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#scare magazine
lucidpast · 7 months
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SCARE! La Carota Della Morte (The carrot of death)
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mtsodie · 5 months
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🦆
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sweetpaintedladie · 2 days
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Keith Richards in the September 1976 issue of Rock Scene magazine
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josephquinncurl · 1 year
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Me: wow I can't believe Joseph Quinn won a fan voted award it's crazy
Also me: seeing that the Eddie Munson tag has 630k followers, Joseph Quinn tag with almost 300k followers, a big Twitter fanbase, Joseph having almost 7B views on TikTok and Eddie Munson having over 17B views having the most for any fictional character ever. Joseph being the most mentioned celeb on Tumblr of 2022 and Eddie the most popular character too. Him winning a GQ award and being on every best of 2022 lists. 🧎🏽‍♀️🧎🏽‍♀️
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izzakitty · 6 months
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HALLOWEEN IS HERE!!!
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SPOOKY TIME!!!!!!
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ilovemarkhamill · 2 months
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magpie-trove · 6 months
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#sometimes it just feels like. everyone wants something from you you know. and expects you to give it.#but you can get awful thin from that! start to feel awful thin!#and that’s why as Therese of Lisieux says you gotta remember you are not all there is. God is behind you with the whole infinitude of#abundance from which to draw! but you gotta be drawing from it! which means you gotta be willing to and put yourself in a position to#receive!!#in other news I’ve had this idea brewing about trying out journalism/magazine writing#Not actually cause of Lois Lane but because of the panels at the conference and especially the journalism/magazine lady who was so kind and#confident and inspiring like !!!!#but I have no reason to write anything yet so like. I will chill and let the idea/desire simmer and give it to God and see what he makes of#it. those are two completely unrelated things but they are related in my mind#but yeah it’s like I go out and it’s like when are you available to tutor my kid can you fill in for me will you do this thing I need a#person here we’re short will you help? will you help? I’m scared and hurt I need you’re help!#and I do and I come home and it’s like you need to visit these people more with us I need you to come with me to do this you should go out#with the cat and if you don’t you’re just!! neglecting everything!!#and I get mail and it’s like pay us pay us pay us!#and I get texts and it’s like we need this and this and this from you!!#and then someone drops off the face of the earth and i ask hey do you want to get together and they are like no I’m too busy. no I’m#meeting with someone else#gets. so thinning! idk man!#but that’s because we are so thin and limited. so small!#only God can do all that!#living that one Wayne Family Adventures where Jason takes Dick aside and says hey there’s like 5 million of us we can pull our weight too
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theloveinc · 1 year
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I know Kirishima’s big ass still goes to a kids dentist … he’s like “but they’ve been working on my teeth for years! They know what they’re doing!!” as if he’s not taking the sugar free strawberry cherry lollipop out of his mouth just to say it
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oldshowbiz · 9 months
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The Lighter Side of Killing a Commie
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glennmillerorchestra · 4 months
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oh i can feel it. 2024 is going to be my year.
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the year’s first sour grass is blooming! a good sign :)
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confrontthefamiliar · 5 months
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“I loved Alice, she just seemed so dreamy. I remember when we talked about acting in Bangkok, and our approaches to it. She said something very interesting, which was when she acts she does something kind of immersive, in pretending that she's like in a dream. And the way you behave in a dream, you can be in very sort of absurd circumstances, but you respond to them as if you would in your waking life. So I liked her mentality, and her whole vibe and everything. So I was excited to work with her as a director, and then the script I thought was wonderful.”
Dasha Nekrasova on acting in Ensemble Magazine interviewed by Georgie Wright
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carcarrot · 6 months
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why is russell so scared in 70s sparks photos
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peachzin · 7 months
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I don't think u understand. dmc means. the world to me. the only reason I dyed my hair. was bc I wanted to look like a dmc character. It took a year but it's finally silver. sparda silver. the chokehold dante and vergil have on me. is insane. I have the stupid tsum tsums of them. $70 for both. Did I hesitate. No. Never. Not for dante vergil tsums.
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theflyingfeeling · 4 months
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hiiii can i get a joel from late may? it was exactly may the 25th when he took over my life absolutely out of nowhere, and it was the best thing that happened in 2023 🥺
awwww I'm so happy for you!! for me it was also May but a different year 🥰
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[source: a deleted post on Joel's IG]
send me a BC member + a month and I'll answer with my favourite picture of him from that month
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mudwerks · 11 months
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The Marriage Gift - The American Magazine: June 1952
Illustration by John Clymer
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dustedmagazine · 1 month
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IMustBe Leonardo — Not To Be Scared of Weekend (Self-Release)
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“Why should you need gods when you have John Peel or PJ Harvey or Meryl Streep and Stan Kubrick and Kim Gordon, fallible, fantastic, inspiring people but just people like you trying to create and share beauty?”
That’s a small part of a monologue that ushers in IMustBe Leonardo’s “Kim Gordon,” a meditation on humanism, the power of creativity and the emptiness of organized religion. It’s an odd, intoxicating little glimpse into an idiosyncratic mind, spoken in uninflected tones by the Google reader, but even so, deeply, fundamentally human. When the spoken word fades, the music enters, a wispy, whispery voice asking repeatedly, “Why should...you need god…when you have Kim Gordon?” against a minimalist frame of acoustic strumming, which is just a bit later submerged in a most satisfying swell of amp feedback and dissonance. It’s a poem, a philosophy, a lo-fi acoustic lament and a blast of rock-and-roll mayhem all in one, and while certainly one of the most arresting tracks, not even the best thing on this eccentric album.
IMustBe Leonardo is a Berlin-based songwriter who has been making his oddball songs since around 2016. He gets a little radio play here and there, and a handful of people are ardent supporters, but you could spend a whole lifetime listening to music and not run across his work. That would be a shame. His outsider-y poetry is slow to light but catches fire on repeat plays. About half the tracks are hand-made rock songs, bolstered by clicky drum tracks and ravaged guitar tones. The other half are the maddest, most surreal campfire songs you ever heard, gently strummed but extremely odd.
Out of these, perhaps, consider “All the Poets Here” a murmured litany of wry observations about all the things that the poets are getting up to. The line lifts gently at the end of phrases, not so much a question implied as these evanescent thoughts blowing away on a slight breeze, and every sentence is a little koan. “Oh the poets here are naked and they feel like war/oh the poets here they say they’re crying when it rains/Oh the poets here don’t wash for days and weeks and months” and so on.
Other cuts are more taut and rhythmic, as for instance, “Government Press Office’s New Rattle,” with its staccato Young Marble Giants-ish guitar riff and punching drums. The cut might remind you of Lewsberg in its mordant chant that takes brief flights into melody, in its quiet tensions that erupt into noisy crescendos of guitar. There’s a song in there, a well-shaped melody, swamped almost entirely by ennui and static.
And indeed, the artist seems aware of his tenuous but legitimate claim on pop music. His song “Perfect Pop Song” rattles on like a wind-up toy, with its sharp hedges of guitar picking, its nonchalant chatter of verse. And yet, it is sort of a pop song. You can sing along after a bit. It creates an economical amalgam of melody and meaning, a unitary sort of structure that is exactly what it is, and then blows out that structure in a profusion of harmonies and vocal counterpoints.
This is a wonderful album, absolutely original and striking and unpremeditated. Listen to it a few times, and you might find yourself asking questions, like: Why do we need gods when we have human beings making beautiful little songs out of sticks and string and imagination? Why do we need forgiveness when art swaddles us in solace and connection and meaning? Why do we need religion at all when we have IMustBe Leonardo? 
Jennifer Kelly
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