okay!! now that it’s not 2am for me, i’m going to post my selkie!jason todd hc’s straight up au apparently!
(uh. this was supposed to just be a list of hc’s but i got slightly,,,, carried away)
his selkie skin looks like an oversized red hoodie in his human form, and is just warm enough to help him survive new england winters.
when the summer heat becomes unbearable, he slings the hoodie around his waist
alternatively, he just coasts it out underwater. perks of living in a coastal city!
willis todd was a selkie. he used to tell jason stories of what it was like to swim through the big, wide ocean. of how freeing it felt. how different it is, from the smoggy, heavy air of gotham --- different, but both theirs, in their own right.
but to be honest, jason doesn’t remember much about the stories he was told, or really, anything about willis --- he had been in and out of blackgate for most of jason’s life, working for two-face to try and make ends meet, before dying.
what jason mostly remembers, are the warnings. don’t let anybody know you’re a selkie. don’t let anybody find your skin. they will find it, and they will use it to control you. even decades later, jason would still remember those warnings.
catherine is the one who teaches him how to swim, who helps him trial-and-error his way into putting his skin on, and learn how to make the transition seamless.
after she dies, jason spends three months as a seal, to just... exist. forget.
although jason technically lives on the streets, whenever he can;t find food, whenever he can’t find somewhere warm to sleep, whenever just being human becomes too unbearable, he spends the night as a seal. he ends up spending more time in the ocean, than on land.
that’s not to say he’s very good at being a seal --- he barely knows how to swim, has to learn how to fish the hard way.
when bruce finds jason stealing his car tires, he marvels over how nice jason’s hoodie is, soft and fluffy even after all of jason’s time on the streets, especially given the condition jason is in, ribs showing from malnutrition, and the worn and raggedy shape of the rest of his stuff.
jason is skittish when he goes to live in the manor, even after a few weeks. he always adopts an expression particularly similar to a cornered wild animal around alfred in particular, alfred, who keeps on trying to take his hoodie away, purportedly to wash it.
alfred eventually gives up on trying to force jason to wash it --- he figures that as jason becomes more comfortable living at the manor, he’ll wind up telling them why he’s so protective over that hoodie, and they can work something out then.
whenever wayne manor overwhelms jason with how big and how decadently expensive all the decor is, jason runs away, run to the ocean.
jason doesn’t actually end up telling alfred and bruce that he’s a selkie --- bruce just has a ridiculous amount of motion alarms, which are triggered every time jason ran off. he had followed jason the third night, and saw him transform.
bruce doesn’t tell jason that he knows, assuming that jason kept this a secret because he didn’t fully trust either of them. he would later learn that he was right in this assumption (a rare win for bruce in terms of emotional awareness)
except jason doesn’t fully trust either of them, even after a few months. bruce impulsively decides to do a few things --- a) tell jason about batman and robin and his crime-fighting secret identity, and b) tell jason he already knows about him being a selkie.
jason is absolutely bamboozled by the fact that bruce knows, and yet hasn’t tried to take his hoodie to control him, or to stop him from playing in the ocean for a few hours.
in fact, (under alfred’s encouragement) bruce offers to take him to the ocean during the day, so he can get “a proper night’s rest that a growing young boy such as himself would need”
jason remembers what his father told him, to never trust anyone, never let his guard down. but bruce has known about jason being a selkie for so long, and he didn’t take his hoodie or try anything. of course he can trust bruce.
and when he tries on the robin costume for the first time, it fits perfectly. just like his hoodie, his second skin. it fits just like magic.
oh, it’s a little loose in some places, the legacy of dick fucking grayson a little heavy sometimes, but he’ll grow into it. he’ll make himself, if he has to.
also, jason finds the fact that even though he’s a friggin’ selkie, his callsign is a bird (a robin, no less) incredibly ironic and funny
being a selkie is actually so useful for vigilantehood. the amount of people who talk freely, openly, and loudly about their drug smuggling plans near the ports is quite frankly, ridiculous.
honestly, towards the end of his robin years, jason remains genuinely surprised nobody catches on to him or his tactics yet. bruce is very proud.
