#that's a great example of someone doing it right

[tobiasdrake]

Fun Fact: Goku fights smarter. Vegeta fights harder.

As a martial artist, Goku's developed and cultivated his skills over the course of his life, mastering a variety of creative techniques and, more importantly, honing his mind. A quick-thinking and analytical counter-fighter, Goku prides himself on a creative and clever dismantling of his adversary's capabilities.

This is where Goku excels as a fighter. He's a formidable martial artist in his own right but when pressured, he falls back on a generally high understanding of violence and a creative mind for opening solutions. He reads his opponent's style and abilities, finds its weaknesses, and exploits them.

This, incidentally, is part of what what made Majin Buu such an insurmountable hurdle for him.

Majin Buu is a taffy monster made of magic who defies even this universe's conventional physics. He has no fighting style; He just does things, and his infinitely regenerative body and supreme liquid flexibility leaves no weaknesses to exploit.

He cannot be fought the way Goku fights.

For his own style, Goku has one particular signature technique and a couple other moves he's picked up from others. His mainstay is the Kamehameha. But he's innovated a wide variety of ways in which the Kamehameha can be used, based on the needs of his situation.

Goku's used the technique in a variety of ways, such as using it for propulsion instead of as an attack.

Bending it around the opponent's defense for a surprise attack.

Making stationary torpedos that he can fire at will to startle and disorient his adversary.

The coolest attack in Dragon Ball history YES I SAID IT. Learning to teleport? Cool. Kamehameha? Cool. Teleporting in while charging the Kamehameha in order to throw it directly under your opponent's guard before he even has an instant to react? Top-tier.

Point is, this is who Goku is as a fighter. Brilliant and innovative, bringing a great deal of cleverness and creativity to his fights. He breaks down his opponent's technique and adapts himself to the needs of the situation at hand.

Vegeta is also highly observant and analytical. Do not mistake me for calling him stupid. He makes plans of his own, and his greatest asset is his ability to follow everything happening on the field at once. It is next to impossible to get the drop on this man.

Vegeta pays attention.

Vegeta is always paying attention. He splits his focus incredibly well and quickly interprets what he's seeing and hearing with a critical eye. He misses nothing.

He is. Always. Paying attention. The one time someone actually managed to get the drop on him - and I cannot stress this enough - it was a person Vegeta did not know existed because he had not been a part of this battle up to this point.

Am I saying that Yajirobe's cowardice saved the world by not revealing his presence to Vegeta until this fateful moment? Yes. Yes, I am saying that. We literally have a counter-example from someone Vegeta did know and account for to contrast it with.

Vegeta is always paying attention. Unless he doesn't know you exist.

So. Yeah. Vegeta is incredibly brilliant and observant. But what he's not is a martial artist. Vegeta, instead, is a soldier. He's comfortable in the realm that overwhelming power creates.

Vegeta hits hard.

He hits very hard.

He hits very, very, VERY hard.

In fact, Vegeta hits harder than Goku does. That's not to say that Vegeta is stronger than Goku; Vegeta and Goku go back and forth on who's stronger in the given moment over the course of the series. But Vegeta's attacks are stronger than Goku's.

To understand what that means, you need to understand that certain kinds of ki attacks have a multiplying effects on their user's strength. Attacks such as the Kamehameha or the Makankosappo, which concentrate ki before firing it, produce a much greater level of ki than their user's standard power output.

When charging a Kamehameha, Goku's battle power reading on the Scouter rises dramatically. This is the secret of techniques like the Kamehameha: they concentrate ki into a point before releasing it all at once, like pulling the pin on a grenade.

As concentration moves go, the Kamehameha isn't actually that great. The versatility and creativity that Goku brings to it is what makes it so formidable. Pound for pound, it kinda sucks. Piccolo's Makankosappo here makes the Kamehameha look like noob shit.

This kind of ability is non-standard among ki attacks, which are typically like throwing long-range punches. In fact, it's super-rare among the Planet Trade to be able to do this. Raditz had never even heard of a move like this.

Vegeta had. He knew of exactly one.

I am so sorry to do this to you but we're going to have to talk about battle power numbers here for a moment. Vegeta's clocked at 18,000 BP as of his battle with Goku on Earth; it's brought up a few times in the Namek arc.

Goku, iconically, is OVER 9000 8000!!!

At the moment Vegeta and Goku's attacks meet, Goku is channeling the Kaio-ken x3 which is exactly what it sounds like. He's inflated the ki inside his body to 300% capacity. The drawback is that his body is now an overinflated balloon ready to pop at any moment from all this swelled and bloated ki inside of him. But the gain is that he's outputting 300% power.

At this point in time, Vegeta has a battle power of 18,000. Goku, formerly >8,000 is now >>>24,000. Goku, further, is using the Super Kamehameha rather than the regular one he used against Raditz, which brings with it a higher level of power multiplication.

Nonetheless, the Galick Gun is winning against the Super Kamehameha. Goku is forced to resort to a x4 Kaio-ken - which does leave his body utterly destroyed and incapable of continuing the fight - in order to have enough power to overcome a superior magnification from a weaker opponent.

We see another direct comparison between the two in the Cell arc. That killer Warp Kamehameha fired point-blank into Cell when he least suspects it, which hits him dead-on and unloads its absolute maximum power into him? It does this.

Brutal. If Cell didn't have both Frieza's ability to survive ludicrous levels of harm and Piccolo's regeneration, it would have been over right here. Meanwhile, a glancing blow from Vegeta's Final Flash left him looking like this.

Despite Vegeta being far less powerful than Goku was when he fired that move, the effect is about the same - With implication that if Vegeta hadn't pulled the Final Flash back at the last second to avoid destroying the Earth, he would have erased Cell completely.

Goku's shot hit Cell point-blank and full-on to do about as much damage, albeit with deadlier aim in terms of killing a humanoid being.

