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imminent-danger-came · 1 year

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Yeah, David Breen had to write a tweet when the fan translated version of the Mandarin version of LMK came out. People were freaking out about Wukong being a deadbeat dad and debating on whether it was a d*ck move or Wukong recognizing that he had sh*t mental health and was not in the proper head space to take care of baby MK.

Also that memory? That was a vision MK had in Episode 3. He was helping Tripitaka with magic circle stuff, the vision broke in and interrupted the ritual, and all hell broke loose. It isn't an actual flashback to his childhood.

Thank you to the person who shared the screenshot in my notes! You're a real one. I'll put it here for easy reference:

First, I wanted to clear up that I didn't mean my questions in a "this is why it can't be true" way—cause it is true—but in a "these are the questions I have!" sort of way. I think that's how one person interpreted it and I'm like OH NO. MY QUESTIONS MEAN I'M INTRIGUED/WANT TO KNOW MORE I SWEAR.

Next, the visions in 4x03, 4x04, and 4x05 are different than what I think is a memory:

(4x03 The Great Tang Man) (Sending the curse one because like. what the fuck. what the fuck!)

(4x04 Pig Napped)

(4x05 Court of the Yellow Robbed Demon)

These are the visions of Sun Wukong trying to find MK in the scroll. They're different from what Subodhi presses MK to remember ("Tell me of your childhood, your parents." "You do not remember?" "And what else?"):

See the difference?

Every vision MK has includes the same scenes, except this one. That's why I think it's a memory; that and the way it's framed, with MK closing his eyes in focus. The other visions from 4x03, 4x04, and 4x05 all are unprompted, being forced upon MK. Why make this last "vision" so different from the others? Why show Guan Yin (?) making the stone monkey? That would be because it's a memory—be it MK's, something from the scroll, or a mix of both.

Monkey King not being MK's dad doesn't equate to him not being involved—MK being born from the stone means that he doesn't have any biological parents, it's a weird grey area. I also just can't imagine that Guan Yin (if it was her) made MK on top of flower fruit mountain and that Monkey King was none the wiser (edit: lol it was NOT on top of flower fruit mountain. Anyways, carry on!). I also don't know what other reason Sun Wukong would choose MK to be his "successor".

"Monkey King was ripping his way through memories looking for MK, but kept coming back to the stone. He doesn't know why."

I'll be honest, "he doesn't know why" is SUPER vague (which is good, can't have a writer spoiling the whole show on twitter lol). So, Monkey King doesn't know why he kept going back to the stone...what does that mean exactly? It's vague and up in the air, and it's phrased in such a specific way that I can't help but feel like Breen is being purposely misleading.

Either way, I don't really see the problem with Sun Wukong being a dead beat dad. Like he's not MK's dad, but if he were I don't understand what the issue with that is. Sun Wukong is an interesting character, he means well but he can also hurt others through the distance he builds around himself. In 3x05 Amnesia Rules he literally says "Can you imagine what I would be like if I didn't have friend's? I'd probably turn into a manipulative jerk!" Well, currently all of his past friend's are dead and he is a manipulative jerk. And I love him.

Sun Wukong is nuanced. He doesn't make the right choice all the time. The way he treated the main gang in s3 was fucking shitty ("how could you lead us into this fight without a real plan!?"). But he also doesn't intend to hurt people. He always has his own reasons. And, when he finally realizes the pain he's caused, he tries to make amends and put himself on the line. People "freaking out" about Wukong being a "dick" (which he kinda has been this whole time, he's a little shit and I love him) just reeks of purity culture.

AND THE FUNNY THING IS, WUKONG SPEAKS DIRECTLY AGAINST THAT:

“Point is, mistakes happen, but so long as you leave the world in better shape than you found it, then it’s all good. Right?” (4x01 Familiar Tales)

Wukong makes so many mistakes all the time. I don't know why in this instance it would be one step too far.

There's also just so much we don't know. We don't really know anything about MK's origins, or why he was created, or who created him, or what everyone knows/doesn't know. But I will say, whatever it is I'm excited for it!

#I am of the opinion that leaving MK with Pigsy was the right move (if that's what happened)#I also think Monkey King ''gave up'' his spot with his friends (or their reincarnations anyways) to MK. Like in general.#On god I had no idea there was discourse about this asfasfd #Man I didn't even get into the ink bullshit spread in those fucking visions.#LIKE. OKAY SURE MK WAS SEEING SWK SEARCH FOR HIM IN THE SCROLL. BUT. WHY THE CURSE THEN. HELLO???#The ink MK over his shoulder in 4x03. Then the ink sun wukong (?) in 4x06.#What's going on man #I'm just saying ''It was SWK looking for MK'' isn't all there is to those scenes. IT'S DRIVING ME MAD #lmk #lmk analysis #lego monkie kid #monkie kid #lmk mk #lmk swk #lmk sun wukong #asks #I wish I had a more fun ask tag #something like ''thanks for asking!''#but I'm in too deep to change it #my gifs

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antimony-medusa · 2 months

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Anyways, prompted by nothing in particular (lies, prompted by a scroll through the tag this morning, that was bracing), I think it might be good to remember the things we like about other people in the community.

For example:

BBH fans are some of the most consistently hilarious posters on this sight. Absolutely fantastic mpreg posting, and the art is incredible with your guy on the whole spectrum from creechur to in drag. He has the range. I hope your guy gets pregnant in canon for you, you deserve it.

Tubblings, you post some of the most interesting meta concepts out of moments I have sometimes been in stream for and entirely missed. You are always watching and always ready to take a throwaway line and go "let's unpack that" and bring something heartbreaking out of it. I love getting out of stream and checking up on what Tubbo is up to and finding a) hilarious clips of the creator being out of pocket, b) some new analysis of a tubbo moment that turns me into the crycat meme.

Wilburians, your ability to take like nine streams and *continue to make content out of it* is inspiring. Your guy may not stream, but by god you are keeping the flame alive and you will be ready when he comes back. Please come back, Wilbur, there are so many men you could flirt with here. Leave New York alone, Wilbur, come back and talk to your daughter.

Mariana fans, not only do you have simply fantastic photos to share of your guy looking like a butch lesbian, those enrich my dash every time, but also I have laughed at jokes in a language I don't speak because your guy is so funny and the clips you are make and share are so good. The "mariana unpacks period products" is sincerely one of the funniest things I've ever seen, thank you so much for sharing it.

Etoiles fans, your art is SO GOOD. Like oh my god the Etoiles art is like 100% a banger EVERY TIME. Which is as it should be, your guy simply is that cool, but oh my god, the art is so good. I don't have more words here I am just flailing at the camera. The art is SO GOOD.

Bagi posters, your cubito is one of the most compelling actors on the server, for real, and you are so generous with translating whole speeches done in languages I don't speak. I sat just transfixed during that whole conversation with Cellbit after they discovered their relationship, because the emotion in the argument was so real, and then I scrolled down and found a whole translation and went oh thank you, now I know what people were saying. I'm sorry Empanada lost a life, but your creator's response to it was one for the record books in terms of emotional reaction, and I have seen some fully incredible animations made of it. You take amazing content and make something even cooler out of it, and I'm always so impressed but what you're up to.

Now you go. Tell me something you appreciate about another sub-community.

#qsmp #badboyhalo #tubbo #wilbur soot #el mariana #etoiles #oibagi #qsmp bagi

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honnelander · 6 months

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surprises

WOW OK i can't believe i did this!! i needed a small break from my writer's block with Sanji and wanted to try my hand at another opla character that i find really interesting! and cute i'm sorry this was a lot of fun to write and i enjoyed the change of pace so i hope you enjoy! if you want to be tagged in any of my work, please read this

gif credit @zsuo

WARNINGS: none

word count: 2k

pairing: opla!buggy x reader

summary: reader is on 'clown duty' on the Going Merry while the crew searches for Nami, but the more you talk with Buggy, the more you realize you like him.

masterlist

taglist: @yarnnerdally @miloonmetis @fa1rybubbl3z @feelinmatcha @buggy0827 @uncomfortableshoelace @notasgard @deserticwren @shadydeanmuffin @ohsilk @antrenna @laviiv

Ok, you’ll admit it, you’ll finally admit it. You were finally going to admit to yourself the tiny, stupid, and annoying thought that has been plaguing the back of your mind for days now:

You thought the clown was hot.

Even saying that small, little sentence to yourself in your mind made you cringe and want to smack yourself into next week.

You thought the clown was attractive? Buggy the freaking clown? Buggy, the flashy fool? Buggy, the... what, something-something jester? The guy that constantly wore that silly circus make up all the time, so you didn’t really know what his face even looked like exactly? The person who rivaled Usopp in always having the most shit to say? It was ridiculous.

What was even worse, was the fact that he was just a head at this point, he wasn’t even a full person with a body. You had no idea what the rest of him looked like and you hated the fact that you were just so god damn curious to find out. It was embarrassing- you were attracted to a literal talking head!

Apparently though, the rest of the crew had said, sans Sanji since you both had joined Luffy’s crew at the same time, that this Buggy guy was bad news. Why exactly? You didn’t really know, but it had something to do with Buggy attempting to drown Luffy to obtain the map to the Grand Line and decimating a town a couple of weeks ago.

But it looked like that warning of ‘Buggy is dangerous’ had turned into ‘Buggy is just annoying’ since all he was now, at this point in time, was just a talking head that never seemed to shut up. That talking head, however, was your crew’s only ticket to find a rogue Nami so you all had no choice but to put up with his antics.

“Can’t you just tell us where Arlong is?” you asked the clown head offhandedly one morning out on deck as you sharpened your daggers. “Without, you know, all the theatrics?”

“God,” Buggy groaned, rolling his eyes to the heavens. “Are you deaf or are you just stupid?” he asked exasperatedly as his head hopped around and turned to face you. “For the millionth time- I can’t just tell you where Arlong is. My powers don’t work like that. I’m not a compass or a map.”

“Well, actually, you kind of are, aren’t you?” you asked curiously with an eyebrow raised, not put off by his rude tone. “I mean, think about it,” you started, pointing the tip of your dagger to look at him. “You could like, ‘leave’ a toe or something anywhere you wanted to remember a certain thing or place, and you could then just... sense where to go to get it back. Exactly like a map.” You were silent for a minute as you went back to sharpening the blade. “But I guess you already did that, right? Since that’s how you found Luffy at the Baratie?” you asked with a thoughtful hum.

“Wow,” Buggy laughed condescendingly. “You’re a real sharpshooter, aren’t you? Thanks for that master analysis, captain obvious. What do you think I’m doing right now?”

The corner of your mouth twitched upwards. “Acting like a map to get your body back,” you answered without hesitation and a twinge of smugness. “Maybe you should be called ‘Buggy the Map’ instead. It has a nice ring to it.”

The clown’s patronizing smile dropped, his expression deadpanning. “Haha, very funny,” Buggy said in a humorless voice. “And here I thought you weren’t anything more than just a pretty face.”

