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dreamingofaizawa · 3 years

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Powerful Ch. 1

Yakuza! Shouta Aizawa x Fem! Reader

*Mafia AU* Quirkless as well

Warnings: Arranged (sort of) marriage, brief mention of champagne, mentions of violence (nothing too specific). In later chapters: Probably smut

Word Count: 3.4 k

Author’s Note: ALRIGHTY here we go. I just had a fixation on Mafia AUs and, of course, it’s Shouta. What else did you expect? I’m a sucker for arranged relationships. Also he’s a little ooc in here, more confident, more ‘I want it I got it’. Hey, he’s the most powerful man in Japan, might as well have him act like it right? Anywho, I have no clue how many chapters this’ll end up being. Let’s just say this is ongoing for now.

Chapter 2 - Chapter 3 - Chapter 4

Enjoy~

25 years old and you haven’t been married off yet. This was strategic on your father’s part. As a rather low-ranking clan he’d purposely saved you, his eldest daughter, for marrying into a higher ranked clan. You’d bring immense honor to the family name. If only you’d known what you were getting into, maybe you could have been better prepared for your world to flip on its head.

The black velvet gown you wear is tailored perfectly to your form, accentuating every curve and dip on your body. The skirt fanned out around you gracefully and a short train trailed behind you as you stepped through the grand doors of the massive mansion. Tonight is the annual celebratory ball, held to celebrate successful unions and achievements. This one was particularly special, you just didn’t quite know it yet.

Since the event wasn’t mandatory, you were told to go in alone as a representative of your clan, while Mother and Father attended to more important matters. Before you even stepped in you fixed your posture and schooled your expression, keeping your form humbled. Heavens know what could happen should you irk the wrong clan.

Inside you were met with an onslaught of mixed everything, mixed drinks and colors and styles. Some wore traditional Japanese kimono, others more modern versions of the garment and others, like you, wearing more extravagant european or western style clothing. Though a rather interesting mix, nothing quite clashed which you were slightly grateful for, since there was no possible way you could make it through the night without a headache if there was an unpleasant mix of visuals.

You strode through and instantly met several lower clan heads that you respectfully bowed to and engaged in pleasant small talk with, moving from person to person, couple to couple and paying respects to all of them. You kept a small smile, a pleasant facade as you waltzed over the hardwood flooring. It took almost two hours of endless conversation before you managed to catch a break in the madness, snatching a small flute of champagne from a waiter and leaning up against a wall for a breath.

You still hadn’t noticed the pair of dark eyes that studied you from the moment you arrived.

____

You struck him as intriguing at first. From the moment you walked over the threshold his eyes drank you in, studying you, observing and judging just as he had with many other women before you. No one here knows it, but the man is looking for a bride. Someone who could stand by his side,improve and uphold his image, help him wield the power that is the Yakuza. Yes, rank is important, but Shouta is too picky to care about rank. He is looking for a specific type of woman, one that can hold untold depths of power without crumbling under the pressure or getting swept up in the rush of it all.

A woman, he decides, like you.

You held yourself with grace, pride and humility. You seemed to understand your position, your probable low rank, while also not undermining your importance nor worth. A woman like you is hard to come by in this world, most just as power hungry and ruthless and greedy as their husbands, all while putting up a cotton candy sweet mask and using it to disguise their conniving ways.

But in truth, that’s what it took to live this kind of life, isn’t it?

It was clear you knew that, while still managing to feel genuine in everything you did, even with an action as simple as sipping champagne. At the same time he can’t deny you are quite beautiful, soft lips and softer eyes, fingers gently grasping your glass with unmatched elegance and an unwavering strength in your posture. You’d bowed before many this evening, and yet you stood taller than even the highest ranking clan heads without challenging a single one of them. Bamboo in this forest of tall, unyielding trees. Capable of wielding so much power.

For a split second his mind wandered to other things, filthy moments shared in the privacy of his chambers, shared breaths and shimmering sweaty skin. He wondered what you would be like underneath him, if you would be a brat or willingly submit yourself to him. He hopes it to be the latter, but wouldn’t completely deny the chance to tame someone difficult. How would you look pinned under his weight, completely helpless to his hands that have killed and tortured? Would you claw at his shoulders or grip the sheets instead? What would you sound like? Your image plagued his mind even if only for a moment.

He’d studied many women over the few hours since the event started, none of them giving him a good enough first impression for him to continue watching further than a minute. There was no question in his mind now. You’d be returning home with him tonight.

____

You had just finished your drink and set the empty glass on a passing waiter’s tray when suddenly the ballroom fell extremely silent. All heads turned, eyes focused on the man that began his descent from the balcony overlooking the floor. He’s gorgeous, long black hair pulled into a low bun and exposing the light scruff on his chin and impossibly sharp jaw, a deep scar curved under his right eye. The full black satin suit is fitted to his form, strong shoulders and rolling muscle evident even under the thick materials. Ink peeked over the collar, a hint at what was definitely intricate sleeves and detailed artwork. His steps were measured, calculated and purposeful as he made his way down and across the floor, the entire room bowing down at his presence.

You know who he is, as does every person here. Top rung of the ladder, Oyabun of the most powerful clan in Japan, his name widely known through the entire organization and yet almost never spoken. Shouta Aizawa, a name both respected and feared, holding unknown power and strength. His reputation is enough to make anyone feel small in his presence, known for his cold demeanor and the violence he’d committed, many losing their fingers, loved ones, and their own lives for misdeeds against him. He’d done most of that himself, marking him as a very dangerous man to be involved with, and an ally everyone wanted backing them.

You bowed down respectfully just as everyone else did, waiting patiently for a release, whether it was from the man himself or a collective understanding that it was alright to rise once again. The former was the first to come to fruition, though you didn’t expect him to be so close to you as he said it. Your eyes met with sharp onyx as you fixed yourself upright. It made you freeze in place, not quite tense, not quite relaxed, your expression hopefully not showing the utter shock you were feeling.

“What is your name?” You blinked only once before your mind caught up, and you willed your voice steady as you responded. What had you done to piss him off? What punishment awaited you for what you didn’t know you’d done? Despite fearing what may come, you don’t dare speak out of turn, even to beg for your life. His next words were addressed to the entire ballroom, you included, his smooth, deep voice booming out and yet somehow not loud at all.

“Any transgression against this woman is a transgression against me. As my future wife she is untouchable, and will remain that way until I explicitly state otherwise.” A collective hushed gasp sounded through the massive hall, your own eyes growing wide and your heart damn near stopping as your brain dissected the information. He just made you his fiance, with no warning, no hesitation, and full confidence. You are now engaged to the most powerful man in Japan, and you have exactly zero say in the matter. Really though, you never expected to be able to voice any opinions considering the patriarchy of the organization, so that bit of shock was quickly overlooked.

“It’s time to retire, little one.” His hand was held out to you, waiting for your own. You blinked, deciding it was best that you saved your shock for later you focused on the here and now and what to do in this moment. Taking a breath, you schooled your face into a pleasant smile and placed your hand in his waiting palm, allowing him to tuck you into his side as you both walked out the front doors and climbed into a black limouzine.

You didn’t allow yourself to relax, sitting silently next to the man as trees and telephone poles whizzed by the vehicle. It was tense, to say the least, his hand possessively sat on your knee as his eyes remained fixed in front of him and yours did the same. Neither of you talked, you slightly out of fear, of respect, and slightly out of sheer shock, your mind just barely able to keep itself together. He remained silent for a purpose. He would talk when you were alone, or when he felt like talking. Which isn’t right now.

You let your mind whirl a bit, worrying about what this meant for you. Worrying about how this powerful man would treat you, how he acted behind closed doors and if he even cared about you or what you might have to say. It’s nerve-wracking, suddenly bound to a power such as him, not knowing what could happen next, not knowing what to do next. There was nothing that could have prepared you for this.

The car slowed as it pulled up to the gate of the enormous estate, shaking you out of your thoughts, and once it opened the drive to the main house took nearly five minutes on its own. It’s a modern home, several stories tall with the top clearly penthouse-style with a full glass wall that overlooks the landscape, the rest of the huge inner home hidden behind crisp walls.

At a full stop, a man opens the door for you, the Oyabun having already exited and held a hand out for you to grab once again, strong muscles pulling you up with ease and leading you through the building and into an elevator. The silence is stifling as you wait for the machine to come to a stop, the soft chime indicating you’ve landed.

Now you’re completely alone with him.

He leads you in and stops in the center of the large main room, stepping away and turning his scrutinizing gaze onto you. You do your best not to tense in front of him, not to show fear, partially for his comfort though you’re sure he’s used to it. His shoes clack softly, rhythmically on the polished wood floor as he begins to circle you, like a predator eyeing its prey, eyes burning paths up and down your form. You barely keep from squirming under his intense gaze, managing to keep still from sheer willpower. He stops suddenly behind you and you feel his warmth as he leans in close before a hand presses into your mid back and another gently grasps your shoulder, gently making you straighten even more, stand even taller.

Once he’s satisfied with your posture he rounds you and tilts your chin just a tad higher with a hooked finger. He’s silent as he shapes you, adjusting your body to his liking. You let him tenderly push and tug, grab and knead and trail those deadly fingers over you until he stops before you, studying you once again.

“You’re my fiance now. You will hold yourself as such, radiate power as I do and command the attention of a room with only a glance.” The reminder of just what was happening made your breath stutter a little, and his hand came up to grasp your chin, making you look up into his dark eyes.

“You will learn, little one, to be the powerful woman I see.” He was so close, the heat from his body rolling over your skin and his breaths fanning over your face. Then he was walking away, motioning for you to follow as he led you to his chambers and bathroom to get cleaned up. You’d be sleeping with him from now on, he said, handing you a robe to change into after you’ve bathed and guiding you into the bathroom before closing the door and leaving you alone with your thoughts as you set to cleaning yourself.

Given you don’t screw things up, you are going to be the most powerful woman in Japan, solely because of a sudden arranged marriage dropped seemingly from out of nowhere. But the longer you think about it, it isn’t really out of nowhere is it? The Oyabun is 30 now, and until tonight hadn’t named a wife, nor any love interests, and therefore no possible heirs. If the man were to die for any reason, those chances only increasing the older he gets, the power vacuum his absence would create would be absolute madness. You’re part of a strategy, just as before. Just as always.

Yet there was no denying he’d struck something inside you. Of all the women in that hall he approached you, a woman he didn’t know from a low ranked clan, for reasons you could only barely begin to guess. He’d called you powerful earlier, the sincerity in his voice making your mind spin. Did he really see you as powerful? And the name he’d used for you felt far too tender on the tongue of such a dangerous man, though you understood the nod toward your previous rank.

Father and Mother must be either confused, shocked, or overflowing with joy right about now. Confused as to why you haven’t returned, shocked, happy, or both at the news had they learned it. With your mind processing everything, your body finally begins to feel fatigued.

You shut off the water before drying yourself, patting your hair in the towel before pulling on the fluffy robe. It was clearly meant for him, the fuzzy black garment large around the shoulders and sleeves engulfing your hands, the garment nearly touching the floor where it’s meant to hang several inches from it on his frame. Despite swimming in the robe, you couldn’t help but feel a bit vulnerable. You’re bare beneath it, not having planned to not return home. Still, it’s late, and the Oyabun needs to shower as well. With a steadying breath, you step out into the room.

He’s standing near the bed, the top half of his clothing discarded and bare skin exposed, along with the heavy tattooing and scars along his body. Dragon scales decorated his skin, along with delicate swirls heavily resembling smoke and clouds that followed the curves of his corded muscles. He is undoubtedly a beautiful man. You don’t realize you’re staring until a miniscule smirk tugs at the corner of his mouth.

“Enjoying the view, little one?” You blink away your daze and shift your eyes to the side, feeling the slight burn in your face at being caught. Instead of answering the cheeky question you choose to change the subject.

“I’m finished with my shower, Oyabun.” He hums, a low sound you can feel in your chest.

“I can see that, little one. And you call me Shouta.” You take a quiet, sharp inhale and nod.

