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#little nightmares story
nerdpoe · 6 months
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Danny had to throw a duplicate of himself in front of Robin to protect the kid and the duplicate died. But because Gotham is so oversaturated with polluted ecto, the duplicate didn't dissolve.
Also immediately afterwards Danny dipped, because he was in his civvies and didn't wanna deal with a rogue that wasn't his.
The problem is that the duplicate died of a stab wound, from a katana. A katana made by the League of Assassins. The bigger problem is that all CCTV were fried and there's no recording.
The slightly ever so larger problem than that is that Robin tried to save him, and was therefore covered in blood and standing over a corpse when a nosy journalist snapped a photo.
Gotham is abuzz with the news that Robin is a killer.
The bats set to work to find out who the boy was and gather evidence to prove Robin's innocence.
Oracle tries to trace the kids footsteps by running facial recognition-and holy shit the kid is still alive. He's popping up all around Gotham, seeming to randomly teleport or just appear out of thin air.
Definitely a meta.
So they start the hunt for the only witness to the murder-the victim himself.
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uncanny-tranny · 3 months
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Medical racism isn't important to address just because it's mean to be racist to patients (I mean, it is mean), but because medical racism kills people. It contributes to systemic suffering of those deemed non-white, and the disinformation that spreads about non-white people.
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pathetic-gamer · 3 months
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kindestegg · 1 year
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Ok here's an indie games poll with actual variety. Choose:
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zu-is-here · 1 year
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heartstring
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yokyoaaa · 8 months
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Teenage reunion
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rabbitindemun · 2 months
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I will never get over this fanfic..
here ya' got, some FlatDreams doodles i did, sorry if it's a little confusing, i wasn't in the whole mood to draw, but i was reading the fanfic again * sobbing * and i was CRAVING for drawing a bit of it- (and some little billy drawings because, well, he's my spiritual animal HSHAH) (btw if you have any ideas or recommendations for drawings or minicomics please let me know... I want to draw these beautiful creatures of evil and my mind is DRY-) just in case
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disneyboot · 2 months
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These Nimona headcanons have been sitting in my notes for like two weeks
I just know Bal and Ambrosius were those kids who had to be put on opposite sides of the room in class
And a lot of teachers assumed that they would just give up and pay attention but no
They’re some stubborn little shits who can't leave each other alone for more than five minutes 
And while they were on their breaks they went through the options of “long-distance” communication (because yes these dramatic dorks consider ten feet long distance)
Notes? No that could be tracked back to them
Sign language? No that's too noticeable 
They finally landed on morse code (because these losers would rather learn a dead language than wait to talk to each other)
Now you might be thinking “Roo wouldn't Bal be too focused on the lesson to talk to Ambrosius?” 
No this little nerd records all of their lessons so he won’t miss a single piece of information  
After they became fluent the only thing you could hear in class was the teacher talking some tapping here and there and Ambrosius and Bal holding back laughter with every fiber in their being 
I also know these dorks would choose each other for every single activity 
It got to a point where teachers would beg them to choose other people 
They would listen for like one day and then go back to working with each other 
These losers have known each other for so long that they can read each other's minds 
All they have to do is look at each other and they’re angry or laughing or blushing 
When people point it out Ambrosius will say he doesn’t even notice it anymore 
Bal will say it’s as natural as breathing 
And Nimona calls it creepy as fuck
They could also fill a book with the most random inside jokes most of which they don’t even really remember the context of 
The main trio are fiercely protective of each other 
Bal only got into a handful of fights back in the institute and it was all because someone got a little too comfortable and started talking shit about Ambrosius  
People lost count of how many fights that Ambrosius got into 
After a while Bal stopped wasting his breath by begging Ambrosius just to ignore them and bought a cool quality medkit 
The number of fights Bal got into skyrocketed after the wall fell 
While the majority of society saw the trio as heroes there were still some who called Nimona a monster and Ambrosius a disgrace
And most of those people couldn’t say anything afterward because their jaws were broken 
There was an incident in the market which was could be summed up as Ambrosius holding a man at knife point while threatening to cut his tongue out if he ever heard him call Bal a murderer again 
