Inktober 2023: day 5 - map. I wanted to draw Nie Mingjue leaning over a war table map. Is that so wrong? Also they're all so young. D:
Wish I could do more blurring and shading, but I am literally drawing in a cheap sketchbook with a cheaper ballpoint pen, I'm making it work the best I can.
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The parallel between Sokka and Tenzin as their fathers' sons.
Sokka, left at 13 as his father and all the other men head off to war. Hakoda tells him "being a man is knowing where he's needed the most" and he needs to protect his sister, his home.
Tenzin is the second airbender. He is also half water tribe, he's a man. When Aang dies, he will be the last airbender. He understands what he needs to do.
Untold amount of pressure and responsibility have been thrust upon them by their fathers. Though, I believe it is not all intentional, but the unfortunate circumstance of being the fathers of sons who take responsibility incredibly seriously.
In Sokka's case, "protect your sister" is a vague instruction. It was meant to give him purpose, to help him feel okay about being left behind, He is too young for war, his father does not want to bring his child to slaughter. But Sokka will die with purpose. He will train the children of his tribe so they will be protected, he will face a fire nation ship until his last breath. He cannot go to war, but Hakoda did not see that war was all around them. In trying to give Sokka purpose, Hakoda put their world on his shoulders.
We do not get to see Aang be a father (in the TV shows), but we know he had hopes for the future. All his children were air nomads, and the air acolytes brought his culture back, but Tenzin could bend. This part of their culture is one ONLY they share. I do not think Aang would hide this, he is joyous that he gets to share his culture. When he feels respected, he always is, he taught the air acolytes after all. Off handedly, he could say, "I'm hopeful for a future where there are lots more air benders," and that, which feels mostly innocuous to him, is the nail in the coffin of Tenzin's fate. He is Avatar Aang's son, and the future of the air benders. It would not matter that Aang meant a future in generations. Tenzin sees the responsibility and it's his. He is his father's only air bending child, he knows what he needs to do.
Being a parent is not understanding the way the things you say harm your children. Even those things that feel innocuous in the moment can be life altering. Especially the more the child respects the parent. Purpose and Hope for those with a broader perspective, can be death sentences to a life that could have been when expressed to those who idolize the former.
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since ive already been pretty open about this and im not afraid to whack a hornets nest i'll go ahead and say it: if you were raising a kid in a pseudo-apocalyptic setting and then you found out that said kid was going to be the one to defeat the eldritch god that you have tried to defeat for half your lifetime and could never manage. that she was going to FACE that eldritch god it was prophesied. you would teach her how to defend herself and how to fight. like god i am not saying hero's trauma from it wasn't justified because i do think the twins took it too far but the initial process of training her makes so much more sense if you approach it at the angle of "this kid is going to do something we've been trying to do since we were twelve and couldn't manage and we might not even be there to help her so we have to make sure she doesn't die in the process" and not "we're going to make her fix our mistakes" it makes sense. goes along with lark's running theme of not being strong enough in the moments that matter and wanting to make sure nobody else ever feels as helpless as he did when walter was injured. goes along with sparrow desperately tempting fate with normal's name- not because normal was an accident, but because sparrow never wanted to lose even one kid to the doodler and it was a fervent, desperate wish to let normal get to be normal
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Holy fuck, man. What a trip Fearne has been on, huh?
You tell her how grateful you are to have her in your life, you flatter her, you tell her you need her, that you have to do this together. You have her make a promise that has this woman, born of chaos and fey, agreeing through shaking hands and a trembling voice.
You make her deceive your friends; you make her follow where they cannot know; you make her help you into this contraption; you make her feed this thing into you despite the fact that you both have been warned extensively of the risks. You make her watch you crumble and splinter and shatter and fracture and burst and implode. You make her watch you die, over and over and over and over, for a minute in agonizing bullet time.
You make her do all these things, because when she tries to back out, when she tries to not be the one who let you do this—how could you do this—
you tell her, "YOU PROMISED."
Because if there's one thing you know, it's that the fey do not break a promise.
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