“Yes, of course...Shouta.” His name feels heavy on your tongue, a name that people didn’t normally dare speak. He’s silent as he gathers his things and moves toward the bathroom, stopping momentarily by your side. You’re confused a moment before his calloused fingers gently grip your jaw and turn your head, his lips pressing softly against your temple for a split second before he’s disappearing into the bathroom.

You stand in shock, the tender touch unexpected. Shaking your head, you decide it’s best to lay down. Hopefully you’d fall asleep by the time he finishes bathing, but you doubted it. You’re proven right when, in the midst of mulling over your own thoughts, he emerges in nothing but sweatpants, dark hair still damp as it fell around his shoulders. You managed to avert your eyes before he could catch you staring for a second time tonight, and it wasn’t long before he slipped under the blankets next to you.

There wasn’t a single word shared between you as he flicked off the lights with a remote and settled into the plush mattress. There was no movement from the man as you lay with your back to him. You aren’t entirely sure if the lack of movement unsettles you more than if he were to be shuffling around. It felt like hours had passed in the darkness, your eyes had adjusted and you couldn’t sleep despite how exhausted you felt.

Your mind raced with questions. What happens now? What happens with your clan and parents? Would you have clothes soon? How would he treat you? How were you supposed to act around him? When is the wedding? Is the engagement already official? What if you disappoint him and fuck everything over? The entire situation makes you anxious, for more than something as trivial as your own safety. You shift onto your back and listen to Shouta’s soft snores, signaling his sleep. As silently and gently as you can, you slip out of bed.

You have no clue what you were going to do or where you were going to do it, but you had to get away from him if only for a moment, to let yourself breathe and think. Almost mindlessly, you find yourself staring out of the glass wall and out into the night. This far out, you can see the stars in the night sky clear and bright, and it was a sight you missed having lived in the city most of your life. Right here you have room to think, space to spread your thoughts and calm your mind to keep from jumbling everything in your brain and stressing over it more.

From what you can tell there is a very small chance Shouta would treat you maliciously, so for now you don’t have to worry about that. Considering his power and status, you won’t be without clothing for long. The thought was silly in the first place, but stress tended to make you question even the most ridiculous. As for how you’re meant to act, well that would have to be tested. He’d already told you how to appear to the public, so that shouldn’t be too hard, but being alone with the man was driving you insane.

Soft footsteps broke you from your thoughts. You spin around, suddenly very much on guard, before Shouta’s voice broke through the darkness, his figure slowly approaching.

“What are you doing up, little one?” You bite your lip and turn to gaze outside again, hugging your arms tight.

“Just thinking. I apologize for waking you, Oya-… Shouta.” His warmth hit you before his skin did, chest pressed into your back and large rough hands gripping your shoulders firm but gentle. His breath is hot on your ear and neck, sending a shiver down your spine. Such an intimate action from him only hours after he’d made you his fiance was quite the shock in and of itself, only enhanced by the fact that this man is known for his cold nature.

“Thinking about what?” His hands smoothed down your arms, following them around your waist and encompassing your hands in his, tugging you into him further. Unnatural as it may seem, it feels good, his warmth. In the arms of such a dangerous and powerful man you should feel small and scared, but you don’t. You aren’t entirely sure what it is you feel. Truthfully, you don’t have the energy to answer his question properly.

“About a lot of things. Too many things.” Right now, the only thing you want to do is melt into the man’s arms. His presence is suddenly comforting, instead of worrying, and you feel safe in his embrace. You sigh and lean into him, fatigue finally beginning to tug at your body and mind. Strong arms scoop you up like nothing, and suddenly you’re being placed down on the bed before he climbs in and pulls you onto him. An arm circles your waist while the other cradles your head, a tender kiss placed at your hairline.

“Sleep, little one.” His fingers thread through your hair, massaging your scalp lightly. It’s a soothing action, especially after nearly giving yourself a headache from stress. It isn’t long before you’re nodding off, relaxing into his body and letting his steady heartbeat lull you to sleep.

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kusagrasskusa · 3 years

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Hanzo Hisashi X Innocent! Reader

Thank you EzraPFoxglove01for requesting this adorable thing! I sorta changed a lot you asked for by making it go into depth, and it ended up being the longest story I've ever written lol. So I'm definitely gonna add a shorter, more cutesy version of this story soon.

Change her outfit all you wish; it doesn't have a big part in the story at all. Though due to where she lives, it sorta makes sense for traditional Japanese wear to be her attire. And this is the kimono I have in mind, but change whatever :D To be honest, it makes sense to change the look to be more suitable for fighting while still maintaining an innocent, feminine character.

