#parallels from season 1 episode 2 | Explore Tumblr Posts and Blogs

wolfofansbach · 8 months

Text

BEING A LIST OF THE THIRTEEN GREATEST RIVERDALE LINES, ON THE OCCASION OF THAT SHOW'S TERMINATION

As our much loved/hated show comes to an end, I feel compelled to record, for posterity, the greatest thirteen pieces of dialogue to spring from the pens of RAS and his henchmen. It was, of course, originally a top ten list, but I simply could not exclude a few of these treasures. Without further ado:

13.

“I dropped out in the 4th grade, to sell drugs, to support my nana.”

“That means you haven't known the triumphs and defeats, the epic highs and lows of high school football.”

Spoken by: an inmate of Leopold and Loeb Juvenile Detention Center, and Archie Andrews.

In: 3 x 2

Yeah, okay, this one had to be on the list. It’s funny, I’ll admit. It’s a great example of the overwrought semi-sincere melodrama that helped make this show so special. It’s low on the list largely because The Normies got their hands on it, so every time I hear someone make a reference I get all “do not cite the deep magic to me, witch.”

12.

“No! No! What are we supposed to do now? I’m horny as heck!”

Spoken by: Archie Andrews

In: 7 x 16

Season 7 is undeniably dreadful, and yet there are diamonds in the rough. The occasion is the failure of a projector, just as Archie and Reggie prepare to watch a pornographic film. The utter desperation with which KJ Apa delivers this line is exquisite. One is made to feel they are witnessing a genuine tragedy.

11.

“Tonight, they’re making an exception and debuting a cover of the song my parents claim they were listening to the night Jason and I were conceived.”

Spoken by: Cheryl Blossom.

In: 1 x 1

Really a fantastic line. A wonderful encapsulation of the casual absurdity of Cheryl’s character, and a foretaste of the lunacy we would plumb in later episodes and seasons.

10.

“In case you haven’t noticed, I’m weird. I’m a weirdo. I don’t fit in and I don’t want to fit in. Have you ever seen me without this stupid hat on? That’s weird.”

Spoken by: Jughead Jones

In: 1 x 10

A genuine classic. “High school football” before “high school football.” One is never entirely sure just how sincere the line is meant to be, both on a meta-level and in-universe. A perfect illumination of Jughead’s pretentiousness. It is made all the better by the occasional cuts to Lili Reinhard’s agonized face.

“At the last dance, multiple students were murdered.”

Spoken by: Principal Holden Honey.

In: 4 x 2

Delivered as an explanation to Toni and Cheryl, as to why there would be no school dance this year. Principal Honey is in fact supremely rational in the cancellation of this dance. This being Riverdale, he is of course treated as an unreasonable tyrant.

“Bro, I know all the secrets of this universe.”

Spoken by: Archie Andrews (evil version)

In: 6 x 5

Spoken as evil Archie reveals his evil plan to keep the parallel universes apart. KJ Apa’s delivery once again makes this line. He is comically sinister. Strangely, he sells it.

“A Vughead kiss, right now, in the present might be precisely what it takes to save a future Bughead from imploding.”

Spoken by: Jughead Jones.

In: 2 x 14

One of those lines that both makes me laugh and makes me genuinely angry. This was a fairly early season, and this may have actually been the first line to get me asking, ‘did they genuinely write and deliver that?’ Extra points for use of the atrocious ‘Vughead’ portmanteau ship name rather than ‘Jeronica.’

“I’m the ultimate wild card. I am the daughter of The Black Hood. The nightmare from next door. I’m training with the FBI and I’m coming for you, you psycho bitch.”

Spoken by: Betty Cooper

In: 4 x 14

Just delicious. Another one of those lines that leaves you somewhat unsure whether or not the writers understood how genuinely hysterical it was. “The Nightmare from Next Door” sounds like an announcer hyping up a wrestler. Spoken with a raw sincerity by Lili Reinhart. Also points for the heavy homoeroticism between Betty and Donna.

“For I am Cheryl Blossom, Queen of the Bees.”

Spoken by: Cheryl Blossom.

In: 5 x 16.

This one really doesn’t require any elaboration.

“Elijah ascended…and I will, too.”

Spoken by: Edgar Evernever.

In: 4 x 5.

Admittedly, this one is only spectacular with context. But in context—the context being that Chad Michael Murray delivers this line while dressed like Evel Knievel and standing in a cartoon rocket right out of a Warner Bros cartoon—it becomes utterly magnificent.

“It’s not queer baiting, it’s saving the world.”

Spoken by: Veronica Lodge.

In: 6 x 22.

It’s actually hard for me to decide whether this one is funnier with or without context. Without context it’s wonderful, but it possibly becomes even funnier when you know that the context is that Veronica needs to kiss Cheryl to transfer superpowers into her body so she can turn into a Scarlet Witch knock-off and stop a magic comet summoned by Sephiroth an English wizard who is also the Devil.

“If there’s no wedding reception, it means the Gargoyle King has won.”

Spoken by: Kevin Keller.

In: 3 x 12.

One of my personal favorites. This is a perfect line because like #3, it requires no real elaboration. There is absolutely no context in which it isn’t hysterical.

1 .

“Word of my exploits serving Nick his comeuppance has seeped into the demimonde of mobsters and molls my father used to associate with, so the five families are sending their youngest and brightest, their ‘princes,’ as it were to, well, come court the rare Mafia Princess who can belly up to the bar with the big boys.

Spoken by: Veronica Lodge.

In: 2 x 20.

This is, in my opinion, the all-timer. Every word is perfect. The rapid-fire alliteration. The use of the word ‘demimonde.’ The entirely unnecessary addition of ‘as it were.’ This is borderline Dr. Seuss. The fact that Camila Mendes delivered it without cracking a smile should have won her an Emmy. No. An Oscar. This line is Riverdale.

#riverdale #veronica lodge #jughead jones #betty cooper #archie andrews #kevin keller #cheryl blossom #edgar evernever

7K notes · View notes

cyjammy · 3 months

Text

Vox and Alastor’s Dynamic is so FUN

Hazbin Hotel Season 1 Episode 2 Spoilers ahead!

I have to talk about Vox and Alastor’s “rivalry”. I love how Alastor just couldn’t care less, he’s witty, he’s emotionless and that makes him all the more powerful.

Well, not emotionless since he does express outward disgust towards anything digital, but the fact he can keep himself composed because he knows he is the shit and that’s what makes him my absolute favorite.

That showed through in the pilot and the show didn’t fail to deliver. I love how he’s handled. Viv’s characterization is wonderful.

Most fics I have read with Alastor have shown him as vunerable despite the story never alluding to that and it’s such a breath of fresh air to have canon content of Alastor being his authentic self.