After Nimona came back the fights increased tenfold 
The first time Nimona and Ambrosius went to the market alone they came back bloody and bruised 
It wasn’t until Bal checked the news that he found out those dorks started a fucking riot 
There were also rumors that a man was missing a tongue but Bal hoped those were just rumors 
One time the three of them went out to dinner and some dumbass tried to jump them 
They claimed that it’s what Gloreth would have wanted 
Bal had to drag Ambrosius off of him while Nimona was egging him on
The first time that Nimona and Bal kidnapped Ambrosius from his office was undeniably the worst 
He hadn’t eaten or slept in days and he looked like he was ready to keel over 
And a couple of people dared to try and stop them 
Claiming Ambrosius “still had work to do” 
Nimona looked them dead in the eyes and said “If you don’t let us walk out of here I’ll make sure you never walk again” 
No one argued with them after that 
Bal told Nimona he was proud of them for keeping their cool
And Nimona replied “Thanks but I definitely broke someone’s foot on the way out”
He couldn’t even get mad at her because he broke someone’s hand
Bal says they’re the reason he’s getting grays in his early 20s 
To which Ambrosius responds “Moonbeam you came home yesterday with a broken nose and busted knuckles don’t talk to me about gray hair”
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queen0fm0nsterz · 4 months
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Absolutely deranged about these parallels in particular
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fireboos99 · 4 months
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the current art trend but I cheat by picking characters from the same series (and then add a third because my sibling is an enabler)
Anyway, instead of spending forever trying to pick one fav from two separate series, I just draw the blorbos because I cannot be stopped
(the addition of Rain (RCG) in the alternate image was @moonwhing's idea. well, sorta, she gave me an alternative version of Six saying the line, Rain readying a bat (something Moon decided she has, haha) and Mono being the one to say "damn", but I decided to just merge her idea with my initial one (I thought it'd be funnier/more fitting for Mono to say the line and Six to be the second character there (I headcanon Six to be very quiet/doesn't talk much)))
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rainalexisart · 9 days
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blue characters 💙
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Pink
red
orange
yellow
green
Blue
purple
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veiyn · 6 months
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his design caught my eye in the beginning but when i actually met him in game..
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softichill · 8 months
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The Sounds of Nightmares unofficial transcript
Chapter 4 - Two of a Kind
(As always, made with the help of @queen0fm0nsterz!!!)
Chapter 1
Chapter 2
Chapter 3
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[CLICK]
[Something is booted up] 
OTTO: Duality. A notion essential to psychology. We all contain a multitude of personas and change proverbial masks to match our present situations. [Shifting] The body is the container for this legion within, allowing us to maintain the important illusion of a singular self, the very basis of human experience. In Noone, there lies both the innocent child and the disturbed traveler. Both fight for control. But what happens when the duality is not only in the mind?
[Click]
Recording of NOONE: “T…Two breaths. Why could I hear him breathing? Why could I feel them breathing? My body was sh–”
[Tape is cut off with a click]
OTTO: Given her vanishings, I fear it is not only her inner self which has become subject to division, but her body as well. One child, torn between two worlds… Either I have lost my marbles, or we tread ever deeper into territories beyond the boundaries of rational thought. 
[Click, tape rewinds]
[Intro plays]
[Click can be heard twice. Young voices scream joyfully in the background, muffled through a wall] 
NOONE: Otto? What is this place?
OTTO: The reunion room. 
NOONE: Is that cake they’re eating? May I have some? Can I go in there?
OTTO: I’m sorry, you may only watch. My colleagues don’t allow inpatients to mingle with outpatients. …Those who are ready to go home to their families, I mean. Sit tight, and I’ll get you some cake. 
[Otto walks away] 
OTTO, distant, fading: Get me a piece of cake. Piece of cake? Get me a piece of cake… [Door closes]
[Otto walks back in]
OTTO: There! A fine chocolatey slice.
NOONE: They’re not waving back…
OTTO: Ah, it’s a two-way mirror. We can observe them but they can’t observe us. …(inhales) I’d – like to ask about last night. 
NOONE, eating: Mh? Last night?
OTTO: You were in bed with the brain activity monitor on. One moment you were there, and the next – gone! Where… did you go?
NOONE: I don’t understand… 
OTTO: (inhales) I watched you myself so I know you didn’t get up and leave the room. 
NOONE: Wasn’t I asleep? I don’t recall any of this. 
OTTO: ...You vanished, Noone. 
NOONE: Huh? 
OTTO: I – I thought I might have been mistaken at first, but the E.E.G. readings persisted, as if you were still there. Several minutes lapsed, then you reappeared. 
NOONE, distressed: That makes no sense!
OTTO: This wasn’t an isolated event.
