#like. wanting to do good even if it's difficult??? that's SUCH a character trait

[cepheustarot]

What is people's first impression of you?

Attention! This reading is for entertainment purposes only. This tarot reading does not give a 100% guarantee that all the described situations will occur or being ultimate truth. You build your own life and destiny and only you know yourself best.

✧ Masterlist ✧ Paid readings

Pick a pile. Choose one or more pictures. Trust your intuition.

Pile 1: In general I can say that people's first impression of you is quite positive! I should immediately note that for many you stand out with your aura, you immediately catch the eye because you have a predominant vibe of a sunny person, kind, warm with whom you can easily find a common language and in general you are affable and friendly. Most people around you feel comfortable and easy to communicate, immediately after spending time with you their mood improves and a good mood remains for the whole day. At the same time many people see youf as a person capable of leading people, you have the traits of a leader, you are persistent, you know how to get along with people of any age because you know how to find an approach to any person even if he is the most sullen, taciturn and with a complex character.  Also many people see you as an intelligent person with high intelligence, you can probably quickly "get out of a situation" and come up with a solution in a matter of seconds, you can find solutions quickly and, in general, react faster than anyone in stressful situations. Despite the fact that you are kind and generous enough to many, you do not cross this line and in case of a quarrel you will stand your ground, do not let yourself be offended but at the same time you will not  fall downward to the level of the offender and will not insult him in return, put pressure on pain points. Many people may get the impression that you are a person who plans everything, not one of those who likes to improvise but strictly act as planned, because this way you feel more calm and you have a feeling that you are firmly on the ground, keeping everything under control.

Pile 2: People's first impression of you is the following: people see you as a very romantic person, perhaps you can often romanticize some situations in life, you are one of those who can find aesthetics in everything, you can often take photos just because you can find beauty in many things. Many people really like the way you take photos, your style and appearance and generally like your vision of the world. You are also seen as an open person, you are very emotional and speak directly about your feelings and share your thoughts. You are also open to everything new, you are characterized by curiosity, a desire to try something new and moreover, you yourself may feel the desire to bring something new into the world! You are a very gentle person who can often get sentimental, you are also very empathic and you have a high level of emotional intelligence, you will never be indifferent listening to someone's life story. You are open to new acquaintances and in general I can say that you like to communicate with people, learn something new about them, get closer but it is difficult to truly become your close friend or your lover because you are selective and careful about choosing your close environment.

Pile 3: First of all people get the first impression of you as a person who has achieved a lot in his life or at least you have an understanding of what you want to achieve in your life. You have probably already planned your actions for the coming years and you are one of those who brings what has been started to the end, nothing can break you and you will not be persuaded, you are very persistent in this regard and always do what you want, what you need without bending to the words of other people. People think that you are a sane person, you can really reason logically, you are not one of those who worry about trifles. You prefer to solve the problem right away without succumbing to emotions, I can generally call you a person of action, you are very hardworking, persistent and always moving forward. You also tend to think optimistically, you will find benefits in any situation, you will find something good and positive. People believe that you value family relationships very much, you love your family and your relatives, you can have quite warm and strong relationships with them, since they always support you and are always on your side, they usually do not condemn your decisions and your actions, because they see you as a mature and adult, an independent person.

Thank you for reading! I will be glad of any feedback 🖤

#tarot #tarot cards #pick a card #pick a card reading #pick a pile #pick a pile reading #pac #pick a picture #pick a photo #pick an image

[mysumeow]

Yes yay!! I really enjoyed your Malleus smut! Would you care to write another like it but with a Jealous Malleus and feminine reader during the glorious masquerade event, please? Maybe rollo was bothering her throughout the dance and Malleus was getting upset by it, but decides to not do anything about it until the end of the dance where he confronts reader in the comfort of her room.

if you do not like it, then its okay! if you decide to go on and write, then the only thing i request of you is to exclude cuckholding… im not a fan of it…

(and i apologize for my poor english, its not my first language!!)

──ADORNMENT

Warnings: Size kink, unprotected piv, titplay (reader receiving), malleus accidentally bites your lip a little too hard, you also bite him a little bit too hard :). Reader is referred to with you/your, afab body reader, reader is mentioned to be wearing a dress.

Summary: Malleus couldn't help but wonder if Rollo was trying to get on his bad side from the moment he stepped foot into Noble Bell College. He didn't like one bit how intent Rollo was on catching your attention.

Word count: 2.4k

A/N: HI ANON I loved the idea, as you can see from those 2.4k words haha...possessive dragon man gotta be my fav character trait so i was IN. Also, dw about your english, it's not my first either T_T

MASTERLIST

When Rollo's eyes appeared to brighten just the tiniest bit when he found out you weren't a magic user, his slightly more amicable tone of voice when he spoke to you, and the lingering gaze Rollo would watch you with when you weren’t looking at him...

Even if those were small details, Malleus took note of all of them. Needless to say, the fae didn’t like it one bit. Although, he was rather graceful with how he carried his possessiveness in public.

For example, from afar, Rollo’s intention to ask you to dance was obvious, at least to Malleus’s keen eyes. Without rushing, without needing to send any nasty looks to the school council’s president, Malleus approached you and asked you. Malleus placed his hand on his chest, where his heart should be, and gave a slight bow.

With Malleus’s princely charm, it was no surprise that your heart would beat faster at the sight. Almost dumbfounded, you grasped his hand. He took the lead during the ball dance, guiding your movements with swift and precise motions, his hand firm on the small of your back, and adoring eyes. Anyone would think he was beyond smitten.

The intricate pattern of his mask complemented his alluring, half-lidded eyes. The jade of the strategically placed jewels on his clothing was a fine detail you were keen on. Not to mention that tiny mesh window on his chest; you could appreciate the swells of his pecs—

“I think that dress suits you a lot too,” Malleus had caught your mind wandering. “You appear to be rather entranced by the jewel’s beauty,” You spotted his eyes shoot a quick glance towards your neck. “A necklace would look nice on you,” 

You swallowed, the onslaught of compliments flustering you. Or maybe you were embarrassed that Malleus took note of your prolonged, fixed gaze on him. Perhaps it was both.

As is customary for this type of dance, it was time to change dance partners. It was Rollo’s chance to offer his hand as he cleared his throat, but not without first sending a glare towards the taller fae.

“Those NRC boys must be difficult to deal with, are they not?”

“Well, no,” There were times when they could be challenging to deal with, but often they were fun to be with. There’s any time of boredom when hanging out with them, as each one came up with their silly antics. “They’re good classmates,”

“Good classmates?” Rollo seemed amused at your choice of words. “If that’s your definition of a good classmate, I don’t want to know what’s a bad classmate for you,” The snarky undertone of his words didn’t go unnoticed by you, as faint as it was in his tone.

The festive ball occurred with no major inconveniences, and everyone was having fun, but it was soon time to go back to your rooms, as your group still had some activities to attend to in the morning the next day. This will be a major event you will never forget.

You were getting ready to sleep, giving one final check on what you were going to wear the following morning, until someone knocked on your door. You furrowed your eyebrows, thinking who could be at this hour.

Your sight landed first on a broad chest; you craned your neck upwards, meeting Diasomnia’s housewarden intent observation.

“Malleus?” What business could the housewarden have with you at this hour? Was he coming here to reprimand you for your rude stare? You peeked behind him to see if he came with Silver or Sebek, but became rather surprised at the lack of his trusted bodyguards. “Uhm, is there something wrong?”

“Not at all. I wanted to check up on you,” Malleus placed his hand on his chin, thoughtful. “This day has been rather hectic, has it not? And you seemed quite disgruntled when dancing with Flamme,”

“Oh, that?” You laughed, both nervous and relieved. “It’s been a tiring day, that’s true—but fun, too. About Rollo, well, by the time I was dancing with him, I was already drained. Maybe that’s why I looked annoyed, I guess,”

You were too late to notice Malleus inching closer.

“Hm, is that so…” Malleus wasn’t convinced. “I’m not sure whether you’ve perceived it, but he looked invested in you. Furthermore, considering his attitude, I worried he might’ve been bothering you,”

“Not really. He was commenting about how I dealt with NRC students, and that’s it.”

His eyes trailed from your face to the damp tips of your hair. You had taken a quick bath before returning to your room. “It's a relief to know you're not troubled at all,”

“No worries, Malleus. Thanks for checking up on me.”

Your mind came to a stop when his hands reached out to the damp ends of your hair. You became aware of the shift in mood in that instant.

“It did bother me, however.”

Huh?

“What do you mean...?” You wanted to make sure you didn't mishear him or to clear up any confusion there could be.

“I reminisce about you being quite keen on the jewel on my chest,” He changed the topic. You began sweating a bit. “Or were you focused on something else? Mayhap...lower?”

Heat rose to your face. So, he did notice after all. Were you being too obvious? You wanted to bash your head against the nearest wall out of embarrassment.

“I-I’m sorry—”

“Demanding an apology for something I did myself would make me a hypocrite,” His hand left your hair, and he traced his thumb on the juncture of your neck. "Your neck, I meant. I imagined other types of adornment for it,”

The heat. It intensified.

“Would you allow me to show you?” He continued.

Your eyes strayed away from his in preference of landing on his lips. You remembered his fangs—the striking size they had. It wouldn’t be the truth if you said you never fantasized about offering your neck for him to bite down on. Was he referring to adorning your neck with his marks?

“…I’d like that.”

With all the patience in the world, he guided you towards the bed and made you sit on his lap. With a solid grip, his arms circled around your waist and pulled you closer to kiss your neck on a specific area he was intending to mark soon.

At first, it tickled you, he was being gentle about it. You kept squirming on him, and your movements froze the moment he bit down; not hard enough to draw blood, just enough to leave the teeth indents on your skin.

He trailed his kisses from your neck towards your collarbone, pulling down the collar of your top. Without meaning to, your hands roamed around his chest, the palms of your hands pressing against his chest. It was nice to the touch and warmer than you expected.

Malleus, by accident, bit down harder than expected, which caused a chain reaction of you squeezing his pecs firmer than what you pretended to.

The prince pulled away, surprised. You didn’t realize what you did until you realized the positions your hands were in.

“Ah, so that’s what you were actually thinking about during the ball,” He chuckled, amused.

Whoever designed that attire for Malleus knew what they were doing with that little mesh window. Curse them.

You jolted when Malleus’s thumbs rubbed on your nipples through the thin fabric of your pajama’s top. Your little jump further ignited the fae’s curiosity, and he repeated the action. Taking note of your apparent enjoyment from that, one of his hands snaked underneath the top, his hand stopping on your chest and giving it a tentative squeeze.

Malleus became aware of your grinding, and if the lusty haze overcoming your eyes was anything to go by, he dared to finish bunching up your top over your tits and take one into his mouth.

Your hands didn’t move away from his chest, so you began caressing him there again. Was this warmth coming from your own body or his? It felt inviting, making you desire to embrace him and not let go. Your hands went lower, feeling the toned muscles, and soon, you slithered your hands under his clothes too.

The sound that came from his mouth when he gave one last suckle before pulling away from your tits made you sheepish, and you hid your face in his chest. Malleus found your reaction endearing, and he laughed softly, hugging you again.

“Don't hide yourself from me,” Rather than commanding, it was more akin to a plea. “There's nothing to be ashamed of,” Following what felt natural, he reciprocated your grinding by pushing his hips upwards, your clit stimulated by the movement.

Malleus was voracious about learning how to please you, and when he noticed you preferred backward and forward motions, he gripped you by the hips to aid you with that. On your own, you had maintained a moderate tempo; under his eagerness to bring you to an orgasm, it was fast.

Your breathing staggered, and your voice went weak as you tried to form words. “I-I'm going to cum,”

“Shh,” He kissed you. “You're going to wake up the others,”

Even though he attempted to silence you with his lips, a whine escaped you. Without meaning to, as you orgasmed, you bit on his bottom lip, earning yourself a groan from him.

Whatever patience remained was lost in that moment. With restraints lost, both of you bared your bodies to each other.

With teary eyes from the slight sting on your lip, which you had received almost right after from Malleus after you bit him, you left out a small ow.