My god do I love a character that’s strong and not swayed by emotion, but they can be handled well too. I.E. VOX oh my god. Every fanon had him pegged down as the victim to Val’s wrath, but he’s the mastermind behind the scenes. A complete subversion of everyone’s expectations. And that’s for another post I’m about to go crazy on, but I digress.

Vox is a man up in his ivory electronic tower with villainous intentions, but he falls short because of emotion!

Handling Velvet’s demands to get Val together? A quick pep talk with himself and he’s got it.

Addressing unforeseen circumstances with concerned sinners? Easy.

But Alastor?

He sees RED. He let Valentino have it when he even thought about going on a rampage over a sinner under his thumb.

When it comes to Alastor, Vox goes on a hate campaign and makes a fool of himself.

Meanwhile, Alastor was minding his business, and Vox couldn’t deal with that.

So much so he causes a blackout in the Wrath ring!

Why? Because of his rejection sensitivity.

He is this all powerful overlord with companions in his rule and when he asks someone of similar station to become his equal he gets rejected.

It’s unheard of for him. He cannot fathom it.

Because that makes Alastor a factor he cannot control.

Val says that Alastor “almost beat him”. Val may not have witnessed that fight and Vox spun it around to claim he came out on top.

But if he did, he definitely wouldn’t let Alastor get away.

Valentino and Vox have known each other for a long time, as shown in a photo in the background in the episode.

So either this spat began before they had met and Vox lied or Valentino witnessed it. I'm excited to see which way that goes.

In terms of influence, Alastor seems to win that battle. Vox is in charge of electrical currents and anything in the digital space.

Alastor is so far removed from that Vox has no influence over him. He refuses to be involved with new technology.

But with Vox having an army of sinners under his wing through subliminal messaging, he had security and power.

With Alastor’s return he brings CHARISMA and he’s doing it SO FUCKING WELL.

This is not a battle, it’s a slaughter, and Alastor is WINNING. With television there are so many ways to captivate a viewer but with radio all the host has is their voice and personality. It all has to be shown in a medium that doesn’t have many options for uniqueness.

Alastor defends himself with grace. He throws out compliments to his fellow overlords while still having it be a slight to the man who began the fight.

THE Vs ARE PREENING AT HIS PRAISE. THIS MAN IS GOATED.

It's night and day, but that's probably because Valentino and Velvet are tired of Vox's shit. I love this parallel so much!

Vox needed to be the person he was with Valentino at all times if this is a battle he wants to win, but he’s so bitter he will never see that.

He’s stubborn and that’s his main flaw.

And I fucking love it.

Alastor knows what he’s thinking and how to avoid it.

Always a step ahead. And their duet showcases that perfectly.

Alastor uses his opponent’s power against them, seeing the slanderous TV campaign and immediately going on air.

He does that in the pilot as well and seeing that this has become a habit for him is so fun to see.

Alastor is not to be messed with and I feel like people decided to gloss over that. But it’s so in your face you cannot deny it.

Alastor is TERRIFYING with a chilling deposition that will give you nightmares if you dare cross him.

Give him the respect he fucking deserves.

And the music and the visuals of the song — A whole fucking masterpiece.

I’m in love with their dynamic so far and I can’t wait to see where it goes.

So far Vox is the obsessed fanatic that couldn’t handle rejection.

There has to be more than that.

#hazbin hotel #hazbin vox #Vox #Alastor #Hazbin hotel season 1 episode 2 #i love this show #it’s so good

750 notes · View notes

gammija · 3 months

Text

some notes on dates so i have them all in one spot:

- With tmagp its a lot easier to tell when stuff's happening than in tma, where we had to go by live statements only. in protocol, every case is appended with 'today's date', so we can say with precision that episode 1 happened on the 9th of January 2024, episode 2 on the 18th, episode 3 on the 22nd

- Hey, those are around the same dates the episodes aired! Seems like they might be going for a kind of real-time parallel timeline? We'll see if that lasts all 3 seasons, or if they get out of sync when multiple episodes need to cover the same event.

- Chester and Norris appeared "about a year ago", which would be somewhere around December 2022.

- According to RQ's website, the Magnus Institute burned down in 1999, and "almost 25 years ago [from tmagp's timeframe]"

- In tma, the world ended in October 2018. Though there's no canonical timeline for how long it lasted, Jonny said in a Q&A he had imagined about 6 months, and Alex iirc said something like a year, landing mag200 in 2019. The episode itself aired in March 2021.

- None of those dates are anywhere near either the Institute burning down or Chester and Norris appearing, but dimension travel does canonically fuck with timelines. It's not impossible that the events of mag200 are what caused tmagp's weirdness - but it's not a guarantee either.

- Colin and Alice are heavily implied to have already been working at the OIAR for a while by the time Chester, Norris and Augustus appeared, the system dates to the mid-90s according to Alice, and both imply it's always been an incomprehensible mess. So whatever is causing Fr3-d1's weirdness, seems like it's not caused directly by either the Institute burning down or Chester and Norris appearing.

- TMA dates of potential relevancy: Jon was born around 1988, Martin 1988 or 1987, making them a few years older than Sam (16th October 1990, according to the ARG) and presumably Alice, but the right age to have been kids in the Institute in Protocols timeline. Leitners library burned down in 1996, Mr Spider happened to Jon soon after when he was 8.

#tmagp #tmagp theory #tmagp s1 #tma s5 #tma finale #<spoiler tags for tma #tmagp spoilers #the magnus protocol #alice dyer #samama khalid #magnuspod #magnus protocol #alice #samama #cherri

445 notes · View notes

noneorother · 7 months

Text

All the music you didn’t hear: The Good Omens soundtrack is lying to you. *Part 1*

The Bonkers Meta Series part 2: Electric Boogaloo.

I so rarely get a chance to misuse my experience in classical music, but here we are. When I realized on my most recent watch-through of the series that the David Arnold score was brilliant, but also really wonky in some parts and I couldn’t put my finger on why, @embracing-the-ineffable suggested I listen to the album soundtrack to compare.

And when I tell you what I found hidden in there, you’re going to need Eccles cakes...

1) The Song is the Clue

So right up top we have this banger. The 12th track on the album is the orchestral backdrop to the scene in the Job minisode where Aziraphale reveals Crowley’s crow/goats. The duration is 2:22 (the only track with multiples on the album), and if you look at the track by itself it doesn’t mean much. But the song just before it is actually from this fucking scene:

You know, the one where there’s a song that’s a clue to a mystery. Except Clue is capitalised, and Aziraphale pronounces it. I’ve seen guesses that this is a reference to the movie Clue, but I would put a lot of money on the fact that we are supposed to read the title of the song currently playing at that moment in the show *as a Clue*, which is super convenient, because the word Clue is capitalized in the track listing.

Seems like the overlords of Good Omens have a message for us : The song is the Clue. It’s what God wants. Cool cool cool. WHAT SONG?