NOONE, even more distressed: What do you mean, I can’t just — [raising her voice] people just don’t disappear! [breathing heavily] You’re supposed to help me! You’re supposed to understand… 
[Noone breathes hard in the background, on the verge of a panic attack] 
OTTO: And yet neither of us do! It’s a major event, a bonafide anomaly. That’s why you must be sure that –
NOONE, interrupting: Is there some kind of trick?!
OTTO: It’s alright. [Noone is still breathing hard] Look at me. Focus on my eyes. Breathe. Noone, slowly. 
[Noone’s breaths slow down slightly] 
OTTO, under his breath: Breathe, two, three… Hold, two, three… Out, two, three…
[Noone follows his instructions, breathes slower] 
OTTO: That’s it. That’s a girl. 
[Noone stops breathing hard]
OTTO: Better?
NOONE: … Why did you take me here, Otto? 
OTTO: I know solitude can be hard, and visualization is essential to developing beliefs that will –
NOONE: It’s being alone I hate. It’s being lonely.
OTTO: And I’m showing that, one day, you’ll be in the reunion room too! Just as relieved as those children, sharing cake rather than eating it by yourself. But you have to trust my process, even when it’s difficult for you to grasp. 
NOONE: (Sigh) I understand more than you think.
OTTO: … Yes. I suspect so too. Hidden somewhere in your head. Come along! We’ve got preparations to make before tonight’s session.
NOONE: …Can we stay here? A minute longer?
OTTO: (Sigh) Alright. Just until you finish that slice. 
[The recording stops momentarily and picks up mid sentence] 
NOONE: – o many wires! T-They’re everywhere!
[Strapping, Otto preparing the machine] 
OTTO: It’s the same E.E.G. machine I use to monitor your sleeping brain, only now I’d like to acquire readings during wakefulness, during your retelling to compare results.
NOONE: My last doctor made me do things like this all the time. [Otto prepping] Tubes into my stomach… I– I don’t much like being awake for tests and proddings. 
OTTO: [hums] These electrodes may feel strange on your scalp, but there’s no pain. Nothing to worry about. If anxiety rears its head, take deep breaths. Same as earlier, yes?
NOONE: I– I’m not sure –
OTTO, interrupting: (slightly strained) Trust, remember? 
[Shifting. The machine boots up, activates and Noone winces] 
OTTO: Not so bad, is it? 
NOONE: Can we get this over with?
OTTO: Of course! Begin as you like. 
NOONE, narrating: I spun out of a dark place, and brilliant lights sparkled around. Then, far off laughter, and screams. But… screams of joy. Gathering my head, I… I saw other kids sitting on wooden crates nearby. As I approached, they were surprised to see me, but introduced themselves one by one. 
[Quiet music begins, machine can still be heard]
NOONE, narrating: They were performers, they said. Each with different skills and talents. Juggling, fire breathing, trapy-something… 
OTTO, correcting her: Trapeze?
NOONE: Trapeze! That’s what he said. (narrating) The boy called Rusty, he – he walked tightrope too. There were caravans all around: wooden ones, big yellow wheels, and all these colorful fabrics. I noticed the lights again. Fairy lights, shining down into the puddles from the rain that cleared before I’d arrived. Their reflection, swirling in the murky water, like a ballet. It was… beautiful.
NOONE: (sighs) As I lost focus, the others went on talking, fast and loud as teenagers do.
OTTO, interrupting again: Teenagers? And how long have they been there, performing in this place?
NOONE: Please, Otto! Let me get through it.
[Shifting. The carnival grows louder and distorted speech can be heard]
NOONE, narrating: From the way they looked, they’d been there a long time. But they were confident, or tried to be, and kind. As the clouds parted, Rusty asked if I wanted to go on a ride.
RUSTY, in the background, ov. with Noone: “Wanna go on a ride?”
NOONE: He said,
RUSTY, bg., ov. with Noone: “It’s the best one, because it lets you see clearly.”
NOONE: So, I said yes, feeling… a part of their gang. I’ve never had that before.
[Carnival games and music, steps]
NOONE: We passed by games and silly booths until we came to… the giant wheel. [The ferris wheel creaks] We climbed into the seats in pairs, me and Rusty taking the last cart. 
[Sitting, the wheel creaks again]
NOONE: It went so high up that… I could see the whole carnival. It was… unnaturally high, like – like we were in the sky itself. [Wind blows, music quiets] Rusty pointed to these tall wooden polls, like- masts on a ship, as if that answered where we were, but… how could a ship be in the air? Rusty saw my face full of questions and said,
RUSTY, ov. with NOONE: “Look down, not out. You won’t feel sick that way, and we haven't much time.”
