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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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spiraling-trap · 2 months
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i’m on my period so i gave light yagami period cramps to make me feel better
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dpw67blog · 3 months
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ACE Calendar: Horizons
Use time horizons across periodic notes under Calendar in your Obsidian PKM system.
With the new year, I have started thinking about the periodic practices and workflows in my PKM system. Periodic Notes I use the ACE organizational framework for Atlas, Calendar, and Efforts in my Obsidian Ideaverse vault. I place all time-based information within the Calendar folder, which includes all my periodic notes (daily, weekly, monthly, quarterly, and yearly). I also have…
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mangozic · 1 month
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archivist be upon ye
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petermorwood · 24 days
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More on pre-electricity lighting.
Interesting to see this one pop up again after nearly two years - courtesy of @dduane, too! :->
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After experiencing a couple more storm-related power cuts since my original post, as well as a couple of after-dark garden BBQs, I've come to the conclusion that C.J. Cherryh puts far too much emphasis on "how dark things were pre-electric light".
For one thing eyes adjust, dilating in dim light to gather whatever illumination is available. Okay, if there's none, there's none - but if there's some, human eyes can make use of it, some better or just faster than others. They're the ones with "good night vision".
Think, for instance, of how little you can see of your unlit bedroom just after you've turned off the lights, and how much more of it you can see if you wake up a couple of hours later.
There's also that business of feeling your way around, risking breaking your neck etc. People get used to their surroundings and, after a while, can feel their way around a familiar location even in total darkness with a fair amount of confidence.
Problems arise when Things Aren't Where They Should Be (or when New Things Arrive) and is when most trips, stumbles, hacked shins and stubbed toes happen, but usually - Lego bricks and upturned UK plugs aside - non-light domestic navigation is incident-free.
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Here are a couple of pics from one of those BBQs: one candle and a firepit early on, then the candle, firepit and an oil lamp much later, all much more obvious than DD's iPad screen.
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Though I remain surprised at how well my phonecam was handling this low light, my own unassisted eyes were doing far better. For instance, that area between the table and the firepit wasn't such an impenetrable pool of darkness as it appears in the photo.
I see (hah!) no reason why those same Accustomed Eyes would have any more difficulty with candles or oil lamps as interior lighting, even without the mirrors or reflectors in my previous post.
With those, and with white interior walls, things would be even brighter. There's a reason why so many reconstructed period buildings in Folk Museums etc. are (authentically) whitewashed not just outside but inside as well. It was cheap, had disinfectant qualities, and was a reflective surface. Win, win and win.
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All right, there were no switches to turn on a light. But there was no need for what C.J. describes as stumbling about to reach the fire, because there were tinderboxes and, for many centuries before them, flint and steel. Since "firesteels" have been heraldic charges since the 1100s, the actual tool must have been in use for even longer.
Tinderboxes were fire-starter sets with flint, steel and "tinder" all packed into (surprise!) a box. The tinder was easily lit ignition material, often "charcloth", fabric baked in an airtight jar or tin which would now start to glow just from a spark.
They're mentioned in both "The Hobbit" and "The Lord of the Rings". Oddly enough, "Hobbit" mentions matches in a couple of places, but I suspect that's a carry-over from when it was just a children's story, not part of the main Legendarium.
Tinderboxes could be simple, just a basic flint-and-steel kit with some tinder for the sparks to fall on...
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...or elaborate like this one, with a fancy striker, charcloth, kindling material and even wooden "spills" (long splinters) to transfer flame to a candle or the kindling...
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This tinderbox even doubles as a candlestick, complete with a snuffer which would have been inside along with everything else.
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Here's a close-up of the striker box with its inner and outer lids open:
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What looks like a short pencil with an eraser is actually the striker. A bit of tinder or charcloth would have been pulled through that small hole in the outer lid, which was then closed.
There was a rough steel surface on the lid, and the striker was scraped along it, like so:
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This was done for a TV show or film, so the tinder was probably made more flammable with, possibly, lighter fuel. That would be thoroughly appropriate, since a Zippo or similar lighter works on exactly the same principle.