2) Symmetry in all things

Before I straight up tell you, we have to go back and look at season 1.

Now I’m far from the first to notice tons of parallels between the story, details and even lines in both seasons. It got me thinking that maybe there are some fun synch-up parallels between the two season’s soundtracks, seeing as they are both 6 episodes long. Here’s the end of S1 and then S2

Oh that’s a bummer, I thought to myself.

They don’t even add up to the same number, or playtime, and neither of them is exactly 60 tracks. But do you want to hear a secret? S2 is actually missing 3 tracks on the album. And because there are 2 discs in S2 (cute), the numbers of the tracks start over again from 1. Remember how much God likes sevens? Check out where all the weirdness is happening in disc 2 (I’ve added the missing track listings in red to add context):

After checking each track with the show and listening side by side (for reasons that will become clear in another post) I can definitively say that there is something *very weird* going on at the end of episode 4.

First is track 7, Zombie dressing room, which seems to actually reach over two distinct scenes of the photo evidence in the dressing room and then Shax in hell even though it only has one title.

But *between* these two scenes we get an eerily silent wine date with Aziraphale & Crowley.

There’s really no music or even sound here besides the dialogue and room tone (until after the cheers), and it seems like a very intentionally silent version of a ritz date from season 1.

My best guess is that we are supposed to divide that track into two tracks of 7, before and after the date to get a second track 7. Or maybe the silent one is missing music? The third track number 7 is the weirdest one. It’s this scene here, when Nina parks her bike, and Aziraphale parks the car at the end of S2E4.

If you take a close listen to the music, it’s a jaunty little piece, with an oom-pah base in 3 ⁄ 4 time. The thing is, this music does not exist in any Good Omens album. Please feel free to correct me, but I’ve tried to find any part of any song that this could even be a reprise of, and I Shazammed it to be sure it wasn’t anything else. This song does not exist anywhere except in this scene. (It quickly morphs into a reprise of the original theme once Nina leaves Aziraphale). It’s an invisible song.

So we have 3 tracks at the end of S2E4: a long one, a silent one and an invisible one. Only one of which is numbered 7, but that all fit into that place in the track listing.

Which, when we add the two extras to the original total of fifty-nine we get... sixty-one! Hey wait a minute.

How are we going to get to 62?

3) The real missing track.

So the real reason we had to go back to the S1 album was because it contains the missing track that God is talking about. Let’s compare the last tracks on each album.

I’ve highlighted the mismatch between the in-show music and the album in S2, which means I had to add A Nightingale Sang in Berkeley Square back into the S2 album because guess what, it’s not in the S2 album. Even though it plays in the show.

You want to know how not in the album it is? Amazon had to track it in the show as a season 1 song. They had to give Tori Amos credit for her song on Good Omens in the X-ray bonus features because that’s how not in the album this song is.

So my fellow beings, if the song is the Clue, then It’s what God Wants.

And if God wants a happily ever after with Aziraphale and Crowley on their own side, then by Job, I think Neil is going to give it to her.

-----------

And there's more where that came from! Part 2 coming shortly.

#good omens meta #art director talks good omens #go season 2 #good omens 2 #go2 #good omens prime #good omens season two #go meta #good omens season 2 #go3 #good omens 2 meta #crowley x aziraphale #aziraphale #anthony j crowley #good omens spoilers

565 notes · View notes

twelvemonkeyswere · 6 months

Text

ofmd season 1: "hurt people hurt people" mostly from the perspective of Stede, who copes with his trauma through avoidance, hurting himself by hurting those around him

ofmd season 2: "hurt people hurt people" mostly from the perspective of Ed, who copes with his trauma through violence, hurting himself by hurting those around him

both seasons have subplots about healing and growth, about finding love, about what to do with those parts of yourself that are drowning you, and what NOT to do with them, and those storylines and themes help support the main ones, seen through the eyes of our protagonists.

in particular, the parallel deaths in the last episodes of each season (Badminton dying in front of Stede, Izzy dying in front of Ed) have distinct thematic beats as well, in different moments of the main characters' storylines, but are still connected in a similar way: both Badminton and Izzy represent the external voices and pressures that have etched themselves in Ed and Stede and have forced them to hide their true selves in order to survive. in Stede's case, the pressure and bullying was always kind of detached, an overwhelming indifference and casual hatred, while for Ed, the pressure and bullying was always up close and personal, given to him by the very people who claimed to appreciate him. that's why Badminton is a villain we don't care much about, and Izzy is a character that was much more fleshed out by the end, because sometimes the call comes from inside the house, and I thought it was nice the team tried to incorporate some of those nuances into the storyline to help develop the main themes.

#some of my initial thoughts #the effects of these deaths are different because our characters have been growing all along so there are different purposes to them #i wish we had had more episodes to develop some things so it didn't feel so crunched but i see it i see what they've done #but mostly i really love how this season was largely focused on Ed (beloved)#and what his journey is all about #tv #ofmd #our flag means death #ofmd s2 spoilers #wendy watches

447 notes · View notes

selkie-siren · 6 months

Text

⚠️Ofmd S2 spoilers ahead⚠️

I’m just gonna say it:

Season 2 was painfully rushed. I didn’t wanna admit that fault, but it REALLY damaged the quality of the show. Part of what made S1 so great was watching the slow and steady character development and story arcs. We developed attachments to the characters because we saw them go through everything leading up to the end.

This entire season has had abrupt changes in character development (especially with Izzy. I love that they made him more human, but he went from masochistically devoted to Edward to terrified of Edward all within the span of a time jump we didn’t even see.)

Ed and Stede’s relationship shifts way too abruptly. And I know them taking it fast is part of their arc, but it still felt like they were just trying to move from arc to arc within the span of one episode each.

I also hate how none of the sideplots really tie into the story on a deeper level. (They have amazing parallels to S1, but aren’t great plot-wise.) Not to mention they almost completely abandoning the relationship they built between Olu and Jim. (I love the polyamory aspect, don’t get me wrong. And I love that they don’t blatantly explain the polyamory / tokenize it. But, the way Jim was willing to just give away Olu to Zheng in episode seven, even if they and Archie couldn’t go with him, made me upset. Not to mention that at times, it feels more like they’re trying to write off Jim and Olu as fwb, but that may just be me. And the two of them didn’t get a lot of screen time in general compared to season 1.)

The parallels to season 1 and overall symbolism were amazing, and I do still like this season overall. But it really is heartbreaking how Max sacrificed the show’s quality all for the sake of profit. I know David could have done much better with more resources.

The main reason this upsets me so much is because not only does it hurt on a personal level (damaging the quality of my comfort media), but it’s also the perfect representation of how streaming is KILLING the quality of TV. S1 was a masterpiece. The whole show is a masterpiece. But TV productions can only work with so much. And streaming services aren’t willing to accommodate to the demands necessary to make real art.

