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#like when i thought 4 of the main cast just DIED without any warning i was like FUCK but also ok fair this is war
ellcrys · 2 years
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anyways guess who just finished iron blooded orphans season 1 :’)
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recurring-polynya · 3 years
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The shinigami buffoonery in the TYBW was unparalleled, and even though you know I love those idiot grim reapers with my whole chest, I general feel like they did not deserve the W on that one (the bit where they are told not to use their bankai and, like, five captains immediately use it???) However, my languishing-in-the-elementary-school-dropoff-line thought of the day is this: The Quincy really did snatch defeat from the jaws of victory by the very simple virtue of never making sure anyone is actually dead.
It’s pretty obvious to me, and makes sense in universe, that high-powered shinigami are really hard to kill. Shinigami have bodies, but they are mostly just there to make everyone feel better, they don’t function like our meathusks, filled with delicate systems of organs and...mucuses and stuff. Shinigami are an incomplete set of memories, bound together by a will to exist. If you wound a shinigami in a way that would definitely kill a human-- disemboweling them for example (a thing that definitely happened to Ichigo once), it will traumatize them for sure, but if they can make it through the initial wound trauma, their spirit (possibly their zanpakutou) will just start spackling their reishi back together. Consider, if you will, how much blood came out of Renji when he fought Byakuya.
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I think Byakuya assumes he’s leaving Renji for dead here, given the whole speech about “your bankai has disappeared, you must be close to death” (and let us also consider-- Byakuya considers this to be the indicator that Renji is about to bite it, rather than the fact that most of Renji could be picked up with a mop at this point). Rikichi and Hanatarou come by, but you get the sense that they didn’t save Renji’s life, they just got him back into fighting shape. I’m not sure that if he had just lain there indefinitely, if he would have gotten well enough to get up, but I definitely feel like Renji is incapable of bleeding out. I think this is normally the sort of thing that separates a lieutenant from a captain (or at least a lieutenant with captain potential from, say Omaeda), but Renji is incredibly stubborn generally, and at this moment was incredibly driven to keep going in order to save Rukia.
To actually kill a shinigami, it seems like you have to either cut off or destroy their head, or cut them roughly in half. Even when Tousen gets stabbed through the brain, he is still able to chat a little bit before, um, exploding, for some reason, which is definitely not what would happen to a person who got stabbed through the brain. You can even cut a shinigami, like 65-35, and if the head is on the big half, they can probably survive that. This has happened to Hitsugaya, like 4 times, although I don’t remember which ones turned out to be illusions or in filler, or what, but I am pretty sure that there were at least twice. I mentioned earlier that a shinigami is a set of memories, but another way to think of that is that they are a self-concept. This is sort of a two-edged sword, in the sense that it is this identification with their physical corpus that can cause them to die if it gets hacked up too bad. Mayuri, who is able to think of himself as a big moving glob of reishi, might be nearly impossible to kill without literally, like, doing some sort of Quincy reishi absorption trick. He turned himself into a goo once. (Incidentally, I think Urahara is also very good at this, as evidenced by his bankai).
As far as I can think, the only shinigami we have ever seen succumb to their wounds is Gin, and this holds to my theory, too-- he’s spent over a century lying in wait to take Aizen down. He took his shot and it wasn’t enough. Then, Ichigo shows up, and Gin looks at him, says ‘I am no longer needed’ and dies.
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So, back to the point!
The Quincy did a lot of property damage and killed a shit-ton of low-level shinigami. I’m sorry to them, but let’s face it, the low-level shinigami have never played... really... any significant role in Bleach. In terms of actually taking out people with enough power to be considered players:
Sasakibe is killed by a group of seven Quincy as a warning shot
Yhwach personally kills Yamamoto
Unohana lets herself get killed by Kenpachi because she very much wanted to be excluded from this narrative so he would get stronger (still not convinced this was necessary)
Nemu dies while fighting Pernida because she pushed herself past safe operational limits
Ukitake sacrifices himself to keep reality from collapsing
Yhwach and his best guys do manage to kill (temporarily) Squad 0 using a 1-time power-up that claimed the lives of most of the other Quincy forces. It is implied that it is not possible to kill Squad 0 permanently.
You might notice a pattern here, which is that the Quincy suck ass at killing shinigami. Furthermore, at one time or another, the Quincy KO’d a significant portion of the main cast: Kira, Byakuya, Renji, Rukia, Kenpachi, Hitsugaya, Matsumoto. Renji and Rukia interrupted Mask just as he finished taking down Kensei, Rose, Hisagi, Ikkaku and Yumichika, but Giselle gets ahold of Rose and Kensei later and zombifies them, which I am very distinctly not sure is a better strategy than just killing them (it certainly doesn’t pan out very successfully). There may have been some other of these fights that were interrupted, I am not going to re-read the whole TYBW arc for the purposes of this post. My point is, instead of spending one hundred billion Quincy dollars on developing bankai stealing abilities, I would have also given the Sternritter a PowerPoint presentation consisting of a single slide that just says “once they go down, make sure they’re dead.” Personally, I probably would have divided my forces into frontline fighters like Bazz and As Nodt and Bambi, and given them squads to follow along behind them, cutting off heads and incinerating bodies. Then again, Yhwach seemed to give exactly zero shits about personnel issues or strategy, generally.
Mostly, this war was a matter of Yhwach trying to do stuff and various shinigami preventing him from doing it. The TYBW arc is a mess and I am honestly not willing to put in the amount of effort to determine if there were actually any linchpin characters aside from, Ichigo, obviously, but I feel like if the Quincy had gone the extra 0.1% in that first invasion and actually finished off Byakuya, Rukia, Renji, and Kenpachi, they would have won the whole thing.
But they didn’t. lol.
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watermelonlipstick · 3 years
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Dreams, Chapter 7
If you haven’t read this series before, you might want to start on Chapter 1, or check out the Dreams Masterlist! Here’s the series description:
When Dean dies for good leaving Sam and his girlfriend (the reader) behind, they must figure out how to carry on without him. Alone, reeling, and unsure what to do next, trying to honor Dean’s memory and follow their hearts gets even more complicated when their nightmares become dreams that feel a little too real.
Title: Dreams, Chapter 7
Pairing: (past) Dean Winchester x Reader, (eventual) Sam Winchester x Reader
Word Count: 4184
Summary: Life moves toward normalcy for Sam and the reader, regardless of emotional turmoil.
Warnings: angst, fluff, swearing, s l o w  b u r n
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          A few days later the Kaisers came into the bar for a nightcap and asked you and Sam to come to their house for dinner. You couldn’t think of a reason not to, and honestly thought maybe it would be nice to have something to structure the week around. It had been quiet, just barely beneath solemn while the dust settled and Sam stayed mostly silent while you moved around each other throughout the day. At least at the Kaisers’ Sam would have to talk to you, maybe even sidle up close to you during waking hours to keep up the couples’ charade. A little zap of guilt moved through you as you politely agreed to a time, that the second thought you’d had was about getting closer to Sam under this guise. In any case, the Kaisers were kind, it wouldn’t hurt to have a nice meal with someone else, and if you were going to stay here, it would be a good idea to avoid appearing standoffish. You bought their last drink and were waving after them when Sam came upstairs from changing a keg.
           “We’re going to the Kaisers’ for dinner tomorrow,” you offered, trying to keep your voice even and making a point of not staring at Sam too long. It was a challenge; since Sam had kissed you and even more since he’d divulged that longing was part of the tangle of emotions he was feeling, it was on your mind nearly constantly, adding a murky stripe to the ever-present grief.
           “Oh, uh, okay.” Sam jammed his hands into the pockets of his jeans like he didn’t know what to do with them. “What time?”
           “They said 7:30. Don’t let me forget; I think we should bring a bottle of wine or something, so I can grab one tomorrow.”
           “Yeah, that works.”
           You wanted to drag out the conversation but couldn’t think of any way to that wasn’t cloying or desperate. If this (hopefully temporary) emotional distance was what Sam needed, it was unfair for you to try to take it from him. A quick nod and you returned to washing glasses.
           The rest of the shift passed agonizingly slowly. Sam put on a podcast about Jonestown for the drive home.
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           You’d decided to walk over to the Kaisers’ with Sam the next day, bundled up on top of a presentable sweater that you hadn’t worn in a few years. Biting wind sliced through your jeans and seemed to creep into your coat even as you dug your chin inside the collar like a turtle, and when Sam noticed he threw an arm around you. His side blocked a bit of the wind and he rubbed your shoulder to warm it with friction. The impulse to curl up into his ribs was fierce, but you fought it down to wrap your forearms around the bottle of red wine that looked the fanciest of the midrange bottles at the grocery store. Where seconds before you had been wishing the walk were shorter, now you could’ve stayed out in the ice forever if it meant Sam would allow himself to be close to you again without being asleep. You’d made peace with the want, trying hard to decide that feeling crazy on top of your grief wasn’t helping anyone.
           “Ready?” Sam asked with a tentative smile at the doorway. The Kaisers lived in a version of your cabin, in the sense that many of the houses in the area were log-hewn and rustic. However, they were clearly here to stay. Window flowerbeds filled with pinecones for the season and delicately carved shutters framed warm casts of light streaming onto the snow through gauzy ivory curtains, and their door opened to a tiny front porch where yours simply had a small ungraceful cement platform. For a moment, you thought about how comforting it would be to come back here at the end of a shift. It didn’t feel like somewhere as darling as this could have a half-broken boiler that rattled all day or plastic-coated countertops. This was a home and not a hideout.
           You gave Sam what you hoped was a reassuring grin and watched as his long finger pressed an old-fashioned doorbell encased in wrought iron.
           Mike answered the door. He had on a fuzzy pullover that made him look even more like a teddy bear than he normally did, nubbly wool spanning his belly like fur. He had the kind of rosy full-cheeked smile some jolly men combined with their booming voices to seem like the Ghost of Christmas Present, and a well-groomed beard with two starkly delineated streaks of gray-white dropping straight down from the corners of his mouth. From previous neighborly hugs, you knew he smelled like piney aftershave. He was a little taller than average, and built former-linebacker solid. You would’ve bet anything he was the perfect dad to call to help move you into a college apartment or scare an ex-boyfriend, and the thought of it made you cheerful and sad all at once. The hand not holding the doorknob had a pint of dark beer. “Great, you’re here! Babs, they’re here,” he added over his shoulder, gesturing an arm to welcome you into the home.
           Sam waited for you to go first, shuffling his feet along the doormat in tandem with you as Mike closed the door. You followed Mike’s socked initiative and gently toed your boots off while you handed him the bottle of wine somewhat shyly. For all the years you’d been on your own, there was something so decidedly adult about bringing wine over to the dinner party of a middle-aged couple that felt like those first few meetings of your parents’ friends after college, when you’re not sure whether to call them by their first names or resign yourself to a life of Mr This and Mrs That. Mike seemed to pick up on it, thoughtfully appraising the bottle and squeezing your shoulder, humming about how you didn’t have to bring anything. He clapped Sam on the back and asked him how he was doing before teasing gently about how long his hair had gotten, and you took in the house.
           It was bigger than the cabin you were staying in, the staircase to your left suggesting an upstairs that yours didn’t have, but what was far more striking was how warm it felt both in mood and literal temperature. A fire crackled straight through the main room in front of you, surrounded by giant river rock stonework that offset caramelly beige walls. A deep, plush canvas sofa faced the fireplace, flanked by two equally overstuffed armchairs upholstered with burnt sienna stained leather. Quick visual survey gave you a count of 4 throws in the room of various weights and patterns.
           The kitchen was over to the right through the dining room. Barbie was wearing an apron covered in piglets and appeared to be basting something in the oven, turning toward you and absentmindedly wiping her hands. Fluffy, soft-looking hair was held back from her face with a pair of no-nonsense tortoiseshell barrettes. “Oh, perfect! I thought I hadn’t left enough time for the roast, but it looks about done. Can I get you two a drink?”
           Sam’s soft, encouraging smile was enough to make you feel a little weak in the knees. “Sure! It smells great in here.”
           “How about an old fashioned? We’ve been working through a great bottle of bourbon.”
           “Works for me,” Sam agreed, and you nodded as well.
           A few moments of small talk later, Sam offered to help Barbie with the food. She graciously accepted, giving him some job you knew she could’ve easily done herself as a way to make him feel more comfortable. Mike noticed you looking at the variety of pictures on the wall and started talking about their kids, putting names to each cheerful face. They were a good-looking family, the Kaisers, all big beaming smiles and limbs protectively wrapped around each other over the course of different seasons and major events. You’d had to let go of this idea years ago, long before Dean was gone, but it still made you ache in a nondescript way to see a family so happy and so each others’, not only in the way they loved but also in the way they so obviously belonged. Mike and Barbie were good people, and they deserved this. You tried to focus on the affection in Mike’s face as he talked, asking a few clarifying questions as he went. A few moments later, Sam came up behind you.
           “Barbie says we should go sit down.” There was a pinkness to his cheeks and you couldn’t tell if it was the warmth of the kitchen or residual windburn from your walk over.
           The table was one of those single-plank, live-edged ones you’d always coveted and knew were far more expensive than they looked. It fit the elevated rustic feel of the Kaisers’ house and the delicious, rib-sticking meal you were eating off of it. As you fawned over the roast and Barbie did the requisite Midwestern dance of ‘oh it’s nothing I’ll give you the recipe’ it was easy to fantasize about belonging somewhere like this, having parents like this, pictures of your cousins and nieces and nephews lining the walls of your childhood home. Indulgent, clearly, even more so than the rich food and smooth liquor, but you couldn’t bring yourself to feel guilty about it.
           “So, have you two always worked in the bar industry? That always seemed so fun to me—but I’m too old to do anything like that now,” Barbie asked.
           “Oh, come on, you’d be a great bartender,” Sam insisted, always coming down on the exact right spot between flattering and politely flirtatious. “But uh, no. This is the first bar I’ve worked in for more than a few weeks, actually.”
           Mike raised his eyebrows in an indication to continue but Sam artfully avoided his gaze. You couldn’t tell what the cue was—how honest was Sam planning on being? An old classic, the technically-true, seemed like the best option. “I worked as a bartender through and a little bit after college.”
           “Silly me, I guess I had always thought that’s how you two had met; you seem like such a good team there! How did you meet, then?”
           You artfully popped an entire fingerling potato in your mouth to force Sam to take over. “Uh, our, ah, families were friends.” In the sense that Bobby had been like an uncle to you both, maybe. A complete non-answer that sort of encompassed the barebones of the situation if you squinted at it right, but neither Mike nor Barbie seemed to recognize the opacity of it.
           “That’s great. I bet your parents were excited then, seeing you get together,” Mike suggested before taking a sip of bourbon. Both you and Sam smiled affirmatively—not together, many of those parents long dead before we had even met—and hoped the moment would pass. “How long has it been, then? Since you got together?”
           That one you couldn’t even guess what the right pretend answer would be and prepared to joke ‘too long’ before Sam said, “About two years. We knew each other for a long time before that, though.” It made sense, as far as answers went. ‘About two years’ since Dean was gone, since your lives changed, but it still ripped through you like an electric shock and sent you reeling. You could have spent an hour looking at that statement from every angle but snapped out of it when Barbie gave you a basket of rolls to pass to Mike.
           “So that explains why she doesn’t have a ring,” Mike winked, playfully knocking Sam’s arm with his fork still in his hand. “Two years isn’t that long.”
           Two years is a lifetime. Sam blushed and looked down at his plate. “Be nice. Kids don’t get married at 20 like they used to,” Barbie teased from across the table, smirking at her husband with so much love behind her eyes. You couldn’t help but wonder if you would’ve looked at Dean like that across some dining room table if things had been different and your mind flashed on the kitchen counter a few nights before, silently clinking rocks glasses together over pie and wanting to hold Sam until the world got more fair.
           The plates were cleared and an amazing, sticky bread pudding was brought out. Mike and Barbie coaxed each other into telling stories that made you genuinely belly laugh until finally you couldn’t suppress a tiny yawn and the final drink was poured with a joke about how it wasn’t like you were driving home, so what was the harm? You all moved to the living room in front of the fire, sitting next to Sam on the couch when Mike and Barbie took what must’ve been their normal spots in each armchair. Old cushions folded up around you comfortingly and rolled you slightly into Sam’s weight next to you, lining up the firm stretch of his thigh along yours. Warmth from the fire and Sam, the pleasant sounds of your hosts’ voices and Sam’s answers to them rumbling through you as vibrations when he spoke were so sweet and heavy under the bourbon, and your eyelids began to droop.
           Sam’s hand gently covered your knee. “Ready to go?” he asked, low with a private smirk.
           You made a conscious effort to sit up straight. “I’m so sorry, I can barely keep my eyes open! Where are my manners?”
           Mike laughed a big belly laugh from his armchair. “Babs, we’re outlasting the bartenders!”
           Everyone chuckled as you all got up from your chairs, Sam accepting a Tupperware of leftovers before the at-the-doorway conversation of people who didn’t want to go and hosts who didn’t want them to either. You’d been so nervous about the dinner and now you didn’t want to leave, honestly hadn’t really wanted to leave the sofa, just doze against Sam in the heat and company like a child. It had seemed before like maybe Mike and Barbie were just asking you for dinner because it was the thing to do, but they had been genuinely welcoming and you realized that these were the first non-hunter or hunting-related relationships you had made in literal years as you zipped your coat up all the way to the top and followed Sam outside into the quiet night.
           “Man, they are really nice,” he remarked, walking closely enough next to you that your sleeves brushed together.
           You could barely see his face when you looked up to him. “Yeah. We should have them over sometime.”
           “Our place looks like a flop house.”
           You giggled, the sound falling softly on the snow around you. “We can fix it up first.”
           “No real point in fixing it up if we’re not staying here for a long time.”
           “Maybe we could stay a while.”
           Sam looked down at you, slowing to a stop even as the icy wind whipped around you. “You want to stay?”
           “I mean, I—yeah, I think I do. Unless you think we should go somewhere else.”
           “No, I just…I guess I hadn’t really considered it here, the whole “roots” thing.”
           “It’s fucking freezing, can we talk at the cabin?”
           Sam’s laugh rang out across the woodsy surroundings as he clapped an arm around you and shuffled you both home.
           That night you tucked your cold toes between Sam’s flannel-clad legs and tried to imagine Dean as an old man.
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           If you’d thought December and January were bad, the intense cold snap of February sent you for a loop. Something about the months of darkness and frozen fingers was making you more stir crazy than normal; the idea of coming home to the cabin seeming less and less enticing as the days went on.
           And then the boiler broke.
           Well and truly broke, not just making the horrible clanging sounds it was prone to, but no heat at all. It had only been a couple weeks since going to dinner at the Kaisers’ and the experimental conversation with Sam about investing time into the cabin which had since fizzled out. A lack of heat at the border of the Upper Peninsula in winter was obviously untenable, and it forced the topic again as you grumpily helped carry in the remnants of another dead tree Sam had felled to heat the home with firewood.
           “Is it worth fixing or is this a sign?” you huffed through the tiny clouds of steam coming out of your mouth. “How much would it cost?”
           “I don’t have a ton of experience with boilers, but I’m pretty sure it’s the heat exchanger. And I have no idea how much it would cost to fix, but I can try to do it myself if the parts aren’t too much.” Pragmatic, genius Sam with the patience for machinery that you didn’t have. He snaked a long arm out from the bundle of wood he was carrying to open the door and hold it for you to scurry under his arm before closing it after both of you.
           Generally, you thought a landlord would probably fix this kind of thing but it always felt a little scary asking him for anything, knowing you paid cash every month and the owner had never asked for a background check. It could have been fine, but every potential conflict seemed like it might be an opportunity to be unceremoniously evicted. Better to either leave before it could happen or solve the problem yourselves. You put a hand on Sam’s chest before he could go back for another bundle of wood. “Let’s talk about it for a second.”
           Sam put his hands on his hips and it accentuated the broad span of his shoulders in his thick jacket. “Okay, right. What do you think?”
           “Well, I mean, do you want to stay here? Or do you want to go somewhere else, or start moving again or something? We haven’t even really talked about it.”
           He seemed to be weighing the options before biting his lip. “Here seems as good a place as any in a lot of ways, you know? Off the beaten path, probably not going to get spotted by anyone we know—knew—and the money is honest.”
           You cut him off with a flippant wave of the hand. “Right, but I’m not talking strategically. Do you want to stay here? Do you like it here?”
           A moment of silence fell as you searched his face for clues. “I—yeah, I do. I like being in the woods, I like the bar, I like people like the Kaisers and Steve and Jake. Maybe I’ll feel differently in the summer but right now I do.”
           The grin cracked open your face slowly. “Good. I like it here too. Do you think the hardware store would have the stuff you need to fix it?”
           “Definitely the first place I would check.”
           After getting the rest of the wood inside and leaving it next to the small fire already burning to dry out, you started to follow Sam to the car before he turned around a step before the door. “Where are you going?” he asked as you almost bumped into him.
           “Hardware store, I thought?”
           “Nice try, we can’t both leave with a fire going.”
           “Oh, I get it. So you get to go sit in the warm car and hang out in the warm hardware store while I turn into a popsicle over here.” You were half-joking, but it was genuinely freezing in the cabin, even with the fire going. Sam rolled his eyes over a smirk and strode around you, pushing the couch tight to the fireplace before retrieving the down comforter from the bed and throwing it on top. He grabbed a rinsed plastic bottle from the top of the recycling bin and filled it with water hot from the tap before throwing it in the microwave for a second.
           “Unless you feel like learning a lot about boilers today, then yes.” He gingerly pulled the bottle out of the microwave and tightened the cap back on, deftly shifting it between hands before tossing it under the comforter on the sofa.
