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#not sure about interest considering it's an old fandom
sweet-rabbit · 9 months
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maybe it's the heat (so miserable...), but i'm already thinking about xmas specifically if i want to sell any holiday fandom merch stuff. probably GW related and most likely like these:
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i'd make for sure our boiz, and maybe either/or relena and/or zechs though the main question would be what color combinations for their itty bitty snow hats~
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anthurak · 9 months
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One of the funny things I’ve recently realized after browsing old TOH posts is that the whole idea of the ‘Luz and Hunter are siblings’ dynamic feels like almost entirely a creation of the fandom. Not only that, but a dynamic that was created basically by accident.
Consider for a moment just when and WHY fans actually started the ‘Luz and Hunter are siblings’ idea: It wasn’t in the wake of King’s Tide or after Hollow Mind when Luz and Hunter start really becoming friends, it was following Hunting Palismans. AKA, the episode where the mysterious ‘Golden Guard’ is revealed to be the show’s resident ‘edgy bad-boy with a sad backstory’ named Hunter, and also established that despite what he may think at the time, him and Luz are definitely going to be friends sooner or later.
In other words, the fandom’s idea that ‘Luz and Hunter are siblings’ started mainly as pushback against shipping those two and more notably, any theories/claims that Luz and Hunter might end up together in the show. As in, right after Hunting Palismans released, you can find a ton of posts that amount to ‘THEY’RE LIKE SIBLINGS DAMMIT!’ as fans try to get ahead of any ideas people might start getting that Luz and Hunter might be some endgame couple.
Now of course, in should have been pretty clear even when Hunting Palismans released that ‘Lunter’ was NEVER going to be an actual thing in the show. Like I’ve always commended the foresight of Dana Terrace and her crew for making sure that Amity was FIRMLY locked-in as Luz’s love-interest before they let Luz anywhere near the show’s resident ‘edgy bad-boi with a sad backstory in need of a redemption-arc’.
But for me, the funny this looking back on all this in hindsight; this presenting that Luz and Hunter are going to be like siblings as pushback against any theories that they were going to end up together romantically nonetheless made the same underlying assumption about where Hunter’s character was going: 
That he’d end up being this super-close friend and ally to Luz and that she’d be the one facilitating his redemption arc, ala Aang to Zuko or any other case of ‘hero(ine) redeems rival and they become best friends’.
And of course what makes that so funny is the fact that this DIDN’T actually happen, at least not in the way most of us were expecting. Yes, Hunter did end up being A close friend and ally to Luz, but the people who he’s actually closest to and the one who really drove and facilitated his redemption arc wound up being Willow and Gus!
In conclusion, the whole idea of ‘Luz and Hunter are siblings’ dynamic feels like one of those cases of a fandom coming up with an assumption about where characters might be going, and then forgetting that they were the ones who originally came up with it while the show itself does something else.
And also, Hunter is WAY more of an older brother to GUS than he is to Luz, and frankly I think we need more recognition of that fact XD
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prodigal-explorer · 9 months
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how to write children's personalities
(this is part of my series, how to write children in fanfiction! feel free to check it out if you want more info like this!)
this is the main aspect of writing children that i see people mess up so often, especially in the fandoms i'm in (sanders sides and undertale). children are not adorable little noodles with no brains and no concept besides being cute and silly and crying. children are beings that are just as complex as adults, and they deserve personalities to match. this will make them way more interesting to read about! let's get started!
since there are so many aspects to personality to talk about and i don't want to sit here typing for ten years, we're going to do this guide a little differently. i'm going to divide these issues into archetypes, write a short description, and then make a list of do's and don't's for each one!
archetype one: the cute little baby
okay. babies are cute. we all know this, and i'm not saying it's a bad thing to make your babies cute. a lot of people love reading about moments with adorable little babies. but here are some ways to step this kind of thing up, and some things to avoid if you want to improve upon writing this archetype.
do's:
give the child character another archetype besides this one. though "cute" is the foundation for a lot of child characters, it's not a personality. and if a character is vital to your story, then it needs a personality. that's just a rule. you will read more about other archetypes further along in this post!
make the moments symbolic. though it doesn't seem like it from an outsider's perspective, basically everything a baby does is for a reason, and every action a baby makes can say something about their personality. if you want this baby's personality to be energetic and curious, have them crawl around and explore things, and laugh a lot, and babble. if you want this baby to be more sullen and shy, have them cry quietly instead of wailing, or have them squirm when being held by new people.
make the actions of the baby's guardians affect the mannerisms of the baby. babies act differently depending on how the people taking care of them act and react. for instance, if the baby's guardians are very busy people, then maybe have the baby cry very loudly whenever they want something, since they know that it's the only way to get the attention of their guardians. stuff like that can add depth to a character and to a general story.
don't's:
decide that the baby is cute and call it a day. sweet little babies are cool and all, but they get very boring to read about after a while. this can barely even be considered an archetype because of how bland it is when it's by itself.
keep this archetype around for too long. as babies turn into toddlers and then children, they don't act even remotely the same way. it's strange and off-putting to read about a seven year old acting like a two-year old, unless it's a very clear character choice that is a result of explicit actions and events.
make the baby know that it's cute. realistically, children don't understand the concept of cuteness until they're around toddler age. if then, you want to make the kid be like "i get what i want when i'm cute, so i'll act cute!", then sure, that's hilarious. but when they're two months old, they're not batting their eyelashes because that's their personality. they're batting their eyelashes because they got something in their eye. the main thing that makes a baby cute is that they don't know they're cute. they're just figuring out how to do ordinary things.
make everything a cute moment. while babies are awesome, raising them isn't always sunshine and rainbows. make the baby do something wildly chaotic, because babies do wildly chaotic things all the time. not only does this make things more realistic, but it makes things very interesting!
archetype two: the shy kid
as a former shy kid, i know good and well that these types of children exist, and they are very real and valid. however, there are certain ways i've seen them written that are just terrible because once again, this archetype cannot be considered a full personality on its own. let's get into the do's and don't's.
do's:
make their shyness a deliberate choice. kids aren't usually naturally shy. kids are usually more curious than cautious. is there a reason why the kid is shy? there doesn't have to be a reason why the kid is shy, but there could be a reason why the child is NOT outgoing/curious. try and give something like this some deliberate cause, instead of just making them shy so they can seem more precious and infantilized.
make their shyness manifest in diverse ways. not all shy kids cling to their guardian's leg and sit alone during recess. there are different ways to be shy. you can be aggressively shy, or fearfully shy, or shy due to general unwillingness to change.
make their shyness have realistic consequences. someone who's shy is probably not going to have many friends, if any. not all shy kids magically meet an extrovert who adopts them. someone who's shy probably has underdeveloped social skills, which can lead to them being less emotionally intelligent down the line. this makes the shy kid archetype a lot more three-dimensional than just a wet noodle of fear.
don't's:
infantilize shyness or treat it like it makes the kid some sweet, precious angel. not only is this very uncomfortable for shy people to read, but it's generally unrealistic. shyness doesn't affect how good or bad somebody is - it's a neutral trait.
use shyness as a tool to make characters seem younger. shyness does not indicate age. fear manifests in many different ways, and shyness is not the only way.
rely on cliches. not all shy people have the same journey, and the idea that a shy person becoming more outgoing is the "goal" is not only a bit offensive, but it's very cliche. shyness is not always an obstacle to be overcome.
archetype three: the happy-go-lucky kid
oftentimes, the reason why children characters are written into stories in the first place is to give a little bit of lightheartedness and innocence. to add a unique voice among all the cranky, stingy, burdened adults. but you have to be careful when writing this archetype. i personally really dislike this archetype as a whole, but i'm going to put personal feelings towards it aside because honestly, there's no valid reason to dislike it besides opinion.
do's:
give the kid a trademark. maybe this kid makes a lot of little jokes, or maybe they always see the best in a situation. give the kid one thing that makes them happy-go-lucky instead of just giving them everything because nobody is endlessly happy all the time in every way.
go deeper. while happiness is very often genuine, sometimes, it's a mask that hides something else. this can be an interesting way to sort of spice up your happy-go-lucky kid character. maybe the kid is hiding a big secret behind all those jokes.
don't's:
make the character always happy. while children tend to have simpler thoughts, they don't have simpler minds. this child needs to have thoughts, real, genuine thoughts that aren't just happy things.
see happy-go-lucky as a trait that is exclusive to children. comparing happiness to childhood and viewing them as the only places where the other can exist is just wrong, and it's kind of depressing. maybe give happy-go-lucky kid a happy-go-lucky adult to exchange jokes with!
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those are the archetypes that i see a lot. but now, i'm going to suggest a few child character archetypes that i LOVE that i don't see enough in fics! feel free to use any of these that you like. alter them, combine them! these are, in my opinion, some of the most fun child character personalities!
the spoiled brat: "i want this, and that, and that, and- why aren't you giving it to me?? if you don't give me what i want, i'll tell on you!". spoiled brats are so fun to read and write about, especially when they have absolutely no reason to be spoiled given the current situation (think riches to rags). they've got everything, humor, angst, and best of all, lots of pockets for personality. think about why the child is spoiled. were they enabled by their guardians? did they grow up rich, with access to everything they wanted? think about whether you want the child to stay spoiled. does something change? do they learn how to improve their materialistic and selfish tendencies? there are so many opportunities to play with the personality of this child!
the know-it-all kid: while i do see a lot of know-it-all kids in media, oftentimes, they don't actually have personality besides bossiness and intelligence. i love know-it-all kids who have depth to them. kids who are constantly spouting information because of their sheer love to learn. kids who have one specific thing that they know everything about, so they never stop talking about it. kids who tell people what to do and act like they know best because they don't have a lot of control over anything at home, so they grasp at whatever control they can find elsewhere. i think this archetype could open up a lot of ideas for personality further down the line. it also has a lot of variety with humor and angst, and general depth.
the serious child: this is an archetype that i cannot get enough of. i love a child that doesn't think they're an adult, per se, and still enjoys kid things, but just has such a calm and regal air about them that isn't learned. it's just natural. think of the kid that doesn't really get excited about things conventionally, but you can tell they're happy by their faint smile. the kid that seems to live in slow motion, and doesn't mind this fact at all. the kid that sits alone at recess just because other kids scare the birds away, and they want to see how a bird acts when it doesn't think its being watched. i love kids who have poignant thoughts, because their thoughts are so creative and different from adult thoughts.
the adult-ified child: now this is another archetype i can't get enough of, but it's for a different reason. this child, on the other hand, does think that they're an adult for one reason or another. maybe their guardians forced them to grow up too quickly. maybe they just wanted to grow up quickly by themselves. but this child has thoughts that are too big for their little bodies. they explore things that aren't meant to be explored when their brains are still so small. they do everything too quickly, they stumble through life as if a clock is ticking somewhere. to me, they're just haunting to read about. it feels wrong and dangerous to just watch them do things that hurt them because they don't know any better, but they're on a page. nobody can stop them. it's just so tragic, i'm obsessed.
the prodigal child: this archetype isn't really as deep or detailed as the others, but i do appreciate it. this archetype is for a child who knew who they wanted to be from an early age. a child who wanders into a ballet class and finds out they're better than the ten year olds by the time they're five. this archetype often pairs really well with the know-it-all kid or the adult-ified child because usually, children don't experience what it's like to be the best at something until they're a lot older. this is just a really cool archetype when you aren't quite sure what to do with that main character's little sister.
the chaotic child: this archetype is so much fun to read and write, to be honest. this is a child that just does as they please, whether it's out of curiosity or for pure enjoyment. think of the crazy stories that your guardians have about you or your siblings being absolutely insane. scribbling in a book and then demanding that the library publish their version. trying to ride the dog like a horse. cutting up clothes in an attempt to be a fashion designer. this one is just plain fun!
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now, there are so many more archetypes out there, but those are just my spotlights and recommendations! i hope after reading this, you feel more equipt to write child characters that have real, engaging, interesting personalities!
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twistedmionn · 2 months
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Twisted Wonderland iceberg
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Explanations ahead (slight spoiler warning)
Tier 1:
everything is self-explanatory, I think
Tier 2:
Haruhi = the protagonist of Ouran High School Host Club. She's a girl who dresses up as a boy (correct me if I'm wrong) and many players who have a female MC consider theirs to be like Haruhi. [EDIT: Thanks for the anon pointing out that I misspelled the name!]
