#it’s entrapment | Explore Tumblr Posts and Blogs

hauntedmoors · 7 months

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this show rules sorry

#I’m thinking about the other caps I posted where a lesbian entraps a partner into a relationship by donating her liver. great stuff.#I don’t have the chops for it but someone could say some really interesting things about how the show plays with genre awareness / the tug #and flow relationship between love and pain / religion and playing god as a healer / sexuality and love framed by corporate settings #and some good old surgery as sex metaphors #text #house md #liverisms tag

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chaoticace2005 · 2 months

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Husk: Hey Tony, I’m breaking up—

Angel: I’M PREGNANT!

Husk: …I meant the phone

Angel: Shit. Right. Sorry, I panicked.

#do I think people should lie about being pregnant to entrap their partners? no of course not but also consider: Angel is stupid #or at least stupid in this sense #hazbin hotel #hazbin hotel memes #angel dust #angel dust hazbin hotel #hazbin hotel incorrect quotes #hazbin hotel husk #husker hazbin hotel #huskerdust #hazbin husk #husk hazbin hotel #angelhusk

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sizzlingsandwichperfection-blog · 8 months

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How do you feel about Destiel? (The two men who announce the news here on Tumblr)

Oh yeah that seems like a really good fucking issue for this coffee company to weigh in on.

This coffee company is political because all economic activity is inherently political.

And so this coffee company understands that it has to take certain positions that will alienate a percentage of its customer base. But that does not mean this coffee company needs to run around throwing about opinions about Destiel on tumblr.

I am a coffee company that donates 100% of its profit to charity, and in order to survive and grow, I will not now or ever proffer an opinion on the Great Ships Of Our Era.

#coffee company #destiel #do you think this coffee company will be entrapped so easily

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starleska · 1 year

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If you're still taking writing requests, could you do possessive Wally headcanons?

*cracks knuckles* oh anon, i most certainly can 😈 yandere!Wally fans (me too 😳), this one's for you! (this is less headcanons and more a oneshot... kinda wanna write the whole thing 🙈)

content warnings for possessive behaviour, manipulation, threats, arson, entrapment and kidnapping!

Possessive/Yandere!Wally Darling x Reader headcanons

👁 it all started so well. Wally was a Darling both in name and behaviour, and you fell hard and fast. such an attentive sweetheart, from the moment you moved into the neighbourhood it was as if he were always at your side. anywhere else, you may have been unnerved, but Wally's simple warmth and easy smile dispelled all of your doubts. while you tried to spread your time equally between your kind new neighbours, you somehow always found yourself in Wally's presence, talking to him for hours.

👁 in time, you found yourself becoming bolder. you start returning Wally's curious glances, and soon allow your eyes to linger a touch longer than they should. curiously (and with a little bit of a thrill), you notice that Wally seems incapable of breaking eye contact - no matter how long you stare, he'll always stare right back, unperturbed.

👁 one day, you find yourself closer to Wally than usual. you're half-pressed against one another on your sofa, Wally's cheek nestled in the crook of your shoulder. he's drawing something in his sketchbook: an indistinct, wobbly shape that you can't make heads or tails of. while Wally's right hand scribbles furiously with his pencil, the fingers of his unoccupied left hand spill at your side, reflexively clenching every now and again with the automatic motions of his drawing.

👁 the closeness imbues you with a newfound confidence. you take a breath, steady yourself...and reach across, brushing your fingers lightly across Wally's own. Wally's eyes snap towards you. for a moment, his pupils blow so wide you think they might just swallow you.

👁 the next day, your house catches fire. such an incident is unheard of in this neighbourhood, and all your neighbours are horrified for you. however, Wally is strangely calm. "I'm sorry you lost so much," he says, still smiling. "Would you like to live with me?"

👁 you're shaken - but accept Wally's offer. the shock of the fire takes a few days to wear off, but nothing could be more unsettling than living in close quarters with Wally Darling. existing within the living, breathing (creaking? squeaking) walls of his Home has an atypical effect on the puppet. Wally's voice is lower, and he moves with more purpose, as if he and Home are one and the same: symbiotic entities which exist in tandem with one another.

👁 to add to your creeping sense of dread, Wally flips the script on your personal space. now he is the one letting his fingers slip easily around your waist, and fixing you with uncomfortable, impossible-to-ignore stares. you try to laugh off his behaviour, questioning him openly if he enjoys having you as a guest so much. for once, Wally doesn't smile when he replies, "I love you living with me."