This is the distinction between Goku and Vegeta as fighters. Vegeta is very smart, and Goku is very strong. Neither of them is lacking in intelligence or power. But they are philosophically very different fighters.

Pound for pound, Vegeta's moves hit harder than Goku's. He is the unparalleled master in taking the power he has and channeling it into as much destructive force as humanly possible.

On the flipside of that coin, when backed into a corner, Vegeta falls back on outputting as much direct force as he can. Goku gets to thinking his way around the problem at hand and devising a creative answer.

Goku is a surgical scalpel. Vegeta is a warhammer.

#dragon ball #dragon ball z #son goku #vegeta

[lobotomyladylives]

pearl is a really interesting case study to me of what low self esteem & self loathing does to a woman. she had literally every opportunity required for a successful life-wealthy parents who could have easily gotten her a 6 figure nepo position right out of college with very minimal effort on her part. and what did she decide to do instead? publicly humiliate herself every day for a (ever dwindling) audience of men who absolutely fucking despise her. it is quite literally the most pathetic thing I've ever seen. zero self respect. all young woman should see her as a warning against prioritizing and pandering to men.

people call her a failed grifter, and she is-but I do think she genuinely buys into the redpill drivel. she was never desperate enough for money that she would have to sell her soul and spout rhetoric she doesn't believe in. she's visibly near tears defending "mens rights" in some videos and unless she's secretly a naturally great actress I don't buy it all being manufactured for money & notoriety (what money lol, & the only notoriety she has is being a laughing stock amongst normal people AND the manosphere. she has literally ruined her reputation worse than any onlyfans girl, at least they hide behind a paywall and a fake name usually). with her view counts she's not making more than she would be at the cozy corporate job she COULD have had if she hadn't burned her bridges with her own mother, who now wants nothing to do with her on a professional level because she's the very "girlboss feminist breadwinner" that pearl claims is causing the downfall of humanity.

and that's not the only possible future she has assassinated for herself. she thinks a woman's role is to be barefoot in the kitchen birthing children & homemaking, but she's ruining her chance of doing that too bc the men she panders to do not want a woman who argues on the internet all day, even if it's in favor of things they approve of like taking away all of women's rights and blaming every problem in society on us. aside from parroting their beliefs she is literally everything they hate-a money & attention hungry, assertive, masculine, physically unattractive (in their eyes, certainly) unmarried woman over 25 with a history of sleeping around (and dating black men, how dare she date outside of her race?!?), who claims she has "high standards" as an excuse for why she isn't already married. they want an attractive, submissive, soft spoken and feminine young woman who is a virgin and has zero standards.

when I first encountered her I was furious, but that's faded. no point wasting anger on someone who has already secured her demise. she's the prime example of what internalized pandering to males at the expense of your self respect and pickmeism gets you as a woman. absolutely fucking nothing beyond a ruined reputation and the scorn of men and women alike. the most ironic part of all is that most of the "evil feminazi" women (usually not even feminists, just normie women who are not literally drowning in internalized misogyny) she debates are so far ahead of her in every possible life metric-they have actual careers, friends, self respect, confidence and usually are in stable relationships with men who wouldn't look twice at a pathetic sadsack like pearl. tragic, but I have no sympathy for her. this is entirely the result of her attempting to humiliate other women and it backfiring spectacularly.

#im sure someone will get on my back for not acting like shes just some victim of society but as pearl herself says: #women have to take accountability for their actions #so true pearl. you ruining your entire very privileged life is on you. good riddence to garbage #that being said ill never hate her as much as i hate the men in her community despite her being a traiter to her own sex #justpearlythings #pearl davis

[novlr]

I once saw a piece of writing advice that spoke to the idea that you should start and end a chapter differently. I suppose the idea was that it helps keep the story moving along. I thought it was good advice but didn't like the post and therefore cannot find the full explanation of this point. Do you have any advice like this? For starting and ending a chapter?

As a creative writer, you’re always looking for ways to improve your craft and keep your readers engaged. One piece of advice that can help you achieve this is by starting and ending chapters differently.

This technique can help keep your story moving forward and maintain your reader’s interest, but it is not the only technique you should employ. Like any other part of your writing, it’s all about variation, and knowing what serves your story best is the most fundamental part of improving your writing’s craft.

Starting a chapter

When it comes to starting a chapter, there are several techniques you can employ to grab your reader’s attention and propel your story forward. One effective method is to begin with action, throwing your character into the middle of a scene and immediately drawing the reader in. Alternatively, you can introduce a new character to shake up the story’s dynamics or change the setting to signal a shift in the narrative.

Opening with dialogue is another great way to quickly establish the scene and provide context for the reader. You might also consider posing a question that piques their curiosity or describing a vivid sensory experience to immerse them in the moment. Ultimately, the key is to experiment with different approaches and find what works best for the chapter you’re writing.

Ending a chapter

When it comes to ending a chapter, there are several effective techniques you can use to keep your readers engaged and eager to turn the page. One popular method is to end with a cliffhanger. You can then open the next chapter with something mundane. An example of this would be the shocking entrance of someone unexpected at the end of one chapter, then opening the next chapter with the revelation that is just the goofy uncle the character hasn’t seen in a while. Alternatively, you can resolve a minor conflict, giving the reader a sense of satisfaction while still leaving larger issues unresolved to continue into the next chapter.

Another option is to introduce a new complication, presenting an obstacle or twist that raises the stakes and propels the story forward. You might also consider ending with a revelation, where a character discovers something important or experiences a significant realisation that shifts their perspective.

Creating a sense of anticipation by hinting at what’s to come in the next chapter is another effective way to keep readers engaged, or you can end with a strong image or emotion that leaves a lasting impression on the reader. Experiment using these endings with the opening examples above, and you’ll soon find that there’s a rhythm you develop that suits your writing style.