Tier 3:
self-explanatory
Tier 4:
A fair amount of people headcanon Vil as a trans woman because he presents androgynously/feminine and doesn't care about gender roles. This has also caused discussion in the fandom because breaking gender roles ≠ trans.
Tier 5:
People sometimes wish TWST was more like a dating sim and had character/dorm routes.
Some people headcanon that Silver is based on Prince Philip (from Sleeping Beauty) and/or is a prince himself. I haven't played all of book 7 yet (only the parts out in the ENG server) so idk if the theory has been proven right.
Lilia is old and hints at dying soon.
Hot NPCs, such as Deuce's mom and Sebek's grandpa.
Ace and Deuce have expressed interest in Yuu at various points in the game.
Genshin VAs: Leona/Alhaitham, Silver/Kazuha, Idia/Razor are the ones I can think of
Tier 6:
A beastman (I think it was Jack) has stated that he has problems talking to animals, and Ruggie's talent at it is considered something special.
The tweels are considered intersex by some due to eel anatomy (I'm no eel expert).
Kalim is considered the real villain by some due to never really bothering to help Jamil.
Epel's backstory/attitude has many elements that a fair amount of trans men relate to.
There are theories that Lilia and Sebek are twisted from Peter Pan characters. I'm unsure about Silver, but I think I've read something about him being from another movie, too!
Tier 7:
Some people headcanon that Ace has experienced domestic abuse.
There's a theory that Ace will betray Yuu.
Cater has two sisters who boss him around, which is a resemblance to Cinderella.
Malleus might have two pps because well... dragon.
Epel and Deuce had a whole ass beach date. Deuce constantly cares for him and broke the school rules in order to make Epel feel better. Their scenes together (the settings) looked straight out of a shoujo manga. If Epel were a girl, this ship would be considered canon by most.
I'm not sure EXACTLY which languages Jade's VA speaks, but I do remember that he knows German.
In one of his Halloween vignettes, Ruggie — as opposed to Lilia — has indirectly expressed that he has no interest in romance/relationships.
Tier 8:
UH.
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Sword gays showdown, round 4 of bracket two
Propaganda:
For Hikaru Sulu:
1) Okay, first off: Which version am I submitting? Prime timeline (TOS) or Kelvin timeline (AOS, also known as the reboot movies if you're not in the fandom)? The answer is both. Prime Sulu has the more iconic fencing scenes (and is also said to have other sword related abilities) while Kelvin Sulu is canonically gay. Specifically as a tribute to George Takei btw who played prime Sulu in TOS and is famously gay and an LGBT+ rights activist among other causes. The picture provided is prime Sulu but if you've only watched AOS, feel free to vote for him anyway.
I'm not gonna link any videos here since that would probably exceed the scope of the propaganda section but clips should be pretty easy to find. And if you can't, just trust me: The TOS fencing scenes are amazing. The AOS one is probably fine too but it's been ages since I've watched it and I forgot it even existed so it can't have been THAT memorable.
Fun fact: George Takei initially didn't know how to fence and didn't find out he'd have to until pretty late and started taking fencing lessons only three weeks before the filming of that episode (The Naked Time) and apparently "became so out-of-control and boisterous that he had to be separated from the rest of the production personnel, for their own safety" which, in context of what the episode is about, is just absolutely amazing. Truly iconic.
Anyway, considering Star Trek is an important part of queer history (I'm only half joking) you need to vote for Sulu, we all know George Takei is an icon, make the right choice here.
2) When they got hit with the drunk virus he took his shirt off and started challenging people to duels. Iconic 
3) This bitch got the outer space disease that makes you silly, and revealed they were gung ho for fencing, and brought out their sabre to just. Swashbuckle. Goes "/oh my/," and is clearly gay and played by a gay actor
For Olivier:
She is only female general in her nation, and guards the northern border. She fights with a sword even though there are other people with guns. Olivier is unmarried despite being older (not sure how old exactly, but she is a general, and that takes time). To the best of my knowledge she shows no interest in anyone, thus making it possible to interpret her as aromantic and asexual, or as a lesbian. The bit where Mustang offers to take her on a date and she threatens to eat so much she will bankrupt him is funny.
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seyaryminamoto · 2 months
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Azula's most overlooked characterization element
Why, hello there.
It is I.
And I'm back on my bullshit.
I didn't WANT to be. But a bunch of factors pulled me back in.
For the record: I'm not here to start any fights or light the fuse of arguments that I most likely won't have time or interest in responding to. What I AM here for... is to prove that there's something out there a bunch of people are delighted to sleep on because acknowledging it would render maaaany simplistic interpretations entirely invalid...
That group of people includes the fandom, of course. And the original show's staff. And the liveaction's staff, to a fault. Surely the TTRPG ones too. And absolutely, the comic book writers.
Hell, I'll even include MYSELF in that group, even though I'm making this post right now.
I found it really curious that I very recently saw this element mentioned in a pretty neat blog I follow, @atla-lore-archive, I absolutely advise anyone who hasn't checked out said archive to do it if you wish to understand a lot of the "extra lore" the fandom had access to, back in the old days when the turbonick ATLA site still existed and used to be the only source of deeper knowledge about the fandom besides the occasional interview that most people didn't even know where to track down.
But the funny thing is that the post I'm talking about proved that even Turbonick forgot about the people this post is about :')
And that would beeeeeeee...
*cue drumroll*
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Lo and Li!
What makes Lo and Li an important subject to discuss?
Why, a lot of things. Among them, the fact that almost nobody brings them into the core focus of any analysis made about Azula's character. I've personally mentioned them once or twice I believe, mostly as negatives, there's but ONE positive aspect I've ever found of them: them being non-benders MIGHT be a reason why Azula isn't shown as being quite so obsessive with firebending supremacy as Zuko was supposed to be.
But that's very much the sole good thing I can think to say about them and it's completely subjective, as good as a headcanon, because we don't even KNOW if they influenced Azula in that sense!
Why do they seem to get overlooked quite as much? Why... let's start thinking about it, shall we?
Lo and Li are Azula's firebending teachers. As far as anyone can tell, they're also her advisors. These two people should be an essential part of Azula's life... but ironically, we seldom see them with her. Most times, Azula isn't around these two. Whenever she is? It doesn't usually look like she's having a good time.
And that's no surprise, considering her first scene with those two very much puts forward a dynamic of cold distance between Azula and her mentors: Azula is bending LIGHTNING. We have not heard of other lightningbenders until that point, and once the full show wraps up, there's only THREE (Azula, Ozai, Iroh). Out of those three? Only one is a fourteen-year-old girl. It's very easy to assume Azula's lightning is actually a skill she mastered unusually early in life, perhaps relatively recently, hence the practicing... but she's pulling it off. She's succeeding. She's doing something that genuinely catches a first-time viewer off-guard!
And Lo and Li's entire opinion of what she did is: "Almost perfect. One hair out of place."
This tells you the Fire Nation's idea of "imperfection" is... insane. Strict. Imposing. Unyielding. Unforgiving. Azula's reaction isn't to get angry at Lo and Li for saying what they did: it's to get angry at herself and try again.
But... that's not the only instance where we see Azula getting angry around Lo and Li.
The next few times Azula is around them, she doesn't seem to have much of an emotional reaction (one is when they tell her to find other allies, the other when they herald her as a great hero who returned home from Ba Sing Se). In the second of these scenes, Lo and Li are praising Azula as incredible, beautiful, all sorts of grand things...! And Azula smiles. She smiles at the crowd. She's not smiling at the old ladies who are praising her... she's mostly just happy to know her people are welcoming her as a hero indeed! Most the fandom would go "true! what an ungrateful bitch! She should've been happy that Lo and Li complimented her that way!!" Me? I wouldn't say that at all. Not just because I love Azula to pieces? But because the only information we have of Azula's dynamics with these two... doesn't seem compatible with the idea that what Lo and Li are saying here is for AZULA'S benefit.
Anyone who's had a hypocritical parent/caretaker/teacher must have endured awkward, horrible, unpleasant moments where this adult figure treats you like shit in private but in public holds you as this grand example, and a perfect child, and they never seem to stop saying they're soooo proud of you even though you NEVER felt that what they're saying is true. Maybe the first few times, you're naive enough to believe it. By the tenth time of incongruent messages? You start to realize they're talking you up as a way to make themselves look better. They're trying to show they're doing their job at raising you/training you, be it whatever it may. The praises are not FOR you... they're for a third person to hear and think "Oh, this adult's so cool, saying nice things about this kid they're responsible for! Nice!"
... You're starting to get the picture now, I'm sure.
Lo and Li reappear in the Beach. Azula is notably chill, enjoying the ride, talking casually with Ty Lee, telling Zuko to lighten up and to stop taking Ozai's choices personally, right? She seems... content. Relaxed.
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Then, everything changed when Lo and Li attacked.
We don't even see why Azula is making this face at first. But she does it AT ONCE when their ship reaches the dock.
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Who is there indeed...?
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The stars of our post! :') if it isn't our elderly twin ladies... who brought Azula to a very disappoting beach house. And when Azula sees the house in question, she makes THIS face.
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Judge however you may... even Ty Lee is weirded out by the beach house, going by that expression. Zuko and Mai aren't impressed either. But Azula? The look on her face isn't merely disappointment if you ask me... part of it looks a bit like embarrassment too? This isn't at all what she was expecting when she arrived (she has her old beach house for standards, which makes this extra underwhelming, I'm sure). She counts on Lo and Li to provide them with a place to stay, it goes implicit... and then this is what they do. It most likely isn't what she promised the other three in terms of where they'd stay, hence, I'd dare say there's a component of embarrassment here.
Shortly afterwards, we have our well known scene with Azula being utterly unconcerned with Lo and Li's apparent wisdom to the point of yawning over it. This, too, tells you she's just not interested in whatever those two have to say or bring to the table. Then, they show up again at mealtime and I think Azula just ignores them the whole scene.
After this? Lo and Li vanish until the finale. And what do they do in the finale? Why... it's the first time anyone expresses a verbal concern over Azula's wellbeing! Ah! A sign that Lo and Li have SOME affection for Azula! This time, you pesky Azula fans, you CAN'T twist this into a bad thing! For sure!
... Can't we, tho? :')
What IS Azula's reaction to: "We are concerned for your wellbeing"?
"My father asked you to come here and talk to me, didn't he‌? He thinks I can't handle the responsibility of being Fire Lord. But I will be the greatest leader in Fire Nation history."
And here, my friends, is when we have finally hit the jackpot.
Lo and Li could have been Azula's Irohs. She could've had TWO of him! Then you'd say: "hey! Ozai is such a dick he let Azula have two elderly wise ladies guiding her but only gave one old wise dude to Zuko! Rude!" and it would be further proof of Ozai's favoritism of Azula, right?
... But actually?
Lo and Li are no such thing. Lo and Li aren't moral compasses for Azula in the least. Lo and Li are not beacons of wisdom that genuinely help her sort her way through life. Worth noting: THEY COULD HAVE BEEN WRITTEN THAT WAY. They're not. They're not part of mysterious secret societies, they don't help Azula in any objective, significant, tangible way... there's very much nothing to say they EVER fulfilled the role Iroh did for Zuko. What role, then, were they fulfilling instead?
Why... I think we ought to listen to Azula, shouldn't we?
My take: Lo and Li are OZAI'S STAND-INS.
Someone's going to say "hey why would you assume that when Azula said this in the middle of a breakdown?? Surely she was just DELUSIONAL and PARANOID and ashdgkadhsgkjgh...!"
... Let me counter that one with a fun little analysis excercise:
WHY are Lo and Li Azula's firebending teachers and advisors?
The finale very directly tells us these two are not benders. We could've assumed they were! They're not: Azula's teachers are non-benders.
Has a single person out there ever asked themselves WHY this is the case?
How the hell is Azula, prodigy of the blue fire, epic lightning, cruel and powerful and precise and deadly bending... training under two elderly nonbenders?
Bringing this to a real-life example: do you remember what it was like when you were in P.E. classes and your teacher told you to spend 20 minutes jogging, and if you ever stopped you had to do 20 crunches and then get back to the jogging, and every time you stopped he'd tell you the same thing and you'd want that guy to vanish from the face of the planet? I don't know if that was only my experience, but I rather doubt it.
What did kids typically think/say when that happened?
"I wanna see that old fart doing the same shit he's making us do..."
