: The Dive

I'm not really sure how to interpret what follows related to Twelve.

We go from having him focused on more compared to the other kids, to him now being left out of sequences such as this one, and at the most interesting times...

For example, we see almost all the kids get blindfolded by Henry. I find it weird that they skipped over Twelve and didn't let us see a shot of that?. We do see Twelve walk up, then eventually sit down with the other kids looking disappointed in this sequence, but nothing more. This feels like a weird choice when compared to everything else. The order of kids getting blindfolded is this, 6, 5, 4, 3, 13, 10, 14, 7, 9, then lastly El ... Idk it feels like they're deliberately skipping over him...

It could honestly be nothing. Continuity can of course be intentional, however it can also not be. And this isn't even the strongest evidence out of all of this, so I wouldn't base too much on it.

Still, perhaps this could support the possibility of them leaving Twelve's reaction out of certain shots, with intentions to reveal them later...

And this is when things starts to get interesting... Like REALLY interesting.

4x07: The Massacre at Hawkins Lab

Brenner has found out about what Two and his minions did to El during her extra hour in the Rainbow room. He confronts Two in front of everyone and despite his denies and protests, Brenner takes things a step further.

Again, we don't really see Twelve's reaction to any of the hate being thrown at El here either. And it just seems odd. Everyone has been shown laughing or showing some type of outward emotion in regards to El and her actions/how other people treat her, but not from Twelve, really ever.

What I do find noteworthy is the blocking here. Although Twelve isn't as centered as he's been the last few times during group activities, it's interesting that in this shot he's directly across from Henry (One).

Which brings us to one of the most interesting pieces of evidence (coincidences?) of them all...

Recognize this device?

I remember when this scene from the 4x08 8flix script surfaced and this shot specifically was one several people on here considered very odd. Like, could this potentially support the possibility of Will knowing Brenner, meaning Nick' scripts could have in fact been real?

Because, why else keep Will out of this shot, and all while everyone else is almost entirely visible? Why?!?!?!?!?!?

I'm starting to sense a pattern here, relating to Will and Twelve...

Okay now you guys have to wait for part 3!

And trust me, ITS GETS EVEN MORE INTERESTING!

Part 1, 2, 3, 4

#stranger things #will byers #byler #stranger things 5 #twelvegate #twelve #rainbowshipgate #birthdaygate #stranger things theory #stranger things meta #st5 headcanon #st5 theory

[firepony67]

Ayy part two of my favorite utsukushii kare: eternal moments cause I remembered more!

Again, SPOILERS!!! This movie came out like two days ago and I know most people haven’t seen it so proceed at your own risk!

Tho, as I acknowledged last time, nobody sees my posts anyways, but still 😅.

Okay favorite scenes part 2 let’s go:

5. Kiyoi and Hira scheming with Noguchi to get Anna and her boyfriend back together. What can I say, I had no idea who the guy was, but Anna deserves everything she wants and the reunion was super sweet, so I was happy.

6. Kiyoi giving Hira a back hug as he does the dishes and they chat 😭. Domestic fluff! I wanted more of it! But I’m happy with what we got.

7. The combined present day/past/dream sequence/montage thing of them running through the school and reliving some stuff we saw in the first season while making new memories. This may have been entirely for nostalgia’s sake, but I feel like it was a really beautiful way of ending to remind us of the beginning, and the scene itself was very pretty. Plus it was one of the few scenes with Kiyoi and Hira full on grinning- we got completely genuine smiles of pure happiness from both of them and it brought me so much joy 🥺.

8. Lastly, Hira finally getting to photograph Kiyoi in a professional context! The hesitation from Hira when Noguchi hands him the camera that fades to single minded drive as soon as Kiyoi tells him to take the pictures was so intense. And it was just amazing to see them basically achieve the goal Hira set in the second season. Also! This scene was so well shot, I feel like it perfectly captured their relationship, and the way they interact and convey emotions through Hira’s camera. It honestly felt more intimate than any of the actually steamy scenes, I seriously felt like I was intruding on something private and almost covered my eyes while watching lol.

#utsukushii kare #utsukushii kare eternal #my beautiful man #my beautiful man: eternal

[aboutzatanna]

To put into perspective just how forced the whole JohnZee pairing has been for the last few years, Zatanna met John 5 times in the pre-reboot continuity. That's 5 out of the 379 times she has appeared in comics before the Pre Nu 52 debut of Justice League Dark. Similarly John's Hellblazer lasted for 300 issues with his own supporting cast and love interests and Zatanna only appeared once in it.

