In a silly little mood and made/remade some more icons on pic crew for the ladies that appear in the my story is mine to write series
Enjoy!
Credit: https://picrew.me/image_maker/707090
Little detail - the mothers are all dressed to kill, perhaps in the literal sense too
Adeline Kane - Former soldier in the army, and later mercenary. Mother of Grant and Joseph (Joey) Wilson, and Slade's former wife. Remarried once afterwards and currently a socialite with many, many connections...
Worth Family
Lillian Worth - aka Sweet Lili. Former Cambodian princess. Ran a bordello for some time before crossing paths with Slade. Mother to Rose Wilson-Worth. Currently resides with her daughter in New York and runs a brothel.
Rose Wilson-Worth - Former street racer (to the relief of her parents). Slade Wilson's eldest daughter and current holder of the alias Ravager. Besides Joey, Rose is the only other one of her half-siblings to inherit more than enhanced senses/healing from their father.
~~~~~~~~~~
Wu Family
Cassandra Cain-Wayne - loves ballet as much as Medea loves figure skating. The daughter of David Cain and Sandra Wu, though estranged from both parents. As of currently, Black Bat operates exclusively in Gotham.
Sandra Wu - operates as Lady Shiva, world's greatest martial artist and looking for that final fight. Hires out her skill as an assassin. Mother to Cassandra Cain and Medea Wilson. Learning how to co-parent with Deathstroke.
They say that Lady Shiva is just as deadly with or without a weapon.
Medea Wilson - The baby of the family and holder of many, many nicknames. Notable ones include being her father's 'princess' and her mother's 'little witch'. Only child of Sandra Wu and Slade Wilson, her father's youngest child/daughter.
Current aspirations: to become the best figure skater.
~~~~~
Jade Nguyen - Operates as the assassin, Cheshire. An acquaintance/friend/partner/??? of Grant Wilson and has a soft spot for his sister, Medea.
Medea hasn't figured it out yet, but she swears she will get to the bottom of it. Soon.
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The Age Old Question: Can we get a ___?
Slade having to deal with his children asking for a pet throughout the years
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Grant (Age 6)
“I want a dog.”
Truly a boy after his own heart. He did too. But Adeline didn’t like dogs, and Slade wasn’t home as often to argue that he could take care of it. Rather than giving Addie another burden, he shook his head in the negative. “No.”
“Pretty please?” His eldest stares up at him, eyes pleading and by God did it feel like a crime to refuse his request.
It takes everything to not give in. "The attractiveness of the word please won't change my mind."
~~~~
Joey (Age 9)
“Can I get a cat?”
Addie liked cats. But she was also allergic, which meant that a cat was out of the question at her place. “And who's going to take care of the cat when you’re away at your mother’s?”
“I’ll bring them along with me,” signs Joey.
“Your mother’s allergic.”
“Medi wouldn’t mind having a cat around the house. She said so.”
“She’s four, Joey. She’s going to agree to whatever her brothers suggest." Slade can already see his younger son's next argument and nips it in the bud. "And before you ask, I travel too much to also take care of a cat.”
~~~~
Medea (Age 5)
“I want a dragon,” announces his youngest without any preamble.
“Okay.”
“With wings.”
“Alright.”
"Oh! Oh! Can it be golden too?"
"If I can find one, sure."
At his words, Medea beamed and launched herself at him. "Thank you!"
''
While Medea had wandered back to sit by Joey, Slade felt a pair of eyes staring him down. “Hmm?” He lazily looked in that direction to find the stare belonging to his eldest. “What is it?”
“I wanted a dog and you said no because it was too messy. But you’re saying yes to a dragon?”
He shrugs. “And?”
“Pops! That’s unfair!”
Would Grant throw hands with a toddler? Absolutely. Something Joey noticed as he inched himself closer toward Medea. But if it was his five year old sister? Probably not. Right?
Bonus: 2 weeks later
Medea’s dragon in question: a plushie
Grant: 😒
Medea: 🥰
~~~~
Years later with Rose...
Rose (Age 16)
"You know, I've been thinking," trails off Rose.
Slade merely raised an eyebrow at her. It was obvious that she was angling for something, but the question was, for what?