Word Count: 6733

~~~~~~~~~~~~~

"Hay....ya!" A feminine voice yelled out as she kicked a large hole into a tree. She didn't really have an specific training area so she often kicked and punched holes into tough looking trees, which proven to be as affective as training dummies and whatnot. She pulled away from the tree with a large smile on her innocent features.

She held her arms up to her chest with clinched fists. "Alright! Just 113 more to go," she reminded herself as she prepared for another kick. Yet just before she kicked the tree, she heard rustling in the bushes surrounding her.

She paused and looked around her everywhere. The wind began to blow which made it hard to hear whoever or whatever move again as the wind blew the all the bushes. She made a pouty face and walked over to where she heard the noise the first time. She had a bag that wrapped around her colorful kimono that contained kunai knives, and she pulled one out just in case. To be honest, with her small, airhead, and pouty form, she was the least intimidating person most people could ever see. And her small, F/C kimono with cherry trees on it added onto it.

The wind slowed down for a second and in that time, rustling in the bushes was heard again, where it did last time. "Huh?" She hummed as she slowly and cautiously opened up the bushes. "W-Who's there!" She yelled nervously as she parted the bushes completely. "Ahhh!" She screamed as she stepped back, tripping on whatever she stepped on. A baby bunny jumped on top of her from the bushes, it's guinea pig looking face staring boldly at her. Fuck it was frightening for a bunny to withhold so much toughness and boldness.

She whined as she pulled the bunny of her, causing it to run away quickly. She stumbled to her feet, barely managing to maintain her own balance for a moment. She watched the bunny hop away into the forest as she calmed her nerves. Once it disappeared, she sighed and opened her bag to put away her knife. Yet the sound of a voice behind her caused her to throw it towards the voice with perfect aim and fast speed. Yet as she turned around, she saw her kunai knife had been frozen but it wasn't frozen quick enough to prevent the one and only Kuai Liang from behind cut a little.

"Good aim," the Sub Zero complimented in his deep and husky voice, a smirk on his face. He pulled the kunai from the ice prison it was it and tossed it towards Y/N. Y/N's innocent E/C eyes widened as she gasped.

"Liang!" She ran towards him to hug him– but no, we can't have that without her tripping halfway. "Oof!" She hit the ground hard and whined as she slowly stood back up. She had cut her face on a rock but that wasn't good enough for her to not want to hug him just as hard. So once she stood up, she lunged at him and hugged him so incredibly hard. "I missed you! How are you!"

Kuai chuckled as he softly wrapped his arms around her. "I see you haven't changed one bit, dear friend." It's true that the two of them are close friends; although they don't have any fundamental qualities in common, they managed to meet one day and their opposite personalities captured each other's interest. And so here they are, together after departed months back. Right after Sub Zero and others were free from Quan Chi, the two got close again and only had a couple weeks to get close again before Kuai had to leave. Finally, months later, they're together again!

"I've been just fine, L/N. How about yourself?" He asked as he pulled his arms down. As expected, Y/N didn't let go and continued to sway back and forth.

"Oh, I've been good! Sorta lonely, yeah but I met this one guy! He leads an entire clan that let me in!" Y/N sweet voice called out in reply, her eyes twinkling. "I don't see him often but we've been talking a lot more recently. He's really nice...like a big, strong, teddy bear, hehe," she giggled as her legs went limp. Kuai chuckled at her dramatic description and pat her head; pushing the person she's talking about to the back of his mind. She got back on her feet again and pulled away from him. "Sooooo...do you have any combat stories to share? An adventure?"

Kuai shook his head. "Unfortunately nothing to tell now, but soon," he spoke as he looked up at the bright blue sky. It was maybe 8 in the morning at the time. Y/N held her arms in front of her as she swayed back and forth as her head tilted in confusion.

"Okay...Oh! There's flowers growing around here and I want you to see it. They're so pretty- and pink," She emphasized as she took Kuai's hand and pulled him to a nearby pond. The trees surrounding the pond were waves with red and pink flowers ground from them. It's hard to tell, but in the distant was a village. And jn that village was, drum roll please, Hanzo Hizashi himself. As the two friends spoke about the scenery, Hanzo had just gotten ready for a day of training.

As he stepped outside, he took a deep breath and examined the place surrounding him. The birds were singing, the soft winds brushing past the trees and plants, the warm sun and clear skies. The sound of children playing can be heard from the background. It was pure bliss really. Yet even so, he had an uneasy feeling wash over him. The feeling that there could possibly be an unwanted visitor.

Hanzo walked closed the door behind him and walked out. He took his time going from his home to a place a little outside of the village; a more personalized dojo. It contained dummies and targets designed for his spear and fire. The little dojo was little ways across a pond near the village so that's where he was headed.

"And that's why that's my favorite color," Y/N said as she finished her story. Kuai Liang, to be honest, wasn't paying attention to her at all and simply nodded. She smiled at his politeness to at least pretend to acknowledge what she's saying; Y/N knows she can get really immature sometimes and right now really isn't her best moment. "Eheh, so what do you want to do?"

Kuai looked over at her with a soft smile on his features. He really was such a peaceful man at heart. "I believe I saw a few rare ducks fly into the pond. Would you like to go see them?"

"You're not going anywhere."

Y/N sharply turned her head towards the pissed looking man walking towards the duo and gasped. She stood up, saying, "Kuai, this is the man that let me into his village! Hey Hanzo, this is Kuai‐"

"He already knows who I am," Kuai cut her off coldly and stood up. "Hanzo, I mean you no harm; had I known this was your territory, I would not have come." Hanzo pulled a sword from his back and held it up in a firey fists once he got close to them. Y/N stared idlely at them with growing anxiety. The two picked up on that quickly, making Kuai speak up again before Hanzo could. "The girl does not know of our rivalry. Don't punish her for my mistake, Hanzo‐"

"Do no speak to me like that. Leave at once!" Hanzo may be alive, but that doesn't mean he can't revert his voice back to his hellish Scorpion one. Kuai took a few steps back before turning around and disappearing. Hanzo and Y/N watched the whole way through in complete silence. Once Kuai was gone, they silence broke.

"I–"

"And you," Hanzo walked up to her and grabbed her by the collar of her shirt. "Exactly what made you think bringing a guest without permission was anywhere near exceptable? You endanger every one of us at this village that way." Y/N could feel his fire-hot breath against her as he spoke. A shiver fell down her spine as looked him right in the eye. She didn't respond, but rather bow her head. Hanzo scoffed, flames igniting from his fist that began to burn her clothes, making her whimper beneath him. She felt the flames heating up her neck, which made her whimper more as the pain wasn't something she was exposed to often. "Part of me wants to kill you right now. You are very lucky to have caught me in a better light."

Hanzo let go of her, stepping away. Y/N bowed her full body lowly, hands to her knees. "I'm deeply sorry sir, I really am. I promise I will never bring another guest again. I knew not of Kuai and your's relationship and if I had known when I met him in the woods a little bit ago, I would have got him to leave. It was foolish of me to have not stayed in the village and possibly risks a bloody situation. For that, I am sorry." As Y/N finished, she heard nothing but the sound of a sword being put away.

"As long as this never happens again, L/N," he spoke coldly. "I forgive you. You may continue what you were doing before he arrived here."

"Thank you so much, sir!" Y/N called out happily as she stood up straight with a smile on her face. "I promise you won't regret it!" Hanzo remained quiet and simply glanced down instead. A more calm and positive feeling took over his previous anger quickly, leaving behind a little bit of confusion. Y/N took a few steps back over to where that tree she was kicking earlier was before Hanzo spoke up again.

"I apologize for being so harsh, as well. You said you met you here; was this planned?" He asked her as he his fists were undone. Y/N shook her head when she turned back towards him. Hanzo examined her face for a moment before sighing, then a smile grew on his face. "Very well. I appreciate your honesty. Actually, would you care to join me for tea later? As leader of this clan, it feels right for me to know all my people, whether they are a weary traveler or blood."

"Of course I would," she said softly. "What time?"

"Tomorrow at dawn."

"So be it." And with that, Hanzo began to walk towards his dojo and Y/N walked towards her special tree. The two of them had that tea on their minds as they practiced whatever it is they were practicing. How would it turn out? Would Y/N innocent immaturity get her in trouble? Would Hanzo appear too serious? Will they make up and gain trust? Maybe something else? We'll see in the next paragraph.

Time flies by quickly when you're having a good time, and for Hanzo, he was quite happy about the thought of getting to know Y/N more. And also to learn more of her relations with Kuai. As for Y/N, she was nervous as all hell since she knows she can be a handful sometimes. To be honest, a simple deep breath was able to calm her down and bring the adult side out of her. So here she was now, looking at herself in the mirror of her guest cabin and taking deep breaths to calm her nerves.

"You got this Y/N," she told herself as she took her final deep breath. The kimono she was wearing was different as it was longer and above the wrists, meaning she was unmarried. It still had a pretty design on it, with the colors overall being F/C, pink, yellow, and blue. The had her H/C hair up in a bun with two strands falling over her shoulders. She had a pin that kept her hair up with a beautiful flower attached to it. To contribute to her Japanese asthetic, she had a folded fan that was black with red cherry trees designs in it in her hand.

She smiled at herself in the mirror one more time before she turned to face the door. She slid open the door to the guest home and put on her shoes before walking outside. She closed the door and prepared to head off the selected location. On the other hand, Hanzo was sure to be formal as well.

He wore a montsuki, which is a formal black kimono worn over a white under-kimono and hakama, which are traditional Japanese trousers. It was common for samurais to wear this underneath their armor, so it suited him well. After all, he was both ninja and samurai; he kept his hair in a man manbun as well. He was very good at maintaining a formal way of speaking and acting, yet he knew Y/N isn't all that. Someone as free spirited and naive really isn't all that capable of it, in his mind.

He was sitting down in a chabudai; one of those short legged tables that have cushions to sit on your knees on rather than to sit on chairs. At the moment, in another room of his lonely home, was a kettle that was boiling water. Authoress is not a Japanese fanatic who knows Japanese and is basing these designs of real Samurai and Wife dolls by their bed, I swear. It was perhaps halfway done by the time he heard a voice call from the outside of the front door; "Hello, it's Y/N. May I come in?"

Hanzo smiled softly to himself as he stood up and walked over to the door, sliding it open. To say he was shocked to see the free spirited girl in such a good-mannered attire was an understatement. "You look lovely tonight," he stated as he looked Y/N head to toe. On Y/N's side, she noticeably blushed and gave him a sweet look.

"You look lovely as well, truly."

Hanzo raised a brow and stepped aside for Y/N to step inside. And rather than her normal fast walk with swaying arms side to side, she slowly walked in with her hands held together in front of her. "I haven't yet seen this side of you, Miss L/N. I am a proper kind of person so don't think I won't hold it against you if you act unmannerly," he teased as Y/N giggled to herself and took her shoes off at the front door.

"I thought that maybe I should act a bit more, I guess, fancy in order to match you. As long as you don't believe in the whole women are beneath us bigger men and shouldn't talk unless spoken to thing, then this shouldn't be too hard, hehehe," Y/N said as she was lead to the chabudai by Hanzo. She sat down on her knees on side and he on the other.

"Of course I would not act on such a thing. We are all human with equal rights," Hanzo replied as he sat his hands in his lap. His looked down at Y/N'a hands, which were on the table, before shooting her a look that told her that she was doing something wrong. Y/N hummed in confusion before gasping lightly. She put her hands in her lap and smiled innocently, creating a chuckle from Hanzo.

Come to think of it, the hone hasn't yet been described. It's easy to imagine the paper and wood that made up the walls and doors, and the warm light that shun over the two people. The carvings on the wood above them and around them, the large pot with a bonsai in it in the corner of the room. The little wooden seats with drawers distilled in them built into the walls of the home. The wooden tables with traditional statues and little plants in pots across the home. The sword holder near the front door, the mats across the floor to give the unique taste. In the kitchen had built in furnaces where people would burn a fire in the wholes on the bottom and put cooking appliances and kyūsus on top of it. If you don't want to imagine that, here's something help.

"Have you ever studied Japanese arts? Surely you must have had some experience in a place like this, or perhaps a friend to lecture you on what to do," Hanzo explained his thought process as he looked interestingly at the smaller girl.

"Actually, I had Kuai teach me a lot about Chinese culture. But when I met a swordsman named Kenshi, I learned more of Japanese tradition. I may not be the best, but I tried to use my knowledge of both cultures to act as good as possible! Um, I mean," she paused as her face lit up red. "To act as good as possible." She but the inside of her lip nervously as she grew more and more embarrassed of her voice level as she spoke. Hanzo chuckled.

"I'm glad I invited you here. You are very knowledgeable it seems. Plus quite entertaining," he complimented. The kyūsu began to steam loudly, meaning it was finished. Hanzo glanced over to the kitchen.

"Heh, I wouldn't say knowledgeable," Y/N replied, "but thank you." Hanzo stood up, nodding his head towards her as he walked put of the room.

"I apologize but the tea must be attended to. I will be back in a few moments," Hanzo explained before he disappeared behind a wall. Y/N nodded in understandment and began to fight with her hair, kimono ends, fingers, and whatever else she could once he walked out. When Hanzo walked into the kitchen, he felt heat rise to his face. He leaned onto a little table with his hand on it to keep his steady and his other hand over his chest. Oh kami, he thought, she gets cuter each time I see her. Whether she's trying to be like me but failing miserably or being her bubbly self does not matter; she is perfect.

He did his best to calm his nerves before grabbing the kettle from the furnace and grabbing a kyūsu, an appliance for making tea, and slowly pouring hot water into it. He made a kind of sweet green tea, one that many foreigners don't know about, called Sencha. It has to be made with the coolest kind of hot water, basically, otherwise it will turn bitter. He made sure the watch it carefully for about half a minute before grabbing two cups and pouring the tea. He then picked up the two cups and headed back to the chabudai. Yet before he got to the room, he paused.