“I apologize,” Malleus said, wiping the thin line of blood from your lip. “I lost control there for a moment. With how tempting you unraveled before me, I couldn’t hold back,” His tongue licked along your bottom lip again. “But you don't seem to hate it, or am I wrong?”

“Not wrong,” You admitted, and you kissed him again, this time more feverishly.

Malleus’s length was long and undeniably thick, with excessive precum pearling on his tip. In the sitting position, you were on his lap, and you more or less gauged that it reached your belly button.

You shifted your position, the head of his dick poked into your entrance, and you were allured into taking him in one go.

Despite your zeal to have it in one sitting, you knew something of that size needed to be done little by little. Inch by girthy inch.

You lowered yourself, and the tip prodded in. His hold on your waist became harder, and your fingernails were digging in just a bit further. Gripping the dragonfae by the shoulders, you relaxed your legs, and some more of him pushed inside. You came to an abrupt stop when you couldn't fit more in. The tip nudged against your cervix, after all.

You were breathing heavily, and Malleus was too. His chest heaved, and narrowed eyes fixed on you—about to ravish you.

Up and down, gently at first, you began getting used to his size. You started relaxing more, you could swear you were taking what you couldn't at first.

“I see you struggling to move,” the fae brushed away with his fingers, the strands of hair clinging to your face because of sweat. “Want me to lend a hand?”

Your thighs were hurting a bit, so you nodded.

Given how patient he had been, the fast pace he set left you breathless. Your body bounced with the force of his cadence, his stare boring into your vulnerable expressions and focusing on your hitched breaths.

Malleus was looking forward to Rollo’s reaction when he saw the multiple marks scattered across your neck and collarbone. Yet his favorites were the ones that would be hidden under your clothes, the ones on your chest. He was sure to leave more of those soon.

Your thoughts turned into mush, and if it weren’t for Malleus manhandling your hips, you would’ve stopped to catch your breath. Nearing your release, your hands slide down to rub your clit.

This action didn’t go unseen by him; Malleus was a fast learner, and by just taking note of where you wanted to be touched, he understood what his next move should be: use his thumb to play with your delicate nub.

You squealed from the pleasure, his fingers wet with your arousal. With firm, decisive strokes, you climaxed sooner than you were prepared, your pussy squeezing hard around him. The sight of you unraveling before him for a second time that same night, with your naked body clinging to him and your trembling frame, was enough for him to climax seconds later.

When he pulled out, a thick thread of cum clung to the head and dripped down to the base. You could feel the abundant amount of cum dripping from your overstimulated pussy; you never imagined faes could release that much…

“Is your body sore? Do you want me to take you to the bathroom?” The dense fog of lust dissipated enough, and the intimacy you shared solidified a thought. He was convinced: You’re the one for him.

“Yeah…” You managed to respond, still coming down from that climax.

Thanks to Malleus’s help, you both headed in the direction of the closest bathroom available.

A loud clang from the end of the hallway made you face in that direction, finding out who dropped the oil lamp to the floor.

None other than the president of Noble Bell College's School Council, who saw you and Malleus walk out of your room.

#twisted wonderland smut #twst smut #twst x reader #malleus draconia x reader

[aspoonofsugar]

Hi! Where do you think Alastor's arc is going? Redemption or villainy?

Hi!

Thank you for the ask, I loved watching Hazbin Hotel and I am happy I can write for the series :)

As for now, I think Alastor will spiral and hurt Charlie very badly, but he will eventually redeem himself (probably in a key moment). That is because Alastor is framed as Charlie's Jungian shadow.

What is the Jungian Shadow?

According to Jung, the shadow is what a person represses, both positive and negative. So, it can be one's violent tendencies, but also one's potential and energy. It really depends on the person.

So, why does Alastor fit the Shadow Archetype? Well, first of all:

Alastor's powers make use of shadows. Not only that, but Alastor's own shadow is very expressive and shows the demon's repressed feelings. In other words:

On the one hand Alastor embodies the shadow, in the sense he represents what Charlie refuses to face

On the other hand Alastor himself represses his emotions behind a smiling face:

Alastor: Just because you see a smile, don't think you know what is going on underneath. A smile is a valuable tool, my dear. It inspires your friends, keeps your enemies guessing and ensures tha no matter what comes your way, you're the one in control.

This is a good characterization for a jungian shadow because the shadow grows stronger and more dangerous, when it's ignored. So, the most one refuses to face their feelings, the most these feelings fester and grow powerful and dangerous. This fits Alastor both when it comes to others and to his own character:

He takes advantage of an emotional unstable and vulnerable Charlie to strike an abimguous deal with her. Similarly, he uses Husk's gambling addiction to steal his soul. He uses people's weaknesses an unsolved problems to take over.

He suffocates his feelings, which symbolically manifest in his powerful shadow-tentacles. His design and abilities are representative of his psychological coping mechanism, which is nothing, but repression.

As written above, though, the Jungian Shadow can be both negative and positive depending on what one hides. This duality is shown in Alastor's two roles in Charlie's arc:

He is a demonic archetype (even moreso than Lucifer, the titular devil), as he waits in the shadows for a chance to manipulate Charlie

He is an evil mentor, as he genuinelly likes Charlie, sees her potential and wants to guide her towards greatness:

She's filled with potential that I could guide

This isn't a contradiction, but complexity. Alastor is chaotic and mixes negative traits and intentions with positive ones. Just like what people repress can be both bad and good, usually at the same time.

This is clear when it comes to the Princess of Hell:

Charlie to Alastor: What's that you said about smiles?

Charlie is similar to Alastor in how she represses herself behind her pollyanna persona and her smile. This doesn't mean she is faking her altruism and generosity, but that she is using these traits to hide something else:

Lute: The only reason you're still here is that Daddy gave you and your Hellborn-kind a pardon from an exorcist's blade. How does that feel? To know how little you matter.

Deep down, Charlie invests herself in the Hazbin Hotel project because she wants to matter. She feels powerless and unimportant, as a result of her parents' neglects and of Hell's difficult situation.

So, our protagonist has strong self-issues that she refuses to face:

Husk: Princess is a bleedy heart who wants to solve everybod else's problems, 'cept her own.

That said, this isn't the only thing Charlie represses. The Princess of Hell hides:

Every negative emotions she feels, like her self-hate or her anger at Vaggie for hiding her true identity:

Rosie: How does that make you feel? Charlie: Just... angry? Because we share everything! Because she always supported me, and my ideas, and now I don't know whether or not that was just more of the lies... Oh no, that's a horrible thing to think! Do I think that? Yes! No? Kinda?

Her most violent and aggressive side, which makes so she is unable to make full use of her powers:

Vaggie: Well, I mean... You're the princess of Hell, but you don't really use the power that comes with that. Mybe you can, I don't know? Command a little more... authority. Charlie: But that's so mean.

In short, by repressing her negative feelings, she also represses her potential. It is only by facing herself as a whole, that she can fully grow and bloom into her most powerful and complete self:

This is made clear in Charlie's quest in Cannibal Town. There, our girl is at her lowest, but she is pushing herself forward for the sake of her loved ones. She is trying to imitate Alastor by smiling, even if she is sour inside. However, things do not go well and it is only through her heart to heart chat with Rosie, that Charlie is able to pull herself together and inspire her people. Symbolically, she gets through them not with a 100% optimistic song like "Inside of every demon is a rainbow". Rather she opens her speech, by showing vulnerability and honesty:

It's a feeling like a rumbling in your gut That you could finally be faced with A billion needy faces I guess what I mean to say is For the first time in my life I might have to be ready for this Ready to be the one who's leading from the front Gotta come into my own Gotta come into my throne Gotta take charge and defend my only home And although I kinda feel unsteady Now I need to be ready for this

She affirms who she is and her willingness to grow into herself:

For the first time in my life Maybe I can be ready for this I can be the marshal leading the parade I can come into my own And I think I've always known My destiny could never be postponed When Adam brings the battle here I must appear like I'm ready for this

So, it is only by tapping into her own shadow that Charlie can be successfull. It is through expression and not repression that she can reach her goals.

What about Alastor?

He is the same, but so far he has been refusing to open up to others:

Angel: He's been here a while and he's still a big, creepy mystery.

That said, his time at the Hazbin Hotel has had an impact on him. He is forced to deal with others without killing them:

Vaggie: Pentious's eggs are all over the place. I need you to get rid of them. (...) Humanely!

He is shown cutting ties with a poisonous friend:

He openly admits he likes the people of the hotel:

Alastor: Ah, an enjoyable collective to be around. I admit one could get accustomed.

However, he still refuses to openly show vulnerability and ends up like this:

Let's highlight that Charlie and Alastor are foiled in The Show Must Go On song.

Both stand in the ruins of their homes/dreams.

The Hotel:

I took a hotel, and I destroyed it I know I could have done better Better, instead of letting you down

The Radio Station:

This place reeks of death There's a chill in the air And I barely escaped being killed by a hair

And both decide not to give up and to keep pursuing their objectives. However, Charlie is framed positively, while Alastor negatively. Why?

Charlie sings about her feelings openly and is supported by her father and found family:

Alastor sings about his pain privately and even then he barely shows his desperation before going back to his villanious mask:

Symbolically the moment Alastor reunites with the Hotel Crew, he sings:

And we're doing it with a smile!

He is back in control of himself, ready to hide everything behind his neverchanging smile.

So, Alastor is both Charlie's negative foil and Jungian Shadow. As her negative foil, he is bound to spiral. As her Jungian Shadow he is bound to be saved. Why is that so? Two reasons.

The Jungian Shadow can't be killed, but needs to be integrated with.

The main themes of the series are redemption and love, so it is improbable that Charlie won't help the person, who co-founded the hotel with her.

If anything, it seems that our princess is progressively asked to forgive, inspire and see the good in more and more complex cases.

It starts with Angel, who willingly stays at the Hotel. It goes on with Pentious, who infiltrates the Hotel, but makes no real damage. Then Lucifer, whom Charlie loves, but that has been absent from the majority of her life. Finally, Vaggie, who breaks Charlie's trust.

Each conflict Charlie has challenges her in a different way and helps her discover herself and grow. She is bound to meet new struggles when Lilith becomes a broken pedestal and finally when Alastor betrays or hurts her. Still, she is going to forgive and to understand them.

Charlie is going to see the good in Alastor and to better understand herself as a result. As a matter of fact Charlie's journey is one where she is slowly discovering a world, which isn't black and white:

If Hell is forever, then Heaven must be a lie If angels can do whatever, and remain in the sky The rules are shades of gray when you don't do as you say When you make the wretched suffer just to kill them again

Just like people aren't black and white. Just like she herself isn't black and white. By saving Alastor, she is gonna save herself too. Together with the whole universe.

And what about Alastor? Well, he needs to work on himself, as well. He too must integrate with his shadow, who is embodied by a certain character:

Husk is a powerful overlord, who lost his soul to a demon. Just like Alastor:

Husk: Big talk for someone, who's also on a leash.

Alastor and Husk are both on a leash. Still, Husk admits it and starts working on his shortcoming:

Husk: You're a loser, just like me

Alastor instead affirms his willingness to be in control and to pull the strings:

Once I figure out how to unclip my wings Guess who will be pulling all the strings?

Alastor is a loser, just like Husk. Just like all the characters in hell. Sinners vs Winners. And yet, he refuses to admit it. This is why he makes no progress. Similarly, he wants freedom, but enslaves others. This isn't going to work out, which is why I am fairly certain he will eventually set Husk free. Probably by doing so, Alastor will make the first real step towards his own freedom. He will start integrating his own shadow.

Thank you for the ask!

#hazbin hotel #hazbin hotel meta #alastor #hazbin hotel alastor #charlie morningstar #my meta #asksfullofsugar #anonymous

[noonblight]

Arven, And The Habits Built By Parental Neglect

So I was going to make this big song and dance post about Arven’s entire arc and character psychology but I think other people have picked that one apart better than me. However I DO still want to talk about something I haven’t seen addressed too much.

