#message to the young

[sinceileftyoublog]

Oren Ambarchi, Johan Berthling and Andreas Werliin Interview: Winning Concepts

Photo by Thobias Fäldt

BY JORDAN MAINZER

Well, that didn't take nearly as long. A mere two years after releasing the once dormant and eventually critically acclaimed Ghosted, Oren Ambarchi, Johan Berthling, and Andreas Werliin are releasing its follow-up on Friday via Drag City. The trio returned to Studio Rymden in Stockholm last June, with years of performing together under their belt, and laid down the tracks for Ghosted II in a mere two days. Like its predecessor, Ghosted II delves into jazz and drone music, has numerical track titles, and features guitar from Ambarchi that sounds like an organ, album art by Pål Dybwik, and video art by Cédrick Eymenier. Less like its predecessor (though not wholly unlike it), Ghosted II plays with dynamics, is more improvised with minimal overdubs, and roots itself in everything from ambient music to funk. Oh, and its numerical track titles are in Swedish instead of Roman numerals.

Seriously, Ambarchi, Berthling, and Werliin could follow the same four-track formula with the same featured artists every time and I would be more excited with every release. That's how potent Ghosted II is. “en” sports brilliant textural contrasts, pattering drums, scraggly guitar, and barely-there bass, but nonetheless wears a zesty groove. “två” I can most aptly describe as chrome lounge jazz, rife with repeated bass, slow hand percussion, and cold, warbling guitars that pulsate at constantly changing speeds. “tre” is where we first truly hear those inexorable Ambarchi guitar sounds, whirring and shapeshifting with a light chirp and glitch as Werliin's percussion circumvents Berthling's bass. The song sounds like it's traveling through a prickly continuum. And “fyra” ends the set with shimmering ambiance, syncopated bass and drums steady until Werliin jumps into a clattering groove, eventually letting Ambarchi take front and center before the three descend into silence. Ghosted II is the type of album as easy to listen to as it is heady and complex, an achievement that should further this trio's welcome emergence in the experimental music realm.

Oh, and I forgot to mention another similarity to Ghosted: Ambarchi, Berthling, and Werliin once again were willing to answer some questions from me over email about the album. Read their responses below, edited for clarity, including some can't-miss music recommendations.

Since I Left You: How would you say Ghosted II is different from the first record, and how is it a continuation of what you were doing on Ghosted? Oren Ambarchi: I would say that it's a continuation from the first one. The approach in the studio was very similar: We simply got together and improvised with little discussion beforehand. It was recorded very quickly--from memory, all the pieces are first takes, and there was minimal overdubbing.

SILY: How did playing live as a trio inform Ghosted II? When you went in to the recording, did you think of it like a live concert with no audience? OA: Playing live has been really great, as we've been developing our language as a trio from show to show, and this definitely impacted the new one. Like the first trio recording, the vibe in the studio was very relaxed. It was like playing together in someone's lounge room. Personally I tried to approach the new one with newer guitar sounds, many of which I discovered in real-time whilst we were recording. I was hoping my playing would be a little different to the playing on the first record. I didn't want to repeat myself, and I'm sure the others felt the same way regarding how they approached the recording. So the new album is, on the one hand, a continuation from the first album, but on the other hand, it's an exciting new development for all of us. Johan Berthling: I think playing live has merged our sounds together quite a bit. We know each other's playing a lot better. When recording the first album, we had nothing. Now, we have a sound and a foundation we can continue to build on. For me, the studio (could be) a magical environment where all is possible. The live situation has so many parameters that are not controllable, so I want to keep them apart. I never look at recording as a live performance. Andreas Werliin: Playing live in front of an audience is very different from being in a studio recording session.[It has] different energy. It’s weird: The great live shows rarely transform into a good recording. It’s usually too much information. What we experienced when playing live was that we could use much more dynamics than on our albums. In a studio recording, you can use the room and vibe to play less and still keep it interesting, making small changes instead of the big movements we do live.

SILY: Is there something unique about Studio Rymden that fosters creative collaboration? OA: It feels super relaxed recording there, which really suits our vibe and somehow enhances what we are going for. I think we are all inspired by the room at Rymden and play off of the space. JB: It has a really nice living room atmosphere and has all the equipment we need. Daniel [Bengtson], who runs it, is also a great and knowledgeable guy making everyone feel at ease. AW: [It's] a good sounding, very relaxed place. [It] feels like being at a home party.