A feminine voice sung a soft song as she waited for Hanzo to return. Hanzo felt his cheeks heat up again and his chest felt warm. He could recall this feeling but from where he first felt it is unknown to him. The ready may be able to assume that he was thinking of his first love, his wife, and how he felt when he fell in love with her. But that idea hadn't even crossed his mind as he felt there was no way he could ever feel such an extreme emotion towards anyone else. And marriage isn't even a question since she isn't from the clan. He took a deep breath before walking back into the room.

Y/N stopped singing and she smiled widely as she saw him. "Hey Hanzo! Or, um, sorry, haha. The tea smells very nice," she complimented as she gripped the sides of the cup with her little fingers. Yeah, there was definitely a way he could feel such an extreme emotions towards anyone else. Hanzo sat down on his knees on the other side of her, mumbling a quick thank you to Y/N and a thank you to the Gods' gift of tonight. And in his mind, a thank you for what to him felt like a gift from the Gods' to end his grief from his early wife.

"Mm! This is really good!" Y/N gasped after tasting it. "This is the best tea I've ever had!" Her eyes were wide in awe and her expression showing her impressment. Hanzo chuckled at her adorable reaction as he took a sip of his wom drink. It's been maybe 8 minutes since Y/N got there and she already forgot to remain all traditional and civil. It was adorable to him; she was so precious really.

And throughout the night, the two of them talked and laughed and jokes and got close. They remained at the chabudai most of the night, aside from when Y/N asked for a tour. She adored the bonsais, scenery that can be seen from outside the window, paintings around the home, and everything. She was so naive but to Hanzo, that wasn't particularly a bad thing. It made her all the more fun to be around. And because of how great of a night they were having, they even agreed to meet up the next day.

"Excuse me, Miss Y/N," Hanzo said as he stood up from the chabudai. "I will be back in one moment. Please help yourself to more tea if you'd like."

"I will," Y/N responded sweetly. Oh, on a side note, Y/N completely forgot about the traditional thing completely so don't expect her to stay put in the few minutes Hanzo was gone. Actually, by the time Hanzo came back, Y/N had her head in her arms on the table her body slowly rising and falling with the rhythm of her breaths. Hanzo couldn't help but find himself smiling down at her. He got that warm feeling in his chest again though it was different this time. It wasn't as unfamiliar as before. He knew what it was; it was love slowly blossoming.

He sighed softly before picking up the sleeping girl's tired form and carrying her against his chest. She shifted a little bit in his grasp and ended up being hudled against him more, making that warn feeling in Hanzo's chest grow more. Such a sweet, innocent creature. He slid open his door and brought her back to her guest home, where he laid her in bed and brought her hair down from its updo in order for it to not be as bad of a mess tomorrow. He kissed her forehead and then left to sleep in his own bed until the next morning.

The next day was the same as the previous. And then the day after that, and the day after that day, and so forth. But one day was a particularly cold day and a cold blanket of snow began to cover the land. Y/N was at Hanzo's place, watching the snow fall through an open window with her E/C eyes wide in amazement at the beauty. Hanzo was standing behind her with two cups of tea in his hand.

"Would you care for a drink?" He asked, making Y/N turn around.

"Thank you, Hanzo!" She said as she took the drink from him and took a big sip. It tasted sweet, as it was the tea she had when she came over for the first time. "Say, I sorta wish we could have gone outside today. I noticed that you like to fight in that place by the pond a lot; which is really great to watch! You're so strong, hehe. But you've never actually seen me fight before," she explained right before she took a sip of tea. "Y'know, I'm painfully aware that people view me as an immature, innocent, naive girl who isn't the most aware of her surroundings. But I think you'll be impressed to see what I can do," she said confidently as she hummed.

Hanzo took a sip from his tea and nodded. "Perhaps. When it gets warmer out, I'd love to watch what you can do," he replied with an extra caring tone with his voice. He caught onto his tone quickly and blushed a little bit. "But there is something we can do outside," he started.

"What is it?" Y/N asked, standing up.

"Well, there's a hotspring nearby. We can swim in there if you'd like. However be sure to dress in something not too revealing if you would like to."

"There is? I'd love to!" She exclaimed as she bounced up and down. "I'll dmgi get dressed now," she eagered on as she put her shoes back on before leaving. Hanzo grabbed her up of tea and brought it to the kitchen. It's a shape it would go to waste, but he can always make more. He returned to his bedroom to grab something to put on while swimming but please, just imagine what he'd wear to swim. Traditional swimwear is too nasty to be used in this book, but swimming trunks are too modern. As for Y/N, considering she never had a particular home or culture, it made sense for her to just wear a full body suit she could have gotten from anywhere in Earthrealm.

Of course, the both of them were sure to bathe before hopping into the hot spring. Well, Hanzo slowly got in whereas Y/N jumped in without any care. It was warm, shocker there.

"Ahh...Thank the Elder Gods for getting me here before I froze to death," Y/N shuddered as chills ran up her spine. Though those chills were disappearing as the warmth of the hot spring washer over her soon enough. Hanzo rested his body against the large rocks around the hot spring and found a seat-like area. Y/N swam around happily and sung to herself.

Oh, one thing worth mentioning for the sake of the next paragraph is that Y/N had a necklace around her neck. Hanzo had never noticed it before as it was always under her kimono or shirt. However that necklace had a great significance go it; she was told that with that necklace, she would be able to find her parents who seemed to have lost her at birth. That necklace was the only thing that remained of them and hopefully destiny was kind enough to help her find her parents.

"Kyaa–" shrieked as a splashing sound was heard. Hanzo stopped daydreaming and looked over at Y/N, who's hair covered he face and arm frantically tried to keep her body floating. She quickly pushed her hair out of her face and whined over and over again worried. Hanzo instinctively swam over there as fast as possible, grabbing ahold of her gently yet sturdy. "Where is it!" She cried out, feeling her body and looking around the waters.

"Where is what?" Hanzo asked in his husky voice that was now in a confused tone.

"My necklace! I can't find my necklace!" She replied worriedly, tears swelling in her eyes. Hanzo looked at the tears forming and felt his whole body shiver woman's his heart drop. "I can't see it anywhere!" Hanzo began to swim towards the rock formation he was against earlier, making Y/N cry out, "wait!"

"Y/N," Hanzo sternly spoke. "I will find your necklace and return it. Worry not, please, dear friend," he reassured, taking her hand in his. She shook nervously and wiped her tears. Slowly, she nodded which told Hanzo he could swim away now. And so he did; he headed towards the stop where she cried out and with one deep breath, he went underwater. He had to hold his nose for warm waters were very dangerous to go under as dangerous fungi grow in hot waters. Yet even so, he swam to the bottom of the hot spring using one hand to stir around to look for the necklace.

Y/N waited on the rocks, sniffing and whimpering. She hasn't told Hanzo the origin of the necklace, but he could tell it was important to her. When she was little, she was handed the necklace and was told it would help her find her missing mother as long as she stayed pure. What that means is that Y/N had to remain free from murder, theft, and other ways of sin. Not only that, but she could not ever preform certain adult actions as then she would never find her parents (I say that because Y/N never had a parent figure to teach her what nono stuff is), which is her number one goal in life. She grew up going from city to city, state to state, country to country, and even had been in Outworld before. She grew up with so many cultures and had never found someone that was like her in any way. It felt like she didn't have an identity as she had nothing to trace her orgins to.

Splash! Hanzo took a deep breath of air as he finally reached the surface again, with a silver necklace with a S/F/C gem inside it that's carved to show an unknown design. "Is this your necklace?" He asked as he held it up. Y/N gasped, lunging back into the water and swimming towards Hanzo. Once she got up to him, she wrapped her arms around his muscular figure and cried.

"You found it! Thank you so much!" She cried out happily, pressing her body against him. Hanzo blushed at the sudden affection and slipped the necklace back onto her. He adjusted the back of of it so it wouldn't fall off her so easily again. "I love Hanzo... You're the best friend I've ever had... I really mean it," she whimpered out. Hanzo began to swim towards the rock formation again and once he did, Y/N let go of him.

"I appreciate it, Y/N. I love you as well, you're the closest friend I've ever had," he said back to her with a warm smile on his features. Y/N smiled back at him before examining her unharmed necklace.

"Hmm... Ever since I could remember, I would move from every country in the world to another. I've been to Paris, Beijing, New York, London, Los Angeles, a few different places in Mexico and Colombia, Holland, Tokyo, Osaka, and many more. I was carried from place to place by various of adoptive mothers, and each of them left a bit of their culture and identity with me by the time I left.

"But I had one that was a fortune teller and psychic. She was incapable kf having kids and didn't want to go through the trouble of raising one, so she took me, an 11 year old girl. She gasped when she saw me and took me in immediately. Before I left her, she gave me this necklace. "Y/N," she said, "you have the potential to see your real parents again. Train, grow stronger, read, grow smarter, listen, grow wiser. Stray away from the evil in the world and remain pure from your soul to your body. This is how you'll find your mother.""

Y/N paused and looked up at the larger male. He seemed intrigued with her story and made sure to listen carefully to her every word. So she continued, "as I grew older and began to travel on my own, I thought of her words every single hour of every day. I had no reason to live as I ever did was travel and meet new people, only to leave and never see them again. Just knowing who I really was became my only reason for existing. To this day, I bet the relief of meeting my real mom will feel like being deaf and hearing music, or being blind and seeing color, or being able to walk again after being paralyzed. But now," she paused.

Y/N smiled and looked up at Hanzo. "It's strange to feel so in place, so correct. I-I know I never felt this way about any place before! But I really think that as long as you're around, my chances of meeting my mom are good! Just being with you gives me hope for the next day, truly. It's like being with you is my reason to exist."

Hanzo closed his eyes and smiled back at her. He wrapped his arms around and embraced her warmly, his head being filled with nothing but pure bliss. Y/N hugged back tightly, feeling just as happy as he is right now.

And just as soon as it came, the day was over and the two had to return home and sleep. But this particular night, their dreams were better than usual. And two days later, the snow had cleared up and the ground was dry! That meant Y/N could go train today! Unfortunately, with her absent-mindedness, she forgot she wanted Hanzo to watch her so she remained in private as she kicked thicc ass trees down in two strong kicks and crushed stones into bits by simply punching it once.

"Hai...ya!" She called out as she forcefully brought her first to a stone celler that was abandoned randomly in the woods. But hey, no one was using it, so who's gonna cry about it being broken? The impact of her punch brought a giant circular impact onto the wall, and bits and pieces of it fell down. "Hehehe! 22 more to go!" She thought out loud as she pulled her fist back again. She wasn't alone in these woods, no, as there was a particular ninja/samurai person thing, idk, watching from the nearby bush. Not to be creepy of course! He was on his way to his dojo but heard noises, and discovered it was her after checking it out.

And d a m n. If Y/N saw his shocked face the first time he saw her punch the wall with that much force and endurance, she would laugh and tease him about it for a long time. He didn't expect her to be so quick in her movements and to cause such force. Like, a short little bebe in a pink, cutesy kimono with cherry blossoms being able to cause a fucking massacre to the wall? How could you blame him?

"Hmm... that reminds me!" Y/N exclaimed as she spun around to look at Hanzo. "I told you that you should watch me train! Is that what you were doing?"

Hanzo blushed heavily and was unfortunately incapable of hiding it in the direct daylight. "Indeed, Y/N. This is truly a wonderful sight to see," he replied as he looked away for a moment. Y/N gasped and ran towards him. He took a few steps back when he noticed how close she gotten, which caused him to get a little bit more flustered.

"You're sick? You're face is all red, Y/N whined as she pulled Hanzo closer. "You should be inside, mister, getting better! Not out here watching me fight when it's colder out here! Let's go bring you inside," he said as she grabbed his muscular arm and held it close. She turned towards the village of the Shirai Ryu and began walking towards it, pulling Hanzo along. How bold.

Hanzo but his bottom lightly and remained as flustered as before. "There really is no need, Y/N," he replied back.

"You're being quite irresponsible for a ninja, y'know," Y/N replied as she continued to walk him home. Hanzo sighed and just let her pull him along. He knew she would question him if he told her he wasn't sick so he choose into except it.

"Thank you for your concern," he replied lowly. Y/N giggled proudly and nodded.

"The best for you!" They arrived to the pathways of the village and began their walk. There was a few pedestrians walking by, including a dad and daughter and a separate woman. "I'll make you some tea and you can go to bed, okay?" Hanzo nodded, smirking to himself about how funny the situation really is.

"How caring," Hanzo spoke as they arrived at his home. The got inside and took their shoes off at the front door.

"Of course," she replied before heading towards the kitchen to make tea. Hanzo wasn't sick but he's been tired lately and what's wrong with sleeping in for one day? When he got the tea, it no doubt tasted way too bitter as Y/N doesn't really know what she's doing to be honest. But hey, it's the thought that counts.

Hanzo lied in bed, with an empty cup by his side and an small girl on the other. She sat on the bed, talking to him quietly about a bunch of random things until she said something strange. "To be honest, I know this is weird, but it almost feels like we're married sometimes. I mean, we're together all the time and have a very close friendship. You let me drag you in here and give you bitter tea even though you didn't want to. That's really nice, hehe," she giggled as she looked over at Hanzo. Her eyes shun something different from simply joy this time. Instead, it showed rather care. And potentially something more.

Hanzo felt a shiver go down his spine as he looked deep into Y/N's eyes. Emhe had to examine them to ensure that he wasn't just crazy or actually sick, but no, it looked like she really did care about him more than a friend. After all these months, it was officially, wasn't it? It was mutual. Hanzo smiled as he sat up on the bed. Y/N's cheeks lit up a little bit as he stared down at her with that look.