Your eyes darted to him, quickly scanning over his expression to see if he was seriously calling you pretty or if he was just joking. When you saw no hint of sincerity in his green eyes (wow they were pretty), you cleared your throat and refocused your attention back onto your blade.

“Yeah, well, I’m full of surprises actually,” you said matter-of-factly without thinking, your mouth having a mind of its own. Your eyes widened slightly, your line of sight not budging from your dagger as your hand running along the blade stilled for a second.

Were you flirting with Buggy?

Were you insane?

Buggy’s attention was already wandering but at your choice of words, his eyes snapped right back to your face. For once in his life, he was at a loss for words. “Uh... ok?” He blinked. “Like what?”

You felt your cheeks flush slightly, running your sharpening stone along the blade at a quicker pace. “Wouldn’t you like to know.”

The clown furrowed his eyebrows, scrunching up his face in confusion as he looked at you. He felt like he had entered the Twilight zone or something.

“Uh, yeah. You’re the one who brought it up, sweet cheeks,” he said as he watched you intently focus on your task at hand. Buggy then quirked an eyebrow as he added in snooty tone, “Well, whatever ‘surprise skills’ you have can’t possibly be knife sharpening because you’ve been working on that same blade all morning.”

Shit. He was right, you realized. You had been out here longer than you initially thought and had been working on the same dagger ever since you sat down with him.

In a quick attempt to hide your embarrassment at being called out, you swiftly sat up and stabbed the tip of your small blade into the wooden barrel next to where his head was. “Watch your mouth clown!”

But Buggy didn’t even flinch. “Pfft, nice try sweetheart,” he scoffed. “But blades don’t scare me. I’m immune to cuts, remember? I’m literally just a head right now.”

Crap. He got you. Again. You leaned back in your seat, pulling out your other blade to sharpen.

“Oooo, another dagger, huh?” he asked with feigned interest, catching your gaze. “I guess you really are ‘full of surprises’,” he teased with an overly flirtatious tone and an exaggerated wink.

At that, your face reddened. You knew he was just joking, but the combination of you admitting to yourself that you found him attractive coupled with his flirty teasing and that wink... it was causing your heart rate to accelerate like you had a schoolgirl crush.

And crushing on Buggy? The talking clown head? It was just all too ridiculous.

You resumed your blade sharpening ritual, trying to pretend like he wasn’t affecting you. “Well, I did tell you that, didn’t I?” you asked, trying to turn the tables back on him.

Buggy was silent for a beat as his eyes regarded you. HIs voice dropped an octave lower, intentionally or not, you weren’t sure, as he said in a more earnest tone, “Yeah... but I didn’t think it was true.”

Your eyebrows shot up at hearing his admission, his tone surprising you as you quickly turned your head towards him. When you saw the look in his eyes, the way that he was still staring at you, it caused your heart to skip a beat. It was like he was seeing you for the first time, really seeing you.

‘Being more than a pretty face’ wasn’t something you took lightly; it was something you lived by. It had become your mantra of some sort. Your whole life, you were underestimated, rarely ever being taken seriously because you ‘had a pretty face’ that you could ‘coast by’ on. People (men) always assumed you were too dumb to understand things or be smart and have talents because you were pretty, and it absolutely infuriated you.

You shook your head, clearing up those thoughts. You didn’t feel like delving into that right now and especially not with Buggy of all people, so instead of biting back, you said with a curt, humorless laugh as you went back to your blade, “There’s always more to people than meets the eye, you know.”

Buggy let out a snort, his green eyes looking towards the sky for a second. “Yeah,” he agreed. “No kidding.”

Both of you became quiet, a few beats of strangely comfortable silence passing between the two of you before you broke it.

“But probably not with you though,” you joked. “You’re probably just all clown, complete with bad jokes and questionable make up. And,” you looked at him, a spark of mischief in your eyes, “you’re probably not even that tall.”

You hoped to God that Buggy really did have a sense a humor and that your playful jabs didn’t go over his bandana cladded head because you really didn’t want to make an enemy out of him. And if he didn’t get your sense of humor, then you and him probably would never work out anyway.

Your stomach fell to your feet at the thought. What were you even saying?? Jesus, you really were delusional. The quicker you guys found Arlong and split ways with Buggy, the better.

But of course, the universe had different plans for you, because Buggy did in fact have a sense of humor and took your mockery of his height in stride.

“What- not tall?? Please,” his voice becoming playfully haughty. “Just wait until you see my body, sweetheart. I’ll be looking down at you, telling you the best jokes you’ve ever heard in your life with some fresh clown make-up on,” he said, winking at you with a click of his tongue. “I call it ‘the Buggy trifecta.’”

You looked away from him, hiding your flushed cheeks as you shook your head, a smile on your face as you opened your mouth to say something back when Sanji came up to the upper deck, a small smile on his face when he saw you and effectively cutting off your banter.

“Ah, there you are y/n!” the blonde cook called out. “I’ve been looking for you. I didn’t realize you’d be out here on, uh,” his blue eyes darted to Buggy for a nanosecond before looking back at you, “clown duty.”

Buggy scoffed and rolled his eyes. “Well, good morning to you too, happy feet.”

Sanji glanced at Buggy again, furrowing his eyebrows for a second before shaking his head once with a blink and letting out a small sigh as he turned his attention back to you, deciding it wasn’t worth it to argue with the clown head.

“Yeah, so, uh, anyway,” he said as he put his hands in his pockets. “Breakfast is ready,” he relayed, jabbing a thumb behind him. “I wanted to let you know before it got cold.”

“Hey, what about my breakfast, blondie?” Buggy complained. “I might just be a head right now, but a clown’s gotta eat, you know?” When he saw the questionable stares from you and Sanji, Buggy shook his head. “Don’t ask me how it works,” he said before either of you could say anything. “But it just does. I still get hungry and need to eat.” He looked back up at Sanji, his green eyes expectant. “So how about whipping me up some scrambled eggs, huh?”

Sanji blinked. “Oh, well, sure-”

“I got it, Sanji,” you said, cutting off your lifelong friend. You stood up from your seat, sheathing your daggers back into their holsters on your hips. “I’ll make you some eggs Buggy.”

“Ooo, look at that,” Buggy laughed. “You really are full of surprises, aren’t you?” he asked, wiggling his eyebrows.

Ignoring the questioning look Sanji was giving you, you walked past the two men, well, man and talking head, and started going down the stairs. “Here’s another surprise: I’ll cook you your eggs once I’m done eating, in like an hour. How does that sound?”

“Whoa, wait, wait, wait! I didn’t mean it like that, y/n!” Buggy quickly backtracked, trying his best to smooth things over with you as fast as he could. “I meant that as like, a good surprise! Really!”

You smirked to yourself, finding it funny how quickly Buggy switched up his mannerisms in order to get what he wanted. “Sanji, you’re on clown duty!” You called out, tunning Buggy out, leaving him begging and pleading with a confused Sanji, who was wondering what the heck he just witnessed between you two.

#buggy x reader #buggy the clown x reader #buggy x you #buggy x y/n #buggy fanfiction #opla!buggy x reader #opla!buggy x y/n #opla #one piece x reader #one piece #one peice live action #one piece fanfiction #buggy #captain buggy x reader

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skaruresonic · 6 months

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The common rebuttal to "this reads like fanfic (derogatory)" is "read better fanfic," which is true in certain cases, but on the other hand, there is some grain of truth to the idea that you can tell when someone's primary mode of literary analysis is fanfic instead of... well... literally anything else. It's okay to like or even prefer fanfic, but if you want to take your craft seriously you also need to read books, dude. Published books will teach you a lot of stuff fanfic doesn't, like proper dialogue formatting and how to introduce your reader to unfamiliar characters. Even the crappiest book (well, if it's not After or 50 Shades, which started off as fanfic to begin with lol) will have been subjected to some sort of editing process to ensure at least the appearance of proper grammar. That's not a guarantee with your average fanfic, and hence why you can't always take all your writing cues from fanfic because it's "so much better" than commercially published original fiction or whatever. Frankly, fic writers tend to peddle some absolutist and downright bad takes sometimes. "Said is dead" is a terrible rule, though not because said is invisible and a perfectly serviceable tag; that's just part of it. Dialogue tags are a garnish, not a main dish that can be swapped out for more ostentatious words. If your characters murmur and mutter instead of simply saying stuff, your readers are going to wonder why nobody speaks up. "'I'm explaining some very plot-important shit right now lol,' she elaborated," likewise, is a form of telling. Instead of letting the reader extrapolate that "she elaborated" via the contents of the dialogue itself, you're telling them what to think about it. And that's why it's distracting: your authorial hand is showing. Writing is an act of camouflage. You, as the writer, need to make your presence as invisible as possible so as to not intrude on the reader's suspension of disbelief. That's the driving reason behind "show, don't tell." And overall, everyone could stand to cut down on the frequency of their dialogue tags anyway. Not every exchange needs "he said" or "she whispered" attached as long as you establish who is doing the talking before the exchange. Some people will complain of confusion if you go on for too long without a dialogue tag, and that definitely is a risk, but at some point you also need to resist the temptation of holding the reader's hand. If they can't follow a conversation between two people, chances are they weren't meeting you halfway and paying that much attention in the first place. In fact, you don't even necessarily need action beats in between every piece of dialogue, as Tumblr writing advice posts will often suggest as a fix. Pruning things often cleans them up just fine.

Another fanfic-influenced trend in writing is, I guess, beige prose? A heavy focus on internal narration with lots of telling. It's not a style I can concretely describe, but every time I click on a non-mutual's writing, I feel like it always has, like. This "samey" voice to it. There's no real attempt to experiment and use unique or provocative language, or even imagery half the time. It's almost a dry recital of narration that doesn't leave much room for subtext. I see this style most often in fanfic where you can meander and wax poetic about how the characters feel without ever really getting around to the plot. And it's like. DO something.

Other tells that the author is taking their cues from fanfic mores rather than books: >>too much minute description of eyes, especially their color and their movement >>doesn't leave much room for subtext (has a character speak their every thought aloud instead of letting the reader infer what they're thinking via action or implication) >>too much stage action ("X looked at Y. Y moved to push their seat in. X took a deep breath and stepped toward Y with a determined look on his face. 'We need to talk,' he said.") >>tells instead of shows, even when the example is about showing instead of telling ("he clenched his teeth in agony" instead of just "he clenched his teeth") >>has improper dialogue tag formatting, especially with putting full stops where there should be commas ("'Lol and lmao.' she said" instead of "'Lol and lmao,' she said." This one drives me up a wall) >>uses too many dialogue tags >>"em dashes, semi-colons and commas, my beloved" - I get the appeal but full stops are your friends. Too much alternate punctuation makes your writing seem stilted and choppy. >>"he's all tousled brown hair and hard muscle" and "she's all smiles and long legs." This turn of phrase is so cliche, it drives me up a wall. Find less trite ways of describing your characters pls. >>"X released a breath he didn't know he'd been holding" >>every fucking Hot Guy ever is described as lean and sinewy >>sobbing. why is everyone sobbing. some restraint, pls >>Tumblr in general tends to think a truism counts as good writing if you make the most melodramatic statement possible (bonus: if it's written in a faux-archaic way), garnish it with a hint of egotism, and toss in allusions to the Christian God, afterlife, or death. ("I will stare God in the face and walk backwards into hell," "What is a god to a nonbeliever?") It's indicative of emotional immaturity imo, that every emotional truth need be expressed That Intensely in order to resonate with people. >>pushes the "Oh." moment as the pinnacle of Romantic Epiphany >>Therapy Speak dialogue. why is this emotionally constipated forty-something man who drinks himself stupid every morning to escape gruesome war memories speaking about his trauma like a clinical psychologist >>"this well-established kuudere should Show More Emoshun. I want him to break down crying on his love interest's shoulder from all his repressed trauma" - I am begging u. stop >>"why don't the characters just talk to each other?" "why can't we have healthy relationships?" I don't know, maybe because fiction is not supposed to be a model for reality and perfect communication makes for boring drama?