even though jason is safe, has been safe for three years, and trusts bruce with his life, his skin, and everything, old habits are hard to break. so he has his hoodie on when he goes to find sheila.
and anyways, he wants to see if sheila is a selkie too. he’s taking biology right now, and they’re learning about punnett squares. jason’s never met another selkie before, other than willis who he barely remembers. there’s a possibility that sheila knows something, anything, so he has to try.
sheila gets a glint in her eyes when jason mentions that he’s a selkie, tells him that while she’s not one herself, she’s familiar with the myth. she has long suspected that willis was a selkie, she tells him, and she’s glad to have confirmation.
jason positively vibrates with excitement, can’t wait to ask, to pester his mother (mother!) with questions upon questions until.
until.
sheila doesn’t do anything after she gives him to the joker. she just smokes and smokes. and she doesn’t tell the joker about his hoodie, despite how it would have been much easier for the joker to destroy him that way. much more painful too.
small mercies, he supposes, in between hacking coughs that brings blood bubbling up his lips.
after he dies, his hoodie is ripped and in tatters from the crowbar, with burns along the edges from the bomb. bruce has to carefully peel it off his body.
when jason was alive, his magic kept the hoodie in perfect condition, always. even when the rest of him was covered head-to-toe in mud, or dripping sludge from the nasty gotham sewers.
bruce stares at the same hoodie, blood-soaked and mangled, so incredibly dissonant from how he remembered it on jason, when he was bright, whole, and alive.
he can’t stand it. the hoodie that was so precious to jason, that was jason, at the core of him, in this state. dirty and ripped and devoid of the magic jason had exuded.
in a moment of desperation, late at night, bruce asks alfred to teach him how to sew. he doesn’t dare to practice on jason’s beloved hoodie --- instead, he starts with the suits in his closet, grabbing the first one he sees, regardless of price. rips a hole and sews it back together over and over until he perfects his technique.
and then he washes the fabric gently, using baby fabric cleanser and scrubbing for hours upon hours until the last traces of the deep-set brown stain from jason’s blood washes down the drain.
he painstakingly sews the scraps of fabric back together with a red thread, carefully sourced to match the hoodie to try and make it flow seamlessly like it used to.
it doesn’t work, not exactly. despite his best efforts, the creases bruce had carefully sewn together are prominent and thick like scars, littering the soft fabric.
so he gives up. he hangs it over the grandfather clock entrance to the cave in his study. brings it with him every time he visits jason’s grave, because he doesn’t ever want to keep jason’s hoodie away from him, but he also can’t bear for it to get ruined.
dick visits him. a rare occurrence, these days.
dick yells at him, as he is wont to do.
these days, it feels like they spend more time angry at each other than not. dick says that this isn’t right. isn’t fair to anybody, not to alfred, not to himself, definitely not to jason. he rants, jason deserves to be remembered as he was in life, not frozen in death.
perhaps he is right. bruce is not unaware of the state of violent, cutting stasis he is in, this putrefaction of his life. and he is certainly not unaware of how it is affecting the people around him. dick. alfred. the neighbor’s kid, the one who wants to be robin.
bruce tries. not for himself, but for tim. for alfred, for dick. even for stephanie brown, who sometimes, when she smirks just right, or says something with just the right twang, he swears he can see jason in her.
he still can’t bear to put the hoodie away, because jason deserved better than to be forgotten, so he folds it gently and places it in his closet instead.
he also can’t bear to look at it for very long, so he forces himself to every single day.
it’s different from the glass case that houses robin’s tattered suit in the cave --- that, is a reminder of how he failed robin. this, this is salt in a constant, stabbing, festering would, reminding him of how he failed his son.
it was stephanie, that eventually helped him figure out what to do with the hoodie. when she was young, young enough to cry at ripped pants and skinned knees, young enough that her mother hadn’t touched the drugs yet, her mother would dry up her tears, give her a hug and a kiss on the forehead, before patching her pants up.