SILY: Why was it important for you to have continuity between the two albums' visual identities (cover art, music videos)? JB: Why change a winning concept? :) AW: These days, things are moving so fast. Everything and everybody has to change all the time to not lose the audience's attention, both visually and musically. We took the opportunity to go against that movement, I guess.

SILY: What inspired the track titles this time around? OA: Laziness. It's 1/2/3/4 in Swedish. Maybe we'll pick another language when we do another release.

SILY: How did the songs on the first record end up evolving live? Do you foresee these songs having a similar live evolution? OA: Absolutely. It's been really fun expanding on the pieces on the first album in a live context. Those pieces have really gone places. Some live versions of the pieces have lasted 30-40 minutes each. We've already been playing some of the new pieces live, too, and they are already morphing into new explorations that are quite different from the recorded versions.

AW: We developed a new form and used more improvisation and a lot more dynamics.

SILY: What's next? OA: We have some shows coming up as a trio which I'm really looking forward to. I really love playing with Johan and Andreas. My next big show...is a new piece titled "Sous Vide" with conductor Ilan Volkov and the Brussels Philharmonic Orchestra. I'm also hoping to start on a new solo record later this year. AW: I'm excited to release [Ghosted II]. We’re all pretty busy with other projects and family life, so [I'm] just hoping for peace, love, and understanding in general, I guess.

SILY: Is there anything you've been listening to, watching, or reading lately that you've enjoyed or that's inspired you? AW: I would highly recommend Brighde Chaimbeul's album The Reeling (River Lea). She will play live in our village on the west coast of Sweden on July 7th in an incredible church. Much welcome. JB: Lately, I’ve been listening a lot to Howlin' Wolf's Message to the Young and John Lee Hooker and Canned Heat's Hooker 'n Heat. Live, I recently saw a fantastic performance by Evan Parker and Alexander Hawkins in Germany!

OA: [I've been] listening to plenty non-stop, but here's a few recent things that come to mind:

James Rushford's Turzets

An unreleased 1974 live recording of Salamat Ali Khan from Berlin

ML Buch's Suntub (15 love)

Tyshawn Sorey's Continuing (Pi)

Ahmir Khan's Khayal By Ustad Ahmir Khan

RLW's When freezing air stings like ice I shall breathe again (Drag City)

Lenny Breau's Quietude

Eduardo Mateo

Glenn Gould's version of Brahms: 10 Intermezzi

Mikel Rouse Broken Consort

Tirzah

Weather Report's Live & Unreleased

I also just picked up an amazing new remaster of Genesis' The Lamb Lies Down on Broadway, which I've been playing endlessly.

I recently watched Dog Day Afternoon with my 16-year-old last night. It was good to revisit that one. I also recently saw a great UK documentary on Cornelius Cardew with footage of the Scratch Orchestra and AMM. Other than that, it's always Law & Order before bed.

Reading:

Scott McClanahan's The Sarah Book Ian Penman's Fassbinder Thousands of Mirrors Adrian Sinclair & Allan Kozinn's The McCartney Legacy Henry Threadgill & Brent Hayes Edwards' Easily Slip Into Another World Dorothy B. Hughes' The Expendable Man

#interviews #johan berthling #drag city #studio rymden #daniel bengtson #brussels philharmonic #ghosted ii #oren ambarchi #andreas werliin #thobias fäldt #ghosted #drag city records #pål dybwik #dédrick eymenier #ilan volkov #brussels philharmonic orchestra #brighde chaimbeul #the reeling #river lea #howlin' wolf #message to the young #john lee hooker #canned heat #hooker 'n heat #evan parker #alexander hawkins #james rushford #turzets #salamat ali khan #ml buch

[suiheisen]

j… jesus oppa ;____;

#ashsksjsks jesus k-idol era… and when he does his comeback stage…..??? #i just want you to know the last thing i saw before my plane took off was an “i’m going to jesus cafe” message from my grandma #and the first thing i saw when i landed fifteen hours later yesterday was 130+ unread messages on kakaotalk #and i opened it and most of it was cutesy photos my grandma had sent me of her and white jesus #also: she is not even christian…. her friends were like wanna come and she was just like WHY NOT? #also… if you’re interested… in japan there’s a manga called 聖☆おにいさん (translated as ‘saint young men’) #which focuses on the lives of roomates jesus and buddha #(also there are fancomics based on this… including. of course. jesus/judas) #christmas

[starapture]

#so i listened to all of red valley in 1 sitting and it was so upsetting /pos #highly HIGHLY recommend. listen to it i implore you #gordon porlock #(young ver) #red valley #art #he deserves happiness #cant wait for s3.......AAAAAA ..message to all bitches PLEASE survive

[lilyydayy]

like my nails?