Variation is key

The key to effectively starting and ending chapters is to mix things up and keep your readers on their toes. Don’t rely on the same techniques every time; instead, experiment with different approaches to find what works best for your story. By varying your chapter beginnings and endings, you’ll create a more engaging and dynamic reading experience that will resonate with readers.

For some chapters, a clear break will work really well, like the example of a cliffhanger that opens the next chapter with something far more ordinary than the reader was expecting. But other chapters will be well served by a simple continuation of the scene. Pacing isn’t dictated on a chapter-by-chapter basis alone; it’s all about the overall arc of the story and how everything fits together. There are no hard and fast rules for how to begin and end a chapter, so in the end, it all comes down to trial and error and seeing what feels right in service of the story you want to tell.

Additional tips

In addition to the techniques mentioned above, there are a few more tips to keep in mind when starting and ending chapters. Varying your chapter lengths can help keep the pacing dynamic and prevent the story from feeling predictable (although some stories are served by consistent length, so do follow your intuition here). Using transitions, like transitional phrases or imagery, can smoothly connect the end of one chapter to the beginning of the next.

Experimenting with different techniques and reading widely to study how other authors begin and end their chapters can provide valuable inspiration and insight. And don’t be afraid to rewrite your chapter openings and endings in as many versions as you like to see what works for you.

Ultimately, trust your instincts; if a particular starting or ending technique feels right for your chapter and serves your story well, then that’s the one you should go with.

#starting a chapter #ending a chapter #writing tips #quick writing tips #writers #creative writing #writing #writing community #writers of tumblr #creative writers #writing inspiration #writeblr #writerblr #writing advice #writing resources #writing help #how to write #let's write #help for writers #helping writers #resources for writers #writing blog #writer #writers on tumblr #writers and poets #writing stuff #on writing #writer stuff #writers corner #writers community

[supersoakerfullofblood]

do you have any tips for writing characters who have a lot of difficulty identifying their own emotions (and other people's)? specifically if the work is from their POV. thank you very much!!

I'll start by saying you're in luck--literature's finest characters are defined by their difficulties identifying their emotions! You're in great company.

As a general rule, don't let your character figure out their emotions until you want some resolution in the narrative (climax, ending, or anywhere in between. Or if you have some second conflict in the narrative, feel free to resolve this one earlier). If your character has clarity about how they feel and what they should do about it, you don't have a compelling narrative but a successful therapy. The trick is in misguiding your characters.

You and I and everyone in the world are misguided about our emotions constantly. We want to feel everything on our terms. If we want a coffee, we want our favorite hazelnut latte, not the Americano. If we go through heartache, we still want to be happy, so we turn to coping mechanisms, often unhealthy, to achieve this. We are emotionally greedy.

Your characters also want to feel everything on their terms, and they don't like that they can't, so they turn to something unhealthy, something they think will solve the problem. In previous posts on my blog, I talk about this in terms of "want" and "need." Your character "needs" to handle the emotions as they are through healthy means, but your character "wants" to feel how they want to feel, which in a strong narrative won't make the character feel better. Ask yourself: if my character was real, how would they react to the situation they're in? When you think of anything unhealthy, write it.

As an example in one of my WIPs, a girl is bullied by the popular kids at her school, and she doesn't like that, but she's also friends with one of the popular kids. Instead of talking to this friend about the bullying, instead of talking to the counselor about it, instead of doing anything that would actually resolve her situation, she decides that if she wants people to stop bullying her, she herself needs to become popular. She notices all the popular kids have boyfriends, so she decides she's going to pursue someone. These are pretty steep leaps of logic, but we do it all the time. Has anyone tried to use romance to bandage emotional sores? Of course!

Macbeth is scared of the witches' prophecy. Does come to peace with it? No! He and his wife kill a lotta people!

Think of your favorite book: how do its characters try and fail to come to terms with their emotions?

As far as "how to write," it sounds like you're writing in first person, and if you are, I can't help too much--I have next to no experience there. But if you're narrating through your character's thoughts, never let them land on the right thought, the idea that will get them out of their bind. It might help to focus on physical sensations and the things people say and do around them--how is your character affected, and how do they interpret these things? Never let them interpret them well and correctly until you want resolution.

#writeblr #writing #writing advice #fanfic #writers on tumblr #bookblr #creative writing #writing questions #writerscommunity #booklr

[squeakykid]

I added two new chapters to My Daddy Likes Boys a fic about Eddie Kaspbrak's son trying to get him together with his teacher, Mr. Tozier.

Read on ao3 or below!

Chapter 1: Two daddies?? Cool!

My daddy likes boys. I don't know why that's such a big deal. I'm not a dummy. I understand that they don't mean he likes boys just as friends like me and Hank from my class. Otherwise, mommy and daddy wouldn't have broked up. I get it. It's about in love. Like Aladdin and Jasmine. They aren't both boys, but that's okay. I'm sure there are other examples of boys I'm just not thinking of.

Mommy already sees other boys. Daddy comes to watch me when she goes on her "dates" and we watch Bluey on TV or play hungry hungry hippos. Daddy is great at games, but I'm better because I always win. Still, daddy deserves to play games with someone he can beat. Someone he can go on "dates" with. Maybe on a magic carpet. Daddy likes cars, and that's a very cool and special kinda car. I wanna ride on one. Maybe if daddy's boyfriend has a magic carpet I can ride in the backseat and fly up high. That would be cool. That would be super cool.

I started kindergarten in the Fall. I'm in Mr. Tozier's class. He wears funny, colorful shirts and does voices that make me laugh a lot. When we learned about animals he made all the sounds. My favorite was when he made the goose sound. Mr. Tozier is the coolest.

And a boy.

And daddy likes boys.