Thank you for coming to my TED talk. Be gay, do piracy 🏴‍☠️��🧜‍♂️(for legal reasons, don’t actually do piracy)

419 notes · View notes

qqueenofhades · 9 months

Text

Good Omens Season 2: Some Thoughts (and also Screaming)

First, /screams

Second, obligatory disclaimer that this meta contains MAJOR SPOILERS for all six episodes. If you somehow have managed to remain virginally unspoiled, look away now, scroll past, or add "good omens s2" and "good omens spoilers" to your block list, as those are the tags I have been using for all posts and reblogs.

Third, /screams more

Okay okay okay. Deep breaths.

Anyway, so, uh, how about all that, huh? First, the good thing about the tone of the season overall was that it felt considerably darker and more adult, in a good way. We didn't have the precocious kiddies, the kitsch and literally-comphet Anathema and Newt, the so-clever narration, etc. All that was gone, which makes sense when you consider that a) the end of last season saw them reboot into an entirely new universe, and b) the fact that God has gone silent is, in fact, a major plot point for the season. We don't have Her slyly telling us the story, or indeed anything, and everyone is left to make their own judgments and take their own actions. Which, obviously, gets them into a lot of trouble, especially when Metatron (the Voice of God, aka someone acting in the belief that they're speaking for God and therefore doing terrible harm) swoops in with the ultimate buzzkill at the end of episode 6. But we'll get to that.

The downside was that the main, present-day plot (hiding Gabriel in the bookshop and trying to get Nina and Maggie to fall in love) was fairly thin, felt stretched out and at times weirdly paced, and otherwise existed mostly to get us to That Ending and the setup for season 3. But the ending was so damn good (if obviously, very painful) that I can't be TOO mad, not least because we spent six episodes with them just making absolutely no pretense about the whole thing being as incredibly homosexual as possible. I'll be honest: I did not think they were going to actually, explicitly go there. Neil Gaiman has been so consistent about "your interpretations are valid and you're welcome to read it however you want, but the only canon is what's on screen," which I think is frankly a good thing (not least since the Neil GAYman Cinematic Universe is consistently very, very good to us queers), that I just... didn't quite think they'd pull the trigger. Sir Terry is dead and can't have active input, this is based on a book published 30 years ago, maybe they didn't want to make it LIKE THAT... etc. I certainly hoped, but I didn't really think they would.

Uh. Well.

As I said in my various semi-coherent liveblog posts, I honestly don't think there was a single straight person in the entire season, among both major and background characters. Aziraphale/Crowley and Maggie/Nina are the obvious paralleling couples, but Beelzebub (using "they" pronouns and addressed as "Lord" despite presenting as femme/femme-adjacent) is clearly nonbinary and therefore also queer, and the countless gay/queer side characters were just /chefs kiss. From Job's son making a sassy pass at Aziraphale, to the random Scottish goon with Grindr on his phone (which he then gives to Aziraphale, because what is subtlety), to the interracial couple with the trans spouse at the Pride and Prejudice ball, there was just a lot of casual, unremarked, non-story-critical queer representation visible at every turn. It's like the NGCU saw the bigots wailing about Sandman season 1 being extremely gay and went CHALLENGE ACCEPTED, LET'S MAKE GOOD OMENS 2 EVEN MORE GAY.

God bless.

Obviously, Jon Hamm as Amnesia!Gabriel stole the show (he was SO fucking funny) and it was also incredibly fun to watch Miranda Richardson repurposed as a scheming demon. Nina Sosanya also reappeared as Nina the coffee shop owner, which leads us into the Maggie-and-Nina subplot. They're obviously, wildly, incredibly clearly an analogue for Aziraphale and Crowley themselves, but they're also each, crucially, a mix of both. On the surface, Maggie is Aziraphale: the plump, blonde, earnest, sweet-natured one owning a slightly dated book music shop and somewhat clueless about emotional nuances, while Nina is (also on the surface) Crowley, the hard-edged dark loner who doesn't want to open herself up to people or be spotted caring. But emotionally, Maggie is Crowley: the one openly pining, clearly besotted, only wanting to hang around their crush and do whatever they can to make themselves useful, while Nina is Aziraphale. Interested but reticent, attracted but conflicted, trapped in an abusive relationship with a demanding offscreen "lover" (Lindsay/Heaven) who tries to constantly control and shame them without ever offering much, if anything in return. By the end, they bring themselves around to what Maggie/Crowley are offering, but by then, well. We've got a lot more problems on our hands.

As I also said in my earlier posts, this entire thing has always been a metaphor for religion, queerness, and what religion -- especially abusive, fundamentalist, organized religion -- does to queer people, but they really cranked the FUCK out of that metaphor this season. Aziraphale is guilt-tripped, controlled, and shamed for his attraction to Crowley at every turn. He is torn between his imagined duty to Heaven, in all its ignorant, uncaring, bureaucratic, gratuitously cruel system that he still insists on seeing the best in because he can't bear the alternative, and the chaotic and sometimes grey but genuinely more good morality that Crowley offers him. (Can I just say, we were explicitly shown that the two of them together doing "just a little miracle" are more powerful than Heaven AND Hell combined.) And at the end, he's told that the only way he can be with Crowley -- what Metatron explicitly blackmails him with -- is if they both go back to heaven, submit themselves to the cruel system again and give up everything that has made them who they are: their home in London, their human friends, their reliance on each other, their independence, their own ways of doing things. You can be queer in this (religious) framework, but only the limited, watered-down, controlled, controllable, constantly-under-supervision kind of queer, which relies on both you and your lover "converting" back to the true faith. And if you don't cooperate, they will literally kidnap you, lie to you, manipulate you, take you from your soulmate, and force you right back into doing the one thing (destroying the world) that you never, ever wanted to do in the first place, because in their minds, that is still better than this. It's for your own good.

Ouch.

And the thing is: that's why the ending a) hits so hard and b) is so fucking painful, because of course Aziraphale agrees. He has no conception of being able to defy Heaven on his own; he has always, always needed Crowley for that. In the flashbacks, when Aziraphale is faced with an order from Heaven that he desperately does not want to carry out (such as letting all Job's children get killed), he still relies completely on Crowley to "outsmart the rules" and find a better way. Crowley is A Crafty Demon; that's what he does, and so Aziraphale rationalizes it to himself that therefore that must be fine. Even in season 1, when he really didn't want the Apocalypse to happen but initially thought it was his duty as a good Heaven footsoldier, he relied on Crowley to talk him out of it and allow him to do what he really wants instead. That's their whole dynamic in a nutshell, as exemplified in that scene in episode 2, where Crowley tempts Aziraphale with the "pleasures of the flesh" while sprawled on his back in Ravish Me mode like the giant walking gay disaster that he is. (Sorry, buddy. That beard. Can't do it.) Everything that Aziraphale's existence is, that makes him who he is, that he loves and cherishes the most (in this case, food and wine) comes from Crowley. Everything else is just background noise.