#18+ blog #spicy content #18+ content #onlyfans subscription #onlyfans tease #tease pic #little tease #so fuckable #fuck my body #hot babygirl #sexy babygirl #small waist #nice and tight #young and tight #natural body #natural bewbs #newds for sale #i sell newds #dm for menu #content menu #pretty #put it in my mouth #innocent girl #fill my holes #paypiq #pay me to be cute #pay me pig #buy my videos #dm me for my content #message me

[sunshineandlyrics]

❤️ This is an appreciation post for all the Louies that organise/buy/share/accept/wave the pride flags at Louis' concerts 🏳️‍🌈

FITFWT Las Vegas, 1 July 2023 x

#lovely story #hope the young fan sees this message of thanks #Louies helping Louies #fan stories #FITFWT Las Vegas #1 July 2023 #Louis Tomlinson #mine

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

#eve text #elmike #stranger things #byler #only tagging byler because i feel like yall will like this take lol #tagging tagging tagging WHAT ARE EVERYONE ELSE'S THOUGHTS #god i can't believe i'm making a post about stranger things. this feels like poking a bear #i'm not particularly anti m*leven but like... they'd have to do something pretty special at this point for me to feel like it's viable #i'm seeing the bts of s5 and it's got me Having Thoughts #elmike friendship is something i am so passionate about #even before i ever liked byler (didn't ship at all until s4 even though i knew it was a thing before) i've felt this way about elmike #i always believed they were close friends at heart and needed to break up #the romance part of them felt very distinctly young and very much “he was a boy she was a girl” to me #and it hasn't deepened into anything more mature and i don't see how it could based on the current state of the writing... #the fact that lumax exists — a young relationship that is actively maturing and is healthy — makes that clear to me #and the “love confession” in s4 and how disingenuous and miserable it felt was just the nail in the coffin #also the fact that will (who is IN LOVE with mike) was instrumental in making it happen? ... uh... okay... interesting choice… #fucked up and reductive if they make it another queer unrequited love sacrifice for the sake of pushing the heterosexual agenda YUCK #so i really hope the speculation about a m*leven breakup is real!! i think it just makes sense for their characters but who knows #i don't believe in the notion of love at first sight or one true love and i think the writers don't too??? #love to me is an accumulation of experiences and we inevitably choose it at some point rather than fall into it... but idk #tv is so fixated on keeping couples together... sometimes it's just not reality guys especially with young people... LET IT GO... #like i said though i'm not 100% sold that they're going to give up their “golden couple” LMAO #stranger things hasn't historically subverted too many tropes if i'm being honest #anyway i seriously need this season to come out quickly... i'm so bored and getting my master's is crushing my soul #i need frivolity #ALSO btw i won't respond to hateful messages about this so please don't bother. it's not that serious. this is a netflix show

[clockwork-carstairs]

i have to say seeing how popular jem is now, knowing he hasn't always been, is SO reassuring and relieving. not because other characters aren't great or have good values, but because it means jem's standout qualities – things like kindness, compassion, gentleness, being thoughtful – are being appreciated and seen as more important and that's SUCH a good thing. especially knowing ya's history of pushing forward the toxic-cocky-mysterious bad boy agenda… we're finally putting qualities like kindness above that, which is a really positive step forward. i know it's more nuanced than this, and tsc's characters are far more nuanced (jem's sole trait isn't being kind, for instance) but he wasn't always appreciated this much and as a longtime jem fan i truly love to see it. i grew up reading books where the mc always went for the mysterious bad boy character – ruder, testy, provocative – and often these characters were more popular because being kind was seen as 'boring' or meant you could only ever be in the friendzone. jem was one of the first characters i read who had this really horrible backstory, but throughout everything was genuinely just kind. it's really wonderful to see so many people appreciating that :)

