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#midnight decisions
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Prince Rhaegar as a character often gets some deserved criticism - and a lot of underserved hate. And one of the things that I think he unfairly gets blamed for is Elia Martell's tragedy. Elia's death is one of the primary objections people have towards Rhaegar and Lyanna being depicted as a romance, with readers believing that if they were just tragic lovers, then that diminishes Elia's own tragedy.
I...disagree. It is understandable (and honestly right) that readers would rally behind Elia. Not only was she horribly brutalized and murdered, but her children suffered absolutely terrible fates as well.
However, in trying to center Rhaegar and Lyanna's doomed dalliance in this, a lot of readers are missing the answer that has been already provided to us within the narrative. Not only that, but this line of thinking also ignores the key context in which Elia's senseless murder is portrayed.
As far as the text goes, Elia’s death is laid squarely at the feet of Tywin Lannister and his men, Ser Gregor Clegane and Ser Amory Lorch. It's House Lannister's burden to bear.
Doran for one, Elia's brother, directly blames Tywin Lannister:
“You mistake patience for forbearance. I have worked at the downfall of Tywin Lannister since the day they told me of Elia and her children.”
The Princess in the Tower, AFFC
Even Oberyn agrees:
“Dwarf,” said the Red Viper, in a tone grown markedly less cordial, “spare me your Lannister lies. Is it sheep you take us for, or fools? My brother is not a bloodthirsty man, but neither has he been asleep for sixteen years. Jon Arryn came to Sunspear the year after Robert took the throne, and you can be sure that he was questioned closely. Him, and a hundred more. I did not come for some mummer’s show of an inquiry. I came for justice for Elia and her children, and I will have it. Starting with this lummox Gregor Clegane … but not, I think, ending there. Before he dies, the Enormity That Rides will tell me whence came his orders, please assure your lord father of that.” He smiled. “An old septon once claimed I was living proof of the goodness of the gods. Do you know why that is, Imp?”
Tyrion IV, ASOS
“Is that the game we are playing?” Tyrion rubbed at his scarred nose. He had nothing to lose by telling Oberyn the truth. “There was a bear at Harrenhal, and it did kill Ser Amory Lorch.” “How sad for him,” said the Red Viper. “And for you. Do all noseless men lie so badly, I wonder?” “I am not lying. Ser Amory dragged Princess Rhaenys out from under her father’s bed and stabbed her to death. He had some men-at-arms with him, but I do not know their names.” He leaned forward. “It was Ser Gregor Clegane who smashed Prince Aegon’s head against a wall and raped your sister Elia with his blood and brains still on his hands.” “What is this, now? Truth, from a Lannister?” Oberyn smiled coldly. “Your father gave the commands, yes?” “No.” He spoke the lie without hesitation, and never stopped to ask himself why he should. The Dornishman raised one thin black eyebrow. “Such a dutiful son. And such a very feeble lie. It was Lord Tywin who presented my sister’s children to King Robert all wrapped up in crimson Lannister cloaks.”
Tyrion IX, ASOS
“Elia Martell, Princess of Dorne,” the Red Viper hissed. “You raped her. You murdered her. You killed her children…“I came to hear you confess.”
Tyrion X, ASOS
Varys and Tyrion both understand that House Martell (but more specifically Doran) hates the Lannisters.