Throughout the season, what we see is Aziraphale increasingly coming around to the fantasy of being with Crowley. He's coy and flirty; he talks about "our car" and expects Crowley will let him (which he does); he wants to have a Jane Austen ball and for them to dance together (oh my heart); he even thinks, at the crucial moment, that the best way for them to be together is to go back to heaven just like they were in the beginning, once more perfect angels, as if those entire six thousand years of struggle and grief and pining and separation and falling didn't happen. And Crowley -- poor, poor, brave, devoted, heartbroken Crowley -- has just heard for the first time in said six thousand years that actually telling the person you love how you feel is an option. Maggie and Nina tell them point-blank that their whole stupid plan failed because people aren't chess pieces who can be moved and automatically achieve the desired result. And of course this gobsmacks the dearest and dumbest Ineffable Husbands, because they can't conceive of anything else. People are chess pieces in the Great War of Heaven and Hell; Aziraphale and Crowley themselves are chess pieces who have been desperately trying to get out of being moved by external forces, but that doesn't change the fact that that's what they are. They don't have volition or agency aside from that which they can sneak for themselves in brief and stolen moments. That's it.

Until, well. It's not it. They discover that this whole would-be war is actually an elaborate ruse to cover up another angel-demon romance, that of Gabriel and Beelzebub. (I'll be honest, I'm 99% sure they did this storyline because they saw the fans crackshipping them, but I appreciate a fictional narrative that values and incorporates its fans' input, rather than trying to constantly "trick" or "outsmart" them or "do what they don't expect.") And Gabriel and Beelzebub get to be together, but only by leaving their world forever. They have to desert their homes, their structures, even their own identities, and never return. And Crowley and Aziraphale are so rooted in their "precious, perfect, fragile" life in their little corner of Soho, with their bookshop and their Bentley and their dining at the Ritz (which they didn't get to do in the end because METATRON /shakes fist), that that just doesn't work. Neither of them can conceive of doing that. So Aziraphale thinks "go back to heaven and try to make the terrible system do some good and take what we can in terms of being together" and Crowley just... pours out his heart. He's ready to fucking propose. He barely stops himself from saying something to the effect of "I want to spend eternity with you." He begs, he pleads with Aziraphale to go away not in the literal sense, but the emotional/metaphysical: to finally break this toxic dependence on Heaven and tell them once and for all where to stick it. And because he is desperate to make Aziraphale understand, he finally throws all caution to the winds and recklessly, desperately, adoringly kisses him, the one thing he's wanted to do for ages and...

Gets. Shot. Down.

Ugghhhhh. I'm suffering all over again. Aziraphale wants him, hungers for it, for them, and yet he's been so abused and so conditioned by Heaven (he's still blithely repeating to Crowley's face that "Hell are the bad guys!") that he just cannot accept that kind of desperate, blind, limitless, lawless affection. He even forgives Crowley for this "transgression," just to really twist the knife, and Crowley just can't take it, can't face up to how terribly this has all gone up in flames, after he went to heaven trying to find the answer for Gabriel's situation. Gabriel, who he fucking hates. Gabriel, who tried to kill the angelic being he loves (and for which Crowley has transparently never forgiven him). And yet at one pouty puppy-eyed look from Aziraphale and a warning that whoever is harboring Gabriel might be in danger, Crowley leaps headlong into the Bentley again and rushes to the rescue while "Good Old Fashioned Lover Boy" is blaring. He stoutly protects Gabriel; he does a miracle to disguise him; he lets him have hot chocolate and stay in the bookshop; he guards him from the literal demonic horde outside. All because of Aziraphale. That's it. And then, it still doesn't work. Not only that, Gabriel's absence and decision to forego Armageddon gives Heaven the one tool they finally need to take Aziraphale away from him.

I repeat: Ugghhhhhhhh.

(In a good way. Ngl, I love this angst. This is the kind of angst my brain Thrives on, the Thematic Parallel Romantic Character Arc kind. Nom nom nom. But also: AGONY.)

I also need to talk about Aziraphale driving the Bentley, aside from the obvious metaphor of him being in Crowley's home while Crowley is in his. Last season, we had the "you go too fast for me, Crowley" scene with them sitting in said Bentley, which was Aziraphale saying he's not ready for a relationship. In this season, as noted above, we see Aziraphale increasingly embracing the potential fantasy of being with Crowley. But here's the catch: when he's in the Bentley this time, driving it, setting the pace, acclimating to the idea, he's driving his own idea of what the Bentley/his relationship with Crowley is. It's not the real thing. He plays classical music; he supplies himself sweets; he turns it yellow; he drives too slow. Crowley calls him in another old-married-couple snitfit to complain that Aziraphale's messed it up, but what Aziraphale has actually messed up (or will, by the end of the season) is far more consequential than just a car. He's changed the entire shape of their relationship to the one he thinks can make it work, and it just doesn't. It has to be them -- "we could have been... Us" -- or it's not even close to the truth. It's not worth their time.

I repeat: Ouch.

Speaking of the writers validating fan theories, I know we all picked up and screamed about on Crowley's idea of Peak Romance Guaranteed To Fall In Love being sheltering from rain and gazing into each other's eyes, which confirms that that poor bastard was indeed ass-over-teakettle gone as soon as he met Aziraphale (again) in Eden. I also need to talk about the 1941 redux, because wow. This time, the danger comes from Hell, which we see being its usual self: gleefully, pointlessly cruel, pettily backbiting, dirty, sniping, tedious, endless, determined to mindlessly destroy because They're The Bad Guys and they like it. So they blackmail, spy on, miracle-block, illicitly photograph, and try to prove that Aziraphale and Crowley are secretly a couple, right after Aziraphale himself has just had the Light From Heaven realization that he's in love (which we all also picked up on in s1). They're forcibly outing them (to speak of more Religious Queer Trauma) in order to break them up/get them into trouble with their authorities/families. Aziraphale and Crowley manage to escape it mostly by dumb luck, but Crowley having an altogether freakout, hands shaking, barely able to actually point the gun at Aziraphale even in the knowledge that it's supposed to be fake, is just... wow. He can't even fathom the idea of ever trying to destroy him in earnest, especially when he knows on some level that Aziraphale also finally just realized his own feelings. So I just need to --

/screams

Anyway, Aziraphale's entire arc this season is doing what he thinks is the right thing and then inadvertently causing harm and damage as a result. In the Edinburgh flashbacks (live slug reaction of me: SEAN BIGGERSTAFF???!!) he tries to stop Elspeth from stealing bodies and gets Morag killed and Crowley drinking the laudanum to save him (though that part with David Tennant just riffing left and right, using his natural Scottish accent, and being Tiny Crowley/Huge Crowley was hilarious). He invites his neighbors to a Pride and Prejudice ball and makes them all the target for demonic attack. And of course the Job episode: Aziraphale, horrified at Heaven's callous cruelty, desperate not to get Job's children killed, willing to go along with Crowley's tricks to save them somehow, tempted by Crowley to do the fucknasty with their angel bits eat some food and decide that he likes it. As mentioned, the whole thing about God being silent this season is a major thematic choice. The only time we see/hear God is Her communing with Job from afar. Aziraphale enviously imagines the answers he must be getting (he's not, he's baffled and perplexed), while Crowley longs beyond words to even have the opportunity to ask the question: why? Why do this? Why is this your plan?