A real-life version of any tinderbox would usually just produce glowing embers needing blown on to make a flame, which is shown sometimes in movies - especially as a will-it-light-or-won't-it? tension build - but is usually a bit slow and non-visual for screen work.
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There were even flintlock tinderboxes which worked with the same mechanism as those on firearms. Here's a pocket version:
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Here are a couple of bedside versions, once again complete with a candlestick:
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And here are three (for home defence?) with a spotlight candle lantern on one side and a double-trigger pistol on the other.
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Pull one trigger to light the candle, pull the other trigger to fire the gun.
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What could possibly go wrong? :-P
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Those pistol lanterns, magnified by lenses, weren't just to let their owner see what they were shooting at: they would also have dazzled whatever miscreant was sneaking around in the dark, irises dilated to make best use of available glimmer.
Swordsmen both good and bad knew this trick too, and various fight manuals taught how to manage a thumb-shuttered lamp encountered suddenly in a dark alley.
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There's a sword-and-lantern combat in the 1973 "Three Musketeers" between Michael York (D'Artagnan) and Christopher Lee (Rochefort), which was a great idea.
Unfortunately it failed in execution because the "Hollywood Darkness" which let viewers see the action, wasn't dark enough to emphasise the hazards / advantages of snapping the lamps open and shut.
This TV screencap (can't get a better one, the DVD won't run in a computer drive) shows what I mean.
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In fact, like the photos of the BBQ, this image - and entire fight - looks even brighter through "real eyes" than with the phonecam. Just as there can be too much dark in a night scene, there can also be too much light.
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One last thing I found when assembling pics for the post were Folding Candle-lanterns.
They were used from about the mid-1700s to the later 20th century (Swiss Army ca. 1978) as travel accessories and emergency equipment, and IMO - I've Made A Note - they'd fit right into a fantasy world whose tech level was able to make them.
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The first and last are reproductions: this one is real, from about 1830.
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The clear part was mica - a transparent mineral which can be split into thin flexible sheets - while others use horn / parchment, though both of these are translucent rather than transparent. Regardless, all were far less likely to break than glass.
One or two inner surfaces were usually tin, giving the lantern its own built-in reflector, and tech-level-wise, tin as a shiny or decorative finish has been used since Roman times.
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I'm pretty sure that top-of-the-line models could also have been finished with their own matching, maybe even built-in, tinderboxes.
And if real ones didn't, fictional ones certainly could. :->
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Yet more period lighting stuff here, including flintlock alarm clocks (!)
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nearlycassidy · 1 year
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there’s no escaping the wammy boys, light-o!
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spacebronco · 9 months
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i cant read this pornographic work of derivative fiction you wrote because you didn't do enough historical research and its taking me out of the fantasy. blocked
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evilkaeya · 11 days
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100 notes and I'll watch the omegaverse yaoi anime
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zimthandmade · 3 months
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Play wrestling!!
----- My other socials Commission Info Let's drink some Ko-Fi! 🍵
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cozylittleartblog · 4 months
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someone on aliexpress stole my wheatley pin too :( look at how they massacred my boy.... why the fuck does he look like that....
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it's the portal fandom's turn: please please please do not buy pins on chinese websites like wish, temu, aliexpress, shein, etc. they are all traced and stolen from small artists like me, and way worse and uglier than the originals.
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saturncodedstarlette · 8 months
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“Give me your hand.”
“I like to look at you while you work.”
“I’ll keep holding your hand. You should sleep.”
“Don’t let go.”
“I won’t let go.”
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izvmimi · 10 months
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cw: female anatomy, period talk (no blood mention), smut elements, minors dni.
you lay in a dark room, arms tight around a body pillow, the end tucked tightly between your thighs. you've been mostly immobile for the last thirty minutes and irritated from the constant throb in your lower belly. you're sick of this.
your period's hitting you especially hard for whatever reason and the ibuprofen you just took ten minutes ago is taking longer than it should to hit. no relief exists, no position feels comfortable or right.
you're too busy trying to drown out your discomfort in loud guitar blasting through your headphones to realize your favorite person is watching you.