what not many people know, is that before crystal brown set her mind on becoming a nurse, she wanted to be an artist, first. and so she grabs her old set of embroidery needles, and stitched little designs. dogs and cats. stars and planets. tools and gadgets.
bruce doesn’t react, doesn’t even move, even as stephanie finishes her story. she hangs there awkwardly for a second, stares up at jason’s suit, waiting for him to respond, before shuffling towards the exit of the cave.
thank you, spoiler, bruce manages to croak out.
ah, yeah, she says, shrugging lightly while slouching in on herself, any time, boss. she walks out, and bruce watches her go from the reflection on the darkened computer.
that night, he takes out jason’s hoodie, smooths it out, grabs his threads, and stitches.
he stitches on constellations, argo navis, for jason’s namesake in the greek myths he had loved so much. a tiny seal, playing with beach balls. little books, with quotes on the sides. a robin, big and bold.
he tries to make it as true to jason as possible, not just in death and in bruce’s memories, but as he was in life.
jason wakes up abruptly.
he wakes up in a coffin, cold, alone, and with a gaping hole in his chest. getting dipped in the lazarus pit only made it worse, only made him all the more aware of what he was missing, all the more conscious of it.
he doesn’t bother trying to learn how to swim with two arms and two legs, instead of two fins and a tail. it doesn’t feel the same. it only reminds him of what he’s lost.
sometimes, on sleepless nights that happen more often than not, he wonders what would have happened if he still had a hoodie, still could swim.
if he still was robin.
and he doesn’t have access to the cave anymore, or to the titan’s tower, or the watchtower, and his memory of the past is still patchy and shitty in some places.
so in a burst of impulsivity fueled by the person he no longer is, he prints out photos of robin’s costume from the internet and recreates it on his own.
if his skin is gone, then fine. fine! he’s perfectly perfunctorily aware that nothing about this resurrection of his is natural. if he doesn’t think too much about it, he’ll be alright. his hoodie, his skin, that was something he was born with, a birthright that died with him.
but robin, robin was something that he helped shape. robin was something that he worked for, changed himself for.
and the makeshift robin suit --- it doesn’t fit him, not anymore. no, it feels wrong, like a child playing with their parent’s suit. or --- he realizes, perhaps more accurately, like an adult realizing they no longer fit in their favorite clothes.
and --- and --- what was the point of it all? what was the point, of trying to make bruce proud of him, of getting dick’s approval, of trying to futilely save people over and over again from the same gallery of supervillains who keep on escaping from prison?!
and what was the point of carving out a space for himself if the joker was just going to beat him out of it, and if tim drake was going to insert himself in the hole he left behind?
and then the next thing he knows he’s in titan’s tower hitting tim drake over and over again because who let him? who let him take jason’s role as a son, as a brother, as a hero? how dare he?
but when he’s slit tim’s throat and torn the ‘R’ off his chest, jason doesn’t feel any better. the robin suit still doesn’t fit. his hoodie’s still gone.
he’s starting to think it never will, not again.
sometimes, when he gets tired enough to let his mind wander, he wonders what happened to his suit.
he’s pretty sure he died with it, so either the hoodie is with the joker, batman, or... gone entirely. (it’s not like they found willis’ skin after he died. maybe selkie skins just disappear in a cloud of sea foam once they die, or some little mermaid shit like that)
it’s a cold comfort, that nobody can manipulate him now. nobody can control him --- not even batman.
(bruce had thought about it. when he first had his suspicious regarding who the red hood was, before he knew there was any trace of the son he once had left. he thought about using the hoodie, using jason’s selkie skin to coerce him, at least to stop murdering people, to stop hurting their family.)