Then I had an idea. My daddy and Mr. Tozier could be in love! That's a great perfect idea. I just needed to find a way to get daddy and Mr. Tozier to talk. When they talked they would obviously instantly fall in love because they are both awesome and fun and they both love me. It would be the greatest thing to have two daddies!!

I started small. Daddy tells me every day that I'm brave and I decided to prove it. I made sure Mr. Tozier was close and I climbed up higher in the jungle gym than I had ever climbed. The other kids watched and some waved and giggled. By the time Mr. Tozier noticed how high I climbed and started running towards me, it was too late. I bent my knees like a frog. Mr. Tozier saying ribbit ribbit popping into my head as I hopped off the roof (where I definitely wasn't supposed to be) and fell hard onto the ground.

Plop

I yelled and yelled and yelled some more. How was I supposed to know it would hurt THAT much. Mr. Tozier reached me quickly with his kind blue eyes twisted up in worry. "Frankie!" He yelped. "How'd you even get up there?" He was concerned, but I couldn't help but notice he also sounded impressed. This was going perfectly according to plan even though my arm hurt a whole lot.

Mr. Tozier carried me to the nurse's office. "I'm gonna call your parents, okay? Just sit tight buddy." I made a froggy sound and his worry melted away just long enough to do an, admittedly much better, froggy sound.

He rushed out the door. Oh no. "Call my daddy!" I shouted after him, hoping it was loud enough. My voice was usually louder, but my arm hurt too much! I waited to let my tears fall down my cheeks for after Mr. Tozier left. He probably thought I was very brave. Mr. Tozier and daddy will talk about how brave I am all day long until they fall in love.

Daddy didn't come. Mr. Tozier must not have heard me. When I saw mommy come through the door with her arms stretched out like she was ready to clean my dirty cheek with her spit, I cringed a bit and then started crying. This time it wasn't from the pain. Well, it wasn't just from the pain. This was going to be harder than I thought.

Chapter 2: Frankie's Big Break

had a lot of time to plan my next move while I was at the doctor then at home. My arm was broken and got put in a huge cast. It's so hard and heavy. I drummed on the wall with it when mommy wasn't looking, she always told me to stop even though it made the best sound.

That made me think of my next idea. I couldn't keep getting hurt and going right to the hospital. I'd be off too much school and all my bones would be in casts until I couldn't move. I can't make Mr. Tozier and my daddy fall in love like that! I need at least one limb free!

When I got back to school, all the kids wanted to talk to me and sign my cast. I noted that I'd let Hank sign it first, after I talked to Mr. Tozier. Unless Mr. Tozier wanted to sign it first. Then he could. Sorry Hank.

Mr. Tozier sat at a big desk with papers all over the top. I could just see over it. He looked down at me, looking over his big thick glasses. He must have a really hard time seeing with glasses that big. My eyes are perfect, everyone says so, but daddy probably doesn't care about perfect eyes. I tried to focus.

“Frankie?” Mr. Tozier said. “What is it?”

“Next time I get in trouble, can you call my daddy instead of my mommy?” I said. I thought if I was as obvious as possible that he would definitely get it right next time.

Mr. Tozier's brow furrowed. “Well, you weren't in trouble, Frankie, but why do you want me to call your daddy? Is something going on at home?”

I really thought about it. No, not really. Home has been kinda boring. Daddy always looks sad when I'm with him, but mommy always has boys around all the time. I just want my daddy to be happy too. Not with lots of boys though, just Mr. Tozier. I didn't like getting used to lots and lots of new boys because some of them smell funny and have weird mustaches.

“Frankie?” Mr. Tozier asked. Oops, I'd been thinking too much.

“No.” I said quickly and walked away. I didn't even remember to ask him to sign my cast. I guess Hank could do it first after all.

After all the kids got done signing my cast with lots of cool things, Hank drew a dinosaur, I went to work. I knew daddy would definitely come if I was in danger, but it didn't work the first time. I decided I had to do something different. I had to get in trouble.

It happened at recess. Mr. Tozier was watching everybody, but I wanted to make sure he was watching me. I took a big breath in and let out a loud scream. Mr. Tozier looked up but so did everybody else. I'd have to explain why I was doing it to all my lots of friends later. They'd understand. With all my might, I pushed over the big wood play kitchen and all the kids playing house ran away. The play plates hit the ground over and over one at a time. It sounded like rain.

Mr. Tozier rushed over. Yay! “Is everyone okay?” The other kids nodded. When he looked at me, he didn't look mad. He looked worried. That made me worried too.

He took me to the place I go to when I get off my bus and had me sit in the big plush chair. Once he was in the other room, I got up and pressed my ear to the door. He was talking to somebody. I think on the phone.

“I think something might be going on at home.” Mr Tozier said. I sighed. Not really. Just call my daddy. Say I'm in big trouble. “Oh, a divorce? That's gotta be tough on him.” It wasn't tough at all! What was tough was getting my daddy and Mr. Tozier in one room. Ugh!

Chapter 3: Why Does Everybody Ask if I'm Okay??

How was I supposed to know they'd just make me talk to some lady? That is not what I wanted at all.

“Frankie,” She said gently like she was talking to a puppy. I'm not a puppy. “Can you please tell me how things have been at home?”

“Why does everybody keep asking me that!” I knew it wasn't polite to shout, but I was getting so frustrated! “Sorry, things are just fine. I'm happy.”

Even though I told her I'm happy she still looked sad. What was going on? “Are you happy when you're with your mommy?”

I felt a big frown on my face. “Yeah, I guess!” I folded my arms. Things were fine. Mommy was just kind of boring sometimes. She just wanted me to dress up nice and be polite. I was so sick of always being so polite.

“What about your daddy?” She asked.

I smiled. “Well, daddy is the best. We play games and watch TV but he's lonely and needs a boyfriend like my mommy has.”