As much as I think the phrase ‘love language’ is a gross over-simplification of psychology (and also not real, go look it up, the guy who made it was awful) it’s actually a really fitting term for the thing I want to talk about, which is how Arven has built up a habit of caring for others despite the neglect his parents showed him, and made it a core part of his personality. In essence, he’s deemed himself the ‘mom friend’ because he never had that kind of support growing up.

You can see this throughout multiple parts of the game, but here’s my list of favourites:

• If you pick the dialog option and say that you’ll go along with Arven’s quest-line before he explains what you’ll be doing, he exclaims that you have no sense of caution for your own safety. That you shouldn’t just go brazenly dashing into agreements like that.

• He is always looking after Mabosstiff so tenderly, and while a lot of this is due to them growing up together, I think it’s the way he shows his care for Mabosstiff that communicates my point.

• After noticing Miraidon eat your sandwich, he begins to make extra ones so that you don’t go without one. He even splits his own sandwich with you after Miraidon steals the first one you ever make together.

• He mentions that he cleans his dorm every day he’s there because Maboschiff sheds fur a lot.

• Post-Game, he admits that he would like to be a chef who can make good food for others.

Basically, I adore the tiny writing detail that even Arven’s positive traits are still shaped by the parental neglect that he went through, because it’s surprisingly realistic for the writing of a kid’s game.

He’s messy, he’s allowed to grieve and be confused about his feelings openly, he’s allowed to be irritable and strange in the eyes of others. But the game also never lets you forget how much he truely cares for others, even those he doesn’t know very well.

This can also be subtly inferred from just how amazingly fast Arven manages to raise a team that is arguably the only bordering-on-difficult fight in the game. Arven claims to not be a good trainer and claims Mabosstiff was his only pokémon before the events of the game (we can infer this from how he mentions after your first battle with him that he only just caught that Skwovet)

But just look at how fast he manages to make a team! Your trainer is always complimented for their rapid success, but man, they should look at Arven who doesn’t even have that much skill at the start of the game. I like to think this improvement is a direct result of his care for his Pokémon, and his desire to help and protect others. It’s no wonder why he claims in the post-game tournament that he’s been working super hard to build a team that can protect his loved ones, he really means it.

Arven also has a terrible habit of attempting to do most things by himself until the absolute last minute. He refuses to ask Nemona for help with the titans despite knowing she has the skills for it. He only asks you when he’s at his wit’s end starting to lose hope in Mabosstiff, and notices that you had the skill to work with Miraidon.

Even more than all that stuff I mentioned before however, I adore the end cutscene of the game for taking Arven, this character who displays all these little quirks, and then turns around and says ‘it’s your turn to be cared for by people who care about you, you don’t need to do this alone’

Nemona tells the group to take the scenic route home.

Penny suggests snacks.

Miraidon gently pushes Arven toward the group.

And the last scene in the game is so important for that reason, Arven is finally having others care for him. After everything that has happened, he has at least a few people who will support him and show him that care his parents lacked.

So anyway happy holidays, have that shoddy analysis <3

#arven #arven pokemon #mabosstiff #pokemon #pokemon scarvi #spoilers #pokemon spoilers #scarvi #nemona #penny #analysis #pokemon scarlet violet #pokemon scarlet #pokemon violet #Pokémon

[infriga]

Another thing from the One Piece live action that I have a lot of thoughts about is a certain change they made that normally I might have disliked but actually felt they did rather well.

That being, Luffy listening to crew members backstories.

In the manga Luffy often goes out of his way to avoid listening to crew member's backstories when they're told by other people, because he doesn't like hearing about his crew from other characters and also because he's of the opinion that he doesn't give a shit about their past because doesn't change how he feels about them. All he needs to know is "this person hurt my friend/made my friend cry/has ill will towards my friend". He trusts implicitly that if his friend has a problem with someone then it's with good reason, he doesn't need to know the particulars. He'll listen to the crew member themself if they're the one talking about it, but if someone else is doing the telling he often leaves or falls asleep, with a few exceptions (like Brook's backstory, because hearing Brook's backstory is important for realizing who Brook is, which crew he came from, and his relation to Laboon. I think the fact that the one telling him is another crew member also helps here). This was a trait I liked about him, the way he places importance on hearing about this stuff directly from the person and wants to know what they want and how they feel out of their own mouth. It was a cool, subtle trait that adds some depth to him. It also gives this sense of respect to the privacy of someone who doesn't get to tell their own story, maybe not intentionally on Luffy's part, who doesn't really have a strong concept of privacy tbh, but as a vibe you know? Obviously it's a good way to provide exposition especially if the character isn't the type to tell their own story, but there's still an invasion of privacy on some level even if it's arguably justified.

Nami's backstory is one such instance like this. He refuses to listen about Nami from Nojiko (literally says "no thanks I'm not interested in her past" and leaves). He doesn't need to know about Nami's past to want to help her and he wants to hear that she needs help directly from her.

In the live action however, he listens to Nojiko this time, when she tells Nami's story. And I get why, the way the story is arranged doesn't give as much room for Luffy to wander off and witness Nami's confrontation with the villagers separately, and that aspect of his character would probably be difficult to get across without making him seem like a dick in live action to newcomers, hell it doesn't always get across in the manga/anime either, since I've seen plenty of people complain about him doing it and saying it's a dick move. But! They added a line in the live action that I think managed to get across the same feeling about his character quite well in a succinct way. It was when he says "I'm tired of hearing about Nami from other people".

It brings to mind what he says to Robin in Enies Lobby. "I want to hear it from your own mouth!" he wants to hear about his friends and how they feel directly from them, not second hand from other people. And he wants to hear the truth because he knows when his friends are lying about how they feel. He doesn't care how well those other people know the crew member in question, he cares about learning about them directly from them. And later when they do the scene™ with Nami, it doesn't ring false when she says "you don't know anything about what's going on here" and he replies with "I don't" because to him since he didn't hear it from her directly he doesn't really know what's going on. He just knows that she's in pain and needs him but he wants to hear it from her, that she needs help. It isn't as subtle and doesn't have as many layers of interpretation that the original portrayal of this character trait is able to be, but that's just the nature of an adaptation like this, they have to be smart about what subtleties they keep and what they have to be more obvious/blunt about. There are actually a few areas where the live action are more subtle, like the way they take out a lot of exposition but still manage to explain a lot of stuff about their world through show rather than tell. The dialogue about devil fruits for example, they never outright say that devil fruit users have their power drained when they're submerged in water, but they do have scenes showing the effects and people referencing that aspect of fruits in ways that feel more natural to people who live in the world and aren't giving obligatory exposition. Other people have mentioned this but the live action is surprisingly good with show don't tell, and use it in all the right ways.

I get the feeling that some of the small adjustments they made to the script and exposition and stuff like Luffy's behaviour still feel right and in-character/canon compliant (not literally canon-compliant but in spirit if you know what I mean) to me because they feel like they get across some of the more subtle aspects of his character that a lot of people miss. Like it bugs me when people say the live action made Luffy "smarter" which I'm probably gonna make a whole separate post about. For now I'll just say, Luffy isn't anywhere near as stupid as a lot of people think he is.

Or when people think him not wanting to eat when he's worried about Zoro is out of character, when we've seen in the original series that Luffy actually *does* have a harder time eating or thinking about food when he's stressed out about his friends. In the original series it does generally take a bit more stress to get him to that point, but like I said I think they adjusted it to make this point more clear in live action, that Luffy's love of his friends and crew overshadow his love for food. And it also gives them a small moment to showcase more of Sanji's caring nature when it comes to food when he responds by trying to feed Luffy and convince him to eat, which is a great moment to add especially since they were limited with Sanji's characterisation due to him joining the latest in the season, they managed to pack in so much characterisation for him into a relatively short window and I was impressed by that. And I have some examples regarding Luffy abstaining from food for the sake of others or being more reluctant to eat when stressed, but I think I'll leave that for a separate post as well.

They had less time to develop the crew relationships so they made sure to emphasize their bonds within the scenes they did have, putting more weight on Luffy's worry for Zoro, having Luffy be a bit more outwardly attentive to the interpersonal dynamics of the crew, being a little bit more obvious about Luffy's emotional intelligence, etc. None of these things feel like they actually change anything about Luffy's core character, they just showcase aspects of his character that already exist and are just more subtle in the original, because it's a long running series and can afford to take more time to establish these character traits. Luffy might not have shown as much outward anxiety over Zoro's injury in the manga, but that's because Oda had more time to build up the relationship before that point, so the live action took advantage of the injury subplot to be more overt about how Luffy feels about Zoro, as well as how his one point of anxiety that really gets to him consistently is the safety of his crew and him feeling helpless when he can't do anything because the problem isn't something he can punch away. So in altering that scenario a bit they can still keep that sense of a deep bond between the two despite having less time to show them growing close in smaller moments like the manga does. They probably realised that having Luffy leave or fall asleep during Nami's backstory wouldn't come across as well in the live action or fit the narrative structure changes, but they still took a moment to add a line that acknowledged that part of Luffy's character.

Like part of why most of the changes they did make didn't bother me is because of that feeling that no matter what they changed they were still dedicated to being as true to the characters as possible in the most fundamental ways. I'd certainly much rather have the live action place emphasis on Luffy's emotional intelligence and empathy and care for his crew instead of putting emphasis on him being stupid and comedic and sacrificing some of his empathy and emotional intelligence in the process. Do I love when Luffy is a hilarious dumbass? Absolutely, but that isn't the most important part of his character, so I'm glad they did the opposite of flanderize him, and they still did keep the funny dumbass part of him intact they just didn't put more importance on it than they needed to.

Anyway, this got away from me, but I just wanted to make a post about this because I feel like it's a good example of how the show makes most of the changes work because it still feels like they get the core of the show and the characters. Which makes sense if Oda was so anal about it and had them change scenes or lines if they didn't feel right for the characters. Oda of all people would know what is or isn't in character for them, so I can feel the way these subtle changes still feel right despite the differences.

#One piece #one piece live action #Opla #OPLA spoilers #Long post #Okay I didn't mean for this post to be anywhere near this long #but I still have so many thoughts and emotions about the live action and the series and Luffy in general #I gave up on proofreading this post cause I typed it in the bathroom lol so sorry for any typos #This was supposed to be my thoughts about literally one line of dialogue how did this happen #Sp

[ask-whitepearl-and-steven]

Do you ever struggle not sharing details of your story / spoiling people? It's one of the hardest parts of writing for me! I always want to just divulge all of my ideas immediately!

The answer, weirdly enough... is no!

And a part of that is definitely due to me being a giant, secret-hoarding dragon in disguise. But another part of that is the fact that I largely suspect that...

Keeping secrets and avoiding spoilers is the reason this comic is still alive and updating.

Now, that may sound odd. Why would keeping secrets help me post? Sharing work is kind of the life-blood of a lot of creative endeavors. Storytelling is an inherently social activity. All humans, even the most introverted ones, thrive on peer recognition and feedback.

But over the years, I've come to realize something about myself. And this realization may be mostly stemming from me, but I suspect it's actually a pretty common factor for other creatives as well. So maybe I should talk about it (again).

Let me introduce you to something I call...

The Emperor's New Accomplishment.

Here's the thing. I'm an extremely introverted, non-social person. I can go for months without talking to friends easily, even if I love them a whole lot. That all being said, I'm still a human being, and my brain derives happy-social-animal chemicals from being recognized as A Person With Traits. Humans are built that way! We can't avoid it.

So what you gotta understand is - at all times, our brain is seeking social/peer recognition like it seeks out high-calorie foods. And it (largely) does not care what we have to do to get it.

Herein lies the problem.

Usually, creating stuff and thinking about stories and then sharing what we wrote with friends is a great way to get that happy chemical.

But it's time consuming. And difficult. And there's a shortcut.

What we seek when we create Scenarios and Characters and Conflicts is not hard work toiling away writing/drawing/constructing stuff. Many artists actively enjoy this process, but it's grueling.

And just telling our friends about our ideas actually accomplishes the end goal, as far as our brain is concerned! We made up ideas! We told people about it! We got the Good Feelings!