>>improperly using actions as dialogue tags ("'Looks like we're going hunting,' he grinned") >>why is everyone muttering and murmuring. speak up >>too many adverbs, especially "weakly" and "shakily." use stronger verbs. ("trembled" instead of "shook weakly") >>too many epithets ("the younger man" or "the brunette detective") >>too many filter words ("he felt," "she thought," "I remembered")

>>no, Tumblr, first-person POV is not the devil; you're just using way too many filter words (see above) and not enough sentence variation to make it flow well enough. First-person POV is an actually pretty good POV (not just for unreliable and self-aware narrators) if you know what you're doing and a lot of fun crafting an engaging character voice. Tumblr's hatred of first-person baffles me, and all I can think is you would only hate it if your only frame of reference was, like, My Immortal. Have you tried reading A Book? First-person POV is just another tool in your toolbox, and like all tools, it can be used properly or improperly. But it's not inherently a marker of bad writing. The disdain surrounding it strikes me as about as sensical as making fun of the concept of characters. Oh, your work has characters in it? Ew, I automatically click off a fic if it has characters in it. like what.

#writing #obligatory disclaimer that I am speaking broadly and this is in no way intended to make anyone feel self-conscious

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utilitycaster · 2 months

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Hi there, I saw in one of your tags recently that "if you think the raven queen was being unfair, I'm not really interested in your opinions." I was wondering if you could talk a little more about that because I'll be honest, Vax isn't my favorite character but I've seen all of C1 and I really don't get why some people HATE the RQ, call her unfair, manipulative and pretty plainly say this moon conflict is mostly her fault because she took Vax and through a Domino effect Ludinus is releasing Predathos. Also, I enjoy your theories and analysis for CR so much you got me listening to Midst, so thank you.

Hi anon,

Great question! This is going to be a very long post, with a relatively short initial answer, because there is both the literal misinterpretation that indicates this is not someone with strong analytical skills nor knowledge of canon, and a number of potential mindsets that lead to this manner of thinking in the first place, none of which I respect. You happen to have sort of hit upon the foundational elements of my whole deal re: CR meta, so, buckle in.

The first part is simple: Vex died because Percy triggered a trap before she'd been healed up. We've seen this sort of trap elsewhere in non-divine contexts (Folding Halls of Halas); it's just a form of trap. A particularly nasty one, but this is for a very powerful relic she doesn't want falling into the wrong hands, and, moreover, the party could have likely disabled it either through rogue skills or magic had Percy waited. Vax, then, as the third part of the resurrection ritual, told the Raven Queen to take him instead of Vex. The Raven Queen did precisely as he asked. He did not need to offer this (Scanlan was going to make an offering, the other parts of the ritual had gone well, it was Vex's first death so the DC was low, and Vax could have made any number of other, less dramatic offers), and he did so with the understanding that he would die in lieu of Vex, right then and there. He did not. I think that's the only case, actually, where the Raven Queen was not 100% upfront with her intentions before Vax accepted something; but he offered it voluntarily. Vax was a person who formed extremely intense connections, to the point where it was perhaps unhealthy, and did not believe life without his sister was worth living, and was willing to sacrifice himself to a god.

Everything after that was extremely straightforward. Vax communed with the Raven Queen, who spoke very directly with him in his vision in the Raven's Crest. She was extremely clear when she met with him following his disintegration: he was given the option to refuse her offer, and he took it instead. It is not manipulative to give someone a difficult decision, and if a character you like makes a choice you don't like, it is not automatically the result of manipulation.

As for the moon conflict being her fault…that is, to put it bluntly, unhinged, and what's more, ironic given that that's the manipulative argument. Ludinus tried to commune with Ruidus using a random crystalline artifact beneath Molaesmyr, centuries before Vax was born. He was going to do this regardless. If he couldn't get Vax, he'd get some other sliver of divinity, and what's more, it's been all but stated that Vax is not actually supposed to be leaving the Shadowfell to protect Keyleth, and is disobeying the Raven Queen directly (and it's been stated that this isn't necessarily helpful for Keyleth, who is trying to grieve and move on). So: Vax made his choices with the knowledge of what they entailed, is trying to bend if not break the conditions to which he agreed with full knowledge in a way that probably isn't healthy for him or Keyleth, and it's bananas to be like "wow look at how the Raven Queen made Ludinus try to free Predathos." Like. Even if she had tricked Vax, which she didn't, Ludinus literally could have just kept on his racist imperialistic longevitymaxxing beat indefinitely and left the moon well enough alone. The domino meme is a meme. I mean, while we're at it, couldn't we trace it back to Vecna instead, for killing Vax with Disintegrate in the first place, since had he not done so, Vax would have either survived that fight or would have been resurrected normally? Or perhaps it's Percy for triggering that trap. Or the Chroma Conclave for being the reason why Vox Machina was seeking the Deathwalker's Ward in the first place…but that only happened because Allura and Kima didn't kill Thordak but rather sealed him, and because a priestess of Melora cursed Raishan so that she had reason to ally with Thordak. We can go on indefinitely; the point is, to assign blame specifically to the Raven Queen when Ludinus literally did not have to do a goddamn thing with the moon is a fucking stupid take.

Below the cut, I talk root causes behind why people might decide the Raven Queen was unfair and come up with the above nonsensical argument to support that, since I don't think people say stupid things just to be stupid.

I think one root cause for this mentality of this is that the person in question wishes Vax hadn't died and is looking for someone to blame because they don't want to blame Matt Mercer and Liam O'Brien, even though yeah, that's who to blame. The thing is, as we learned in Campaign 2, character death is quite literally on the table. Had Vax not made his bargain, either in episode 1x103 or his original one during Vex's resurrection? He might have simply remained dead. Had he not given his life for Vex's, he was pursuing paladin anyway with the Everlight, and we don't know what she'd have required of him. But more importantly, for all people like to bring up a PC-centric perspective (which, in Actual Play, is inevitable) Vox Machina's frequent use of resurrection spells was in fact a massive privilege most people in Exandria do not have. And, unsurprisingly for a table whose DM made up rules specifically to make resurrection more difficult, the Critical Role cast is open to a story where death exists. I do not think it's an accident that resurrection has been made even harder in the subsequent campaigns. I also happen to think that Campaign 1 is a far richer and better story with Vax's death, given the other events that occurred. Had Vax not been the sort of person who would offer his life for a god to take in exchange for his sister? Sure, he'd possibly have lived to the end. But he was, and that's the character those people who wish he were still alive loved. If he wasn't that person, they wouldn't have liked him in the same way.

D&D is fundamentally about exceptional characters becoming more powerful, and will be focused on those characters. I do not think D&D supports a story about characters who reject all power. They can give up political power (the Mighty Nein, for the most part, do this - certainly more so than Vox Machina, and Bells Hells is yet to be seen) but they will progress in levels, which is power. Even if unwanted, it is power, because most people in the world are commoners with 5 HP and 10 in all their stats. With that said, a lot of people desperately want a subversion of this power narrative. Vax is, I think, the closest we get. In D&D you are not going to get a player character who finishes a campaign and remains Just Some Guy. But you can have someone like Vax, who doesn't have any interest in power (compare to Vex, who very much is about power and who gets a much happier ending) who nonetheless ends up on the Tal'Dorei Council and the favored of a god…and yet, in the end, his equally powerful friends still can do nothing to save him. I think a Power Bad story is overly simplistic, but "there are limits to power, and ultimately none of us have complete control" is not. I think Vax's death gives the story of Vox Machina a finality and heft that it would lack otherwise.

A second possible cause is the "What if the gods are BAD" argument. I'm going to be totally honest: I did not see this in the fandom until Campaign 3, and honestly, not until EXU Calamity in any widespread sense, which does lead me to believe that most people did not come up with it as a reasonable idea on their own until characters started saying it, because it is so plainly in conflict with the themes of Campaigns 1 and 2 that to make this argument would be obvious projection. Do I think a nuanced view of the gods as flawed beings, rather than perfection, is warranted? Absolutely. Mortals, too, are flawed, and we don't kill them all for it. I think Vax's story makes them uncomfortable because it makes it clear divine favor is not, as Ludinus Da'leth tries to argue, the gods just bestowing and withholding their gifts arbitrarily, but rather that divine favor comes with a divine responsibility as well. Clerics and paladins do not study the way wizards do; but they must live lives in service, whereas a wizard can shut the book at the end of the day and do whatever. Clerics and paladins have powers that can be taken away; a wizard does not. That's the fundamental concept behind the Age of Arcanum - wizards trying to get around the fundamental rules of this world! Vax's paladin powers came at a price. His options are guided, but also limited, by the oath he took. He is far more fettered than a wizard, in the end, and I think that fucks with the narrative of the gods cruelly withholding their gifts from all but a select few, so they instead make their gifts into manipulative punishments…while still, contradictorily, arguing that characters such as Laudna or Ashton or Imogen were denied the mercy of the gods. Now, setting aside the obvious, that these characters have their backstories because Marisha and Taliesin and Laura decided they would because this is a story, and one in which someone had a perfect life would be boring and so the gods didn't intervene with Laudna because Marisha Ray wanted to play a Sun Tree corpse (see next section), it really is fascinating to see how people who hate the Raven Queen so neatly align with Ludinus. It's fine for sorcerers to have inborn powers, apparently, and Ludinus actually has himself tried to ape druidic magic; it's not about power, it's just about that power source. Honestly, they're not even above the gods as a power source - Ludinus used the crystal beneath Molaesmyr seemingly unaware if it were of the Archheart, and he's demonstrably using Vax, and everyone loves a resurrection from the gods, but heaven forbid you pay someone for the work you feel yourself entitled to. (Entitlement: this will also be a theme throughout the rant portion of this post.)