           You were having a hard time holding onto your anger as you watched him make a cup of peppermint tea, still wearing his boots and coat as he moved around the tiny kitchen. Reluctantly, you shuffled over to the couch and removed only your boots and gloves before getting under the blankets, tucking your socked feet around the poor man’s hot water bottle and finally smiling only when Sam brought over the steaming mug of tea with more than a touch of affection under the exasperation coloring his face. “Fine?”
           “Fine.”
           When he came back, you were well into a worn paperback and had put two more logs on the fire already. “Do you need help?” you called over your shoulder from within the comforter cocoon.
           “I think I’ve got it, thanks.” His words came into the room on a gust of cold air while he tapped snow off of his boots.
           “Think you know what you’re doing?”
           “Actually, yeah. The woman at the hardware store—you’d recognize her, Diane I think—knew a fair amount about it. I’m pretty sure I have it under control.” He brought a paper bag weighted with supplies over to the utility closet you knew held the boiler and got to work.
           It was nice watching Sam in this element, always had been. As much as Dean had loved doing little projects and fixing things, both Winchesters were far handier than your average bear and Sam’s natural interest in learning lent itself well to tinkering with all kinds of things. Evidently boilers were not an exception. He shucked his coat off to lie flat on his back, looking up  at something you couldn’t see with his hands gently resting on his ribcage before reaching to grab a wrench. The twisting motion raised his elbow and tugged his shirt a bit up his torso to reveal a few inches of Sam’s lower abdomen, the trail of hair tracing to his belt buckle in slightly sharper contrast to the taught skin around it given the consecutive months spent without sun. It made you blush and you quickly looked back to your book, grateful for the heat that the fireplace was bringing to your cheeks as cover.
           About forty minutes later, Sam tapped your shoulder and startled you out of the goofy historical fiction of the paperback. “Wanna see if it works?”
           He had a stripe of oil or something on his cheek but you resisted the impulse to swipe it off, instead nodding and extricating yourself from the heat of the blanket and couch around you. When you turned it on, the boiler clicked loudly twice in a way you thought might be a bad omen before going silent again. You let an extended beat pass and placed a palm on the side. It was already on the edge of being too hot to touch and you momentarily forgot that you and Sam had decidedly not been continuing your new normal level of comforting affection lately before throwing your arms up high around his neck excitedly. He chuckled into your ear and closed the embrace, forearms crossing your ribcage and hoisting you off the ground as he stood up in your hug. You could feel the fingers of one hand splayed out over your back and side through your jacket, the other still holding the wrench tightly.
           “Okay, no promises it’s going to last, but I think that was it,” Sam offered as you released each other.
           “Crank it! I want it to feel like the Caribbean in here.”
           “You say that now, and in 3 hours you’re going to be whining about how hot you are,” Sam grinned, clearly feeling a little proud of himself even if he wouldn’t admit it. He tapped the wrench absentmindedly against his palm for a moment, considering whether he wanted to say something. “When I was at the hardware store she said our landlord might be open to cutting our rent if we offered to fix up the place.”
           “Who’s we?” you teased, holding your frozen fingers close to the boiler like it was a campfire.
           “I thought you might say that. But seriously, I know you don’t like the color of the walls or the shower pressure or whatever, could make it feel a little less…sterile.”
           You tried not to remember that the last time you’d picked out paint was for a bright pink bedroom at age 12. Sam was right, it could be nice. Even more than that, it would be great to have some leftover cash around, and an extra project to kill a few hours of daylight wasn’t a bad idea.
           “I kind of like the sound of that. I’ll talk to him about whether he’d be game.” Sam squeezed your shoulder before massaging your neck, admiring the boiler distractedly when you continued. “And seriously, thank you for fixing it.”
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Continue to Dreams, Chapter 8
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tumblingclockwork · 3 years
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HI LEAF IVE BEEN HYPERFIXATING ON MC STORY MODE AND ON STAMPYCAT PLEASE PLEASE PLEASE TELL ME YOUR THOUGHTS ABOUT STAMPYCAT BEING THE WHITE PUMPKIN IT SOUNDS SO COOL
HELLO HI YES I AM MORE THAN WILLING TO EXPLAIN
Before I start I wanna give a huge shout out to @mephones-declining-mental-health who was actually the first to point a lot of this out. We spent a lot of time putting this all together and she deserves a ton of credit for it. So go check them out.
ok so mcsm is an old game so quick refresher on episode 6: Jesse and his gang end up in another world and are put into a murder-mystery type situation. They’re trapped in the mansion due to zombies and have to survive until the day while the person who invited them all to the mansion (who goes by “The White Pumpkin”) kills them off one-by-one in order to obtain the Enchanted Flint And Steel. Which Jesse is also trying to get. Minus the main cast, everyone in this murder mystery is based off and voiced by famous minecraft YouTubers from the time. This was a pretty genius move on TellTale’s part because it meant the players were already going in with a certain level of attachment to these characters, allowing the game to kill them off in a way that would be emotionally impactful without effecting the plot of the overall story that much.
The people you meet in the mansion are the following youtubers: CaptainSparklez, TorqueDawg, StampyCat, TheDiamondMinecart, LDShadowLady, StacyPlays, and CassieRose
Multiple of these YouTubers are killed off (though some can be either saved or killed depending on your choices) and [spoiler warning] Cassie Rose is revealed to be the white pumpkin at the end. Her motivation being that she’s stuck away from her home world for and desperate to get back.
Now here’s the thing: that doesn’t make Any sense.
Cassie doesn’t have a single line or any piece of evidence that would necessarily point to her being the white pumpkin. The only real evidence that points to her feels so last minute and forced. And just completely disregards any other scene in which you were collecting evidence.
This would be less frustrating if there weren’t multiple other people that had far more evidence against them. But the one who has the most undeniable evidence against them? StampyCat.
Now I don’t know if they changed the story halfway through development or if the writers at TellTale are just bad at their jobs (equally likely but there is some evidence to suggest Cassie was not always the intended White Pumpkin) but Stampy has the most evidence, best motive, and would have just been a very interesting villain entirely.
Let’s go over everything.
So for starters. The first murder.
Spoiler alert! But the first murder is TorqueDawg. He stands under a dispenser that shoots him with a poison tipped arrow and he dies.
Now, tipped arrows were a relatively new thing at the time, and the game makes a point out of this. A lot of the characters in the mansion Don’t Know what a tipped arrow is. But a few do.
After the second murder (which we’ll address in a moment) you have the ability to interrogate three of the characters. LDShadowLady, TheDiamondMinecart, and StampyCat
Lizzie (LDShadowLady) is fully aware of the tipped arrows. Both Dan (TheDiamondMinecart) and Stampy point this out. When you ask her about it, she says she does know how to make them and taught others about it.
One of the people she talked about the tip arrows to is Cassie, aka the white pumpkin. So story-wise it does make sense. But Lizzie also states that Stampy had asked her about the tipped arrows, and specifically how to make them. So we know he has full knowledge of them.
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But what does Stampy say when you ask him about the tipped arrows?
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“I’ve never seen anything like it before”
This is Never addressed. Not once. Stampy blatantly lies about knowledge of a murder weapon when he seemingly has no reason to do so and he gets away with it.
So Stampy 1. Has the ability to create the weapon used for the murder and 2. Felt the need to hide this ability.
So that’s pretty suspicious right off the bat.
Now these interviews are caused by the second murder. So let’s talk about that.
Second murder: CaptainSparklez is pushed into a sand pit and suffocated by a very elaborate redstone trap. The trap is activated by one of the buttons on the table that they’re all sitting at.
Each of the buttons activates the trap, but only one of them was actually pressed. The connection we’re supposed to make here is that the White Pumpkin set up multiple buttons to keep suspicion off of themself.
The people sitting at the buttons were StampyCat, TheDiamondMinecart, LDShadowLady and Jesse’s friend Lucas.
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Now you’ll notice that CassieRose, the actual White Pumpkin, is not on this list.
TheDiamondMinecart (Dan) is the one who presses the button. Dan is supposed to be a Red Herring here as he didn’t know what the button would do and pressed it anyway (though he’s a bad red herring. And we’ll discuss that in a moment). Even with the knowledge that it wasn’t the white pumpkin who pressed it, it doesn’t make any sense for her to have not been sitting at a seat with a button. And this is never really addressed either. Making this scene a complete waste of time, unless of course the original white pumpkin was intended to be one of those 4 people.
The interviews give us a lot of knowledge about the interpersonal relationships of the characters and what their skill levels are. Such as what I discussed earlier about the tipped arrows. But one thing that stays consistent is Jesse’s insistence that whoever the white pumpkin is, they must be good at redstone.
And he’s right. Every trap set by the white pumpkin at this point was redstone activated. Whoever made it must have been very skilled with it. And out of all the suspects there’s only one who has that level of ability. Stampy.
Both Dan and Lizzie make a point of saying that Stampy is a master of redstone and his skill is unmatched. But when Stampy is asked about this, his first instinct is to lie about it. When you catch him in this lie, he immediately back-tracks.
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So Stampy
Has knowledge on how to build the first murder weapon (which wasn’t knowledge everyone had at the time)
Completely lies about this knowledge and is never called out for it
Was sitting at one of the buttons that caused the second murder
Is the only one with the redstone knowledge capable of creating the white pumpkins traps.
Lies about his redstone ability
So there you go! That’s a ton of evidence against him! And pretty much no evidence against Cassie other than the fact that she also knew about tipped arrows at the time.
In fact the dinner scene confirms Cassie can’t be a suspect unless we’re supposed to believe she just hoped someone else would do the job for her. Which considering she’s later characterized to be super paranoid and unwilling to leave things to chance, I doubt it.
While looking through secret tunnels you manage to find a secret conversation between Dan and Lizzie where Dan admits that he was the one who pushed the button on accident and that he feels super guilty about it. Jessie spots the white pumpkin looking through a painting at this moment. And considering he’s also seeing Dan and Lizzie, and he knows where Lucas is, out of all the people sitting near buttons, Stampy is the only one left. If the White Pumpkin was someone who was sitting at one of the buttons (which it should have been) it would have had to be Stampy
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Now I do think having Dan push the button is realistic and fine. It’s a button. Everyone likes pushing buttons. But the fact that the white pumpkin would Bet On That Happening and not sit near a button at all feels like it couldn’t possibly be right, especially because everything else is so thought through and calculated. It feels out of character for Cassie to do. Cassie being the white pumpkin also means those interview scenes were an entire waste of time. They gave us no real information that could be used in the case and crossed off the real murderer as a possible suspect.
If *Stampy* was the murderer however, this would have made a lot more sense. As the interviews would have given us a lot of info about him and against him. Plus his relationship to the others. Even if Dan turned out to be the one who pressed the button, we still would have gotten that important info on Stampy. Not to mention that Dan just so happening to press the button before the White Pumpkin got a chance is a lot more believable than the White Pumpkin betting on that.
Now the way the story actually goes is that Stampy is revealed to have the enchanted flint and steel (even though before he claimed to not even want it) and as I’ve said, Cassie is revealed to be the white pumpkin.
We learn she’s the white pumpkin because she’s the only one who didn’t have a portrait of herself with a red X over it, which is a sign someone had died. Meaning she was never intended to die at all.
Now because the writing team didn’t put any actual evidence of her being guilty before this, they slip in a Not At All Subtle clue that she’s the white pumpkin.
The white pumpkin’s hide out is Filled with calico cats. The same cats as Winslow (the cat that Cassie had kept with her). And while this is obviously supposed to tell us it’s her, it doesn’t really make much sense as a clue. Considering Winslow is just one cat. A bunch of cats that look like him is sort of out-of-nowhere. She’s had no real evidence against her other than the final connection, meanwhile all signs seem to point to Stampy.
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This doesn’t necessarily mean anything but I do think it’s worth mentioning that there is one character who Does have a ton of animals like the ones we see in the white pumpkin’s room. And that’s Stampy. He has a ton of dogs that could have easily taken the place of the cats. But anyway.
This last second Right At The End clue seems to almost indicate that there was some change in writing half way through the process. Before Stampy is revealed to have the flint and steel (which is something that any character could have confessed to and the story would be pretty much the same), the story makes a lot more sense with the idea that Stampy was originally intended to be the white pumpkin. We can also gather that it seems they intended the white pumpkin to be a man, as the protagonists refer to the white pumpkin by he/him pronouns and that assumption is never addressed when they learn the white pumpkin is a girl.
Either that or the writers are just. bad. Which is also very likely.
That’s all the evidence I have. So let’s talk about how story-wise it would have been so much more interesting to make Stampy the white pumpkin.
Cassie is great. But she didn’t get a lot of actual screen time in game until her villain reveal because she really never had any evidence against her. Stampy however got a lot of screen time and was generally the fan favorite when it came to the youtubers that were in episode 6. He was one of the most beloved youtubers at the time and the writers took that into account.
Whenever Stampy was accused of something, he’d play the innocent card. He’d say things like “it’s me! Stampy! I’m everyone’s friend!” In an attempt to get sympathy. Instead of defending himself, he played at the emotions of the people around him. He was played as the sweet innocent character who wouldn’t do anything wrong. I think this would have made him a Great twist villain. It would have made a lot more sense for the end scene as well, as the other youtubers defend Cassie, saying she would “never do something like that”. Which never really made sense considering they all knew one of them must have done it, and none of them had any real connection to her. Defending Stampy or being shocked would have made a lot more sense regarding the relationships of the characters.
His villain reveal would have been so much more surprising as well, as Cassie’s tone quickly shifts to much more malicious once she admits to being the White Pumpkin. And while I do believe shes a very good actor, I do believe the scene would have had an extra punch if the lines were delivered by someone who was previously set up to be the trustworthy friend who wouldn’t hurt a fly
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But it’s Cassie’s motive specifically that I think would have fit So Well if Stampy had taken her place.
Cassie wants the flint and steel so that she can return to her home dimension. She’a been stuck here for a very long time and is willing to do anything to get back home. Specifically saying that she needs to get out of this “stupid world”.
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Now this will only really make sense for those who are familiar with StampyCat outside of mcsm. But I’ll do my best to explain.
Stampy, as a YouTuber, was known for his “lovely world”. The minecraft world that he loved and cared about a lot. If the plot line was that Stampy specifically was separated from his lovely world, it would have been a great motive that he was desperate to get back it it.
So uh. Yeah! I think that’s all I got. I’m sure me and Worm aren’t the only people who have come to this conclusion but I’m just here to put it all into writing. I’m not sure if this was all a last minute change or sloppy writing but either way I think it’s interesting!
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365days365movies · 3 years
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February 18, 2021: The Danish Girl (Review)
Before I go into ANYTHING else...let’s talk about the actual Danish Girl, Lili Elbe, or Lili Ilse Elvenes.
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Oh, uh, full warning, this is gonna be LONG, so skip to the bottom if you’re just here for the Review! OK, history time!
Now, what the film The Danish Girl notes about the beginning of the transition is pretty spot-on, from what I can tell. After marrying portrait painter Gerda Gottlieb in 1904, the two lived in Italy and France before moving to Paris in 1912. Yeah, that’s over 14 years before they’re shown doing so in the movie. Inaccuracy #1. In 1908 (here comes number 2), Elbe (Einar at the time) painted this portrait of trees along a fjord in Denmark.
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Yeah, NOT in 1926, as the film says. But, yeah, that’s a nitpick, I recognize that. Anyway, the revelation came when model Anna Larssen (not “Ulla”, which is Inaccuracy #3) was late, and Gerda asked Elbe to fill in. When Larssen eventually showed up, she suggested the name “Lili”. Basically, this scene from the movie was pretty goddamn accurate.
Except for the dates, anyway. Because while the movie mostly takes place around 1926 and afterwards, this probably happened closer to 1920, in Paris. So, yeah, Lili spent a LOT more time as Lili in real life. Additionally, Lili was pretty goddamn public about the whole thing, inviting guests and hosting parties as herself, rather than as Einar. At the same time, Gerda was getting pretty goddamn famous for her paintings of Lili, like this one.
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Which, yeah, are really good! Also, they were considered lesbian erotica by many! YEAH! And here’s a fun fact: Gerda may not have been straight-up straight. Yeah, the film and the book (we’ll get there) kind of ignored the fact that their marriage was annulled by the Danish government, not by the two of them. Inaccuracy #4. Now, obviously, their relationship ended, and Lili ended up getting together with a man (we’ll get there, too), but there are a LOT of unanswered questions about Gerda’s sexuality, and views of sexuality (which is barely hinted at in the “male gaze” speech in the beginning).
After the annulment, the two just...drifted apart. Their relationship dissolved, and the details on that are fuzzy. By 1930, Lili was headed on a completely different path. She wasn’t a painter like Einar (and it turns out that she thought of them as two entirely separate people, like two souls living in the same body, which the movie got mostly right), and she was mostly unsatisfied with her career, life, and other things. And that is where Drs. Erwin Gohrbandt and Magnus Hirschfeld come in, NOT Kurt Warnerkros...yet. He’d come in for the other five (YES FIVE) surgeries, but wouldn’t be involved with the first. Inaccuracy #5, and also #6, while we’re at it! See, the film would make you think that Lili was the first complete gender reassignment surgery, but she was actually the second. The first would be Dora Richter, in a procedure that was performed by Dr. Hirschfeld from 1922 - 1931. YEAH. BIG-ASS INACCURACY THERE. Here’s Dora, by the way:
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Anyway, Lili had her first procedure, to remove the testicles, performed in 1930. In the same year, the divorce between Lili and Gerda was finalized, and Lili legally changed her name. Two more procedures were performed, the first to implant an ovary, and the second to remove the penis and scrotum. Inaccuracy #7, by the way. And, hey, let’s go for number 8! Let’s talk about Henrik, a dude who didn’t exist. He and Hans were both very loosely based on an art dealer named Claude Lejeune.
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Claude was an art dealer (there’s the Hans part), and was indeed in love with Lili. They got together around early 1931, and he’d actually been in love with her for a good, long time. He proposed to marry Lili, and she accepted, also hoping that the two would be able to have children together. But to do that, it was believed that Lili would need a uterus. And, obviously, having children would be MILES more complicated than that in basically EVERY way, but this was early in medical science’s understanding of some of that biology.
In any case, however, Lili would need both a uterus and a vagina to feel whole. And so, the fourth surgery was scheduled. And she had that surgery in 1931, a couple of weeks after Dora Richter successfully had the same surgery performed. But, sadly, Lili wouldn’t be so lucky.
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Lili’s body rejected the uterus, and while transplant rejections of any kind wouldn’t necessarily be fatal now, they definitely were back then. They attempted to remove it, but that subsequent 5th surgery caused infection, which caused a fatal heart attack three months later. Lili Elbe died on September 13, 1931, at the age of FORTY-EIGHT. Yeah, Inaccuracy #9.
By the way, you may be wondering: what about Dora Richter, the first successful person to get these surgeries? Well, she disappeared...in Germany...as the Nazis were coming into power...yeah. Fuckin’ YIKES.
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And so, that’s the true story of Lili Elbe. And there are far more differences than that, I’m sure, but those 9 inaccuracies aren’t insignificant, that’s for sure. Although, it probably doesn’t help that the movie was based on a fictionalized book.
Oh, uh...did I not mention that? Yeah, this movie is based on The Danish Girl, by David Ebershoff, which means that this film is essentially a cinematic game of telephone. Which, uh...not great. Granted, Ebershoof made some other...interesting changes, which the film didn’t inherit. In the book, for example, Gerda is named Greta, and is American? Um...why? I dunno, it’s kind of weird. Oh, and that’s not including one more issue with the movie. But, you’ve waited long enough, huh? Recap of the film is here and here if you wanna check that out! Let’s get to the Review already!
Review
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Cast and Acting: 8/10
I am...conflicted. So let me start here by saying that the acting in the film in and of itself is fantastic, all-around. Not a weak actor in here, that’s for sure. Let’s start with the side-roles, for once. Ben Whishaw, Matthias Schoenaerts, and Amber Heard are all good. Heard’s accent is a little shaky, but they’re still all solid performances. OK, how about Alicia Vikander? She’s great! And she won the Oscar for...Best Supporting Actress. Um...wait...Supporting? But not Best Actress? Uh...OK. That’s a little weird, let’s be honest here. But, Alicia Vikander did deserve that win over...oooooooh, Rooney Mara in Carol? Maybe not...damn.
And OK...let’s get into the elephant in the room, huh?
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Eddie Redmayne is fantastic as Einar Wegener/Lili Eber, and I genuinely think he had a great shot to win Best Actor...but, yeah, Leonardo DiCaprio definitely deserved it, I think that goes without saying. Hell, that year had a SOLID line-up for best actor. And Redmayne had even won it the year before for The THeory of Everything, another biography where he played Stephen Hawking. But ALL of that said...HNNNNNNNNNG, there should have been a transgender actor cast in this role, ideally. Now, I’m fully aware how difficult that would be, as Hollywood isn’t extraordinarily diverse in terms of including trans actors in massive mainstream projects. It’s better now, but it’s nowhere near ideal. But if anybody knows an actor who would’ve fit this role and performed it well, I’m DEFINITELY interested. So, despite that controversy, Redmayne was pretty goddamn great in this role. But, uh...that doesn’t mean everything is perfect...
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Plot and Writing: 5/10
OK, that seems low, I know. But it’s pretty goddamn damning that this movie was based off of a heavily fictionalized book instead of the actual life story of Lili Eber and Gerda Gottlieb. And because of that, there are not only some missed opportunities, but some straight-up damning inaccuracies. That’s a set of pretty poor decisions, I tell you what. Not sure why Lucinda Coxon came to that decision when adapting this screenplay, but it wasn’t exactly nominated for Best Screenplay. And the writing certainly isn’t bad, but it is...overly saccharine sometimes, especially for a film based (loosely) on a true story. I dunno...just not the best set of choices here, sorry to say.