“The Dornishmen thus far have held aloof from these wars. Doran Martell has called his banners, but no more. His hatred for House Lannister is well known, and it is commonly thought he will join Lord Renly. You wish to dissuade him.” “All this is obvious,” said Tyrion. “The only puzzle is what you might have offered for his allegiance. The prince is a sentimental man, and he still mourns his sister Elia and her sweet babe.” “My father once told me that a lord never lets sentiment get in the way of ambition … and it happens we have an empty seat on the small council, now that Lord Janos has taken the black.” “A council seat is not to be despised,” Varys admitted, “yet will it be enough to make a proud man forget his sister’s murder?” “Why forget?” Tyrion smiled. “I’ve promised to deliver his sister’s killers, alive or dead, as he prefers. After the war is done, to be sure.” Varys gave him a shrewd look. “My little birds tell me that Princess Elia cried a … certain name … when they came for her.” “Is a secret still a secret if everyone knows it?” In Casterly Rock, it was common knowledge that Gregor Clegane had killed Elia and her babe. They said he had raped the princess with her son’s blood and brains still on his hands. “This secret is your lord father’s sworn man.” “My father would be the first to tell you that fifty thousand Dornishmen are worth one rabid dog.” Varys stroked a powdered cheek. “And if Prince Doran demands the blood of the lord who gave the command as well as the knight who did the deed …” “Robert Baratheon led the rebellion. All commands came from him, in the end.” “Robert was not at King’s Landing.” “Neither was Doran Martell.”
Tyrion IV, ACOK
Really, all the nobles know where to look at when assigning blame for Elia's murder. Tywin.
“Prince Doran comes at my son’s invitation,” Lord Tywin said calmly, “not only to join in our celebration, but to claim his seat on this council, and the justice Robert denied him for the murder of his sister Elia and her children.” Tyrion watched the faces of the Lords Tyrell, Redwyne, and Rowan, wondering if any of the three would be bold enough to say, “But Lord Tywin, wasn’t it you who presented the bodies to Robert, all wrapped up in Lannister cloaks?” None of them did, but it was there on their faces all the same. Redwyne does not give a fig, he thought, but Rowan looks fit to gag.
Tywin, for the most part, quite shamelessly tries to disassociate himself from his own moral failings; this is nothing new, because he follows this same MO with squarely blaming the Freys for the Red Wedding even though he played an integral part in planning for it.
“Then why did the Mountain kill her?” “Because I did not tell him to spare her. I doubt I mentioned her at all. I had more pressing concerns. Ned Stark’s van was rushing south from the Trident, and I feared it might come to swords between us. And it was in Aerys to murder Jaime, with no more cause than spite. That was the thing I feared most. That, and what Jaime himself might do.” He closed a fist. “Nor did I yet grasp what I had in Gregor Clegane, only that he was huge and terrible in battle. The rape … even you will not accuse me of giving that command, I would hope. Ser Amory was almost as bestial with Rhaenys. I asked him afterward why it had required half a hundred thrusts to kill a girl of … two? Three? He said she’d kicked him and would not stop screaming. If Lorch had half the wits the gods gave a turnip, he would have calmed her with a few sweet words and used a soft silk pillow.” His mouth twisted in distaste. “The blood was in him.”
Tyrion VI, ASOS
“And when Oberyn demands the justice he’s come for?” “I will tell him that Ser Amory Lorch killed Elia and her children,” Lord Tywin said calmly. “So will you, if he asks.” “Ser Amory Lorch is dead,” Tyrion said flatly. “Precisely. Vargo Hoat had Ser Amory torn apart by a bear after the fall of Harrenhal. That ought to be sufficiently grisly to appease even Oberyn Martell.” “You may call that justice …” “It is justice. It was Ser Amory who brought me the girl’s body, if you must know. He found her hiding under her father’s bed, as if she believed Rhaegar could still protect her. Princess Elia and the babe were in the nursery a floor below.”
Tyrion VI, ASOS
Tywin tries to alleviate himself of any responsibility by blaming his men, but the narrative actively calls bullshit on this (through Tywin's own son no less).
So the narrative shows through multiple POVs that Elia's murder is contextualized exclusively as a failing on Tywin Lannister and his men; not only was it a moral failing, but Tyrion also questions if it was politically necessary in the first place. It's also important to note that ASOS is when we really dive into the matter of Elia and her children (mostly through Oberyn), but we also have to remember that this is the same book as the Red Wedding. The Red Wedding, another one of Tywin's senseless massacres that he tries to postulate as politically necessary.