So when I tell people about my Plans to Write A Comic or Ideas To Make a Story, what I'm actually doing is tricking my brain into thinking 'wow, this feels great! We have accomplished the task we set out to do! No more effort necessary!'

And that motivation to actually draw/write/create?

It goes directly into the trashcan.

Now I'm not saying this to suggest people who do this/fall prey to this are lazy. They're not!

But our brains are. They're lazy, and they want to save energy. And they don't care if you WANTED to actually make the story. They will gladly rip the Motivation energy out of our grubby little hands when they no longer deem it necessary to the process.

So - why do I keep so many secrets? How do I stop myself from talking about what happens next in the story?

I'm doing it to keep my actual comic alive.

Disclaimer: Not everyone functions like this, obviously. Everyone has a different creative process. But this is how I've realized MY brain works, so I now take steps to trick my brain back into working. Ha! Take that, brain! Two can play at this--waitaminute.

#chekhov answers #the funny thing is #i am my brain #but damn am i just dangling a carrot in front of myself most of the time

[raven-at-the-writing-desk]

Yo! Good morning/evening, hope you are fine^^💝. I wanted to ask you a question but I was afraid that it may bother you or something (you know..that feeling when you are scared that you might disturb someone or being an unwelcome person) but yeah I will ask you since i was serious about your answer for some time now so I hope I'm not annoying you or something *feel free to answer only if you wish^^. You seem to know the characters pretty well, you are quite capable and great at reading and understanding them, one of the things I'm serious about is what do you think would make someone qualified enough to be with malleus? Do they have to be of the same species?certain Reputation, stature or traits?(sorry can't help it since I can't rest until I know everything about what interests me and figure it all out😅). Thanks for giving me some of your precious time I really like your blog, you're amazing💜

No worries, you’re not bothering me at all ^^ I love to talk about my hyperfixations www

Now, I know a lot of fans (particularly on the EN side) like to ship Malleus with their OC and especially with Yuu so I want to first make it clear that my response is NOT meant to invalidate those Malleus shippers. Whatever I say here is based on my own interpretation of canon lore (and let’s be real here, TWST won’t ever confirm if anyone is romantically interested in Yuu because it might not work with how some players view their own relationship with that character). In fanon, anyone can be with anyone, but in canon there are very specific in-universe rules and expectations laid out for Malleus so these are what I will be referring to.

I also want to emphasize that the final traits I discuss in this post do NOT reflect Malleus’s personal tastes or views. He has little say in what kind of an individual his spouse would be, so his own preferences are not speculated about or taken into account here. The traits I will be bringing up are based on what I believe the lore implies are the desirable traits for those marrying into the Draconia royal family.

We got it? Good 👍 Read more below the cut!!

Firstly, I’m completely disregarding the ideas of “Malleus can love whoever he wants to love”, “Malleus can scare people into accepting who he loves”, and/or “Malleus can change the law so he can marry who he loves” (a la Sultan from Aladdin or through some other Disney magic or logic). Here’s why:

In general, those solutions for “high stakes issues” are too simple, and that has never been how Twisted Wonderland tackles complicated problems. Just look at every single OB boy’s backstory. They’re so complex that they aren’t totally resolved by the end of their books; these problems persist and are long term things each of them are working on addressing. This is also true of the politics TWST introduces to us; Leona for example explains how there is social pushback and resistance to the idea of infrastructure reform because the culture of the Sunset Savanna stresses harmony with nature. This has made it difficult for them to adopt new technologies because real politicians in their world have to seriously weigh their cultural values with their health and societal progress. The only time there are really easy solutions are in events or vignettes where the emotional stakes are not super high, but who Malleus marries is, in fact, super important since this will entirely change the life of a main character and his country.

With that first bullet point in mind… No, Malleus cannot love whoever he wants to love. Certainly, he may feel affection for another but he can never truly be with them. He is royalty and the only heir to the throne of Briar Valley. It follows that he is expected to marry for political reasons/to better his nation. This is a non-negotiable obligation for him.

Rather than saying, “Malleus cannot scare people into accepting who he loves”, I think it’s more accurate to say Malleus knows he probably shouldn’t. I mean, yes, he may be upset about his S/O not being accepted by his people but I feel that is discrediting a lot of the loyalty he has for his own country. As a kid he may have thrown tantrums when he was upset and potentially harmed staff, but as a 178 year old he has a much better understanding of decorum and maintaining it in spite of his own grudges. For example, even though he personally dislikes Leona he still commands Sebek to apologize to him because, at the end of the day, this could harm Briar Valley’s relationship with the Sunset Savanna. That’s not to say that Malleus can’t be petty (he definitely is)—but implying he would be petty toward basically his entire country just because they would disapprove of the one he loves?? (We know this would likely be true because Sebek’s parents faced similar backlash when they got together.) I feel like his own sense of awareness and responsibility for his country, crown, and people would override that. As an example, Malleus states that he has never been in a car before because the senate would be against it and often kept Malleus in the castle. Someone of his power could easily ignore them and sneak out and do whatever he wanted, yet the dialogue implies Malleus didn’t. He obeyed his political advisors even when he was younger and arguably much more immature. Malleus might not like certain decisions made about his life but it sounds like he ultimately complies with them.

Continuing from the previous point, let’s say for the sake of argument that Malleus does scare everyone into line. What about his public image and the mental health of his S/O? Maybe Malleus can frighten people to not talk out of turn to his face, but he cannot control what people whisper about him behind closed doors or to treat his S/O well or like they actually like them. Not only would they be alienated (away from their own home and forced to adapt to a new one) but they’d be treated oddly by others too. What kind of reputation is that for Malleus? To be a tyrant king who throws a hissy fit anytime someone talks about his partner in a way he doesn’t approve of? With a spouse who is not at their best mentally because of the constant ostracization? (This is similar to what Leona experienced in his childhood.) I don’t think Malleus would want to subject anyone to that kind of life, especially not one he loves. And again, this attitude would be the vast majority of his people. It’s not like it can be avoided or resolved in an easy manner, especially when the people of Briar Valley have proven to be against change.

Lastly, Malleus would not change the law so he can be with whoever he wants to. To begin with, I doubt this is a unilateral position the senate would approve of. But okay, let’s accept that Malleus is royalty so his power overrides the advisors’ power. So he effectively just changed a law for a very selfish and personal reason rather than changing something to actually benefit his people. That doesn’t feel in-character for him, not when Malleus seems to understand that it is the duty of those in higher status to help those below them rather than themselves (see: Riddle’s Suitor Suit vignettes. Malleus has acted selfish before, yes (who remembers Endless Halloween Night? His Dorm Uniform vignettes? I do.)—but never at the cost of changing the status quo of his country. (Book 7 is not included here because he’s in a very distressed emotional state then; this “new law” scenario posits that Malleus is in a normal state of mind.) This is a major change—change which Briar Valley, its people, and most importantly, Malleus, are not ready for. You think there wouldn’t be social pushback against this? From a society that has become complacent with its own way of life and is still isolated from the rest of the world? That Malleus, someone who struggles greatly with accepting life changes himself, could enact such a big change so easily? (On a more technical level, you don’t just pass a law and it instantly becomes tangible or real, there is a process of approval and then implementation.)

Additionally, it’s made clear in Ghost Marriage that “[Malleus] cannot enter into an engagement lightly”, which is why Sebek goes in his place. Eliza, the Ghost Bride, is royalty (er, albeit dead) but it seems that royal status is not enough to qualify as his partner. Maybe this is because she’s dead and doesn’t have anything of value for Briar Valley (no land, no people, no political power), but it could also mean that the partner has to be given the thumbs up by other parties.

All that being said, here are some of the conditions I think would have to be met for Malleus’s future spouse:

Has to be someone of equal or at least high status. This means they also have to be a royal or at least of nobility. This appears to be true of Malleus’s dad, who is referred to as a duke.

Because of how self-contained Briar Valley is + nocturnal fae having beef with diurnal fae, I imagine his partner would have to also be a nocturnal fae. This would also solve the MASSIVE lifespan difference between fae and non-fae because at least fae would be far closer to each other even if their lifespans fluctuate but subspecies.

Someone suited to rule by his side. Being married into any royal family is no joke—it comes with the expectation that you will contribute somehow, and the partner should be fully equipped to enter the world of politics with him.

Piggybacking off the last point, I think mental fortitude is also a prerequisite. This is because being a politician (navigating the social climate both within your country and outside of it, keeping your people and colleagues happy, maintaining public approval, managing laws, dealing with potential attempts on your life, etc.) can be very stressful and can hurt those who are faint of heart or not prepared for the responsibility. Leaders have to make tough calls at the drop of a hat, and they have to be ready for it.

Has a lot to offer in terms of benefits to Briar Valley as a country. This could be in terms of resources, connections, and/or political savvy. This appears to be true of Malleus’s dad, who acted as a diplomat for Briar Valley.

Vetting and formal approval from the senate. lmao good luck with that

Has to be able and willing to have a child. They at least need an heir to the throne to succeed Malleus. (However, knowing how exclusionary and conservative as heck the senators are, I doubt they would accept anything but a biological child 💀)

Preferably someone with powerful magic or is skilled at magic already so as to lessen the chance of “tainting” the bloodline with a weak mage or a non-mage.

I believe that Briar Valley would prefer someone with old fashioned values like them, not someone pushing for massive reform. They have a culture that is resistant to change and a history of fighting for resources with outsiders, so if Malleus’s new spouse tries to introduce a bunch of technology or open its borders to other countries (even if they have good intentions), the people + the senate may oppose them. His father is implied to be open-minded, but he at least understood that such change isn’t reasonable without time and effort dedicated to the endeavor.

All that being said 💦 I think that this topic is actually less about what Malleus as an individual wants and what his country, his people, and, yes, even his asshole senators, want. This is basically an arranged marriage situation so that their country can maintain power and relevance. It’s about the collective and what Malleus must do for their perceived security and prosperity.

#twst #twisted wonderland #Malleus Draconia #twst x reader #Malleus Draconia x Reader #disney twisted wonderland #disney twst #Sebek Zigvolt #Leona Kingscholar #Yuu #notes from the writing raven #question #spoilers #Eliza #Ghost Bride #Aladdin #twst analysis #twisted wonderland analysis #twst character analysis #twisted wonderland character analysis #tw//homophobia #tw//transphobia

[leiflitter]

Gale Dekarios and The Wizard of Waterdeep

Aka Leif vents their brain into Tumblr again because I have Thoughts About The Wizard! Is it coherent? PROBABLY NOT I'M DOING THIS FOR FUN.

General rambling below the cut!

Firstly- this little braindump is based upon my interpretation of Gale as a Neurodivergent Individual, so I guess if you're not on the "Gale would be so fuckin into magic the gathering if he was in this realm" train, then this may not be for you. Which is fine! I'm just yelling into the void here.

Also; characters are fun because we can interpret them in different ways! This is in no way meant to stomp on anyone else's headcanons of Gale, and may even be entirely overwritten if more info comes out about him from Larian.

I wrote a ton and then fuckin lost it all but hey that's fine I can condense it WAY more now. So let's go, bullet points!

Gale of Waterdeep is Gale Dekarios' mask.

If you don't know what Masking is- a quick definition for ya-

Neurodivergent masking refers to the practice of concealing or suppressing aspects of one's neurodivergent traits or conditions, in order to fit in with the norms of the workplace or society.

Let's begin at the beginning-

Gale as a child would have been insufferable. He was a prodigy, yes, but also clearly lacked proper consequences for his actions (his punishment for Blackstaff hijinks in his first year? Writing lines. HE OPENED A PORTAL TO LIMBO AND ALMOST DIED). This may be due to Mystra's influence, even if it was indirect, but there's no faster way to alienate a child from their peers than to both mark them as Very Special and let them get away with everything. Gale's magical education likely left his social education lacking.

As Gale's also mentioned that he was a prodigy, and was using 4th level spells (summon elemental) when he was living at home (at least part of the time), he may even have been younger than his fellow first year apprentice wizards when he was admitted- further isolating him. He specifically says he was a child when he, uh, "borrowed" the blackstaff- we just don't know how old Blackstaff first years tend to be.