It's a headcanon indeed to say that this is how Azula must have felt over Lo and Li, but it's VERY likely to be the case. But I'd dare say, in Azula's case, it's even worse because, to put it in another way? It's like taking programming lessons from someone who's never learned a programming language. They'll tell you you're getting things wrong without knowing how to help you get them right because they just DON'T KNOW what you're doing, and are outright INCAPABLE of what you're trying to achieve. They can't offer good guidance based on experience because they have ZERO experience on that subject! And yet they want PERFECTION from you! They expect it!
Lo and Li are these teachers for Azula. We only see them in one scene? And yet everything in the rest of the show suggests that they bring nothing important to the table for Azula, be it professionally, be it personally, be it emotionally... not in any aspect of life.
And this, if you ask me, is why the OG show barely ever brings them into scenes. Why the comics flat-out forgot they existed and even featured people like Sozin and Azulon in Azula's beach hallucinations but NOT the two ladies who looked after her and trained her. Why the live-action didn't even FEATURE them.
And us? The fandom? The fic writers?
I HAVE NO IDEA WHEN WAS THE LAST TIME I READ A FIC THAT HAD LO AND LI INVOLVED IN IT.
I'm not even saying as main characters, I don't even know if that exists, frankly: I mean as minor, or background characters. I have NOT seen those two be used in basically ANY fics I've read. I've scarcely used them in mine! In fact, I PURPOSEFULLY got rid of them early on in Gladiator because I didn't want them to sabotage and get in the way of Azula's progress as a character and I believed they'd do exactly that. They were an obstacle rather than anything useful, so I did away with them and then realized they could still occasionally serve some purpose in certain situations: I even had Azula visit them once and they were actually helpful! Fancy that! But... that's it. That's as far as I could go with them. I can't do MORE with those two because they're not characters one particularly feels compelled to work with.
And from what I've seen? That's the case for everyone.
So, I ask again:
WHY ARE THEY THERE?
WHAT IS THEIR ROLE?
WHAT IS THE POINT OF AZULA HAVING NON-BENDING TEACHERS?
Let's go further and further into logical thinking here, shall we?
Azula is a child. Fourteen years of age at the time she's introduced in the OG show.
Azula has no power over many things around her, particularly, her upbringing. That's in the hands of the adults around her. Her mother, up until she vanished, had some hand in it, then, it all falls to Ozai.
Ozai has been Azula's sole parental figure since Ursa left.
Ozai is the one who would reasonably call the shots regarding Azula's education, as all parents are wont to do... ESPECIALLY when he's a king with absolute power over his children.
... so, Lo and Li? Ozai either gave them the position as Azula's teachers personally, or someone else (Ursa) did, and Ozai either didn't WANT to remove them from the role (cue "Ozai being sentimental over Ursa" theories), or Ozai didn't give a flying fuck about who was training his daughter (cue "Ozai is an abusive dick without a heart or a brain" theories).
Anyone, of course, would likely interject here to say surely Ozai ALSO trained Azula himself because that's what he'd do with his favorite kid, right? See. I don't even disagree with that notion.
BUT IT'S A HEADCANON.
We have zero evidence that Ozai trained her! None! I totally will write that into Azula's backstory in many of my stories, but there's NOTHING in canon to suggest this actually happened and that Ozai was genuinely, actively, frequently involved in her progress as a firebender. Assuming he HAD to be is, still, a headcanon. You can't say that with any more certainty than mine when I say I believe Azula loves spicy foods. Does it seem to be something that would fit with her character? I think so! But if eventually canon goes "AZULA CAN'T STAND SPICY FOODS LOL JOKE'S ON YOU!" I... can't even say a thing about it. People's food tastes aren't reflective of their personalities. They really could do whatever they want in that respect. And that's the case for ANYTHING that isn't part of the show's storytelling or the character backgrounds or any texts we consider canon!
POINT BEING: Ozai, regardless of what you want to headcanon, had Lo and Li as Azula's teachers. HIS FAVORITE CHILD... and her only official instructors are two non-benders. Yang added Kunyo as an old instructor of Azula's when she was young, sure! But Kunyo was sooooo qualified that baby Azula was already kicking his ass. So, for that matter? He doesn't really seem to have been a cornerstone of her firebending development and the only other known teachers for Azula are Lo and Li.
For the last time: Azula's teachers are NON-BENDERS. AS CHOSEN, SANCTIONED, APPROVED AND ACCEPTED BY OZAI.
And with those two remarking on absolutely STUPID stuff like "one hair out of place"? Azula still became the incredible firebender she was.
Cue, now, the irony where Zuko was stuck in the basics 3 years after setting out of the Fire Nation... WITH IROH ACTIVELY SERVING AS HIS MENTOR.
You're not gonna tell me that Lo and Li would EVER be better instructors than Iroh, or are you? Because that makes no sense. Full-stop. Iroh is supposed to be the most profound and complete firebender thorughout the show because he's spiritually enlightened even though I admit I think that's bullshit and he doesn't just teach Zuko how to set things on fire, he actually makes him learn theory and spirituality and his teachings are more profound than just "ONE HAIR OUT OF PLACE".
So.
Banished as he is, disgraced and seen as trash by Ozai, Zuko STILL has a better teacher than Azula does.
... Is this LOGICAL? Is this NORMAL? Does this make SENSE?
If you think Ozai's favoritism of Azula takes the shape of "I'll give you every little thing you ask for, sweetheart, I love you very much, here, have ten million doll houses so you can set them on fire, and all the ponies you ask for and on your next birthday I'll buy you a baby dragon and you'll get your own region of the Fire Nation to govern and a fancy title..."?
Then Lo and Li, unfortunately, are right here to be a HUGE contradiction with your interpretation of Ozai and Azula's relationship.
Azula should have THE BEST teachers. Azula does not. Azula doesn't even LIKE them. Azula is openly shown to dislike them! To be annoyed around them, ANGRY when they're teaching her, she feels they're here to keep tabs on her for her father! In a sense, they're Ozai's SPIES on her! :')
Hence? Ozai's favoritism of Azula MIGHT not be what everyone keeps pretending it is. Maybe Ozai didn't do everything to make Azula get things EASILY... and to be fair? That's not what Zuko said anyway. People interpreted it that way... but that's not REALLY what he says:
"Everything always came easy to her. She's a firebending prodigy, and everyone adores her. My father says she was born lucky. "
Every line in this statement is absolutely questionable and all of it sounds like buuuuullshit to me. This is ZUKO'S perspective. And sorry not sorry, but it's tell-don't-show. People swear by his opinion of Azula and pretend he's absolutely objective about it. He's not.
But "Everything always came easy to her," does not mean "EVERYTHING WAS ALWAYS HANDED OVER TO HER ON A SILVER PLATTER." And yet this is what the fandom has constantly interpreted it as.
Azula might just be a prodigy. Maybe she started out ten steps ahead of her brother: this does not mean she needs no guidance, no training, no help. She's seen training herself over perfectionism in her very second scene of Book 2. And the guidance she gets in order to achieve perfection is actually, objectively, stupid.
This is what Ozai chose for her. This is an OBSTACLE for her growth, just as much as Lo and Li were obstacles for me when I was starting with Gladiator! Azula doesn't have it EASY: she just works herself so damn hard that even shit that should HINDER her does NOT do that. And even when her brother objectively has spent THREE YEARS with an advantage in the shape of being trained by one of the VERY BEST firebenders out there? Azula is still beating Zuko at it. With two non-benders as her teachers.
Where am I going with all this?
To the fact that Lo and Li are overlooked in just about every instance of the fandom.
To the fact that nobody includes them, and their influence on Azula, in their analyses of who Azula is.
I've seen a shitstorm rising over the Netflix characterization of Azula: SHE'S TOO ANGRY, they say. Non-stop. She's sooooo hysterical, all the time! She's just pissed perpetually!
Well. I haven't finished the show yet. But the scenes I've seen Azula in so far? They don't fit the fandom's view of Azula because...
... they're not taking Lo and Li into account.
As usual.
:')
Azula's reactions around Lo and Li being frustration, anger, irritation EVEN in scenes like The Beach, where Azula was FINE until she sees them? That shit is storytelling that went over sooooooo many heads, EVEN MINE! When I saw people going on about how canon Azula is... not insecure? Not angry? Has no frustrations and was only ever smirking 24/7? I... didn't feel that was right. I knew it wasn't right. And when I thought about it hard enough? I realized that one reason why this interpretation of Azula is IMMEDIATELY dismissable is because of Lo and Li: those two constantly made Azula angry. Even if that wasn't their intent, it's nonetheless the effect they'd have on her. And Azula didn't like having them around. She CLEARLY didn't appreciate them the way Zuko does Iroh, for instance! And this could be taken as a flaw on Azula's part... if we EVER saw evidence that these two ladies actually love Azula as a grandchild, or so. If we had any evidence that they actually have cared for her in ways nobody else ever did. If maybe the ones Zuko talks about, upon saying "EVERYONE LOVES AZULA" were these two! And maybe he was jealous of them! Maybe he wanted two old ladies to watch his every move and tell him his every flaw!
... Clearly I'm joking about that last thing, but anyway...
There's nothing to tell us Lo and Li were anything but Ozai's assigned watchdogs to keep control and tabs over Azula. That Azula's immediate reaction upon hearing that someone cares about her is "Oh fuck off, my dad sent you here because he doesn't trust me!" is... telling. It's not just paranoia speaking, even if it sure can be read that way! It's actually Azula's perception of those two, which is 100% supported by what we saw of the twins throughout the show, WHENEVER we did see them: their roles in Azula's life are indeed to keep tabs on her, to keep her under control, to pressure her into perfection, AS OZAI'S AGENTS! Seen this way, it MAKES SENSE for Azula to disregard their concern and immediately assume it's FAKE. She isn't even shown to doubt it, never questions that MAYBE they did care about her! She assumes they don't...
... And considering that, as far as I know, the official concept is that they BOTH LEFT when Azula banished one of them only? That they didn't contest her command, staying to look after her even if she only wanted one? I mean, clearly Azula can't tell them apart, so they could've taken turns: one watches over Azula for 12 hours and the other for the next 12 hours, I don't goddamn know! But they didn't do that. They LEFT. And if they left? It means they don't care remotely as much as they say they do. Not to the point where they'd challenge Azula's orders and help her when they KNOW she's not okay.
And all of this further supports my point.
When we see Azula in the liveaction being angry, bitter, irritable at Ozai's choices?
I see a reflection of the same dynamics that the OG too subtly weaved into Azula's relationship with Lo and Li. I see Azula reacting against Ozai's control over her because she feels it's DISTRUST. She feels it means her father STILL needs to be convinced that she's competent, powerful, ready to do his bidding. It isn't a case where Azula's irritation comes from wanting to rebel against her father... it's Azula wanting her father to UNDERSTAND that she's 100% his supporter and will put everything on the line to serve him and the Fire Nation.
And it's very damn easy to read that exact same thing into Azula's dynamics with Lo and Li as it is to see it EXPLICITLY STATED in the liveaction.
My point?
What the liveaction did is not nearly as much of a distant characterization choice as people think it is.
Ozai is Azula's Achilles' Heel. Everything she became, everything she grew up to be, was for his sake. He molded her to become those things and simply didn't give a shit about raising a daughter, he treated her as a weapon, and absolutely pitted his children against each other, just as much as OTHER adults in their lives did. But the impact of Ozai on Azula in the OG is easy to ignore. Why? Because we SELDOM see them interacting. Because we don't get that side of Azula's character fully explored. Because they didn't want to explore Ozai's character either! They were as cheap as they could be with all these aspects and so, only the people who really got into analyzing things on a deeper level would be able to say, without a doubt, that Ozai abused Azula emotionally with all the expectations and demands he put on his own child. Through the golden child-scapegoat dynamic that people have been bringing up non-stop in the past years.
So, proving herself to her father is what Azula wants to do, more than anything. Proving worthy of his favor, of his approval, is the closest thing she can get to feeling loved. Which is depressing as fuck. Azula gets zero affection: it's not even conditional affection, there's NOTHING for her besides approving words if she gets anything right. And this show's work with Azula's character? It was meant to make these things less invisible to all the fans who like to pretend none of it exists. And yes, I've seen them, crawling all over Twitter shitting themselves in fits of rage because how dare that show pretend Azula EVER had a bad time in her perfect flawless life!!
Well, the irony is that the OG gives you a smidge of evidence -- and yet that's enough -- to show that Ozai was doing very similar things to Azula in ATLA, and her reactions to it?
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Huh. No smirks for Lo and Li.
No smirks for the symbols of Ozai's control over her life.
It's almost like the confidence, the smirks, the apparent ease with which she handles everything? Is a front that crumbles easily whenever it concerns the ONE PERSON with power over her life.