"Since you know we’ve missed out on quite a few years of presents. I was thinking we could just get one gift to make up for everything."
"Like?" This better not be what he thought it was.
"I want a bird."
"No. Your mother told me that you’re not allowed any more pets."
``
"And why not?" Rose huffed, hands on her hips.
"I seem to remember a certain Mr. Wiggles having an unfortunate accident." He bites back a smile at how red his daughter had turned.
"I cannot believe Mom told you that!"
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Who is Lili? (1)
Rose Wilson’s mother’s backstory is primary revealed in Deathstroke #15 by Marv Wolfman. I’m going to do a close reading of the first half of the comic, with the addition of some panels from Deathstroke #48, also by Marv Wolfman, recapping the events. I’ll follow up with her actions in the current comic timeline in my next post.
Inherently, Marv Wolfman has crafted a story which relies on Lotus Blossom/Miss Saigon tropes around Asian women, and sexualises a survivor of political and military sexual violence. However, I think that even within the comics canon, it is possible to read the character of Lili differently by engaging directly with the text and putting aside authorial intent. To do this, I am treating Slade as the unreliable narrator he is. I am contrasting his narration with Lili’s on-panel art, dialogue, and actions, as well as a light touch of Cambodian history, to imagine a more rounded and human character. It’s creative criticism, rather than strict analysis.
Right from the cover, Lili is literally described as “exotic”, and sexualised with a torn dress and unrealistic proportions. She’s also helpless, clinging to a white man in fear and unable to help herself. As if to add salt to the wound, there’s a large, purple flower in the background, illustrating the tropical setting and connoting beauty and fertility. It’s not a lotus blossom - but it’s close enough.
But the answer to who Lili actually is gets more complex as the comic progresses.
CW: discussion of sexual assault and sexual imprisonment, discussion of the Khmer Rouge atrocities, discussion of sexist and racist tropes around Asian women
The drawings of Lili continue to be sexualised and orientalist, with her next appearance set in an imagining of an exoticised Cambodian brothel, a world away from the brutal realities of women’s experiences under the Khmer Rouge.
She introduces herself as “Sweet-Lili”. I’m not sure where this came from - it could be a ‘working’ name of some sort during her imprisonment, or a direct translation of part of her name, or a nickname. Whichever way, “Sweet” evokes the Lotus Blossom tropes of demureness and innocence set against sexual knowledge and experience. It also evokes her being consumable, even edible, for white men.
She is fluent in English, showing a high level of education and also that her word choices are very deliberate.
The next thing she says is “these are my girls” - this is where we immediately get introduced to the character’s priorities which will unfold over the next decade. In #48 it is revealed these women were once her servants, and have now been subjected to the same fate as her. Still, she never uses the word servants for them, throughout they are “my girls”. She equalises herself with them, emphasises their youth and innocence when Slade uses the derogatory “whores”. Most of all, despite being captives of the Khmer Rouge, they are hers. While she used to be their employer, in this dire situation where her nobility makes her a target rather than a social superior, she continues to lead them with a sense of responsibility. Now that a rescue party has arrived for only her, she isn’t going to leave her women behind. She steps down the stairs in front of them, opening her arms and making herself the centre of attention - she is relatively confident that Slade and his men are here to rescue them, but as these are women who have lost everything in a brutal civil war, I do think putting herself first is a precaution.
When she greets Slade, it is by putting her hand on his chest in a flirtatious manner, something which the other women mirror with his soldiers.
This is to show her sexualised nature, and suggest gratitude towards Slade which will develop into romance. However, as someone who has survived the (implied) killing of her family through her captivity in a brothel, this could be read as a deliberate action she takes to both flatter Slade, and encourage her women (who are not meant to be saved at this point!) to use the attractions of the American soldiers to help rescue them.
She interacts with Slade as a fellow leader, and he asks if she is the princess.
Slade calling Lili a princess is not his fault at first, it has been common historically for English translators to simplify the complex Cambodian royal titles into Prince/Princess even for very distant relations to the king, like Lili. (Without knowing her grandmother and mother’s titles I can’t work out what her exact title would be, or if she is entitled to one at all. Please tell me if you can work it out!)