[Wind blows]
NOONE: I… I remember feeling, for a moment, things were OK. On the giant wheel, for the first time in such a long time I… I felt… happy. But, Rusty… he suddenly seemed so sad. His voice shifted and he continued, 
RUSTY, ov. with NOONE: “That massive tent there, that’s the Big Top.”
NOONE: He said we’d be going there soon because him and his friends had a show to put on. I already knew the answer, but I asked anyway: “You don’t like performing, do you.” He looked glum for a moment before replying: “I hate it.” When I asked why he does it, Rusty mumbled to himself, 
RUSTY, bg.: I…
NOONE: … But I couldn’t hear with the wind so loud. Finally Rusty turned and said, 
RUSTY, ov. with Noone: “They force us. And whatever they say, goes.”
NOONE: I didn’t know who “they” were, but a bad feeling came over me and… I understood why we were really on that wheel. Because, all the way up there, he could say what was in his heart without worrying about being heard. 
[Creaking wood] 
NOONE: As the wheel came around, he began explaining very fast how him and his friends had been planning. Rusty wanted me to be part of a special show, where they would try something they’d never done before. He told me that my job was to be lookout. That if… I saw a man in a purple suit, I needed to give him the sign while he walked the tightrope. I asked, “Is this the man who makes you put on shows?” Without really answering, Rusty kept talking. 
RUSTY, ov. with Noone: “In the spotlight, some glow, while others shrivel into shadows. We glow, and do as told, or…”
NOONE: He didn’t finish the thought, but, I understood. The times I was on TV, I’d have done anything to avoid all those lights. So I said, “A simple sign won’t do. I’ll have to shout. A code only we’ll understand. How about… Big Top?” He agreed it was a good idea and I realized he didn’t tell me what they were planning, but… when I saw him staring out at the clouds, I asked, “You mean to escape, don’t you? The carnival?” And he quickly said, 
RUSTY, ov. with NOONE: “This entire… rotten world.” 
[Silence. Narration stops.] 
[Machine whirring]
OTTO: Was the boy expressing knowledge of a world beyond this carnival?
NOONE: I hadn’t thought about it until now, but… I guess so. And, I felt that too. 
OTTO: Then – All the places you’ve been are one and the same?
NOONE: Sort of. It’s like how this basement is connected to the upper floors, but don’t work- together.
OTTO: Why didn’t you ever express this before?!
NOONE: What’s so impo– 
OTTO, interrupting: You’ve sensed that the dreams you visit hold a tangible, sustained existence?! That these spaces are objective!? Physically… there?!
NOONE: I — uh, I think so? I don’t know how it works, but… it feels that way, yes. …Do you finally believe me?
OTTO: Giving the mere thought validity would have my license revoked! Yet I admit there’s potential that what you say is true. It offers some explanation of your… spiriting away, last night. 
[Pause, machine running in the background]
OTTO: …I’d need to see it for myself. 
NOONE: See it yourself?! You’re supposed to help me avoid going there!
OTTO: I need to reach it with you! To find that… quidity of consciousness we spoke of!
NOONE: Why would you want that?
OTTO: …
NOONE: How can I trust you if you don’t answer my questions sometimes?! It isn’t fair!
OTTO: (Sigh) …I… I lost someone dear to me, you understand? A long time ago. …Part of me believes that they may be there. 
NOONE: (Upset) So that’s the reason you’re so fascinated by me, isn’t it?! [Starting to breathe hard again] That’s why you have me do- all these tests and experiments, to find them!
OTTO: Now you’re the one being unfair. 
NOONE: Well, you can’t even get there!
OTTO: Why not?!
[Noone’s breathing quiets, still upset]
NOONE: …it’s Nowhere. 
OTTO: Nowhere? What do you mean??
NOONE: It’s a place… that Is… and Isn’t. 
OTTO: Did the boy, [stuttering] Rusty, say that? The Candleman??
NOONE: Neither. 
OTTO: I can’t help you if you hide things from me. 
NOONE: I tell you everything! You know what’s in my brain- more than I do!
NOONE: [breathing harder] There’s things on my head. 
OTTO: Breathe, Noone… breathe…breathe. Deep. Follow my rhythm. 