I don't believe, worth noting, that Azula's power comes from rage. I've seen people say that in fandom in the past and I find it a completely absurd take when Iroh himself spells out that her bending is about control, about precision, and it's Azula's FURY that makes her a sloppy mess in the finale. It's even INTENTIONAL that when she shoots lightning a second time, in her second establishing scene, THAT SAME HAIR FALLS OUT OF PLACE. She's still angry. She didn't get it "right" this time either. She's imperfect and she's trying NOT to be, but she cannot succeed. And upon bending lightning with emotions (rage/frustration)? That hair falls YET AGAIN out of place. Proof that she's not going to achieve the perfection she's being FORCED (indeed, by her father and the people who are here to represent him, Lo and Li) to strive for.
The liveaction had Ozai pushing Azula for a perfection she couldn't attain either. She's perfectly content in her cruelty at Ozai's side, right until she hears the Avatar was found and that Zuko has a shot at taking away the privileges she's been basking in so far. That she WASN'T nervous about this in canon is pretty damn obvious: OZAI SENT HER TO HUNT ZUKO DOWN FOR BEING A FAILURE. We never saw her reaction to learning that the Avatar was out and about. We have noooo idea what was canonically going on with her back then. The first time we see her besides the flashback is Azula receiving a mission that tells her she's STILL #1 and Zuko is no threat to her because Ozai thinks he's a failure. Thus? She had nothing to fear. Here? Ozai is actively using Zuko as bait to pressure Azula further. And if you're so confident in Ozai's good parenting skills as to believe he somehow WOULDN'T do that? Sounds like you don't understand the very basic and simplistic Fire Lod Ozai from ATLA, and that's not something to be proud of. So probably stop screaming your bad takes at the top of your lungs, because being incapable of understanding Ozai in canon is not a badge of pride, just saying...
FINAL POINT...
This post is not written expressly in the defense of the liveaction and its characterization of Azula. To this point, what I've seen of it doesn't feel WRONG or OFF unless you're the kind of person who thinks Azula is only capable of smirking and if she stops doing that she stops existing or something. Only people who cannot understand the depth, nuance, subtleties in Azula's story would ever be claiming that Azula's relationship with Ozai COUDLN'T be like this, or that Azula couldn't possibly be frustrated with her father or his choices when it's soooo clear what Ozai is going for, and why it's working. But in order to read Azula as a character capable of this range of emotion, frustration and ambition, all at once? You have to be able to treat this character, be it in the liveaction or the OG show, as a human being.
And that's what most the people criticizing this specific change are determined not to do. It's what makes them uncomfy. It's what rustles their jimmies.
Yes. I'm saying it in this very demeaning way because I actually find it quite ridiculous to be this insecure over the portrayal of a fictional 14yo in two TV shows. Whether the liveaction sticks the landing or fails catastrophically, I do not know... but I do know that if it's forcing a bunch of people to rethink Azula's character, and making them panic at the idea that she could EVER have human emotions, even if they're AWFUL human emotions?
Then I'm afraid you're only convincing me that, as bad as that show could ever get? It's getting SOMETHING right. I do love to see misinterpretations of Azula getting slammed in the face by the reality that all those beliefs, headcanons and takes in bad faith are actively, categorically untrue: none of which makes Azula a fundamentally good person, worth noting! But it makes it very clear that reading her as a one-dimensional basic villain, which is what the anti-Azula-redemption crowd actively does, is literally only possible if you overlook, ignore and fail to understand her character and her complexities, be it in the liveaction or in the original show.
There. I said my piece.
Another post, regarding the rest of the liveaction, is bound to come later. I'd say stay tuned but it might take me a while to write it at all. So... wait around and maybe you'll see it someday!
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ennael-rambling · 7 months
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D.Gray Man 20 years anniversary
That's right, next 31 May 2024, D.Gray man will be 20 years old. As a celebration, I would like to do a fandom project : a redraw of the first chapter. Which mean, many artists coming together, drawing each a page of the first chapter in their own style.
The first chapter is about 55 pages long, that's a lot, so here's an interest check to see if the project would be possible !
Some things you may want to know if there is enough interest to begin the project :
This project would be free to download once finished, we're not going to sell anything from this, it will be just for fun, a tribute to the manga.
Discord will be needed to talk with each others as it's a big project
You can do whatever you want with your pages as soon as the story/dialogue are respected and the end picture is of good quality (if you do traditional). B&W, colour, scrap booking, painting, traditional... go wild!
You'll be free to choose 3 pages you would like to draw, hopefully this way, everyone will be able to do one page they want!
If we have (shockingly) way more than 50 artists interested in participating, we'll do the whole first tome!
Old fan, new fan, seasoned artists or determined beginner, everyone's welcome !
This idea came from the @conanredraw go see it if you want a better idea of the project ! The whole result isn't out yet, but it'll be soon.
Please consider rebloging it so more D.Gray Man fan can see it! If you can share it on Twitter/X, it would be incredibly helpful, as I do not know the fandom there at all ^^' Have a good day :)
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abyssalzones · 5 months
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3 and 7 for wendy if ur still doing the character ask thing!!
finally I get to talk about one of the girls
3. Least favorite canon thing about this character?
the misogyny in gf's writing always makes me extremely sad. this goes for most if not all of the female characters in the show but I think wendy suffers from it most heavily as the object of dipper's affection. she's cool, sure, but she isn't really allowed her own ambitions or weird stand-out traits the same way other characters are. wouldn't it have been way more interesting for dipper (and by extension the audience) to start seeing her more as her own person once his crush on her becomes old news? ...of course, that leads me into my other point, which is that it was incredibly lazy to continue the plot thread of ~dipper's crush on wendy~ after that arc had been neatly closed off. roadside attraction was a mistake and I would have gladly traded it for that scrapped episode about stan and wendy pulling off a heist.
I suppose the real problem here is that almost everything we know about wendy seems to be through dipper's interest in her, so there isn't a lot of room for her to be anything except Badass(tm). let her be weird! there's literally nothing weirder than being a teenage girl!!
7. What's something the fandom does when it comes to this character that you like?
It's so much more difficult to find things I like about fandom portrayals than things I dislike, but I am a fan of the almost universal understanding that wendy is a lesbian. I'm also glad trans headcanons are fairly popular for her, I think it makes her confiding in dipper about being taller than all her brothers very fun (and the common theme in gf of characters bonding over being considered 'freaks' always resonated with me in a trans interpretation way).
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fifi-afterhours · 1 year
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Telephones and Their Possible Connection with the Audience
So some time ago l was scrolling through @/partycoffin’s blog as one does when you fall into the fandom hole of welcome home, and I wanted to do a little speculation post about telephones and this picture:
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Or more specifically, Eddie's and Howdy's ones, and their different rotary dialers.
[Supposed tiny post turned into long theory ramble below cut!]
(I have checked that this was made on 4 December, 2022, so I think this could be speculated on!)
As we can see, not only are the phone types different (with theirs presumably being portable), the numbers used for dialing are replaced with colours instead. Now, a simple explanation could be made that the colours simply replace the numbers, but that's not the case:
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(I know they're not buttons, but let's just use that as a placeholder name for now-)
Neither of them seems to match with the 10 buttons needed for a a normal rotary dial, so the only explanation I could think of is that each colour corresponds with a neighbor.
@softestvine made a post about this before, and if you take a look at the guestbook signatures, the missing purple button on Eddie's phone makes sense since purple should represent him, and therefore his phone number in a sense.
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The real question is why would Howdy have his own phone number. Maybe an extra set of hands means he owns two phones? Or maybe it's normal to have your own contacts to ring yourself up, and Eddie is actually the odd one out? For that I'm not sure.
Continuing on, there's also the curious addition of a black button, which doesn't seem to connect to any neighbor at all. My first thought was that it could be related to Home, but considering that it communicates through onomatopoeia that even Wally couldn't understand sometimes, I feel like it's doubtful that it's meant to be for Home. (though I'm not saying that it's impossible, just unlikely for now).
Which leads to the second theory: it's to represent us, the audience, the viewers of the show. My speculation is that there was a segment on the show that would involve the characters calling or receiving a phone call from a fan of the show, similar to how irl children shows that includes audience participation will show off fanworks in their episodes. (the closest example I could think of is Blue's Clues right now since my sister used to watch that).
Admittedly this feels like a stretch, but phones seem to be important to the show in some manner. In some old posts, we have audio of what prank calls to some of the characters are like, and although they're definitely not relevant to the work now, it's interesting to note that the concept of a way to communicate with the puppets exists.
Another thing is that on one of the secret pages of the website, you're sent to this page:
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An error page that shows altered text and a phone gif instead of the one with Home. Perhaps I am looking too much into this, but compared to the other hidden links, why would this one take us to an error page first, albeit a different one?
Some people have pointed it out here that if you inspect the phone gif, it says "It's for you". When you click on it, you're taken to a page called 'duet' where Wally is singing to Home.
Don't you think it's coincidental that the only page with an audio file was only found through a phone? And why is the page called 'duet' when Home only responds after Wally finished his song? That's because the duet isn't sung by Wally and Home, it's supposed to be sung by Wally and you. By clicking on the phone, you're answering Wally's call, hence the "It's for you" file name.
My conclusion is that the phones were used to talk to the audience back when the show is running, and now Wally is using them to try to reach out to us.
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gentlebeardsbarngrill · 3 months
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01/24/24 OFMD Daily Recap
TLDR; Cast and Crew Sightings with clowning; UK News; Wee John Wednesday; RenewAsACrewUpdates; NewTwitter Resource: @AdoptOurCrew; Pirate Omens Watch Party; LubeAsACrew; The Queerties; Petition Status; Final Notes; Love Notes; Rhys & Rosie's Anniversary;
==Cast and Crew Sightings==
David Jenkins got the clowning going really early this morning with a picture of a red sunrise, playing the song "New York Groove" by Ace Frehley.
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There's been a lot of speculation (obviously we don't know what it means for sure) but the current fan theories going around are:
1. "Red Skies In Morning, Sailor's Take Warning" which Djenkins previously posted prior to a new OFMD Trailer being released back in Sept. Thanks @saltpepperbeard!
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2. Some folks think that the Red color is to help indicate Netflix as it is very similar to their signature red. @_Irene_Adler
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3. Others are going towards the AppleTV route since out in sunnyside queens, there is an Apple building nearby. @skrifores
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Do we actually know? Nope, just conjecture, but it left people wanting to target Netflix and AppleTV more today in terms of hashtags. Which is great cause the Pirate Omens Focused on PrimeVideo in the afternoon.
=Con O'Neil Updated his Instagram, and David Fane commented =
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==Ruibo Qian also made a profound update on IG==
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"Amplifying positive intent toward a paradigm is what solidifies it into live experience".
Take these updates as you will, but one nice thing about being broken apart from Max is we're starting to see the crew reach out again, and all of it seems to be in somewhat of a positive direction.
==More UK News!==
Today’s news from the UK 24 January 2024 - by @lamentus1
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We have a date!! The most amazing news! Season 2 will be available to watch in the UK on BBCiPlayer from Monday 4 February!!! The arrival of season two in the UK will give us an opportunity to organise some attention grabbing events around the show. We’ll keep you posted!
=Convention news=
Starfury Conventions is considering holding an Our Flag Means Death convention here in the UK! We need to show how much interest there is in the idea, so make sure you vote in their poll.
Vote here: https://x.com/starfuryevents/status/1750149921880059968 Make sure they know just how interested we are!
**Note from @gentlebeardsbarngrill: If you are avoiding twitter and need someone to log in and for for you, I have lots of extra twitter handles, just shoot me a DM with what answer you wanna choose and I'll vote on your behalf.**
=Previous Access Poll=
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After a week and 986 votes the poll is closed and we can confidently state that 36.5% of fans can’t even watch Our Flag Means Death season 2 in their country yet! This is more than a third of the dedicated fandom not even able to watch the second season, and yet look at how passionate we all are about renewal. Imagine how that will grow when the second season is shown in those countries that have missed out so far.
The poll is here: @lamentus1 Are you able to watch Season 2?
While this last piece isn't SPECIFICALLY for the UK, it is being run in UK time zone so may be a bit harder for some US folks to join in.
== Wee John Wednesday is back! ==
EDIT: hey all, my sick brain messed this one up, Kristian announced on twitter he was gonna reboot wee john weds and I went to IG cause I wanted to get the link and apparently linked an old IG post. Sorry about the confusion! It hasnt been announced when it will start yet. Thank you to @wastingyourgum for the correction!