"Sometimes it really does feel like that, does it not? I can see as a good pair to be truthful. What about you?" Hanzo asked softly. Y/N cheeks flushed pink and her expression softened.

"I agree, definitely. I mean, how can I not, heh heh. You've been there from the very beginning and I've always seen you as this big, strong teddy bear of sorta. So sweet, so nice, so caring," she replied. Hanzo leaned in, making Y/N want to lean in too. And slowly, the pair came together and finally...they kissed. It was soft, tender, and it felt like it was meant to happen. Y/N's face turned red and Hanzo's tense emotions he felt disappeared immediately.

Heh, you know what? To be honest, they lady next door was known to be crazy about losing her baby girl a very long time ago. They had matching necklaces that were bought from a village far away from their's years ago when the Shirai Ryu was attacked by Quan Chi's forces. She escaped and went into hiding, and then found a man to marry to. Her child was named Y/N L/N, and whether she's not fully Japanese or fully related into the Japanese clan, she is blood and therefore she is capable of being the love of Hanzo Hisashi. Maybe the two of them will meet some day, huh?

#mortal kombat #mortal kombat x reader #mk x reader #mk9 #mk11 #mk10 #mkx mortal kombat x #mkx #mkxl #scorpion #scorpion x reader #innocent reader #hanzo x reader #hanzo hisashi #hanzo hisashi x reader

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collisiondiscourse · 3 years

Text

on the wonder duo (part 1)

(BNHA Analysis Post Ahead! This isn’t explicitly romantic, but it is an analysis of the relationship between the two most popular characters in BNHA--Katsuki Bakugou and Izuku Midoriya. Split into two posts because I realized that this was gonna be long as HELL)

yall ever think about the fact that the wonder duo is perfectly set up in so that bakugou and deku together are the better version of all might?

bc like. ive been thinking.

everyone knows the win to save and save to win parallel. How they are supposedly two halves of a whole perfect hero (which, previously, was defined as all might)

but ever since bakugou and deku started working as one—growing together to win AND save and continuously reminding each other that they shouldnt try to do things alone, ive realized that its BECAUSE theres two of them that they surpass all might. its not a case of deku and bakugou both being 50% of an ideal hero, but rather i think that they are 100% of what all might SHOULD HAVE BEEN from the very beginning.

as early as the AM v AFO battle in kamino, we see the effects of all mights flawed existence. the fact that he, the greatest and supposedly infallible symbol of peace, was destroyed—society had begun to collapse. there was suddenly no pillar to hold people together and the impacts were so severe that even in the latest chapters of mha it keeps on getting worse. the truth is, all mights biggest mistake was the burden he placed on his own shoulders

with bakugou and deku... its different.

its different for them because down to their attributions, they seem like two halves of a whole person.

i think that the wonder duo are going to surpass all might because of the fact that they work together.

@bakugoukatsuki-rising @svpercraigus @tybee @isaustraliaathing

(batshit crazy and conspiratorial essay under the cut !)

1. Complementary Colors

I’d like to first preface literally everything I say by the fact that I am not an expert analyzer or literary major in any way. I am literally just some random fan on the internet who has wayyy too much time and looks wayyy too deep into things, but here we go!

A common thing we see when we talk about bakugou and deku is the way they are... sort of an inverse of one another.

Down to the design of their features and the way they move, Deku is the obviously softer of the two. There’s an intentional contrast between the two of them, in the way that Deku’s drawn with round shapes and curvy hair and the way Bakugou is literally all spikes and half-mast eyes and rough muscles. Bakugou’s movements too are languid and showy, with the way he leans when he walks and splays his legs and kicks open doors. Katsuki, in a casual sense, is loud and dramatic.

Deku on the other hand s finicky. He jitters when he walks and he’s often fidgeting and mumbling. Comparatively, the aura he radiates is energetic and frenzied, even self-conscious to a point unlike Bakugou’s calm and confident movements.

the point is, there’s a clear difference in how either of them are designed and what exactly they are supposed to represent. They utterly complement each other down to the way they behave and even their main colors (red-orange and blue-green) being literal complementary colors.

Now, moving to my more ungrounded points, this is quite a bit of a stretch so I’ll try as much as possible to make sense of these with hyperlinked sources because. yeah.

Down to their names, I think Deku and Bakugou both symbolize something deeper. I think that the way Hori expresses characters and what they’re meant to do is something that we have to pay close attention to when we talk about the Wonder Duo’s rise to success.

Izuku Midoriya (緑谷出久), as some of us may know, does have an interesting meaning when broken up. According to a lovely fan translation of his name, ‘Izuku’--while not an actual name used commonly in real life--means to ‘Come out’ or ‘Long time’. ‘Midoriya’ on the other hand means (Midori) ‘Green’ and (ya) ‘valley’. The translator further pointed out that his first name ‘Izuku’ could be a reference to him being the first legendary hero to come out of the long-running All Might Era. (or, if you’ve been reading @/bakugoukatsuki-rising’s posts, the first significant anime protag in a long while to come out as queer, ppfft)

but that isn’t my focus right now.

We know that Hori LOVES telling stories with names, and more often than not in the BNHA universe, names alone tell us a lot of things about the characters. When referring to Izuku’s last name, Midoriya, it’s important I think to step back and realize that hey, maybe there’s something more to Green Valley than just the fact that his motif is all green.

After searching for a lil on the specifics of green valley, I’ve found out that across many cultures, the colour green and valleys in general tend to represent life. From dream analysts, to Christianity, and even old Taoist teachings, valleys are seen as areas of fertility and escape. They are seen as safe havens and often escapes for people to come to after running away from bad circumstances.

(Sound familiar?)

Deku, in essence represents life and peace. He represents being the “salvation” that the world in BNHA needed. To me, it sounds like Horikoshi is trying to say that he is the long-awaited hero in the sense. The one that people can feel will create a society that feels safe for everyone after years of All Might just saving people from themselves as a band-aid solution.

On the other hand, we have Katsuki Bakugou (爆豪勝己), who’s name we commonly know means (Katsuki) Winner and (Bakugou) Explosion Master. He is essentially, the champion. The power. His name means success and power and all the things that make up winning.

When putting them side by side, it then becomes increasingly... interesting to me how their names almost perfectly slot into All Might’s save to win and win to save mantra, and how they are both quintessential parts to what made All Might as a hero.

2. Hero Too!

Now, I’m not even gonna really TOUCH much of what happens in canon. If you want me to do a step by step breakdown of their arcs in regards to the plot of manga and anime, feel free to send me a gratuitous ko-fi tip so I can pay for the headache I get after trying to organize my thoughts into word vomit.

What I WILL talk about on the other hand, is the subtle shift both of them slowly have in regards to how they look. Bakugou and Deku, while growing up, seem to have MANY many parallels--but before I elaborate on all of that, I wanna talk about something else.

Detour: Deku’s Red Shoes

We all know the iconic symbol being Deku’s red shoes. For all his life, save for some outfits like his hero one, we see Deku more often than not wearing his signature red sneakers which have become a running joke in fandom.

But the funny thing is, in Japan, red shoes seem to have an interesting connotation.

In 1922, a popular Japanese nursery rhyme was written, called “Red Shoes”. The interesting part to me about this song was the symbolism that, in my tiny pea-sized brain, I could connect to the story of BNHA.

The story goes that there was a little girl with red shoes named ‘Kimi’. She was from Shizuoka prefecture (which, if you didn’t know, is most likely where Musutafu supposedly is) and was raised by a single mother. When she was young, her mother had to entrust her with a foreigner under the impression that they would give her a better life in America. The stranger is a man named Charles Hewitt (who was described to have blue eyes) and supposedly took her away.

The singer of the song (supposedly the mother, but some argue it was written from the perspective of a childhood friend) believes that Kimi is happy and living a better life away from them, when the reality of the situation was much worse. The young girl with red shoes in actuality had Tuberculosis, and thus the foreigner whom she was entrusted to had left her to fend for herself and eventually left her to go to America while she died alone and orphaned.

“When I see red shoes, I think of her.”

A very interesting story with very interesting implications indeed.

Anyway, moving on to the more... “nuanced” and connected parts of this section, I have every reason to believe that Bakugou and Deku were simply MEANT to be working together down to how they dress. Now, I’d like to discuss their hero costumes.

At the start of their series, using these godawful pics for reference, it’s clear to see that neither of them seem alike in any way--reflecting the dissonance in their relationship at that point in canon.

ough. deku why. (yes we know why its because you love your mom you stupid little bunny <3)

Anyway, we see an immediate gap in how the two of them are. Deku’s first costume is one that reflects how he treated his dream of being a hero. He was still in that childlike idolization phase, the one where his dreams and aspirations were hinged on pure feelings and inspiration from All Might. Katsuki on the other hand was a lot more tactical--professional to an extent. The gap between their respective development with their quirks is something that is clearly felt in every fashion decision they’d made.

(Notice how Deku’s green is a lot brighter and less like the green accents Katsuki has all over his costume.)

As time progressed however... their costumes changed. The colors, the silhouettes, the practical functions, most things.

(Deku’s Gamma Costume and Bakugou’s Winter Costume used respectively)

we begin to notice a few similarities.

As the show goes on and we see more evolutions of their costumes, it almost seems like they begin to look like a matching pair. Deku’s green grows darker and almost teal in nature, while Bakugou’s orange is veering towards red territory. This is important to note because red-orange and blue-green as I said earlier were complementary colors as compared to simply orange and green. The minute shift is something I really wasn’t quite sure was intentional, but something I find interesting to pick up nonetheless as the colors they used to accent their costumes begin to match up.

Secondly, I think and important thing to note is silhouettes. The way that both Bakugou and Deku’s costumes are designed follow a lot of parallels that typically we don’t see with the rest of 1-A. For one, they both have a combination of tight long-sleeved tops with a bulkier set of bottoms. They also share the use of utility belts and metal pieces typically worn around their necks. Deku has his bunny-eared hood that mimics All Might’s hair, while Bakugou has his orange and black explosion ear-pieces that mimic his own quirk.

i don’t think any other people in class 1-A match each other as subtly yet strongly as these two. Uraraka and Deku and Bakugou and Kirishima do come close however.

“But Codi, you fucking knob!” I hear you plea. “This is such a reach and tells us practically NOTHING!” And yes, I’m inclined to agree with you! You’d be sort of right in the idea that this is a reach. Maybe I am looking too much into this, and maybe it really isn’t that deep--but I do think that them subconsciously matching outfits means something quite brilliant.

In the way that their costumes are designed, each aspect of either outfits have a very logical explanation. The changes were strategic and made with their fighting styles vividly in mind, so what that tells me is that BECAUSE these costumes are so complementary or similar in nature (Bakugou’s reinforcing his arms while Deku reinforces his legs), these two are implicitly showing the audience that their combat styles are complementary as well.

The evolution of their design choices and similarities tell us that even unknowingly, their minds line up in strategy on the battlefield--a clear exhibit for why they would be INCREDIBLY POWERFUL as a Hero Duo to begin with.

When I look at their hero costumes side by side, I see a mirror. I see the way that these two are reflections of each other and are strong where the other isn’t. The point I see in BNHA repeatedly is that EVERYONE HAS A WEAKNESS. Nothing is infallible, regardless of how hard you train or how powerful your quirk is. Everyone will always have a weakness, but the significant difference I see when fandom discusses the future of Pro-Hero Society is that the new generation is finally raising itself to be RELIANT on each other.

Observing their fighting styles and the simple use of their quirks, its obvious that they are indeed two parts of a whole hero. Bakugou, who’s quirk emphasized his arms and hands and the power that comes from it, while Deku who’s quirk now emphasizes his legs and lower body and the way he’s always running to save people.

IN CONCLUSION:

As they become heroes, it is easy to assume that if nothing else, Bakugou and Deku will cover each other’s weak spots (especially when you consider the way Deku probably won’t be able to keep using his arms with the way both the anime and manga are going...) (also chapter 285, anyone?)

Part Two: Interactions, OfA

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shihalyfie · 3 years

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The different aspects of Miyako’s personality and character arc

Miyako is a character where there’s just a lot going on with her in general, and asking different people to summarize Miyako in one phrase could feasibly get you some very different answers -- “the computer nerd girl”, or “the one who keeps talking about boys”, or “the one who panics all of the time”, or whatnot. Given that there’s so much to unpack at once even from her base profile, ironing out the full extent of her character arc can get a bit tricky, and there’s a lot going on with it. So, given that: Who is Miyako, anyway?

Miyako’s background and personality

Miyako is a character that I think is best understood by understanding what kind of person she is, and the personality and mentality she goes into the story of 02 with.

An interesting background story behind Miyako’s creation is that she’s based off a real person -- more accurately, a certain assistant producer on the series (whose identity has remained undisclosed, presumably for privacy reasons) was used as a reference for her behavior and actions. Although Adventure and 02 have a philosophy of portraying realistic human behavior in general, this level of specificity is a unique designation to have, and series director Kakudou Hiroyuki has referred to this a few times over the years -- it seems she’s the only of the Tokyo Chosen Children to have such a concrete single-person reference, and it’s also the reason her blood type of AB and star sign Gemini were given in 02 episode 25 (the other kids don’t have mentioned birthdays or blood types to prevent personality restrictions via horoscoping, but a real person having Miyako’s personality, star sign, and blood type wouldn’t make that as much of an issue). Even Volcano Ota himself confirmed Miyako’s resemblance to her upon hearing it after the fact! Indeed, a lot of 02 fans (especially adults) have admitted that Miyako’s probably one of the most relatable people in the cast, namely because her gushing about things she likes and panicking at things that overwhelm her is...well, a bit too uncomfortably on-point at times.