(he would never go that far, in retrospect, or at least, he doesn’t think he could ever. to do that to jason, betray his trust so thoroughly and completely... but it would be a lie to say that he didn’t consider it.)
bruce reflects on this as jason reveals himself, the joker tied up at his feet with a gun pressed to his head, and venom spitting from his son’s mouth.
but when he lifts the batarang to hit jason’s gun, or wrist, or anything that’ll force him to drop the gun, he realizes that his hands are shaking.
and when he throws the batarang, he knows a millisecond after he’s let go, that he’s miscalculated the ricochet.
so when jason escapes that night, bruce knows he’s fucked up.
jason goes off the maps, completely. bruce doesn’t know where he is, if he’s safe, if he even made it out of the explosion that night.
it takes weeks. weeks for bruce to track jason down, from meticulously documenting the dropped threads of where the red hood was pulling strings in the gotham underworld behind the scenes, to tracking security cameras with facial recognition.
once bruce manages find where he’s staying, make sure he’s safe, he knows what he wants to do. and, he knows what he needs to do.
jason gets a package in the mail, five weeks after his disasterous meeting with batman and the joker. unmarked, unsigned, no return address.
when jason opens the box gingerly and carefully, he holds on to his skin for the first time in years. and then, and then, and then --- something right slots into place. his fingers brushed gently over the tiny spotted seal he knows he used to look like, the books he remembered ranting to bruce about for hours on end.
the robin, on the top left, over his heart, big enough to have changed him, yet small enough to not define him.
it’s not perfect. it doesn’t even fix anything, not entirely. he still fights with bruce most times he sees him, tries to punch dick in the face, steadfastly ignores tim and steph the entire time.
but it’s something. it’s something, and the next time nightwing, batman, spoiler, and robin fight a gang on the docks, the red hood gives them a helping hand before jumping back into the ocean and swimming away.
fin!
wow this got long
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This week on "CJ needs to gush about DAO": Morrigan's dark ritual.
I adore Origins because depending on how serious you take roleplay, every decision you make is a thread that leads back to your origin, and in this case of the ritual, who you choose to romance can have a major impact on how you handle this choice.
For context, my canon run is with a female Tabris who romances Alistair and keeps him as a Grey Warden, and is close friends with Morrigan. It's more in character for my Tabris to reject Morrigan's ritual and not even bring it up to Alistair, which would result in her leaving him behind while she makes the ultimate sacrifice in killing the archdemon... however, agreeing to convince Alistair to do the ritual with Morrigan is the only choice in the entire game where I break roleplay because I'm selfish and weak and I want Tabris to live.
I have a lot of strong feelings about the ritual, like it hurts me. It makes me want to chew on furniture. I can talk about it until I can talk no more. I so badly want to be strong enough to remain in character and reject the ritual.
Let me explain: Tabris survives an origin that deals with sexual assault. She gets kidnapped on her wedding day, she watches the other kidnapped women and her husband get murdered, and then is too late to save Shianni from being assaulted... and Tabris carries that trauma with her throughout the entire game.
If the way to save her life is to ask the two most important people she cares about; one being her lover and the other being her best friend; who she knows hate each other, to have dubiously consensual sex in order to make a baby to absorb the old god soul... she's saying no. The last thing Tabris would ever do is put someone into a sexual situation where consent is at all dubious after what she saw happen to Shianni and nearly happened to herself. She'd rather die than force that upon Alistair and Morrigan.
That's what I mean when I say origin affects everything; I know some will side eye that with "Really? Your warden would rather die than let Alistair sleep with another woman? It's one time, and Alistair agrees to it, so no one needs to die?"
Let me be clear in saying this isn't a "Morrigan slept with my man" issue. Sure, that part's awkward and it sucks, but that's not even breaking water tension, let alone diving into the deep waters to the core of the issue.
For my Tabris, this is about betrayal, consent, and accepting fate.
The person offering Tabris this deal is someone she thought of as a trusted friend who has actually been lying to her the entire time. It doesn't matter what Morrigan's intentions are now or if she genuinely wants to save the wardens. She knew from the beginning why Flemeth sent her with them, she admits as much. She knew a warden would need to make the ultimate sacrifice and then leveraged that to get what she wants. Morrigan waited until the night before, when Alistair and the warden learn one of them has to die to defeat the archdemon, and took advantage of the high running emotions and possibly the fear of dying to make the warden agree to her ritual.