👁 it isn't until a week has passed that you learn all the doors are locked, and Wally never gave you a key. you try wrestling with the door handle, but it doesn't budge. then you try the windows, but they're sealed shut. 'I'm not trapped!' you think to yourself. 'Wally is just being a good neighbour - he wants to keep me safe.' but that still doesn't stop you from panicking, scouring the house for the heaviest thing you can find and trying to smash the window. the glass does not break. Home suddenly groans with the sound of a thousand old floorboards and overloaded pipes - a dreadful, ear-rending noise - causing the glass in the window to triple in height and thickness right before your eyes.

👁 terrified, you scramble backwards to run out of the kitchen - only to run smack into Wally. you collapse to the floor and gaze up at Wally, standing in the doorway with his hands tucked behind his back, that cat's smile of his holds some private amusement.

👁 "did you try to leave Home?" Wally asks. "Silly, silly." he takes a step towards you, and then another - slow and loping steps, his cute puppet form now moving in a way equal parts unnatural and sinister. he crouches next to you, those eyes now whirlpools of void which obscure all but the slight white rim of his scleras. "Try again," Wally whispers. "I'd like that very much."

#hoo BOY i think i received this ask blacked out and then woke up with a book 🙈🙈🙈#this kinda stuff is my favourite so i hope you guys enjoy it too 😉#wally darling #wally darling x reader #welcome home #welcome home arg #starleskasks #starleskawrites #tw: manipulation #tw: threats #tw: arson #tw: possessive behaviour #tw: entrapment #tw: kidnapping #wally darling x you

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spursthatjinglejanglejingle · 2 months

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#he's so silly. I've entrapped him with my endearing commie soul #disco elysium #kimharry #🪼

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willgrahamscock · 2 months

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If I met you irl I would design a series of saw-like traps to get you to fall in love with me stockholm syndrome style and get very upset if you tried to skip any traps to smooch

this is seriously so messed up to send to someone, where do you live btw I live near Nyíregyháza but I’m willing to relocate

#alex answers #oh no a very sexy person wants to entrap me oh noooo

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aronarchy · 1 year

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Why we don’t like it when children hit us back

To all the children who have ever been told to “respect” someone that hated them.

March 21, 2023

Even those of us that are disturbed by the thought of how widespread corporal punishment still is in all ranks of society are uncomfortable at the idea of a child defending themself using violence against their oppressors and abusers. A child who hits back proves that the adults “were right all along,” that their violence was justified. Even as they would cheer an adult victim for defending themself fiercely.

Even those “child rights advocates” imagine the right child victim as one who takes it without ever stopping to love “its” owners. Tear-stained and afraid, the child is too innocent to be hit in a guilt-free manner. No one likes to imagine the Brat as Victim—the child who does, according to adultist logic, deserve being hit, because they follow their desires, because they walk the world with their head high, because they talk back, because they are loud, because they are unapologetically here, and resistant to being cast in the role of guest of a world that is just not made for them.

If we are against corporal punishment, the brat is our gotcha, the proof that it is actually not that much of an injustice. The brat unsettles us, so much that the “bad seed” is a stock character in horror, a genre that is much permeated by the adult gaze (defined as “the way children are viewed, represented and portrayed by adults; and finally society’s conception of children and the way this is perpetuated within institutions, and inherent in all interactions with children”), where the adult fear for the subversion of the structures that keep children under control is very much represented.

It might be very well true that the Brat has something unnatural and sinister about them in this world, as they are at constant war with everything that has ever been created, since everything that has been created has been built with the purpose of subjugating them. This is why it feels unnatural to watch a child hitting back instead of cowering. We feel like it’s not right. We feel like history is staring back at us, and all the horror we felt at any rebel and wayward child who has ever lived, we are feeling right now for that reject of the construct of “childhood innocence.” The child who hits back is at such clash with our construction of childhood because we defined violence in all of its forms as the province of the adult, especially the adult in authority.

The adult has an explicit sanction by the state to do violence to the child, while the child has both a social and legal prohibition to even think of defending themself with their fists. Legislation such as “parent-child tort immunity” makes this clear. The adult’s designed place is as the one who hits, and has a right and even an encouragement to do so, the one who acts, as the person. The child’s designed place is as the one who gets hit, and has an obligation to accept that, as the one who suffers acts, as the object. When a child forcibly breaks out of their place, they are reversing the supposed “natural order” in a radical way.

This is why, for the youth liberationist, there should be nothing more beautiful to witness that the child who snaps. We have an unique horror for parricide, and a terrible indifference at the 450 children murdered every year by their parents in just the USA, without even mentioning all the indirect suicides caused by parental abuse. As a Psychology Today article about so-called “parricide” puts it:

Unlike adults who kill their parents, teenagers become parricide offenders when conditions in the home are intolerable but their alternatives are limited. Unlike adults, kids cannot simply leave. The law has made it a crime for young people to run away. Juveniles who commit parricide usually do consider running away, but many do not know any place where they can seek refuge. Those who do run are generally picked up and returned home, or go back on their own: Surviving on the streets is hardly a realistic alternative for youths with meager financial resources, limited education, and few skills.