As a brief subsection to this: the idea that bad things happen to good people because the other side of that coin is free will is an ancient theological and philosophical discussion, and one we are obviously not going to solve here, though it is a little depressing I have had multiple rewarding conversations on this topic, thanks to an academically rigorous religious education, starting from the tender age of 9, and a lot of adults on Tumblr seemingly can't engage on the level of my third-grade classmates. I think, however, it tells a truth that fits in well with the wizard (and entitled fan) desire to control everything. People are terrified of random forces. Cancer, for example, is a matter of probability. There are things that can increase your chances of developing cancer, to be sure, but the simile I used when I was taught about radiation-induced cancers was that of lottery tickets: if you buy more, you have a better chance; but sometimes someone who bought a single ticket "wins" and someone who bought a ticket weekly never does. By believing the gods of Exandria are on trial for not intervening with every little hardship or for not taking Vax precisely as he intended, they reveal a profound terror of random chance and of the free will of people who are not them. Which is very funny when you consider we're watching Actual Play, where random chance is a deliberately induced element. I think the takeaway of all of this is "I think some of you guys are really mad this is a D&D game." But let's continue.

The third, and honestly most likely cause, is honestly sort of a continuation of the first but not centered around Vax so much as just a general, in my opinion deeply childish discomfort of any sort of tragedy or unhappiness in fiction. I've noticed this a lot lately, and I am not a cultural critic and don't have a high enough level view to pretend to be one, but as others have noted a lot of people seem affronted when whatever show they are currently watching does not meet their specific standards of "comfort media" or "hopepunk." It's a self-infantilization I don't care for, and it's certainly not limited to the CR fandom (see: any grown-ass adult passionately defending a choice to only watch children's cartoons and only read YA) or even fandom at all (see: the baffling popularity of the Mr. Rogers "look for the helpers" line which was intended for anxious young children, not for adults who can and should be the helpers). It really came into focus for me with CR when people referred to both EXU Calamity and to Candela Obscura's Circle of Needle and Thread as specifically "hopeless." They are, to me, deeply hopeful series. They are sad, and tragic, and many characters do not get a happy ending, but they are ultimately about how some people will endure, and will live on and find meaning after great loss. Calamity explicitly states that because of the actions of the heroes, while devastation will occur, total annihilation is mitigated. It's like the adage of how courage only means something in the face of fear; hope only means something in the face of darkness. Happy and fluffy tales are not hopeful; they are merely not things that require you to have hope. The root word of catharsis is that of cleansing and purgation and it originally related to physical excretion - cathartic stories are about getting those complicated and ugly emotions and fears out and feeling better for it by briefly feeling, perhaps, worse! Now, again, this has worsened with Vax's story with time. Shortly after Campaign 1, it was very common to see stories where Vex or Keyleth were utterly distraught, indefinitely, but those at least were engaging with grief, even if in a very shallow and unproductive way. But this has morphed into this idea that the fact that a work of fiction might make you even feel sadness makes it bad, and wrong, and hopeless, and the machinations of a cruel and heartless god. Which brings me back to the entitlement narrative: it's really as simple as "the story didn't give me what I wanted (whether that was a happy ending for Vax, or for Keyleth, or just a lack of sadness generally, or a narrative about the gods that validates my personal beliefs, or a way to justify Ludinus's actions), so it is bad." Which again is about being in control of the narrative, which again, in D&D, is simply not something anyone can claim. Why are these people here watching a D&D game? I don't know.

So that's really it: on a basic level, if you think the Raven Queen is unfair, you are profoundly ignorant of canon, so I'm already going to have to fact check anything you cite (if you cite at all), but there's a much deeper refusal to meet stories where they are and expand one's own comfort zone at play, and that means any analysis will never consider the possibility that your pre-existing beliefs were wrong (absolutely crucial in meta). You will always play it too safe and be uninspired and reactionary because the alternative is uncertainty and fear. I think a refusal to embrace tragedy in fiction is itself a profound tragedy; that is someone who is terrified to believe that life goes on.

#answered #Anonymous #cr tag #long post #candela tag #ngl i'm torn about not maintagging this; kind of want to but it does go somewhat far from the original topic

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yesimwriting · 6 months

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Hi there!

If you accept requests, could you write a Halloween themed fic about y/n, Billy and Stu?

Like them going out to choose their costumes and decorating Stu’s house for a party, stuff like that

Hope you are doing well! Thank you very much ☺️

A/n omg i loveee holiday fics and halloween <3

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You're staring down an aisle of plastic faces etched into neon bases. The differences between them are superficial, just a variety of colors and two or three alternainge expressions. Nothing distinct enough to warrant this level of analysis and yet...

You decide on one from the top shelf. Orange with simple triangle eyes and a double toothed smile. A classic.

You place your chosen plastic pumpkin into the cart that's slowly but surely being filled up by Halloween decor that's only somewhat cheesy. Okay, to be fair, the contents of your pile range in their levels of cheesiness...but still, mostly non-cheesy and perfectly fitting for a classic Halloween, high school rager.

"Really?"

There's nothing about Billy's voice that's worth getting. No soft lilt to indicate teasing or harshness to imply actual judgement. It's the factualness of the statement that leaves you doubting your choice, even though nothing about this is that deep. "What?"

Billy lets out a partial sigh, irritated by the way that fondness pinches his chest. There's something soft about your question, like his opinion on your choice of decorations could actually crush you. It soothes that part of him that's always searching for a reason to believe that those around him are flighty. "You just--you spent so much time looking and then you picked the orange one."

Shrugging, you place a hand on the side of the cart. "I was deciding."

"You picked the poster child of pumpkins." A pointless stance for a pointless argument. You beam at him and Billy starts to feel a little less ridiculous for entertaining this.

Still smiling, you start, "Pumpkins have poster children?"

"Hey, sweetheart." Stu appears halfway down the aisle.

You blink, instinctually squeezing the side of the cart tighter in your shock. For someone so larger than life, Stu can move quietly when he wants to. "Stu." Carefully, and only somewhat halfheartedly, you try to shrug him off. "Did you at least find the cups?"

Stu lifts his free arm, showing you the plastic covered set of solo cups. "You give me a job, babe, I get it done."

Billy rolls his eyes, "Since when?"

Stu scoffs, fingers pressing into your upper arm a little more firmly. "Since Y/n asked." His hand shifts up and down your arm. "Maybe if you looked like her, I'd listen to you."

There's nothing inherently wrong with the gesture, but there's an undertone of stiffness in his touch. That paired with the way Stu's attention remains on Billy makes you feel a little more like a prop than equal participant in the conversation. Deciding to shake off the feeling, you poke Stu's side.

"Ouch." A sound that's forced out much too harshly. Stu retracts immediately, like he's in agony. "What? I was complimenting you."

You roll your eyes. "I barely touched you."

"I'm wounded." He makes a show of clutching his side. "Kiss it better?"

Billy sighs, shifting his attention towards you, "We can't take him anywhere."

You nod understandingly, "We really can't."

Stu scoffs, offended, "Fuck you guys."

"We're kidding." Your concession comes quicker than usual, but you really don' mind giving in to keep the peace right now.

Today has been fun in that simple way that people forget about around middle school. Stu had called last night and mentioned something about wanting to up his party game for Halloween and a few things about decorations. He insisted that he couldn't go with just Billy because Billy has the decorative taste of someone that's color blind. Even though that's the strangest insult you've ever heard, it made you laugh and you agreed to tag along to cancel out any potential color vision deficiency.

They picked you up the next morning, swinging by your usual coffee place before stopping by a grocery store and then finally, the Halloween pop up store.

"You can't be mad," you mumble, "I need your held defending my pumpkin." Stu blinks, a little too surprised and confused to know how he wants to react. You gesture towards the cart as if that should answer everything. "Billy called it basic."

"I said you spent a long time looking at different pumpkins just to pick the orange one."

Stu turns his head, giving you a look that makes it clear that he has no idea how you've been putting up with this. "It's a classic."

"Thank you."

Billy's eyebrows pinch together. He's aware that there are few things you could say that Stu would publicly disagree with, but there's nothing to oppose. "I didn't--" He sighs again, giving in, "You should get a friend."

You tilt your head slightly in a way that's hard to read. "I'm not eight." Even though your tone leans towards argumentative, you walk towards the shelf and grab another orange pumpkin. This one's eyes are ovals, not triangles, and its dark smile is more lopsided and smaller. A variant that sticks close to the source material. "Two does look better, though."

With the pumpkin debacle settled, Billy begins to push the cart forward. You and Stu remain about two steps ahead of it, pointing out different decorations from time to time, most of them unserious suggestions.

"What do I have to do to get you in this?"

That sentence, coming from Stu, is enough to make you scared to turn around. The only reason you eventually do is because you can't justify staring at the wall that's stocked with costume add ons--fangs of both the glow in the dark and regular variety, cellophane wings, horn and halo headbands. You're also painfully aware of the fact that the more you resist and fluster, the more Stu will commit to his bit.

So you force yourself to remain casual as you look behind you. He's holding up a prepackaged angel costume that makes you feel like you're offending some religion by just looking at it. A corset top, small, frilly skirt, and white fishnets. It's not so much that makes the costume feel like something that belongs on stage at a failing Vegas show, it's the material and the styling.

"Uh..." In a way, you're glad that he decided to make the joke about something so blatantly not an option, because there's no way he's serious. It makes joking back easier, a little safer. "...Have a roll of one's ready?"

He doesn't miss a beat, "Deal."

Now that sounded a lot more genuine. You blink, struggling to hold your ground. Instinctually, your attention flits towards Billy.

"You should've known what he'd do with a stripper joke."

It's only a partial out, but you appreciate it greatly, "I have no one to blame but myself."

Stu scoffs. "I'm not that predictable."

You and Billy exchange a look. Stu pouts, turning enough to hang the plastic packaging back on its metal hook.

Instead of reminding him that if anyone should be offended about that last joke it should be you, you decide to shift focus. Your attention falls on the consistently growing contents of the cart. It might be a little much, but Stu's house is large. You'd need this many things to make the whole space feel decorated.

"You think we're good or are we missing something?"

Billy tilts his head downwards, taking an unofficial inventory of the cart's contents. It's more for your sake than actual interest. "You didn't get the lights. The twinkly ones."

There's something about hearing Billy say the word twinkly that's more entertaining than it should be. You smile despite yourself. "Say twinkly again."

He glowers, "No."

Billy starts pushing the cart, nearly running over your toes. You bounce back quickly, holding onto the side of the cart like a little kid as you follow him forward. "Why not?"

"The way you asked."

Rude. "He's no fun."

Stu turns his head just enough to look back at the two of you, "Billy?" His hand latches onto the front of the cart. Now, all three of you are clinging to the shopping cart like pre-schoolers that use those plastic rings to stick together. "He's moody."

The comment is meant to dig at you. "I didn't say that."

You'd never say that. If anything, oversimplifying Billy like that is one of your pet peeves. He likes to come off as a little closed off, but it's not such a basic teenage boy thing on him. You've never said anything explaining your defensiveness...you don't even think you'd be able to put it into words, but with Billy, any pretext of angst feels like a type of shield.

"He's just above entertaining me now."

Billy's eyebrows draw together sharply. "Now?"

Reaching the end of the aisle, Billy starts to turn the cart. It's a little awkward to make it around the corner without anyone releasing the cart, but you manage. "We all have to out grow our friends at some point."