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== Renew As A Crew News ===
So I was a little hesitant to post this, but I'd like you to read it and then read my notes below. This was posted in the Renew As A Crew Public Discord (If someone actually has access to that can you please invite me? I can dm you my creds, I'd rather get it from the source then bugging people).
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So, essentially, right now they are considering not keeping the Renew As A Crew "brand" if a team internally doesn't step up within the next two weeks. Several volunteers have expressed their concern with this (as Renew As A Crew is already popular and news sites know about it). I have it on good authority that even though this was posted, other volunteers are trying to change that so we can maintain that Renew As A Crew brand. So if you happen to see this floating around -- please understand this is still up in the air-- so please don't lose hope or worry too much about this just yet.
==New Resource Group on Twitter ==
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@adoptourcrew on twitter is trying to keep threads available with compiled resources (similar to these recaps and daily task lists) if you are in fact on twitter, they're a good resource for up to date information. There's been some questions on "who are they!" well they're a fan led group (much like the rest of the campaign) and they will not be focusing on collecting money of any kind, they are an information group. They may suggest fundraisers, but as of right now, no money is exchanging hands with them. So please feel free to check them out here.
== Pirate Omens Watch Party ==
Another fun day of watching good omens with Pirates and Omens fans alike. On to Season 2 tomorrow.
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== Lube As a Crew ==
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Still making waves all. Thanks @_Irene_Adler for posting this
=== The Queerties! ===
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If you have a moment, feel free to head over to the queerties page and do some voting for OFMD! It is.. a really long list, and OFMD only qualifies for two (Vico Oritiz and OFMD in general), but if you have a few minutes it'd help out. It'd be great to at least get those two voted for!
Vote
===Petition Status===
We're so very close to 80K all!
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== Some Final Notes ==
So something I noticed today is that we're not trending as much across all the platforms. On twitter, AdoptOurCrew was sticking to 30-35K per 24 hr period for several days, but now it's down to about 24K. We're down to #2 on Max, and the engagement score has gone down quite a bit. Now that might seem like a bad thing. That might seem like we're losing momentum. But I'd like to offer a different perspective. People are taking breaks. People are still directing their efforts on making things more efficient, and compiling information. People are doing more with less -- higher quality tweets, instagram messages, etc. I know that tumblr isn't really being counted high in those stats that tv companies look at, but Im seeing more people interact and delve deep into analysis of things and hashtags are being used. But most of all I'm seeing people take breaks, whether it's in the global strike for Palestine, or just taking some time to recoup.
Not every day is going to be record breaking, nor should it be, because if it was, it'd be people-breaking too. Take it from someone who's worked on 8 month long quality assurance projects, you're gonna have some down days, and that's a good thing.
We've done SO much in so little amount of time, and with David Jenkins and Ruibo Qian posting uplifting things...they see everything we've done, and while they can't tell us if S3 has been adopted, they are sending love. I don't wanna read too much into it conspiracy wise, but I've seen David multiple times over the past few days post RIGHT when things are getting chaotic across all the platforms. He's watching and he's rooting for us. Don't give up hope, but take this time to take a break. Relax, do something creative and fun that you love. Come back when you're feeling refreshed. We'll get there.
=== How To Help ===
If you are still out doing things for the campaign, here's a reminder on how to help (This is not a directive but a guide for when you come back) How To Help Save OFMD Task List - US How to Help Save OFMD Task List - Outside US
== LOVE NOTEEEES ==
Did you know that you're beautiful? When I say beautiful I mean the non-gendered version. You're like really beautiful, inside and out. Seriously look at you. I can feel your beauty miles and miles away through a computer screen, that's how friggn beautiful you are! You're just such a great fucking person and you should be proud of that. You're gorgeous, and beautiful in all ways, and you deserve to be happy lovelies. As always, love you crew, rest up tonight/today.
=================
Well apparently today is Rhys an Rosie's 20th Anniversary! So tonight's Rhys picture will feature Rosie and her lovely letter of love to our favorite dude.
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ofstarsandvibranium · 7 months
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My Sweetheart: Part 2
Fandom: Marvel
Pairing: Bucky Barnes x F!Reader
Summary: You purchase a vintage sweetheart bracelet from an antique store and with it, comes the spirit of the woman who owned it. Through her, you go on an interesting journey to find out what happened to her old lover.
Part 1
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It's been two days since you've basically taken a ghost back home with you. Said ghost named Dot who was attached to the sweetheart bracelet you bought. In the few days since discovering her, you've discovered that she can be pretty powerful. She'll open doors, knock things over, stuff to grab your attention. While she does have a lot of energy, communicating with you can take a lot out of her sometimes. Now it's day three and you're at your computer with a pen and paper beside you to see if she can give you the name of this Jamie person.
You watch as the pen moves a bit but doesn't lift. You're sure she's trying her best, but it kind of frustrates you. You want to help Dot so she can move on and so that you can get back to living your regular life, completely alone without your newfound ghost roommate.
Ways to talk to ghosts
You type the words into google and click on the first link you see: ouija board, a spiritual medium, pendulums, rods, voice recorder, or a spirit box.
Out of all the options, you felt like the ouija board would be the best bet to communicate with Dot. So later that day you go to your local Target and purchase a ouija board, because, yes, they do sell those there. The board being considered as a game.
Later that night, after you've had dinner, you sit in your living room. You have the ouiji board set on your coffee table. The lights are off in the room except for a few candles you lit. You place the sweetheart bracelet beside the board, hoping it'll bring as much of Dot's energy as possible. Beside that, is a pad and paper for you to jot notes
You take the planchette, sliding it over to HELLO.
You take a deep breath, "Dot, are you here?"
With your fingers lightly touching the planchette, they slide towards YES on their own.
"Alright. What is your full name?"
You watch at the device slides over each letter to spell out D-O-L-O-R-E-S-M-I-L-L-A-R-D.
"Dolores Millard. Okay. Nice to meet you, Dolores. But I'm assuming you prefer Dot?"
YES, she says as it slides to the upper left of the board.
"Alright, Dot. Who is this Jamie you want me to look for him? Why do you want me to look for him?"
J-A-M-E-S-B-A-R-N-E-S
"James Barnes? Uuuhh, is there anything else you can give me? Does he have a middle name? It'll make things easier to looking him up."
B-U-C-H-A-N-A-N.
"James Buchanan Barnes. Alright. Give me a second," you pull out your phone and type in James Buchanan Barnes as well as 1940s.
You went through a list of men, Dot either telling you YES or NO. Then it hit you, "Wait. Hold on."
You type in BUCKY BARNES to google and tap on a picture captured of him and Sam Wilson, "Is this your Jamie? Is Bucky Barnes your Jamie?"
YES.
"...well shit!"
_______________________________
Bucky didn't expect things to go this way. He didn't think he'd find himself working beside Captain America again. However, he did find it therapeutic in a way. Sure, he still went to therapy, just not with Dr. Raynor anymore, but this was a different kind of therapeutic. This was him doing good, to make up for all the bad he's done as the Winter Soldier.
The newly renovated Avengers Compound in upstate New York was where Bucky stayed a majority of his time. He still had his place in Brooklyn when he needed to get away from Sam and the newbies, but, for the most part, this was where he can be found.
"Uh, hey, Mister Barnes?"
Bucky looks away from the tv to see Kamala looking at him confused, "What is it, kid?" He asks the young Avenger.
"So there's this lady in the main lobby asking for you. She said it's important?"
"Define important."
Kamala shrugs, "I don't know. Something about a bracelet and a lady named Dot."
Bucky's brows raise in interest, "Dot?"
"FRIDAY?"
"Yes, Bucky?"
"Bring up the CCTV footage of the lobby?"
"Got it," a holoscreen appears and you're seen sitting in a waiting area. Your leg is bouncing, your fingers are tapping on your lap.
"Is she someone you know?" Kamala asks.
Bucky shakes his head, "Nope, but she's mentioned someone that from my past. So I guess I'm gonna talk to her."
Kamala excitedly asks, "Need backup?!"
He chuckles at her eagerness. Even after working with Carol and Monica, Kamala is always wanting to jump in to help, "I think I'll be okay. You can watch the live footage if you want, just in case."
"OKAY!" Kamala plops herself onto the couch where Bucky previously sat and watched the holoscreen eagerly.
It takes a few minutes for Bucky to get to the lobby. The new Avengers Compound is much bigger now after Thanos destroyed the first one.
His brows furrow as he thinks about Dot. It's been literal decades since he's seen her. He knows she's long passed away after looking her and several other of his loved ones up on the internet. She ended up marrying another guy, had a few kids, and a few grandkids. She died about a decade ago.
When Bucky entered the lobby, you spotted him immediately. One of the security guards rushed to stop you, but Bucky held his hand up, "It's okay."
He then looks at you, "Do I know you?"
You shake your head, "No, sorry, um...can we go somewhere private?"
It's Bucky's turn to shake his head, "Sorry. Since I don't necessarily if you're a threat or not, this is the best we can do."
"Alright," you sigh and pull up your sleeve to reveal a bracelet, "Does this look familiar to you?"
Bucky looks down at your wrist and gestures, "May I?" You slip it off and place it into his metal hand. He looks at it and suddenly remembers, "Dot. I gave this to her before I was shipped out for the war."
"Right. Okay, so, um...do you believe in ghosts, Mr. Barnes?"
He snorts, "Call me Bucky, and, I mean, I've fought aliens, super soldiers, died and came back a few times now, so, sure, I guess ghosts are real. Why?"
"Soooo it seems that Dot's spirit is still connected to this...realm...? Anyway, she's attached to this bracelet and her spirit asked me to find you. I think, maybe, for some closure?"
"Is Dot here now?" Bucky asks, a bit, weirded out by this whole thing.
You shrug, "I don't know. I can't see her."
"Then how'd you communicate with her?"
"She wrote on my steamed up mirror the first time and then it's been primarily through ouija board."
"Those things actually work?"
"Seems so. Anyway, I'd really appreciate it if you helped me give her spirit closure so I can start living a normal life again, sans my new ghost roommate."
Bucky snorts. You're very interesting. It seems you're also very determined and a little desperate to solve this Dot situation out. Bucky's not busy. Sam's away on his own mission, so that leaves Bucky to some free time.
"Yeah. Sure, I guess I'll help."
"Thank you!" you fist bump the air, "Should we start now?"
"What exactly should we do first?"
You slip off your tote bag that you've been carrying and pull out the ouija board you've been using, "We can make contact with Dot?"
"You're...efficient," you shrug and Bucky chuckles, "Yeah. Sure. Okay. Um, we need to get you clearance first so, uh, come with me." You follow him to the desk and watch as he discusses your clearance badge to one of the security. You never thought buying a pretty vintage bracelet from an antique store would lead you to meeting an Avenger.
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wilcze-kudly · 2 months
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The parallels between Lin and Opal
Young Opal was more like Lin than Su. And theres actually a lot of similarities between Lin and Opal as an adult, too!
The greatest value for both Lin and Opal is loyalty. They're willing to disregard their own moral codes to defend those they see themselves as caring/ responsible for.
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very weird that Opal wanting to break the oath to save her family from a ruthless dictator is seen as a bad thing while Lin breaking the law to save her subordinates from an insane cultist is cheered on but oh well we don't have time for the double standard rn
The parallels between Lin and Suyin's relationship and that of Opal and Kuvira have interested me for a while and I'm sure I've rambled about it many times already. And they're so obvious, but for some reason I only see people comparing Kuvira to Lin, which feels very surface level all things considered. Kuvira and Lin share their determination, however Opal is also prone to showing strong determination. I think most people just see Kuvira and Lin as "the loners of the family" or base the percieved similarities only off of both Kuvira and Lin being "against" Su.
Opal and Lin, however have very similar arcs.
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Both Lin and Opal dealt with having their needs sidelined and their hurt dismissed by their mothers in favour of the troubled kid who acted out with no consequences. Suyin's 'soft spot' for Kuvira is an interesting parallel between her and Toph which makes sense. Suyin's whole thing is second chances. She jumped at the opportunity of taking Kuvira back in.
Despite both being harmed and neglected by their mothers, Opal and Lin do both strive to please their mothers, believing that this will win them more of the affection they so desperately crave. Here, their paths divide significantly. For Lin, it's a straightforward "I'll be just like my mom, so she'll be proud of me" thing.