The lady's eyebrows raised up like they were gonna bump into her hair. “A boyfriend?” She asked. “Maybe you mean a girlfriend.”

I rolled my eyes. “No! My daddy likes boys!’’

Talking to that lady was so pointless. She didn't even help me with how to get Mr. Tozier and my daddy together. I hoped I never had to see that lady ever again.

My mommy drove me home and fussed with my hair when she buckled me in. “What did you say to the nice lady?” She asked me.

“I told her daddy likes boys.” I explained, getting a little tired of always having to explain myself.

Mommy's eyebrows did the same thing as the lady. It's a little silly for her to be surprised. I knew she knew that already. She didn't say much else. She just got in the front seat and drove us home.

When Daddy came to pick me up the next day, I was so excited. It was the weekend and Daddy always planned a fun activity. I wanted to see the new Sonic movie and get lots of popcorn.

It was taking mommy and daddy a really long time to come get me in my room, so I hopped off my bed and sat on the top of the stairs looking down at them through the bars. They looked upset. They had angry eyebrows and folded up arms.

“You told him about your little perversion?” Mommy said. I didn't know what that meant, but what did daddy tell me about? Maybe about the big black cats at the zoo.

Daddy held up his hands. “No, I didn't tell him anything about that. I don't know how he found out.” Maybe not about the big cats after all.

“Well, tell him you don't. Tell him you like women like you're supposed to.” I opened my eyes really wide. Was this about daddy liking boys? What's the big deal! Mommy likes boys too!

“Daddy can like boys if he wants to!” I ran down the stairs to stand up tall next to daddy.

They both looked down at me with their mouths hanging open. Close your mouths, gosh! “It's not normal.” Mommy said in a calm voice. I was so sick of people talking to me like a puppy or a baby or something.

I held out my hand. “Daddy, I wanna go.” I didn't feel like talking about this. I had important things to do.

Daddy looked down at me, surprised. Mommy looked mad. They looked at each other for a few seconds before daddy grabbed my hand and we started walking out. I smiled wide.

“Wait!” Mommy called after us, but we didn't stop or look back.

We were gonna have a wonderful, awesome time watching Sonic and eating popcorn and then after that I would think about my next plan. Daddy and Mr. Tozier were gonna be happy if it was the last thing I did!

#richie and eddie #reddie #eddie kaspbrak #richie tozier #fanfiction #alternate universe #richie is a teacher #eddie has a kid #eddie is divorced

[icycoldninja]

here is an idea: DMC 3 Dante x Fem hunter reader where they are dating/demon hunting partners, she falls pregnant and dose not know until when she is on a mission and she goes into labor meaning her BF (Dante) needs to deliver there baby and comfert her (example: calling her a good girl and praising her) away from the demons

OK first of all let me just say something real quick--there is physically, scientifically, and biologically no way you can get pregnant and be completely oblivious about it until labor. What about missing your period? What about hormonal and weight changes? What about pains, aches, and cramps? What about the extremely noticeable tummy growth? This whole thing is gonna be ridiculously illogical, but I'll still do it. Enjoy. 💜

Sudden labor (DMC3! Dante X Fem!Pregnant!Reader)

You and Dante had been dating for a few years now, being loyal partners both in regards to your relationship and to your job. You hunted demons together by day and passionately made love to one another by night.

One day you two sent out together on a mission to exterminate a massive clan of demons that had taken a liking to a particular forest not too far from a moderately populated city. You and Dante were doing just fine at first, relentlessly chopping down and shooting holes through creatures without end. Everything was going perfectly well, until suddenly, you felt a sudden and sharp pain shoot through your stomach. It wasn't a stomachache, it wasn't period cramps, it wasn't like anything you'd ever experienced before. It was so painful, it brought you to your knees. You dropped your weapons, collapsing onto the ground, crying out in pain. Dante heard you, and fearing that you'd gotten attacked, rushed to your side in an instant.

"Babe, what's going on? You alright?" He asked, worriedly.

"I--I don't know! It hurts...everything hurts!" You suddenly became aware of something runny trickling down your legs, and you looked down, only to find a mixture of blood and other fluids leaking out of your privates. "What the hell?!" You shrieked, fearfully. "What's happening to me?!"

"It looks like you're in labor!" Dante screamed. "How did--?! What--?! How the hell is this possible?! How come we didn't realize you were pregnant before?!"

"I don't know!" You replied, panting heavily. "What do we do?!" Dante answered you by scooping you up and carrying you to a location far, far away from the (slowly dying) demons and carefully set you on the ground. After removing your bottoms and taking a quick glance at your contracting vagina, he realized there was no time to get you to a hospital. You'd have to give birth here.

"OK," Dante began, taking deep breaths. "Uhh...push. Yeah, push. That's how you deliver a baby, right? Push!" You nodded, and though the pain was intense, you grit your teeth and pushed through as hard as you could.

"Good job," Dante encouraged, patting your shoulder with trembling hands. "You're doing great. Keep going. Stay strong. You're ok. Good girl--you're doing alright. Keep pushing." You could tell by his frantic, stammering speech that Dante was just as terrified and anxious as you were, given the sudden nature of all this, but he did his best to stay calm and collected so you could have someone to lean on.

Confused, frightened, and in so much pain, you continued pushing hard, and eventually heard a hollow pop, followed by a small cry.

"Oh my God!" Dante shouted, diving down to scoop up the baby that had just slid out of your uterus. "You did it, babe! You--you gave birth! You gave birth!" You let out an exhausted chuckle, flopping back against the ground with a sigh. Your newborn baby cried and failed about in Dante's arms, making him smile. Even though it was under really strange circumstances, you two now had a baby! Hooray!

"Is...is it a boy or a girl?" You asked, gratefully sucking in deep breaths of air.