[Noone and Otto take deep breaths, pulsing notes rise in the background]
OTTO: Alright, okay. If the theatrics are done, we must press on. 
NOONE: I want to stop. 
OTTO: The sooner you finish, the sooner we’ll be free. 
[Noone pauses, takes a few more deep breaths]
NOONE, narrating: We went to the Big Top. Rusty, and the others got all dressed up. In- amazing costumes. Black and white with sparkles. And another in… a fancy red coat. 
NOONE: Rusty lead me round to the towering stage, placing me in the front, saying,
RUSTY, ov. with NOONE: “Best seats in the house.”
NOONE: I felt… so special. [distant music starts] Until, Rusty looked around, with that worried face again. Without another word, he went backstage, as the crowd started pouring in. 
[Distorted speech]
NOONE: These… “people”... were the wrong shape. Faces like… bad drawings come alive. [thunk] One sat down in the seat to my left, eating… [crunching] a candy apple. It… it stank horribly [Dream!Noone gags] and, the center was mushy and raw.
NOONE: These… plump bodies filled the seats, too big for them, crushing and… spilling into one another. [Crunching and chewing] At the same time stuffing their faces with- rancid snacks, all grisly and chewy. I thought to throw up, but, as the lights dropped, [lights shutting off] everything went still. 
[Pause, light turns on]
NOONE: Then… [drumroll, faint trumpet] a spotlight [cheering] illuminated the stage, and the kid in a red coat walked to the middle. He put on amazing magic tricks, [whoosh] that almost made me forget where I was. For his final trick, he waved around the swirling cloak, smoke spilling out, and topped off with a bang! [sparkles pop, cheering] 
NOONE: When cloak dropped, he had disappeared, [whooshing] and in his place, were two different kids. They had sticks near their mouths, blowing fire. That did it for the crowd. [Distorted cheering gets louder] Then I remembered– I was playing lookout! But I saw no man in a purple suit, and I was distracted as the firebreathers finished and, jugglers came on. 
[More cheering]
NOONE: They took the flaming sticks from their friends, and threw them so high in the air, [Dream!Noone cheering] I… I found myself cheering with the crowd! [Dream!Noone clapping and cheering] And then the lights went down again, [click, drumroll] marking the final act. 
NOONE: (Quiet) The spotlight blared again, shining at the top of the tent. Way up… standing at one end of a rope between two ladders… was Rusty. The others stopped, staring in complete quiet. He started walking… slowly… then with more confidence. The silent went on too long, like we were all under a spell. And… that’s when I noticed… [quiet breathing] something beside me, in the seat that had been empty a moment ago. 
OTTO: (incredibly distant) The man in the purple suit?
NOONE: I heard him before I saw him. [breathing] T…Two breaths. Why could I hear him breathing? Why could I feel them breathing? My was shaking but, his attention was on Rusty. 
[Cheering, Dream!Noone gasps]
NOONE: Noticing that I wasn’t cheering, the man turned. He had no eyes. But I felt him look at me. How can someone with no eyes look at you?
[More breathing, cheering picks up again]
NOONE: Then, I saw a smaller man in his lap. [A smaller, faster set of breathing starts] A- dummy, only… he wasn’t made of wood or plastic, and had hair atop a lumpy face where… a wider mouth had been carved out. Unlike the man, the puppet had eyes, staring at the spotlight above. 
NOONE: Suddenly the crowd burst into a cheer, [cheering] as Rusty reached the middle of the rope, but, the dummy’s face crinkled, full of hate- wanting those cheers for himself. I was the only one not clapping, and he turned to face me. I’m not sure if they spoke, or- if it was in my head, but with a smile, they invited me to be part of the show. 
NOONE: [Cheering gets louder] That’s when I shouted “Big Top! Big Top!” But the crowd was booming! Rusty made it across the rope, but… but instead of climbing down the ladder he began climbing towards a small cut in the fabric at the top of the tent. I turn back… and the man was still there, limp, but his dummy… his dummy was… [Noone’s breathing picks up] gone, right near- Rusty–
NOONE: [Breathing heavily now] “BIG TOP!” I tried to scream– tearing my throat, but– I had no breath!– And then– [Attempts a deep breath] I saw the dummy– It’s lumpy face peering out from the shadows– at the top of the tent– Waiting for Rusty. 
