thinking about connor in prague saying "dad's theory was you got two fighting dogs, you send the weak one away, you punish the weak one." in relation to this episode, and the way the siblings view abuse inside their own family.
shiv and kendall and their belief that connor and roman are the weak dogs that got the brunt of logan's worst behavior, because abuse is reserved for the kids who can't behave - the ones who aren't smart and mature enough to make it in the world. abuse evokes pity, because abuse is what happens when you expect too much from people who obviously aren't capable of more.
and then they go forward in life, believing that they're just naturally more intelligent and more capable than connor and roman, as if being raised seeing what happens to you if you aren't a perfect child wasn't the entire point of the "punish the weak dog" mentality that logan instilled in them. the looming threat implied behind any praise they do receive that tacitly tells them "you're not like roman and connor" because everyone knows what happens to roman and connor.
the absolute height of the rich capitalist mindset. "we're succeeding because of our own merit, and other people fail because they don't have what it takes" when in reality they're succeeding because of arbitrary rules made up by someone who knows that infighting makes meaner dogs.
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Look, I love BBC Merlin and how they told the lore, but I’m a sucker for the relationship between Arthur and Mordred in the mythology. Specifically, I love how Mary Stewart (author of The Arthurian Saga**) and Nancy Springer (author of I Am Mordred**) wrote about the father/son relationship between them. So naturally, my brain has been conjuring up how I can include that in my Flipping the Coin au.
Since the main premise is Merlin died/Arthur lives, and now Arthur is the one waiting for Merlin to come back, things would stay consistent with canon up to the last episode (when Merlin flips the coin of their destiny and sacrifices himself so Arthur can live and thus stop Camlann from happening altogether). Which is where this idea will start:
Gwen is barren. She and Arthur never have kids. Eventually, everyone Arthur knows and loves dies. He can’t rule Camelot forever, and after Gwen’s death, he no longer wants to, so he fakes his death and wanders off figure out why he’s still here. He never gets an answer for that. Arthur spends the next millennium waiting. He keeps living. He meets people, experiences things he’d never experienced before, and learns things he’d never dreamed of learning. He can’t stay anywhere long, or else suspicions will rise, but he gets to see the world change, how technology advances, and witness humans continuing to be humans. When war breaks out, he joins the battle. It’s familiar. The rush of adrenaline is the same whether he’s wielding a sword or a gun. Only, he can’t see the enemy’s face anymore.
Peace comes again. At some point, he sleeps with a woman, and she happens to become pregnant. Bisexual disaster that he is, he’s had all sorts of partners from both sexes, but has never had this happen, even before the advent of reliable birth control. Later, he’ll learn her name is Morgause. She doesn’t look like the Morgause he knew before, nor does she act like her, but her name haunts him. After the baby is born, she gives him to Arthur, says she has no intentions of being a mother, and leaves. The last thing she had said to him was the baby’s name.
Mordred.
That night, Arthur holds Mordred and weeps.
There is irony in his son being named Mordred. First, in that the legends surrounding him, Merlin, Camelot, the Knights of the Round Table, and all of it, had long ago decided Mordred was his son. And two, in a retelling of that legend, it had aptly phrased what he sensed was happening now. Granted, he isn’t a sorcerer, he doesn’t have magic, so he can’t support his feeling with anything other than he’d been around a long time and knew to his very core that it was true. Mordred’s birth is a signal of the beginning of the end.
Fatherhood brings him a new sense of purpose. Gone are the days of loneliness and drudgery. Every day with Mordred brings a new light into his life. Each smile is a miracle. Seeing Mordred experience things for the first time brings a new appreciation. Being there to watch him grow makes time fly like it never has before. But Arthur is afraid. He doesn’t want to be his father. He doesn’t know how to be a father, or what the right way to do it is. In all the years he’s been on the Earth, he’s never known a man who could concretely say, “This is the way to raise a son,” and actually reap the fruits of their efforts. Too frequently, he’d seen sons grow outside of the visions their fathers molded for them and receive only disappointment and disdain in return. So he was afraid, because he too had been that son.