"Mhm," he hums dryly, "Especially the dramatic ones."

Eyes widening, you turn on your heels to glare at him. He keeps his head angled downwards, a few strands of hair falling forward to hide the brunt of his reaction. That doesn't stop you from seeing part of his smug smile. If Billy's casualness wasn't always welcomed, you'd likely be a little more annoyed.

"The you that corrected the barista that misheard my coffee order before I could would have never spoken to me like that."

"That was this morning."

You shrug off his response, deciding that a comment about simpler times would over extend the bit. You're in the right aisle now, anyway, shelves full of decorations that require hooks or nails or something else to keep them attached to the wall.

Stu wanders away from the cart, picking up a cardboard box that displays a picture of purple lightbulbs strung up on a suburban house. "These?"

You shake your head. "Too bright, I think they're meant for outside." Stepping towards the shelves, you pick up a rolled up cord of smaller, darker purple lights and another set of boxed lights. "You need... mood lighting."

The cord for the boxed ones are way too long for a living room or kitchen and the bulbs seem way too bright and project a harsh, unflattering orange in their picture. The label on the other set says that they alternate between dark blue and purple and the bulbs are shaped like stars. Definitely a winner.

You look up, ready to say as much, but the words cram their way back down your throat before you can. Stu's closer than you realized, a lot closer than you ever expected him to be.

"Mood lighting?" You know that dropping your head and backing away would only make this worse. Stu likes to know when he's getting something. "What's the exact mood?"

He's grasping at straws in an attempt to fluster you. While mood lighting may hint at something suggestive, it's obvious that you meant the kind of chill, dim lighting that makes people comfortable yet energized. Party lighting. You should say that, laugh off his proximity and his energy. But for whatever reason, you can't quite think.

You press your lips together. "Exact mood," you repeat, still a little unsure, "I had more of a general mood idea."

Stu takes a partial step forward before extending his hand. He takes the wound cord, gently pulling it from your fingers. Slowly, he undoes the thick twist tie holding the cord together. You watch, more curious than you'd like to admit as he unravels it. With no warning, Stu pulls the string of lights over your shoulders.

He takes his time adjusting the string of lights over your shoulders. "I get what you mean."

Warmth you don't get crawls up your neck. It has to be about looking weird in a secluded, but still public, aisle. You tilt your head, trying to ignore that feeling you can't name. "You're tangling them."

"They're fine," he dismisses easily, twisting a part of the cord between his fingers. "We'll get Billy to untangle them later."

You laugh at that. Stu frees you from the confines of the string lights. Billy throws a look at Stu as he halfheartedly rolls up the lights before dropping them in the cart.

"So I'm un-fun and the light de-tangler."

You walk towards him before Billy can fully start pushing the cart again. "I take it back." You reach forward and squeeze his forearm without thinking twice about it. "You're fun." Billy briefly stiffens, gaze trained on what's directly in front of him. "Sometimes."

Billy hates the wave of fondness that that's trying to crawl its way out of his chest. "Like when I'm untangling string lights?" It's meant to be sarcastic in that biting, casually detached way.

If the shift in tone bugs you, you give no indication of it as you smile at him. "And some other times."

#final girl fic #scream x reader #scream 1966 #scream 1996 x reader #billy loomis x reader #billy loomis #stu macher x reader #stu macher #ghostface #ghostface x reader #poly!ghostface #poly!ghostface x reader #halloween fic #slasher fic #slasher x reader

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rallamajoop · 7 months

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An absurdly detailed analysis of That One Soldat Photo

Hang around wintersberg fandom long enough, and you'll likely run into a popular crack-theory that, since Heisenberg obviously thinks that building a set of huge, yellow-painted signposts is a good way to point Ethan to the Stronghold, maybe it's Heisenberg who's been leaving all those handy, yellow-painted supply crates all over the place for Ethan to find! It's exactly the kind of fun nonsense I'd enjoy if it didn't feel folks are starting to take it a little too literally (by which I mean I have now read multiple fics in which it's played completely straight ‒ and, like, people do get that it's just a crack theory, right? Like, why would Heisenberg have left so many yellow crates around his own damn factory? Look, you don't have to explain every last game mechanic, not everything is lore!)

But as anyone reading my own fic would know, I'm guilty of echoing the idea that Heisenberg-was-leaving-stuff-for-Ethan myself ‒ just not because of any yellow-striped crates. No, I'm way more interested in this one weird soldat-photo you can find in the village ‒ long hours before you'll ever see your first Soldat in the flesh...

Very creepy. And if you turn it over, you'll find a clue to a puzzle you'll have to solve in order to progress.

(And of course, when you do look out the window, odds are you'll get jump-scared by a lycan just when you're focused on the numbers, because RE8 loves that sort of misdirection ‒ but I digress.)

Anyway, the code you can see out the window will open a safe containing a jack handle you'll need to move a vehicle in the village, as well as the M1911 pistol (which will very likely be your go-to handgun for the rest of the game). The game is full of conveniently-helpful clues like that (heck, most games are), often with no obvious Watsonian justification. And there are other photos around the village ‒ Luiza has a whole photo album ‒ but photos of experiments created by Miranda and her lords don't generally turn up outside their own territory.

For a player exploring the village for the first time, that photo is a lovely little bit of foreshadowing, hinting at monsters and factory stages to come. But on replaying with full knowledge of Heisenberg's later attempts to get Ethan on his side, that Soldat photo is just enough to make you go, huh... did Heisenberg leave that for Ethan? Like, on purpose?

You can find another copy of that photo later, in Heisenberg's factory, along with his notes on his early series Soldat experiments. Which doesn't really prove anything beyond the fact that assets exist to be reused... but it does at least make it pretty canon that Heisenberg has photos of his Soldats sitting around.

Possibly also significant: both the clue photo and the factory documents are tagged 'geekmemo' in the game files. Most everything related to Heisenberg in the files is labeled 'geek'-something ‒ it seems to be an early nickname for his character that lasted well into production. Everything in the factory is geek-something, even the model for the passageway from the altar to the bridge is labeled 'pathtogeek'. Considering that so many soldat-related assets are already labeled 'geek', maybe that 'geekmemo' tag doesn't really tell us anything we don't already know ‒ but it certainly doesn't work against the idea that Heisenberg wrote that 'memo' himself.

Besides, it's not like there isn't precedent for this kind of thing. RE7 had a whole mechanic where you'd have to find 'treasure photos' pointing out the location of a few rare and useful items, all with "I hid something here" written on the back. We're never explicitly told who left those photos lying around, but it's obviously Lucas: he loves playing games, he loves taunting prisoners with the possibility of escape, and who else would it be? The complete population of the Baker mansion is like 6 people and a bunch of semi-sentient mould.

Over in RE8, there are a lot more village resident who might have left that clue lying around. Like it or not though, Heisenberg is very much RE8's equivalent of Lucas: the family's wildcard show-boater who loves making Ethan jump through hoops for his amusement. So how does the game let us know it was Heisenberg who left this particular clue? Well, who else would leave a message on the back of a Soldat photo?

There's may be additional supporting evidence Heisenberg could be involved ‒ most notably the location, being a locked-off cul-de-sac labeled 'Workshop' on signs and maps. The area is full of metal junk very much like you'll later see lying around the factory.

The workshop location does have other relevance ‒ it makes sense that you'd find the jack handle in the village workshop, whether Heisenberg was involved or not. But it also stands to reason that if there's anywhere in the village proper where Heisenberg might hang around and leave clues for Ethan, the workshop is it. And you have to admit that leaving Ethan useful stuff in a safe along with an easy clue that will likely get him jumped by a lycan is 100% more in-character for the guy than just leaving useful stuff out in the open, even if it doesn't really prove anything either.

There's one more weird-little does-this-mean-anything detail: there are three dead crows near the safe too.

It's not the first time in the game you've seen dead crows (there were a bunch outside the village, and I've talked about what that might mean in the context of Miranda's cult before). But I don't remember finding any others around the village itself, other than in this one spot. And instead of being hung from trees like a ritual sacrifice, these ones are just dead ‒ messily, and with blood everywhere.

Now, maybe it doesn't mean anything, but is there anyone in the village more likely to vent his frustrations by violently killing a few of Mother Miranda's avian avatars than Heisenberg? I'd think not.

In conclusion: I still don't think all those yellow crates have anything to do with Heisenberg. And I still don't know for sure whether the RE8 development team wanted me to assume that Heisenberg left Ethan that photo, jack handle and gun. I don't know if we're supposed to read that Heisenberg keeps a workshop in the village and sometimes kills crows out of spite. But the evidence sure does point that way ‒ and it's as valid an interpretation as anything else you might take from this game.

#wintersberg #Karl Heisenberg #Ethan Winters #Resident Evil Village #Resident Evil #meta

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purplecoffee13 · 5 months

Text

The Fake Girlfriend - pt. 2*

Summary: “The official fake dating can commence, and so can the exploration of a whole bunch of new… feelings.”

Wc: 4.9k

Tropes: semi-enemies to lovers (she hates him)

Warnings: jealousy, possessiveness, smut (f!receiving), a sudden deep analysis of wuthering heights followed by smut

*2 weeks later*

I'm going to move to Italy, seriously.

Ever since Harry and I arrived at the airport I haven't been able to stop myself from gawking at everything I've seen. That includes Harry's relatives, proving that his entire family consists of solely good genes.

The flight was excruciatingly long and a bit uncomfortable. Harry taught me as much as he could about his family, and we both complained about the hernia we were getting from our bad seats. Nevertheless, we both attempted to sleep, and I accidentally dozed off while leaning on his shoulder.

One of Harry's cousins, Matthew, picked us up at the airport. He was particularly fascinated with my existence, almost as much as I was with his accent. I love English accents, I could listen to them for hours on end.

Matthew led us to our room in the Villa and gave Harry a pat on the back before leaving us alone to unpack and get ready to meet the family.

"He's nice." I note, throwing my backpack on the Queen sized bed we have in this room.

"He's a little shit." Harry chuckles, earning a furrowed brow from me. He waves it off, literally, and sits himself on the bed. "You'll see."

We stay fairly quiet for the rest of the time, unpacking our stuff and freshening up. Well, mainly me, because Harry doesn't have to do half the things I do to look good. It's so much easier being a man.

I shoo Harry out of our bedroom and put on a long, brown dress with a wide slit and some floral print on it. As soon as I've changed, I open the door to the bathroom so he knows it's okay for him to walk back in. When he does walk back in, we both catch each other off guard.

While he is analyzing the dress that is currently clinging to my body, I'm gawking at his shirtless chest. My cheeks start to heat up when I realize that I'm staring, but luckily Harry doesn't notice because he's too busy staring at me. Then, he clears his throat.

"Nice dress."

"Thank you." I throw him a small smile.

It doesn't take long for Harry to get dressed and soon enough we are walking from our room to the villa, where the welcome dinner will be held, or at least that's what it said on the card that Harry handed to me on the plane.