Also, from Gale's story about the Blackstaff, he seemed to be attending Wizard Boarding School (he wanted to get to the first year dorms). So he was not only set apart from his peers, he had to live in a dorm with them.

To navigate this difficult social situation, Gale Dekarios becomes Gale of Waterdeep- he starts Masking. He puts on his Wizard Suit and acts the way Wizards should, because those are the Wizard Rules.

For an example of these Wizard Rules- the closest equivalent we have to Pre-Folly Gale would probably be Lorroakan - and Lorroakan is a great example of Wizard Language and Wizard Rules. Yes, Lorroakan is an absolute shitweasel, but let's consider him an extreme example- pre-folly Gale turned up to 15. Heck, he even does the little ☝️ when you speak to him (Gale does it better bro, sorry).

Elminster is also a good example- he's almost allergic to just saying something straight out until he absolutely has to, but he'll dance around the point repeatedly. A trait Gale shows before he reveals the orb:

Gale. Seriously. He'd get you a birthday present and make five billion hints about it, I swear. But again- that's How Fancy Wizards Talk in this canon. And Gale does it excellently.

Gale masking also explains how his Wizard Rizz and his loneliness coexist. Gale of Waterdeep has a practiced tongue and has totally had sex with mortals. Gale Dekarios, on the other hand, is stuck inside Gale of Waterdeep like that little alien in Men in Black.

The Wizard of Waterdeep can only facilitate shallow connections because there's nothing behind the Thesaurus Vocabulary. The confidence he projects is essentially an illusion, but it's one he relies on to navigate his world. He's isolated by default- as you grow closer, he admits this:

Note how he says Tara was "always" telling him to get mortal friends- we know that Gale conjured Tara when he was young. Assuming that he's not exaggerating to an exponential degree, we can assume that Gale's never really had a friendship based on actual mutual appreciation- more that any connections he had were entirely due to his magical ability and proximity to Mystra.

Thus while he may not be a virgin on the physical plane, I doubt that his experiences were in any way personal or meaningful.

We know Gale's a romantic at heart- but again, he cannot remove the mask. From personal experience, masking can often lead you to do things you don't quite "get" because it's what "normal" people do.

Although it could be explained by scripting limitations, I would have expected any meaningful romantic encounters to be mentioned- especially as you directly ask him if you're his first mortal partner. Gale is an expert at oversharing- I would consider it in-character for him to ramble about his first mortal love before realising that he's cramming his foot into his mouth and shutting up (similar to the "Mystra once took the tiniest piece of weave and-" scene).

Again, without further info from Gale's writers, we've got space to play in- my personal feeling is that Gale has had hookups, most likely with his wizarding peers, but as he didn't let his peers see beyond the Wizard of Waterdeep, anything more than casual just wouldn't happen. He couldn't let anyone close enough to get behind the mask, especially not another wizard- as other wizards are those he's most trying to blend in with.

Enter Mystra (Derogatory) + a lil more Lorroakan (Derogatory)

A minor sidetrack here- part of why I tend to see Gale as early-mid 30s is to do with the Mystra timeline and my own personal experiences. So- firstly, as BG3 is set in 1492. Mystra was slain (aw yeah) in 1385, which started The Spellplague, but she was restored (boo, hiss, we were fine without her) in 1480. So there's about 12ish years where Mystra was, y'know, alive and able to interact with Gale. Gale spent one of those years with the orb, and before that he had to go and find the orb. So let's say he and Mystra spent about a decade together, from teacher > lover.

I've already expounded about why I think Mystra doesn't give a single shit about Gale in my previous GaleRant- my basic thoughts are that Mystra's relationship with Gale was a form of damage control to prevent him becoming Karsus 2.0, but as she didn't actually care enough about him to get to know him, her plans actually made him more likely to go all Netherese Magic.

We're going to hop back to Lorroakan for a sec. Again, he proves to be a good analogue for Gale. Lorroakan has been in residence at Ramazith's Tower for about 10 years- even though context clues show us that he's definitely not up to Gale's standard, so we'll assume he's probably a little bit older than our Child Prodigy- and he's definately less of a go-getter, seeing as how he's paying folks to go get the Nightsong instead of doing it himself. The big baby.

Lorroakan is important because he demonstrates the sort of shit egotistical wizards do when they aren't distracted by Mystra's blue sparkly tits. Again, a minor assumption that he's maybe a little older than Gale- he has taken ownership of a famous Wizard's Tower, absolutely upped his PR game to Kardashian tier over a decade, and now he's trying to find the Nightsong. Is it just me, or is there HUBRIS in the air?

Now, back to Gale. We know he was trying to prove himself from childhood. Elementals, Tara, The Blackstaff- and, frankly, does he seem like the kind of guy to leave it at that? I doubt it- hence why I peg him at early-mid 30s, depending on when Mystra tried the Godly equivalent of danging keys in front of a cat. I reckon he'd have dashed into some sort of cataclysmic bullshittery as soon as he graduated from Wizard School. And we know he probably became a full-fledged wizard early, given that he's a smart lil guy.

HOWEVER, back to my actual point about Gale's general social life/etc- Gale absolutely lacks real-world experience.

I'm not talking him hanging out in the Yawning Portal. I'm talking his actual, prolonged exposure to the world outside of Wizard Life.

(Yes, it is absolutely possible that he spent however-long just quietly studying for Wizard in between him becoming a full wizard and his exile, but! With age comes exposure- and Gale is actually a fairly adventurous lil dweeb. He's curious- and again, had he been given true freedom, he probably would be off gathering eldritch relics and causing havok)

My main point, though, is that a major point of Gale's entire plot is that he is being forcibly unmasked by the circumstances he's in- and this is in many ways the catalyst for late-game stuff.

Gale's primary conflict isn't truly against Mystra, because let's be real- Mystra doesn't give much of a shit about him one way or another. I'm not even convinced that she cares about The Absolute- I think she just doesn't want to go through the hassle of dying again, and she doesn't respect Gale enough to even consider a way to actually communicate with him about it.

Gale's arc is a struggle between Gale of Waterdeep and Gale Dekarios- and Gale coming to terms with himself as a person. Not as a wizard. Not as a prodigy. Not as anything special- just a man.

You see it in the language he uses- he goes from speaking in monologues to telling you to stop licking the damn thing!

You see it in his emotional range expanding- when you yoink him from the portal, he's immediately cheery! You could whack him in a faculty party and he'd probably behave in the exact same way- and then the night before Moonrise he's terrified. He even becomes more honest in his aspirations- yes, he still dresses it up to be persuasive, but he doesn't try to play it cool. He's absolutely geeking out about it alongside everything else.

Gale of Waterdeep demands a lot to be maintained, and it's a comforting outfit to wear. He slips, but the beauty in the story is that you can take Gale Dekarios by the hand and show him that he can be mortal. He can feel pain and greed and desire, disgust and shame and sadness, and it isn't a bad thing. He can be confident for real, and not as camouflage- he can be horny on main and as long as it's genuine, he's absolutely rockin' it.

And as someone who was and is going through it, it's made me appreciate him immensely.

#leiflitter rambles #bg3 #gale of waterdeep #leif is on about the wizard again #when am i not tho? #baldur's gate 3 #bg3 theory

[canisalbus]

would u say there's anything abt vasco's upbringing that made him kind and goodnatured? especially as a noble being around other nobles with strict parents

I think it's mostly an inborn personality trait, further cultivated by environment that rewarded good manners, gallantry and coming across as a respectable pillar of society. He just has that natural knack for socialization, empathy and reading people. He's a charismatic person and he knows it, and is aware that being friendly and personable works well in his favor. In fact, if he wasn't earnestly goodnatured and used his wiles for selfish and nefarious purposes instead, he'd be dangerously good at manipulating others and getting them to do what he wants. Luckily he has sturdy morals and knightly personality and genuinely likes people (unless given an explicit reason not to) and wants to make sure his presence is a positive force in their lives.

His father was strict and commanding and over time Vasco started to get along with him less and less. But he's always had a good relationship with his mother, as the youngest child he was the apple of her eye and arguably a little bit of a mama's boy. His mom was a warm and lenient person (albeit sort of fussy, overprotective and often a little too docile for her own good) so I think he takes after her. Most people in his life treated him well, adoringly even, and it's much easier to be kind to others when your own self-esteem is in healthy standing. He didn't encounter visible injustice very often as a child but he developed low tolerance for unfairness at young age, and his mom would usually praise and reward him whenever she found out his son had demonstrated initiative and strength of character by standing up for the underdog. Problems would start to arise when it was his own father abusing his power and authority.

And I don't know, maybe it's a bit tacky and idealistic to say, but he's always liked animals and took interest in horses and falconry early on, and working with them might've also taught him patience, gentleness, respect, responsibility and wordless communication? You can certainly manhandle a difficult horse into submission and I imagine many people at the time did, but he strongly believes he gets better results by cultivating trust, security and compassion. He ends up applying many of the same techniques on his relationships whether he realizes it or not.

#answered #anonymous #Vasco #Vaschete lore #I'm aware I make him sound like the greatest guy on earth and he certainly is a truly good person #and anyone would be lucky to have him in their life #but he's not perfect #getting along with people and being easy to like is just his main skill he was born with high charisma stats and only got better from there #this boy has mirror neurons in abundance #he's very dog coded he loves people in a very doglike way

[northwest-cryptid]

This may only be my opinion on the matter, and I know a few Natives myself who all have their own ideas about this. However; to me if you want to make a Native character, be they for a game, as an OC; whatever doesn't matter. All you need to do in order to make sure you're not being offensive? Just do like, the bare minimum research.

Step 1. Pick a location for your character.

If your character exists within some fantasy world or whatever then it can be a bit harder to pinpoint something like this. At this point skip to step 2.

If your character is of Earth, or is of our known universe (yes this includes sci fi settings), then trace their bloodline back to where they originally are from.

I say this because it will help you with step 2.

You need to know where, or at least roughly where your character is from.

Step 2. Pick a tribe from that location that makes sense for the character.

Again, even a basic level of research goes a long ways here, I know fanfic writers who would get put on a list looking up the ins and outs of some criminal shit just to accurately write a character, I know you have the ability to research shit so I trust you can do this here.

Figure out based on the location you picked for your character, what tribe they would reasonably be a part of. If you find that you'd rather have them in a specific tribe; perhaps one that's important to you or something; you can do Step 1 and Step 2 in reverse order.

The important thing here is that: If you have to make up a tribe, I'm going to understand you don't actually care about them being Native. If you have to give them a specific tribe but you don't bother to give that tribe the basic respect of knowing where they're from I am once again going to understand you just don't actually give two shits about Natives.

Okay so now that we have an understanding of what tribe our character is from, we can begin looking into that tribe's culture. This may be a bit difficult in some cases since not everything is going to just be out there on the internet, and you may also not have a fundamental understanding of the culture and how it's changed over the years. Guess what, that's fine! I'd rather see a character who's specifically said to be Lakota, and who knows about our deities and teachings even if they're the sort of thing most modern Natives don't believe in or care about. Accurate depiction of culture is not a stereotype!

Once we know what sort of things might be important to this character culturally, we can begin to weave small noticeable traits into them, or you can even make those traits a much larger part of the character. As a quick example, for my Vtuber's design I included not only the colors of the Four Directions but often depict them with a braid and use owl feathers as a sort of symbol of them. This all comes directly from the fact my Life Shield uses owl feathers to represent my family, includes the Four Directions, and I literally grew up with a braid and continue to grow out my hair as to have another; it's all part of the culture I was raised in, even if I amplified the importance of some aspects to sort of make them a trait for a character. Again, accuracy isn't a stereotype.

I also want to briefly mention that when you're naming your character I urge you to look up how people in the tribe are actually named, please don't just do the old "color + animal" thing or whatever and think it's fine. Just again, do the bare minimum research to figure out how people in that tribe are named and go from there. I once joked with my partner that "the only thing about the Natives in Twilight that's remotely accurate is that they have the most generic white American names"

If you want an actually pretty good example of what I'm talking about, look no further than Prey. No not the movie, no not the modern remake; but the game from like 2006.