So, we have agreed that the blame and context for Elia's (and her children's) murder is presented through the lens of Tywin as an immoral politician who often makes politically unnecessary moves. But then we ask ourselves, can the responsibility of this tragedy be extended? Well, yes it can. And it has been in the text.
Ser Barristan extends this tragedy beyond Tywin and his men
...to King Robert.
“Prince Rhaegar had two children,” Ser Barristan told him. “Rhaenys was a little girl, Aegon a babe in arms. When Tywin Lannister took King’s Landing, his men killed both of them. He served the bloody bodies up in crimson cloaks, a gift for the new king.” And what did Robert say when he saw them? Did he smile? Barristan Selmy had been badly wounded on the Trident, so he had been spared the sight of Lord Tywin’s gift, but oft he wondered. If I had seen him smile over the red ruins of Rhaegar’s children, no army on this earth could have stopped me from killing him. “I will not suffer the murder of children. Accept that, or I’ll have no part of this.”
The Kingbreaker, ADWD
Ned Stark does as well.
Ned did not feign surprise; Robert’s hatred of the Targaryens was a madness in him. He remembered the angry words they had exchanged when Tywin Lannister had presented Robert with the corpses of Rhaegar’s wife and children as a token of fealty. Ned had named that murder; Robert called it war. When he had protested that the young prince and princess were no more than babes, his new-made king had replied, “I see no babes. Only dragonspawn.” Not even Jon Arryn had been able to calm that storm. Eddard Stark had ridden out that very day in a cold rage, to fight the last battles of the war alone in the south. It had taken another death to reconcile them; Lyanna’s death, and the grief they had shared over her passing.
Eddard II, AGOT
And so does Tywin, who uses Robert's tacit approval as justification for this senseless act.
Lord Tywin stared at him as if he had lost his wits. “You deserve that motley, then. We had come late to Robert’s cause. It was necessary to demonstrate our loyalty. When I laid those bodies before the throne, no man could doubt that we had forsaken House Targaryen forever. And Robert’s relief was palpable. As stupid as he was, even he knew that Rhaegar’s children had to die if his throne was ever to be secure. Yet he saw himself as a hero, and heroes do not kill children.” His father shrugged. “I grant you, it was done too brutally. Elia need not have been harmed at all, that was sheer folly. By herself she was nothing.”
Tyrion VI, ASOS
So if we can't extend the blame to Rhaegar, because the narrative doesn't do so either, what can we hold him responsible for? Let's take a step back and look at Rhaegar's culpability in this whole thing.
Was Rhaegar (and Lyanna) responsible for starting the war that would eventually lead to Elia's murder?
No. GRRM doesn't think so. The war actually started when King Aerys murdered the Lord of Winterfell and his heir, a bunch of other northern nobles, and then called for the heads of Robert Baratheon (Lord of Storm's End) and Ned Stark (the new Lord of Winterfell). Aerys broke the feudal contract, and so Jon Arryn declared war.
I don't think I would have stayed loyal to the Mad King. Do I think they were justified? Yes, and no. [...] There was no doubt that the Mad King was mad. He was paranoid and he was abusing his power. And Westeros has no Magna Carta or anything like that. There was no way to handle this within the rule of law. But was what they do justified? Especially when you consider that it was triggered by a personal grievance. The execution of Ned's father and brother was really a thing that radicalized Ned and put him in opposition to it. Robert was just rolling for a fight and didn't like the fact that he'd lost his girlfriend. So you know, the personal informs the political.
source
Rhaegar and Lyanna's disappearance was merely the spark - it led to a misunderstanding that caused Brandon Stark to ride to Kingslanding. What really caused the war was Aerys' Targaryens subsequent actions as the king. So if we want to blame someone for causing the chain of events that led to Elia's death as well as her children's, the author himself says to blame Aerys; even though I don't think this is right either because we once again stray from the necessary (and sole) context of Elia's murder - Tywin's bloody hands.