#like yes let's keep normalising healthy relationships and kindness yk? #the way tessa fell for jem because he was so compassionate towards her and always listened to her and made her feel great about herself - #like that's the message! #this isn't saying other stories aren't important or interesting #but i'm saying that love interests who are just kind + good are rare and often overlooked in ya and i'm really proud of how much apprecia- #tion jem is getting now #bec a lot of people reading these books will be young and impressionable and like when i was growing up i thought love was meant to be - #rocky and difficult based on the books i read…but no it shouldn't have to be that way #and jem came along and proved that a relationship based on friendship and intimacy can be equally passionate #and he slayed sooooo hard for that #ok i'm done lmao #jem carstairs #tsc #the infernal devices #tid #james carstairs #tessa gray #meta ? #idk #ya

[remember-meforeverr]

Good morning ☀️🌞

no makeup looking like a child 🤣🩷

#me #kik me #thick #young #message me #talk to me #kik #daddy #morning #message #single #sexy #babe #girly #love #happy #coffee

[blueskittlesart]

do you have any thoughts on zelda not staying as a dragon? me personally I like it and am very cool with it mostly because I think zelda should get to be happy forever (and because I'm smart enough to know she changed back because of recall and not some ambiguous power of love lmao) but a lot of people seem to dislike that it made the draconification inconsequential?

i think there's like. some valid concerns surrounding inconsequentiality/"curing" the physical problems characters have as a way of giving them a "happy ending" but I think those concerns don't necessarily apply to totk in the way people seem to be applying them, especially irt zelda's draconification and link's arm.

most of the time when the criticism of this "magic cure" trope is applied to media, it's because the trope is used as a cure-all to erase a character's suffering or trauma and make them "normal" again, and often ignores the character development or themes of the story in favor of giving the character a happy ending. I don't think that applies to totk, though, because the "curing" link and zelda experience is both within the realm of possibility given the worldbuilding present in the game (recall could easily have done it, as you mentioned) AND thematically consistent with the rest of the game. One of if not the most important central themes of totk is the idea of failure and second chances. we see a hyrule that has been given a second chance after link's initial failure with the calamity brought it to the brink of destruction. we see characters who were deeply unhappy and entrenched in the shame of their precalamity mistakes like purah and zelda become active, beloved members of their communities. we see the people of lurelin village take back and rebuild their destroyed home. we watch this kingdom and its people make an unprecedented comeback after a century of struggle and ruin.

Similarly, totk's gameplay is LINK's second chance, his comeback from the initial mistake of losing zelda, of specifically being unable to reach her with his injured hand when they fell. The consequences of that--the master sword's corruption, the loss of his arm, and zelda's draconification, are all supposed to SEEM irreversible, because that's how LINK initially sees them. he believes that he doomed both himself and zelda all because of that SINGLE moment in which he wasn't enough, a viewpoint which is obviously left over from the pressure he experienced to perform to an impossible standard of perfection pre-calamity. The story of totk is about deconstructing that belief and proving it wrong. the mistake he made caused harm, but it's never too late to repair things. he can fix the regional phenomena ganondorf causes and rebuild those communities. he can revitalize the master sword. he can GET ZELDA BACK, with his own arm, uninjured and able to reach her this time. no matter how impossible those things may initially seem, no matter the perceived finality of his mistakes and their consequences, there is always hope. there is always a second chance. no one person's single mistake can doom an entire kingdom for eternity. the fate of hyrule was NEVER resting on link's shoulders alone. he was never their final hope. there was always going to be an after. the whole POINT of the draconification and the loss of link's arm is that they AREN'T final. they ARE inconsequential, because they were born of one mistake and ONE MISTAKE IS NOT THE END ALL.

#like. think about the message the game sends if zelda stays a dragon. we are saying that link CAN'T come back from this mistake. #that one single split-second moment in which he made the wrong move because he had no way of knowing what to do #means that the one person who understands and supports him above all else. the one person who shares his experience and his trauma #the woman he LOVES. is gone forever with no hope of return ever and it's 100% his fault. #that's not true to the themes of botw OR totk. these games are about growth and healing and second chances. #this game was link learning that he gets a second chance. that no move he makes is the final be-all-end-all fuckup. #it removes the pressure and that's the POINT. for a character like link whose life has been DEFINED by pressure #who was taught from a horrifically young age that any wrong move on his part would KILL EVERYONE HE KNEW AND LOVED #this is such an important lesson to learn. removing that pressure/showing him that it was never actually real in the first place #is a crucial step towards healing for him. #asks #zelda analysis #totk spoilers #like i like the idea of lasting consequences dont get me wrong. <draconic features zelda enjoyer #but like. making link keep the fucking rauru arm rubs me the wrong way. the whole point is that he caught her with his own hand in the end #ugh. anyway. you get the idea