Our main character here is a Native man named Tommy, or rather Domasi "Tommy" Tawodi and he's actually said to be Cherokee. Now you can say what you will about his spirit powers and such, I get it.

But from a sheer design perspective?

Yea that's not bad at all! Everything from the facial features to his name to his general aesthetic is spot on for the Cherokee I've met out at the reservation. This is what I mean when I say accurate depiction of a culture isn't some harmful stereotype.

I'd love to see more Natives in things, I'd love to see Native OCs; but I feel like people are so scared to make Natives a thing because doing so could be racist if you misrepresent us or something. Like okay let me tell you right now you're not gonna do it worse than people who have made millions off selling books and movies whether it's westerns that depict us all as uncivilized killers or whatever the hell was going on in twilight; you're gonna be fine so long as you TRY.

And yes it's actually as easy as a 3 step process, the same sort of thing you'd do for any character really.

I mean think about it, let's say I was some weeb who really wanted to make a Japanese character but I didn't want to do any research. I could make the mistake of putting them in these overly traditional outfits and settings and maybe at least some of the details would be accurate but overall it'd be pretty bad rep, or I could go the polar opposite direction and just make them look like they're some British street punk with their whole aesthetic being way off from the sort of actual street fashion of places like Tokyo; again misrepresenting a whole subculture there. Or maybe I could do what everyone does to Natives and deem them to be some fantasy race who must have super powers and make them into essentially just an anime character; obviously that would be some severely bad rep. All of which could be fixed if I just bothered to go "okay where do I want this person to be from? What sort of culture do people from there abide by in their day to day life? How could I reflect that in a character?"

Honestly that's just good practice for making any sort of character based on a real world group.

And going back to a point I stated in Step 1. If you want to include a Native character in a fantasy world where ya know, America doesn't exist and therefore we couldn't logically have Native Americans; pick a tribe and go off that. As long as it's accurate I don't believe it would be seen as disrespectful.

At the end of the day there will always be people who get up in arms about anything; like it's their job to twist anything into being racist. You will never make those people happy, don't bother trying.

[tempting-andromeda]

Could you do some artist head canons with eagle flies and charles? (Maybe john and/or arthur too?) like they are the readers muse for most of their works?

(Sorry if this is too broad, i just love your work sm!)

Artist s/o headcanons

Characters: Eagle Flies, Charles Smith, Arthur Morgan, John Marston

Eagle flies

Likes to look at your drawings

Even if you don’t allow him to

Once he sees you small doodles of him he gets so flustered

Stares at it for hours

He’s exited you found him interesting enough to draw him

He doesn’t confront you about it but he does tell Paytah

Hes so excited to be like “yeah they draw! And they drew me!” And Paytah already knows because eagle flies has the worst tendency to just zone out and you take advantage of that

Gets embarrassed but now he’s like… conscious about zoning out

If you ask him to pose he does so without any hesitation!

Likes to watch you draw

Leans over your shoulder and watched how you know exactly where to place the shading

It’s all very interesting to him

He likes when you don’t hide some of his traits when you draw him

When you include the scars on his face, his sharp cheekbones, etc

He feels nice knowing you noticed those things about him

Charles Smith

He knows you draw and you’re quite the artist but doesn’t expect to be your muse

Likes to support your art but tries to keep himself out of it to not disturb you

Once he sees a sketch of himself he gets so flustered

He doesn’t feel so mean and large when you draw him

He feels soft

The main focus isn’t his furrowed brows or dark under eyes

It’s anything else but you still drew them

You still noticed them and didn’t pretend that he looked better without

Thinks it’s sweet when you draw him whom he’s working

He doesn’t see the beauty in it but you seem too and who is he to argue

Does ask for playful requests though

Has asked you to draw random animals doing human things just to humor you

Tries to ignore the warm feeling in his chest whenever you draw him though

He likes it but he doesn’t want to seem too egotistical

He just likes that you see him differently than he does

Arthur Morgan

He’s used to being pulled out of his comfort zone

Not once in his life as he ever thought “hmm I want someone to draw me”

But one day he catches you drawing him and his heart bursts

He knows a bit about art

He doesn’t use many nice things just a pencil and paper, not wanting to focus on anything all too much so he can get by

He knows art is difficult if you want to make it look good

So when he finds out you’re drawing him? He’s flattered

His hands feel clammy and his cheeks feel hot

So when you ask him to pose or if you can draw him he nearly rejects you but he quickly recovers and just asks that you don’t make it a habit

Truthfully he wants you to make it a habit

He wants to see how you see him

Is he mean and dumb looking or is he just a guy

It’s incredibly intimate to him and he doesn’t know why

He likes looking over then, lazily chewing on his nail as he looks at one of your paintings of his eyes

Will say that you’re painting the wrong man and that your picture is a different man than him but it’s special to him

John Marston

Can’t pose for shit

He’s stiff and awkward

But sometimes you catch him when he’s distracted

He’s whittling or polishing his gun and he looks…calm

He’s definitely someone you have to draw off guard

If he knows what you’re doing he’s making it awkward for the both of you

Will smile but it’s just teeth and his face is blank

But when you catch him off guard he looks so calm

Or when he’s sleeping

He likes looking at your drawings and looking at how you see him

He didn’t let you draw him because of his scars at first but now he liked seeing you draw them

You put in just as much detail like you refuse to forget them

It makes him feel nice

He does tease though

“Why didn’t you add my rugged muscles?”

#eagle flies #rdr2 headcanons #rdr2 #eagle flies x reader #eagle flies headcanons #charles smith #arthur morgan #charles smith headcanons #arthur morgan headcanons #john marston rdr2 #john marston headcanons #john marston x reader #john marston #arthur morgan x reader #rdr2 charles #charles smith rdr2 #charles smith x reader

[junnieverse]

✧ — JUNNIEVERSE PRODUCTIONS

PRESENTS !

" spill your guts "

... Olivia Rodrigo's GUTS album

x ENHYPEN !

WELCOME 💌 : hi everyone, so this is officially my first ever series so thank you very much for being here. I am without a doubt in love with not only olivia's sour album but her guts album too that has been on repeat on my spotify every day. I soon grew inspired to write some oneshots for the enhypen members with songs from this album and I can only hope you all like them.

I also wanted to make sure that these songs gave off a vibe that linked to a certain member and I could easily think of a plot with that member and the song so it wasn't easy since I wanted it to all come out 'perfect' but albeit it was also really fun to immerse myself into these songs and write the stories so I just hope that you all enjoy my work.

I do want to give a small disclaimer too that this is ofcourse pure fictional work and I do not in any way perceive the members to be as toxic or have any traits like how they are in these stories. (Y/n) isn't much of a saint either in a few of these but they are simply a wounded character. Don't hate the character, hate their actions (well maybe we can tomato this toxic enha /hj).

once again, thank you all so much, I appreciate your support greatly :)

— this is mars signing out !

PAIRING : enhypen x reader

GENRE : angst , slightly suggestive , very little to no fluff

WARNINGS : toxic enhypen , mentions of infidelity , mentions of alcohol/drinking , swearing , mentions of insecurities , possibly suggestive language being used , etc

STATUS : ongoing

TAGLIST : open

(either comment or send an ask to be added, no dms pls)

✧ — [ 6 / 7 ] members completed !

✦ track 01 : logical

⨾ featuring yang jungwon

— you had known from the beginning that your relationship with jungwon was far from perfect, many would simply put it as toxic because of how manipulative he was but you were too blinded by love that all the lies and deceit felt meaningless. it was too late before you realised how dysfunctional it all was, love wasn't logical after all.

ꗃ you can read it [ here ]

✦ track 02 : making the bed

⨾ featuring lee heeseung

— he was unattainable and yet you still wanted him. pretending to be someone you weren't putting yourself in difficult positions simply for his attention. with every move you made, it seemed you were digging yourself a deeper hole for a one sided love and through it all you were losing not only the people who cared about you but yourself.

ꗃ you can read it [ here ]

✦ track 03 : the grudge

⨾ featuring park jongseong

— "forgive and forget" they'd say, if only they knew it wasn't that easy. jay was one of the people you trusted the most and he only betrayed your trust, no matter how much you tried to forgive him, you knew it would take alot of strength to heal from what he put you through and letting go of the grudge you held against him would be a long journey.

ꗃ you can read it [ here ]

✦ track 04 : get him back !

⨾ featuring sim jaeyun

— despite having ended things with jake you were conflicted between hating the man and loving him all in one. you missed all the happy memories between the two of you but it was even harder to forget all the hurt he put you through. revenge is best served sweet, maybe it's time you get him back!

ꗃ you can read it [ here ]

✦ track 05 : bad idea right ?

⨾ featuring park sunghoon

— you were completely over sunghoon, no feelings for him whatsoever... or atleast that's what you would tell your friends. he was no good for you and yet no matter how many other guys came your way, sunghoon was the only one on your mind, maybe reconnecting as 'friends' would be fine, it wasn't a bad idea... right?

ꗃ you can read it [ here ]

✦ track 06 : love is embarrassing

⨾ featuring kim sunoo

— you felt like a complete fool. you told everyone he was 'the one' but seeing sunoo with someone else hit you like a truck. it was humiliating having to deal with the fact that you so easily fell for him and yet he had his eyes set on someone else. you knew you had to let him go and yet you were still holding on onto false hope.

ꗃ you can read it [ here ]

✦ track 07 : vampire

⨾ featuring nishimura riki

— the ever so loved and popular ni-ki, cherished and adored by everyone for his fame and popularity and yet here you were laughing bitterly at how naïve and blinded you were by him. he would tell you how much he loved you but it had already been too late before you realised how he used you to get where he was, draining everything in you like a vampire.

ꗃ you can read it [ here ]

#junnieverse.zip #junnieverse.guts #enhypen #enha #enhypen jungwon #enhypen heeseung #enhypen jay #enhypen jake #enhypen sunghoon #enhypen sunoo #enhypen niki #enhypen ot7 #enha x reader #enhypen x reader #enhypen series #enhypen scenarios #enhypen angst #enhypen imagines #enhypen fluff #enhypen drabbles #enhypen oneshots #yang jungwon #lee heeseung #park jongseong #sim jaeyun #park sunghoon #kim sunoo #nishimura riki

[skyeslittlecorner]

Guys, we're doing it!

Do you remember this survey? I didn't expect such a great response. If that many of you really want to participate, I guess I'll have to do more than one batch of the draw to choose as much of your MC's as I can.

More info under the cut!

Time for some rules, so we won't get lost

The concept is simple. You give me your precious OCs/MCs, I adopt them for a while, write fanfic (related to WHB, of course) and hand them over to your loving hands.

For now, I plan to choose 3-5 people to write for. This may change if more people apply. If one applies, I will write for one. If 96 apply, I will choose more. We'll figure it out.

You can apply in two ways. One is to reblog this post and describe everything in reply, the second is to create your own post with the hashtag #whbmcshuffle Preferably both at once. I don't want to accidentally lose any application. I also recommend following this tag for the time being because I will post further information under it.

The people I will write for will be drawn randomly. I want it to be fair, and I guess this is the only way I won't be biased when I see mutuals I like or Andrea my favorite demons.

You can apply for one week. Since we may all be in different time zones, submissions will close when this survey ends.

Feed me information. Since I want to write something good, I would like to ask you for some information. Here's the list:

Name and pronouns: Quite obvious. Short bio: Who are they? Any difficult past or traumas? What were they doing on earth? Did they get to hell like in canon? How do they feel in hell? Where they live? Character: What are their main character traits? How do they usually behave? How do they behave in crisis situations? Voice: (Not mandatory, although, very helpful.) What would the narrative look like? More calm or energetic? Confident or not at all? Funny or serious? Calm or nervous? Laid back or distrustful? You can even paste here a song or a link to some story that you think reflect your oc's voice well. Important facts: Free space, you can put whatever you want here and whatever you think is important. Demons to include in the fic: (from 1 to 3) Brief description of relationship with chosen demons: I guess that's obvious. The tone in which it should be written: (i.e. spicy, angst, fluff, funny or other) Narrative type: Second person (addressing as 'you') or third person (addressing with selected pronouns) The script you would like to see: (Not mandatory, although, very helpful) For example, a date on Earth, cooking together, whatever you come up with.