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Directing and Cinematography: 8/10
Tom Hooper shouldn’t direct musicals. However, since this wasn’t a musical, directing and cinematography here is pretty damn good! Real talk, this is a gorgeous looking movie, and the way shots are framed are fantastic. Perfect? Weeeeeeeell...given the fact that painting is a main focus of the film, for both Gerda and Einar, there should’ve been more painter-quality shots in here, I think. And while the cinematography by Danny Cohen is pretty fantastic, I can’t say that it’s perfect. Still, in terms of lighting and general skill, it’s still quite a good looking movie.
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Production and Art Design: 10/10
But the deficiencies in the direction are EASILY compensated for by the production design! Like, hot DAMN, this is a good looking movie, like I said! That goes from the construction of the sets, to the gorgeous outfits all over the place, especially Lili’s outfits. Some iconic pieces of wardrobe there, that’s for sure! But if I have ONE complaint...this movie never once felt like the 1920s. Yup, good old anachronistic complaints from me again! Yeah, I’ll change the record one of these days, I promise. But even with that, it’s hard to ignore just how good this movie looks, to be honest. It’s just...gorgeous.
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Music and Editing: 8/10
As I type this, I’m listening to a track of the film on YouTube, and it is a beautifully delicate tune. I’m not sure that I’d be able to associate it with the film if presented to me on its own, but it’s definitely a nice track to listen to by itself. Playlist worthy? For somebody, almost certainly, but not for me. One of these days, a film like that’s gonna pop up, I swear. But for now, Alexandre Desplat and his score are gonna stay off my iPhone. This really is a nice score, though, I promise. Editing by Melanie Ann Oliver is pretty good as well, and I’ve no complaints about it, to be honest. Overall, this side of things was quite nice, if not the most notable thing I’ve ever seen or heard.
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I might have been a little harsh, but it’s still got an 78%.
This is a good movie, but...I dunno, the inaccuracies do bug me. Hell, there are WAY more than what I’d mentioned, and I mentioned a lot. Not to mention the other glaring issue: no trans people at any stage of the production? Really? No script consultants, no writers, no NTOHING? That’s...egregiously bad. Like, holy shit, guys. And, yes, this includes Redmayne, because even though he performed admirably in the role...I dunno. I’m no expert on ANY of this, as a cissexual dude with cissexual experience, but it feels a little...reductive, is all. Like I said, if any other actors have been suggested for this role, I’d love to know. The whole thing feels...I don’t know, just not great. 
And by the way, that’s without even TOUCHING the question as to whether or not this film is authentic to the trans experience. Again, I have ABSOLUTELY NO IDEA, but I’ve also heard that this film isn’t universally acclaimed in the trans community, so to speak. And I’m definitely interested in the reasons for that. All I know is this: from the perspective of a complete outsider, I was intrigued by this films view of the transgender experience, specifically as seen in the earliest days of those realizations happening and being publicly known and reported on. And that’s all I can really comment on, in truth.
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WHOOF. That was a goddamn topic, huh? And now, I’m going to continue on the the month of romance with...wait, the 19th is my 5-year anniversary with my GF, pictured here:
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Ravishing. Anyway, I think I’ll let her pick from my choices for this next one. Hold on a sec...OK, then. Sing it with me now! AND DO I DREEEEEAM AGAAAAIN, FOR NOW I FIIIIIIIIIIIIIND...
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February 19, 2021: The Phantom of the Opera (2004)
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iturbide · 3 years
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the fact that edelgard is the villain in 3/4 routes and yet intsys STILL glorifies her to no end enrages and annoys me. no other villain has been given that perspective of “well actually maybe they arent so bad” except for the hypocritical tyrant. even when she has *literally become an inhuman monster* intsys is still like “oh no dont worry she was right actually!” and it upsets me deeply
It upsets me, too, friend.  IntSys seems to really like glorifying people who don’t deserve it, especially in recent games (Walhart in Awakening, Rudolf in Echoes -- I can’t say if his whole ‘orchestrating a plan to have his son murder him’ thing is carry-over from Gaiden or not, but it definitely exists in the recent remake so I’m including it), but Edelgard actually ends up as a bit of a weird case. 
(I have a lot of thoughts about this, so I’m just going to cut preemptively.)
Now, I’m actually not opposed to Edelgard being the protagonist of the fourth route in Three Houses.  Anyone who’s been here a while knows that I generally see Grima, a figure that IntSys generally tries to paint as a rote villain, as at least a sympathetic villain (and possibly even a secret hero in the events of Awakening itself); it’s entirely possible for someone that’s a villain in most of their appearances to have legitimate reasons for what they’re doing and why, and revealing that in their personal route could be incredibly powerful if done well. 
And here’s the thing: Edelgard really is a compelling character, in large part because of her moral ambiguity.  I actually agree with her when she says that the Church of Seiros is corrupt at its core and the system needs to change.  She’s right about that!  While Seiros might have had decent reasons for establishing things this way, over the past thousand years human societies have changed while the church itself remained stagnant -- something potentially exacerbated by her selfish ambition to restore her mother -- and this has led to a structure that once served an important purpose becoming a toxic and destructive mess for humanity at large.  Edelgard has a completely valid point there, and it’s something that I could absolutely get on board with if she had gone about achieving change in some other way, because she does have other methods available to her that she writes off without real reason -- and even that can relate back in part to her deep trauma and difficulty trusting people after the betrayals she faced at the hands of her “uncle” and her own father’s powerlessness to stop the nightmare she and her siblings suffered through. 
IntSys probably could have crafted a narrative that showed from her perspective why she believed war against the Church was the only valid option available to her.  The issue is that she undercuts her own argument by targeting all of Fodlan, rather than specifically going after the Church: she doesn’t give the Kingdom and Alliance a “stay out of my way or else” warning, she literally turns her sights on the Kingdom as soon as the monastery falls and attempts to fully annex it once Cornelia sets up Dimitri’s fall, leaving the Alliance only because she has her hands full with Faerghus.  She didn’t have to take Cornelia up on her offer of making the Kingdom into the Dukedom of Faerghus and sending troops to finish the job: she could have just left the woman to her own devices, forcing the Twisted to utilize their own people to maintain and secure full control of the region while she worked on addressing the systemic issues, which would have had multiple benefits:
The Imperial Army doesn’t get overwhelmed and exhausted fighting in conditions they’re not equipped to deal with, leaving them stronger overall while the Twisted forces are potentially weakened by the same
Hubert is able to better assess the threat they’re dealing with, including learning their capabilities and possibly even where they’re coming from before Merceus
Edelgard actually puts her money where her mouth is and ends up helping the people she claims to be doing this for, rather than just using them as fodder for the war to grind up
Unfortunately, the way she’s written ends up just making her an imperialist.  She’s not just going after the corrupt core of the Church, she’s trying to forcibly unite the continent and return Fodlan to some long gone ideal where it was all united under the Imperial banner because she refuses to believe that Adrestia could have split by natural causes.
Crimson Flower ultimately ends up being a particularly egregious example of this glorification phenomenon in action because they give her a personal route that makes no effort to critically examine her actions and make her face consequences for them.  This, I think, does her a massive disservice as a character, because that aforementioned moral ambiguity that makes her so interesting could have been utilized to great effect -- and the proof is actually there already, because they do it in Dimitri’s route.
Dimitri is himself another interesting character, and outwardly presents as Edelgard’s polar opposite: he recognizes that he doesn’t have all the answers, struggles to figure out the correct course of action when presented with difficult subjects that have  no clear-cut answer -- like the fact that reliance on the Crest system is toxic for noble families, but it’s those very Crest-bearers and their Relics that help keep Faerghus safe from invasion by Sreng -- possesses incredible strength but specifically refrains using it in most cases to avoid harming others, and generally takes everyone’s problems onto himself to his own detriment.  He’s also deeply traumatized and was never given a chance to deal with it in a healthy manner, which contributes to how he snaps -- and Azure Moon starts with Dimitri being so far out of reach that you can’t unlock any of his supports and can’t even engage with him in the weekly discussions.  He’s lost himself to his survivor’s guilt and need for vengeance, considers himself to be nothing more than a monster, and has no qualms about killing if it helps advance his quest; as the story progresses, he faces a direct consequence for this murderous inclination in the form of Fleche who attempts to exact vengeance for her brother’s sake in the same way that he’s attempting to claim it for his family and friends -- only to lose Rodrigue, and have his dying words be a plea for Dimitri to live for himself rather than those who died before him, at which point Dimitri sets his sights on opposing Edelgard rather than killing her and seeing to atone for the crimes he committed.  While I think the game made the change a little too abrupt, it’s handled well overall, and shows a real development arc complete with both actions and their associated consequences that directly relate to Dimitri’s growth as a person.
Contrast this to Edelgard in general and Crimson Flower as a route.  Edelgard believes that she has all the answers despite not trying to engage with anyone outside her own House, decisively chooses what she believes to be the right and proper course of action regardless of how difficult the subject matter, possesses great strength (both physically and of sheer will) that she uses to dominate others, and forces others to join her in addressing what she sees as problems -- such as her line about making her own people into “worthy sacrifices” for her “higher cause.”  Crimson Flower is the only route where her attack on the monastery fails to capture Rhea, but once Byleth returns she sets her sights on attacking and subjugating a territory that has remained entirely neutral through the past five years, turns on the Twisted while she’s still in a vulnerable position which ultimately causes the deaths of at least a third of the forces she left at Arianrhod once they fire their warning shot, lies to her friends and allies about what happened there, murders her step-brother, and allows a city full of trapped civilians to burn unchecked while she deals with what she considers to be the “real” threat on the opposite side of the Faerghus capital -- and all of this is capped off with her never dealing with the Twisted, and cute little endcards that talk about how everything worked out fine and there were no problems ever, The End.  Edelgard doesn’t get a development arc in her route: she’s never challenged, she never faces real consequences (and the one she does face she literally lies about to her friends and then leaves as a problem to deal with later), and she pretty much ends the game exactly where she started it: completely assured that she made the right choices.  The moral ambiguity inherent in her character is instead cast as “of course she’s in the right, she’s so great and there’s nothing at all wrong with what she’s doing or how she’s going about it, isn’t she wonderful?”
At least in the main game, Hegemon Husk Edelgard is treated with real gravity, shown as the pinnacle of her drive to see her ambition come to fruition and the tragic consequence of her inability to change course and find another path.  The Forging Bonds event just takes the CF brush and paints her actions as the right ones, even though what made her so compelling is that her reasons were right while her methods were horrific.  Edelgard really could have been wonderful.  The potential is right there in her character.  But IntSys completely botched the execution of it, so that her route feels rushed, incomplete, and at best unsatisfying (or, if you’re me, utterly disgusting for how it glorifies imperialistic conquest), and her Heroes appearances only make it worse.
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lala-ladybug · 3 years
Text
Healing Hands: Chapter 4
Yesyesyes I’m super excited to share this one with you guys!! The game is finally beginning, ahhhh!!!!
Jasonette Sword Art Online AU
Read here on AO3
Tag list: @iloontjeboontje
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Chapter 4: Goddamn wimps, all of them
Marinette opened her eyes, squinting against the bright sunlight. She stood in a huge village square filled with hundreds of people, the gaps between them growing smaller as more and more players appeared. The sun shone merrily, and an excited chatter began rising in the air. She closed her eyes and took a deep breath. It felt good to be back.
“Marinette!” She looked around to see Alya and Nino waving a few yards away. She broke into an excited smile and jogged over to meet them. They must have spawned in relative to their actual locations since Kagami, Luka, and the others from her class were already there.
“Hey guys!” Marinette said breathlessly. “Almost didn’t make it. Thanks for the call, Alya.”
The brunette gave her a quick hug. “Anytime, girl. Now you and Lila can show us the ropes!” She bounced excitedly.
Marinette barely caught herself from rolling her eyes and just nodded instead. Of course Lila would be able to help teach the others how to play. It definitely wouldn’t just be Marinette teaching everybody. Again.
Meanwhile, Max and Nathaniel were remarking on how realistic the textures of the cobbled streets were. Marinette did a double-take when she saw Adrien standing next to them. He had an immensely intricate and ornate suit of armor. There was an excess of spikes, ribbons flowing from every joint, and every inch of him was covered in metal. A tall helmet adorned with skull decals cast a shadow over his grinning face.
“What are you wearing?” She spluttered. He pointed a thumb to his chest with some difficulty, the thick metal creaking with the movement.
“This bad boy is the toughest armor in the game! I may have made a few embellishments of my own, so now I look even cooler.” He stated with pride.
Marinette shot a look at Luka, who wore a light set of simple leathers. He grimaced and shook his head, warning Marinette not to question their friend’s surprisingly atrocious taste in fashion. Or serious misunderstanding of armor weight classes.
“You know you could’ve picked any armor you want, right?” Adrien asked.
“Oh, I know. I crafted this set during beta testing!” Marinette spun around to show the boys, gladly welcoming the change in subject. She was dressed in a light suit of armor, the metal tinted a deep red. Black fabric peeked underneath the gaps, a strong yet flexible design of her own making. A simple grey cloak hung off her shoulders, concealing the quiver behind her back.
While Luka and Adrien complimented her brilliant design, she spotted Lila. She looked a little out of her element, hanging back to awkwardly watch a conversation between Kim, Alix, and Kagami, oddly enough. The three were dressed in heavy sets of armor, lamenting about how there weren’t any monsters to battle yet.
Chloe sauntered over to join them and, having heard how even Kagami was itching for a fight, wrinkled her nose. Marinette giggled to herself. This was going to be interesting, to say the least.
* * *
Jason’s eyes snapped open and he threw out an arm to steady himself. The transition from logging on was dizzying, but the sensation faded with every deep breath he took. He noted the smell of freshly baked bread wafting through the air. Damn, even he had to admit this tech was impressive. Dick and Tim stood next to him, wearing blue and red-toned armor respectively. Tim was looking around wildly, grinning like an idiot.
“Timmy!” Cassie Sandsmark sprinted towards them to tackle her boyfriend in a hug. Oh great, looks like the rest of the kiddy patrol was here too. Looking to where Cassie had run from, Jason indeed saw various members of The Team. Connor looked just as nauseated as Jason had felt after joining. Roy stood next to him, unmoving as he stared down at his very realistic-looking hand. Ouch. Jason had to have some sympathy for the poor kid, not that he’d ever tell him that.
Bart and Garfield, on the other hand, appeared to be having the time of their lives. Bart got into a running stance and Garfield gleefully jumped into the air, both falling flat on their faces. Jason snorted as he watched Jaime help his boyfriend up. Jaime asked him, “Whoa there ese, what gives?”
Bart shook his head and muttered, “I don’t have my speed.”
Garfield furrowed his brow and strained his face. “You look like you’re either really constipated or trying to shift,” Artemis informed him.
Ignoring her, Garfield locked his panicked eyes with Connor’s. “I can’t shift either, SB.”
“Der kaolc ym nrut,” Zatanna intoned quietly. When nothing happened, she nervously said, “My magic doesn’t work either.”
Jason rolled his eyes. Goddamn wimps, all of them. “Looks like all you supers will have to stoop to our level.”
“Stay whelmed everyone,” Dick stepped in to mitigate half the group’s outrage. “It’s just a game, we don’t exactly need our other skills right now.”
Before they could say anything else, an enormous bell mounted in the center of the town square began to ring. A hush fell over the crowd. The sky darkened as red hexagons interlocked to create a massive dome around the town.
A tall being flickered to life in the air above them. The hooded figure floated high overhead, their face eerily concealed.
“Attention players,” the figure raised their hands. “I welcome you to my world.” Well that didn’t sound ominous, Jason thought to himself. He felt the mood from the others shift into high alert.
“You may call me the Game Master, and I am the only one in control of this world. You may have noticed that the logout button is missing from your main menu.” The figure paused dramatically. “I assure you, this is no defect in the game. It is all as I have designed it to be. You cannot log yourselves out, and no one outside the game will be able to remove you forcibly. If anyone tries to do so, a transmitter inside the VR headset will emit powerful microwaves into your brain that will end your life.” Shit, shit, shit. This was just supposed to be a dumb game he played to make Replacement shut up about it, what the hell?
“Of the 10,000 players, 215 have already died because their family or friends ignored this warning and attempted to remove their headsets. Media outlets have been reporting on this, so it is safe to assume the danger of your headsets being removed has passed.” This guy had to be joking. Though if he wasn’t, Babs would surely research everything within her power to try to remove them safely.
“One other feature of the game is that you are no longer able to revive players. If your HP drops to zero, your avatar will die and the headset will destroy your brain.” Jason’s eyes widened and his head whipped to Dick. He ran a hand through his hair, looking just as horrified as Jason felt.
“The only way for a player to return to the real world is to clear the game. You are currently on Floor 1, the lowest level of the castle. If you make it to the dungeon and defeat the level boss, you may progress to the next level. Defeat the final boss on Floor 100, and you will clear the game.” This motherfucker couldn’t be serious.
The game master, god what a pretentious prick, raised his hands and began to disappear once more. He said, “Good luck, players,” before disappearing entirely. The sky returned to its cheery blue.
 A beat of silence passed before someone started screaming. Then the thousands of players erupted into a cacophony of sound.
* * *
Marinette stood stockstill amidst the chaos. She felt more than heard masses of people panicking around her. Her eyes darted back and forth without truly seeing anything, mind racing to figure out a solution. If there was no way to safely remove the headset, then they’d have to beat the whole game. What about the Kwami? Could they connect with their miraculi? What about the small powers they’d each accumulated over the years? If those were accessible, then they might stand a chance, but god if they weren’t--
A hand on her arm made her snap her head to attention. It was Adrien, his jaw clenched tightly. She gripped his arm in return, the small reassurance barely that. Around her, the new Order looked to their leader for orders, direction. And behind them, her classmates....
Most were white in the face. Max had his hands clenched in his hair and was muttering to himself about the likelihood that the headsets actually could kill them. From the way he was shaking his head, she guessed it was a definite possibility. Lila looked like a cornered animal, twitchy and desperately looking for an escape. Even Kim and Alix wore uncharacteristically serious expressions.
“Well?” Chloe prompted Marinette. The latter took a deep breath. Better focus on solving the smaller problems first. “Your VIP package came with a house on the first floor, right?”
Chloe blinked in surprise. “Yeah, it did,” she replied uncertainly.
“Good.” Marinette whistled and gestured for the rest of her friends to gather around. “Listen up! We don’t know how everyone else is going to react, so it’s best for us to go somewhere safe to lie low for a while. I can teach everyone the gameplay, and we’ll do our best to help beat the game.”
She looked Alya and Nathanial in the eye, since their hands seemed to be shaking the most, and said with all the confidence of Ladybug, “Think of all the bullshit Hawkmoth’s put us through. We are not going to die here. That’s a promise.”
Marinette drew her bow and half-strung an arrow, holding it parallel to the ground. “Chloe has a house on the first level. Let’s go.” She nodded to Adrien, Chloe, Kagami, and Luka to establish a perimeter around the rest of the class as they moved. She exhaled a quiet, shaky breath and led the way out of the square.
The crowd did not part easily. People were sobbing, shouting, hyperventilating. They needed to get out fast before the shock wore off.
Someone stood in front of her. The poor soul was probably just as scared as they were. She put her bow back in her inventory, trying to appear as non-threatening as possible.
“Excuse me,” Marinette gave a little half-wave to get their attention. “May I please get through?”
“Oh, sorry,” He had a deep, male voice. One hand gestured to the direction she was headed as he stepped out of her path. “Go right ahead.” His hands weren’t shaking as the other crept towards his belt. Not good, not good.
A flash of silver was all the warning she got before Luka pulled her back. A knife collided with his hastily raised shield, shedding sparks as the assailant nearly dropped his weapon in surprise. Marinette dropped down to sweep her leg beneath Luka’s shield, knocking the man off his feet. He gave a shout of surprise as he went down, and Luka disarmed him in the confusion.
“Come on, move it!” Marinette shouted over her shoulder. She re-equipped her bow and surged forward, picking up the pace to get the hell out of there. Such a large group was an easy target, they had to get out of the open and fast. People were starting to react beyond their shock, and more of them were bound to get violent.
Her eyes scanned over the buildings in front of them. There. A momentary break in the throng of players allowed her to spot Slipcut Alley, a favorite shortcut of hers. It was only a few yards away. The alley was too narrow for anything but a single-file line, but it provided cover and was hidden by a spell that only other beta testers would know about. It was their best option.
She squared her shoulders and pushed through the last of the crowd. She turned to face her friends, who gathered around her as they too made it out into the small clearing. Chloe, Kagami, and Adrien were watching the crowd behind them, ready to defend against any other attacks.
Marinette put her bow away one more time and asked, “Do you trust me?”
Shaky nods and wide eyes. That would have to do.
“Then follow me,” she said, and walked straight through the wall before them.
* * *
“Our first step should be finding shelter for the night,” Dick said sharply. “We can figure out the rest tomorrow, but it’ll do us no good if we die tonight.” Tim nodded, ever the protégé.
“And just how do you suggest we do that?” Jason countered. He couldn’t help it if it came out a little accusatory. He did not sign up for a damn death trap.
It was Garfield who had the answer. “Well, in order to do anything, we need money. So we need to start killing some monsters!” He palmed his fist with a resounding smack. “And then we can see about an inn or something.”
Connor rubbed his chin. “That’s not a bad idea, kid.”