[strixop]

whit doodles :D

#drdt #danganronpa despair time #whit young #whit drdt #best boy actually #demodraws0606 if you see this i love your whit mastermind posts so much #if you’re not demodraws0606 #um. like this so they see it? #while im rambling in tags and all. people who rb with little messages. i would die for you #okok! enjoy whit doodles ig #strixop art

[sygneth]

yo, I'm back

#left you with some sketches came back with some sketches #disco elysium #disco elysium fanart #harry du bois #harry dubois #harrier du bois #he young #jean vicquemare #jean heron vicquemare #sketches #my art #fanart #artists on tumblr #(hopefully i'll do next page of eoe this week) #(leaving secret messages for those who read the tags)

[maskedchip]

I wanted to share this little comic I’ve had in my folder for a while, it was actually one of the first mini comics I planned right after finishing the game but I battled with the perfectionist demons so I never posted until now 😭

But yeah, I think Susato is really sweet and caring and deserves little breaks :’) 

#mine #dgs #i already know where i messed up but i wont point it out for my sanity #i just think about how all she wants to do is help people and putting others before her sniffle #it's so nice having her arc be about standing as her own and being a bit more SELFISH LIKE YARGHH #so young and yet has to burden so much...like a lot of the cast #before i start writing essays in the tags i will just say i care about the family a lot ok :] *starts crying* #i think i really struggle with 'finishing things' that i definitely want to redraw this or make it look proper but im also like eh #it's fine...clearly not done but it gets the message across thats what matters <3

[rollercoasterwords]

#edited out the name bc this person is very young and i don't want any hate directed towards them #but @this person: #please try to understand why this type of message is frustrating #i am not writing my story for you #i am writing my story for ME #and i love having others along but ultimately i do not care about what any of the people reading this story want to see in it #because i am not. writing. for an audience. #i am not. creating content. for you #i am sharing something i made myself #for me #with those who happen to also enjoy it #there are SO MANY fics where james + sirius are friends #and you can read any of those fics instead #if you need them to be besties #then please don't read my fic. because it's not going to happen #ask #wfrau

[lwh-writing]

I've been rewatching the Hunger Games movies with some friends, and I have many, many thoughts. I seriously need to reread these books because it's been years and Suzanne Collins is a literary genius, but I digress.

Anyway, there's a quote in Catching Fire where President Snow says "If head game maker Seneca Crane had any brains at all, he would've blown you to bits then and there." This is in reference to Katniss and Peeta almost eating the poison berries and getting out of the arena as co-Victors rather than them turning on each other, thus giving the rebels hope that they can stick it to the Capitol. It is Snow's belief that killing one and/or both of them would have solved the problem before it BECAME a problem.

But the thing is.... it really wouldn't have. If anything, it would have made the rebel problem worse.

Let's say Crane killed both Peeta and Katniss. For the first time in decades, the Hunger Games would have had no Victor. There would be no victory tour, no new kid to pimp out to the Capitol's highest bidders, and no new distraction until the next games roll around. And on top of that, it would have shown the entire world how little the Capitol actually cares about them. The game makers changed the rules halfway through to allow for two Victors, and then they took that away at the last second because two Victors emerging from the arena would have destroyed the very foundation of the Hunger Games. If Crane had truly shot down Katniss and Peeta, the fallout of the 74th Hunger Games would have been a wake-up call to both the Districts and the Capitol that Haymitch was 100% correct in saying that there are no winners of the Hunger Games, only survivors. The bright-eyed Capitols would have been forced to face the reality that the games were fundamentally unfair, and the Districts would have been shown that if even the Victors, the people guaranteed wealth and luxury weren't safe, that if their small beacons of hope could still be killed off without those in power batting an eye... then why even bother playing to the Capitol's tune in the first place? And the Rebels? They've got two new martyrs for their cause, and a newly discontent populous ready to fight for them.

Now, alternatively, let's say Crane did nothing. Let's say he let Katniss and Peeta eat the berries and they both die in the arena by suicide. Well, that won't be as drastic as Crane shooting them down, but the results are still mostly the same. The 74th Hunger Games still has no Victor. There's no one left to play distraction and convince the people of Panem not to look behind the curtain and catch a whiff of its political rot. And it's still the two-Victor rule change and the immediate retraction of such that doomed their favorite star-crossed lovers. It's still a wake-up call to the Capitols and the Districts that the Hunger Games are unfair, and that those in charge are willing to change the rules at their discretion no matter how it affects the general public. The people are still pissed, and the rebels still have their two martyrs.