We sit down at our assigned seats at one of many round tables. I don't miss the name tags of Harry's parents, and I'm glad to find that Matthew will also be sitting at our table. It will make things a bit less nerve racking.

Harry places his hand on the small of my back as he guides me to his mother. He looks just like her, and by the warm smile on her face, I realize that it probably won't be as bad as I might think it would.

"Mum, this is Y/N. The girl I've told you about. She's my girlfriend." The words leave his mouth in a way that makes me think someone is holding a gun to his head, and I can tell that his mother thinks the same thing.

"I'm Sheila." She introduces herself, nonetheless. I can tell that she is skeptical of me, despite the warm smile on her face. I know it's a genuine one, but I know that she knows her son, and she'll see something is up if he doesn't get his act together.

"This is Tom." She turns to a tall man that I immediately recognize as Harry's father. He doesn't have a lot of facial features from his dad, except for the nose, that is exactly the same. But the way he carries himself, the way he extends his hand for me to shake, those are the aspects that make Harry identical to his father.

We chat with his parents for a little, telling our wonderfully fake story of how we met. Tom keeps nodding but doesn't seem fully convinced. Not because he doesn't believe it, but probably because of the girl he'd rather have his daughter be with; the reason I'm here in the first place. Sheila remains skeptical, but that is just because she can see right through Harry.

So when his parents leave to get some food from the buffet, I'm quick to swat his arm.

"Ow!" He hisses at me.

"You're a terrible actor, do you know that? Your mom is totally on to us!" I say in a soft tone, but it doesn't discredit my disapproval.

"I'm sorry okay! It's hard to lie to her." He responds, and the confession makes my heart melt a little.

I let him off with a roll of the eyes and we join the queue for the buffet. During dinner, Matthew promotes himself to main entertainer of our table by telling countless of stories about him and Harry and all of their antics from back in the days. Harry seems slightly embarrassed sometimes, but he finds it funny nonetheless.

In an attempt to make me and Harry seem like more of a real couple, I take it upon myself to touch him during dinner. Just casual touching. Some hand-holding—above the table so everyone can see of course—and the occasional leg rub. It's only halfway through dinner that Harry finally initiates some touches to, and I have to bite my inner lip at the way his hand feels wrapped around my thigh.

After dinner, a few tables are removed in order to create a dance floor. People are quick to get on it, but Harry refuses to come along with me. Matthew doesn't let the opportunity to bust a move pass, so I leave my purse with Harry and get on the dance floor with him.

We have a big laugh, Matthew and I. He spins me around an absurd amount of times, dramatically dances the tango with me while a pop song is playing, and throws out some moves that I haven't seen since I played Just Dance when I was eight years old.

After a while I decide to retire from the dance floor and get a drink. Matthew offers to accompany me, and for a second I contemplate whether I should say yes. Then I figure, he is a part of Harry's family and I need as many of them on my side for this whole act to be believable, plus I'll be able to get Harry a drink.

We walk over to the bar and order our drinks, Matthew is quick to spark up a conversation as we wait for our beverages.

"How long have you been together again?" He asks, looking over at me with a smirk.

"A month, officially." I reply, and he raised his brows in surprise.

"Only a month, huh?"

"Like I said, officially." I tilt my head, a mischievous smile on my face. He leans over in my direction, with eyes ready to play, and I immediately start to wonder if the head tilt was too flirty instead of funny and playful.

"And unofficially?"

"Almost three months." I divert my eyes back to the drinks that are put in front of me, and thank the bartender.

"Is it serious? Between you two?" He asks, and I don't like the glint of desperation in his voice. Is this what Harry meant, when he said 'you'll see'? Is this guy seriously trying to hit on his cousin's date?

"Well, I cancelled spring break plans with my family, so I sure hope it is." I flash him a smile before taking the drinks and walking back to Harry.

He's sitting alone, despite most every seat around him being taken. Not talking to anyone, not on his phone, just staring into the nothingness. When I approach, he's thrown out of his trance and his eyes follow me instead as I make my way to him and hand over his drink.

"Whiskey on the rocks." I tell him. He smiles at me, putting the glass on the table and grabbing my now free hand. His legs are spread, so he pulls me closer until I'm standing in between them. He looks up at me, and the sole color of his eyes makes my hands sweat profusely.

"Are you having fun?" He asks, his head tilting just like mine did a few seconds ago.

"I am," I say, looking around a bit. "But my legs are a bit tired... Is there a free chair behind you?"

I squint at something that looks like a chair, but I can't really make it out from this angle. When Harry doesn't respond, I look down at him, and find that he was already looking at me. He grabs my waist and pushes me in a bit. Confused, I let my body follow his silent demands, and watch him sit up straighter before pulling me onto his lap.

My back leans against the table, and my legs are thrown over his left one. I hold my drink in my right hand while my left is slung over his shoulder for 'support'. My cheeks flush at the realization that my ass is right on his groin, but I try to make it seem as if it doesn't affect me at all. He holds my waist with his right arm, tracing his fingers around in a way that makes my body shiver.

My eyes fly to my left thigh when he puts his other hand on it, and I try to steady my breathing as much as humanly possible while the tingling sensation between my legs becomes too adamant for me to ignore. The low chuckle that leaves Harry's mouth isn't missed by me, and it makes me even more nervous. He notices, and strikes up a conversation about the party, his family and Matthew.

"He asked me how long we've been official." I decide to tell him. Harry finds it amusing.

"Really?" He smiles. "The fucker."

"What?" I ask, not really understanding how that question adds up to him being a fucker.

"He wants you, been eye fucking you ever since he met you." He explains. "He has a thing for unavailable people, especially if they're unavailable because of me."

"So he just steals your girlfriends? Or at least, tries to?" I clarify, eyes wide, and Harry nods. "How have you not been in thousands of fights already?"

"Never really cared about it." He shrugs. "Most girls were just flings or one night stands, it wasn't anything serious, really."

"Wow." I laugh in disbelief, and it makes me wonder if maybe he is going to let Matthew hit on me. After all, we're faking this. It shouldn't be relief that I feel when Harry's grip on me tightens as soon as Matthew approaches us once again, but I do, I feel relieved. A little bit giddy too.

"Hey, wanna go for a round two?" Matthew asks me after greeting us both. I'm about to decline his offer, but I don't get a chance to speak.

"She's busy." Harry says in a tone that makes my head turn to him. His eyes don't look as friendly as they did before, and the warm smile on his face is looking a little bit more cynical. Matthew takes the hint and wanders off, a bit of disappointment on his face.

"Wow, you really nailed that 'jealous boyfriend' act." I tease him, my left hand instinctively trailing to the back of his head, where I start playing with his hair. He rolls his eyes, pulling me even more into him. I shift in his lap a bit, placing my drink on the table and grabbing his glass instead.

"Here." I hand it to him. "You haven't drank anything since dinner."

"Wow, you're really nailing that 'caring girlfriend' act." He reconstructs my words, and I roll my eyes accordingly. He drinks nonetheless, and I snatch the glass from him, take my cocktail back in my hand, and turn to him again. I frown when his nails dig into my skin.

"Don't move so much."

My cheeks instantly flush. Right...

I am usually way more confident when it comes to flirting. I know exactly what to say, when to say it and how to flutter with my eye lashes in those ways that make men want to drag you to their bedroom. I can flirt with everyone, I'm not easily impressed. Well, except with Malcolm of course, but that was just because I had a crush him. I act like an idiot around people I have a crush on. But I don't. I don't have a crush on Harry. I hated him until a few weeks ago– no. Until a few days ago. I started tolerating him on the plane. Yes, the plane. Oh god, the plane.

"I–" I start a sentence, looking him dead in the eye while realizing that I didn't have something to finish it with. His green eyes along with the feeling of whatever I shouldn't be feeling while sitting on his lap is making me dizzy. "I'm gonna go get a drink."

I try to wiggle out of my seat — which is his lap, oh my god — but Harry seems to find this whole situation very amusing, because for some reason he tightens his grip around me — pushing me more into his hard-on —then nods at the full glass in my hand.

"I think you're good, love." He gives me a half-smirk like I've only seen those guys in the romance movies do and I don't like how it makes my heart pound. What the fuck is happening to me right now?

I look at him, trying to come up with some kind of response that doesn't end up with me sounding like an absolute moron, and then I get lost in his eyes. The loud music fades, and the only thing I can seem to focus on are his eyes and his left hand that grazes further up the slit of my dress. It's only inches, and he trails painfully slow, but he keeps going because he waits for my reaction and it's positive. He can tell by the look in my eyes, and by the way my grip on his hair is a bit too tight.

The tips of his fingers are dangerously close to my panties, and all of a sudden, the music becomes louder again and I feel like I'm waking up from a sinful dream. I swing my legs off of his and get up, my drink almost spilling because of the sudden action. I quickly place it on the table.

"Pee." I say, partly to myself and partly to Harry. "I'm going to... pee."

Harry looks a bit surprised, but more in a way that makes him laugh. I don't miss how his head shakes a bit before giving me a permissive hum. I begin to walk away when I realize a crucial detail is missing, and so I saunter back over to Harry.

"Do you know where the bathrooms are?"

"No." He smirks.

"Oh. okay. Uhm..." I look around aimlessly, hoping to spot some kind of sign. But then, Harry gets up, and stands in front of me. He towers over me easily, it's intimidating and hot. Two things I need him not to be if I want to survive this wedding.

"D'you want to go back to the room?" He asks, voice gone a bit softer. I nod before I even realize that I am doing it, and Harry places a kiss on my temple. Grabbing my hand, he leads us towards the exit, waving goodbye to his parents before we make our way back over to our bedroom.

The cobblestones define the pace of our footsteps, making a whole lot of noise to confirm us where we are. Not that I'd need those stones to find him—he's still holding my hand. I shrug it off, it's dark and he probably doesn't want me to fall face first into these little rocks.

Once we've arrived at our room, Harry walks into the place like it's his apartment, and he goes to occupy the bathroom almost immediately. I grab my white, floral pyjama set that I actually never wear because I like to wear an oversized t-shirt to bed and nothing more. But, I packed my suitcase with the knowledge that I was going to have to lay next to a man the whole week, so I only brought the cute stuff.

When Harry leaves the bathroom, some steam leaves along with him, and I quickly look away at the revelation that he is shirtless, again. I don't miss the amused sniff, but I ignore it nonetheless. I skip into the bathroom, lock it and take a very anticipated shower. A part of me hopes that the water would also wash this weird vibe off. Like if I got out and walked back into that bedroom, my hands wouldn't start to sweat at the sight of him on the bed.

Unfortunately, I am wrong. Because when I do leave the bathroom, not only do my hands start to sweat, but my heart also begins to pound. Fuck.

I'd actively been ignoring this ever since the party. This stupid feeling, thinking it was just me being touch deprived. But I'm not so sure now. Maybe I do have a crush on Harry. However, I can't afford to think about that too much now, so I shake it off and walk over to my side of the bed.

I throw a decorative pillow on the ground and climb into the bed, trying to act as if I don't notice Harry staring at me. He's on his phone, doing God knows what. I grab my book from the bed side table.