[Ambience become more intense]
NOONE: The man beside me grew shy– both loving the praise, and– regretting the attention. [Noone’s breathing gets faster, ambience picks up] I can hear him breathing again– between breaths– (unintelligible)*– I tried and tried to shout but– it was too late!– Rusty was finally out of the spotlight!– And the tiny doll man lunged!– And– Rusty!– Rusty–
OTTO: [Dream ambience suddenly stops, loud machinery] Did he escape, did he manage?
NOONE, not narrating: Get this thing!– off my head!!
OTTO: Was Rusty able to get away?!
NOONE: [Hyperventilating] NO I DON’T LIKE IT! Rusty!!–
[Noone continues hyperventilating, machinery gets louder]
OTTO: Okay- okay okay- alright, alright, deeep breaths. Deeeep breaths, follow me. Like this now, one-
NOONE: AAA! TWO!! BIG TOP!!
[Otto attempting to get Noone to breathe, Noone having a panic attack]
OTTO: Slow down, slow down, slow down- breathe. 
NOONE: RUSTY!! TWO!!! TWO!!! 
OTTO: Just breathe-
NOONE: BIG TOP!! THE BIG TOP!!! 
OTTO: Two… three… One… two… 
NOONE: Deep breaths– One– One body**–
[machinery suddenly shuts down]
OTTO: Noone? [suddenly standing up] Noone! Noone!
[Shifting, moving furniture, crashing. Audio cuts]
[Pause]
[Click, audio starts] 
OTTO: Mercifully, the only irreparable damage this evening was the wound cut in Noone’s confidence towards me. (Inhale) What concerns me more is the lack of detail in her retelling. A step backwards, which may be the result of her preoccupation with the testing equipment. 
OTTO: Her body dysmorphia was exacerbated. That celebrity doctor’s to blame, whatever he put her through. And all those poor children… but it’s causing her to become furtive. 
[pen clicks, paper rustling]
OTTO: I’ve exhumed the journals published by my outer circle of colleagues, with whom I’ve lost touch. [pages turning] While I previously entertained the possibility of a multitude of realms, a singular space seems more probable, and in line with their transcendental musings. 
[Closes paper]
OTTO: While their studies are conjecture, I can no longer deny the empirical signs pointing towards such peripheral existence! Why then, are my senses unable to perceive it whatsoever? There’s a veil up. Ha! Yes, like a two-way mirror. Only I’m the one stuck on the side of blind, deaf, and dumb ignorance. 
OTTO: (sigh) And the lurking presence of the Ferryman. While he may be a master of dream manipulation, he’s no denizen here. Noone said it many sessions ago: He does not belong in our world. And yet, he’s the connective tissue. I am determined to find his arcane hinterland- to cross into the place she calls… “Nowhere.”
[Outro plays]
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*It's really hard for me to hear what she says here, sorry!
**Take this with a grain of salt, I'm not entirely sure I heard right
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Brad Callahan, Quarterback
So Brad, instead of Max, being the Nighthawks QB is one of the more interesting minor details in Yellow Jacket. Of course a lot of time has passed since the timelines diverged, so it's perfectly possible that Max's family moved, or that the try-outs played out differently. But also could there be the Implication(TM) that Max is, you know... dead?
I highly doubt that a version of Nerdy Prudes played out in this timeline, since it's hard to see Steph and Pete going along with anything Grace says now that they're free of the Witch Wood and her reign of summer camp terror. But we still have Grace herself, who in this timeline possesses both untainted prudishness and an alliance with Little Jerry, and is already a bit mad with power by the time their senior year starts. And it's hard to imagine a version of Max who doesn't hit on Grace any chance he gets. So what if, to punish him for his carnal desires, the Grace of Nightmare Time 2 lured Max out into the woods (just as, a couple of branches over, she had him lured to the Waylon House) and let the Axe Man do his work on her behalf? Leaving Brad Callahan to step forward and torment Hannah with his enlarged ego and Justin Bieber haircut.
I know there's a lot of what-ifs in this, but we can't deny that the Max of the Nightmare Time 2 timeline is conspicuous in his absence. It just makes sense to me, that the Grace of Abstinence Camp would also rain demonic justice down on Max and call it divine. And I love the idea that Max and Grace are another pattern that echoes out across the web of timelines, like some twisted inversion of Paulkins or Lautski. Paul and Emma will always find each other, as will Steph and Pete. Lex and Ethan will always love each other and it will always be doomed. And Grace Chasity will oh-so-righteously send Max Jagerman to his demise. Even if we don't see it happen.
It's just so fucked up and therefore so very Them.
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zu-is-here · 2 years
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<– • –>
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