Well, okay, what if Crane only killed ONE of them. Let's say Crane sees what's happening and decides to shoot only Peeta or only Katniss, it doesn't matter which. The 74th Hunger Games has a clear Victor, but that doesn't help a thing. Once again, it's still the rule change and retraction that got one half of Panem's OTP killed. It's still a clear signal to the people that those pulling the strings don't care. There's still discontent in the Capitol and the Districts because the Capitols lament their failed romance, and the Districts just saw an almost-should-have-been Victor get shot down on live TV. Not to mention it shows that the games are rigged beyond belief when the game makers, quite literally, chose the Victor. The Rebellion still gets a martyr. And on top of that, they get a mouthpiece stirring up shit.

You cannot look me in the eye and tell me that if Peeta or Katniss walked out of that arena without the other, the one that survived would have taken that lying down, consequences be damned. You cannot tell me that Peeta "If it wasn't for the baby" Mellark wouldn't have been playing the press and the political scene like a fiddle and knocking down Snow's regime like a line of dominos. You cannot tell me that Katniss "Girl on Fire" Everdeen wouldn't have been itching to take a quiver of arrows and massacre all occupants of the Presidential Palace. A Peeta without Katniss or a Katniss without Peeta would have Snow's worst political nightmare, and if he killed them after the fact, then the riots in the streets would have only gotten worse.

Seneca Crane's fatal mistake wasn't letting Katniss and Peeta live; it was allowing the two Victor rule change to happen. The SECOND that happened, the foundation of the games-- the image of the sole Victor shining above the rest --was shattered. Nothing could have fixed that, not even the hasty second rule change later on. There was absolutely no situation where Snow and company walked away the winners. Absolutely none. And Crane choosing to let Katniss and Peeta live was honestly the best choice in a string of horrible choices that could have been made. And the fact that Snow doesn't see that highlights exactly how out of touch he is with the human element that drives people to do the things they do.

Note: edited to fix "Capital" into "Capitol"

#the hunger games #meta #media analysis #i am having Thoughts about media again #somebody send me rambling textposts i want to vent and feel validated #i seriously need to reread these books i was too young to truly appreciate them and their messages #but i know they would hit so hard now

[void-inked-pen]

Repostober day 28: a comic to my younger self

Just something i did with my old doodle warrior design to talk to my younger self and any young artist out there :3

#repostober #comic #young artist #a message to myself #inspiration #digitalart #penapalooza

[laundrybiscuits]

(young man what do you wanna be tag)

“I’m pretty sure Steve is trying to kill me,” says Eddie.

“I’m pretty sure he’s not,” says Jonathan. 

“He’s always, like…lurking.” Eddie gestures, fingers fluttering to indicate the shadowy depths of villainy to which Steve Harrington has now sunk. 

Jonathan shrugs. “I think he might just be trying to date you, man.”

“Ehh.” Eddie gives this an appropriate amount of consideration, which is to say none whatsoever. “I’m just saying, last time we had a movie night, he followed me into the kitchen. Just to hang out. You can’t tell me that’s not suspicious.”

“I mean…do you want him to stop? Because I think he’d stop if you said something.” 

Obviously Eddie does not want Steve to stop. Obviously Eddie would very much like Steve to continue being close enough to touch forever, please and thank you. It’s just—Steve keeps saying stuff, completely random shit, like you look really, uh, metal today and tell me about that song you’re working on. It always leaves Eddie off-balance, which he loves and hates with every ounce of his shriveled soul. 

“I can talk to Steve,” Jonathan offers. “Get him to back off.”

“That’s, um. You don’t have to do that,” says Eddie weakly.

“No, man, come on. I told you we’re in your corner, right? For everything, not just the big stuff.” 

Eddie groans. “Okay, Byers, I get it. Jesus, I’m gonna get hives from all this sincerity. Thanks, I love you too or whatever, shut up. And please don’t—um. Please don’t talk to Steve.”

“What, like, ever?” says Argyle, which makes Eddie jump a little; he’d been pretty sure Argyle had been dozing quietly with his head on Jonathan’s lap for the last twenty minutes. 