By far, the severely abused child is the most frequently encountered type of offender. According to Paul Mones, a Los Angeles attorney who specializes in defending adolescent parricide offenders, more than 90 percent have been abused by their parents. In-depth portraits of such youths have frequently shown that they killed because they could no longer tolerate conditions at home. These children were psychologically abused by one or both parents and often suffered physical, sexual, and verbal abuse as well—and witnessed it given to others in the household. They did not typically have histories of severe mental illness or of serious and extensive delinquent behavior. They were not criminally sophisticated. For them, the killings represented an act of desperation—the only way out of a family situation they could no longer endure.

- Heide, Why Kids Kill Parents, 1992.

Despite these being the most frequent conditions of “parricide,” it still brings unique disgust to think about it for most people. The sympathy extended to murdering parents is never extended even to the most desperate child, who chose to kill to not be killed. They chose to stop enduring silently, and that was their greatest crime; that is the crime of the child who hits back. Hell, children aren’t even supposed to talk back. They are not supposed to be anything but grateful for the miserable pieces of space that adults carve out in a world hostile to children for them to live following adult rules. It isn’t rare for children to notice the adult monopoly on violence and force when they interact with figures like teachers, and the way they use words like “respect.” In fact, this social dynamic has been noticed quite often:

Sometimes people use “respect” to mean “treating someone like a person” and sometimes they use “respect” to mean “treating someone like an authority” and sometimes people who are used to being treated like an authority say “if you won’t respect me I won’t respect you” and they mean “if you won’t treat me like an authority I won’t treat you like a person” and they think they’re being fair but they aren’t, and it’s not okay.

(https://soycrates.tumblr.com/post/115633137923/stimmyabby-sometimes-people-use-respect-to-mean)

But it has received almost no condemnation in the public eye. No voices have raised to contrast the adult monopoly on violence towards child bodies and child minds. No voices have raised to praise the child who hits back. Because they do deserve praise. Because the child who sets their foot down and says this belongs to me, even when it’s something like their own body that they are claiming, is committing one of the most serious crimes against adult society, who wants them dispossessed.

Sources:

“The Adult Gaze: a tool of control and oppression,” https://livingwithoutschool.com/2021/07/29/the-adult-gaze-a-tool-of-control-and-oppression

“Filicide,” https://en.wikipedia.org/wiki/Filicide

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reality-detective · 4 months

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I'll leave this 👆 here... You Decide 🤔

#pay attention #educate yourselves #educate yourself #knowledge is power #reeducate yourself #reeducate yourselves #think about it #think for yourselves #think for yourself #do your homework #do some research #do your own research #ask yourself questions #question everything #rule of law #law #taxes #entrapment #lies exposed

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grapecaseschoices · 4 months

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some of the extremely supportive but slightly[?] unhinged things wyll can say to the dark urge as they fight the wyll [haha] to peel off his face.

#wyll x durge #my favorite not included is that he just says: 'shit'#when durge tries to bite him #wyll ravengard #he's so funny and so fucked up #it's just so like 'welp. this is bad bad. huh?'#yes wyllyam. tis.#kaeliana x wyll #bg3 #whew #cracked up so much from his reactions #like on a level it says so much about him. but on the other im dying bc ffs wyll.#the last is what he says when durge GROWLS at him????#wyllyam. we need to speak.#baby #like i know -- you spent your seven years in the wild just fiends and monsters as your company. but --#the first makes me sad and givesme so many feelings about wyll. 17. having to rise up and meet the gazes of what meant to hurt his city.#gaze of the devil who entrapped him. the gaze of the father who scorned him

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yodaprod · 7 months

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1999

#entrapment #catherine zeta jones #movie #1990s #90s #90's #1999

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ilkkawhat · 1 month

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#alan wake #alan wake 2 #ilkka villi #awedit #alanwakeedit #mk.op #mk.edit #mk.gifs #that line from dbd lives rent free in my head #just like the 'what color are her eyes' line #also what does it say about me that all my favs #seem to have a theme of entrapment/isolation

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maxicaiman · 1 month

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hey look I did that one thing except I can’t draw ponies

#maxicaiman #entrap transformers #entrap tfa #tfa blitzwing #transformers blitzwing #blitztrap #transformers #transformers animated #tfa #transformers oc #original character #self ship #self insert x canon #the bride and the ugly ass groom #MLP

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feral-ballad · 1 year

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Kim Addonizio, from What Is This Thing Called Love: Poems; “Body and Soul”

[Text ID: “Sometimes the body / gets so quiet / it can hear the soul, / scratching like something trapped / inside the walls / and trying frantically / to get out.”]