"Wuthering Heights, huh?" He smirks, and I can sense the pretentiousness from miles away. I look at him, then roll my eyes with a smile.

"Shut up, it's my favorite story."

"Why? Heathcliff is awful." He frowns, and his tone is a bit mocking. Not to me, just to the story. But it's my favorite story, so I take the offense.

"I just like the fact that it acknowledges that love can make you both whole and destroy you. That loving isn't always really the ending, or the solution. It can be a fleeting middle, break you in a thousand pieces and then leave it for you to pick up the pieces yourself."

"That's a bit pessimistic, innit?" He chuckles. I shrug.

"I think it's realistic to recognize that spite, anger, sadness, and revenge are almost always born out of love, or a lack of it. I think it's optimistic, actually."

He smiles. "Yeah?"

"Mhm." I hum. "Think it creates a space for empathy, does it not?"

"Yeah, I guess so." Harry frowns, as if I've just opened a new door for him. I smile at his face, full of contemplation over what I just said and I know that I'm inevitably screwed.

He should've bashed the freaking book so I could have a reason to hate him.

I decide that I won't be able to concentrate on anything anyway now that I have admitted these weird feelings to myself—and the subject of those feelings is laying next to me—so I shut the book and put it back on my nightstand.

"Not reading after all?"

"Nope." I chime, my tone sounding way too forced. "Changed my mind. 'M gonna sleep."

I turn off the light on my bedside table and turn around to Harry who is still laying with his phone in his hands. It freaks me out that he is looking at me, it makes me so nervous, but I try my best to be cool.

"Good night." I sigh as my head hits the pillow. I finally look up at Harry—bad move—and my heart melts a bit at his sweet smile.

"Good night."

I am laying with my face towards Harry, mainly because I laid down like that and now I'm too scared to shift too much and look weird, but I feel Harry's burning gaze on me and frankly, it's making me feel incredibly tense. My heart is beating way quicker than it should and I have to consciously steady my breathing in order to provide my lungs with some oxygen.

"Harry." I finally say after three more minutes of tense silence, eyes still closed. He hums softly. "I can feel you looking at me."

I open my eyes, because suddenly I'm very afraid that I'm wrong and look like a complete fool, but he is indeed still staring. He doesn't look like a dear in headlights, he's just smiling. There is a sense of comfort in him that I envy, especially because I feel like I could explode right now.

"Yeah, well, you're nice to look at." He answers, making my cheeks flush with embarrassment. I quickly dart my eyes to his body so I won't have to meet his confrontational gaze — bad idea, bad idea! — and quickly find that staring at his body isn't going to help my case any more.

"Am I making you nervous?" He asks softly, in a way that you could almost describe as sweet. But it isn't, because I know he's reveling in this.

Out of instinct, I look up at him, wide eyed at the fact that he read my mind and my body so well. But I cannot afford this—whatever it is that is hanging in the air right now—so I shake my head.

"Nope, just frustrated." I sigh, which is more a way to get my breathing back to normal. I pull myself up and turn around, my back now towards him, and hope to have closed the conversation for tonight. There is some shuffling from the other side and for a moment I think I did it, I think I won, but then I feel a hand sneak around my bare waist and my mind turns into jelly.

I suck in a sharp breath at the touch of his cold hand and the heat of his mouth on my ear, and swallow a whine at the way it's making my head spin.

"Do you need me to help you relax?" He whispers, and I suck in a deep breath.

"I– I need to sleep." I attempt to reason — mainly with myself — and Harry just chuckles.

"I can think of a way to tire you out." He insinuates smugly and I clench my jaw at his stupid charisma and how well it's working on me.

"Harry, I can't..." I begin the sentence, even though I have no logical argument to say no right now. I want him, really bad but a part of me is forbidding it for reasons unknown, which makes me want it even more. You know what they say about forbidden fruit...

"What? Would you rather be with my cousin? Have him get you off, hmm?" He asks a bit condescendingly, which makes me think the jealous act maybe wasn't such an act after all. His thumb is now circling over my hips and it's making me dizzy, which is exactly what he's trying to do to me.

"No–"

"No?" He plays dumb. His hand lowers to my pyjama shorts and starts playing with it's elastic band. My stomach is on fire and my pussy is aching, it's getting too much for me to brush off. I can't not get off, it's going to kill me. I need life support.

"No!" I whine. He chuckles, kisses my ear lobe.

"That's right... you came to me when he started hitting on you. Such a good, sweet, loyal girl. Sitting on my lap so nicely. Making me so fucking hard..." He taunts, and I start squirming under his touch.

"Harry..." I cry out, because frankly, I can't take another second of this torture. I'm about to implode if he doesn't touch me where I need it between now and twenty seconds.

"What is it sugar?" I can quite literally hear his grin and I groan at the irritating pet name. I grab his arm and try to get out from under his touch, but his grip only tightens on me and he pulls me back into him, cock pressed against my ass. He hums disapprovingly.

"No, feel what you did to me." He leans over to look at me and when our eyes catch, I think my heart malfunctions. "'S not very nice, now is it?"

I shake my head, biting my lip nervously. His eyes dart from mine to my mouth as he breaths out a 'fuck', and he wipes some hair out of my face with his free hand.

He pulls his body away from mine and for a moment I feel like I could cry, but he distracts me by laying me on my back and throwing the sheets off our bodies. He then quickly slips his hand in my pants, grazing his fingers over my underwear.

I look at him, desperately waiting for his next move while he studies my body with a light frown. My eyes go to his sweatpants, and see the straining bulge that hides in it. I go to touch him, offer him some release too but he swats my hand away. The stern look on his face gives me shivers.

"I didn't say you could touch me, now did I?" He states, rubbing his middle finger over my clit, and I curse my underwear for being the only thing that stands in the way of his real touch. Nevertheless, I moan, because he could literally blow on my underwear and I would come right then and there.

"'M sorry." I say softly, shifting when Harry starts to pull down my shorts and underwear. He inspects me, or at least that's what it looks like, and a grin grows on his face.

"I think you'll make it up to me just fine." He beams and starts to circle my clit, causing my hips to shoot up in surprise. He chuckles softly.

"Does that feel good, baby?" He asks and I nod immediately. My eyes begin to feel heavy and I don't know for how much longer I will be able to keep going.

"Harry, slow down or I'm gonna..." I can't get the sentence out because he only starts rubbing faster, and my eyes shut permanently.

"Yeah? You gonna come for me already?" Harry taunts, and I bite my lip to steady the volume of the moans that are leaving my mouth.

"Ah! Oh my– Harry!" I try to sound angry but it's really just me moaning his name very aggressively and the realization that it's his fingers on my clit right now is what sends me over the edge. The explosion feels overdue, and it washes away all the unnecessary tension I'd been feeling since I started fake dating Harry. And now I realized; it was probably sexual frustration.

I close my eyes, trying to control my breathing as well as I possibly can. My legs are shaking and I can feel Harry hovering over me. His body heat warms my cheeks as he hangs over me, leaning on the bed with one arm, holding my face with the other.

"Open your eyes baby." He says softly, and it makes my heart flutter. I am in deep, deep trouble. I do as he says, my eyes meeting his, and the smile on his face makes me feel like I'll melt through the bed.

"You okay?" He asks, stroking my cheek. I nod, head still woozy but not wanting us to stop any time soon.

"I'm okay." I give him verbal confirmation, knowing it's what he needs from me. He kisses my temple, whispers 'good girl' in my ear and moves away from my face.

As soon as I have my breathing a bit under control, my hands reach for his sweatpants, but he Harry grabs my wrists and pushes me away. I frown, and I have to admit that my ego is a bit hurt. I feel like he can see it in my face, because he is quick to explain.

“Believe me I would love to, but another night, okay? Tonight was just for you.”

I can quite literally feel my entire body melt at his words, and it doesn’t help when he gets off the bed and helps me up so I can go to the bathroom.

After I’m done and enter the room again, he is sat up straight at the edge of the bed, and looks at me expectantly. I shoot him an awkward smile and get back into bed. He does the same and we lay silently in the dark for a while.

“Are you sure you don’t want me to…?” I can’t help but ask, feeling like I should return the favor, and still insecure about the fact that he doesn’t want me to.

“Patience, sugar.” He says lowly, and my heart thuds at the kiss I feel being planted on my forehead. The amount of calm I feel is unmatched, and it makes me very sleepy.

“Whatever you say, hot stuff…”

Part 3

#harry styles #fanfic #writing #smut #blurb #fanfiction #harry #one shot smut #one shot #smutty #enemies to lovers

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canyourfavesurvivecastledracula · 3 months

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Can Wei Wuxian survive Castle Dracula?

I actually wrote up a long analysis for Jiang Cheng back at the very start of this blog but then realized I was misunderstanding some of the plot points. I'm still reworking it. And then you guys started joking about Paprika Hendl for The Locked Tomb posts and I was like, wait you know who is ALL ABOUT CAPSAICIN AND QUEER DREAMS? so yeah we're doing the protagonist.

[disclaimer: I have not actually read Dracula or MDZS, just a lot of fanfic and meta and dashboard osmosis]

So first: he would accept the crucifix from the old woman. He also would charm the pants off her and the other villagers giving him warnings, so that they would be sad to seem him go more because they're genuinely fond of him than because they fear for his life. He's good at distracting people like that.

BUT BEFORE THAT: Wei Wuxian would be thrilled to discover paprika. Finally something spicy in this strange land! The Queer Dreams are either business as usual or an added bonus. I'm not saying he abandons the plot entirely (he would be tempted, but he has a strong sense of duty) but at the very least he's going back for seconds.

He would clock Dracula's supernatural evil pretty quickly I think -- he does this professionally, and he's one of the best. He's unfamiliar with Dracula's type of vampire but he's good at improvising. He might even start a fight in the coach -- but I think, if Dracula's putting on the whole servant routine, Wei Wuxian would be more likely to wait and investigate. No point in taking out the servants and leaving master free to keep being a problem, and he has not the slightest sense of self-preservation.

Wei Wuxian is unfortunately very familiar with various flavors of abuse and manipulation. He would also manipulate right back, and abuse the heck out of guest right/hospitality norms. Dracula would not enjoy this -- WWX is skilled at antagonizing people almost to the point that they're willing to contravene social mores to kill him, but not quite. On the other hand, he might also feign that Dracula is getting to him, because an overconfident monster will reveal more information.

Wei Wuxian would explore every part of the castle as quickly as possible, he would probably find the Girlies before they found him. He would not allow any baby eating, and that might actually be what causes him to flee the castle (to bring the baby to safety). If he has his flying sword, neither cliff nor wolves are a problem, but even without that I think he can figure something out? He's terrified of dogs but he also knows how to manage that phobia enough to get out of the situation. He only dies to cliffs if he intends to, and he's survived other falls from great heights.

...in fact, people familiar with this story know that I've been kinda burying the lede. Wei Wuxian canonically survived something worse than Castle Dracula, after he'd been beaten within an inch of his life and stripped of spiritual power, thinking he'd fulfilled his debts and was ready to die. I've assumed none of those disadvantages here, and given how the Burial Mounds turned out...