*cue a series of fluffy father/son one shots of Arthur raising Mordred until Merlin comes back, takes one look, and is is like WTF????? No, I won’t have Mordred for a step son >:(*
**Mary Stewart and Nancy Springer have several other works, not just the stories I mentioned. The ones mentioned are the ones I’m pulling inspiration from ^^
Additional notes below the break:
Guinevere’s barrenness is not a headcanon I typically subscribe to for BBC Merlin. My headcanon is that after Arthur’s death, Gwen gives birth, and their child eventually succeeds her as ruler.
I’ve always seen Mordred’s appearance as the harbinger of Arthur’s downfall. Thus, the reason for the plot bunnies in my brain going crazy with this idea of how I could bring him in, still remain mostly canon compliant with BBC Merlin, and build off some of my favorite parts of the lore. (Mandatory disclaimer: for BBC Merlin, I don’t headcanon Mordred as Arthur’s son. But for the mythology, I do wholeheartedly support that canon.)
Arthur’s choice to participate and live once Camelot is gone is a decision to contrast my headcanon of how Merlin handled it. I don’t think Merlin thrived. I think he stayed busy, and tried to remain hopeful, but I think he was anxiously consumed with the anticipation of wondering when Arthur would come back. In this au, Arthur may or may not know that Merlin is supposed to come back (I’m still working on that detail), but he’s always been around others. I think he would seek camaraderie, and companionship, and that he would connect with others but only to a superficial level. I don’t think he’d exist in a void of loneliness. Plus, he doesn’t have the guilt of knowing he failed because the pressure from the prophecy is very one sided *coughcough*causemerlinnevertoldhim*coughcough*
Anyways, that’s enough rambling from me about this. I’ll probably share some snippets of writing next because there are some fantastic scenes coming together in the draft so stay tuned! ;D
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No bc Billy is such a fucking caring protective boyfriend. Once he decides you're - for all intents and purposes - part of his pack, he will always protect you. The party, the other teens, even Hopper and Joyce (along with Max and Susan obviously) are all part of his little circle of people that he will never let anything bad happen to. Any time you're having a problem, he can tell. You've just started going straight to Billy when you have a problem because he's so quick to tell when something is wrong. You know why he's so good at picking up on miniscule changes in someone's mood and behavior, and it breaks you heart. But now, like so many other traits and defense mechanisms he's developed, he's able to use them for good, to protect you and your friends. It's not perfect, but it's a huge improvement.
One time you ran up to him, he knew something was wrong just by the way you were walking before he even saw your face, and started telling him everything, trying to hold yourself together. Whether the guys you had bumped into made fun of you or just made you uncomfortable, you know Billy won't let it slide.
"I was just trying to walk my dog, and they won't leave me alone, and-"
He puts a hand on your shoulder, and you know he has this under control.
"Those guys over there?" He asks, voice low and calculated. You nod.
"Stay here." He states, giving your dog an appreciative scratch on the head for helping to look after you. He resolves the issue out of earshot and out of your sight. You don't know the details, but the next time you see those guys, they turn and practically run the other way. When you thank him for taking such good care of you, keeping you safe, he presses a kiss to your forehead.
"'Course. I always will."
Every day that you or one of the kids or even his friends feel safe enough to come and talk to him when you're feeling vulnerable, every day someone comes to him to feel safe is another day he knows he beat the statistics, broke out of the cycle. It's more and more proof that he did it, and he can keep doing it, for you guys and for himself.
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I think Charlie is a slime hybrid in the sense that his dad was a person who farmed huge slimes and kept the small ones in a hole all together, and fed them different things since they were harmless and named them.
Then one day his dad found that one of the slimes looked humanoid and spoke to him, so he pulled Charlie out and taught him things, and figured out that the now slime hybrid had copied some of his DNA from the times he'd sometimes get bitten, so he really wasn't just a mob but an actual hybrid being now.
His dad didn't think hybrids could happen that way, but he did find it interesting to figure out with the other siblings, even if the result wasnt the same. He just told Charlie he was a slime hybrid and left it at that, his mom was a slime, and his dad very much isn't, and that's how a hybrid works, so Charlie never asked too many questions.
His father did put him back into a hole though, only this time it was only him and he got better food and was reprimanded if he bit his dad like he used to before. He didnt need to be given more DNA and find a way to become more human than slime.
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