And of course, this absence culminates in the Metatron, the Voice of God, the person arrogantly claiming that they're speaking for God and know exactly what Heaven wants, being able to seize Aziraphale by the short hairs and absolutely fuck him over. Gabriel is gone/decommissioned/eloping with Beelzebub, so Heaven needs a Supreme Leader (God apparently is no longer a factor in the equation). And what this Supreme Leader needs to do is finally unleash the Apocalypse that Gabriel decided to pass on (the Second Coming). Aziraphale needs to be punished, taken away from Crowley's influence/love, and put back under Heaven's explicit control, so Metatron spots a great opportunity to do all three at once. It's not an accident that the exact tool he uses to get Aziraphale to agree is "now you can actually be with Crowley!" Aziraphale and Crowley have been trying so hard to hide out from their respective Head Offices, but now all at once, there's this seemingly miraculous opportunity for them not to have to do that anymore! They can be together! They can be sanctioned by Heaven! They can give up all this hiding and sneaking around and lying! Isn't that better?

... As long as, of course, they give up absolutely everything that makes them who they are. No big deal. Minor catch. Probably nothing.

Metatron doesn't let Aziraphale have time to escape, or think it over, or reflect, or anything. He pressures Aziraphale to come with him immediately, or be once more subject to Heaven's implicit wrath/destruction/judgment. Believe me, Aziraphale already KNOWS he's made a huge mistake, as soon as he hears what Metatron really wants: bringing him back to unleash the Apocalypse that Aziraphale and Crowley have given up literally everything to prevent. He doesn't need time to reflect. By the time my man is in that elevator, he's well aware of what a catastrophic misjudgment he's made, and yet --

Aziraphale needs this. He has, as noted, literally always relied on Crowley outsmarting Heaven's cruel orders in order to prevent himself from having to do them. He's relied on Crowley rescuing him ("rescuing me makes him so happy," WELL BUB, IT'S BECAUSE YOU ALWAYS NEED IT). He admits to Crowley's face that "I need you!" He hates Heaven's sadistic meanness, but he has absolutely no framework, in and of himself, to defy it. When the rubber hits the road, he will crumple and try to go along with it, and now he's been put in a position where he's going to have to stand up, defy Heaven, and make the break once and for all BY HIMSELF. He doesn't have Crowley around to do it for him, he has no support, he is going to arrive in Heaven and be shuttled straight off to the Apocalypse 2.0 War Room. The only way he gets out of this is if he actively stands up, if he chooses himself and Crowley and their life, and he has to.

The thing is:

Aziraphale has lived his entire eternal existence Looking Up. Up is the direction of Goodness and Heaven. Up is where Angels go. Up is where Aziraphale comes from and where Demons and Hell are not. But now he's going Up, in a position to take over the whole shebang, and it's the last thing he wants.

So he's going to have to come back Down.

He's going to have to Fall. He's going to have to get back Below at all costs. He's going to have to finally, once and for all, understand what led Crowley to make the choice to leave Heaven and never come back. It's only then that they can possibly be together on any kind of conscious, equal, deliberate footing, claim their own agency, reject Heaven AND Hell, and try to really earn that South Downs cottage and that happy-ever-after, and it's gonna hurt so good.

Now if you will excuse me, /screams

#good omens #good omens meta #good omens s2 #good omens spoilers #ineffable husbands #look this probably could have been twice as long #but i had to stop somewhere #I JUST HAVE A LOT OF FEELINGS

904 notes · View notes

absolutebl · 1 month

Text

This Week in BL - The Industry is Having Issues But the Spice Spicy Must Flow

Organized, in each category, with ones I'm enjoying most at the top.

March 2024 Wk 4

Ongoing Series - Thai

Two Worlds (Thurs IQIYI) eps 1-2 of 10 - One of those "he's dead Jim so time travel" thingames starring MaxNat. I'm over this concept but I do enjoy MaxNat. Phupha (Gun) and Khram (Nat) love each other but Phupha is murdered. Then Khram is pulled to a parallel world where, years ago, Khram and Tai (Max) were in love. However, Khram was killed by Tai’s dad. Now Tai finds alter-Khram. But then there is ALSO an alter-Phupha to deal with. (Phupha is played by Gun Thanawat who was Khom, the repressed butler bodyguard from Unforgotten Night. We like this, but we scared of the love triangle aspect.) Did that make sense? Yeah, okay, see what I mean?

Initial thoughts?

The subs are troubling but I’m enjoying this show a lot. It’s nice to see MaxNat get something meaty to sink their teeth into - that’s not just each other. Also it’s so smart of them to give us a fully fleshed out entire episode developing the alter romance rather than just a separation + death. It makes Khram’s grief and motivation that much more believable. Also it’s really nice to see Nat have good chemistry with other actors.

Deep Night (Thurs iQiyi) ep 3 of 8 (10?) - I'm still enjoying it. But Two Worlds is objectively better. So this one has lost ranking. Also, unexpectedly chili (the name of my heavy metal Thai cover band).

Lovey switchy and verse main couple too.

This is all quite pleasing.

The bit where the hosts pretend to be a BL couple actor ship was epic on so many levels.

Also unsettling.

All sex work is performative, and in a way there is something more honest about this depiction, in this setting, than what BL actors are made to do on the promo circuit. Which then begs the question, how different is BL from sex work? That's the unsettling bit, for me anyway. Not to slam on sex work AT ALL, we pro-the-true-pros on this damn blog, but actors have been shaded by association with True Professionals for a very long time and BL has already had one epic shut down in this regard. (See the PerthSaint scandal around Love By Chance, no I will not explain.) Where was I? Oh yes, so anyway, see the Gossip section for the part where they better be paid either way!

Also, since I'm a warped fucker, I found this scene funny.

And then hilarious when all of those BL tropes were just trotted out. Like a greatest hits reel.

Truly beyond meta. (How Absolute BL of them.)

Note he’s even standing in yaoi's patented "hands in pocket with the shoulders back"?

