currently experiencing. sad autism where im scared that bc i post so slow everybody has already gotten over bg3 and theres no point in me getting to all the ideas i still have bc novody will care. can anybody just reassure me real quick that you will still want me to draw shadowheart once every 3 months in the future
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Senshi is probably the most fandomized character in Dungeon Meshi, and while I don't exactly mind it, I do think he has more depth than that. I find all his little quirks and idiosyncrasies to be fascinating; he's very stubborn and set in his ways about things that seemingly don't matter, he thinks about things that other people don't, he has a deeply set value system that informs everything he does. He cares A Lot, like, this man cares So Much. That's the kind of person you have to be to drop everything to help a random group of adventurers save one woman. But because he feels so strongly about things, he can also be surprisingly immature at times (although he's also the character most likely to admit he was wrong about something). I think part of that is because he's lived in the dungeon on his own so long that he's not used to working with other people. He will extend empathy and friendship to almost anyone, but he does things his own way, and he doesn’t always feel the need to explain his way of thinking because again, he's usually on his own. He's both incredibly wise and kind of childish in ways that seem contradictory at first, but make more and more sense the more we learn about him. Major kudos to Ryoko Kui's writing and pacing to make that transition so seamless and have all those details from his backstory click into place perfectly. And on a wider thematic level, Senshi is kind of a perfect counterpart to characters like Thistle (or any other dungeon lord). Senshi understands the dungeon in ways that even its creator doesn't. Although everyone is scrambling to take control of the dungeon, Senshi is the one who actually takes care of it. He's the one who thinks about things like nutrition and proper sleep and the ecosystem, all those things that it's easy to ignore when you get swept up by the grandeur of it all. He's the most important character to have present in a story that explores life and death and hunger. His constant, invisible presence holds everything together.
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Tav: *breaks up with Astarion or Gale for someone else*
Astarion and Gale:
Tav: *Breaks up with Wyll for someone else.*
Wyll: Understandable have a nice day.
We don't deserve Wyll. He's just too good. Fucking takes it like a champ. What an absolute Chad.
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being into sherlock holmes is so stupid like. yeah here's my blorbo, you don't know him. you think you do, but unless you've systematically fallen in love with him through the personal writings of his retired army doctor best friend you really don't. yeah. he's one of the most popular and well known characters in the world. I have interacted with at least 60% of the current fans. hey do you think he associates the sounds of waterfalls with death? do you think he'll ever get over that? I won't. good talk
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Kait Rokowsky || Mary Shelley, Frankenstein || @hopepunk-humanity || Jenny Slate, Little Weirds || Intricate Explorer || Melissa Broder, Problem Area || Kerri Maniscalco, Kingdom of the Wicked || Louise Eldritch, The King of the Owls || Stephanie Foo, What My Bones Know || Damir Omerović || David Leviathan, How They Met and Other Stories || Ariana Reines, The Cow || Anaís C., Am I Good? || Okechukwu Nzelu, Here Again Now || Max Muselmann || Fernando Pessoa, I See Boats Moving || Mary Maclane, I Await the Devil's Coming || Jhumpa Lahiri, Whereabouts || Mary Oliver, Spring || Jordan Steranka
Tathlyn Auvrynval: On Endurance, Defending, and Being Made A Weapon
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if i could have the show change anything, it'd be the kiss in tbotl. everything pretty much stays the same. he screams at her to get out because they don't have time to think of a plan. and she still kisses him. except this time around. he tries to kiss her back but she pulls away before he can. i think it would allow them to acknowledge the mutual desire for what could have been if they had time. but they can't ever be because time isn't on their side.
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"I could be on drugs!" is a reference to a time Georgie dragged Jon to a party during uni where people were doing drugs. Trying to fit in, the jittery mess we call Jon did a line of coke, only to immediately stop shaking and have his thoughts slow down. He refused to listen when Georgie asked him to get tested for ADHD afterwards
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Trying my best to draw with my old laptop that is THE WORST, so sorry if these aren't the best.
Btw I'm having a great time reading the Scott Pilgrim comics and I just got to volume 6 and I'm so hyped to meet comic Gideon that I already drew him. I'm sure I'll love him too <3 Also, why no one told me Ramona is the best character ever in the comic??
Also, I'm thinking about doing a Goosepowers AU with their comic versions but I'm too lazy for it so far.
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