She corrects him very politely, affirming she is royal and his target (“my father’s father was third brother to the king”), but not actually a princess. Despite this, both Slade’s narration at the very beginning of the flashback and throughout his recollections of her in #48, he uses the term “princess”. Once was a mistake, but his continual use, and later adaption of the term into an endearment for Rose, seems to replace the realities of Khmer Rouge’s political purges of the royal family with Slade’s Orientalist fantasy.
However she corrects Slade with the brilliant line “But I am princess only to my girls” [sic], which elides her position from one of blood to one of responsibility. He has been sent to save her because she’s a royal, but she is extending her own protection over these common women. While missing out “a” could be a translation error, given how good Lili’s English has been so far I doubt it. Instead, I think she is transforming princess from a noun into a more active term; she is a princess “to” them, and being a princess to women is an active choice and responsibility.
She quickly follows this with “You will save me now, yes?” which is just such a bold line in which she takes control of her own rescue.
And surely - without even thinking about it, the Americans save her fellow captives as well. She’s achieved her goal without Slade even realising what she was doing.
He does observe her leadership as they escape, “Sweet-Lili kept them in line”, and the women are able to cook “incredible meals” from the surrounding nature, showing how efficient and well-organised the women are, in large part due to Lili. Slade says he doesn’t think he “ever had better”.
And then we have the key key line, something which would be so easy to miss. “Could say the same for the nights”.
The American heroes, the oh so noble saviours, are sleeping with the women they were sent to rescue from sexual slavery. Not only that, but it’s viewed as idyllic and part of their reward. I think that Slade does deep-down know this was wrong, as when he recaps the story in #48 after Lili’s death he claims they “trekked through the night and slept during the day”. This doesn’t align with this quote, or the fact that the women cook during the day, and all of the panels of the party walking and fighting in #15 are in daylight. This could be a continuity error, but I want to be consistent and not assume authorial intent.
The women are so far from being safe from male sexual violence. Without guns, they can’t run into the jungle alone, so they have to stay with the “rescue” party and do what they want. What is an exoticised memory for Slade is any woman’s nightmare - including for Lili.
The party comes across the Khmer Rouge enslaving and murdering villagers, and sadly Lili is unsurprised by these conditions, telling Slade the exact diet of such prisoners. As Lili hasn’t experienced these conditions herself, I think this shows how she’s tried to stay updated on the suffering of her people, despite the brutal repression of information and killings of journalists. She feels deeply for every person suffering during the civil war. While she’s empathetic but unfortunately has to be practical - she doesn’t ask Slade to try to save these villagers.
However, when an American soldier cries out at the murder, their cover is blown and all the Americans other than Slade and the women other than Lili are murdered. Slade fights the most brutally of anyone, killing all the Khmer Rouge and trying to protect the women before succumbing to his wounds.
After years living alongside these women and protecting each and every one through their imprisonment, Lili watches them all be killed in front of her, by the very group which tortured and terrorised them. It’s horrific. These are the only people she has left from her old life, and they’re gone.
She protects Slade, who comes down with a fever, including from the Khmer Rouge - we are never shown her fights, because Slade was not conscious for that. This is a much-needed reminder that Lili is only shown from his perspective.
Over time, the two talk and share personal information, growing closer. I do think that she was honest with Slade about herself, more so than she could be with other people after the experience was over. She doesn’t have anything left to lose, is an ambush away from being killed, and Slade is a mercenary who cannot be shocked by anything she tells him. They’re going through a huge trauma together, and it forges a bond. He describes their relationship as “formal”, a strangely nice adjective from Slade which shows his respect for her (as much as Slade respects any women), and the fact that he did not make any advances before Lili did.
So Lili definitely still has some walls up.
One thing that never comes up is that Lili has her grandmother’s necklace on her the whole time. In Deathstroke #46 Rose runs to get it after Lili is murdered in the US, wanting her mother to be buried with it as it’s the only thing she has left of her family, so it’s clearly very important to her and was taken with her from Cambodia personally.