Meanwhile, the gayest bridge in Thailand made its quarterly appearance:

And lip serviced was paid to the most touristy romantic things you can do in Bangkok.

And I mean lip service literally.

To Be Continued (Thai C3 Thailand grey) ep 5 of 8 - I’m still enjoying it but getting more and more nervous. We getting too close to Promise territory for comfort. EXPLAIN Ji’s reticence well and do it now or risk audience mistrust. We have to be given a GOOD reason for Ji's behavior, or he'll be irredeemable.

City of Stars (Fri iQIYI) ep 8 of 12 - NO SINGING. Yes smiley kisses and good communication and a nice healthy relationship. But no singing!

1000 Years Old ep 6 of 12 - Dropping in the ranks. I’m sorry it’s just gotten boring. It has, however, inspired me to invest in my own ridiculous cream fuzzy sweater. Which I plan to wear with leather trousers and huge stumpy boots, like the Kpop queer I truly am. Or do I mean vampire?

Kiseki Chapter 2 (Sun iQIYI) ep 1 of 6 - Seems to be an excuse for a small posse of Thai actors to wander around Tokyo playing tourist and sing in public . Someone stop them?

“Most people think this kind of thing is bad manners .”

Anyway, it’s v boring. I’ll give it one more ep but I suspect I’ll DNF.

Close Friend Season 3: Soju Bomb! (Weds iQIYI) eps 1-2 of 6 - Meh. This is also looking suspiciously DNF-a-licious.

Ongoing Series - Not Thai

Unknown (Taiwan Tues Youku YouTube & Viki) ep 5 of 11 - It's brilliant. I love it. I'm ready to hurt. Let’s do this thing.

Distribution note: This one has been picked up and is also airing on Viki now, so it may lose YT distribution in soem territories. I like Youku's hard subs better than Viki's subs, but that's a matter of preference not information since I don't speak Mandarin.

Love is Better the Second Time Around AKA Koi wo Suru nara Nidome ga Joto (Japan Weds Gaga) ep 3 of 6 - It is good. Every week I like this show a little more. I'm enjoying a reunion romance explored in Japan's quintessentially contemplative yet slightly surreal way. The juxtaposition of the tenderness of the sex scene with this Japanese brand of authenticity was oddly elegant - for lack of a better way of putting it. All in all, this is a good show. Thought provoking. Stylish.

AntiReset (Taiwan Fri Viki/Gaga) ep 9 of 10 - It remains lovely but they sure are reusing a lot of footage. Also, this was a classic penultimate doom episode. I do wonder how they are going to resolve this show ethically.

My Strawberry Film (Japan Thurs Gaga) ep 6 of 8 - It is what it is, and it isn’t my style of show no matter what country of origin. Oddly that's one of the reasons I don't like it. Anyone could have made this, it's not as Japanese as I want it to be, it's just indie film club high school angst. Yawn.

I watched it, finally

The Servant and the Young Master (Vietnam YouTube) 7 eps - I dislike vertical filming, but I kind of enjoyed this show as a BL. I like class conflict romances. For me the rich kid is a bit too dictatorial (edges into bulling), but it’s kinda works. It’s sparse and underdeveloped and a bit plotless, but mildly entertaining. If you're missing Vietnamese BL you might give it a try. 6/10

Began Beginning (Myanmar YouTube) 8eps - A Burmese BL that I had thoughts about but actually ended up recommending. Read the saga here:

It's done, ready to binge, but I suck

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps

It's airing but...

Graduation Countdown (Taiwan YouTube) ep 1 of ? - on one hand it's micro-installment vertical, on the other it's adorable and from Taiwan. I blame @heretherebedork entirely for my conundrum. As indeed, I did for My Type back in the day. (That was Nat Chen's first BL, yes of Kiseki: Dear To Me fame.) So I think I will also simply lean on Here to let me know when it's done and binge all at once. It's just too much to ask me to keep up with 2 minute pieces, I don't have that kind of endurance training, not even for BL.

Time the series (Tue Gaga/YT) 10 eps - it's finished now, I dropped it at ep 4. Should I bother?

A Secretly Love (Thai Sat WeTV grey) 10 eps - I watched the first ep but grey is too much work for this inferior of a show. I may pick up and binge if it gets distribution but for now, it gets a DNF from me. KimCop might have held this crap together but Kim without Cop? No thank you.

Lady Boy Friends (Thai WeTV grey) 16 eps - reminds me a bit too much of Diary of Tootsies only high school. Not my thing. DNF unless it turns a corner and is truly amazing for some reason.

Man Suang that MileApo vehicle from last year is coming to Netflix in the USA. I haven't heard much about it and since the KP stans would have lost their tiny minds if it was any good at all, I'm assuming it's not good at all.

Gossip

Thai BL actor Yoon breaks with his former company and talks about some very very VERY shady goings on in the Thai BL industry. Including not being paid.

And whacha know, same thing happening in Korean BL.

Have I mentioned recently how much I hate the film industry?

Next Week Looks Like This:

Starting Soon

3/31 Only Boo! (Thai GMMTV YouTube) 12 eps - New main couple for GMMTV in an idol romance about a boy who dances good and a food stand vendor. Other side of the tracks grumpy/sunshine pair who fall deeply in love but, of course, baby boy idol can't date. Boyband but from GMMTV? Control your singing and I'm game.

4/1 Love is like a Cat (Korea ????) 12 eps - This completed filming Aug 2022(!) which means there have been serious problems with post-production. This is another of Silkwood's Korean+Thai colab projects. Mew Suppasit plays a rookie film star, called the Cat Prince (for his cold arrogance) who goes up against a charismatic puppyish animal daycare director (JM of JUST B). There is also a side romance (love triangle?) with a veterinarian. Geonu of JUST B is also in the cast.

I wonder if this was part of the hold up, with Geonu on Build Up right now, they might have tried to muffle this one. Or maybe it's just that bad...

4/3 We Are (Thai GMMTV YouTube) 12 eps - University ensemble BL featuring PondPhuwin, WinnySatang, AouBoom, MarcPawinPoon - basically the good kind of messy gay friendship group (so more My Engineer and less Only Friends). Looks a bit like the Kiss series but everyone is queer. I'm IN!

Knock-Knock Boys (Thai WeTV?) - 4 college friends conspire to help their friend lose his virginity. Familiar faces like Seng (yes, Billy's previous partner), Best and frest face, news here.

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

NOTE: It looks like one of my personal favorites of last year Unintentional Love Story is getting a spin off!

THIS WEEK’S BEST MOMENTS

Without ghost girl.

With ghost girl.

I think she may be my favorite part of 1000 Years.

CLASSIC tsundere seme description of a sunshine uke. Like classic'est of classic. (Two Worlds)

Is there such a thing as a tired trope in a BL? Since it is a genre that is made up entirely of tropes quilted together? Your philosophical question for today brought to you by Deep Night's kabedon (Japanese trope) + punishment threat (Thai trope).