Fine. Rhaegar was not responsible for the war. But surely he is responsible for leaving Elia in King's Landing, right in the clutches of Mad King Aerys. Well, this again, is not true. As far as Rhaegar knew, Elia was in Dragonstone with Aegon and Rhaenys where he left them.
As cold winds hammered the city, King Aerys II turned to his pyromancers, charging them to drive the winter off with their magics. Huge green fires burned along the walls of the Red Keep for a moon’s turn. Prince Rhaegar was not in the city to observe them, however. Nor could he be found in Dragonstone with Princess Elia and their young son, Aegon.
“The Year of the False Spring”, The World of Ice and Fire
At some point, Elia was called to King's Landing. And it was Aerys who kept her hostage there as insurance against possible Dornish betrayal (remember, he was paranoid).
Side Note: Aerys kept another important political hostage in King's Landing along with Elia - Jaime Lannister; this is to deter anyone from trying to blame Jaime for doing nothing. He was a teenager and a hostage himself!
“My Sworn Brothers were all away, you see, but Aerys liked to keep me close. I was my father’s son, so he did not trust me. He wanted me where Varys could watch me, day and night. So I heard it all.” He remembered how Rossart’s eyes would shine when he unrolled his maps to show where the substance must be placed. Garigus and Belis were the same. “Rhaegar met Robert on the Trident, and you know what happened there. When the word reached court, Aerys packed the queen off to Dragonstone with Prince Viserys. Princess Elia would have gone as well, but he forbade it. Somehow he had gotten it in his head that Prince Lewyn must have betrayed Rhaegar on the Trident, but he thought he could keep Dorne loyal so long as he kept Elia and Aegon by his side. The traitors want my city, I heard him tell Rossart, but I’ll give them naught but ashes. Let Robert be king over charred bones and cooked meat. The Targaryens never bury their dead, they burn them. Aerys meant to have the greatest funeral pyre of them all. Though if truth be told, I do not believe he truly expected to die. Like Aerion Brightfire before him, Aerys thought the fire would transform him … that he would rise again, reborn as a dragon, and turn all his enemies to ash.
Jaime V, ASOS
Ok, fine. So Rhaegar did not abandon her with Aerys then run off to Lyanna. But he should have done something when he came back, right? Why didn't he leave more Kings Guard with Elia and the children?
Well....this is a war. The knights of the KG are important assets on the battle field. Kings Landing, at the time, was not the most dangerous location. The KG were better off at the Trident, as a victory there would protect those who were left behind in KL.
And it's not that Rhaegar didn't do anything. Beyond going off to lead the battle himself, he tried to make moves that would help those who were back in KL (Elia and the children included).
He floated in heat, in memory. “After dancing griffins lost the Battle of the Bells, Aerys exiled him.” Why am I telling this absurd ugly child? “He had finally realized that Robert was no mere outlaw lord to be crushed at whim, but the greatest threat House Targaryen had faced since Daemon Blackfyre. The king reminded Lewyn Martell gracelessly that he held Elia and sent him to take command of the ten thousand Dornishmen coming up the kingsroad. Jon Darry and Barristan Selmy rode to Stoney Sept to rally what they could of griffins’ men, and Prince Rhaegar returned from the south and persuaded his father to swallow his pride and summon my father. But no raven returned from Casterly Rock, and that made the king even more afraid. He saw traitors everywhere, and Varys was always there to point out any he might have missed. So His Grace commanded his alchemists to place caches of wildfire all over King’s Landing. Beneath Baelor’s Sept and the hovels of Flea Bottom, under stables and storehouses, at all seven gates, even in the cellars of the Red Keep itself.
Jaime V ASOS
And Jaime's POV once again shows us that Rhaegar banked on victory at the Trident, and was fully expecting to come back to KL and amend the fraught political situation.