Now, it’s entirely possible that Slade does know about it but it isn’t important enough to include in the story. But it never appears on panel, nor does he ever mention her grandmother. I think it’s likely she kept it hidden, even as she dressed and undressed in front of him. It isn’t monetarily valuable, so she can’t have been scared of Slade stealing it.
If it is an amulet, her grandmother would have personally had a Buddhist priest bless it for Lili, and this 1970 article shows how important this traditional item became during the war. It’s the most sentimental item she has - and she never shares that part of herself.
The two share a moonlight kiss, after an in-depth discussion “about the war, about her, even about me [Slade]”. She is shown to be the one leaning in, and I do think that she genuinely wanted to kiss Slade and share that moment with him. Interestingly, this kiss is only revealed in #48, when Slade feels more sentimental as she has just been killed. It does not factor into his initial recollection, showing how his focus is on sexual, not romantic, memories of Lili, distorting his view of her. We will never know what she said “about her[self]” to this American mercenary who saves her women and sleeps with them, kills for money and for protection, and could be the last person she ever knows.
This is where we get to the most complex part of the recollection - the two sleeping together.
Unsurprisingly, I’m going to reject Slade’s reading of this as a natural development of their closeness which was romantic and spontaneous. However, I do think that Lili does consent, and would not have maintained a future sexual relationship and friendship with him if she had not.
One reading, building on what I’ve said above, is that Lili has been through these terrible traumas, is at risk of death or recapture, and has found a surprisingly sympathetic companion in Slade. As an unmarried Cambodian royal woman in the 70s, she would have been expected to be a virgin, and likely did not have much sexual experience before being subjected to repeated rape as a captive. The most positive reading of her relationship with Slade would be a reclamation of her own body and sexuality in a pursuit of fleeting joy in the most dire circumstances.
Alternatively, and in my view more likely, you can read Lili as engaging in self-protection. She is unlikely to be able to get to Thailand as a lone woman, even with Slade’s gun. Slade has already almost died, he could easily decide the reward isn’t worth the risk and abandon her, or sell her back to the Khmer Rouge. She can’t know what he’ll do, and therefore she maximises her chances of being rescued by having this sexual relationship, the same way she survived in the brothel. Either she initiates proactively, or he does, and she is in no position to safely reject him.
I don’t think this is antithetical to her conversations with Slade and continued relationship with him post-war. People are complicated, and ultimately Slade does save her, and would have saved her women, as well as being the only person who has shared her specific war trauma and heard her feelings at the time.
[It’s really important to note here that, textually, none of these arguments hold true. In the text of the comic, Lili’s body becomes a reward for the white American rescuing her, and why she would desire him is not a question that occurs to Marv Wolfman.]
“It took us another two weeks to make it into Thailand. Wish it’d took two years” is up there with the most heinous things that Slade has ever said.
It also shows that she didn’t keep a relationship with him the moment she got to Thailand and safety. Whether she was escaping him to freedom, or wanted to leave the unhealthy coping mechanism of him in the jungle, she did leave in the immediate aftermath of her rescue. Slade lets her, something which must have been a concern in the back of her mind after her previous imprisonment.
I’m going to go into Lili’s life post-Cambodia in my next post, covering themes including tropes around Asian women as sex workers, her success and wealth, and her loving relationship with Rose.
Here are some sources on representation and trope history I drew on to write this:
Before that, here's a post about her life between Cambodia and America and the Dragon Lady trope
https://www.washingtonpost.com/arts-entertainment/2021/03/26/asian-women-hollywood-portrayals/
http://unveilingthesilverscreen.digital.brynmawr.edu/tropes/lotus-blossom/
https://www.hercampus.com/school/american/the-dragon-lady-the-lotus-blossom-and-the-robot-archetypes-of-asian-women-in-western-media/
https://www.nytimes.com/1970/09/09/archives/amulets-are-a-vital-part-of-a-cambodian-soldiers-equipment.html
https://www.sbs.com.au/news/article/women-speak-out-over-khmer-rouge-sexual-violence/j5wwh30x1
https://www.unwomen.org/en/news/stories/2019/11/feature-survivors-of-sexual-violence-in-cambodia-speak-out
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