Opal, however was born a nonbender, and was unable to fully live up to what her mother might want of her. This also adds to the tension between Opal and Kuvira. It would be easy for a young Opal to see Kuvira, a talented metalbender, getting taken into the family sort of like having a replacement brought in. I'd be mad too.
Opal tries to please her mom in other ways, for example keeping herself from going to the Air Temples, despite this being something she so desperately wants.
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Lin even notices this and talks to her about it. (I adore Lin and Opal's relationship 😊 Lin is so awkward and doing her best Awwww)
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The one huge difference between Lin and Opal is their relation to family. Lin is an outsider, while Opal was very closely tied to her family. I find it interesting that Old Wounds (while not handling the Beifongs the best) has Lin and Opal 'moving' in seperate directions. Lin starts reconnecting with her family, while Opal finally flies the coop. Its fascinating to see how Lin's isolation and Opal's assimilation set them on different paths in life, yet ultimately still allowed them to be incredibly similair personalitywise.
I really like their bond and find it absolutely delicious how Lin and Suyin's unresolved trauma skipped down a generation.
Opal is one of my favourite characters of the legend of korra and I find that the fandom often does her a disservice. I've also never seen her very obvious connection to Lin explored.
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blubushie · 2 months
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What are the things you Like and Dislike about Sniper? (Valve's Sniper and the fans' interpretation of Sniper)
I've got no issue with canon Sniper and love canon Sniper. I'm so sorry anon, you've woken the dog. Ignore me as I proceed to bark angrily for the next half-hour, because I have many issues with fanon Sniper.
But first I'll start with what I like about fanon Sniper. I love how everyone has their own little twist to him, even if most I don't agree with. I love how I can see how authors and artists have interacted with people and the scope of experiences they've heard about off how they write Sniper. I like that I can make judgements on people off how they treat his character (not in a "they make bad things happen to him" kinda way, but in a "how does this person handle Sniper's being adopted" kinda way). I like that I can use Sniper as a looking glass into the author/artist. I'm sure this applies to other characters too, but looking through Sniper just comes easier to me because I suppose I can put myself in his shoes? Iunno.
Now that that's over with, please allow your actual resident bushman and professional sniper to get on his soapbox, thank you.
List of shit I hate about fanon Sniper:
Fandom constantly referring to him as a Kiwi, completely ignoring his entire character arc in the comics where he realises that he is in fact Australian and that the two people who raised him all his life are in fact his "real" parents. The fandom needs to re-assess how they view adoptees/migrants and their relationship to their adopted culture, especially when they show no interest in assimilating into their birth culture and have no knowledge/experience of it. This is such an issue to me that I, someone who emigrated to Australia when I was two years old and grew up Australian despite being born in another country, will just outright block people who call Sniper a Kiwi cuz I already know how you're going to see and view me before we even get to talking.
I don't like how half the fandom twinkifies him. There I said it. On the other hand, I don't like the other half of the fandom often makes him very muscular. Do you not know what lean muscle looks like?
I don't like how the fandom calls him "stinky" or says he's unhygienic. None of the fandom understands how well animals can smell and how much of a successful hunt depends on animals not being able to smell you. You know what makes animals flee fastest? The smell of smoke and the smell of human body odour. If you're upwind of your target they are going to smell you and flee. Sniper, professional hunter for yonks, would not fucken stink considering it'd make him a completely useless hunter. He'd shower daily, wear scent cover (NOT deodorant--Sniper would not smell good, he just would not have a scent at all). Also none of the fandom understands how important hygiene is in the bush. Sniper is not walking around covered in dirt and such. He would be very clean and practise good hygiene because if you don't stay clean you end up smelly (ruining his chances of a successful hunt) and/or end up sick--especially with skin problems.
I don't like how the fandom has generally accepted out-of-characters traits as canon. For example, Sniper being "shy". Reclusive DOES NOT EQUAL SHY. He's a fucken assassin, does the fandom not understand how that works? Shy people do not get hired. No one is going to hire a hitman who's quaking in his boots because a client looked at him a little too long or applied a little too much social pressure. Sniper would be more than capable of blending into his surroundings when needed, such as a crowd, if it means making his hit or getting where he needs to go to make said hit. Sniper would be capable of lying to cover his arse on the spot and making it believable. Sniper would be able to manage being flirted with in public and play it off cooly--though privately is a different matter, so go wild with that all you like. There is a major difference between someone not caring for the company of other people and someone who gets shy or nervous around them. Professionals have standards, and Sniper would keep his shit together for the sake of getting his mark.
He wouldn't smoke cannabis. Whether it's because he just doesn't care for the high, whether it's because it doesn't do much for him, whether it's because THC in particular makes him anxious (you know that man is paranoid, all hitmen are)--the bottom line is that the smoke of cannabis clings to your clothes like nothing else, it takes forever to get the smell out, and yeah sure you can mask it with other smells but the issue is that Sniper, as a hunter, cannot be smelt by anything he's hunting. And you know what scent cover DOESN'T conceal? Cannabis. (Sauce: I have tried.) I could defo see him doing edibles though. But why do you think he's doing shrooms, ay? Because shrooms don't leave a smell.
None of the fandom knows how sniping actually works. Just. At all. I've seen horrendous fucking takes. He is not "feeling it." He is not cracking off a shot at 1200yd a second after taking aim. That's not how this works, that's not how any of this works. DO ANY OF YOU KNOW WHAT ELEVATION OR WINDAGE IS?
Sniper would not be bothered by the cold. A camper has SO LITTLE INSULATION (I live in one!!) and the outback gets BELOW FREEZING AT NIGHT IN WINTER. Sniper would be well-adjusted to handling extreme temperatures at BOTH ENDS of the temperature range. He might be a little more susceptible to cold because he's experienced less of it, but he would not be shivering at fucking 15c/60f. It's also fucken cold during the day in winter because it's the outback and there's no trees to trap the heat in. Temperatures fluctuate wildly, and bushmen need to be highly adaptable or you die.
Not Sniper-specific but the fandom also doesn't understand jack shit about weapons. You clean them after you use them. That's not a clip, it's a MAGAZINE--yes there is a difference. YOU ARE NOT PUTTING A DIRTY SWORD INTO ITS SCABBARD. That's not how revolvers work. No, that either. That's a double-action, you don't have to cock the hammer to fire it. That's a single-action, you do need to cock the hammer to fire it. Bolt-action rifles don't have hammers. You don't rack a bolt, you cycle it, you rack a slide on a semiautomatic pistol or a pump-action shotgun. I'm hitting you with my old man bitching cane.
Continuing from the above point: people who draw Sniper with his finger on the trigger of his rifle/any firearm when he should not have finger on the trigger of a firearm. YOU ONLY PUT YOUR FINGER ON THE TRIGGER WHEN YOU ARE READY TO SHOOT. TRIGGER DISCIPLINE, PEOPLE. IT SAVES LIVES.
Most of the fandom has no idea what the fuck they're talking about or doing with this bloke (or his job, or lifestyle, or where he comes from) and it shows. There, I said it.
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aworldinsideaperson · 6 months
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Candy Cane Kisses
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Pairing: Jake “Hangman” Seresin x Plus Size!AFAB!Reader
Summary: Candy Cane Kisses takes us to a Texas ranch on Christmas night, Jake “Hangman” Seresin is watching his sister’s best friend from across the room as he nurses the bottle of beer in his hand. His Bambi is somehow more beautiful than she’d been when they met three years prior, the last time they’d seen each other until only two nights before and he wonders if she can still taste him like that candy cane between her lips. 
Warnings: 18+, No use of Y/N (Reader is nicknamed Bambi), No happy ending (for now). There is talk of food, relatively explicit talk of sex as well as some pretty graphic foreplay/kissing with the reader being described with vaginal anatomy but the actual smut happens behind closed doors. 
Word Count: 4.8k
A/N:
First: This is part of @sailor-aviator’s Christmas Writing Challenge but it is also a companion piece to a longer story/series I’m working on so while there is no happy ending in this piece the overall story, once completed, will have a happy ending. But once again, THIS PIECE DOES NOT HAVE A HAPPY ENDING so read at your own risk. 
Second: The smut was supposed to be in the story but I felt like it didn’t need it but if people want to read it separately I might consider finishing it and posting it.
Third and probably most important: Anything you’d like me to tag as warning or in a description or anything please let me know. I haven’t really posted anything longer than a couple hundred words since like 2016 so it’s been a while and I know fandom and fanfiction has changed quite a bit since I’ve been an active member of it so please bear with me while I get my bearings. 
Sailor-Aviator’s Christmas Writing Challenge
December 23rd, 2013
Sometimes he replayed that kiss in his head. Sometimes he berated himself for not giving more. Sometimes he imagines pressing his lips to parts of her that he’d never seen. He knew She was older now, they both were, he’d seen the pictures on instagram and facebook, the occasional snapchat with drunk hazy eyes and the same smile she’d had the very first time he’d met her. It’d been more than three years since they’d seen each other in person but even from across a crowded bar with Christmas music blasting and chatter at an all time high, Jake could still hear her laugh and when his eyes shot in the direction of what had once been his favorite sound he knew then and there he was a goner. Even as he makes his way across the room to stand beside her at the bar he knows it’s a mistake but he’s thought about her for three years, and how much hurt could a conversation really do.
“Bambi.” A simple word, a nickname given to her that very first day as she watched the movie for the very first time with tears in her eyes. At the sound her eyes drifted closed, tension leaving her shoulders as she let out a breath before looking over to him with a smile. 
A conversation. That’s what he’d told himself. What harm could it do to just say hello, just ask how she was doing, just talk like the old friends they were. It wasn’t until an hour later when he stood inside her bedroom with his hand in her hair and his cock down her throat that he realized maybe his first instinct had been right. Maybe he shouldn’t have followed the sound of her voice, maybe he should have left the bar the second he heard a laugh that made his heart skip, maybe he shouldn’t have come back home at all.
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December 24th, 2013
Jake sat on the arm of the couch, his cousin Isaac standing over him gesturing wildly with his unoccupied hand as he recounted a story Jake assumed would be interesting if he could pay attention to anything other than the sound of that laugh from across the room. The cold bottle swung between his fingers nearly empty. If he finished it he’d have to get another, if he went to get another he’d have to walk past her, if he walked past her he was sure she’d smell of that sweet gingerbread lotion she’d slathered on her hands, the same as the night before. He’d have to come face to face with her and that candy cane between her soft lips. He tried not to think about those lips, tried to listen to Isaac talk about the latest ponzi scheme he’d gotten himself involved with, tried not to remember the way her lips felt wrapped around his- 
“Dude I’m serious this would be a great investment opportunity! And I know you’ve got some capital, what with that military salary and all.” 
Isaac’s eyes were wide with excitement  but Jake’s face was contorted in pity as he sighed. “I don’t know Isaac.”
With that his face fell. “Why not man?”
Opening his mouth to give the older man an answer he really didn’t have, except to say that some guy name Brad has Isaac by the balls, Jake was saved by the voice of his mother as she quickly approached the pair.
“Jacob,” She started, laying a hand on his shoulder and looking softly at him, usually a sign she was about to ask for physical labor. “Do you think you could help Bambi bring the rest of the cookies from the basement? We’re running low up here and you know if someone doesn’t go down with her she’s gonna try to carry them all up by herself.”
He sighed but he didn’t argue. “Sure thing Mama,” He stood and clapped his cousin on the shoulder as he walked away. “I’ll catch up with you later Isaac.”
“Okay but seriously think about what I was tellin’ ya.”
With his back turned Jake nodded as he rolled his eyes. “Absolutely.” He knew would absolutely not be thinking about it as he took a few long strides towards the basement door and made his way down the steps.
The Seresin’s basement had never been a place to fear. Finished long before even their first child arrived Jake had always known it as a playroom, a game room, a movie room, whatever his family had needed it to be. He could hear his nieces and nephews to the right of the stairs, no doubt playing with the collection of toys new and old that lived in the too big toy chest in the corner of what could have been a third living room. To his left he could hear the rustling of plastic and clanging of aluminum in what was originally intended to be a second full bar for his dad but his mother had taken over as christmas cookie and bulk grocery storage. Once fully down the steps he could see her then, his back to him as she tried to stack two trays of his mother’s treats on top of one another and he smirked, that was just like her.  “I know you’re not trying to carry all those containers up by yourself.” He made his way toward the woman maneuvering the stack to goodies to get the best angle, gently laying his hand on her lower back. 
Relaxing at his touch Bambi looked up at Jake with a smile of her own. “I’m an independent woman who only takes one trip, especially with stairs involved.”