(And especially since so much about Miyako’s character has to do with how happy she makes everyone around her, it’s not too hard to imagine that the staff was so fond of her real-life inspiration that they wanted to pay tribute to her in such a way...)

Still, Miyako is a fictional character, one with her own backstory and interactions in 02′s story, and said backstory is such: she comes from a family that runs a convenience store in Odaiba, and is the youngest of a family of four siblings. Running a convenience store on a small island means that Miyako has probably seen a lot of the island’s residents, and her family also has various levels of connections to the other kids’ families (her older sisters Momoe and Chizuru are friends of Daisuke’s sister Jun, and Chizuru is Yamato’s classmate). Moreover, she’s befriended her nine-year-old neighbor (one who otherwise has trouble socializing with his peers) to the point of regularly going over to do computer repairs for his family. She’s also worked in the computer club under Koushirou, and even before the series has started, she looks up to him and adores him in a way not entirely unlike how Daisuke looks up to Taichi -- and although it’s unclear whether or not she started after the beginning of 02, 02 episode 29 reveals that she helps Yamato with his band.

The pattern here is that Miyako is extremely sociable, and one who actively pokes her nose into nearly everything so she can help out. This makes her a very different sort of Mom Friend from Sora -- both of them are Crest of Love holders for good reason, but in Sora’s case, she was compulsively going out of her way to help other people to the point of exhaustion, and her character arc was about trying to find a way to detach herself from obligations and do something for herself. Miyako is the complete opposite -- she’s the kind of extrovert who actively enjoys poking her head into other people’s business, picking up a bunch of peripheral hobbies so she can do something useful for everyone and go I’M HELPING!! If you actually look closely at those hobbies of “computer programming and hacking”, “hardware tinkering”, and “sound engineering”, other than vaguely being related to computers, they are completely different skillsets, and every single one of them is one Miyako’s depicted employing in order to help someone else out. (Koushirou is never really depicted as having super amazingly high technical skill and most of his unique talent comes from being a thorough analyst, but in contrast, while Miyako is established as being good at even hacking in Diablomon Strikes Back, she doesn’t really seem to have a huge propensity for deep analytical thought.) It’s hard to tell if she has any personal preference for any of them as much as she basically turned herself into a jack-of-all-trades so she could do whatever job was necessary for someone else.

If we’re to believe the official 02 site, Miyako’s been a bit pampered by her family -- as the youngest of four siblings, she’s the “baby of the family”, who hasn’t had to live with a ton of responsibility for others. This means that, much like Mimi, she seems to have been raised surrounded by a ton of affection, which is why she herself is such an openly affectionate person who’s open-minded towards trying all sorts of things, and why she’s used to wanting to help others by actively throwing herself into situations -- but it also means that, being the youngest of a family who is now in the situation of being the oldest in a new group, she ends up in Jou’s situation of suddenly being faced with the pressure of the concept of proper responsibility for others.

As far as Miyako’s general personality goes, she is constantly overflowing with affection and cheer and a desire to dote on everyone -- but the flip side is that she’s also aggressive. She has zero sense of restraint. (If you ever get around to listening to the Japanese version of 02, Natsuki Rio’s performance is energetic and over-the-top in almost every way imaginable to the point that you get the impression of Miyako as someone who doesn’t easily run out of batteries -- at least, until things start getting really serious.) When she loves something, she’ll gush about it as if there were hearts floating around her (and, depending on the level of closeness, even jump in and physically hug them), and she has no qualms against physically manhandling if she feels she needs to, and if she dislikes something, she will make it very clear (including yelling very loudly about it). You could argue that she’s actually closer to the archetype of the brash shounen protagonist than Daisuke himself is!

In fact, Miyako and Daisuke have very similar temperaments -- pure-hearted, but also rough around the edges -- but can be distinguished by the fact that while Daisuke is actually deferential and somewhat lacking in assertion, Miyako is actually aggressive, and while Daisuke’s “honesty about his feelings” is mainly because he’s too simple-minded to be any good at hiding anything, Miyako’s honesty is because she has no brain-to-mouth filter, and everything she’s thinking comes out of her mouth before she can control it -- in other words, Miyako has a huge case of foot-in-mouth syndrome. She doesn’t want to be insensitive, but it keeps coming out of her mouth before she can control it -- and even worse, her emotions are prone to taking control of her, and she is very prone to getting overwhelmed and collapsing into a massive panic.

If you think about the two archetypes of “girl who takes care of everyone” and “aggressive action girl”, Miyako has a tendency towards both at once, and moreover there’s an extra nail in it -- most “action girls” in the latter category would be portrayed as badass, put-together characters with a cool personality, but Miyako is a mess. She’s prone to panicking, all over the place, and her tendency to get in-your-face is not exactly in the most dignified manner. And as a result, a huge part of her character arc (as we will be going more into detail about below) is that she’s aware of this and doesn’t like this about herself -- because she doesn’t want to be insensitive or rude, and in fact she wants to be someone who can better help and take care of others, but, in her mind, her own personality keeps getting in the way.

Miyako in 02

After fully becoming a Chosen Child in 02 episode 2, it only takes one more episode for Miyako to bring food for everyone, as if to say “Right! I’m going to be working with everyone now! All of you are now my new best friends!” (”Bringing food for people” is one of Miyako’s many ways of showing love, given that she returns from Kyoto in 02 episode 34 and immediately hands off souvenir yatsuhashi to Koushirou.) And with that, Miyako settles into the archetype of the group’s “mood maker” -- someone whose role is to keep everyone in emotionally high spirits by influencing everyone with cheer and energy. 02 episode 5 features the debut of her famous “Digital Gate, open! Chosen Children, let’s roll!” catchphrase -- this and her other famous “Bingo!” catchphrase establish her as the only of the Tokyo Chosen Children to have a catchphrase (at least, in the Japanese version). Because catchphrases are fun.

As much as everyone (especially Daisuke) is a bit blindsided by her behavior at first, they eventually come to embrace the positive effect she has on all of them -- Daisuke very genuinely asks her for “the usual cheer” in 02 episode 10, and, all the way in 02 episode 22, this is such an agreed-on and established role that they’ll still wait on her to do the honors even when they’re in a hurry. So in other words, it didn’t take long for Miyako to go out of her way to shower everyone with cheer, and it didn’t take long for everyone to answer to that cheer and appreciate her for it.

The flip side of this, however, is that Miyako doesn’t start off being very emotionally equipped to handle this -- right off the bat in 02 episode 2, she says that she’s not inclined for fighting, and in 02 episode 4, she refers to it as being “like an adventure game”. That is to say, she’s not at the point where she’s able to handle the full gravity of what she’s just involved herself with (Daisuke reminds her that she’d panicked earlier, but she just blows it off). She’s handling it so cheerfully now because the series is still in its early stages, when she can enter and exit the Digital World at will, and she’s capable of treating it like this.

So when the stakes do get higher, she’s the first one to take the stress hard. As mentioned before, she’s the youngest in her family, now recast as the oldest in this group -- but unlike Jou, who consciously knew this fact and took stress onto himself because of the responsibility this entailed, Miyako seems to repeatedly forget that she’s the oldest in this group, and the events of 02 episodes 9-10 (when Agumon is kidnapped) cause her to break down from stress and have to take a time-out. (Which everyone allows her to do, because this is not a series where people are pressured to fight if they’re not emotionally ready for it.) Miyako comes to terms with the fact that the stakes are going to keep escalating, and she can’t just gloss over everything with cheer -- and she does manage to pull herself enough to bring Yamato into the fray at the end of the episode, but this continues to be a recurring theme for the rest of her character arc.

While we’re discussing these early parts of the series, one thing I want to briefly address is the part where Miyako infamously calls a lot of people hot. (Although, not as many as the fanbase would love to make you think; it’s only four people in total.) This tends to get her pinned as some kind of flirt whose head is only filled with being hot for people, but while she’s certainly a bit on the shallow end at this point of the series -- dealing with that being what this character arc is about, after all -- this trait of hers tends to get exaggerated by a lot of people in the audience as if she’s completely lacking in common sense. Miyako’s ridiculous (and we love her for it), but she does have some degree of grip on herself! Context is important here -- she might show a crush on someone, but at no point in the series itself does Miyako show any indication of seriously thinking of full-on dating.

For Miyako, who’s accustomed to just blurting out the first thing that comes to mind, commenting on someone being hot is like commenting on the weather -- she means it as a compliment, but there’s no evidence she thinks she has a chance with any of them, let alone wanting to try dating. This is especially when you take into account her self-esteem issues that we learn about later in the series, and also...well, the fact she’s only twelve. (Remember: even Daisuke’s thing for Hikari comes out as a lot of unfocused affection, and it’s unlikely he’s seriously considered the concept of following that up with a serious relationship -- any serious prospects of romance or dating are not going to be on the table for these kids for a while.) Miyako has also been accused by some of being abysmally shallow for still complimenting Ken’s looks in 02 episode 9 (after it’s already apparent he’s the Kaiser), but although she certainly is a bit shallow at this point of the series, she’s not that lacking in common sense; Iori got in on it too in this scene, and both of them were doing it to tease Daisuke more than they seriously wanted to compliment the Kaiser all that much. So in essence, it’s just “Miyako has eyes” -- she still completely agrees he’s their enemy and she’s not going to judge him any better for his looks, but she also doesn’t see this as a reason to lie about the fact she thinks he’s visually good-looking, especially if it’s to tease Daisuke about it.

In any case, 02 episode 14 digs a lot more into Miyako’s stance on herself regarding others -- in 02 episode 6, Miyako met Mimi for the first time, and latched onto her for their similar dispositions and her looking up to Mimi for being beautiful, amazing, and cool (and she should, because she’s right). 02 episode 14 adds another layer to this, however, when Miyako spends the duration negatively comparing herself to Mimi. At first it starts off as simply just shallow jealousy for Michael giving Mimi more attention, but as the situation with Digitamamon escalates, Miyako spends a prolonged period of time trying to figure out Mimi’s behavior of pure-heartedly choosing to trust Digitamamon despite everything, against Miyako’s insistence that Digitamamon’s behavior proves that he was untrustworthy the whole time.

Mimi and Miyako’s stances are both on extremes here -- Mimi’s pacifistic tendencies are causing her to let her get beaten up by Digitamamon despite the fact that “appealing to people’s hearts” has never really been demonstrated as a good way to get Evil Rings off (to be fair, this is probably the first time they’ve made an attempt at this with a Digimon that can still talk coherently with it on), but Miyako’s acting as if this retroactively proves him to be untrustworthy even though she knows that the Evil Rings are tantamount to brainwashing. Nevertheless, Miyako acknowledges that her own stance was borne out of her being shallow and judgmental, especially since the discussion between Mimi and Digitamamon brings out a question about the meaning of the “true self”.

Miyako, at this point, is confronting everything that’s bad about herself -- that she’s shallow and not as much of a “good person” as Mimi is. But the Crest of Purity -- once meaning “lack of malice” back when it applied to Mimi in Adventure -- now has a secondary meaning of “not lying to oneself” (the dub translation of “Sincerity” is not actually that off in this sense), and it also means that Miyako is not going to get anywhere pretending or forcing herself to be someone she’s not. The secondary Digimental arc has a recurring theme of understanding that there are still things you need to learn and improve on in order to do better, and this is Miyako’s version of it -- she will have to acknowledge all of the bad parts of herself before she can get anywhere and become a kind person like Mimi is -- and, indeed, becoming less shallow and judgmental and not jumping to conclusions, and learning to reach out to more substantial cores of the problem, ends up becoming a major part of her character arc in the latter half of the series.

This episode also implies one more thing, even if she doesn’t realize it yet at this moment: the path to her becoming a less shallow and more considerate person is not going to involve trying to force herself to be like Mimi, but rather in a way that’s closer to her “true self”.

Miyako’s first major turning point is in 02 episode 18, an episode that’s said to have such a profound impact on her that even Natsuki Rio testified to having to alter her Miyako performance thereafter.

Back in 02 episode 10, Miyako first started to realize that this whole experience of fighting as a Chosen Child was a lot more stressful than it seemed at first, and reacted badly to it. Here, the ante gets upped even more -- the kids decide to make use of their summer break and organize a Digital World stakeout, and, eventually, Hikari accidentally becomes indirectly responsible for tipping Miyako over the deep end by making an implication that they need more “determination” to the point of refusing to leave until they’ve beaten the Kaiser. (Remember that Hikari can be terrifyingly assertive as long as it’s not something to do with herself.) For Miyako, who’s never had the same experience of being in the Digital World for a prolonged period of time the same way the Adventure group has, this is terrifying, and she tries to “get herself together” over the night -- only to completely overshoot it and go into the complete other extreme. As much as this ends up being one of Miyako’s peak hilarity moments, it’s most certainly representative of her being under a huge amount of pressure and stress, and it’s effectively her “peak worst” moment -- which results in Hawkmon ending up having to cover for her, and getting injured in the process, and Miyako immediately realizing how badly she’d messed up.