“Actually, yes,” says Eddie, prodding at Jonathan’s foot. “Please never talk to Steve again for the rest of your natural life. Do this for me, to demonstrate your sincere commitment to supporting the gays.”

“Sorry.” Jonathan kicks back at Eddie, somehow managing not to dislodge Argyle. “If those are my options, I guess I’m homophobic now. You have to be the one to tell Will, though.”

———

“Hey, can I talk to you?” 

“Jonathan’s not actually homophobic,” Eddie blurts out.

Will blinks. “Okay. I mean…good? Wait, did he not know about you?”

“What, no, he knew before any of you little shits did.”

“That definitely isn’t true,” says Will dryly. He sounds a lot like Jonathan right now. “But this isn’t—I just had a question about gay stuff. Sort of.”

“Ask away,” says Eddie graciously, trying to sound wise and benevolent like an ancient gay wizard with all the gay secrets of the gay universe at his disposal.

“It’s just…” Will sighs, looking down. “You’re really, uh, loud. About everything, I mean. And I don’t get why you’re not trying to be…quieter. It just seems like asking for trouble.”

“Here’s the thing about trouble and safety, my young friend,” says Eddie. “There’s nothing we can do to make ourselves easier to swallow. They’ll lie about it and say they’ll put up with us if we just cut off the parts they hate the most, but they hate all of us, so you’re just gonna keep cutting until there’s nothing left. There’s no magical border between the friendly forest full of fluffy bunnies and the deep dark woods full of monsters, because it’s all the same thing.”

Eddie pauses. As gently as he can, he says, “You already know this, Zombie Boy.” He doesn’t miss the way Will flinches. 

“But,” says Will. “Isn’t it, like, a little bit safer?”

“Maybe. Sometimes.” Eddie mulls over his next words, feeling the weight and sharp edges of them in a way he might not have, a year or two ago. Finally, he says, “I think—you gotta decide for yourself what that’s worth. And you also have to know there’s no such thing as completely one hundred percent safe. You can end up making a bunch of little choices that feel like you’re not giving up that much, and end up trapped in a life you hate, just waiting to die. There’s not gonna be one right way to do this, there’s just gonna be ways you can live with yourself and ways you can’t.”

The part he’s not saying to Will is that he’s also loud so other people don’t have to be. 

When he was a freshman, so many years ago now, there’d been this girl—a real bull dyke, you know? Buzzed hair and men’s shirts and work boots. Her locker had had filth shoved in it and written on it pretty much every day, and one time—well, one time, some bad stuff had happened. Almost happened. A teacher had come along just in time, from what Eddie had heard. She’d walked into school the very next day wearing a leather jacket draped over her stocky frame, gorgeously defiant. 

To Eddie, she’d been a beacon of survival. A walking, talking proof that if you’re willing to pay the price, you can be yourself without compromise. 

She’d seemed so mature and worldly to him back in 1980, but now Will’s almost as old as she’d been at the time. Eddie would burn the fucking world down before he let anyone try that shit with Will, and he knows Jonathan and Argyle would too, but they can’t follow him around like guard dogs for the rest of his life. 

So instead, he can just be the thing he’s shaped himself to be, and draw fire. Better to be a lightning rod, standing tall, than to let some other poor sucker get dragged into the spotlight before they’re ready. Nobody’s gonna fuck with Eddie too bad, probably. He’s already got a reputation. He’s Eddie fucking Munson, he’s a cockroach, he survived the worst the underworld could muster and he’s got the scars to prove it. He can take whatever shit they want to throw at him. Wants it, even, because it means something to be the guy they hate. There’s power in that: in walking back into the lion’s den wearing a leather jacket, head held high. 

He doesn’t think Will’s going to learn to relish it the way Eddie does. They’re too different, at their cores. But they’re similar enough that Will’s nodding slowly like it makes sense to him; like he gets what Eddie’s trying so clumsily to say. 

“You don’t have to be the way I am,” Eddie says. “But whatever you decide to be, do it on purpose, and do the hell out of it. Don’t fucking settle for some halfway kind of life. Think you can manage that, Byers?”

“Probably not,” says Will. “But—I’ll try. Thanks, I guess.”

This mentor shit is easy, Eddie thinks victoriously. No big thing at all.

#fic: young man what do you wanna be #hey hi it's been a minute! I've been busy & I know I'm super behind on asks/messages/tags and whatnot! #I swear I'm trying to catch up #...in all honesty I might not though. soz.