“Just tell me where to hit them,” Roy said in a low voice, sounding about as pissed as Jason felt.
“Let’s split into three teams. Alpha squad will be Artemis, Wally, Bart, and myself. Tim, Roy, Gar, and Connor will be Beta. Jason, you’re with Jaime, Cassie, and Zatanna for Gamma.” Great, Jason was the only non-super there. What a grand old time that’ll be.
He made to leave the square and disappear into the panicking crowd, but Dick held his arm. “Hey, I’m trusting you to keep them safe,” he kept his voice low. “It’s been a while since they fought without powers, so keep an eye on them.” He then turned to address the rest of the team. “Alpha will take north. Beta, go south and Gamma see what’s west. Meet back here at sunset. Alpha will secure lodging before engaging enemies.”
“What, no pep talk?” Wally elbowed Dick. The latter didn’t crack a smile as he said, “Just stay alive.”
Beside him, Garfield swallowed hard and said weakly, “Noted.”
Jason rolled his eyes and jerked his head in their assigned direction for the other three members of Gamma squad to come with him. He’d follow along as long as Dick made good plans, and Jason didn’t exactly have any better ideas for now.
He put on his very best I know exactly how to kill you and I’ll do it if you don’t get the hell out of my way face and lead the way out of the packed square. The crowd parted easily before him, and they were out on an open street within a matter of minutes.
”Where to first, ese?” Jaime asked, shifting nervously from foot to foot.
Good question. Jason looked around for a map or something that could tell him the way out of the damn town. When he glanced back for a quick headcount and only counted two, he cursed and asked Cassie, “Where the hell is Z?”
She pointed at a nearby stall where the magician was chatting with the vendor. Zatanna waved to them, then sauntered back over to the rest of the team. “The shopkeeper says there’s a bridge further down this street and to the left that’ll take us west out of the town.”
Cassie frowned. “Was that a player with their own shop already? Man, we are behind.”
“Oh, no it was an AI.” Zatanna readily supplied. “An NPC?” She added on seeing the confusion on her companions’ faces. “Honestly, was I the only one to do research on this game before playing it?”
Jaime sheepishly scratched his head while Cassie squeaked, “Well....” Jason had to agree with them, he just did this to keep Replacement happy. And get Dick off his ass, the meddling prick.
Zatanna shook her head. “Look, AI stands for artificial intelligence, and NPC is a non-playable character. They’re computer-generated people, not actual players.”
Jason caught enough to surmise that these NPCs were created by the same maniac that locked them up in here. He crossed his arms and asked, “How the hell can we trust their word if they’re controlled by that fuckin’ game master freak?”
Cassie bit her lip and had the good sense to look concerned.  Zatanna just shrugged and said, “I guess we’ll just have to find out. We can try following their directions but stay cautious in case it’s a trap.”
“Fine,” Jason sighed. “Let’s go.” He was already resigned to the absolute stupidity of the situation anyway.
They made it to the end of the street without incident, and turned where the shopkeeper had directed them to. There was a bridge, spanning a merrily bubbling river, and open fields dotted with trees beyond it. Jason could smell the greenery and apple blossoms from here.
“Wait!” Jaime threw his arm out. He made a face, then sneezed. “Aw man,” he gave a tremendous sniff. “Can’t eben escabe allergies in a video gabe.”
Cassie laughed at her friend and slapped him on the back, which only made him sneeze again. Dumbasses, they didn’t have time for this. Jason rolled his eyes for what felt like the umpteenth time that day and walked up to the base of the bridge. He slowly, carefully stepped across and edged his way to the other side.
The other three followed suit, and upon joining him, Zatanna said cheerfully, “Seems like we can trust the NPCs!”
“For now,” Jason muttered, still not convinced. He turned his gaze to the rolling hills before him, warm breezes sending waves that shimmered through the knee-high grass. He didn’t see any monsters, but there had to be some... right?
He used two fingers to swipe the air in front of him, opening his inventory. At least he remembered that much from the tutorial. He equipped the crossbow he’d loaded in when he created his avatar. Damn, that night in the Batcave felt like it was a week ago.
Jason took a wary step forward, into the grass. “Fan out,” he directed the other three. He didn’t turn to watch as he heard them draw their own weapons and creep up to flank him.
A rustle in the grass ahead had him throw a clenched fist into the air to have the others hold their positions. He waited until the movement stilled, then crept forward a few more steps, careful to keep his footsteps silent. He was within feet of it now, whatever it was. He hoisted up his crossbow to brace it on his shoulder and trained it on the last place he’d spotted movement. There was a sharp inhale behind him, and then Jaime sneezed loudly.
The head of a wild boar whipped up and it lunged for Jason. “Shit!” he yelled. Damn kid and his perfect timing. Jason blindly jumped backward and fired a bolt at the same time. It met its target and the boar shattered into glittering dust that resembled pixels. In front of him, a notification popped up that 20 copper coins, the crossbow bolt he’d shot, and a boar tusk had been added to his inventory. Huh, that was surprisingly easy.
“Wow, that was so crash!” Cassie pumped her fists in the air. “This game is gonna be a piece of cake.”
“Not so fast,” Zatanna frowned. “Remember, this is only the first level. It’s bound to be easy. It’s only going to get harder from here.”
Jason turned around to face them. “And just because that little shit was easy to kill doesn’t mean they all will be on this level.” He noticed Jaime hanging back, looking embarrassed.
“Hey kid,” Jason jerked his chin at him. Jaime's head snapped up. “Do you want to try the next one or wait by the bridge until your allergies clear up?”
Jaime opened his mouth to respond but had to sneeze again. “I think I’ll just waid by the bridge. I’b really sorry guys.” He trekked back to where they’d come into the fields.
“And then there were three. Ladies first,” Jason mockingly bowed, gesturing to the open fields beyond where the boar had been. Zatanna smirked and Cassie stuck her tongue out at him, which he returned with a rude gesture.
26 notes · View notes
ga-yuu · 3 years
Text
~Kurama~Main Story Chapter 25~Part 1
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I really feel like this game was suppose to be a yaoi but in the end they changed it!
Warning!! Kurama is too cute from here onwards!!!
Chapter 24
*
*
*
--------Part 1-------
Kurama: “I suppose, when you know someone for a long time, you can sense him acting different.”
(Kurama...?)
Before long, the heat smoldering in the depths of Kurama’s eyes made my heart beat wildly.
His face slowly approaches------
Kurama: “Yoshino, what the hell did you do in front of that man?”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. Nothing special that I can think of (+4/+4)
2. I don’t remember.
3. You’re overthinking.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Yoshino: “:....Nothing special that I can think of.”
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Kurama: “You have a habit of playing with men without being aware of it. I don’t trust you.”
I look away, as Kurama stares at me suspiciously.
(Nn....)
Kurama: “Tch, whatever.”
After a small click of his tongue, Kurama turned again to Yoritomo-sama and Kagetoki-san.
Kurama: “Anyway, let me give you my opinion on the war against the Court.”
(I can’t believe Kurama has an opinion on human warfare....)
Yoritomo: “I’m all ears.”
We all gulped and listened to Kurama’s opinion.
And an hour or so later, our meeting comes to an end....
Kagetoki: “Then the plan is that way. I’ll get on with the preparations.”
Yoritomo: “I’ll leave that to you. Yoshino. I know you’re tired but you’re going to have to work some more.”
Yoshino: “Yes. I’m ready. I know I attacked some of the Shogunate and the Rebels soldiers...I’m ready to make up for that.”
Kagetoki: “No one has died. It’s a waste of time to think of imaginary atonements.”
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Yoritomo: “The soldiers who witnessed it knew that you were shouting at them not to come closer. They might have been frightened, but that will eventually go away when they see you in your usual self. We just have to wait patiently.”
(Kagetoki-san, Yoritomo-sama....)
Kurama: “It’s not your fault if you hurt someone. Rather, I’m amazed you were able to endure that horrible spell.”
Yoshino: “When I was at my limit, Kurama came to me. That’s why.”
Kurama: “.......”
Our gazes intertwined and I looked away, feeling embarrassed.
Kurama: “Hey, why are you looking away?”
Yoshino: “Mm...nothing....”
(Don’t ask me that...)
Kagetoki: “The air around them feels warm, right?”
Yoritomo: “Yeah. I was surprised when Kurama asked me to help him. So this was the reason.”
(Don’t tell me they already know!?)
Kurama: “What are you talking about?”
Yoritomo: “We are talking about your illicit love affair with our Yoshino.”
Kurama: “Oh that, there’s nothing illicit about it. It’s called ‘Mutual love’. I just discovered earlier today.”
Yoshino(blushing): “Wait!!!”
(We were supposed to be talking about something serious, but how did we end up talking this!?)
....And after telling our story, we each prepared for the final battle.
..................
Meanwhile--------
At the main camp of the Imperial Court, Yasuchika, sitting facing Ibuki and Akihito.
Yasuchika: “....This was not supposed to happen.”
Ibuki: “You can’t deny that it happened. Is there something wrong?”
Yasuchika: “You’ve seen it. It was perfect. It’s not something that can be solved by the willpower alone. To read the wavelengths of human is perfectly impossible even for Tamamo, who is skilled in the art of conjuring.”
Akihito: “Maybe Kurama or Yoshino underwent a big change.”
------Part 2-------
Akihito: “Maybe Kurama or Yoshino underwent a big change.”
Ibuki: “Big change, huh? Anyway, the only thing left to do would be a night raid.”
Ibuki shrugs uninterestingly.
Ibuki: “I don’t think he’s got much left in his tank. We should not wait for him to recover, we should fold him up. Also, the little fox is useless when she’s exhausted. The trouble is, they know what we’re going to do anyway.”
As if he had expected Ibuki’s answer, Akihito smiled softly.
Akihito: “Well then, we have to try harder, even though it’s a muddy way.”
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Yasuchika: “......................”
................
(The time has finally come.)
Kurama: “I knew you’d be waiting for me anyway.”
Ibuki: “It’s a pleasure to live up to your expectations. Yoshino, nice to see you too.”
Yoshino: “......Ibuki.”
While the Shogunate intercepted the night raids of the Imperial Court’s soldiers.
Kurama and I were out of the party and were approaching the main camp of the Imperial Court.
(To be honest, I still shudder at the thought of fighting Ibuki. But...)
(We can’t lose for the sake of everyone who’s fighting right now!)
Ibuki: “You’re surprisingly a great woman for not falling in despair at my tricks, you know? Apparently, I lost our game.”
Yoshino: “That’s because I had Kurama help me.”
Ibuki: “I’m jealous of that.”
After muttering in a tone of voice that could be a joke or serious, Ibuki pulls out the greatsword on his back.
Ibuki: “Are we playing the same game again? Didn’t you two learn that your duo can’t beat me at all?”
Kurama: “You talk a lot. Why don’t you think it's because of that pride that Yoshino and I are standing here now?”
Ibuki: “I always enjoy playing seriously. No matter what the consequences.”
(It’s coming!)
Kurama’s fan splits the wind and Ibuki stabs the tip of his swords into the ground at the same time.
There was a crack in the ground and Kurama lifted me up softly and flew away.
Ibuki: “Thanks for the breeze.”
As Ibuki narrowly avoids the attack, Kurama stays in the air and creates countless blades of wind again.
Ibuki: “I knew it. You’re powerless.”
With those words, the blue light of thunderbolt approaches us-------
Kurama: “Yoshino.”
Yoshino: “Yes!”
(Lend me the power of the nine-tail fox.)
As soon as Kurama flapped his wings and deflected the light from its path, I held up my hand like he told me to.
Ibuki: “And? What are you doing there?”
(Nn....)
The golden dew rises at a slower rate than before.
(I’m worn out from using too many different powers.)
A second flash of light comes from Ibuki’s fingertips as he grips his sword.
Kurama struck it back with a spell-cast iron fan, but----
In no time at all, a third shot ripped through the pale night.
Ibuki: “You can’t start anything if keep preventing it.”
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Tamamo: “That’s why I’m here.”
Ibuki: “.......!”
Without a sound, Tamamo appears behind Ibuki and thrusts a silver ornamental sword at his back.
(Yayy....?)
Tamamo: “Sand....”
A small shield of sand blocked the cut that was meant to pierce his back.
 Kurama: “Get away!”
--------Part 3--------
Kurama: “Get away!”
Ibuki appears again, just barely slashing Tamamo, who jumped backward on his hind legs.
Tamamo: “I used to be good at disguising signs and mirages.”
Ibuki: “It’s still hard to tell, but if you know it’s coming, you can predict it. With Yoshino’s help, you restored some of your power back. I thought this would be a perfect time destroy both Kurama and Yoshino.”
(I can’t believe you’ve read that much....)
Kurama: “Don’t hold back unless you want to fall prey to Ibuki’s attacks.”
Tamamo: “My my.”
Tamamo and Kurama simultaneously create a foxfire and a blade of wind to pin Ibuki down.
Ibuki: “Well well, it’s getting exciting, isn’t it?”
A breathless exchange of slashes and spells.
(Kurama’s guidance is all I can manage to take away from the spell.....)
Ibuki: “How long can the stalemate last?”
Tamamo: “The more Yoshino takes away your power, the more power I have. In that sense, the balance will be broken sooner or later, won’t it?”
Ibuki: “Can Yoshino and Kurama even hold it that long? I think not.”
Yoshitsune: “----I disagree with that.”
Ibuki: “!!”
A figure gallops in on a horse, kicks the back of the horse vigorously, and rushes at Ibuki with the force of his landing.
(Yoshitsune-sama!)
Before I knew it, the sword had been pulled out and was glittering in the moonlight, creating a wind blade.
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Yoshitsune: “Kurama!”
Kurama: “Don’t rush. I don’t need to be told what to do.”
As he says this, Kurama is already waving his iron fan.
Ibuki: “....................”
Annoyed, Ibuki jumped back and avoided the wind blade from the both of them.
He was distracted by a foxfire which he had just avoided, and a transparent vortex tore Ibuki’s kimono thinly.
(Wow! We did it without any meetings!)
Kurama: “Faster than I expected, Yoshitsune.”
Yoshitsune: “That’s why I came quickly.”
Ibuki asks suspiciously keeping his distance.
Ibuki: “Have you been in touch with Yoshitsune tonight? The main body of the Rebel army must pass close to the Imperial Court from here. It must be difficult to even get messengers back and forth.”
Yoshitsune: “I didn’t get any message from Kurama asking for me. I’m only here on my own because I can’t move my troops behind the Court’s eyes.”
Yoshitsune-sama points his sword at Ibuki while talking with an expressionless face.
Ibuki: “So why did you come here?”
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Yoshitsune: “I felt like Kurama was hurt.”
Kurama: “.................”
Yoshitsune takes one look at Kurama and see how badly he is hurt.
The amethyst eyes turned to Ibuki with a murderous glint.
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Yoshitsune: “At last we finally meet, Shuten Doji. It seems you have taken care of my friend really well.”
Ibuki: “Friend?”
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Tamamo: “You underestimated Kurama, Ibuki. Did you think he wouldn’t have friends? While you’ve been treating him like a baby, Kurama has been going his own way.”
(I was surprised when the name of Yoshitsune-sama came up in Kurama’s plan...)
Memories of our conversations in the main camp of the Shogunate were revived.
--------FLASHBACK---------
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Kurama: “Even if I don’t call him, Yoshitsune will come to me. His soul is closer to that of a demon. He’ll surely be able to trace the familiar traces of my magic.”
Kagetoki: “What if he doesn’t?”
Kurama: “I’ll do the opposite.”
------FLASHBACK ENDS------
 (It happened exactly how Kurama told us.)
Without looking at Yoshitsune-sama, Kurama opens his mouth.
Kurama: “Do you know what I’m thinking now, Yoshitsune?”
Part 2
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manggaetteokkie · 4 years
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Why 2HA adaptation might not be as bad as we think...
Okay so BL novel “The Husky and His White Cat Shizun” (chinese title: “二哈和他的白猫师尊”) aka 2HA is getting a live adaption which will be called “Immortality” (“皓衣行”). I know that usually, fans of original works are less than excited about this kinds of news and with good reasons. The issue is that those who buy the IP rights to a novel simply see its popularity and think that they can profit off of it without actually trying to understand the reason behind its popularity. Too often, BL fans see themselves forced to endure any of the following: 1) sex change of one of the male leads, 2) creation of a random female love interest, 3) turning a happy end into a bad end, 4) adding a bunch of scenes unrelated to our main pair that ends up dragging the series, 5) turning romance into brotherly affection... the list goes on and on. Sometimes, companies think that as long as they film any two guys together and sell a bit of physical touching here and there, fans will jump on it like rabid dogs which... is kinda stupid because, y’know, we have eyes (and standards) too.
So obviously, with the unprecedented popularity that came with the release of The Untamed, even more producers are starting to see the potential of danmei (BL) novels and with it came an onslaught of IP rights being bought and adapted. The list is pretty extensive, with some big names that I’m sure anyone who’s even slightly in the Chinese BL novel community has heard of before. Of course, included in that list, with the casting for the leads done and filming underway, is 2HA.
Quick overview of the story for those of you that don’t know: the story is set in the POV of the “gong” (top), a character named Mo Ran (also known as Mo Weiyu) who is the disciple of Chu Wanning, the “shou” (bottom) of our story. In his original life, Mo Ran had become the Emperor of the cultivation world through slaughter and tyranny, with the only one ever coming close to stopping him being his shizun, Chu Wanning, who eventually lost his life trying to stop him. After achieving the top by committing pretty much all crimes and sins known to men, weary and tired, Mo Ran decides to take his own life and ends it all. Unexpectedly, instead of dying and going to Hell, he transmigrated to the first year he became a disciple. As a thirty-something man in the body of a teen, he decides to do things right this time around and save the one he couldn’t save the first time around. As he goes through life a second time, truth after truths reveal themselves, with the biggest surprise being that the Shizun he hated so much in his previous life, and who Mo Ran thought hated/scorned him, actually turned out to be protecting him the entire time. 
Mo Ran, in his past life, was powerful, cruel, merciless and arrogant. There was nothing he could not obtain and he knew it. He was cynical, had a very jaded view of the world and was kind of unstable (lots of mood swings and temper tantrums). After his rebirth, he still maintained some of the arrogance and cynicism, but is more mischievous, confident and cheeky. He is very much like a husky, looks kind of scary and big, but can be extremely loyal to the ones he recognizes and can be a bit dumb sometimes. Chu Wanning on the other hand, is an unflappable person with a frost-like exterior, but a heart of gold. Basically, he cares a lot but it’s easier for him to look like he doesn’t than to voice his feelings. He gets embarrassed easily and covers his embarrassment using anger. He is extremely strong, likes peace and quiet, and always abides by the rules. 
Their relationship is kind of complicated. Initially, Mo Ran was in love with a fellow disciple called Shi Mei (despite the word meaning junior female disciple in Chinese, it’s actually the name of a male character). In the original timeline, Shi Mei died and that was the start of Mo Ran’s decline. After his rebirth, Mo Ran decides that he will do everything in his power to prevent Shi Mei from dying again. Don’t be mistaken though, Shi Mei is NOT the male lead. You’ll see as you read more that despite being in love with Shi Mei, Mo Ran is pretty obsessed with Chu Wanning because their relationship was kind of... complicated in the original timeline.
This is pretty much the premise for the story, but do be warned that it goes much deeper and darker than what you might expect (it’s rated R-18 for a reason). So why exactly am I writing all of this? To put it simply, I just kind of want to hype up the series and its adaptation a little, or at least, pique enough interest to give the live action adaptation a chance. Not gonna lie, when I heard 2HA was getting adapted, I was pretty skeptical because how. Mo Ran and Chu Wanning had a pretty physical relationship in the pre-rebirth timeline and that’s partially where the obsession that Mo Ran feels towards Chu Wanning stems from. There’s just basically a lot of unresolved sexual tension between them throughout the novel that I simply couldn’t see getting adapted. However, after thinking about it and reevaluating things from a low-expectations-standpoint, I think it might actually be possible to film something close enough to the original work. Here are some of the factors that influenced my opinion:
First, the series is set to air for 50 episodes (just like The Untamed). Why is the number of episodes important? Because it will determine how closely the adaptation will follow the original story and how much random stuff they can fit into it. Let’s take a step back and evaluate: 2HA’s novel has 311 chapters + extras while MDZS has 113 + extras. Obviously, people might have an issue with the number of episodes (”How are you going to air the same amount of episodes for a series that’s thrice as long??”) but I think it’s a good amount. Why? Because it pretty much guarantees a solid pacing that’ll keep the story moving forward without stagnating. I don’t think there is too much to worry in terms of too much source material being cut because quite a few chapters are R-18/romantic lining scenes that would not have gotten adapted anyways. Once those get deleted, I think 50 episodes is an acceptable amount.
Second, the entire production seems to be solid. The rights were actually bought by Tencent who, if you forgot, was also responsible for The Untamed. With prior success, I believe that they now have a pretty solid idea of how things should be run. Also, the CGI and world-design team is the same one as for Ashes of Love, which has me pretty stoked because while CG in chinese dramas has always been a hit or miss, Ashes of Love is definitely amongst some of the best I’ve seen (see below for examples). (P.S. there are also rumours that Lin Hai, the one responsible for The Untamed’s OST, might be working on 2HA but this is mere speculation at this point.) Overall, 2HA is looking to be like the most high-profile and expensive BL adaption yet.
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Third and finally, the casting.
Holy.
Okay.
This is what has me the most hyped. 
Let’s start with Shi Mei, who will be portrayed by actress Chen Yao (or Sebrina Chen).