Love me a lap sit moment. (City of Stars)

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are too much work.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone

If ya wanna be tagged each week leave a comment and I will add you to the template. Easy peesy.

224 notes · View notes

doublebladedbitch · 2 months

Text

10 Reasons why I think tech is alive and well…and evil

1. The looks

Besides the similar front part of their helmets, their stances and movements show a resemblance.

2. Fight movements

Right when I saw this scene it felt familiar to me and then I remembered this very moment of season one. It’s the same attack…

If Tech was forced through the clone x/assassin program, he would’ve been robbed of most of his individuality, like fighting with two blasters for example, while clone x was shown fighting with all obvious choices of weapons of his 99 brothers : sniper rifle, knife and hand to hand combat. They also could’ve shown him with a usual blaster…

3. Relying on Technology

There were multiple moments where clone x checked on his arm data pad, even after it was broken after the building collapsed and his reinforcements had already arrived.

4. Voice / Noises

Sounds familiar? Tech is the only clone that has a visible British accent and there were definitely hints of that in clone x voice. Also the voice modulator seemed to be a little stronger than with the other clone assassins we’ve seen before, I wonder why…

And when you compare the grunts, they literally sound the same!

5. The height change

A few days into the third season of tbb Star Wars officially changed the height for tech and we all wondered why…. my theory is that they did that because tech's legs got injured after the fall and when the empire put him into the shadow assassin program his height went down to his new height.

Changed the height from 6’4 to 5’10

6. “But crosshair would know if it was tech”

Probably, but would he tell them? It took him a good while to tell anyone about the information he has gained in his imprisonment..he is still hiding things and if he knows I believe he doesn't want them to know, fearing they would try to get him back and he has realised that there is no chance to do so...the program these clones go through is so much stronger than what the inhibitor chip was.

Also this scene hits a lot different, if it's actually techimplicating this could be a reference to crosshair choosing to stay with the empire instead of the batch at the end of s1

There is also a scene in tantiss where he looks back at clone x...

7. THE PARALLELS

There were multiple parallels to significant moments and situations that

Tech went through.

- THE FALL sry to remind yall of plan 99, but clone x fell in that tower after crosshair shot his explosive and also in the waterfall fight.

- LIMPING after clone x got injured when the base collapsed, it was like the scenes in season 2 after a crate fell onto techs leg. Also important quote from this episode " I'm a survivor. Remember?"

8. This exact shot

the similarity of these specific shots is undeniable. And both when they come out of the water? Like?!

9. He’s too pretty to die

No but for real, storytelling wise IT HAS TO BE someone important.my other guesses are Cody, another 99 clone or (brace yourself) a clone of crosshair, like an evil twin

10. Maybe I just miss him

#bad batch #clone force 99 #tbb #sw tbb #tech #technology #bad batch season 3 #bad batch tech #tbb tech #tbb theory

242 notes · View notes

baldchristianborle · 9 months

Text

Defending Aziraphale cause I KNOW y’all are gonna come for him:

1. a lot of people say that him deciding to go back to heaven is a character regression and doesn’t make sense- but it does! aziraphale has 6000+ years of repressed trauma from doing what heaven tells him! and even if he does seem to be taking steps forward (shades of gray), he never fully takes that big leap away from heaven (very LIGHT shades of gray). you can’t just recover from it!

2. also, we never actually see him get over the demons bad angels good thing. crowley is the only exception to this rule, in his eyes. he still views the Fall as a bad thing, which is why he wants them to be angels together!

3. people are also saying that it’s crazy ineffable bureaucracy got together so fast without too much internal conflict, unlike the (now divorced) husbands. but it makes sense because GABRIEL AND BEELZEBUB RAN THE SYSTEM. AND CROWLEY WAS CLEARLY A HIGH RANKING ANGEL WHO FELL VERY EARLY ON, MAKING HIM VERY DISILLUSIONED WITH THE SYSTEM. aziraphale mever got that chance- he was a lower ranking angel that was beaten down by this system, and as such doesn’t see that it’s the system that’s corrupt, not just the angels within. he still believes that heaven is a GOOD place filled with BAD angels, because he has literally never had the chance to learn otherwise.

and this is why it narratively makes perfect sense for him to become the supreme archangel- he’ll finally be able to see that the idea of heaven is corrupt because he’ll be in charge of it!

4. aziracrow have also been shown to be a direct parallel to nina and maggie. in the last episode, nina says that they’re not ready for a relationship because she just left her incredibly toxic and abusive partner. aziraphale and nina are in very similar situations! he literally just left heaven, which was incredibly toxic and abusive, and might not be ready for a relationship with crowley yet! however, unlike nina, he doesn’t fully believe that his previous situation was toxic, so he goes back- because he hasn’t seen enough to understand!

5. he clearly wants to FIX the system, not just be a part of it, because he is intrinsically such a selfless being. he still hasn’t learned to put what he actually wants before what he thinks everybody needs yet, because, again, he doesn’t understand how heaven works!

in conclusion i love aziraphale and i haven’t slept because i’ve been thinking about the finale so lmk if this doesn’t make sense but i will not be changing my thoughts about aziraphale

ALSO KEEP REWATCHING GOOD OMENS WE NEED SEASON 3

#good omens #crowley #ineffable husbands #aziraphale #good omens spoilers #gos2 spoilers #good omens 2 spoilers #spoilers

612 notes · View notes

embracing-the-ineffable · 9 months

Text

Hunting for Clues-with-a-capital-C, a meta of Good Omens metas, and GO fun!

*I'm adding to this list as I find new and interesting Clues and theories!

*This post version is dated 21 Apr 2024; the current version is pinned to my profile.

* I maxed out Tumblr's link limit! Here's the Google doc (which is due to be updated SOON with lots of posts I've reshared in the last few months...) with all the Clues, links, and metas I've collected from all over the fandom.

Below, you'll find a list of my original posts, most of which are filled with fact-finding, Clue-hunting screenshots that will probably leave you with more questions than answers! Several of these posts are also presented in partnership with the Ineffable Detective Agency:

Fanfiction:

From the GOMM holiday exchange: Cocoa and Fairy Lights, How to Fight Your Chemistry and Lose

GOMM 2024: Orbiting a Memory featuring a gorgeous illustration by @altonthebard

Fan Fiction Friday: The Universe Might Answer: Broken Moonlight

From the GO Song & Poetry Exchange: The Ineffable Dance

Good Omens Day of ✨Dance✨:

Learn all about my GO "Day of Dance" and get a link to all the fandom art I shared, here!

Time:

Gabriel's Memory Returns:

Plus, hidden audio in the memory tunnels?

The Appearing Sign:

Edinburgh and the Briefcase, presented by the Ineffable Detective Agency