Miyako is thus forced to face a major consequence of her behavior: if she doesn’t manage to figure out a way to get herself under control, other people will be hurt, and as someone who wants to do her best for other people, that’s one of the worst possible outcomes for her.

In addition, it’s also important to point out Hikari’s role in this. The Jogress arcs have yet to set in, but the series still gives you a little preview of what’s to come eventually, such as the insight we get about Daisuke and Ken’s initial attitudes towards each other in 02 episode 8, and Iori later personally witnessing (and being very disturbed by) Takeru losing his composure in 02 episode 19. In this case, we see a bit of what Miyako and Hikari’s opposing personalities can offer for each other (especially since the later 02 episode 31 more heavily involves Miyako returning the favor in the other direction) -- Hikari correctly identifies exactly what it was that set Miyako off, takes responsibility for it, and even decides to make sure Miyako and Hawkmon get proper alone time so that they can figure things out. In general, everyone in the 02 team is understanding of Miyako’s antics and doesn’t hold any of it against her because she’s doing her best, but right now, Hikari may be the only person in this group who can actually proactively do something about it, because Daisuke’s not assertive enough to step in, Takeru has a tendency to dodge things whenever they get awkward, and Iori’s holding himself back too much for the sake of manners (especially in the presence of Miyako, who’s the oldest one in this group). But while Hikari does have an emotional repression problem, she’s perfectly capable of holding herself together and putting her foot down when it comes to other people, and because of this, she’s the one who’s able to understand what exactly is going on with Miyako, and how to adjust the situation around her to make things easier for her.

Miyako and Hawkmon have a proper heart-to-heart, and we see more of Miyako’s self-hating tendencies going on here -- she refers exactly to her problems with impulse control, and even labels herself a “bad partner” as a result. But Hawkmon reassures her that she’s fine the way she is, and it ties into how a larger theme of her character arc will involve her learning to find better ways to channel the qualities she already has, rather than trying to force herself to be someone she’s not.

Once the Kaiser is defeated, the second half of the series is where we start to see Miyako’s growth start to really kick in. In 02 episode 24, there’s a short blink-and-you’ll-miss-it scene where Miyako suddenly takes Daisuke and puts him in charge of taking care of the Punimon. Why is this important? Because two episodes prior, Daisuke had been running around in circles like an idiot due to having been third wheeled by Takeru and Hikari, and the moment Daisuke started exhibiting similar signs this time, Miyako personally stepped in and gave him a job to do -- and her actions of keeping an eye on them and her conversation with Takeru and Hikari indicate that she did it exactly because she figured that he would like it. Or, in other words, Miyako correctly identified Daisuke’s need for validation and purpose, and became the first person to proactively do something to address it -- Hikari and Takeru had generally been dodging it awkwardly for the duration of the series, which had only really been making it worse, and, in the absence of another crisis to take care of or someone like Ken to fill the void in Daisuke’s life, Miyako was able to properly figure out exactly what he needed at the moment as a stopgap, and thus is starting to settle into her proper role of understanding what others need in terms of emotional support and actively working to address it.

Since the second half of 02 is dedicated to Ken slowly establishing his place in the group, 02 episode 25 is dedicated to Miyako tussling with her conflicted feelings on the situation -- she’s just as open-minded and pure-hearted as Daisuke is, but the one thing that’s bothering her is that she’s a little more doubtful than he is in regards to whether Ken’s heart is really in the right place with all of this. She says, outright, that she believes he’s learned his lesson -- in a way far more firm than Takeru, Hikari, and Iori are about it -- but that one thing about him having potentially killed Thunderballmon in cold blood doesn’t fit the optimistic image she’d like to have of him.

Daisuke is more practical-minded than she is and is more willing to accept that there might have been a good reason -- especially since he himself starts to consider in this very episode that killing an enemy may be necessary if it’s the only way to prevent more victims -- but Miyako is more emotionally oriented and just can’t accept the idea of doing this at all. Both the internal debate over accepting Ken and the internal debate over having to potentially do a kill tear her apart over the course of this episode, and Miyako finds herself constantly waffling back and forth between the two positions. It’s not just her expressing minor doubt; she actually agonizes over this for the duration of the night and the next day, to the point she even considers asking him about it (and eventually can’t bring herself to).

It’s also made a prominent point that Miyako’s prior attraction to Ken in 02 episode 8 was not the reason she wanted to be optimistic about him -- remember, back in 02 episode 14, she completely admitted that she judges people by appearances, but at this point she’s well past that! Miyako takes this entire issue of whether Ken should be considered a friend very seriously, and that’s why it torments her so much over the course of the episode.

Eventually, all is resolved (at least, for the time being) when it turns out that Ken has been dealing with non-sentient Dark Tower Digimon, and Miyako takes this as sufficient evidence that Ken has changed -- the morality debate about killing comes back in full force in 02 episode 43, and Ken himself ends up just as shaken about it, so the important part is that she understands that he’s trustworthy and wants to put faith in him. Attention is also given to Miyako deciding she’ll now call him by given name (”Ken-kun”) from now on -- even Daisuke himself won’t start calling him “Ken” regularly until 02 episode 39, but Miyako starts slowly inserting given-name basis for Ken into her vocabulary from this point on until she finally commits to it fully in 02 episode 30. This is a proactive and conscious act on Miyako’s part that she actively wants to get to know him better and consider him a close friend, and it’s because of this that she ends up one of the only people who never gets habituated into surname basis with him by the time everyone’s come to properly befriend him.

So, at this point: Within only one episode (and, in-universe, one day), Daisuke and Miyako landed on the same page with their ideological stance towards Ken. They’re both open-minded and forward-thinking, and have an interest in becoming his friend (the next person to show active and open goodwill towards him, Hikari, won’t do so for another 9 episodes). However, despite their surface temperaments being somewhat similar, they have some differences in their priorities and way of approaching things, and it means that each of them ends up reaching out to Ken in ways that the other isn’t as good at. Daisuke, being the very practical and simple-minded sort who doesn’t overthink things or get caught in arbitrary philosophy, is the one who most proactively reaches out to Ken and most famously connects with him the most due to Ken very badly needing guidance in how to move on forward and stop getting fixated on his past. Miyako, on the other hand, being very much the type to consciously think about things (to the point of sometimes thinking about too many things at once) and focus on “how do I most show my support for someone right now?”, puts her priorities on checking on Ken’s current emotional state and actively attempting to glean his feelings and position. 02 being a series about relationships and what people can provide for each other, this ends up reflecting on their roles in the group as a whole -- Daisuke becomes the person who can pull everyone forward in determining the best thing to do, whereas Miyako fills in the parts his rough-around-the-edges demeanor doesn’t quite cover in terms of supporting everyone emotionally and keeping them together.

And thus, Miyako resolves to “wait” until the day Ken will join them -- that is to say, she takes the stance that Ken deserves proper space and to come on his own terms. It’s an interesting inversion of the usual roles you’d expect from Daisuke and Miyako at this point -- and, again, since 02 is about relationships, “each character’s approach towards the new kid and how it impacts them” reflects a lot about their own characters. For Daisuke and Miyako, who were open-minded towards Ken early in the game, you can already see the impact on them -- the necessity of reaching out to Ken causes the normally deferential Daisuke to become more proactive and put his foot down, whereas the normally uncontrollably in-your-face Miyako comes to understand when something needs to be handled delicately and starts getting a better grasp on the concept of restraint.

Which means that Miyako’s actions regarding Ken in the following episodes are significantly more passive than Daisuke’s are, but it’s clear that she’s still supportive. Moreover, it’s also important to establish that she and Daisuke aren’t fighting about this or anything -- Miyako does want Ken to come around eventually, so she doesn’t stop the more proactive Daisuke from reaching out to Ken in an important way, but she instead exerts her position in ways such as joining in with the others reminding him that Ken might have gotten a bit emotionally overwhelmed by the Jogress (and thus that it’s understandable that he might need some time to parse this before pushing the issue further). The way Miyako words this statement so casually can easily be a distraction from the fact that she is completely correct -- as we see later, Ken did emotionally freak out the moment the incident was resolved and had to go home to think about this. Scatterbrained as Miyako may seem, as the series proceeds, it turns out that she has a natural propensity for empathy that means she’s capable of making perfectly correct readings of the situation, even without her thinking that hard about it.

Not that she’s correct all of the time, though. 02 episode 30 has her attempt to get Ken and Iori to hopefully be a little less tense around each other end in complete disaster (although to be fair to her, it’s not like she and Daisuke were particularly forceful about it, it’s just that their plan was so poorly set up that it was too easy to read the motive behind, and it’s ultimately thrown off because -- as Daisuke correctly points out -- the two are being really childish about it.) But in response, Miyako takes direct action and responsibility to fix the situation when Ken continues to refuse to help despite how badly the situation is escalating, and when she finally reaches him, she gets frustrated at the fact he’s being so stubborn, smacks him, and personally drags him back over. Miyako cared a lot about this, she had wanted Ken and Iori to get along for no reason of personal benefit to herself but more because she cared that much about the group’s dynamic and friendship, and she’d held herself back so much because she was worried about him, but here he’s taking all of that and still giving them all the cold shoulder when everyone is in grave danger, and all of that frustration causes her to break down at once.

And note Ken’s reaction -- he’d been holding off on the grounds that he was being a burden on everyone’s friendship, but he sees Miyako distraught and upset and calling him an idiot (i.e. his whole pretense of not hurting others has clearly not worked here), and his “idiot...?” comes out flustered and off-guard, and he shows no resentment towards her thereafter and comes quietly with no protest, even holding a hand to the place she’d smacked him as if mulling in agreement that he deserved that. So, again: Even when Miyako is coming to all of these conclusions in a haphazard manner, it doesn’t change the fact that her readings of these situations are often completely correct.

02 episode 31 is another landmark episode in which we get a lot of insight into Miyako’s current feelings regarding herself in comparison to others, and what she’s trying to achieve at this point in the series. Daisuke makes an offhand remark at the beginning of the episode about Hikari being more “kind” than Miyako (”kind” having a double meaning of “gentle” in Japanese, so Daisuke’s mainly referring to Miyako being such a rough and belligerent person). The way Miyako takes this statement indicates that Daisuke had accidentally just hit a very deep-seated complex within her -- Miyako had never liked the fact she was aggressive and belligerent and in-your-face (remember, back in 02 episode 14, she was constantly negatively comparing herself to Mimi for not being as good of a person as her, and now this has extended to Hikari, who “keeps so much inside”.). As the crisis in the episode escalates, Miyako continues to fall victim to her foot-in-mouth syndrome, saying things and instantly regretting it, because she sees herself as making the situation worse -- and especially when it comes to a situation also involving Ken, whom she’s actively trying to reach out to right now. Her frustration at the fact she can’t see what Ken and Hikari see is because, unable to understand what they’re talking about or what their feelings are, she’s basically a sitting duck who can’t do anything while things are getting worse for them.

Which ultimately results in Miyako completely losing her marbles and Hikari having to smack her out of it -- again, recall that in 02 episode 18, it was shown that Hikari is one of the few people who has enough assertiveness to be able to rein in Miyako’s behavior, and even outright admits that Miyako is a bit of a handful. Miyako, as it seems, had been carrying a complex that Hikari had been thinking of her badly for all of this -- but Hikari then proceeds to reveal the flip side of all of this: she’s also conversely jealous of Miyako for being able to express herself so clearly and easily, because she herself is the type who compulsively represses her own feelings about herself, which is why nobody had been able to properly reach out to her for the duration of Adventure and 02.

For someone who had spent so much time considering herself a “bad person” and a “worse person” in comparison to people like Mimi and Hikari, that someone considers her qualities outright enviable is a huge deal -- it’s not that Miyako’s an objectively worse person than all of the other people who aren’t as rough or in-your-face, but rather, that those qualities can bring out positive things in their own way. And, immediately after that, we see one of those things -- she makes Hikari laugh, thanks to her antics. Of course, it involves Miyako being a bit all over the place and making a lot of mistakes, but even she admits “I guess it is funny.”

And there’s another thing to this, too: Miyako continues to end up with foot-in-mouth as she casually refers to things like the Evil Ring and Ken being the Kaiser with zero fanfare, before realizing seconds after that she probably shouldn’t be doing that in front of him, but, once again, even without her realizing, her evaluation is not incorrect -- although the fact he’s extremely out of it doesn’t make that clear quite yet in this episode, Ken is not the kind of person who’s touchy about acknowledging that he was the Kaiser, and, by his own statement in 02 episode 23, his stance is that he wants to “accept everything about it”, take responsibility, and move on. So here we are with Miyako, who just casually tossed that statement out like it was no big deal, has accepted his past with no lingering grudge against him, and even made a casual evaluation about him presumably having the same resilience he had as the Kaiser, which, again, is completely accurate. All of this is exactly the kind of attitude that Ken needs to be surrounded by right now, and Miyako had just touched on this without even thinking that hard about it, and also is still making it clear she doesn’t want him to feel bad about it...