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I know I’ve said that despite the name, Shi Mei is a male. As it turns out, likely for censorship reasons, “Immortality” could not escape from the clutches of the dreaded sex change so they went ahead and turned him into a girl. While not ideal, in my opinion, it actually works out pretty nicely here. In this case, it means that Mo Ran is in love with a female character which would further draw censorship’s attention away from the fact that Mo Ran really has a thing for his beautiful shizun. While it would have been perfect if everything could go according to source material, the fact that it’s Shi Mei that went through a sex change actually works pretty favourably in the grand scheme of things. Not to mention the actress set to play Shi Mei has some good experience acting similar roles so overall, I say that I trust her.
Next, we have Chu Wanning who will be played by Luo Yunxi (or Leo Luo).
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For this character, I have no worries whatsoever. If you’re unfamiliar with this actor, I highly recommend you give Ashes of Love a try. He played the 2nd lead and ugh. He’s so good at playing beautiful and elegant characters that are forced to undergo a ton of suffering and pain. Luo Yunxi used to be a professional ballet dancer so he moves with grace and his fight scenes are amazing to watch. Also, he has great control over his facial expressions. He’s able to act out characters that suffer a lot without making them seem weak or powerless. Even the way he cries can be considered both beautiful and heartbreaking.
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Finally, we have Mo Ran who will be portrayed by Chen Feiyu (or Arthur Chen).
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Mo Ran is an extremely complex character. From pre-rebirth’s insanity and arrogance, to post-rebirth’s hope and reservation, to post-revelation’s love and devotion, the actor’s going to have a lot on his plate. Originally, when I first googled him, I thought that while he’d manage to pull off post-rebirth teen!Mo Ran fairly well given how clean and refreshing his face looks, he’d have a harder time pulling off pre-rebirth’s arrogance, craziness and general “hardness”. However, after seeing some costume designs and makeup edits, I think that the boy might just pull it off. Also, while the actor is nowhere near as solid as Luo Yunxi is, it seems that he’s willing to put in extra time and effort (as seen by his Weibo post about how he’d been studying the source material) to make up for it. I think that with enough dedication, he might just be able to pull it off.
(Psssst! By the way, keeping this strictly between you and me, another reason why I’m such a fan of this pair is because of the height difference. I mean just look at this?? Their height difference is pretty much bang on with the novel height difference after Mo Ran grew past Chu Wanning’s height. Not to mention, don’t tell me you see this and don’t automatically picture a the big dorky puppy following his reserved and cool master around?)
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So yeah, all of this just to say that it might be okay to kind of have some expectations for 2HA. I really want to keep my own expectations down as low as possible given the amount of times we’ve been burned but I want to remain hopeful that, with the success of The Untamed, it can pave the way for better and more faithful danmei adaptations, with 2HA being one of them.
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deans-haunted-baby · 3 years
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The Ones Left Behind
Alrighty time for some truth bombs. I’ve had almost a week to absorb the end of Supernatural and season 15 as a whole. And I think this is the moment where I need to throw in my two cents. For all intents and purposes I won’t go in-depth into 15x20 seeing as that conversation will just open up a whole other can of worms and I don’t need that headache. I have my reasons for being less than indifferent with how the Winchesters’ story concluded. So I won’t go there.
Instead I’ll be focusing all my energies on the unsatisfying conclusions of 4 particular characters. Two of which were main cast members (one that was on the show 12 years and one 4 years) while the other two (played by the same dude) were brought back after a decade long hiatus for a much-anticipated comeback only to be wasted and mangled unfairly by Dabb and his hack horde of a writing staff. Call this a follow up to my last post. If I sound bitter I am because these people don’t have a single clue on how to helm these characters, their relationships or their storylines 😠 Nor do they deserve them.
And yes I’m well aware of Kevin Tran, Rowena, Ketch and several others who got the shaft on this show. Those could be future posts for another time.
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But I cannot stress this enough; ADAM MILLIGAN, JACK KLINE, MICHAEL AND CASTIEL ALL DESERVED FUCKING BETTER. There is no arguing these facts, none whatsoever. Not one of these characters deserved that exit to be the final chapter in their story. I won’t do an entire analysis of each character’s arc and role in the show as I’ve already done that in my rant about 15x19. But I will highlight how much season 15 royally screwed over these characters and tossed them aside like trash; as if none of them were ever part of/contributed anything to Sam and Dean’s history/world building of Supernatural’s universe.
*WARNING* This is going to get heated.
Before I dive into the heart of these issues I want to state this is not a “shipping post”. I don’t ship anyone on Supernatural, hopefully this blog has been pretty self-explanatory. So I have no arguments/opinions in those areas. I’ve been a fan of this series for 15 years because of the characters, the familial bonds and relationships formed between characters throughout its run. And I’m well-aware that the Winchesters are the lead protagonists of the show, no need to remind me. These are purely my own thoughts based what I’ve obtained from show canon. Let me just say I can’t get over just how much these writers contradicted and ignored what they put forth in the journeys of these four individuals. its a real headscratcher.
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You mean to tell me that after TWELVE DAMN YEARS of Castiel being a rebellious warrior angel, searching for his own identity and meaning in life; making that promise to Kelly Kline about raising Jack as his own/risking his life for him. After sacrificing himself for his son a year ago, acknowledging he was satisfied with his role as a father which restored his faith; that it was all because of/for Dean Winchester? 
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You mean to tell me that after Michael, THE PRINCE OF HEAVEN and PROTECTOR OF HUMANITY, was locked away in a cage with a human whom he emotionally bonded with for thousands of years (10 years our time); who was abandoned, betrayed and manipulated by his neglectful/abusive father. After choosing free will and aligning himself with TFW for humanity’s sake, just sided with the Earth’s destruction because his little brother called him names? 
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You mean to tell me that Jack, A THREE YEAR OLD CHILD, who’s barely just beginning his life and spent his entire duration on the show wanting to be normal and not wanting to be special. Connecting and being integrated with humans; a child who’s biggest fear was outliving everyone he ever loved. Is suddenly ready to walk away from his family, his home and his teddy bear; to give up being a kid forever and run the universe?
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You mean to tell me that Adam, SUPERNATURAL’S MOST INNOCENT CHARACTER and FORGOTTEN THIRD-WINCHESTER BROTHER, after being eaten by ghouls; pulled away from his mother out of Heaven, manipulated by angels, trapped in Hell for thousands of years because Sam and Dean left him there to rot. After coming back and helping his neglectful siblings save the world only to be ripped away from his best friend and THE ONLY OTHER PERSON who gave a damn about him; is sentenced to a life of loneliness, homelessness and turmoil until he dies and ends up in Hell where he’ll mostly be tortured and turned into a demon?
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NO. I DO NOT AND WILL NEVER ACCEPT THIS BULLSHIT! 
Season 15 not only manages to contradict itself where these characters are concerned (while assassinating them before the final curtain). But the writers deliberately discarded them before giving us that *sarcasm inserted* epic solo-Winchester conclusion. Regardless of how you feel about Adam, Castiel, Jack or Michael, ALL OF THESE CHARACTERS are connected Sam and Dean’s story and part of Supernatural. And when you throw them away like they mean nothing, you’re essentially throwing away a part of the show’s history. You’re ignoring 15 years worth of story building. 
As I said I’m not going to go into 15x20 for reasons, it doesn’t offend me as much as what was done before that finale. Because I think those other show exits really affect 15x20 even worse than people realize. You want to know why, I’ll explain.
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Lets start off with Castiel and Jack, OH BOY! We know where they end up; running Heaven and the Earth together which is all fine and dandy. I love my Dadstiel father/son duo being an endgame family unit. But here in lies the problem, we never saw it. Not even a cameo. And technically their onscreen storyline ends at 15x18 and 15x19 which is an ugly, anti-climatic bookend to an incredibly deep relationship that had 4 years of development. First you have Castiel who completely forgets why he made that deal with the Empty to begin with. HIS FUCKING SON. Not to mention it wasn’t about true happiness it was about giving himself permission to be happy; there is a difference. And then you have Jack wandering around next episode, vacuuming up power cause suddenly he’s a machine now, acting like he doesn’t give a shit over losing his dad to an entity HE’S BEEN DREADING ABOUT FOR A FUCKING YEAR. 
Towards the end of season 15 I noticed neither of these characters were acting like themselves. Their motivations, their personalities and strong ties to one another had mysteriously dissolved. Castiel became less concerned about the danger his son was facing after 15x15 (what the hell was that in 15x17?) and more about speaking when spoken to by either Sam or Dean. Does he know how Dean truly feels about Jack; proclaiming the child is “not family”? I doubt the in-character version of him would let Jack leave with Dean after that insult. Castiel’s not even worried whether or not his son is alive or safe before he makes the big confession later. And for some reason Jack (who’d become heavily suicidal) was more concerned with clinging to the Winchesters, willing to die for them, instead focusing on himself and the one person who’s shown him nothing but unconditional love and given him strength since birth. Both of these characters are canonically depressed and suffer from low self-esteem that was never resolved which makes me furious. 
When Chuck killed Jack at the end of season 14, this devastated Castiel in the first half of season 15. He actually got to grieve that loss throughout the episodes and deal with his anger over it, allowing the audience to anticipate the day they’d be reunited one last time. This part of Castiel’s S15 arc also ironically mirrors Jack’s S13 arc of mourning Castiel’s death until resurrecting him. And when this son finally returned to his father, who got to rescue him, it was such a poignant moment between the two. It was a cathartic payoff after witnessing Castiel in so much pain over Jack. There was so much building up between that Dadstiel reunion in 15x11 and the Empty’s pact in 14x08; this was suppose to be a tragic yet pivotal plot-point in both Jack and Castiel’s stories. And with SPN wrapping up we all expected something BIG. Yet somehow the writers retconned the whole thing by making it all about Dean, which is such a gross disservice to these characters and 4 years of storytelling.
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For instance, since 15x18 was Castiel’s exit episode, why wasn’t he allowed to hug his son or Sam goodbye one last time? Why didn’t he have more of a focal role instead of standing around majority of the episode with barely any dialogue as so much precious air time was wasted on frivolous things? Why didn’t he get one last badass fight scene with someone like Death instead of being choked out and tossed around like a powerless mortal? Why did the group need to be split up to begin with when it served no purpose either than that *ugh* moment? Why wasn’t Jack allowed to call Castiel “dad” once before the show ended? He deserved to hear his son address him as dad!
AND WHY THE HELL COULDN’T JACK FEEL CASTIEL’S DEATH THE MOMENT IT HAPPENED? 
The show already established to the audience the significant cosmic bond these two characters shared since before Jack was even born. It was so powerful it boosted Castiel’s grace. Jack could remember who Castiel was from the womb and that he’d protected his mother. Not to mention HE FUCKING RESURRECTED CASTIEL OUT OF THE EMPTY ONCE WITHOUT GOD’S POWER. You’re telling me Jack couldn’t feel his dad being taken away forever despite how far apart they were? No, he’d feel it in his heart. Had we’d been given a scene like that at the end of 15x18 (something of substance) with actual grief shown in 15x19 maybe the episode would’ve faired better for them. 
That said it wasn’t, because Jack was treated the exact same way in his final exit. Hardly any lines and just a bunch of scenes of him standing/walking around until that pathetic reveal at the lake. HE DOESN’T EVEN GET TO INTERACT WITH JAKE ABEL’S MICHAEL/ADAM which would’ve been a great follow-up to the AU!Michael storyline in seasons 13 and 14. I swear these directors didn’t give Alex and Misha any motivation during their last three episodes and it’s evident in their hollow performances. But why would they when the scripts are basically telling their characters to quickly fuck off so the brothers can have their final outing. Jack doesn’t even behave like himself after he becomes the new God. His personality is apathetic, cold, alien, stiff and way too mature for the 3 year old child so closely connected to his family/the human world. In that moment I saw Alex Calvert not Jack Kline. It’s bad enough he doesn’t get a meaningful farewell but again Castiel, HIS DAD, is a complete afterthought to this kid 🥶
And that’s what we’re left with. Forever. A frigid, hollow ending to one of Supernatural’s most healthy, touching, family dynamics. It makes you wonder what was even the point. I can’t even fully enjoy the fact that its canon Jack and Castiel are together fixing Heaven because of what the show presented onscreen as their last hurrah. It’s not sitting right and it makes 15x20 even less appealing to me.
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Moving onto Michael and Adam. Get ready for this. I could rant forever about how dirty my boys were done by this show. How they were discarded in the SPN series finale recap etc. just as they were FOR THE LAST TEN FUCKING YEARS. Was there even a plan going on here or was this just everyone making things up as it went? Their ending is the most unsatisfying and cruel thing because its INCOMPLETE. There is no real closure or resolution with them thanks to the monstrosity that was 15x19. AND NO ONE CARES ENOUGH ABOUT THEM TO GIVE A SHIT. 
Much as I’ve enjoyed this show for many years, it NEVER deserved Jake Abel, his talent or his time. I keep seeing so many anti posts about Dean Winchester’s final fate in Supernatural and all I can think about is “try being an Adam Milligan fan for the last decade”.  I’ve had to watch this boy go through hell with nothing to show for it either than years of memes. ridicule and the show’s mockery in forgetting him. Actually he’s the ONLY CHARACTER in this series you’re encouraged not to remember 😡 Also quick question: why give us this really interesting and healthy relationship between an archangel and its vessel if nothing was ever going to become of it? 
At this point I don’t know why Adam or the idea of him was even introduced way back in season 4 let alone revisited in season 5. Because the only thing I see when I look at this character now is SAD WASTED POTENTIAL. Storylines never explored. Relationships that never got off the ground. Backstory we never got to see (like for instance his past with John Winchester and his time in the cage). A character’s birthright (Men of Letters) that was never actualized. AND the unexplained factor that Adam could look directly at Michael’s true form without his eyes burning out (making him a special case). And the thing is he could’ve been a really great character, both him and Michael. They could’ve easily reached popular status just like Castiel given the chance since Jake is a freaking acting-powerhouse. We were given a taste in 15x08 just how awesome these characters could be and how they could’ve contributed so much to the story and its core group. But unfortunately it wasn’t meant to be.
Michael will never redeem himself after years of scrutiny and being made out to be some kind of unhinged monster. This show constantly enjoyed pounding into our brains how fearsome Michael was. Warned us via Lucifer (LUCIFER, PEOPLE!) that he wasn’t rational, compassionate and didn’t care about anything except war, death and destruction. And that he was incapable of feelings and emotions. This is how Supernatural saw Heaven’s Prince and guardian of the Earth. Christ, they actually did a two-year storyline about an evil Michael from the AU world who enjoyed torturing and killing while trying to destroy the universe. I want to know WHAT THE HELL THIS SHOW’S WRITERS HAD AGINST THESE CHARACTERS? Why they felt the need to bring back Jake Abel, AFTER A DECADE OF FANS WANTING THIS, if it was simply to piss all over his characters one last time before the show wrapped. This is absolutely unprofessional and childish; the fact that Jake is taking this bullshit in stride makes it all the more shameful 😡
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We could’ve learned so much more about Michael’s past and his present relationship with Adam. These characters didn’t need to sit in the cage for a decade they could’ve easily been incorporated back into the show as far as season 8 or 10! And been an asset to the Darkness storyline in season 11.There were characters and storylines introduced that served no purpose. Why did we need to keep seeing characters like Charlie Bradbury or (as much as I like him) Crowley or Garth (love him too) or Lucifer or Abaddon or the Wayward sisters? I would’ve much preferred having Adam and Michael around and got to know them instead; especially after 15x08. I would’ve wanted to see what their dynamic with TFW could’ve become had they been long-time allies. Did John ever tell Mary about Adam’s existence? I’d like to see what her reaction would’ve been like had the Winchesters remembered him during that damn 300th episode. I guess that’s another loose end untied.
But because of what Supernatural did to these two characters, it forever taints Sam and Dean. I don’t think Dabb or purist fans realize this. But when new viewers come into this show about two brothers preaching important things like “saving people”, “family first” or “family don’t end in blood” they’re going to see how badly the main protagonists treated their innocent half brother. How Castiel and Jack were treated. They’re going to see the heroes of the story abandoning this kid in Hell forever with no intention of EVER rescuing him. And that’s why their final appearance leaves such a bad taste going into 15x20. Cause as much as Dabb and co didn’t give a shit about Adam and Michael they also didn’t give a rat’s ass about protecting Sam and Dean’s integrity. That’ll be a stain they can’t undo. 
So through all of it, we’re stuck with the abomination that is 15x19 aka the eye-soar to an unfinished/unpolished story of two horribly disregarded characters. Michael gets the pleasure of being character assassinated right before he’s stupidly killed off instead of going out a hero or becoming the next God (as it was his birthright and the setup was there in the narrative). And Adam gets killed off-screen, OUT OF HIS OWN DAMN BODY, then brought back by Jack only to live a miserable, isolated existence since his brothers have nothing to do with him (the dog and car are more important); his best friend is dead, he has no job or money or a fucking home and he’s legally dead! Really what is there left for him besides the brutal fate awaiting in Hell when he dies?  
SERIOUSLY THEY COULDN’T GIVE US ONE SCENE WHERE THE WINCHESTERS CHECKED IN ON ADAM TO MAKE SURE HE WAS SAFE?! 🤬 His last scene pretty much sums up this shit for what it is. Tragic. I feel like crying for this poor sweet boy.
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Congratulations Dabb, BL and co for giving us these much deserved broken story arcs of characters you destroyed and made OOC before leaving the airways. You did your show’s protagonists justice by doing this *sarcasm inserted* after 15 years of being onscreen. I doubt these idiotic decisions are going to age well in the long run. They certainly don’t look good on the Winchesters. Anyway that’s my hot take for the day. 
ALL THESE ACTORS AND THEIR CHARACTERS DESERVED BETTER.
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Some Cinder Thoughts
So I saw this post from @hoepunkausta a while back and was going to reply. Then I realized that this was the first time I’d actually sat down and taken a good look at Cinder and holy cow is there a lot to this character. Anyways, it got me thinking about Cinder's potential background and, while I've always seen her as a foil and tied to Ruby, I never realized how she could potentially tie in to ALL of team RWBY. Which is. . .pretty awesome from not only a narrative point of view but in regards to character redemption as well. Full take under the cut.
TLDR: If we assume Cinder’s backstory is in keeping with the popular version of the Cinderella tale, it ties-in to a lot of the our heroes’ traumas, giving each of them a reason to relate to her. Currently, Salem maintains control over Cinder by presenting herself as the fairy godmother, because were Cinder to see her as the stepmother she was, she would potentially leave. Were she to break away from Salem, recognizing her shared traumas with the members of Team RWBY could provide her with the connection needed to grow and heal as a person.
***Content Warning: Mentions of abuse/abuser tactics***
Intro
The post itself is pretty simple. Do we think Cinder came from an abusive background or do we think she came from a normal family that died under tragic circumstances before she met Salem? I’d always gotten the vibe that Cinder came to Salem searching for power after a life of rather horrific abuse similar to a more traditional Cinderella story.
The way she craves power, not just as a resource but as something she desperately needs for her own survival (her line about Pyrrha “taking her fate into her own hands” in V2 and the “I refuse to starve” of V7 come to mind), leads to believe that she came from a home that didn’t allow her much freedom or agency. She seems to know exactly what it feels like to not be in control of her own life and, now that she has found her escape from it (Salem), refuses to ever go back.
But how does this translate into ties to Team RWBY? She obviously has been foiled with Ruby, but the other 3? Kind of a big leap to make. Well, stick with me. Naturally, when thinking of a Cinder backstory, it makes sense to look at her main allusion, the Cinderella fairy tale.
A Cinder Story
Cinderella doesn’t start her story with an evil stepmother and step sisters. By most accounts she started out fairly privileged. With that in mind, imagine this woman, who we have come to know as a murdering power-driven villain, as a small child with seemingly everything she needed. A loving family, relative financial stability, decent social standing, etc. until one day, out of nowhere. Her mother dies. And suddenly she finds her world turned upside down. Her father remarries to a woman who loathes her and, who, after his death, does her best to control her, isolate her. Everyday she is told she is lesser than her sisters, meant to act as a servant. To cope with the difficult circumstances, she daydreams about a perfect place (in the main story, the ball/landed nobility but in Cinder’s case perhaps the opulence of Atlas) where if she can just prove herself good enough, endure enough pain, she can finally earn a happy ever after.
Now, what’s interesting here is that in just this bare bones outline of the Cinderella story, we touch on the key traumas of each of our four protagonists. Ruby and Summer’s death, Weiss’s isolation and molding under Jacques, Blake’s experience of racism as a faunus and abuse under Adam and Yang’s attempting to live up to Summer’s ideal to cope with abandonment. Which is really fricking cool because it means if ANY of this hypothetical backstory were to come to light, at least SOMEONE if not EVERYONE from the team has a potential point of empathy for where Cinder is coming from.
Something I love about RWBY is how it (for the most part) does its best to show how people are not inherently good or evil, but rather products of their circumstances and environment. So imagine the narrative and thematic potential of a villain for whom each of our cast could theoretically look at and think “Wow. That really could have been me” instead of “look at this monster”. A moment where they realize that, had things gone a bit differently, had they not been a position to cope with their traumas and actively choose to love instead of being engulfed by their pain and anger, they very much could have been this story’s villains rather than its heroes. A moment where, through Cinder, they concretely realize themselves as products of choice rather than destiny and, in that same vein, perhaps Cinder can see the same for herself.