The day had been windy when he said farewell to Rhaegar, in the yard of the Red Keep. The prince had donned his night-black armor, with the three-headed dragon picked out in rubies on his breastplate. “Your Grace,” Jaime had pleaded, “let Darry stay to guard the king this once, or Ser Barristan. Their cloaks are as white as mine.” Prince Rhaegar shook his head. “My royal sire fears your father more than he does our cousin Robert. He wants you close, so Lord Tywin cannot harm him. I dare not take that crutch away from him at such an hour.” Jaime’s anger had risen up in his throat. “I am not a crutch. I am a knight of the Kingsguard.” “Then guard the king,” Ser Jon Darry snapped at him. “When you donned that cloak, you promised to obey.” Rhaegar had put his hand on Jaime’s shoulder. “When this battle’s done I mean to call a council. Changes will be made. I meant to do it long ago, but … well, it does no good to speak of roads not taken. We shall talk when I return.”
Jaime I, AFFC
So Rhaegar wasn't leaving with no care about what happened back in King's Landing. We don't know what he wanted to do with Aerys, Elia, Lyanna, and the aftermath of the war because he died at the Trident. But we do know that he, at the very least, was planning to do something.
So we can't blame Rhaegar (and Lyanna) for starting the war and we can't blame him either for abandoning Elia in King's Landing with no care about what happens next. So, again, what can we blame him for?
“It's not entirely correct that the Martells stayed out of the war. Rhaegar had Dornish troops with him on the Trident, under the command of Prince Lewyn of the Kingsguard. However, the Dornishmen did not support him as strongly as they might have, in part because of anger at his treatment of Elia, in part because of Prince Doran's innate caution.”
SSM, 09/11/1999
GRRM states that Dorne was angry about Rhaegar's treatment of Elia. What is this treatment, though?
Ned remembered the moment when all the smiles died, when Prince Rhaegar Targaryen urged his horse past his own wife, the Dornish princess Elia Martell, to lay the queen of beauty’s laurel in Lyanna’s lap.
Eddard XV, AGOT
Specifically, Rhaegar riding past Elia to crown Lyanna the Queen of Love and Beauty. Yes, that is a humiliation. And it's undeniable that no one was happy.
The crowning of the Stark girl, who was by all reports a wild and boyish young thing with none of the Princess Elia’s delicate beauty, could only have been meant to win the allegiance of Winterfell to Prince Rhaegar’s cause…Yet if this were true, why did Lady Lyanna’s brothers seem so distraught at the honor the prince had bestowed upon her? Brandon Stark, the heir to Winterfell, had to be restrained from confronting Rhaegar at what he took as a slight upon his sister’s honor…Eddard Stark, Brandon’s younger brother and a close friend to Lord Robert, was calmer but no more pleased.
“The Year of the False Spring”, The World of Ice and Fire
But, humiliating Elia is not the same thing as being responsible for her death. The narrative never equates these two things in any way. Elia's death is about Tywin's immoral and blood thirsty political actions. It's about Dorne's desire for justice (or is it vengeance?) which they know they will not get from the Lannister regime. House Lannister's downfall in King's Landing will be brought about by Prince Aegon's rise - Aegon who is proclaiming to be the long lost son of Prince Rhaegar, and who is being supported by House Martell as of now.
We can criticize Rhaegar for some things, but Elia's death is surely not one of them.
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iamfuckingsorry · 1 month
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Thinking about that mural from DE
You know which one
TRUE LOVE IS POSSIBLE ONLY IN THE NEXT WORLD, FOR THE NEW PEOPLE. IT IS TOO LATE FOR US. WREAK HAVOC ON THE MIDDLE CLASS
The next world mural. In the game, you encounter this piece very early on if you interact with everything available, you probably see this mural before you've ever even heard of Dora or before you've started to get really serious about your commie tendencies, if that's how you choose to play. And the reaction is like, "wow, this is kinda profound actually". Or maybe it's like, "oh lol, this game really is commie af isn't it" (even though later on it turns out that the game is much more critical of communism than you'd think at first). And the story in the ledger provides some insight into Harry and Jean and how they work together too, so it feels like it makes sense, it fits in very well at that moment in the game and that's it.