"Y'know what?" Dante replied, sounding unsure. "I have no freaking clue. Let's go to the hospital and ask the doctors."

#Dmc #Dmc3 #Devil may cry #Devil may cry 3 #Dmc dante #Dmc3 dante #Devil may cry dante #Devil may cry 3 dante #dante x reader #dmc dante x reader #dmc3 dante x reader #devil may cry dante x reader #Devil may cry 3 dante x reader #Ridiculous #Fanfic #Kinda fluff #Giving birth fanfic #Illogical #But whatever #Requested #thanks for requesting #icycoldninja writes #This is so goofy #humorous

[emotionalwizard]

Responding to this post’s conclusion without derailing: https://www.tumblr.com/emotionalwizard/708989895607304192/sinfulnoodle-quasisnipr1048-luidilovins?source=share

So, I get pretty tired of people treating zombies as the kind of monster that is going to instantly and easily form a horde and, soon, destroy the world... while still being something Joe Protagonist can down with a single handgun and maybe one or two bullets to the face.

While the main threat of zombies ever since Night of the Living Dead is definitely the horde, the fact of the matter is that these stories rarely start by plopping a whole horde down in the middle of a huge social gathering, and even when they DO start with a whole graveyard or so, they’re somehow quite resilient against combined military forces until Mr. Hero rolls in with a shotgun.

For something that prides itself on being hard to put back in the grave, folks like the Zombie Go Boom team seem pretty insistent that a quick pencil in the skull is enough to put them down like something that feels pain.

So, if you’re thinking about the possibility of a zombie apocalypse, replace the zombies with people with rabies. Ask yourself how much more threatening the former is from the latter. If the only difference you can think of is “They’re dumber, more obvious, more sluggish, and slightly more aggro,“ look into why we haven’t had a rabies apocalypse and try again.

#zombies #zombie apocalypse #doomsday preppers #my thoughts #dwarf fortress #that's a great example of someone doing it right

[poorly-drawn-mdzs]

Get Their Ass.

[First] Prev <–-> Next

#poorly drawn mdzs #mdzs #wei wuxian #jin ling #jin chan #Yeah that's right. This guy is a named character. All those nameless disciples in the yi city arc and *this* guy gets a name. #Jin ling finally gets his much needed outfit upgrade! Rest in peace double straps. #I adore how we get to keep learning about Jin Ling and peeling back the layers on him...It's also so sad to see him so alone and friendless #especially knowing he really was starting to build peer friendships in the yi city arc... #Jin ling really is one of my top 5 characters in MDZS and its absolutely in part because of how you can *see* how he ended up this way #and we watch him learn and grow! He's doing what most adults refuse to do: Consider that his opinions are skewed and need to change. #You are NOT immune to propaganda and I adore characters who reflect and struggle with that! #Just because someone with assumed authority says something that fits into what you want to be true does not make it true B*/ #In this series about rumours and warped perspectives - Jin Ling is a great example of how hard you have to work for the truth #+1 points of friendship with jin ling: He will self correct himself if he says a slur now

[widevibratobitch]

me when im obsessed with dead singers from 50 (well... mostly 70-120) years ago and im heartbroken to know i'll never see them on stage... never hear them breathe, never see them sweat, never even touch the hem of their garment...

it really is enough to drive a person mad...

#this is so funny because this is the one vaguepost that i wholeheartedly 100% agree with skdhsjshsjdhsn #like yeah!! it does indeed pain me that the level of operatic singing has so drastically decreased over the last 50 years! #that top operatic stars of today are all either nasal or wobbly or knödely or completely inaudible without microphones #but some of yall are just not ready for this conversation. example a #anyway. as many have said before. its kinda easier to understand how some people cant appreciate certain operas #if they never heard them sung well lol #sorry im out of blood today. i know this is a very uncomfortable subject for many but. #you can actually judge someone's singing in a pretty objective way. there are nuances of course. but from a technical point of view #it really is pretty simple #(also its not like i dont enjoy *some* modern singers lol have you SEEN my kwiecień posting???? lmao #hell. there are even some modern singers i have a soft spot who i KNOW sing... Not Very Well. but i enjoy them lol #not many ofc but. yknow) #also 50 years ago would be the 1970s if im doing my maths correctly and. that is really the point in opera history #when it all started going downhill (sadly partly because of one of my all time favourite singers' influence... but thats a different story) #anyway. remember when luis tetrazzini said that the future generations of singers will be The Best singers in history #because they'll have access to all those recordings of The Greats Of The Past that they'll be able to listen to and learn from? #lmao queen you were right about so many things but that was tragically not one of them </3 #opera tag #yes im stirring the pot of boiling liquid shit and putting this post gently into the main tag #*luisA tetrazzini ofc #lol and lmao im out FOR blood* shdgsjsghs

[ronanlynchbf]