"what's wrong, baby?" his voice doesn't cut clear enough over the music and it's only when he approaches and taps your ankle, tangled a thin blanket, that you open your eyes and realize he's there.
"oh... hi," you answer weakly.
izuku gives you a once over, frowning slightly, then leans forward, shielding your eyes with a hand before he turns on the lamp atop the end table on your side of the bed. he looks again over your body carefully, and your own eyes follow him.
"i'm fine," you mumble.
he twists his mouth to the side, then kneels at your bedside so that he's at your eye level.
"cramps?" he asks.
you nod.
he presses a kiss to your forehead.
"did you take medicine?"
you nod. he pats your head gently for a moment and gives you an empathetic smile. you hold his gaze for a second and then he breaks it hesitantly, disappearing into the bathroom to wash dirt, grime, and whatever else he's picked up in the business of rescuing and regulating, then makes his way back to you just as quickly.
warm and fresh, he fits himself in the space around you, adjusting to the curve of your body, and slowly peeling the blankets off of you so that he is close enough that your legs graze together in your pajama shorts and his chin nuzzles close to yours.
you feel his breath on your neck, allowing the quiet closeness to soothe you. his hand makes its way around your waist, and lowers, pressing itself gently on your lower belly. scarred palms rub as gently as they can on the throbbing pain. he kisses your neck and you sigh.
"tell me if i'm not helping."
your hand covers his and presses harder and you can feel him laugh, the rumble run through both of your bodies. a smile creeps up on your lips.
"you're always helping," you whisper softly. he presses against you still closer, and you let go of your body pillow, casting it aside.
"can i move you?" he asks, gently kissing the skin of your shoulder. you nod again, and he moves you gently, pulling you into his direction. his hand presses against your lower belly still, and he watches for your reaction. your lip quivers and he kisses the lower one, then lets his hand travel lower, slipping below the hem of your cotton shorts. you bite your lip as he waits for your approval. your eyes tell him to go lower, and he does, an index finger tracing the split of your vulva. the touch makes you shudder and he stops.
"no, keep going..." you murmur despite yourself.
he rises to sitting and positions you slowly so that you're on your back. your legs part, as he hangs above you and a finger slips inside you. you whimper, and his free hand moves up your shirt to your neck, and he kisses the skin in between sore breasts.
softly, softly, softly, his fingers tease you apart until your focus is less on waves of pain and more on the drag of one, then two fingers along your walls, the tap of pads of fingers playing clit and all like piano music, the passage of his tongue on your skin. you gasp as you reach crescendo and again, he smiles, satisfied at the deepening of your complexion, expression that is lethargic not from pain but from a soothing pleasure and relaxation.
it's enough to send him into ecstasy himself but tonight he's focused on you. he continues to pamper you with soft words and tongues until you're relaxed and your arms reach for him to hold you close.
"stop being so good to me," you speak softly into his chest.
"never."
you laugh finally, and he's more pleased than anything.
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magistralucis · 6 months
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this is the first Space Marine I have ever painted Please Be Kind 😭🤣... during housecleaning I unearthed this old mini my fiancé had as a child and long story short I made him into a teacup, please welcome Brother Connoisseur of the ~*~*~Albertus Regius~*~*~ Chapter
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silverdrws · 2 years
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what if arthur didn’t sleep for thousands of years in avalon but was haunting(read:annoying) merlin feat: Medieval history professor merlin
some facts about this au
merlin thought arthur was a hallucination at first
arthur doesn’t appear all the time
arthur’s bottom half is still in avalon, healing
they can’t touch
arthur is invisible to everyone else
EDIT: NEW DOODLE COMIC FOR WHEN ARTHUR COMES BACK HERE
more of this au can be found here
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mintjeru · 10 months
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i would like to award kaveh the highest honor i can bestow 🖤💚🤍
open for better quality | no reposts
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taigarrryen · 1 month
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I want you all to see my favorite video, like, ever
No idea who put this masterpiece together, sadly, but I've had it saved for years and every time is like the first one
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