But looking back at this mural after you've played through the entire game, knowing what you know of Harry's relationship with Dora...
It's Harry's own fucking love story in a way, isn't it?
Him and Dora came from very different backgrounds. He's genuinely poor, grew up checking the trash cans on the streets for tare and edible food, spent his teenage years running around with a bunch of kids who all OD'd or got themselves killed one way or another over the years. He had dreams of getting an education, getting a chance to use his creativity and curiosity and learn about all that that is worth exploring in this world (which is everything), but those dreams are long dead. She's solidly middle class, with access to all the education and art and music he's always dreamt of, with her family to always fall back on. She's everything Harry's ever dreamt of growing up. She might as well be living in another world.
They fall in love with each other and she moves to Jamrock to live with him. Jamrock, the biggest fucking ghetto in Revachol, full of tweakers and gangsters and just thousands upon thousands of poor people permanently down on their luck trying to get by, with no proper aid or government and a police station so understaffed and underfunded they never even stood a chance. And they can barely make ends meet even living in Jamrock, moving from shithole to shithole, never knowing when they'll have their electricity cut, when something will happen that gets them thrown out, desperately scrambling for a new place to stay. And Dora could never do that, not really - she never actually lived in Jamrock, she always had the possibility of leaving, of going to work across the river and visiting her parents whenever she felt like it or just escaping, packing her shit and getting on the tram and never going back. And as long as she knew she wasn't really, truly stuck in this miserable shithole forever, she wasn't ever really living in Jamrock. And it could never be enough for her.
And she wanted more - for herself, for Harry, for their family, who even knows. Maybe she saw Harry struggling trying and failing to make a difference as a gym teacher and thought he could do more good with the RCM. Maybe she was getting desperate, living in this fucking shithole, and thought they needed more money. Maybe it was something completely else - but what is certain is that Harry ended up joining the RCM, and the 41st, and everyone there is on speed, everyone is miserable and desperate and always running behind playing catch up with the case load, with the crimes, with the drug addicts and rapists and murderers, and Harry, who's always been like this close to a genuine mental breakdown, just fucking falls apart. He needs to help people, needs to make a difference, and working at the 41st, with the budget and case load and staffing situation and the pure fucking misery in the area. He goes out and meets a miserable person after a miserable person and he can't do anything else than be nice, make their day a little bit more manageable, do his best- but he knows that no matter what he does, his best won't be enough. He won't be able to make a dent in the pure fucking misery that is Jamrock. But he needs to, so he drinks, he smokes, he does drugs, he loses any semblance of control he ever had over the voices in his head, the dude telling him to hit shit and the dude telling him to forget everything and just get fucked up and Revachol herself screaming at him about her imminent death. And in the end Dora can't stand it anymore and she leaves (and, honestly, good for her. I'm happy for her. But this is about Harry, and Harry isn't, he isn't able to be happy for her at this point in time).
And like. I personally doubt that she'd have left just because of the money if everything else was good. I honestly even doubt that the money was that big of an issue for her to start with, it was all the other issues first and then the fact that they couldn't even rent a fucking VHS and play it at times became just one more thing on top of this already massive pile of shit that broke the proverbial camel's back. But in Harry's mind, he was never rich enough for her. She was always the middle class girl who settled for the poor fuck, and he was never gonna be good enough for her because he was just a broke dude from Jamrock. She was perfect and so so beautiful and at one point her love was the only thing keeping him going, and then she left because he couldn't even
And from what we can see in the game she was the only person he's ever really, truly loved.
But in his mind, they could never be together again. They could try as they might, but it was never gonna work out, because she was a rich girl and he was just a poor miserable fuck. He grew up looking for change on the streets, she took piano lessons in a fancy part of town. The difference was just too large to ever truly be bridged.