“Well as independent as I know you are imagine the hell mama would give me if she knew I let you carry them all up yourself. So will you spare me the wrath?”
Bambi rolled her eyes, replying with a sarcastic chuckle. “Well I suppose I could take pity on you given how well you ate pussy last night.”
The man’s shoulders dropped, “About last night,” He started, the room becoming thick with silence. “It was-“ He couldn’t finish, taking his hand off of Bambi and placing both of them on the counter as he turned from her slightly. He didn’t even know what he should say, didn’t know what the truth was, didn’t know if he should tell the truth even if he knew it.
Bambi nodded and sighed, back straightening as she toyed with the edge of the wrapped cookie trays. “A one time thing, yeah, nothing, I get it and I don’t plan on telling anyone. Not even Mary. She’ll lose her mind if she found out we almost fucked.” 
‘Fucked’ the word didn’t feel right. She’d never felt anything like what she felt the night before, memories of his hands and lips trailing over every inch of her body, every square of skin an erogenous zone with his touch. Fucked was something that happened after heated arguments and on couches in frat houses and in the back of cars. She wondered if last night, even though he’d never been inside her, she wondered if that’s what sex was supposed to be like, still making her feel a need for him almost 24 hours after the fact.
“Good. I mean. I just didn’t want to give you the impression that it was more than it was.” He felt sick at his own words. ‘More than what it was’ what was it exactly? Two people who once knew each other, who’d once been friends, giving each other pleasure? No feelings? As if he didn’t still think about her once a day from sharing one single kiss three years prior. 
The silence feels heavy around them but continuing to plaster a smile on her face Bambi looks up at her best friend’s brother. “I get it.” She starts. “I’m not a teenager with a crush anymore. You may have been the first person I loved but there have been others since. Other kisses, other blow jobs, other sex partners. There will be others after you too.” 
Every muscle in his body was tight as he nodded. “Okay then. It’s all sorted then.” Jake’s stomach churned as he tried not to think of her underneath, on top of, in front of, with other men. He wasn’t neive, he knew last night that the blow job she’d given him had been too good to be the first time she’d done it, someone had instructed her in the past. She knew where she wanted to be kissed and touched and she hadn’t been afraid to move his hands or his mouth or ask for more or less. He knew those things came from experiences. He just hated hearing her say it. Or maybe he hated the thought of after, that there was now an after him. That someone else would touch her and be touched by her and she’d instruct them on how to make her feel the way he had. Make her feel the way he had when he knew no one would ever make him feel the same way she did.
“Yeah, now let’s get these treats up there before people start nibbling on your mom’s gingerbread houses.” With a smile on her face Bambi grabbed the top tray and quickly turned her back to Jake and made her way back upstairs.
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She was trapped. Completely and totally trapped. There was no possible way out of the conversation with the man in front of her. She’d tried everything, giving uncomfortable responses, not responding at all, she’d even tried walking away and he’d just followed her. Bambi had met Billy Seresin a few times. He was always too loud and too touchy, he smelled like he smoked 3 packs a day and he never ever shut up. All she had done was give him a polite smile as she was walking past him and into the sitting room, intent on cornering Mary-Ann to pester her about the man who’d shown up to the party as her boyfriend and left 30 minutes prior seemingly losing the title. That had been her plan but of course things hardly seemed to work out the way she expected these last few days especially and nearly 45 minutes later Bambi was sure that if Billy Seresin laid so much as a finger on her again she was going to vomit. But as he raised his hand another slide along her lower back and pulled her closer to him.
“Hey Bill, I’m gonna steal the pretty girl away, hope you don’t mind.” And without waiting for a response Jake led Bambi to the front door, his hand still resting gently on her back.
As they passed the threshold out to the porch her shoulders relaxed as she took in the borderline cold night air. “You are a real hero Jake, if the navy thing doesn’t work out I could whip you up a cape and some spandex, you could go around saving the world from conversations with creeps.” Bambi chuckled as the two settled beside each other on the porch swing, Jake pulling a large blanket from the basket beside them and wrapping it around Bambi’s shoulders.
“Well I’m contractually obligated to the Navy for another few years but afterwards we’ll team up.” His hand rubbed up and down her blanket covered arm a few times before leaning into the back of the swing, his body turned completely towards the woman beside him. “Besides, how was I supposed to let him keep eye fucking you right in front of me.”
“He was not eye fucking me.” Bambi voiced with a roll of her eyes.
“He was,” Jake argued. “I can tell since I’ve done it.”
Turning lifting one knee onto the seat of the swing she turned to completely face Jake. “He’s married to Sarah who’s a fucking dream, no way he’s trying to fuck that up.”
Propping his elbow on the back to their seat, Jake smirked, resting his head on his hand. “You’re way hotter than Sarah.”
“Oh now that’s just a flat lie.” She replied, throwing her head back in laughter.
Lifting his head, Jake let his fingers reach out to slide over a piece of her hair. “I disagree. You’re the hottest woman in any room.” He smirked, giving Bambi an exaggerated wink.
Lulling her head to the side she said his name with a mildly warning tone.
He sighed, throwing his hands up in defense. “Fine I’ll stop saying it. But you can’t make me stop thinking it.” A full genuine smile spread across his face, all the way up to his eyes.
“Sometimes I think you’re too much of a flirt for your own good.” She gave him a gentle shove and her exaggeratedly leaned backwards before sitting up with a laugh.
As the sound of laughter faded Jake admired the woman before him, he’d always thought she was beautiful but the glow of the twinkle lights surrounding the porch made her look ethereal. Even three years later, he’s never gotten over the way he feels around her. For several moments the silence surrounded them, nothing but the light creak of the swing chains and nature. The peacefulness he didn’t expect to be surrounded by was somehow terrifying to him So he filled it. “How’ve you been?”
“Good.” She started, looking at her hands in her lap as she began to pick at the polish. “Mom has been seeing this guy Randy and he’s really nice to her. They’re talking about getting married and moving in together. And Mary bought this new camera and we’re setting up a studio space in the third bedroom of the loft. She’s not sure if she’s going to go back to college with me next fall but I still have plenty of time to convince her.” A soft smile turned up the corners of her lips her eyes still trained toward the fiddling fingers in her lap.
Jake reached out, rubbing his hand slowly over the blanket covering her shoulder. “That’s all great Bam but I asked about you.”
She sighed and then nodded. “Oh, well yeah, yeah. I’m good. I’m good.”
‘You sound unsure.” He pushed.
She reached out her hand to place it on his knee. “No, I'm good. Really.” She assured. “Just not totally used to thinking about it I guess.”
Reaching down to take her hand between both of his, stroking his thumb along her skin. “When’s the last time someone ask how you’ve been doing?”
“About 30 seconds ago.”
Jake looked at her with a warning glare. “Before that, smartass.”
Bambi rolled her head and smiled, her thumb sliding back and forth over Jake’s own calloused knuckles.“You’re the one in the Navy, doing big important things, shouldn’t I be the one asking you how you’re doing?”
Squeezing her hand tightly he gave Bambi a serious look. “You can ask but how you’re doing is no less important than how I’m doing. I’m of the opinion that it’s more important. How can I be okay if I know you’re not?” His question was met with silence and so with a sigh he continued. “I’ve been really good. Made some friends, made some non friends, and I love flying. Have pretty much everything I could ever want. Now you.”
Bambi smiled, giving Jake’s hands a squeeze of her own as she kept her eyes trained on their connected fingers. “I’m good, really. I’m getting my degrees in social work and criminal justice. Victim advocacy is the goal, helping people in similar situations to what Mom and I went through. Things are stressful and I’m scared I’m gonna fail like all the time but I want to help people so badly.” Finally she looked up, tears began to surface in her waterline as she willed them not to fall. “Somewhere out there is a child or a spouse who is going through some of the worst pain of their life and I think about how it felt to be helpless like that and I know I can’t give up.” 
Again, Jake reached out to her, one hand still holding tightly to hers, the other gently brushing a fallen drop from her cheek. “You amaze me Bamb, stronger than me that’s for sure.” A comfortable feeling fell over them as he continued the questioning.“You still in therapy?”
With a smile she nodded, her hand still gripped tightly in Jakes. “Yeah but I’ve been in a pretty good place for a while now so we’ve cut back to once or twice a month with the option for more when I need it. It really helped me to work through a lot of the guilt and anger and sadness. And I can think about it now without wanting to throw up. I still have nightmares but nothing like it used to be.”
Jake grinned at that. “That’s really great. I’m proud of you for sticking with it, I know you were really nervous to be starting it in the first place.”
“Thank you for encouraging me back then, I don’t know if I could have done it without that extra push.” 3 years ago she’d been a girl often afraid of her own shadow. She’d thought she needed to be saved back then but Jake hadn’t been the one to do it. Instead he’d loved her and broken her heart and pushed her to help herself. 
“Of course Bamb I’ve always cared about you, always wanted what’s best for my Bambi.” His hand cupped her cheek, eyes unable to break from hers.
“Jake-“
“I know, I know what we said I just,” He sighed, thumbs gliding softly over the skin of her hand and of her cheek. “I just really miss you.”
“Miss me?”
“Yeah,” Again, silence surrounded them, Jakes eyes dropping to her lips as he continued. “Bambi, about earlier I didn’t-“
“There you are!” Mary-Ann’s interruption pulled the two apart, hands now cold and cheeks warm. “Jake, I told you to interrupt my conversation with Isaac after 3 minutes. I was stuck there forever listening to him talk about whatever bullshit he’s on now. I swear that guy doesn’t know his ass from a hole in the ground.” Mary plopped down in the rocker closest to the swing.
Jake now sat with his feet planted firmly on the porch. “Says the girl about the drop out of college.” He teased.
Mary gasped, turing to her best friend who still had yet to stop reeling. “You told him!?” She exclaimed.
Bambi replied with a soft shrug. “I didn’t know it was a secret.”
With the most sincere puppy dog look she could manage Mary-Ann turned to her brother. “Please don’t tell daddy, he’d be so disappointed in me.”
Jake dropped his shoulders and stood up, placing a hand on his sister’s shoulder.“Oh don’t worry Mary-Ann, he’s already disappointed in you.”
From then on the conversation was nothing but a fit of giggles and insults between the siblings, Bambi still swinging back and forth in a fog as she wondered what he’d been about to say.
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The night had slowed, most of his extended family had been long gone before it reached ten and parents retiring upstairs not long after. The house was quiet, the only light coming from the twinkling bulbs strung from corner to corner in every room in the house. Jake sat at the dining room table, his chair cocked slightly in the direction of his companion. He’d had more to drink since earlier in the night, giving his mind a soft haze. At least he thought it was the alcohol, could just as easily be the woman sitting beside him in her red dress, glowing in the soft light. He’d convinced her to have one last drink with him before she walked to Mary-Ann’s apartment over the garage. It’d been nearly an hour ago and the clock was ticking closer to midnight as the two each prolonged the last sip of their drinks.
Bambi reached over, gently patting his hand. “It’s good to have you home Jake. I worry about you a lot.”
Turning his head to look at the table Jake nodded. “I worry about you a lot too.”
“Me?” She chuckled and just like the night before he forgets how to breathe. “I’m not the one spending my days in a flying metal death trap.”
“I still worry about you. We should keep in touch more.” He traces his finger around the opening of his bottle, trying not to make eye contact as she continues to barely laugh at a memory.
“What, my occasional snapchat not enough for you?” She asks.
“Not when I want to hear from you every day.” It then when he finally looks back at her, if he didn’t know her so well he’d think maybe that smile was real and not the fake one she plastered on to keep others at a distance.
“Every day?”
He sighs and nods his head as he once again looks away from the woman beside him. “Yeah. I think about you every day.” He thinks he must be drunk, there is no other way he’d admit something so agonizing, not to himself and certainly not to her.
The silence is palpable as she throws back the last sip of her drink as she stood. “Well I should probably head out.” Her voice is quiet, if he hadn’t been standing beside her so closely he might not have heard it.
“Bambi,” Jake lifted his hand to her cheek, gently stroking her with his thumb as her eyes closed. “I wanna kiss you so bad.”
Opening her eyes she watches him through her lashes as she turns and presses her lips to his palm. “How’s that?”
“Not really what I had in mind.”
She smirked, “Disappointed?” She asked, thinking back to the very first kiss they’d shared so long ago, her first.
“Just thinking maybe you don’t know how to kiss, someone should really teach you.” He lifted his other hand, steadying her face to look up at him.