hell day today and i'm only two hours into my EIGHT HOUR SHIFT

#9 to 5 by dolly parton starts playing in the background.. #literally had to open up shop alone 2day and also was entirely alone for the first 45 min. of my shift so that was already a negative start #to the day + i heard that i can't have my break later than two thirty which is very bad for me bc 1) there'll be a lot of ppl all around me #when i'm eating which i already dislike and 2) like 85% of ppl taking their break around that time are VERY noisy eaters so even worse and #then 3) it'll be really loud in the room as well bc everyone's talking loudly and eating and the cutlery's clanging against plates and such #and also some ppl have actual full-blown arguments with each other in the break room bc half the ppl here hate each other's guts so more #negatives to the day and then on top of that we've had sooooo many annoying customers already today who r just. intent on making u stressed #out and upset and literally will tell u to your face to 'do your job better' like bro...i can easily tell you haven't worked in retail.... #also someone hung their clothes on the rack outside the fitting rooms which is where u hang ur clothes when you're DONE fitting them & don' #want them bc they don't fit or don't sit right or u just don't rlly like them after all so if clothes are hanging there we the ppl working #there WILL take them and hang them back in their original places what did u expect to happen?? anyway someone hung the clothes they had #tried on already and did want there and i reached out to take them bc like. that's what we do here..we hang the clothes on the 'discard #rack' back in the store bc else the rack gets stuffed and the woman literally grabbed my arm and said 'those are mine what do u think you'r #doing' LIKE?????? GIRL THE RACK'S THERE FOR A REASONNNN ofc i'm going to assume u don't want them anymore if they're hanging there that's #why it's called the DISCARD rack....also how am i to know those specific clothes are yours HONESTLYYYYYY STFU AND GET OFF ME #ALSO some dude was like (to his child but like. looking at me while he said it.) 'this guy needs a haircut doesn't he' bc my hair is kinda #long and apparently i passed today. LIKE 1st of all kind of a rude thing to say to a stranger innit 2nd of all setting a great example to #your child there just casually commenting on other ppl's looks like that👍 3rd of all jokes on you you wouldn't consider me a guy if #you Knew most likely. thanks for that little zing of glee much obliged <3 but also man just piss off will you. 4th of all my hair isn't eve #that long....like the ends of it are just shy of my shoulders wdym LONG if u knew the long-haired guys i know you'd faint. #anyway. great start of the day. i still have six more hours to go 🥴 #ALSO no surprise this always happens but my legs already hurt SOOOOOOOO BADDDDDD :((((((((((( #r.txt

[angeltannis]

One other admittedly kinda minor thing that’s nonetheless bothering me a lot is the fact that in the Accept Shard ending, when you see Lor die, it’s explained that the last of the Prometheans who were hanging on were in extreme pain and agony - and yet Lor is just…strolling down the street sipping coffee? Even if HE was trying to shrug off his own pain, you can’t tell me that this man, whose entire character was established last game as a fighter for the Promethean people, who literally jumped into an armed conflict with nothing but retail food service experience so he could protect people, wouldn’t be trying to carry dying Prometheans to the nearest hospital or medbay with his last breath. I simply do not believe Lor Borderlands would just walk past hundreds of weak, dying fellow Prometheans without a care in the world. It was a small scene, but it was so jarring and OOC. I don’t understand the thought process behind going that route with it.

#borderlands #ntftbl #borderlands spoilers #ntftbl spoilers #lor the coffee commander #someone on Reddit said this game seems to refuse to let you take it seriously - it inserts jokes into every scene even when they don’t fit #I don’t WHOLLY agree with that criticism - the Anu dream stuff for example was allowed to be serious and it was great for it #but in this case I feel like the whole setup was for- #‘​Haha Lor drink coffee. look when he comes back to life he just picks the cup right back up again!’ #and uh #the horrific death of a returning character lots of people care about (and who is the only human trans rep in the whole series to boot) #was not exactly somewhere that needed to have a joke worked in #especially when it totally warps the character’s established personality and goals to do so

[mearcatsreturns]

“authors behaving badly”...are they behaving badly, or are they just writing a story that you don’t like or that doesn’t resonate with you in particular? are they not engaging in a way you like?

#I should not watch most book review videos #even when I don't like an author's writing it or can see big issues with it #so many current reviewers do this thing where they complain about books #and it's inevitably books that a lot of people are complaining about....for things they'd let slide by another author #this one is about SJM #and why on god's green earth can I find 1000 videos complaining about SJM #when I can barely find anything for B Sanderson when his books have MORE of the stuff they complain about with SJM #(3 guesses as to why sigh) #fam I am not saying she can do no wrong (do NOT put people on pedestals) #but it's clear that with people determined to take umbrage there is nothing she could do to put things right #circa 2016/2017: ''ugh we do not want to hear so much from Privileged Authors like her'' #now: ''um she doesn't use social media much and doesn't engage with the public'' #back then: ''why no queer characters?'' *author starts trying more to add queer rep* #now: ''not like that!!!'' #like just admit there's nothing she could do to make you happy #I don't care about SJM in particular but she's a great example of this trend #the lack of good-faith engagement and unwillingness to recognize that even if something is NOT for you #it might be for someone else

[snekdood]

Ppl gotta understand that just bc you do x thing because you're mentally ill, doesnt mean your actions dont have the same effect if you weren't. Like if you've been manipulative to your friends, you cant get mad at them for not sympathizing entirely with you when you go on about how they dont accept you for your mentally ilness. Regardless of your reason, you were still manipualtive, you fucked with peoples trust. Theyre still gonna have trust issues about you even if its bc of whatever mental illness you have.

#im not saying its cool for them to abandon you but cmon. you have to consider sometimes other people and what they can handle #bc if you keep manipulating your friends or whatever theyre gonna get used to being manipulated and expect it from other people #whatever the case. people have limits. your friends have limits. im not saying theyre always justified. im not saying your friends are #never abliest. but they do have limits. and if you're yelling at them all the time about being perfect or whatever you cant exactly #be surprised when they dip out. #like for example. im a p aggressive and angry guy. clearly. if youve seen any of my posts. #ive always got something to rant about. and while im not quite as much like this irl its still a thing about me. im very very vocal about #whatever injustice i percieve happening to me or others lol. but i can understand why me being intense and angry and ready to throw hands #at the drop of a hat would make some people want to avoid me. i understand it makes some ppl feel scared and unsafe. #its not something i try to do. i dont try to make ppl i like feel unsafe. i try not to be that way around ppl w those kinds of issues #but im not gonna throw a fit and be like 'you guys are okay with bpd until i get really really angry and call you a cunt' #like... uh... yeah. i dont blame ppl like that for dropping me entirely if im getting angry all the time around them and it triggers them #and i dont seem to stop or be able to stop. #sure its not great. sure i dont want to be as aggressive and angry around anyone let alone ppl afraid of that sorta thing. but this is #the current state of my being. its something im working on. and i can understand why some ppl cant handle me right now as i am. #idk. just. shit like that man #another example. im hella hella HELLA bad at communicating via technology. unless you're in front of my face my mind just forgets we were #even talking sometimes. this naturally will cause issues. how am i gonna get upset at someone for being mad i stoped responding #in the middle of a conversation? sure i didnt mean it. this is purely unintentional. however that doesnt change the fact of my actions. #it doesnt change the fact that that person might feel unwanted. i can apologize day and night but until i actually try to be more attentive #of my phone this is just gonna keep happening yknow. how is it fair to get mad at other ppl for getting mad at you over that?