So for post-breakup Harry, prior to Martinaise and even during the events in Martinaise, true love was never actually possible. It is possible only for the new people, in the next world. It was too late for him - he had his chance, and it was an impossible thing, it could never have worked out and now he's wasted it. Because of the inherent differences between different social classes. It is too late for him. So yeah, fuck it, wreak havoc on the fucking middle class. Fuck those rich bastards who took Dora from him, and fuck Dora too.
On another note, this was also one of the most recent cases him and Jean worked on prior to Martinaise. I don't remember the date exactly, but it was in his last ledger, it must have been pretty recent. Do you think he saw the mural and thought about it the same way I did? Maybe this was the one that truly pushed him over the edge? The impossible love. It truly was too late for him. The only way to fix it is a new fucking start. And how do you get that?
After life - death. After death - life again.
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haxxydraws · 10 months
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These are the updated / new refs I'd post to art fight... If the SITE was loading...
Anyways, have a new style of refsheet I'm playing around with right now. Some have new art, some have old art, some have new art that was rendered over old sketches-- I'm pretty excited about how they turned out! Hopefully I get a chance to upload them tomorrow between bouts of the site freaking out, but if not I'll try to update my stuff within the first week or so.
EDIT: Attack me at ~haxxy
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ncutii-gatwa · 2 years
Photo
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silver-tongues-blog · 2 months
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believe it or not, the live action avatar show is worse than the live action avatar movie
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maudiemoods · 27 days
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Alright! I'm gonna lose it
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kingofmyborrowedheart · 2 months
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Thinking about the “Wildest Dreams” visuals on the Eras Tour being Taylor mostly alone in a bed and it eventually being consumed by flames and then her transitioning into “Bad Blood” where the visual is her burning down the Lover house, how fire has typically manifested in her discography and the covers for The Tortured Poets Department and the general vibe for it.
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shitouttabuck · 6 months
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fuck it friday
tagged by @transboybuckley @rewritetheending and @devirnis <333
eddie doing some birthday party face painting
Eddie gets lost in requests for butterflies and whiskered animals, one particularly adorable sunflower, and a ladybird who cheerfully scuttles off looking only slightly like she’s contracted a horribly contagious disease from medieval Europe. Through it all, he watches Buck out of the corner of his eye, dancing and prancing in the afternoon sun with at least three tiny children attached to him at all times, a blur of pink. He's just finishing up with the last kid when Maddie announces it’s time to cut the birthday cake, rushing back inside in that whirlwind of stressed energy unique to parents on their children’s birthdays. Eddie watches as Chim smiles after her, fond about it, before hurrying in himself when Maddie calls for him impatiently. Something in Eddie’s chest aches then, just a little. He wishes he had more memories of Shannon like this—he missed enough of Chris’s birthdays when they were together that he didn’t get to have that first-hand with her, only through grainy home videos filmed by his parents and emailed to him after, her grin bright even as her dishevelled hair and tiredness was apparent through the screen.
im so nearly done i promise im just walking fucking everywhere so whenever i get home im so sleepy my brain refuses to even attempt coherency and it’s been slow going!
tagging @onward--upward @eddiebabygirldiaz @try-set-me-on-fire @zahlibeth @clusterbuck @jeeyuns @housewifebuck @anakinfallen @forthewolves @buckactuallys @athenagranted @eowon if anyone’s got anything to share!
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verityblack · 4 months
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Help
What film/line do I end the year on
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I’ve found too many options lol (I will take more tho)
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folansstuff · 5 months
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A series of Extremely Good Superlink posts for Illyana. Someone get this girl a vampire panda
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kirby-the-gorb · 1 year
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runwiththerain · 9 months
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billpottsismygf · 1 month
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I've been stewing a little over the last few days about the news regarding the Doctor Who airing times and, although there's been a lot of discourse and probably everything has been said already, I just need to get my rant out there anyway.