At least, that's how my Tabris interprets this confrontation. She feels betrayed by someone she came to love like a sister and went out of her way to help Morrigan with her mother upon learning what's in Flemeth's grimoire. And then that someone tells her no one needs to die, she just needs to convince Alistair to sleep with her... which is a huge fucking problem.
The Alistair and Tabris romance is slow; it took a long time for either of them to be comfortable with being emotionally vulnerable and trusting each other with basic intimacy, let alone sex. Tabris is mortified at the idea of putting Alistair in this situation. Not only would it feel like a betrayal on her part to ask that of him, but she knows the last thing Alistair ever wants to do is father a bastard who then goes on to grow up without him. How could she possibly ask him to do that?
Then you consider that ritual or no, there isn't a guarantee that they'll survive anyway. Say they do the ritual and Tabris dies anyway; she made Alistair sleep with Morrigan in order to save her and then she died anyway. Or if Alistair dies then Tabris gets to live with the fact that the last person Alistair was with was a woman he hates because she asked that of him… and either way, Morrigan gets to walk away with what she wanted.
Tabris led the group, and she's accepted that if Riordan dies [which he does] then she'll be the one to make the sacrifice, even if it means breaking both hers and Alistair's heart.... except she doesn't because I'm a coward who doesn't want to lose her because my worldstate isn't good without her in it but I also refuse to lose Alistair so I just pretend it plays out differently in my head it's fine-
But... that's how I play Tabris and view the situation. My friend @pi-creates and I have discussed the dark ritual at length. While I play a Tabris who romances Alistair, Pi plays a Mahariel who romances Morrigan, so we have vastly different interpretations of the ritual itself and Morrigan's intentions.
Which yeah, it makes total sense that someone who romanced Morrigan with a different origin, and has the option to do the ritual with her rather than asking someone else to do it, wouldn't see this the way I do.
To quote Pi: "Playing as a male warden in the Morrigan romance makes the whole situation feel different, and maybe it’s because she’s presenting it differently due to the emotional connection, but it feels more like she’s opening up about her initial instructions (that she had been given by Flemeth) and offering a solution to avoid the possibility of death. And for my Mahariel, the constant threat of sudden death has haunted him from the start – he caught the blight and was ripped away from his clan (something he did not want to do in the slightest), got forced into a Grey Warden ritual that could kill him, was forced into a battle that could kill him, going on this whole quest that he never wanted but has now become responsible for regardless of his thoughts on the matter… the dark ritual may be one of the few moments where he is presented with an option to decide if he wants to walk into certain death, or take actions of his own volition to stop it.
"The idea of the ritual still feels like a dodgy thing to do since the ultimate outcome is unknown at that point, he’s taking Morrigan at her word that it will save the warden and that this child would be unharmed, just with an old god soul that she isn’t exactly clear on why she wants that and is determined to runaway immediately after the battle to secure it properly. It could be interpreted that it’s purely a preservation thing, but I’m biased to wanting Morrigan's intentions to not be power based.
"But also, taking part in the ritual isn’t as outlandish for my warden since he and Morrigan have already been involved in an intimate relationship. It’s the future of the ritual that is scarier – the idea of this old-god baby, and the idea of Morrigan insisting that she’s leaving afterwards when Mahariel and her have a loving relationship. He’s hurting, but he doesn’t want to die, he doesn’t want Alistair to die, he doesn’t want Morrigan to leave, he definitely doesn’t want pregnant Morrigan to leave on her own… it’s complicated, but for completely different reasons."
And I find that fascinating. I want to know how other players approach this part of DAO, what origins they play, and who they romanced. Seriously, this is an invitation to anyone reading to share their thoughts.
What about a warden who doesn't even have Alistair in their party because they made Loghain a warden? Is there anyone out there who has Loghain do the ritual with Morrigan and why? What about male wardens who don't romance her? Do you choose to do it with her anyway, or do you ask Alistair or Loghain to do it? Do you tell Morrigan to fuck off with the ritual? Why? Who makes the ultimate sacrifice in that case? And what about Morrigan herself? How do you interpret her intentions/motivations? I want to know.
I'm telling you, this is a discussion that gets me excited, as most discussions about DAO do.
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