What I'm saying is, at the end of this, Castle Dracula has a new dark lord. There's no more wolves and children aren't taken in the night, but people whisper terrible rumors of graves disturbed. This fell presence is a little more tied in to the local economy, though -- the castle now imports peppers by the ton. The manservant who picks up supplies is a friendly enough, though a strange foreign fellow himself. He'll hang out in the local tavern(? I know we discussed coffee shops as social foci in this setting previously, but WWX is more of an alcoholic than caffeine junkie) telling endless fantastical tales from far off lands, but all that he'll say about his master is that he won't cross anyone who doesn't cross him first. The locals take the warning to heart and keep well clear.

[tags if I could submit tags: he's probably not actually robbing graves, at least not very often?, he'd respect local burial practices once he understood them, but he also wouldn't mind the rumors if they get people to leave him alone to study forbidden magic/mad science in peace up at the castle]

#submission #wei wuxian #unindexed

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actual-changeling · 8 months

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Hi, you can call me Alex or whatever variation of my username you'd like. <3

I'm in my early twenties, use mainly they/them pronouns, and there is a lot wrong with my brain (both affectionately and in a decidedly not fun way). I have memory issues, so I can and will forget things, including replying to messages. You are ALWAYS invited to send me a reminder—please, please do, I will not be offended, pinky promise.

This blog is 90% fandom, 5% personal shit and 5% misc posts that I like. My inbox and DMs are open, so feel free to message me and interact however you like! If there's something you want me to see, I don't mind getting tagged in posts either.

Please don't be an asshole, and you can find my opinions/rules about discourse on my blog right here. I'm incredibly bad at judging my own tone, so if I come across as overly intense or upset, chances are I am actually not—I'm just passionate about the things I enjoy.

Mulder and Scully have taken over my brain and body, and I don't think they will leave me alone ever again.

I will be tagging spoilers for any newly released shows and episodes. If there is something you would like me to tag spoilers for, just shoot me an ask or dm!

Currently following and tagging for:

The X Files: alex watches x files

Doctor Who: alex watches doctor who, dw spoilers

(PJO The Series: pjo spoilers) show is on hiatus

The Magnus Protocols: alex listens to tmagp, tmagp spoilers

I write fanfiction both here on tumblr and on ao3 under actualchangeling. Requests or ideas are fine, though I cannot make any promises.

Wanna chat with other people about good omens? I have a discord you can join, mostly angelfish focused but we talk about all our beloved idiots.

My other misc current active special interests are Doctor Who and Good Omens, but I dabble in a lot of other fandoms, too. Among those are Marvel/Iron Man, Lucifer, TLOU, The Magnus Archives, Welcome to Night Vale, Prospect (2018), and many more.

My tag system for original posts applies to all fandoms I am currently actively engaging with and follows the same patterns. I tag spoilers when I remember to for about a week, so consider this blog to be very much NOT spoiler free.

alex talks x -> meta, analysis, interpretation, or opinion posts

alex writes x -> either self-promotion or tumblr specific ficlets, without any fandom addition it's original writing of some kind

Any personal posts that are not fandom related are tagged as following; feel free to block them if you're just here for the fandom madness!! I really do not mind.

alex yells at the void -> misc personal stuff

alex gets personal -> potentially triggering discussions of my trauma or mental health, vent posts

Last but not least, the tag for my queue is I’ll follow queue anywhere you go. It's a TLOU reference for those who are curious.

#pinned post

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asurrogateblog · 9 days

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can you explain a little more about the tags 'careful with that axe is about queer rage' and rogers whole perception of syds anger?

oh yah sure! (okay I didn't intend it to be this long when i started...)

that first tag was me just being only half-serious, speculating about the possible story connecting "point me at the sky" and "careful with that axe". in the first song, the character henry calls eugene and asks him to run away to the stars with him and to "hide" with him. henry also calls eugene "baby", which pretty clearly implies a romance. the song ends with the two of them saying goodbye to the world and taking to the sky. flip over to the b-side, next comes a song in which, based on the title and the...screaming, eugene commits some sort of horrible violence. there's no good reason not to think it's the same eugene as the one from the a-side, so my conclusion was that whatever happens in the "story", it has something to do with his relationship with henry and his flying machine. I meant "queer rage" as in "queer person full of rage for queer reasons" not "queer rage" as in "anger towards the system".... but who knows, maybe that's why henry wanted to leave so badly. I would say they probably didn't make the songs gay on purpose, but hey, we've got arnold layne too so there's no reason why it couldn't be.

that second set of tags was about syd was me making a more serious speculation about what the two songs might be really "about". of course, some silly songs are just silly songs, but I feel like I know roger's psychology well enough to not immediately take things at face-value. these songs seem to be about wanting to escape to a better place with someone, to literally reach the stars – but then some terrible disaster happens when one of them tries to bring them down (in careful with that axe, you can hear faintly the lyrics "down, down. the star is screaming beneath the lies"). to me, this seemed to be a good metaphor for the band. roger admits readily that back when syd first left, he was much less sympathetic to syd's situation, and viewed his self-destructive behavior as detrimental to the band. perhaps, then, eugene is syd, trying to destroy the flying machine that is pink floyd. OR, it's the opposite – eugene is roger, and the axe rampage represents the role he feels he played in syd's downfall when all syd wanted to do was fly. either seems plausible to me. after all, the flying motif comes up multiple times later on in the wall, and we all know that pink is based on both syd and roger.

I'm not really married to any single one of these interpretations, and perhaps I'm off the mark entirely, but I just noticed that there hasn't been much analysis of either of these songs. I wanted to have a go at it myself!

#id love to hear what other people think #pink floyd #roger waters #syd barrett #point me at the sky #careful with that axe eugene #asks

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bookishfeylin · 1 year

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Feel free to ignore if you're tired of hearing about this, but: your tags about SJM injecting real world morals into her stories and then ignoring them. Suddenly I am entirely clicking with where you are and from what point you're making your commentary. SJM is the one who chose to use modern concepts and buzz words for abuse and PTSD, and she is the one who chose to judge some characters by modern moral concepts but not others. That's what makes it so hard to do the usual analysis of characters, so I just don't. But you, if I understand you, are making your analyses to point out the flaws and holes in HER judgments. To show that SHE made it unbalanced and isn't playing by her own rules.

Yes, this is it exactly. I despise hypocrisy, and Sarah's books are unfortunately the pinnacle of such. The same standards that are used to judge Tamlin and Nesta would also render Feysand and co abusive, but the text (read: Sarah's favoritism) refuses to acknowledge that, doing a disservice to her own themes in the first place.

I also want to apologize in advance for the rant this is going to turn into, because man do I have FEELINGS about this.

Part of the reason the ACOTAR fandom is so toxic is because Mrs. Maas applied real world standards to a fantasy series, creating a conundrum where some characters are allowed to exist in and operate within a fantasy-based morality (like Rhysand, the Inner Circle, and Feyre) whilst others are held up to a stricter, real-world morality and are vehemently critiqued in text for failing to meet the moral standards of our world (Tamlin, Nesta, even Lucien), leaving fans of the latter group of characters to call out the hypocrisy in text for their characters being evaluated by standards that the former aren’t held to whilst fans of the former set of characters happily indulge in such hypocritical writing even while promoting this series as an excellent example of handling of real-world themes like abuse (and yes I did copy and paste this entire paragraph from another post of mine lol).

Some weeks back I saw someone on THAT SIDE of the fandom explain that they hated Tamlin because he abused Feyre (valid!) and pull out a picture of Sarah including the National Domestic Violence Hotline at the end of ACOFAS as evidence that liking him was morally wrong or whatever (I'd reblog the post, but OP is, again, on THAT SIDE of the fandom and sadly has me blocked now :( ).

But that same hotline is the one I've used in my analysis of why RHYSAND is abusive here, here, and here. The same source Sarah includes in these books to make a point about Tamlin being abusive also renders Rhysand abusive. But here's what gets me: The person and others like her who were reblogging that pic of the domestic violence hotline were also whining about people judging Rhysand by real world standards. Yes, I'm serious. For a topic like abuse, one deeply personal to me and many others, Sarah (and her fandom) can't pick and choose what characters to apply real world standards to. Not for something like this.

But we don't even have to use real world standards to call out the hypocrisy in how her characters were written--we can use ACOTAR's own morality as well. Case in point: Nesta's treatment in ACOSF. Locking Nesta up is treated as the right thing to do in ACOSF, but ACOMAF goes OUT OF ITS WAY to show that locking someone up is wrong and is a violation of your personal bodily autonomy, NO MATTER THE REASON. This action is often defended in one of two ways: by stans saying that Nesta was embarrassing Feysand when they needed to be keeping up appearances for the court, or, more commonly, because Nesta was an alcoholic. But neither reply holds water. If Nesta embarrassing Feysand in ACOSF was bad because they needed to keep up appearances as the court rebuilt and prepared for war with the mortal queens and Koschei, then... that justifies Tamlin getting upset with Feyre over the tithe several books earlier. That was his logic for being upset that Feyre gave the water wraith her jewelry, and also his logic for (according to fandom) "stuffing her in dresses"--keeping up appearances for the people and preventing Hybern from finding any weakness to exploit (again, this is according to fandom. In the books, the dresses were chosen by Ianthe but we both know no one pays attention and Tamlin is blamed for everything anyway). So either Tamlin was justified in ACOMAF, or Feysand are wrong. Nesta's alcoholism isn't a good excuse either, because if she were truly an alcoholic, Feysand would've put a healer in the House with her to help her through withdrawal and prevent her from having a seizure and dying, which I'll discuss in more detail in my upcoming post about Nesta. Either way, Feysand's treatment of Nesta was inexcusable by ACOTAR's own rules that say locking people up is bad, and in trying to excuse this some stans accidentally justify Tamlin's behavior in ACOMAF as he had the same excuses.

This also applies to the Inner Circle voting on whether or not to keep Nesta's powers a secret from her--didn't ACOMAF also say that that was bad and controlling on Tamlin's part? Why is Tamlin keeping Feyre's magic a secret abusive and controlling, but the Inner Circle deciding to do the same (even if it failed anyway) is fine?

The hypocrisy that began in ACOMAF in which Tamlin was declared abusive but Rhysand wasn't despite Rhysand... also being abusive spiraled out of control in ACOSF and is ultimately what fractured this fandom, and because of said hypocrisy nothing after ACOTAR 1 is enjoyable for me.

So yes. Beyond ACOTAR 1, I'm forced to evaluate the characters with the real-world morals Sarah decided to randomly include, and in doing so can't help but be faced by this series' own hypocrisy, and I'm hoping my analysis will allow others to see that the hypocrisy ultimately causes it to fold in on itself and destroys its own point.

#ask #acotar analysis #anti sjm #anti acotar #anti acomaf #anti acosf #i... i hope this made sense #im sorry for the long rant but i had some FEELINGS i needed to get out #anti rhysand

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