For the uninitiated or the unsure, the brief rundown is that new episodes will drop online at the same time worldwide before the BBC 1 broadcast. This will be Fridays 7pm US time (EST I think) and Saturdays midnight in the UK. There will also be the usual Saturday evening broadcast on BBC 1, 18 or 19 hours later. Also, the premiere (10th/11th May) will drop the first two episodes of the series at once.
Simultaneous broadcast is pretty cool, and I believe the 60th specials dropped at the same time as the UK evening broadcast, giving an afternoon time for the US. That's great, but it's really messing with me that this new system completely shafts the UK in terms of viewing times. I'm not saying that only the UK has passionate fans, but I am saying that the UK is where Doctor Who is a cultural institution more so than anywhere else in the world, and seeing it prioritise the US is incredibly frustrating.
Moving to the specific fallout, there's the part of me that is upset on my own behalf, as my autistic self is really struggling with the notion that to watch the show ASAP I will now have to do so at midnight (on a Friday night too!). Since I was 9 in 2005, I have only twice gone to bed with a new episode unwatched. Occasionally that has been at stupid times in the early morning because I've been doing things for Saturday night, but generally I have watched the broadcast as much as possible, and often with other people as a community event. As a child it was always with my dad; as an adult it's often with friends!
Ultimately, though, I'll be fine. I'll watch by myself on iplayer at midnight because I am an adult who can make these choices, even if I'm sad that I probably won't get to have the viewing parties I had started to have with friends in recent years. (Though, who knows, we all have weird sleep schedules. Maybe midnight viewing parties are still on the cards.)
However, for all the kids out there I am so incredibly annoyed. I can't imagine if any of the iconic episodes from my childhood had aired the night before and I'd been unable to stay up for them. Blink? The Stolen Earth? Doomsday? I don't wish to overstate the matter, but I truly believe Doctor Who has remained such a cultural institution precisely because of its status as a family show. People are raised on it and then raise their kids on it and so on.
What are kids going to do now? Some might be allowed to stay up for the midnight release, though not many, especially for that double release which will end at like 1:30am. Others might watch it when they get up, but likely without the community aspect of the whole family sitting down for it. Still others might wait for the Saturday evening broadcast, having to dodge spoilers from other kids and adults as they go about whatever Saturday activities they have.
Regarding spoilers, I've seen some snarky comments saying 'just avoid social media lol', but firstly that's quite difficult in this day and age, and secondly it's not just social media. For one, there are all the tabloids that will plaster any new details across the front page, but also I can vividly remember talking about the brand new Doctor Who episodes at school, and how big an aspect that was of the community excitement. My teacher even did an impression of a weeping angel the week Blink aired, moving closer with a scary face when I looked away for a moment. Sure, there won't be school on a Saturday, but plenty of kids will be doing activities with other kids (dance classes, football, drama clubs etc.). What will happen when some kids have been allowed to watch the new episode and others haven't?
It may seem trivial to some, but I don't think it is. Where's the event aspect of it? Where's the community? Sure, I'm biased as an autistic Brit who grew up with the show and doesn't like change, but this new model seems designed to dilute both the excitement and importance of a new Doctor Who episode on a cultural level.
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tadhannahj · 9 months
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he was sunshine, I was midnight rain
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he wanted it comfortable, I wanted that pain
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I was making my own name, chasing that fame
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he stayed the same
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capn-twitchery · 3 months
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Oh yea Freddie make sure you read the cards in irem. Be careful lmao
oh no. my reading comprehension is piss poor and my #1 unbreakable rule playing twitch is "curiosity wins," which usually means if a card tells me not to do something, i have to do it, just to see what happens,,,it has not once ended well for twitch, but it IS very fun for me
so unless something has more interesting text it looks like it might be the "disappointing ending in an unwritten story" choice. because goddamn do i really wanna know what that means
it's ok if it goes terribly then maybe i can make a better choice on grace's account instead. sorry twitch
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lunetual · 2 years
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“It would be good if Changkyunie did everything he wanted to... That’s how I feel.” 🌙 MIDNIGHT IDOL 220207
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