“I seem to recall my first teacher being awfully strict about what kisses he could and could not give me.”
His right hand lifted to brush the stray hairs for her face and he nodded. “Let me make that up to you?”
“I thought that’s what last night was supposed to be.”
One side of his mouth twisted up into a smirk, his hand now moving to caress the side of her neck. “I don’t remember finishing the job.”
“You made me cum, your job is done.” The memory of his lips and tongue making her knees weak.
“But it was only once.” He argued.
She was staring at his lips now, heart pounding with anticipation. “Once is more than most.” It was a true statement. She knew too many people lying about orgasms for it not to be.
His thumb stroked between her jaw and ear, eyes watching her as her eyes moved from his lips to his own chartreuse orbs. “I’m not most.” 
Voice hardly above a whisper  “Jake?”
“Yes?”
“Just fucking kiss me.”
Four words. Four fucking words and Jake’s mind had gone blank of all thought. All except one. ‘Bambi’. Slowly he dipped his head, gently pressing his lips to her, the familiar taste of candy cane still on her lips from his mother’s christmas cocoa cocktail. He almost pulled away; almost did the exact thing he’d done three years prior, sparing both of them the heartbreak but as she sighed and he felt her melt into his touch he needed just a little more. 
Their lips moved together, slotting her bottom lips between his and gently sliding the tip of his tongue across it. Her hands reached up to tangle in his hair, the velvet locks sliding through her fingers as he began to pepper kisses first at the corner of her mouth before moving down over her jaw and down her neck causing her to moan at the feeling of his lips against her bare skin.
He smiled as he continued to kiss and lick and gently nip at her neck. Bending slightly at the knee he wrapped his arms about Bambi and lifted her to rest on the dining room table where only hours earlier his family had been gathered. She gasped and her high heels dropped to the floor and her arms now draped over his shoulders. Jake’s smile grew as he dropped his lips to hers once again, slotting himself between her thighs and pulling her to the edge allowing her to feel his length pressed between their bodies. “Do you feel that baby? Do you wanna feel it inside you?” Arrogance heavy in his voice, his lips barely brushing over hers.
Bamni’s face contorted and she whined. “Yes. Jake please please please.”
“No need to beg Bambi, whatever you want, it’s yours.” He spoke with a slight chuckle in his voice though the sound of her begging made him twitch. Again his lips trailed over the skin of her neck then to her shoulder, his hands sliding up her thighs under the red dress he’d spent the night imagining on the floor. His fingers traced over the nylon, attempting to feel every bump and curve and dimple of the flesh underneath.
”I want you to touch me.” Her tone is still begging with his lips trailing over her collar bone. Smirking Jake pulled his mouth from her skin and licked his lips, moving the fingers of his right hand to her core, touching her gently through the layers.
“Oh fuck.” He groaned, feeling her slick against the tips of his fingers. “You are so wet I can feel you through your panties and stockings.” Again he pressed his lips to hers, swallowing the moans the escaped from her lips at even his light and obstructed touch. “Stay the night with me?” He asked, lips still brushing against hers.
With an eggar nod and jagged breath she responded with a simple yes that had Jake’s heart pounding as he pulled her from the table and kissed her deeply before quietly leading her up the stairs and down the hall. He pressed her against the door of his bedroom, his thigh between her legs and her lips against his throat. “Come on baby,” He whispered. “Let me make you feel good.” And with that he pushed his door open and the two stumbled into his childhood bedroom and with a click, locked the door behind them.
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It was nearly 5:30 in the morning as the lovers laid in each other's arms, fingers trace patterns over the other’s skin. Jake’s mom would be getting up soon to start Christmas breakfast. His mind reeled with thoughts, a carousel of anxiety, of leaving Bambi, of breaking her heart, breaking his own. Thoughts of his mother’s smirk if his sister’s best friend bound down the stairs with his hand in hers still smelling of sex. His mind filled with thoughts of run, and run, and run. So he ran.
Pulling his arm from around Bambi Jake moved to sit on the edge of the bed, his back to her. “You should probably get going before everyone gets up.”
She sighed before throwing the covers off and throwing her own legs over the side of the bed. “Yeah, I’d hate to have Mama Seresin see me do the walk of shame. She’d probably start planning the wedding before I made it to the end of the driveway.” She laughed as she gathered her dress and undergarments from the night before, slipping them on with little effort. She felt lighter, tension gone from her shoulders and a permanent smile plastered to her face.
“Bambi, last night, it-“ Jake started but Bambi cut him off, leaning in close for a kiss.
“Was great? I sure thought so.” She said, attempting to finish the sentence in a way he hadn’t meant to.
Jake pulled away, his eyes trained directly to his feet as he spoke. “It shouldn’t have happened. I’m sorry.”
Silence again filled the space between them, the inches beginning to feel like a cavern as she pulled further away from him. She didn’t recognize her movements as she walked to his door, her fingers wrapping around the cool metel of the handle. With a deep breath she let the truth fall into the chasm between them. “I lied last night, when I told you it didn’t mean anything? It meant everything.” 
She stood there, hand on the knob hoping her words had changed something but Jake didn’t even move “I’m sorry Bambi. I wish-“ He sighed and his head dropped into his hands. “You deserve more than this, more than a single night.”
Bambi nodded and turned the handle. “Merry Christmas Jake.” 
Her words were quick though even with the speed he could hear the crack in her voice. His door was shut tight before he responded. “Merry Christmas Bambi.” And only when he heard the front door shut and the turning over of her car did he reveal his own truth.
 “I love you.”
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ryemackerel · 2 months
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Heads up: This post is related to the Shubble and cc!Will topic. Basically, this post outlines how the rest of my content will go here on out.
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Just some updates about how my future Dsmp Rewritten/Healing AU-related content will go!
Upon hearing the news, I felt that it would be more appropriate to start giving the AU its own identity. I’ve been wanting to give it its own name to somewhat set it apart from canon DSMP? Just so people know that I’ll be focusing more on developing that storyline and characters to make it stand out from the canon. (It’s still related to DSMP of course, and would still have the characters from that fandom. I just think it would be nice to give it its own identity.)
In terms of drawing c!Will, she has and will always stay completely separated from the actual content creator, as it had always been with the other characters! I love her dearly and I’m not quite sure if I’m ready to let go of my interest for the characters + AU just yet. I’ll still continue to draw the characters (SMP characters and Bursonas), just not anything for the actual real life guy.
I considered giving c!Will another alternative name, Willow, which I thought sounded nice. :] I wouldn’t consider the characters my OCs yet? I feel like the AU needs time to kind of build itself and grow to really stand out as “original”.
At this point in time, the news has pushed me to try and span out to different interests. Not just developing the AU into its own thing to stand out of DSMP, but most likely delving into other interests and making fanart for a wider variety of fandoms. It’s very difficult to let go of my old interests though; this is an interest that I’ve held dearly to my heart for years, and I doubt I’ll fully quit making things for it in the future. I just feel like this might mark a different direction for my art going forward. For sure I won’t stop drawing fanart for it, but things are surely just going to feel different. I won’t be using any cc!Will tags, only tags related to his character.
The situation at this point in time is super stressful for a whole lot of me and my friends. If anyone needs context, I’m not sure if I can give the best insight on what happened or explain it properly. I highly suggest reading about it from other folks instead.
Sending all the love to Shubble from the news she came out with.
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Now, I’m not sure if anyone in the TOA fandom has ever mentioned “Tongs A Lot, Dad”, a short story found in Camp Half-Blood confidential, but I strongly believe it adds (or perhaps reinforces) a lot when looked at with the additional context and characterisation the Trials of Apollo provides. 
An almost diary entry like addition in the short book, the story is told by Connor Stoll, following him and his brother as they poke around the old attic where the Oracle of Delphi remained for decades in the interest of scoring loot. At this they are semi successful, as they are made almost ridiculously vital to the canon plot of HoO with the find of celestial bronze tongs, which are inscribed with the instructions “for plucking the Tartarus Napkin from fire”. And if you are reading this post, you probably have a pretty good idea of why that’s important.
Now, what does this have to do with Apollo? Well, I find it highly probable that this was Apollo’s doing, for multiple reasons. 
1. The tongs were found in the oracle of Delphi's old abode, which is obviously Apollo’s domain, a place you would think he’d be very familiar with- the original place of the Oracle of Delphi was sacred ground, in fact, and even if that doesn’t quite translate to modern day... there is that theory about him being Camp Half Bloods Patron, pioneered by @tsarisfanfiction, I believe. Whatever hold the ancient laws have on the gods, I think we can somewhat assume that places such as these allow more wriggle room. 
 2. This notably happened basically simultaneously with Rachel becoming the Oracle, as seen here, “While everyone else was waiting to see if Rachel, the new Oracle, would survive....we made our move around to the back door of the Big House.” At this point, we’ve just wrapped up PJO. How would Apollo of known to set this up now? Well, we already know from Octavian in SoN that Apollo talked to him personally, and that their talk must of happened before Olympus closed, because he was stuck on Delos after. So if Apollo can put that into play, why not set up this? After all, Apollo is the god of prophecy - he could of understood it was needed. He obviously knew there was a threat. 
3. In the books (before ToA) we only see Apollo in Camp Half Blood twice- once to take Percy’s group and the hunters there in TTC, and once at the end of PJO to, as Conner so delightfully puts it, wait to see if Rachel would survive the Oracle. He was right there. And if that’s not enough for you, the reason Conner picks out the bag with the tongs? A “beam of golden light, shot upward from the floor” startles him. We find out later in another story that Apollo is directly confirmed to have been the one to do this- gifting Rachel the famous tripod stool of the Oracle. It fits almost to well.
“But!” You might say, protesting, “The title confirms who did it! I mean, it’s not like Apollo is Connor Stoll’s dad!” And to that I say- although the title does suggest that Hermes is responsible, it’s never confirmed, and more importantly- it’s in Connor’s POV. Why shouldn’t he assume it’s his dad? And why would he know otherwise? Perhaps you could make another connection with Hermes due to his shrine in Tartarus and point at that as his involvement, but wouldn’t it make more sense if Apollo knew it was a Child of Hermes who had to have the tongs, and acted accordingly? Afterall, last we saw Hermes he had a significant grudge against Annabeth, and more importantly has done nothing to suggest he’s capable of such foresight, especially at this point.
Now that I have (hopefully) convinced you of Apollo’s involvement, another titular question must be answered- why does it matter? What’s the ramifications of this? Well, considering that this napkin basically ends the civil war between the Greeks and the Romans... a lot, actually. Specifically, it allows Annabeth to communicate that reconciliation can be reached if Reyna, a Roman, returns the Athena Parthenos, an important Greek statue to the Greeks. (Also interesting to note she addresses this to Rachel, Apollo’s Oracle... another subtle connection). 
In ToA, Zeus punishes Apollo mainly for two stated reasons: Revealing the Prophecy to soon, which becomes pretty clear is not how prophecy works. And encouraging Octavian to declare war on the Greeks. But wait? If the Napkin succeeds due to Apollo, that means that he is trying to stop the war, which in my opinion follows more along with his characterisation in ToA. So what happened with Octavian? The fact of the matter is, people more clever then me have attempted to solve this question, such as @zazzander and @fearlessinger (Highly recommend this post if you are interested in the topic!) 
The tongs (and thus the potential for the Napkin) was put into place months before any true threat would be realised by most characters. So it wasn’t a frantic backpedal of trying to fix his mistakes to avoid punishment by Apollo. It was deliberate. Premeditated. Now, it could be that Apollo just knew the tongs would be needed, but not what for. Unfortunately, we don’t know how his powers work. But that’s boring. However, if you take the view that Apollo’s communication with Octavian was part of a larger strategy to reunite the camps... (again, see the linked post). Well. Funny thing, because that’s exactly what the Napkin facilitates. The two camps stop fighting because of this one, simple message, and the effect it had. They focus on the true enemy. Gaia.
What does this tell us then about Apollo, then?
Well...not much new, surprisingly. ToA does it’s job well. We know Apollo cares, deeply, about his kids and demigods as a whole. We know he often acts subtly, through quiet actions that he’ll never admit to. It’s maybe the final piece of evidence you could point to and say definitively that Zeus’s punishment was unjust, but we already knew that (although funnily enough, Zeus doesn’t- and even if he did, he’d probably just point to the violation of the interference laws and punish Apollo anyway.) What it does is add on to a very firm characterisation that ToA finalises, and showcases how once again Apollo is so much more then he first appears. 
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