Okay, but what about the Salem part? If we reduce “badness” all to a matter of choice ignores another key theme of RWBY: the importance of an awesome support network and team to back you up. At every point of the series our heroes have had someone to help them. Ruby had Yang and Qrow growing up before her team and JNR after Beacon, Weiss had Winter and Klein, Blake Ilia and Sun, and Yang had Ruby growing up and Tai after Beacon. But who did Cinder have to help her through her darkest times? No one. Except Salem.
The Case of the Fairy Stepmother
That brings me to the second part of the question: Is Salem the stepmother or Fairy Godmother? Honestly I think it’s both. The real question (and what I think will be the biggest obstacle for Cinder growing as a character) is how does Cinder see it?
In the Cinderella story, the Fairy Godmother and Evil Stepmother play opposing roles. Stepmother does all that she can to keep Cinderella underfoot and away from realizing her full potential as a person while the Fairy Godmother steps in when Cindy is at her lowest and uses her magic to give her all that she needs to get that “Happily Ever After”. In theory it should be impossible for one person to be both at the same time, but turns out it’s a matter of perspective.
Imagine Cinder at her lowest point. Maybe she was a no-name seamstress in Argus who daydreamed about being swept up into the glamour of the Atlas elite. Maybe she was a scared kid who saw becoming a huntress as her ticket out of poverty and into a life of adventure. Imagine her getting that wish of her own accord. Playing the game, doing everything right, biding her time until finally, she escapes - only to find herself trapped in a new way. (a Prince Charming who controls her as a plaything, a student not willing to be a child soldier, there are so many possibilities here). Only to see that the system was stacked against her in way where she could never escape it under her own power. That’s. . . a lot to process and a feeling of hopelessness that I think a lot of us can relate to (especially in our current world-state).
Then Salem comes in and not only promises Cinder the power to create her own destiny, but delivers it. Cinder goes from having almost nothing to magically receiving the means to accomplish anything she desired. All because of Salem. I see a lot of people question why Cinder is so loyal to Salem, but given this view, it’d be very difficult for her not to feel indebted to her savior in some regard.
Furthermore, Salem seems relatively fond of Cinder. She defends her from ridicule in Volume 4, goes out of her way to praise her strengths and, honestly, seems to have more patience with her than the rest of WTCH.  Given her backstory, I wouldn’t even be remotely surprised if what drew Salem to Cinder was the chance to give this angry young woman the power she wished that she had had prior to her curse. It’s almost. . . motherly. In a way I would expect a millennia old woman driven mad by isolation and Grimm Lakes and a very traumatized Cinder to view motherhood.
But, that doesn’t mean that the two have a healthy relationship. We as the audience see how Salem’s “love” comes at a price. She never hesitates to keep Cinder underfoot: oscillating between praise and threats of punishment, criticizing Cinder’s discomfort in Volume 4 as weakness, and making it clear that Cinder is only important to her insofar as her usefulness. The whole “Without you I am nothing” really illustrates how far out of her way Salem goes to make Cinder painfully aware that all that she has, all that she has accomplished is because of Salem’s magic. Salem hasn’t helped Cinder as a benefactor. A benefactor would let Cinder proceed to live her own life. Salem has instead taken advantage of Cinder’s lack of any support network and feelings of isolation to establish herself as Cinder’s sole source of support.
While we as an audience can see how abusive this dynamic is, Cinder can’t. Right now, she’s more or less fully embedded in Salem’s manipulation tactics - Salem’s narrative is her truth. And, even if she does come to see it (don’t think I missed the hints of resentment in the trailer), there’s nowhere for her to go. What can she do? Go rogue? The woman has an entire Grimm army! Turn to Emerald, Mercury, or Neo? They’re all either children or also in on all this! Just like the Stepmother, so long as Salem keeps Cinder feeling isolated, the chances of her escaping or changing remain slim.
Seeds of Support and Redemption
So, that leaves us with two things Cinder needs in order to break away from Salem:
Recognizing Salem as a controlling/toxic “Stepmother” figure instead of a  “Fairy Grimm-Mother” and that this is NOT what she wants out of life.
Finding connections/a support network she can go to after leaving
This is why Cinder having parallels to all of Team RWBY is so frickin cool. I’m still not 100% certain of a full Cinder redemption. Like, I love her as a character. But part of the reason I love her is that she is a hot mess who will go full ride or die no matter the situation. So getting her to even pause and go “is this what I want out of my life?” is probably going to take something pretty drastic to rattle her current convictions.
However, that being said, I find it really suspicious that the team would take a character that could be used to parallel the traumas of all four main heroes and just hang her out to dry. In a different show, I might think they could set her up with a death as a warning for our protagonists. But, that doesn’t make sense. Every possible warning I can think of motivating Cinder’s death is already being conveyed by another character. The dangers of falling to spite? Adam. Isolation causes only weakness and pain? Raven. Sacrificing humanity for the sake of power is a crap idea? Ironwood.
Instead, these seems like a great way to set up a situation where Cinder can find connection. After all, if our team could potentially look at Cinder and go “This could have been me”, what’s to stop Cinder from looking at them, seeing their pain and how they support each other, and going “Huh. Maybe this could be me?”. Especially if something radical has just happened to get her to want to break away from Salem for whatever reason. Maybe I’m just crazy, maybe I’ve been sitting on this too long, but I think that that would be really cool for a show about the power of love and connection to have its longest-term “villain” illustrate how, given support and humanity, victims of abuse can grow and find genuine connection with people.
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umbrellasource · 4 years
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my thoughts on season 2
or rather, a list of things i didn’t like about it and a few things i did. spoiler warning, of course :~)
hello friends, thank you for joining me on my journey to convince the world to hate season 2 - I’M KIDDING LOL i liked season 2, but there are quite a few things i wasn’t that happy with and i’m going to cry about them like a baby now.
1. my second biggest disappoint with this season... NO HAZEL!!! i’m devastated!!!! i absolutely love hazel’s character and the depth cameron britton brought to the role.. i can’t believe they killed him so quickly :( maybe cameron had other work commitments but man i’m so sad. i seriously felt the lack of his presence this season and it was a dynamic that was sorely missed imo. the swedes could never.
2. the plot moved slower than i’d like. season 1 was very well paced, it felt non-stop, and like they were always working towards a goal, moving somewhere. some parts of season 2 felt slow or like things had come to a standstill and we were just watching them live rather than seeing them work towards something. which is fine if that’s what you’re into, but for me i think TUA works best when it’s GOGOGO like in season 1, and when it wasn’t, we had really intimate character moments, which i felt season 2 lacked.
3. the music didn’t hit as hard :( when i think of season 1 i can immediatley name a multitude of iconic scenes with the soundtrack - five murdering everyone in the doughnut shop, the bowling alley fight, i think we’re alone now OF COURSE, the slowmo montage to all die young, hazel and chacha burning the prosthetics building, gerard’s cover of happy together, five walking through the apocalypse to noel gallagher, run boy run, etcetcetc. those all just came off the top of my head. when thinking about season 2 i can only name two scenes off the top of my head (frank sinatra and backstreet boys). which is pretty sad.
4. the characterisation felt weaker overall. it didn’t feel as complex or deep whereas i felt season 1 really delved into each character and explored them a lot more. they all felt slightly watered down, especially luther, oh my god!! they turned him into a characeture whose only purpose is to eat a lot of food and pull silly faces. that was really disappointing. i’d hoped we’d get some scenes with him where he’d discuss all the pressure put on him by their dad, the guilt he feels for screwing up, insecurity etc. the scene with him and five in the club only scratched the surface. plus, allison only mentioned her daughter two times? it was really bizarre to me, it literally seemed like she’d forgotten about her. and speaking of forgetting family members... 
5. why does nobody give a shit about ben. i’m fuMING. they all saw ben in the season 1 finale and then they didn’t even care to mention him other than five asking if ben was there once, only once the family were all back together mind you, and when klaus said no, none of them even questioned it. despite the fact that klaus very clearly is talking/bickering with a spirit in front of them several times. none of the are like ‘uuhh klaus are you talking to ben or like...’ and that is really goddamn sad. ben deserved so much better.
6. ben’s arc in general! this is my biggest disappointment with this season. personally i’d really hoped they’d go the route that klaus would learn to control his powers and manifest ben in the real world for limited periods of time, like when ben punched him in the face or when ben pulled klaus and diego out from under the falling roof of the academy. and then eventually, when the show ended, ben could ~move on~ and go to the afterlife after being able to spend time with his family. but nooo. he’s back to being invisible, uncared about, forgotten and miserable. i like that they let him possess klaus for a bit and experience the world again, that was nice. though when it turned out klaus had already slept with his crush and she called him d*ddy i did my bigget sigh ever. and he’s just gone now. he doesn’t even get to go to heaven. he’s just. nothing. and vanya is the only one who even acknowledged it (other than klaus obviously). i swear to god, if season 3 doesn’t do a scene where klaus ~dies~ for a bit and goes to the afterlife again and sees ben there, i will RIOT. 
7. didn’t much like klaus’ storyline this season either. the cult thing was a bit weird and wasn’t done in the way i’d expected them to do it at all. i thought klaus would be a lot more sombre and serious this season too without the drugs to distract him, but he still acted high and Quirky the whole time, which is a shame, i’d love to have seen some more depth added to his character. plus, i thought he took the drugs because the ghosts were always bothering him.. we literally didn’t see any other than ben. also the stuff with dave was... Not Good. the kid they cast as dave had zero chemistry with klaus/robert, and he looked super young so it was.. kind of weird to see klaus be all like I AM IN LOVE WITH YOU. and i don’t think it even went anywhere. it just seemed pointless to me.
8. i felt like the fallout from the previous season was really glossed over. like vanya just forgot everything and everyone else is kinda like *shrugs* ah well. idk man i feel like there would’ve been a much bigger emotional cost and internal turmoil than there was. 
9. i hated the ending. sorry. it felt really ~generic superhero story~, as did the siblings vs commission thing in the last episode, which TUA isn’t supposed to be. and emo ‘ben’ made me cringe gfhjskkdfj. plus the oopsy we did a timeline fucky thing is getting a lil old now but whatever. plus the sparrow academy means a bunch of new characters which means screentime will get even more split from the main siblings, which i don’t want. 
so yeah.. i have some gripes with season 2. that said....
i did like some things!! i loved vanya having a female love interest, hell yeah. i loved five meeting old five, their dynamic was really fun and the dude who played old five was great, i feel like he really delivered his lines the same way aidan does. lila was cool too, i really liked the actress, she did great. seeing the siblings get closer was really nice too. 
overall, i’d give the season a 6.5/10, so yeah, i did still enjoy it!!! i just don’t think it was as good as season 1, by quite a long way, and i have some things i didn’t like. feel free to disagree with me tho, i’m just a big dumb idiot. and thanks for reading :~)
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illusionsofcontrol · 3 years
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are there any tropes you wanted to stay away from with each character or the setting of danganronpa? its a pertty formulaic thing but you made it probably 10x more interesting than the usual game. maybe its because of the depth in charcters or the stakes but wh just seems more engaing than most real dr games! i love your works btw!
I'm really honored that you feel that way about my story! Thank you!
I should warn that my response is going to be somewhat critical of Danganronpa. I want to clarify that I still enjoy the games and it's perfectly fine if anyone disagrees, but these are my opinions and I feel they are important to my response.
First off, I guess I'm not sure if there's any setting tropes I mind in DR. The settings are actually pretty unique to each game and tie into the murders decently. WH obviously has a different setting, but that's more to fit the story rather than avoiding DR tropes.
There are, however, a lot of character tropes I intentionally avoided in WH:R.
Singular Buff Character Who Dies in Chapter 4
WH:R has two buff characters (formerly named Jerome and Ryan) and without going into spoilers, they may or may not have anything to do with Part 04. I don't know, this trope is just so overdone that I saw Gonta's design and instantly predicted that he'd die in Chapter 4. I thought it had to be a red herring, but no. That indeed happened just as expected. I don't want people to be able to predict deaths just by looking at a character design.
Girls Must Wear Skirts
Fun fact, there are only three female Danganronpa characters who don't wear skirts. They would be Aoi Asahina (wears shorts, much like an athletic swimmer would outside of the pool), Hiroko Hagakure (Yasuhiro's mom, wears jeans), and Ruruka Ando (Confectionary girl from DR3, wears very, very short shorts-). Unless there's someone I'm forgetting, every other DR girl wears skirts. Now, I'm aware that this is because most Japanese school uniforms require girls to wear skirts. But given how... bizarre everyone's outfits already are, do all the girls HAVE to wear skirts??? Given the weird fanservice of the games, I feel like it's more to make the girls reveal more skin/slim figure idk :/
I'm getting carried away here. Anyway, WH:R doesn't take place in a Japanese school so I made sure that the women aren't all wearing skirts. And while we're on the subject...
Sexual Fanservice
I'm not against it, but I personally feel like sexual fanservice in a Murder Mystery game (especially involving teenagers) is really uncomfortable. Every game has certain female characters designated to making fanservice moments (DR1: Aoi, DR2: Akane, Mikan, v3: Miu) (Junko for all three I guess-) (Also yes I'm aware that Mikan's fanservice is part of her character/backstory but it doesn't change the fact that the CGs are there for shameless fanservice. They could've drawn the scenes where her back was to the screen or something and conveyed the same message but they made sure to show Everything.)
There's also plenty of designs that are overly revealing; obviously anyone can wear what they want and a large chest is not inherently sexual but it's pretty clear to me that a lot of the revealing designs are for fanservice. Once again, these are mainly teenagers, and the older I get the more it unsettles me.
Anyway, I really wanted to avoid doing sexual fanservice for WH:R. Even though all characters but one are adults, it's just not something I want to write in a story like this. It's not my style.
The Rat
I mentioned this in a previous post, but I ended up avoiding the Rat Character trope. It's not that I dislike it, but I quite enjoyed having the characters all mean well (except for the Puppetmaster, of course.)
(But if I were to have a rat character in WH:R, they'd be the Super Diamond Level Griefer haha)
Resident Dumbass
Yasuhiro, Kazuichi, Kaito, and Akane come to mind (yeah the middle two aren't actually dumb but they tend to fall into this trope regardless). Having to do an entire minigame just to convince Yasuhiro that Kyoko wasn't a literal ghost comes to mind... Idk, I guess I just feel like characters like Kazuichi and Kaito are actually smarter than that but because it's "funny" they have to say illogical stuff throughout the games? Perhaps in a game with voice acting it can be a funny aside, but in a novel that kind of stuff would just slow everything down.
I don't know, it's not like everyone in WH:R is super smart, but that's a trope I tried to avoid.
Rude Characters (?)
Okay this isn't really a trope but Danganronpa tends to always have abrasive characters, but given that WH:R has a main cast of friends, it wouldn't make much sense for there to be much rudeness. I guess Ryan would be the closest to that but he still genuinely cares about the group.
This isn't a bad trope, it's just more natural to exist in Danganronpa because the characters there start off as strangers.
Conclusion
I can't really think of other tropes at the moment. Maybe if I think of more I'll reblog this. But I want to clarify that most of these "tropes" are avoided because of personal preference and differences in media, not necessarily because they're inherently bad.
This next part isn't exactly answering the ask, but I'm assuming that I get these asks from people who are interested in making their own fangans. So here are my two cents.
I've seen fangans that are made out of love for DR and I've seen fangans made out of spite and dislike for some aspects. Both reasons are valid (mine is mostly the former with a slight hint of the latter that's grown over the years). Kodaka's writing is definitely flawed; however, making fangans purely out of spite is dangerous. I don't want to name names, but there is one fangan in particular where the writer admitted to hating Danganronpa and only focused on adding what they wanted. But they neglected the most important part: having a solid story and cast.
Whether or not you love or hate Danganronpa, if you're writing a fangan, it is important to consider the many subjective reasons people are drawn to/away the series. I'm a firm believer that every story has something to teach a writer; even if the lesson is simply "I really don't like these tropes", considering why is insightful.
It mostly boils down to style, in my opinion. Danganronpa has a much different tone with its wacky characters and dialogue and scenarios, but that's Kodaka's style. My style is more grounded in reality, with each character having their own depth that comes up in the main plot and not just in Free Time Events. This is because my stories are more character-driven, and I personally dislike important character information that is sidelined to bonus content. I'm the kind of writer that never makes an OC that's not part of a story, cuz my style has every character play an important role.
(However, one can argue that in a visual novel, having more character depth in Free Time Events adds greater meaning because the player gets a special insight from choosing to interact with certain characters. In a regular novel, there isn't really that kind of interaction. Understanding the strengths and weaknesses of the media you're working with is also important.)
I think one of the biggest lessons I learned while writing WH is that forcing yourself to imitate any writer's style when trying to take inspiration is going to fall flat. It's kind of apparent in the beginning of WH, but I used to be feel like I had to follow the Danganronpa style even when I had my own desires for the story.
In reality, every writer is different and has their own quirks that they enjoy but other writers might not. There are many things I dislike about Kodaka's writing, but I know those things are definitely appealing to other people. Likewise, I know my style is not for everyone. It's fine to try and branch out if you want, but one has to recognize what one is comfortable with.
This lesson is still hard for me to absorb sometimes because I don't have much confidence in my storytelling abilities, but I'm gradually accepting that this fangan is my own. I am doing my own spin on the Danganronpa story and that's okay.
And honestly, that's what every fangan should be; a writer's own spin on the Danganronpa plot concept. So while here are the tropes I made sure to avoid, that doesn't mean other writers need to do the same. Figure out what works best for you and what YOU want to see in a Danganronpa story.
(Holy crap this was so long I'm so sorry-)
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linger like a tattoo kiss
chapter two of the peter losing wendy series
*inspired by Taylor Swift’s Folklore*
Pairing: JJ Maybank x Original Character (Liz Walker)
Warnings: mentions of suicide, PLEASE proceed with caution, drinking/partying, smoking, mentions of emotional abuse, does not follow the plot of the canon material
Word Count: 5.4K
Summary: Liz has a run-in with a Kook at a party. JJ, strangely, shows up late.
May 4, 2019
With a headache, Liz awoke, scrunching up her nose at the sound of the rooster out in the chicken coop. The sky was just barely alight with the rising sun, and a chilly morning breeze blew through the screens in the windows. Early May, and summer had still yet to set in. Not a problem to Liz, though. She was always glad to go a few extra weeks without the thick blanket of humidity which began to suffocate the Outer Banks every year by June. Debating whether or not to move, she stared up at the ceiling with tired eyes. There were cracks on the white surface, and a couple brownish water stains from the last tropical storm.
Despite the open windows, John B’s house still smelled stale after a night of debauchery. Empty bags of chips, green glass bottles, and rolling papers littered the rickety dining table. After the party at the Boneyard, the Pogues had migrated back to the Chateau and continued into the darkest hours of the night. Judging from the orangey hue of the sky, they couldn’t have gone to bed more than a couple hours prior. Of course, Kie and Pope had gone back to the Carrera residence, claiming to want to sleep in a ‘real’ bed. Kie could never stand the uncomfortable springs sticking out of the pullout couch mattress, or the mattress in the spare bedroom.
JJ usually got the spare, but both he and Liz had ended up sprawled out on the pullout instead. She would have worried about John B suspecting something fishy going on, but she could hear his faint snores coming from the direction of his bedroom. Not that he would’ve ever raised an eyebrow at seeing them share a bed. Liz was just a textbook worrywart. Besides, the living room was empty save for the two of them after everyone else had gone to bed, when they’d stayed up talking and sharing a final blunt to take the edge off and kissing softly. No; they’d had the whole world to themselves, it had seemed, in the living room of the Chateau in the wee hours of the new spring day. Though she felt silly, Liz couldn’t help letting a small smirk ghost over her lips at the memory of only hours earlier.
After a moment more indecision, she found herself doing her best to rise from the bed without waking JJ. It took more than a few seconds to pluck his arm from where it was draped over her stomach. Drool leaked from the corner of his mouth where his face was smashed up against the pillow. Liz’s smile widened just a bit at the sight. Noticing the goosebumps which rose on her arms at the lack of JJ’s body heat, she grabbed the crumpled gray cardigan from under the pullout mattress. She’d noticed it under there the night before as JJ was sucking on her neck.
Grimacing at the light from the back windows, Liz went up to the kitchen sink and got herself a glass of tap water. There was simply no way she was getting back to sleep with the hangover throbbing behind her eyes. But she didn’t particularly mind with such a beautiful sunrise. She had seen it so many times over the course of her life, on daybreak fishing trips and in the aftermath of long nights, but it always felt like the first time. Through the windows above the sink, she could see the reflection of the warmly painted sky against the water in the marsh. It glistened in small, glowing pearls on the dewy blades of tall grass in John B’s backyard.
As she was setting the emptied glass down in the sink, she felt a pair of arms snake around her waist. She startled, but relaxed into JJ’s touch after a moment. He had barely made any noise at all while padding over to her in his socked feet.
“Fuck, JJ!” she exclaimed quietly, letting out an anxious, breathy chuckle. “Announce yourself, sunshine.”
Not quite yet awake, JJ leaned against her. His head was on her shoulder, eyes closed as he spoke in drowsy slurs.
“Jesus, what time is it?” he asked.
“My name’s Liz, not Jesus. But, hey, we’ve only known each other since we were seven, after all,” she quipped, teasing.
He fought the urge to roll his eyes, eager to lay back down. The flashes across his memory of all the alcohol he’d downed the night before made him a little nauseous. “Gimme a break, Lizzie.”
She snickered, but relented, looking over at the clock on the microwave. “Half past five.”
He groaned in response, shaking his head a bit. “I have to leave for work in like twenty minutes.”
“Shit. Why?”
“Early bird breakfast,” he grumbled.
“That sucks ass,” Liz said. “There’s some aspirin left in the medicine cabinet, I think. If you want to take some before you leave.”