I know it's a lot to ask. This is a minimal list, but the more information you give me, the better I will be able to empathize with your MCs and hopefully imitate their character. If you have already written about them, for example in your other posts, feel free to include links, so I can take a better look at them. Of course, you can add photos, or a song, or memes, anything you want!

I didn't mention the length of the fic, but it depends on how I will feel writing it. But I'll want it to be at least 800 words.

Most important. Have fun! It's mainly about getting to know each other's OCs/MCs. Who knows, if there's a lot of interest, maybe we'll do more draws. 👀

I tried to include everything, but if you have any questions, feel free to ask!

#whb #what in hell is bad #whb oc #whb mc #whbmcshuffle

[project-sekai-facts]

do u know who each of the virtual singers r supposed to represent in each Sekai? I think some are more obvious than others (Saki and Ena for Rin), but I’m not sure about everyone

The general concept of the Leo/need Vsingers seems to be derived from Saki's idea of an "ideal high school experience", so there's a big focus on senpai-kohai dynamics.

Luka is pretty much entirely based on the ideal senpai that Saki wanted in high school. She's kind, responsible, mature. She's what you'd expect from a good senpai.

Miku takes some traits from Ichika. Both of them are somewhat insecure about their abilities, but nonetheless hardworking. Also both of them are easy to embarrass.

Rin is literally just Saki - she’s energetic, enthusiastic, and nicknames all her friends; they have similar interests, such as hairstyling, and Rin has even read some of Saki's manga collection.

KAITO seems to take traits from both Ichika and Shiho: he's shy and underconfident like Ichika, and introverted yet passionate about music like Shiho. However his introversion is dialed up from Ichika and Shiho’s, and he doesn’t think he would be able to handle the social life that the girls have.

MEIKO acts as a foil to Honami, being more confident and better at facing conflict, but she does have some similar traits to her as well, such as being the "team mom" figure.

Len is usually associated with Honami and is sometimes used to reflect her conflicts in stories. His personality doesn't seem to heavily influenced by anyone though.

MORE MORE JUMP!'s Virtual Singers seem largely inspired by Minori's idealistic view of the idol industry.

Specifically Miku seems to be based on the idea of a perfect idol, or, Minori's impression of Haruka before actually meeting her in-person. Also this Miku starts off as a pretty flat character and is gradually given more personality and character quirks, which might reflect Minori learning about the real Haruka.

Rin is based on Minori. They’re both amateur idols striving to be at the same level as their peers. They’re also both upbeat, optimistic and somewhat naive. Rin looks up a lot to her fellow idols, yet another trait shared with Minori. Huh.

Len is based on Haruka. He has her “princely idol aura” that is practically just his actual personality, as well as Haruka’s level-headedness and maturity.

Luka is based on Shizuku, she's the “perfect”, elegant idol who's actually more of an airhead than her image lets on. There's a reason she first appears in Color of Myself! and acts as Shizuku’s main confidant

MEIKO is more difficult to place, but I think she might be derived from Airi a bit - her speciality is interacting with the audience, something Airi is good at thanks to her TV work. Also both of them have a similar sort of peppiness.

KAITO is more of a composite character - he's a huge fan of idols, just like Minori and Airi, he has Haruka's workaholic tendencies, and Haruka and Airi's responsibility and organisation. There's probably something that links him to Shizuku that I'm forgetting.

next three are much longer because deeper lore and because i found a better writing flow, so they’re under the cut

Vivid BAD SQAUD's virtual singers are an odd case in which it's not extremely obvious which member they are derived from.

MEIKO is very clearly meant to be a Vsinger equivalent to Ken, instead of any of the members. She acts as a sort of guiding figure to them and has a sort of parental vibe similar to how Ken is with all the VBS kids. Neither of them are active as singers either. I also read an interesting theory that she's based on Kohane recently, which you can find here (near the bottom of the first section).

Miku has traits of everyone in VBS except Kohane: Akito's competitiveness and sore loser tendencies, Toya's more cool/calm demeanour, his love of coffee, and abysmal cooking skills, and An's passion for music (which all of them have but An’s is what unlocked the SEKAI). Someone also sent in an ask one time saying that she might be based on Nagi to some extent, which I think makes sense but is probably just coincidental since I think Nagi was added to the VBS story pretty late.

KAITO is derived from the BAD DOGS members, even if it isn't apparent at first because of how outwardly different he is. He's more of a foil to them, but has a lot of their personality traits. He has Akito's sweet tooth and tendency to be lazy about things that don't interest him, and Toya's air-headedness and strong skills in his field of interest.

Luka seems a lot like An, she's energetic and carefree, though I also believe that these could be taken from Nagi as well, since Luka was added after Nagi was first mentioned (but just before she first appeared) so they were probably written at the same time).

Len is a bit more obvious - he takes a lot of traits from Akito. Both of them want to be respected by the people around them, and hate it when people treat them as inferior. Akito has a lighthearted rivalry with An but has a lot of respect for Toya, while Len has both of these with his own partner, Rin.

Rin has traits from multiple characters like Miku does. She bickers with Len just like An and Akito do with each other, and she's the most affected by An's grief in Light Up the Fire. Both she and An are pretty energetic as well. On the other hand, she has Akito's stubborness and more tsundere-ish traits. As a third option, Akito and Rin's first kizuna title is "Speaking of pancakes" and their third kizuna title is "You remind me of...", suggesting that Akito might see Ena in her.

Also Rin and Len are usually used to reflect any conflicts that Vivids and BAD DOGS have, for example in the main story when Rin and Len split and then BAD DOGS did later in the story.

WonderlandsxShowtime's VSingers are fun for me to explain actually, because while it's explicitly stated that everything in the SEKAI reflects something from Tsukasa's psyche (#5 & 6 here), there's still the fact that fate might be real in the game.

Since everything in the SEKAI is a part of Tsukasa’s psyche, this has to extend to the Virtual Singers. They even have stars on their costumes just to make it clear. Think of it like in cartoons and comics when a character gets split into all their different personalities. Presumably: KAITO is his responsible older brother side, MEIKO is his creativity, Len is his curiosity and enthusiasm, and Rin is his more childish/playful side. The SEKAI is formed from things from his childhood (keep that in mind), which is probably why Miku acts like a kid (same applies to Rin. and Len. and a lot of things). Luka is from his desire to make people happy. Now in more detail:

KAITO is by far the most responsible and mature Vsinger in Wonderland SEKAI, and also happens to be their troupe leader. He's very caring in an older sibling-type way; Emu even calls him KAITO-nii-chan (big brother KAITO). That said, KAITO is sort of a foil to Tsukasa, being much more level-headed and humble than Tsukasa is. I think that may be to highlight the idea that he's created from specifically the reliable older brother part of Tsukasa' personality.

There's some older stuff on this blog where I wasn't sure exactly where Luka came from, but apparently it's explicitly stated in her debut card story that she comes from Tsukasa's desire to make people happy. My bad. She only sleeps when everyone is smiling, and will be wide awake when something is wrong. Makes sense, since she debuted in Tenma Household's Hinamatsuri, in which Saki and Tsukasa had a falling out, and Saki is the source of Tsukasa's drive to make people smile.

Now we get into weird fate shit and SEKAI physics. Miku is quite childish and is implied to be younger than the members of WxS, which makes sense when you consider that the Wonderland SEKAI draws from Tsukasa's childhood memories and the shows he put on for Saki. That said, she also heavily draws from Emu, with them both using the same type of speech, being very hyperactive, full of childlike wonder etc. Miku existed before Tsukasa knew who Emu was, so it could be that Miku is entirely based on Tsukasa's experience with childhood, but also Miku knows who Emu is when the SEKAI forms, so it could go either way. or both.

Len is very enthusiatic and loves learning new things. Out of everyone, Len is closest to Rui (while also being a foil to his personality, with Len being more energetic and open than Rui is). This makes sense actually, when you consider that although he acts annoyed at times, Tsukasa does gradually get more enthusiastic about Rui's stage directing and stunts. Another thing that occurred to me is that Len first spawns in not too long after the main story, and first meets WxS in Wonder Halloween, both of which involve Tsukasa and Rui getting into a fight followed by a look into Rui's past of being outcast by everyone for being "weird". So maybe Len was partially created because of Rui wanting people to not distance themselves from him and actually take an interest in his work. Maybe this is something Tsukasa picked up on as well, it is his SEKAI after all. I don't know whether this was intentional, but I think it could be. Most things in this game are lol.

Rin is very playful and childlike in a similar vein to Miku. She’s also closest to Nene out of all of WxS, and acts as a foil to her in the same way Len is one to Rui. Rin is extroverted and childish in comparision to Nene who’s shy and acts as the straight man within her group. Rin initially doesn’t understand Nene’s shyness, probably because of how different her own personality is. Considering that Rin first spawned in just after the main story, her relationship with Nene might reflect the differences between Tsukasa and Nene (and the fact that Nene’s social anxiety was something that Tsukasa snapped at her about in the main story). Also Rin and Len are considered as best friends in this SEKAI, which makes sense considering that they're foils to childhood best friends.

MEIKO is the most creative of the Vsingers and comes up with very imaginative and wacky ideas, much like Emu and Rui do. However her creativity probably stems from Tsukasa, who writes a lot of WxS’ plays, and then she gets the wild imagination on top of that from the other two. MEIKO is also known for her strength, which comes from Rui, and her good hearing (first shown in POP IN MY HEART!!), which comes from Emu.

And now you have to hear something similar with Mafuyu.

The 25-ji, Nightcord de. Virtual Singers are a bit more complicated than the WxS ones. While all of them draw from Mafuyu to some degree, some of them were created more by something that she needs than something that she is. There’s also far more obvious influences from the other N25 members.

Miku and KAITO are more obviously created by something Mafuyu needed, even though they both have traits of Mafuyu as well. Rin and MEIKO are more influenced by the other members, and Luka is a bit of both. Len is influenced by Mafuyu’s emotions alone. Now in more detail:

It’s very apparent that Miku exists to be a comforting figure to Mafuyu. The SEKAI manifested at a point when Mafuyu was extremely depressed and suicidal, and just needed someone to listen to her and understand. That said, Miku starts out quite similar to Mafuyu, rarely experiencing any strong emotion if any emotion at all. Both of them gradually start to feel more as the story goes on, and both are seen smiling more often than they used to nowadays.

Rin is very strongly influenced by Ena. She’s outwardly irritable and moody, but actually does care and enjoys the company of those around her, even if she doesn’t show it a lot. A tsundere, if you will. Despite her usual attitude, she does actually want to help the N25 girls, which she also shares with Ena. Rin’s connection to Mafuyu is less obvious, but I think it might be through her pretty blunt way of speaking and the fact she quite often just says whatever she thinks.

MEIKO is heavily influenced by Mizuki. She represents the distance that Mizuki puts between themself and the other N25 members, keeping herself away from the other Vsingers and from the N25 girls. She first appears in Secret Distance just to make it extra obvious. However I think she’s also influenced by Mafuyu’s very passive approach to her situation. MEIKO often just watches from a distance and sees how things go, which is close to what Mafuyu did at the time. Mafuyu doesn’t do a huge amount to help herself early on in the story, she does try to feel more, but relies a lot on Kanade. It isn’t until KAITO appears that she’s given more of a forceful push to actually face how things are, stop distancing herself from her problems, and take action.

Luka is derived from the people around Mafuyu who are trying to help her, particularly Kanade and Ena. In Luka's Doing Things My Own Way card story, Mafuyu says that Luka reminds her of Ena, specifically her perceptiveness and tendency to point out things about Mafuyu that she herself isn't aware of. She quickly takes this back though, and then says that Luka is more similar to Kanade because of her ability to understand what Mafuyu is feeling when Mafuyu isn't sure of it herself. In terms of personality, she is closest to Mizuki, being more on the playful and teasing side, mainly towards MEIKO. Luka is like a lighter version of what KAITO ended up being. She's not afraid to be honest and realistic, and is a bit firmer than the other vsingers are. She's not afraid to give them a push when she thinks they need it, as seen in her debut in Carnation Recollection.