(Yes, there was a divide between Vertigo and DC at the time but Zatanna was one of the few characters who famously flaunted the line)

Swamp Thing #49-50: this is where we first find out that these characters knew each other as John tries to recruit Zatara and Zatanna for the magical seance. Note that there is an element of manipulation involved in all of John's interactions with everyone in this issue. John was also a new character at the time and Zatanna was a very established character. Moore can be a perv so it's not surprising that he made their relationship sexual. He also basically ended the pairing with John Zatara's death and Zatanna blaming John for it. Although they were established as collegues, we got fans and writers today who think Zatanna should be a novice who needs John to lead her around and tell her where to aim her powers.

Books of Magic: In which we learn that John hasn't met Zatanna at all since the traumatic seance but feels he can just waltz in and ask her to babysit a kid for him. The writer likes him so of course it works and she hugs and kisses him, which felt so very jarring. Books of Magic is a book I enjoy except for the Zatanna scenes (and Spectres). Then we had Zee acting like a complete idiot who endangers Tim Hunter and needed to be saved by John Constantine. Really jarring when you see her appearances in JLA comics around the time where she was a powerful magician whose kicking ass. ( Yet, this one comic would decades later set the pace for her characterization in JLD as this novice with a lot of power except for when John needs to shine. ) We would later get a follow up to this in a dream sequence in the 1991 Zatanna mini series by Lee Mars but that too had a scene where Zatanna went 'oh no, I'm not as good John' which makes no sense since she has been involved in magic her whole life.

Hellblazer Vol 1 #63: Zatanna's only appearance in the title at John's 40th birthday party. I don't have any objections to this one. Zee getting high at a party with a floating joint is hilarious.

Totems mini series: A brief appearance where she turns down his offer for sex and even goes 'reven niaga'.

Zatanna Everyday Magic: I like this one. As it deals with things from her perspective. She is the one who saves him and very subtly we see her shed any resentment she may have for John but is not hung up on him. She has her own life and her own love interests, even has casual sex with them.

So we have a pairing that cratered and halfway buried, only for an ill thought out reboot to drag it back up and heavily retconning both character's respective histories to make it work. Like introducing Nick Necro and treating the seance like Zee's origin story instead of Zatanna's Search. Ignoring any aspect of her that's not related to John, like all her relationships with the JL members (except Batman) don't matter anymore even though they played important roles in her life as well. Yet, John gets to keep most of his history and supporting cast and even get several shots at an ongoing. Zee ends up being treated as less smart, less competent and daresay even less sexy, whenever the JohnZee pairing comes to the forefront. The seeds were there since even their second meeting.

I don't see why this pairing needs to be treated as something so sacrosanct that the characters aren't allowed to grow past it. It's definitely not an earned relationship that's up there with Clark/Lois, BatCat, WallyLinda or BarryIris. It's only post nu52 that writers can't seem to go two pages without mentioning the pairing whenever Zee shows up. And I hate the fact that it's lead to Zee developing a reputation as a woman with a bad body fetish. Yet another aspect of the character they had to twist to make the pairing work.

It's not just that Zee deserves better, it just plain doesn't make sense. Even on it's own, it's a constant merry go round 'oh John, you are lying to me, I can't trust you/John, you lied to me, I trusted you. Everyone in JLD gets this but Zatanna gets it the worst.

Also, Zatanna didn't 'choose him', they were apart then the reboot happened and DC went 'well, lets pretend these two are an angsty couple who can't quit each other, forget anything that might contradict this narrative'.

To drive the point home; compare Zee's last appearance in 2022 in JLD as team leader where she was shown to be reckless and dumb leader who endangered her team for no reason and refused to take responsibility (of course John comes out looking good). To her later appearances in Batgirl and the excellent Knight Terrors crossover team up with Robot Man.

Once she is away from John, she goes back to being her fun, competent, bad ass, sexy self.

Side note: Can we also go back to a time when Zatanna, Phantom Strnager, Spectre and Dr Fate were bad asses and not chumps so John Constantine can look cool as he pulls out a vaguely defined spelled from his ass? I saw scans from a comic recently where he got the drop on freakin' Waverider recently.

#zatanna #zatanna zatara #john constantine