He hummed in acknowledgement. The tank top Liz wore slipped down over her right arm just a bit. JJ pressed a kiss to the exposed skin of her shoulder, on which her small, black and white tattoo of a betta fish peeked out from the neckline of the cardigan. She’d gotten it the day after turning sixteen, with a forged signature on the parental release form. It was the only tattoo she had. Since JJ had begun kissing her, it had become one of his favorite spots. Hers, too. The feather-light pressure of his lips reminded her of the night before, when she’d touched him just as gingerly.
.   .   .
Rarely did Liz arrive at a party before JJ. He was usually the first to run down the beach, leading the way as he helped carry the keg. As he shouted in excitement, she could normally only manage a nervous half-grimace. But JJ was still nowhere to be found fifteen minutes after they’d finished setting up shop. Even the bonfire was lit. The past few days had been dry, and Liz hadn’t encountered too much trouble getting the logs to ignite. She was a former girl scout, and had slowly become the honorary firestarter of the group. She stood next to her creation, a red solo cup in her hand. John B had gone all out, supplying not just a keg but also the materials for mixed drinks. Liz was nursing a vodka-cranberry, taking slow, small sips. She was being careful to pace herself after the sloppy table dance she’d performed a few weeks back.
The late afternoon had just begun bleeding into evening, and the sky had darkened to a strange mixture of pinks and blues. A chilly breeze blew past her as the sun disappeared behind the horizon, and she took a couple more steps towards the heat of the bonfire. Still, she kept a careful distance from the main crowd. Kie had gotten into a conversation with Pope about use of fracking on the mainland as they sat next to each other in the circle around the fire. Liz could see how completely engrossed Pope was in Kie’s words, and if JJ had been there, she would have faked a gag at how cute they were. John B and Sarah, too, were lost in their own world, sharing flirty touches and lingering looks as they manned the keg. Though it had been months since the two had started dating, Liz still wasn’t sure how she felt about Sarah. The ice had melted between the Kook princess and the rest of the Pogues, but Liz just couldn’t bring herself to feel comfortable. Not around a girl who wore necklaces made of solid gold and got her highlights professionally done. The most Liz could afford was a seven-dollar box of dye, but years of practice had served her well. She’d started dying her auburn hair a fiery shade of copper during freshman year, just after her father died, and never looked back.
While she’d been getting ready for the party, she’d decided to channel Halloween, even though it was May. John B and Pope had watched curiously as she donned her black lipstick and smudged eyeliner. Sarah had extended the offer for Liz to come and get ready with her and Kie. But Liz brushed it off. Most of her makeup was at John B’s house, anyway, considering how often she stayed there. Why bring it all the way to the Figure Eight? Liz couldn’t imagine stepping into Sarah Cameron’s room, seeing the closet filled to the brim with designer dresses; velvet and silk and tulle. Especially not when the best Liz could do for a party outfit was an ancient Jimi Hendrix t-shirt and a semi-clean polka dot skirt.
Before she could spiral deeper into the bitter storm in her mind, Liz was pulled from her reverie when someone bumped hard into her shoulder. Liz barely registered what had happened until she felt the lukewarm drink spill down the front of her shirt. The gray fabric on which Jimi Hendrix’s face was printed was splashed right down the front with a deep, pinkish-red stain. Furrowing her brows, Liz looked up to see the Kook girl who had walked into her retreating, barely casting Liz a glance. The girl, who Liz recognized eventually as being called Ally, was struggling to walk on her high heels in the sand, while also typing away on her brand new phone, adorned with a sequined case. Maybe it wasn’t such a big deal. Maybe it didn’t matter that Ally hadn’t said a word, hadn’t looked Liz’s way, hadn’t apologized. But Liz looked around and found almost no one had seen what happened. John B and Sarah were all the way across the beach, and Liz could see Pope and Kie in a lively debate. JJ had still yet to arrive, it seemed. The t-shirt had been Liz’s father’s, vintage from his youth. And Liz knew it was unlikely such a stain would come out. She saw a flash of red and gripped the plastic cup so hard in her hand that it crumpled.
“Hey!” she exclaimed, as her stomach swirled with nerves and her hands began to shake. She knew she should have just let it go, as she always did. The idea of starting something with a Kook had her heart in her throat. But it was her father’s shirt. Sometimes, she thought she could still smell him when she wore it.
Ally didn’t turn around until Liz called out to her a couple more times. She spun around slowly on her heel, just barely looking up from her phone. Confusion painted her face as she realized who was addressing her. “Yeah?”
“Do you see what you just did to my shirt?” Liz asked, gesturing down at herself, voice raised over the blaring music and the chatter of fellow partygoers. A few people at the edges of the bonfire circle, where Ally had been headed, began to look up at the commotion.
Ally stared blankly at Liz’s shirt for a moment and then shrugged in disinterest. “Oh, yeah. Sorry.”
Scoffing, Liz let an angry, sardonic smirk cross her face. “Damn, someone should give you an Oscar for that acting.”
“What’s your problem?” Ally asked, finally giving Liz her full attention as her face twisted in disgust.
“My problem is my shirt is ruined,” Liz continued, not knowing exactly what she wanted to get out of the exchange. She only knew that she was pissed, and she hadn’t felt quite so pissed in a long time. It confused her, but the few sips of vodka she’d downed were apparently making her more courageous already.
Ally looked at Liz’s shirt for another moment. “I don’t know. I’d say I did you a favor.”
Liz narrowed her eyes at Ally, who appeared to think the exchange was over and began turning away again. But before she could disappear into the small crowd of onlookers which had formed, Liz grabbed the drink from Ally’s left hand and tossed the mixture onto the girl’s white crop top and mini skirt set. The color was even more vivid against such a light fabric, and it looked like a scene out of a horror movie. A chorus of cliché gasps erupted from the voyeurs standing around, and Pope and Kie had finally gotten wind of the situation. They had yet to intervene, standing with hesitation. It wasn’t like Liz to start fights. Usually, she was the one who ended them. Pope always called her the dependent variable, but she was certainly deviating from the norm tonight.
“Pogue bitch!” Ally shrieked, looking down at her ruined outfit.
Liz only smirked, feigning innocence and shrugging in a mock imitation. She couldn’t help but feel instant satisfaction. “You could always buy new, right?”
Ally’s face grew red with anger at the sound of Liz’s aloof tone. “This was two hundred dollars in New York, you cunt!”
“Tragic,” Liz replied coolly. “You poor baby.”
Ally took a couple threatening steps forward and Liz let out a bark of laughter. She threw the cups in her hands to the side (which she would be picking up as soon as she could, knowing how upset Kie would be if she didn’t). She advanced to Ally and met her eyes. Without the heels, Ally would have been significantly shorter than Liz. With them, she was almost as tall. But it didn’t matter. Liz stared her down like she was a bug about to be squashed.
“You gonna fight me, princess?” Liz asked huskily, feeling the lively fire in her stomach rising in her throat. Her smirk was ever-present, joyless. “Do it. Fight the Pogue cunt. See how that works out for you.”
“You’re fucking crazy,” Ally said. She wasn’t quite scared, only surprised. Her brow was crinkled analytically. All this over a t-shirt.
“Oh, am I?” Liz asked, eyes wide in askance and mocking.
“Yeah. Just like your daddy,” Ally replied viciously, letting a smugness come over her face. She had recognized Liz only a few moments prior. On such a small island, word of tragedy got around. Most everyone knew about the girl whose father was found dangling from a beam in the attic. The audience made a sound of shock and awe.
Feeling her stomach do another flip, Liz clenched her hands into tight fists at her sides. Her nails began to cut into her palms. Just as she was launching herself forward, ready to hit someone for the first time in many years, she felt herself being pulled clumsily away by the shoulders and the waist. She struggled in the hold for only a moment, before she saw Ally retreating back to her friends and heard Kie yelling in her ear to calm the hell down. Sarah and John B were running over, the entire beach now aware something was going on.
“Let me go, Pope! I’m fine!” Liz yelled, tearing his arms from her sides and feeling freer at the release. Even though it was Pope, she still couldn’t help the panic which bubbled up within her from being restrained.
“What the hell was that?” John B asked as he came over, Sarah trailing behind.
“Why do you care? Why don’t you go fuck your girlfriend?” Liz snapped coldly.
A pit of regret immediately sank in her stomach. Her entire body was flushed and adrenaline pulsed through her. Even if John B was pretty much her brother, she couldn’t help but let all her negative feelings about everyone mix into an indecipherable rage. Not her father’s shirt. Not some lousy Kook calling her father crazy. She simply couldn’t handle it. Sure, she knew people whispered comments to each other when she walked down the street. She knew the Kooks talked shit about her behind her back. But to her face was something else entirely.
“What’s that supposed to mean?” John B said, taken aback by the outburst.
“Just forget it, alright?” Liz sighed, breathing harshly. “I’m sorry...I’m just...my fucking shirt!”
Kie tilted her head at Liz in confusion, bringing a gentle hand to her shoulder. “Why-“
Liz shrugged her off. “I said forget it! Can someone please just get me a new drink?!”
Recoiling, Kie stepped away and plucked the cups from where Liz had tossed them in the sand. Liz wanted so badly to make a full apology. She really did. And she would, once they got back to the Chateau. But she felt almost incapable at the moment, stewing with such uncharacteristic rage.
Silence and doubtful looks were exchanged, but eventually Sarah volunteered to go get Liz the drink and John B followed, tossing concerned glances over his shoulder at Liz as they went. She thanked them quietly, embarrassed, but then yelled after them, requesting they keep the cranberry juice to a minimum. Not much more than a chaser.
“Are you sure-” Pope began, but he stopped immediately when Liz locked eyes with him. She meant business. No more fun and games.
“Not tonight, okay, Pope?” she asked, a pleading, tired crack in her voice. It made Pope want to say more, but Liz cut him off again with another exclamation as she began walking away. “Where the fuck is JJ?!”
.   .   .
Down the beach from the party, Liz could barely see the orange glow of the fire past the crowd. She was still nursing her vodka-cranberry, a bit buzzed but not nearly enough to forget what had happened. Her eyes were burning with tears, but whenever she felt herself truly welling up, she would stop it. She’d sniff and look up at the sky until her eyes were dry. It was clear, and she could see the swirl of the stars so vividly against the pitch-black sky. Humming a Nirvana song under her breath, she sat with her arms on her knees, one hand clasped around the opposite wrist. The drink on her shirt had long since dried, but she was still chilly in the ocean wind. She’d thought about going back to the Chateau, but decided she didn’t have the energy to make the walk alone. Instead, she’d gone a good distance down the shore, and sat a few inches up from where the tide was coming in. The moon shone silver on the waves, and the sight of it almost made her feel better. But it didn’t.
She was only sad and tipsy. In her solitude, her mind wandered to her mother and father. To her siblings. She wondered what her mother was doing, probably already asleep. A bottle of Jack somewhere near the bed. It made Liz feel guilty for getting buzzed, but she only downed more of the drink in an effort to get the feeling to disappear. Her sisters, too, she wondered about. They didn’t call much, and she didn’t blame them. The oldest two were off at college on the mainland, living separate lives with their scholarships. The other, Nicole, checked in even less reilably. Last Liz heard, she was somewhere in New Mexico finding herself. And Liz was where she had always been, spending her nights at home cleaning up after her mother, sitting through tearful diatribes about what a saint her father had been. Biting her tongue through her mother’s lies. She was glad the Chateau had become the place to rest her head since her father’s death. Had she been forced to stay at home every night, she imagined she would have run off long ago.
JJ strode up to her with his hands in his pockets, hat backwards on his head as usual. He sat down next to her without a word, carrying his own cup. Liz didn’t startle at his presence. Instead, she only breathed a sigh of relief. She wasn’t sure exactly what time it was, but he was more than late.
“Contemplating the mysteries of the universe?” he asked, a small smile on his face.
She chuckled humorlessly, clearing her throat and sniffing. “Not quite. Just thinking about Kurt Cobain.”
“Well, no wonder you’re down here all angsty and alone, hot stuff,” he teased, but when he spoke again his voice was more solemn. “JB said you got in a fight with a Kook.”
“He’s a drama queen. I didn’t fight her,” Liz said, staring out at the ocean still. The breeze was cold but welcome, clarifying, and she took in a deep breath through her nose. “Ally spilled her drink on me. And then she said some shit about my dad...it was nothing.”
“Sure doesn’t look like nothing,” JJ said, eyeing the stain across Jimi Hendrix’s face in the dimness.
She snorted a laugh, looking down at herself. “Maybe not. But I was going for a Patrick Bateman thing tonight, anyway.”
JJ sighed, licking at his lips. He debated arguing, maybe even getting fired up enough to go find some random Kook in retaliation. But he didn’t. He knew how she hated when he fought. Instead, he only took off his hat, pulled his sweatshirt over his head and went to hand it to her.
“You’re cold,” he said insistently, watching her shiver in the nighttime wind. She still hadn’t looked over at him, only staring out blankly at the waves. “And your shirt looks like you just went all Mrs. Crain on someone.”
After a long moment, she nodded, taking a final sip of her drink and then placing the cup down on the sand beside her. She still didn’t look over at him as she put it on. It warmed her up instantly.  The smell of JJ, Old Spice and weed and smoke, mixed with the ocean breeze. The wind blew past her again, the tips of her red hair just brushing her shoulders. She would have to cut it again soon. Since she was little, she could never handle her hair getting longer than her collarbones. It was just too much effort.
With JJ’s sweatshirt on, she wasn’t nearly as freezing.  “Thank you.”
“You’re welcome, red,” he replied easily, taking another sip of his drink.
“Where’ve you been?” she asked quietly, trying her best not to sound needy. “We got here, like, three hours ago.”
“Oh, you know. Just robbing a bank or two,” he quipped.
She rolled her eyes, but smiled nonetheless. Her face fell, though, when she finally ventured a full glance at him. In the moonlight and the distant glow of the bonfire, she could see the cut on his cheek which was still oozing blood.
“Holy shit!” she exclaimed, placing gingerly fingers on his jaw so he would face her. But his eyes didn’t quite meet hers.
“I’m fine, Lizzie,” he muttered, swatting her hand away.
“Who did that to you?” she asked softly, tilting her head at him.
JJ shrugged. “Just ran into Rafe on the way over. I would’ve called, but I figured I should clean up a little so you wouldn’t freak out when you saw me. I guess that was a waste.”
She shook her head a little. “That motherfucker.”
“Seriously, it’s fine. You should see the other guy,” JJ continued, smirking though it didn’t reach his eyes.
Liz breathed out a sigh and thought about asking more, but didn’t. Instead, she leaned in and pressed a soft kiss on the apple of his cheek, the skin around the cut already bruising a deep purple. Her black lipstick had long since been wiped off, after her scuffle with Ally. Before JJ had arrived, she’d used the inside of her shirt to rub furiously at her face. Her lips were sore and pinkish, but soft against JJ’s skin.
Fighting to keep the shine of tears from his blue eyes, JJ let a small giggle slip. If his father’s fist had been a scream, her kiss was a whisper. It was so gentle he could barely contain himself, his heart skipping a beat. “Feels better already.”
“Does it?” she asked, pulling away with a tiny smile.
He hummed in confirmation. Tossing a glance over his shoulder at the party, he shifted closer to her. The kiss that followed was heated and hungry, both tasting vodka on each other’s tongues. Liz wasn’t surprised JJ was a bit buzzed as well. If she knew John B, he had shoved a drink in JJ’s hand as soon as he saw his eye. JJ was hard to read at times, but alcohol or weed were always surefire ways to cheer him up. And John B always made himself the captain of the party and the guests’ happiness.
Liz was out of breath, but she still smiled against JJ’s  lips. As fishy as his late arrival was, she was just happy to see him. Simple as that. In the weeks since they’d gone from friends to something more, she’d found herself thinking of him always. What he was doing, how he was feeling, whether he was thinking of her too. Usually, he was.
Away from the party, she could kiss him like she meant to, nowhere near the lingering eyes of her friends. No one else in the world knew but the two of them, not even the other Pogues. While the inter-group macking rule had long since been broken, there were other reasons to keep the secret. Sure, everyone had always said they belonged together. But neither of them were ready to let it be known to the world. Truthfully, Liz feared the pit of dread in her stomach, worrying over what would happen to their friendship if whatever they were doing fizzled out, would only grow heavier if everyone knew. JJ’s hand slipped beneath the soft sweatshirt and the stained t-shirt as they kissed, though. And, for the moment, Liz forgot all of her worries.
.   .   .
Despite everything, Liz found herself laughing wildly in the back of Twinkie, the rear doors opened. As she sat on the edge of the car’s floor, the carpeting plush against the backs of her thighs, she watched JJ dancing beneath the streetlight. They’d decided to head back to the Chateau, not particularly in the mood to deal with the Kooks who had ventured over to the other side of the island for the rest of the night. John B had thrown JJ the keys while they were still on the beach, instructing his friend to head to the car while he gathered Sarah, Kie, and Pope up. Liz looked more freezing by the minute, and while Twinkie’s heating wasn’t optimal, it was better than braving the ocean wind. John B was partial to being the designated driver, especially on the night of such a big bash. And, of course, especially when they already had supplies for an after party set out on his kitchen table.
Instead of huddling down in the trunk with Liz though, JJ took advantage of the pleasant, alcohol-induced flush warming his skin. He danced along to the Elvis tune playing from the radio in his cutoff Levis. The keys were in the ignition while the car sat in park, the heat blasting and the engine whirring quietly. Liz had heard the song many times on her father’s records. JJ gyrated his hips, ran his hands through his hair in an attempt to create a sloppy pompadour. He wasn’t very drunk, still coordinated enough to make a real show of it.
“Just take a walk down lonely street, to the heartbreak hotel,” JJ sang along, curling his lip in a decent imitation.
Liz snorted and rolled her eyes at his theatrics, but giggled along. Ever since they were little, JJ was always performing, mostly for her. A strange sense of nostalgia washed over her as he watched him, under the makeshift spotlight in the inky blue midnight. Down below, the party raged on, but neither Liz nor JJ took notice any longer. For the moment, it was just the two of them. Eventually, the song faded away and JJ finished his impression. Liz clapped a few times, slow and almost mocking. Pouting at the lackluster response, JJ sat down heavily next to her and put his head on her shoulder. The laughter would suffice to please him; he’d only done the dance to cheer her up, after all, guilty he hadn’t been at the party earlier, when she’d needed him. But he whined playfully, nonetheless.
“Tough fucking crowd.”
“I’m just kidding, sunshine. You were just like the king, alright?” she said, starting to sober up but still focusing on the tingling of her skin at the drinks and his touch. Slinging an arm around his shoulders, she brought him closer and kissed the crown of his head affectionately.
.   .   .
Rolling to a stop, Liz leaned her bike against the oak tree and ran her hands through her hair. It was greasy, and she decided she needed to shower before her lunchtime shift at the Wreck. It was a double, but she’d be back at John B’s by nine, with plans for a chill movie night. Kie and Pope probably wouldn’t make it, more eager for alone time in recent months. But there would still be the four of them. After they all went to bed, Liz could pad over from the pullout couch in the living room to JJ’s bed, as she’d made a habit of doing in the past few weeks. Though she was always annoyed with such a long shift, especially when the damn Tourons were starting their vacation season, it was good to know there was something to look forward to at the end of the day.
The sun was high in the sky, having risen fully, as she ascended the creaky porch steps into her house. The wind chimes near the door jingled quietly in the slight breeze. Doing her best to shut the rusty screen door silently behind her, Liz jumped when she saw her mother already up and having her coffee at the kitchen table. Usually, she was still out cold.
“Hey, mom,” Liz said, forcing a weak smile on her lips. She slipped her backpack from her shoulders and set it down next to the door. Then, she tugged her shoes off and went towards the kitchen.
“Oh, hi,” her mother muttered, yawning, looking up from her paper and over the reading glasses on her nose at her daughter.
Ruth Walker was lately a quiet woman, but still remained every bit as incisive as she had been before her husband died. She watched as Liz poured herself a mug of black coffee, dressed in her cardigan and one of JJ’s t-shirts. Only her skirt was the same from the night before. Liz had been careful to make sure she left her ruined t-shirt at John B’s. The sight of it might have been enough to make her mother burst into tears. Liz’s hair was back in a low ponytail, and Ruth immediately noticed the dark mark peeking out from the neckline of the t-shirt.
“Guess it was a fun party,” Ruth said, eyebrows raised but voice mostly disinterested.
Liz furrowed her brows at her mother’s tone, taking a sip of the coffee and turning to face her. “Hm?”
“That love bite on your neck,” Ruth explained, staring at the hickey.
Immediately, Liz flushed scarlet. She was glad she had left just after JJ, as the rest of the Pogues were still snoring. Certainly, someone would have noticed. They were usually careful, but as high as she and JJ were, she wasn’t entirely surprised they had gotten a bit carried away. She didn’t have time to stutter out a response before her mother continued.
“Just make sure he’s clean. And please don’t get pregnant,” Ruth said, sighing slightly. “Girls your age know nothing about nothing. We can’t add another mouth to feed into the mix. I don’t need that right now.”
Clearing her throat awkwardly, Liz looked down into her coffee and nodded. “Yeah, yeah. I won’t. You know I won’t.”
Shrugging, Ruth went back to her paper. From her spot leaning against the sink, Liz couldn’t quite make out what her mother was reading, but she knew what it was anyway. Especially since her mother held a red pen in her left hand. She was circling real estate listings from the Figure Eight. Houses they could never even dream of living in. Swallowing harshly, Liz tried not to think too hard about what her mother was doing and instead straightened her back, about to head to the bathroom.