[againstasoryuudivorce]

Paraphrase from this scene

Credit to FieryExplosion for making the textboxes

#i created it might be art #dgs spoilers #tgaa spoilers #dgs2 spoilers #tgaa2 spoilers #the great ace attorney #tgaa #dai gyakuten saiban #dgs #klint van zieks #klimt van zieks #genshin asogi #genshin asougi #asougi genshin #i told you you would hear more about this from me! #this is an example of someone without a lot of talent doing their absolute best #so i would really appreciate if they got some love #and yes i know klint is right handed #these two drive me absolutely crazy!

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

#I found their original stuff while I was researching various waterhorses and their folklore for no reason #because one of the characters in their original work happens to be an each uisge #and then it turned out it ALSO included a lot of figures from welsh folklore in general #so yknow if you happen to have my incredibly specific hyperfixations you'll love it but even if you don't it's great #I didn't mean to bring up phantom of the opera so much it just happens to be very relevant to a lot of my talking points #I haven't actually seen it in years

[craycraybluejay]

You know how a pretty obvious majority of kinksters are submissives? You want to know a big part of the reason why it's hard to find a dom that's into the same hard kink you are?

Ask a hardcore masochist what they think of being whipped.

Then ask a hard sadist what they think of whipping someone.

Do you notice that the sadist/dom will often either dance around an answer or try to use soothing language/euphemism not unlike the way how in many places people are still expected to discuss sex if at all. Gentle, calculated language.

The issue is, especially with a new surge of purity culture overtaking so-called "leftist" online circles, is that fantasy becomes a moral judgement.

Sub with a noncon kink: "I want to be raped" (cnc but like. People can talk ab it how they want don't cancel me fr.)

Response from Normies: "well that's weird and kinda dark but ok"

Dom with a noncon kink: "I want to rape"

Response from Normies: "I'm calling the police and you should kys and you're also a sexual abuser and even though you haven't said anything about kids you're also also a pedophile :)"

Not only does the attitude of murderous hatred against doms/tops with hard kinks/fetishes/paraphilias make it difficult for them to practice those kinks (safely and ethically) out of fear of social backlash if it's ever found out even if both they and their partner[s] had a great time and are fine-- but, it actively puts innocent people in danger by equating thoughts and attractions of ANY KIND to the act of hurting others against their will. It equates fantasy, which can oftentimes be played out safely if in a modified way with real harmful actions.

Also, kink is still illegal in many places, so don't "its illegal" me about harder kinks. Law is not morality, none of us are free until all of us are free, etc. You get the gist.

You want to see more doms? Meet someone who can indulge your "scary badwrong" sexy feelings? Then maybe don't actively promote a culture where you put ANY kind of attraction or kink under fire. It doesn't matter if it'd be unethical to act out in real life. Some of the most common kinks worldwide are unethical as fuck to act out irl, including rape. That's why we have cnc, come on, guys.

You know what? In fact, you SHOULD actively shun people who shame others for their sexual feelings. EVEN if you think it's gross. EVEN if it wouldn't be ethical to act on irl. Let these types know that their puritan ideals are NOT accepted here. Let them know that if they want to go to church they can do that but not in your space, not forcing other (non consenting!) people to listen to their hateful and repressive ideology.

Like, hey, I'm not into ABDL, for example. But I will defend to the death other people's right to be into that. To think and feel whatever they think and feel. You think diapers are sexy? Great! I don't personally see the appeal, but you do you boo. There is no Correct Way to be sex/kink negative. Either you believe in thought crime or you don't.

And yes, this post includes "harmful" paraphilias (I put it in quotes because they're only harmful if acted on), sadomasochism, mutilation fetishism, etc etc. Every "gross" or "evil" kink, fetish, para you can possibly imagine. The stuff that makes you horny is just stuff that makes you horny, and being horny is normal. Being "weird horny" is also normal. No one deserves to experience shame, let alone public harassment or hate over feelings they most of the time don't Choose to have. Be mindful of puritan rhetoric and strike it down when you see it.

#important #psa #hard kink #nsft topic #pro para #pro kink #the 'dom shortage' #obv there are other factors but this is just a connection I'm pointing out #purity culture #purity wank #puritans #sex and sexuality #tw r@pe mention #p3d0 panic/the trend of calling everyone you don't like a p43d0phi13 despite that that's as i said before #NOT the same thing as csa or ANYTHING like that and simply an experienced attraction #attraction is not r@pe; foot fetishists r not going to randomly hump ur foot and same w ever other kink #thought crime #puritanism #the purity culture wave #discourse #except if you disagree pls block me this is a pro kink blog forever and ever #thoughts are thoughts #anti para people scare me bc if u think someone cant help but have sex with someone/something theyre attracted to... #what EXACTLY are you going to do if someone romantically rejects you???????????? #turning the argument around here. if this is your belief then i do not trust you around me and my loved ones #because if attraction is action then i am scared for the people you are attracted to #because it isn't. and the fact that you think it is says more about you than anyone you hate for their attractions