Len spawns during Guiding a Lost Child to What Lies Beyond, where Mafuyu's mother starts to find out about Mafuyu doing music and taking action. He's sort of similar to the Wonderland SEKAI Virtual Singers, in the way he represents Mafuyu's emotions in a very childlike way. He's scared because Mafuyu is scared of her mother, he's sad because Mafuyu doesn't want music to be taken away from her, he feels lost and alone because Mafuyu feels that way too, he's close to Miku because Mafuyu is and needs her comfort. Some of this is stuff that Mafuyu doesn't even realise, which brings back the idea from Wonderland SEKAI that the SEKAI can create things on the basis of your subconscious.

KAITO definitely embodies that idea. He's Mafuyu's anger, yet she's never angry. He's from all her repressed anger. He appears when Mafuyu's mother makes her life well and truly miserable, attempting to cut her off from N25. Mafuyu hates this, but she doesn't want to admit that her mother is the problem, she doesn't realise just how angry it's making her, how angry her mother is making her. She's holding all of it back, but it manages to leak out in the form of KAITO. As soon as he arrives in the SEKAI, he wants to talk to Mafuyu, find out what's going on and what caused the Empty SEKAI to be, well, empty. As soon as he finds out this is Mrs Asahina's fault, he tells it to Mafuyu's face. Mafuyu was never going to accept it on her own, she needed a push, and a strong one. KAITO does what needs to be done, and he's similar to Luka in that way, he's just way more aggressive and unapologetic. He's almost... bitter, for lack of a better word. Like I said earlier, he's here to help Mafuyu, as well as represent her.

#this took so long to write i apologise for the wait #virtual singer #lore #theory #i guess #project sekai #asks #so many tags #also sorry that the ln and mmj sections are so poor compared to the rest. by the time i got to n25 i just wanted to get this done #and didn't go back to edit those parts beyong spag checks

[thelastharbinger]

I’m already seeing male reactors get very verbally defensive about that scene in She-Hulk where Jennifer describes how, simply as a woman, she has more experience in suppressing rage than Banner because speaking out will get you labelled “hysterical”, “emotional”, “difficult”, “too much of a feminist”, the list goes on. And if you snap back at the wrong cat-caller, you can get murdered. So now mcu bros are rushing at the opportunity to cry out “this is just another ‘marvel throwing in another woke scene for woke’s sake’. But like...it isn’t untrue. Comic nerds are all for female superhero protagonists until she, god forbids, talks about the dynamics of what it’s like to live within the confines of patriarchy.

MCU fans are always clamoring for the social commentary to be more “subtle” and not so “in-your-face”, just so they can mindlessly enjoy a punchy fighty show and not have to confront any real-world intersections with racism, misogyny, xenophobia, transphobia, all the -isms and -phobias you can imagine. Additionally, even when the social criticisms are embedded into the story, the conflicts are routinely either overlooked or watered-down and discussed at the individual-level as if these are just isolated incidents and not reflective of larger phenomena. Dudebros forget that superhero comic media, from the very beginning, has always been political. A lot of the mainstream characters we know and love today were created in response to the anti-war and peace movements during the seventies in the United States (this is also not to say that there isn’t some definite war propaganda and Red Scare-inspired comics out there either).

Comics are teaching grounds for morality, human good, and bad, power, greed, corruption. Comics have been about the social commentary from the get-go. The idea that the government (and by extent society at large) is villainizing and surveilling a specific minority group who carry varying physical and genetic traits contrasting to that of the “ideal national subject” because of a perceived inherent aggression or difference based on their physical attributes *ahem ahem mutants*...where do you think they got that from?

I literally sat through a dude being like “IN MY EXPERIENCE AS A MAN, THAT IS NEVER THE CASE! IF A WOMAN GETS UPSET AND MAKES A SCENE IN PUBLIC, THE MAN ALWAYS LOOKS LIKE THE BAD GUY BECAUSE IT IS ASSUMED HE DID SOMETHING WRONG. MEN ARE THE ONES WHO CAN NEVER BE ANGRY.” (Obviously for Black men, my argument is different because when Black men express rage, they are viewed as a threat or turned into spectacle, but the person who made this rant was not a Black man, nor was he factoring race into his argument). As if masculinity and gratuitous violence have not become nearly synonymous. When male celebrities are accused of beating their partners, fans run to their defense to say “well she shouldn’t have provoked him.” When Will Smith slapped Chris Rock, the internet rooted for a televised boxing match between the actors/comedians. We all watched the Trump and Hillary debates right, where his belligerent behavior was coddled while she had to maintain composure?

We’ve collectively grown up watching male newscasters, talk show hosts, and reporters make jokes about angry women in sports, in the media or in news reports being on their periods, as a way to minimize the stressful and abusive circumstances, or people, women are subjected to. The world expects women to react to harassment with class and elegance; women’s anger, Black women especially, is never not mitigated. For male fans to come away from that scene wanting to eye roll is why the commentary is so “in-your-face” because a lot of y’all still don’t get it! Men are still finding ways to make women’s issues about them and the “loss” of their rights. In a world where Brock Turners are able to walk free, are you really trying to argue against this scene? Really? What else do you expect out of a series whose main character is AN ATTORNEY? Y’all are just not going to enjoy this series then, as per usual.

#if you're wondering who the youtuber in question is it is jaby koay from the channel #getjaby #he also has another channel but im not trying to promote his shit #he does reactions to loads of things but i literally want to beat his ass everytime he opens his mouth to make some social hot take bc #you might as well be talking to fucking ricky gervais #he gives major centrist vibes nd he's so fucking condescending nd will jump at any opportunity to mansplain things to his female co-reactor #he's like i'm woke but only to a certain point #anyways fuck dudebros #also are we gonna act like this she hulk scene is more shoe-horned in than that scene in endgame? let's be real #just say you hate hearing about any issues that affects anyone ever who isn't a white man #she hulk #she-hulk #marvel #mcu #mcu rant #tatiana maslany #jennifer walters #hulk #bruce banner #reactors

[starbylers]

Mike’s lack of personal journey in a Mlvn reading of the show: why so many people complain about Mike’s character

Something just occurred to me…I actually would challenge any Mlvn to tell me about a character motivation/internal conflict of Mike’s that does not revolve around El. What struggles does Mike as a person deal with throughout the series? When trying to build an effective, realistic, well-rounded character you can’t have their biggest fear be ‘loosing this particular person’ as Mlvns love to claim is Mike’s. As a writer you have to understand your character’s deepest desires and what drives them at their core, they cannot be purely motivated by an external force. A character such as that will feel hollow, boring and difficult to connect with. This is basic character development stuff.

Examples (simplified to get the point across):

For the whole show, El struggles with finding her place in a world where she feels fundamentally different

For most of the show, Will struggles with his sexuality and feeling like a ‘mistake’

Dustin in s2 deals with his self-esteem and understanding that he is good enough even if he doesn’t have a girl’s approval

Lucas in s4 wrestles with a desire to be popular and to ‘fit in’ which we see him overcome

Max in s4 deals with depression and the process of wishing to no longer be here to realising she actually wants to live

But…what about Mike? A brief Mlvn interpretation of everything he does through the show and why he does it:

S1: he saves and looks after El because he fell in love with her. He also looks for his friend Will.

S2: he is heartbroken because El is not with him anymore, and then madly in love again once she’s back.

S3: he has ups and downs with El because teen relationships are just like that, and then they get back together because they’re truly in love. He’s also too in love with his girlfriend to care about his old interests.

S4: he fights with El because all couples fight, and then rescues her from Nina while taking friendly advice from Will. Finally he confesses his love, which he didn’t do before because he’s terrified to lose her oh and he’s not good at feelings (but they won’t digger any deeper into that last one 🤐).

Like…yeah they acknowledge Mike also helps with the supernatural stuff, he’s smart and observant. He generally takes charge of the group and looks out for his friends, and (at least in earlier seasons) he’s the leader. But those are character traits. Everyone has them. (Max is sarcastic and kinda scary when she needs to be, Dustin can be cocky but is highly intelligent, Lucas is very headstrong and follows his own judgement, Will is sensitive and empathetic). I’m talking about character conflicts/journeys. Can they tell us what journey Mike has gone on as his own person???

And this, this is why lots and lots of people complain that Mike’s character revolves around El (especially since they started dating). This is why people say Mike is the Duffer’s self-insert and is just meant to be a blank slate relatable character. This is why Mlvns characterise him as El’s obsessed loser boyfriend. Because if you view the show through a Mlvn lens then yeah, Mike looks utterly two-dimensional with no drive other than screeching El El El when she’s in danger (sorry it had to be said).

The problem is when you try to dig into what Mike’s deeper motivations could possibly be, it gets very bad for Mlvn very fast:

‘Mike is scared to lose El because he’s worried she won’t need him’

Let’s detach El from that and figure out the root of this problem, what is really going on with Mike here (we already know but just for the sake of my point), because he is a character in his own right and this was a large focus of his story last season.

What do we know? Mike expressed feelings of worthlessness (‘I’m just some random nerd...’) and feelings of inferiority (…‘who got lucky superman landed on his doorstep’) in his relationship. He acknowledges that his and El’s relationship was fundamentally built on her just needing someone. Also, throughout the series we see Mike has a strong desire to help and serve and save those close to him, it’s who he is.

Mike is so clearly driven by a need to feel needed and fears being an unimportant nobody. He doesn’t think he’s special or useful next to El and it hurts him, his self-esteem is very, very low. But Mlvns never acknowledge that, because that would require admitting that a) Will’s words in the van showed he recognises & loves the Mike as the brave and inspiring leader he wants to be, and in doing so soothed Mike’s personal insecurities (because those do exist, and the talk wasn’t just ‘relationship advice’) and b) Mlvn’s relationship makes Mike feel shitty.

Another example:

Common Mlvn interpretation: ‘Mike was spending all his time with El in s3 because he’s in love with her and he is growing out of childish games’

What do we know? (1) Mike didn’t truly loose interest in DnD, he just neglected his interests when he got into a relationship, super healthy (2) He tries to act cool around El (‘Sorry that made me sound like a 7 year old’ / feigning disinterest in Dustin’s inventions) (3) When arguing with Will, Mike frames him getting a girlfriend as being the inevitable progression of life, the opposing choice from ‘sitting in his basement playing games’…but then he joins Hellfire in s4…as soon as El leaves. He didn’t truly believe anything he was saying to Will, he just can’t juggle being himself and having a gf simultaneously 😬.

Mike’s internal conflict here is clearly feeling like he has to grow up, and has to suppress his true identity in the name of achieving that. (And this continues somewhat into s4 with the fake, not-at-all-his-style Cali outfit in El’s fav colours). But again, understanding that requires understanding that Mlvn as a couple is not a safe space for Mike to be himself, and what Mlvns characterise as a normal teenage ups and downs is actually indicative of an unhealthy relationship.

Basically what I’m saying is it makes so, so much sense why Mike is one of the most disliked characters among the GA (aside from like the actual villains) and why he always ends up on those stupid lists. People are sick of him existing just to be El’s love interest. And that is not true in the slightest, but when you aren’t looking deeper than Mlvn…yeah it does look pretty bad, and I understand where they’re coming from. And as much as we say El is the one who Mlvns are obsessed with making everything about her boyfriend, the real victim of this treatment from them is Mike. Even his heart-to-hearts with Will are actually Mike thinking about El, apparently.

This is another reason why I’m so sure about Byler because Mike is essentially the original main character (aside from El I guess). I’m sorry but there’s no way he is the only one the writers managed to mess up this badly when they are capable of adding deeper personal development to characters who are much less central to the story. Even Finn himself said we’ve not been as personal with Mike recently but s5 will remedy that and people will be happy with his journey. The day Mlvns and GA are forced to look deeper at Mike’s personal internal conflict outside of how it relates to El is the day I will know peace 🙏🏽

#byler #anti mileven #wow this got incredibly long congrats if you make it to the end