“So, mom, I’m gonna shower and then head to work. I’m probably gonna stay at John B’s again tonight. And maybe a few more nights after, since John has-”
“Fine,” Ruth said flippantly, not bothering to listen to her daughter’s rambled reasonings. “Make good choices.”
Ruth didn’t look up from her paper as she spoke. Liz waited a minute for more, then finally made her way towards the small hallway when her mother kept silent.
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JULY PICKS!
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You heard me correctly, I said JULY! Whoosh, this year is going by fast-but not in a good way if you know what I mean. This will be my last monthly wrap up where I am strictly staying home in quarantine as this upcoming week I’m heading back to work in person. Wish me luck!
We had quite the range this month from newly released, reality, musical and then some favorites from last month that I’ve continued watching. Without further ado here we go....
There’s going to be PLENTY of SPOILERS this go round. ESPECIALLY with my first pick of Stargirl. You’ve been warned!!!
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DC’S STARGIRL
I need to talk about 1x10 or I’m going to burst!!! As stated above there will be A LOT of SPOILERS IN THIS POST!! So scroll down to the next picture if you don’t want it to be spoiled. 
You’ve been warned...again.
IT CANNOT END LIKE THAT!!! ARE YOU KIDDING ME???? Henry! Wow! 1) Epic fighting 2) The backstory and how he wasn’t going to give up on his dad AND THEN how he wouldn’t give into his dad. 3) HE DIED RATHER THAN JOIN HIS SIDE OR PRETEND (which I honestly felt was going to happen). His character arc and I can’t believe it’s over!!! 4) His speech at the end: *weeping.* I knew Brainwave was going to say he killed his mother. It just felt like the build up. Brainwave Jr. would have been a GREAT ADDITION TO THE JSA! AND OMG THE WAY THE REST OF THEM FOUGHT FOR HIM! I loved how they framed it so you could still see them in the back when Henry spoke to his father. Super heartbreaking. Man, it feels like a lot of people have been killed off this first season (or am I just still thinking about Joey?) 
Side note: Check out the Instagram Live between father and son Brainwave on Stargirl’s CW page. Jake Austin Walker did an AWESOME interview in his take over.
This was one of the strongest episodes overall and definitely one of my favorites so far. I agree with many others that while it is SOO GOOD and I want to rewatch it again, I don’t know if I can emotionally yet. I can’t remember the last time I felt that way about a show. 
Some other thoughts this episode: WAY TO GO BARBARA! Way to record them to translate later (such an awesome app btw, how do I get it?). I’m glad her and Pat came more to an understanding because I love them especially with that glimpse into how they met. Jordan’s parents give me the creeps, like the couple from The Visit vibes. I feel like Mike’s got to find out ASAP, especially because he’s spent time in the garage. Something’s got to show him the truth; because I’m really feeling he figures it out rather than being told. Very curious to see what his reaction will be. SOLOMON GRUNDY. Thank God Beth talked Rick down. She really is like Chuck in being the voice of reason. She did really well in the cafeteria too. While I still don’t believe Starman is Courtney’s dad, how cute was it when she put together her and Henry were cousins? Speaking of Court’s dad, who else didn’t feel like Starman was her dad until they saw that upcoming promo? I don’t know who that impostor is but he is not her dad. Something’s fishy.
Loving this show. So happy it’s renewed for a second season!! 
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THE 100
From a show I can’t get enough of to one whose final season is a disappointment. I’m not going to spend too much time talking about The 100 because I feel I’ll just be repeating myself from previous posts. However, I did want to include it because I haven’t spoken much about the previous 2 episodes that I wound up watching back to back and I didn’t overly dislike them. 
As many have complained, when you have a final season you shouldn’t introduce SO MANY new characters and just push aside your originals (or the ones who are left). You also shouldn’t include so many confusing plots that are making it look like were the main points overall (like this many world concept was around since the first grounders) and playing with time in so many episodes is hard to keep up with too. Having so many people separated makes it difficult to remember what just happened to this specific group because I haven’t seen them in forever. ANYWAY, I did promise some positives. I didn’t except to like 7x08 because of it being a flashback episode with brand new people that was just going to feel like a potential spin-off pilot. Well...I actually really enjoyed it and the concept that the bunker was used before One Crew. The characters were easy to like and it was cool seeing Allie again (and this time not as the villain). While it felt forced including the orb (is that what it’s called? If not that’s what I’m calling it), but I liked how all the other pieces fit together (ex: the flame, the grounders’ language). Honestly, I surprise myself to say this, but I’d watch another episode. For 7x09, I liked being on Bardo and watching Octavia, Echo, Diyoza and Hope slowly get “brainwashed” I mean trained. We all knew it wouldn’t work for Hope and if I was them I would rather be on Sky Ring than Bardo (but then I guess I’d go crazy, so...) I enjoy the Octavia and Levitt relationship and would love them to work out, but if this show taught you anything it’s to be skeptical. I also want to shift to the Primes plot, just to showcase John Murphy for a second. THAT MAN! What a character development he’s had on this show. From the first season where I was like come on Murphy to now me awaiting his scenes. From cockroach to someone who won’t view himself as a hero. So good and something that is fantastic about this final season. They might have forgotten about other characters, but they’re doing it right by Murphy. 
Well, that was more than I was expecting. ;)   
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THE CIRCLE
It feels like I haven’t watched a lot of reality TV this year, which makes sense because of our quarantine situation (but then again I’m watching World of Dance, but that’s a different because it’s more of a competition/dance show. I’ll stop rambling). The Circle is a reality ‘game’ show that could be easily completed during quarantine and social distancing because the contestants do not see each other in person. They each have an apartment in this complex and only communicate with each other on a social media platform called the Circle. The objective is to become the most popular and an influencer who gets power over who stays and who goes in the competition. There’s some side contests throughout, but most of the show is just people chatting through an insta messenger and trying to learn as much as they can. Alliances are formed and cat fishes try to thrive all for the grand prize of $100,000. (Wow, that’s a lot!) It is SUPER addicting and very funny. Having a voice-over narrator really makes it even funnier because she says what we’re all thinking. Just about every episode a contestant leaves and then is able to meet one other person in their apartment. It’s been cool seeing their reactions as oftentimes it’s someone they did not expect AT ALL. I can’t wait to finish it. If you’re a fan of Big Brother than this is definitely for you. Looks like there will be a second season, which I am excited about.  
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THE BABYSITTERS CLUB
Jumping from one Netflix show to another. Released on Netflix on July 3rd, I tried not to binge it all in one day because then it would be over (and we still don’t know if there will be a second season yet). This is definitely my feel good watch for July. If you want something that’s a quick watch and just wholesome and fun to escape our current world than this is for you. I always felt so happy after watching and couldn’t wait to watch another. While I was familiar with the franchise--the 90s movie and of course the books (although I was more of a Babysitter Little Sister fan, so I was very excited to see Karen), you don’t have to have any knowledge of the Babysitters Club to enjoy this show. I was hooked just about right away by this new series shown by me watching the first three episodes back to back. I really like how they set up each episode with one girl as the main focus (just like in the books) where she takes over the voice-over narration. Great representation and made modern to fit in with our current times. The first example that comes to mind is when Mary Ann babysits Bailey who is transgender. I liked how Bailey says those are her old clothes while they’re playing. It’s shown in a way that explains the situation without feeling like a lecture. It fits so naturally into the episode. And then Mary Ann’s speech at the hospital is super powerful for both Bailey and herself. This is just one example of how well represented this show is. Extremely strong cast and actresses who are the proper ages. I also love the adult casting and how they threw in a Clueless reference from Alicia Sliverstone (who plays Kristy’s Mom). As someone who is writing for this age group, I really liked hearing and seeing how authentic this show is. 
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FEEL THE BEAT
A Netflix original movie that has been on my list for a while that I just got around to watching. It didn’t come out too long ago. In the film, Sofia Carson’s character is a dancer who is a perfectionist. She gets on the bad side of a big NYC producer when she not only leaves her in the rain as she steals her taxi, but also knocks her, accidentally, off stage and becomes a viral video-this basically blackmails her in Broadway. This all happens within about the first 10 minutes of the film and the majority takes place back in her small home town (very Hallmark-like) in Wisconsin. While there her old dancing teacher wants her to share her Broadway wisdom with her young students. Meanwhile Carson has only been a chorus girl, so she doesn’t really have any. What draws her to helping the young girls is the chance to perform in front of a big choreographer that could get her to be the star she always dreamed of. The catch is that it’s the teacher dance in the childrens dance competition. While this might sound like a movie you’ve watched many times before, it was still worth it and a really fun watch. I think the kids really make the movie. They are adorable, funny and super talented. You feel connected with them really fast and want to see them succeed. I loved Dickie and how he joined the group. I think he was my favorite overall. I loved how inclusive the cast was here too (just like BSC) from a mixed race family, to single parents and even a student who was Deaf. It was great seeing the other actors sign to her. Carson’s character, April, can be annoying at times, but you understand it’s her character and something she needs to overcome. As I said before the plot may seem familiar, but the ending was something I didn’t see coming. Overall, wholesome, feel good and fun for the whole family. You can consider to watch while babysitting. (See what I did there??)  
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VIOLETTA SEASON 2
She’s back! I know last month when I included Violetta it was mainly me being excited to see the second season FINALLY streaming on Disney Plus. I had watched a few episodes (remember there’s 80 altogether, so even if I watched 20 that’s still very early on and just a dent in the season) and was still getting used to this season. Well, now I’m happy to report I am in the 40s and more than half way. For a bit I was watching many of these episodes a day, which told me that I was loving it again. Recently, I feel I need a little more of a push to watch, but it’s mainly because of certain story-lines that feel like they’re dragging. (For example: Violetta’s voice. One minute it’s fine and the next she’s like dying). For this section I have two words: LOVE TRIANGLES. And I’m not just talking about Violetta, Diego and Leon. For a bit it felt like each character had their own love triangle, which honestly I was loving. These characters have definitely developed a lot from last season, which allows this to happen. Olga was in a love triangle, which just recently got resolved. I think German is still in one because of his alter ego Jeremias. Jackie was “kind of” in one. For her it was more of a misunderstanding, which is very classic on this show. Lots more secrets have been uncovered in these episodes as well as songs! You know how excited I am for those. Overall, I think I’m still enjoying season 1 songs more (which get referenced enough in this season), but some of the season 2 ones are really growing on me. Specifically Leon’s Entre dos mundos and when he sings with Diego Euphoria in English. Also, Yo Soy Asi has been real catchy. I know Frederico will be coming back soon and I can’t wait to see him again!  
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HAMILTON
Like many I watched Hamilton this month-actually on the day it came out. It’s been a musical that I’ve been intrigued by, but never thought I’d get a chance to watch because of how popular and expensive it is to see on Broadway. So, I was very excited to hear I’d get the chance when it was to be released in theaters for a special event. Then because of Corona it was released to Disney Plus, which was EVEN more convenient and exciting. I really enjoyed it and watched it twice within the same week. I immediately downloaded the playlist and started singing it around the house. I do this a lot with many of the plays I see, but depending how good they are is shown by how long I listen to the soundtrack. (Some of my top ones are Bandstand, Once, Newsies and Anastasia.) Because there are so many songs in Hamilton it is taking me a little longer to know all the words, but I feel pretty confident with the first act. It was the perfect timing for this to be released on Disney Plus. Not only because it was July 3rd, but also because of the world we are living in. Lin’s diverse cast brings to life the world of 1776 and the revolutionary war (as well as the time after it), but it’s such a strong commentary on our world today. This is something I am continually noticing with historical dramas/pieces being released within the last 5-10 years. It feels like there’s more we can say in this genre than in a commentary piece. I also like all the analysis videos I’ve seen popping up, which just make it even more powerful. (Like it being Eliza’s story and her putting herself back in the narrative. That the play Hamilton is named for both her and Alexander.) I don’t know if all of what I see were intentional, but  either way well done. I hope it doesn’t leave Disney Plus soon. 
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1917
And lastly, 1917. I promised quite the range this month and you can see that’s definitely the case. I always enjoy watching war films and with 1917 there was so much hype (both before it came out and after) that I was interested to give it a watch. Giving the movie to my dad for father’s day felt like the perfect excuse to be able to watch it. Even though our DVD stuck in a few places (still don’t know if it was the player or the DVD itself), the film was very entertaining and I would suggest it to anyone who is a history/film buff. Taking place in WWI, we follow two British soldiers as they attempt to deliver a message about an upcoming ambush that could take countless lives. I feel that I often watch more films revolving around WWII, so it was very interesting to be immersed in the first great war. After watching I am not surprised that the film was up for so many Oscars. While cinematography is the first thing everyone discusses when it comes to this movie (and it should be because the one shot/long shot is sooo impressive and beautiful to watch. It really brings you into the scene and has a way of making you feel like you’re there too. There’s a realness to it that’s raw and new compared to other war films I’ve watched in the past), there’s so much more to this film too. First, I like how it connects back to Sam Mendes’ grandfather, so while it’s not a true story it has real facts in it. I LOVE the score and music to this film. In the scene where George Mackay runs at night through those ruined buildings I could really hear how well the music worked with the action. Because of this I made sure to listen to some of the soundtrack and now I’ve added some of the songs into my writing playlist. I have chills just thinking about it. The other point I want to bring up is the cast! While there are SO MANY big names in this film from Colin Firth to Benedict Cumberbatch, the two main characters are played by George Mackay and Dean Charles Chapman and they are the ones with the most screen time. If their chemistry and acting wasn’t so great then the movie wouldn’t be as successful as it is. Because of this I have been watching non-stop YouTube interviews of the two of them for this film. 
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They are so well-spoken, stand-up guys and I can’t get enough of their dialogues with each other and others. (You should watch these interviews too). While familiar with Chapman’s time on Game of Thrones, I haven’t seen him in much else, so I’m excited to see what he’ll have in the future (as well as checking out his IMDB page). For Mckay, I’ve seen him before when I just watched Ophelia earlier this summer so that was my first time watching him act. After that film I was curious what else he was in, but it was only after 1917 that I started doing more research. So far, I’ve only been able to watch the short film he was in called Infinite. While only 17 minutes it was very strong and deep. I highly recommend. As I’ve shared on this page already, in another post, the more I hear him talk the more of a crush I am developing. It’s been a long time since I’ve experienced a celebrity crush this strong so soon. This quarantine has to end so I can make it to England to just casually bump into him like one does. :) 
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geezerwench · 3 years
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QAnon Woke Up the Real Deep State
To the QAnon community, and others involved in storming the Capitol:
The Deep State is real, but it’s not what you think. The Deep State you worry about is mostly made up; a fiction, a lie, a product of active imaginations, grifter manipulations, and the internet. I’m telling you this now because storming the Capitol building has drawn the attention of the real Deep State — the national security bureaucracy — and it’s important you understand what that means.
You attacked America. Maybe you think it was justified — as a response to a stolen election, or a cabal of child-trafficking pedophiles, or whatever — but it was still a violent attack on the United States. No matter how you describe it, that’s how the real Deep State is going to treat it.
The impact of that will make everything else feel like a LARP.
The Real Deep State
I’ve been teaching college students about the Deep State for years, and have interacted with it on occasion. By “Deep State,” I’m referring to executive branch agencies populated with unelected officials, especially those involving national security, law enforcement, and intelligence. The non-nefarious name for it is “the federal bureaucracy,” with the subset that includes the military, CIA, and FBI known as “the national security state.”
In 2017, conservative writer David Frum quipped that if you replaced “Deep State” with “rule of law,” you’d have a better understanding of Trumpist complaints.
There’s some truth in that. Federal agencies and their mandates were created by law, their annual budgets are determined by law, and they’re overseen by elected officials. Their main job is executing U.S. law, and one reason they’ve clashed with the White House is being asked to do things outside their legal abilities, or to not do things that are legally required.
So rule of law is part of it, but it’s not that simple.
The president appoints and the Senate confirms top officials, from the Secretary of State to the five members of the Arctic Research Commission, over 1,200 in total. Every other executive branch employee — over 4 million if you include the military, over 2.7 million if you don’t — is hired or recruited, not elected or appointed. This means that the Departments of State, Defense, Justice, the intelligence community, and federal law enforcement are staffed with people the agencies hired themselves.
Their mandates are broad. For example, the FBI is supposed to “investigate federal crimes and threats to national security.” While there are laws giving the FBI certain powers (e.g. to arrest people) and limits (needing warrants), a lot is open to interpretation, especially regarding national security threats.
It’s fair to say the FBI, CIA, IRS, CDC, and other federal agencies have, to some extent, taken on lives of their own. So has the military, and the larger defense-industrial complex. They’re under control of elected and appointed leaders, but also not, acting according to established laws, established regulations (many of which they wrote themselves), and individual judgment calls. You could call that “the Deep State.”
National Security
If you want to understand the real Deep State, the biggest thing you need to know is it’s institutional, impersonal, and operates on a national scale.
The law enforcement-intelligence-national security bureaucracy doesn’t really care about a lot of the little things people think it cares about. It’s mostly focused on terrorists, serial killers, narco-traffickers, and foreign governments. Threats to the nation.
Previous QAnon activity wasn’t on that scale, but the Capitol attack is. I don’t think this has sunk in yet. It wasn’t 9/11, but it was bigger than, for example, Benghazi.
Americans storming the Capitol to prevent Congress from carrying out election law hasn’t happened before. When four Puerto Rican nationalists shot at Congressmen from the House balcony in 1954, they were rightly called terrorists, convicted in federal court, and imprisoned. And that was just four attackers, no one died, and it wasn’t encouraged by a losing presidential candidate to disrupt the peaceful transition of power.
The Capitol attack was a unique event in American history, something they’ll teach about in high school. National security analysts are comparing it to last year’s FBI-thwarted plot to kidnap and execute Michigan Governor Gretchen Whitmer, which came a few months after armed demonstrators forcefully stopped business at the Michigan statehouse. There have been armed post-election demonstrations at multiple statehouses, and reports of plots to storm them next week.
It’s a pattern. And after the Capitol attack, the Deep State is going to take it seriously.
U.S. code defines “sedition” as using “force to prevent, hinder, or delay the execution of any law of the United States.” That’s what you did. And the legal process you tried to stop is one of the most important in American democracy.
Five people are dead, and it could’ve easily been more. You beat a police officer to death and injured others. You set up a gallows and chanted “hang Mike Pence.” While some goofy attention-seekers attracted the most focus at first, it’s increasingly clear that some who stormed the Capitol, likely members of far right militias, were searching for Vice President Pence, Speaker of the House Nancy Pelosi, Senate Minority Leader Chuck Schumer, and other national leaders, and would’ve killed them if they had the chance. That’s terrorism, fortunately thwarted by Capitol security and luck.
Compare that to, for example, riots this past summer. Looting is bad, but it’s a problem for police and insurance companies. Trying to burn down a police station or courthouse is worse, but that too is a law enforcement problem, perhaps one requiring federal assistance. Storming the Capitol, forcefully hindering the execution of U.S. law, and trying to kill top elected officials is a national security problem.
What you did was on another level, and the reaction will be too.
After the Capitol Attack
By “you,” I don’t mean you personally (unless you were there), but your movement as a whole. QAnon’s fingerprints are all over this.
A 35-year-old woman named Ashli Babbitt, shot by Capitol police as she climbed through an opening near where elected officials were hiding, was a QAnon believer who thought she was taking part in the prophesized “storm.” The guy in the horns who traipsed through the Senate chamber is known as the “Q Shaman.” QAnon slogans and hashtags, such as “where we go one we go all,” can be seen on shirts and signs at the riot, and on tons of related social media posts.
This means that, for the first time, the Deep State cares about you.
No matter what anyone’s told you, Deep State operatives weren’t spending their time messing with your internet discussions. That’s below their radar. It wasn’t until May 2019 that an FBI intelligence bulletin warned of the potential for terrorism from “conspiracy theory-driven domestic extremists,” using QAnon and Pizzagate as examples. But it didn’t become a law enforcement or counterterrorism priority.
I should know — I’ve been trying to get them to take QAnon more seriously. This past August, after Trump publicly acknowledged the movement, I warned of the potential for election violence in a national security publication called Defense One:
Win, lose, or too close to call, Trump will be in a position to activate the violent subsets of QAnon, deliberately or inadvertently. The president has been insisting, without evidence, that the election will be rigged, blaming an ambiguous “they” or a rotating cast of villains. The conspiracy-minded QAnon community makes for a receptive audience.
If Trump starts tweeting things like “RIGGED! They’re trying to take your country. Don’t let them! THIS IS IT! Second Amendment!” — let alone if he uses QAnon lingo like “the Storm is upon us” — there’s a risk that some violence-embracing QAnon followers decide to act. And if some do, it could encourage others.
That’s basically what happened. If anything, I think I guessed low.
But now that QAnon was involved in violent sedition, the national security state is paying attention. Arrests of people caught on camera storming the Capitol have already begun. Prosecutions will follow. Big tech companies — who, while powerful, are weaker than, and have a healthy fear of the government — are now treating QAnon almost like how they treat ISIS. A giant federal apparatus built to fight al Qaeda will shift some capacity to fighting you, especially the white nationalist and anti-government militias in your orbit.
You cheered on lawyers who said they’d release the Kraken. But now you’ve poked Leviathan.
This is what you need to absorb: QAnon and “stop the steal” are forever associated with a violent attack against the United States. Maybe that’s not what it’s meant to you, maybe you think that’s a misread of last week’s events, but that’s how the real Deep State, a lot of elected officials, and much of the public sees it.
If that isn’t what you signed up for, now would be a good time to get out.
https://arcdigital.media/qanon-woke-up-the-real-deep-state-72bbfcb79488
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