And so, the episode’s climax has Miyako finally attaining the solution to the question of reaching out to Hikari, the one that nobody had been able to successfully accomplish throughout Hikari’s childhood of never expressing herself properly and the majority of Adventure and 02: to get Hikari to stop being so passive and accepting her inevitable fate because she doesn’t want to burden others, someone as aggressive as her will need to reach her and yank her out, and hit all of the exact points about understanding that someone will be there for her and that she should not accept this defeatist mentality. Hikari is unusually, unhealthily passive, and Miyako, being outwardly aggressive and someone who never hesitates to be blunt about things, is the best person to yank her out of this; it was never a sign of her being a “bad person”, just something she needed to channel in the right direction.

At the end of the episode, we’re also reminded once again that this is a series about relationships, so this kind of growth is important to everyone’s relationships with others as well -- thanks to Miyako’s efforts, Hikari is finally able to speak honestly with Takeru in contrast to her way of leaving off in silence with him at the end of 02 episode 13, and Miyako herself is happy that she’s finally gotten to have a better understanding of both Hikari, whom she herself had been unsure about the position of earlier, and Ken, whom she’d been worried she hadn’t been reaching out to in the right way.

While Ken was out of it during said episode and unable to coherently respond, we do get confirmation that he himself has hopped on the train of respecting Miyako’s intent well enough that he doesn’t hold anything over her -- during 02 episode 33, a mere three episodes after she’d personally slapped him in the face and two episodes after he’d practically seen her at her emotional worst, he still takes it upon himself to personally deliver Poromon to Kyoto and trust her to handle the rest. This isn’t that particularly interesting by itself, but moreso in terms of the context this is in -- this is a point where Ken’s still at awkward arm’s length with a lot of the team (including even Daisuke, in some ways), and he’s seen Miyako do all of the above messy things only not too long ago, but he still is comfortable enough around her and trusting enough in her abilities that he’s okay with casually approaching her and saying “you got this.” So it’s working, all things considered!

We also learn that Miyako had trusted Koushirou with Poromon during her trip to Kyoto, which says a lot about the fact she trusts her senior that much -- and, on a meta level, seems there specifically to facilitate the existence of the above scene (it would have been very easy to save time by just having Poromon accompany Miyako from the get-go and ending Ken’s involvement in the episode at his conversation with Koushirou...).

The following episodes also meanwhile establish that Miyako’s relationship with Hikari has been improving a lot -- with Miyako now actually understanding what Hikari needs, she’s much more proactive in reaching out to Hikari, and it’s even said directly by Iori in 02 episode 36 that their relationship seems to have gotten much better now. And, once again, Miyako’s antics are depicted as making people laugh -- note her and Hawkmon’s over-the-top advertisement performance doing so for everyone in the vicinity.

Which is also reinforced, again, in 02 episode 38, when this even spreads to Ken himself, in a moment that’s said to be particularly unusual and portrayed as one of the first times Ken has been able to be truly carefree in a long time. Again, the point here is: Miyako’s “all-over-the-place” nature brings joy to other people, and that “she makes people laugh” is continually reinforced as a symbol of this over the course of the second half of the series.

Beyond that, the visit to Ken’s house kicks off with Miyako noticing the picture of Osamu and asking about it, to the point she’s shown leaning over and staring at it for quite a while -- Koushirou had allegedly informed her about it earlier, and a whole point is made that she’s the one very prominently wanting to understand more about Ken and his background.

Also, Miyako reminds us all that she still does think Ken is attractive, but it’s a huge contrast to her behavior from back in 02 episode 8, when she knew nothing about him except that he was some celebrity genius boy -- she got completely worked up about it, moped about it for a whole day, and even dragged the fixation into the next day when she started aggressively confronting Daisuke about it, but we’re here 30 episodes later with Miyako actually considering him an important friend that she respects the feelings of, and she simply casually tosses out the statement of him being cute in her usual “like it’s commenting on the weather” manner, with no extra weirdness about it.

We close up some of the threads of Miyako's character arcs when Miyako herself is forced to confront the possibility of fighting an enemy to the kill in 02 episode 44, and Silphymon is eventually forced to kill LadyDevimon to save Miyako's life. Miyako’s emotional reaction is given the most attention here, since she herself had fixated so much on the horror of potentially killing Golemon back in 02 episode 25 -- in fact, everything Miyako does in this episode is about her emotional empathy and empathy for others, in that she rails on LadyDevimon for being a “coward” who hurts other people. Eventually, it’s once again the assertive Hikari who’s able to get her back on her feet by putting it in a way she can understand -- they were not doing it out of a callous and cruel intent to kill, but to save the exact victims that Miyako herself wanted to prevent.

And, even to the very end of the series, Miyako continues to channel her proactivity into emotional awareness first and foremost -- 02 episode 46 has her take the lead in the Dark Seed roundtable, and it’s implied that she’s doing this mainly because she knows this is a very personal issue for Ken to have to witness. In contrast to the way she frantically started spitting out potentially insensitive things in front of Ken in 02 episode 31, here, she outright says that she doesn’t want to make him feel bad about this (and, fortunately, he understands perfectly well that she’s trying). Even all the way to the very end in 02 episode 50, she’s the one who first brings up the question of the issue, because of how emotionally invested she got into this and her high level of awareness as to how deeply this impacted Ken.

In 02 episode 49, BelialVamdemon presents everyone in the team with a potential deep-seated desire that none of them want to admit, and in the case of Miyako’s, it ends up being a rather tame thing in comparison to Iori and Takeru’s more severe family issues, Hikari’s desire for WORLD PEACE!!, and Ken’s complicated feelings about punishment and forgiveness. In Miyako’s dream world, she’s just eating cake, and it says a lot about the fact that were it not for the fact that she overthinks things and often gets easily stressed, she’s fundamentally fairly free of deep-seated issues in a way not entirely dissimilar to Daisuke’s simple and pure-hearted way of life.

The thing that causes Miyako’s issue is often misinterpreted to be about her selfishly wanting everything to herself, or the idea she’s fighting for attention with her siblings, but Hawkmon actually says what the real problem is in direct words: her crowded family is “noisy”. Or in other words -- Miyako, being the overly empathetic type and someone who easily succumbs to stress, is just really overwhelmed and stressed because of everything around her.

An interesting thing about Miyako’s “illusion” is that it’s the only one that in itself starts making its victim feel lonely and sad even before it’s taken away or dispelled -- Takeru and Iori had to have their happy images pulled away from them, Hikari had to have Tailmon clarify that everything is fake, and Ken had to have Wormmon personally chase the image of his brother away. But in the case of Miyako, all Hawkmon has to do is ask if she’s happy right now, and she’s quick to admit that she’s not. It’s just that everything was stressful and overwhelming and there was so much to deal with all of the time, and for once she wanted to be able to enjoy a little peace, but she loves her family and she loves everyone around her and she doesn’t want to be alone, and she’d rather have them back even if it’s stressful. Miyako’s love for others is so strong that even an illusion supposedly made to cater to her won’t make her happy if everyone’s gone.

Miyako also takes the moment to realize that for all Hawkmon’s been going out of his way to be steadfast and loyal to her, she hasn’t been doing enough to understand her own partner in turn, and there’s still a lot more she can do in terms of thinking of others.

Miyako after 02

As per Spring 2003, once Miyako graduates elementary school and moves to middle school, she continues trying to be helpful to her juniors -- she joins the computer club and once again ends up under Koushirou, and now outright makes music for Yamato’s band (some creative differences aside). It’s also interesting to note her attitude towards her other friends when she tries to recruit them into her music unit -- she snarks at everyone right up until she gets to Ken, who declines politely, and in exchange, she just can't bring herself to be mean to him and simply apologizes for asking too much. It’s ambiguous whether this is because she’s still trying to have a heightened level of consideration around him (this is still only four months after 02′s finish, after all), but it seems she’s still concerned about the idea of handling him overly roughly, and is able to exercise a proper level of restraint about him.

Which brings us all the way to Kizuna, a whole eight years later where we have to fill in a lot of blanks about what’s been happening in the meantime, but the official website establishes that she’s now pursuing a degree in computer programming at an engineering university, and is now on study abroad in Spain (implied to be Barcelona, given details in both the movie itself and the drama CD). Pretty ambitious stuff!...or at least that’s the first impression one would get, until it turns out that she’s getting her flighty personality enabled by the local culture. As we learn in the drama CD, she’s absolutely taking the time to milk this entire situation so she can play around -- and, in accordance with how she was established to be an important factor in bringing Hikari out of her shell, it’s rubbing off on Hikari, too.

In addition, Miyako is still working under Koushirou despite their educational careers having completely diverged, this time as his assistant in terms of managing the Chosen Child community. Interestingly, her specific job seems to be consultation, and people come to her for “advice and stuff” -- meaning that it’s very likely that a lot of new Chosen Children who are having a hard time adjusting to life with a partner are coming to her for practical and emotional advice, and she’s still continuing to channel her ability to be emotionally aware and supportive of others.

That is to say, until she gets a mysterious request from a certain Menoa Bellucci. We learn later that Menoa’s motive was to obtain the list of international Chosen Children, meaning that she most definitely was not approaching Miyako for emotional help, and with that, Miyako decides that she doesn’t want to do this and dumps it on her seniors...

...but then picks it back up with zero hesitation the moment her friends present her that exact same job, and not only is it just “zero hesitation”, Ken even comments on how “fast” she arrived to do so! (This was also before Iori came up with the plan to infiltrate Menoa’s office; there wasn’t any indication Miyako’s computer abilities would be particularly necessary at the time.) On top of that, the drama CD gives us full context as to why she was so willing to dump this on her seniors in the first place -- she had wanted to see her friends so badly that she practically invented D-3 gate exploitation so she could hang out with her friends despite technically being in another country, and even wanted to invite them to come visit her, and eventually they’d all made an organized plan to meet up in New York. In other words, her loyalty to her friends is still stronger than anything else -- remember, she’s the kind of person who was picking up tons of jobs specifically so she could help her friends in the first place.

On that note, Ken’s ability to be casual with everyone besides Daisuke has noticeably improved, and that’s especially prominent with Miyako, whom he proactively converses with in a way that wouldn’t have happened back in 02, and, likewise, in contrast to the sense of distance she’d still been maintaining with him back during the final arc of 02 and Spring 2003, she has no qualms about handling him as casually as she would anyone else.

Which eventually leads us to...

This is a recurring theme on this blog, but every so often I have to draw the distinction between creative concepts “in meta” (i.e. the way the audience will read it, in relation to franchise standards and other real-life factors) and said concepts “in-universe” (i.e. with audience factors completely removed, whether there’s a presumable logical reason for these events happening in-universe, and whether this is reasonable behavior to expect out of the characters). This blog is largely dedicated to the latter, but the reason why I have to keep drawing this distinction in the first place is that I get the impression that the staff behind Adventure and 02 really did not pay much mind to the former part as part of their dedication to the latter. And, I mean, part of the reason I respect the writing of Adventure and 02 so much is how uncompromising they were in terms of not really pandering to what a fanbase might expect, which allowed the story to retain a lot of creative integrity that it wouldn’t have otherwise.

But every so often you get something like this that makes me want to just bang my head on the table and scream, I swear, I get what you guys were going for, but I am begging you, please think a little harder about how people are going to read this!! In general, I do think there’s something that’s not very good about disregarding your audience completely, because if you’re trying to say important things and those things are going directly over your audience’s heads (this is a kids’ show, for goodness’s sake), you can’t call that good communication, and it’s not like you can blame the audience for getting blindsided or being upset, and this is before we get into what they just dropped on the global audience that was presumably full of young girls interested in STEM fields who were hoping to see them go all the way with that, or the feelings of those who are bothered that one character has to be singled out to be defined solely by her relationship to others, and I mean -- to be fair, with a character like Miyako and the tons of things going on with her, there was probably no outcome they could come up with that wouldn’t be reinforcing some negative stereotype (believe it or not, there are people who have conversely mentioned identifying deeply with Miyako’s personal story and the meaning of this ending to them, and have also expressed discomfort about some of the comments the fanbase has made over the years), but at the same time, holy hell, they really went for the one that immediately looks the worst on its face...

...That aside, I will reiterate that this is a blog and analysis meant for that latter category of “analyzing things in-universe”, and making good-faith assumptions that there was a reason for everything (and, I’ll be quite honest, reading everything the staff has said about the characters, including Miyako, there is no indication that they didn’t treat every single one of them with love and zero intention to curse any of them into a horrible fate). We can debate whether this was a good or bad choice in the context of real life, or how much they really should have thought this through more or considered alternative ways to do this, in another place and time (it’s been done by many other people, myself included, in the last 20 years, and it will most certainly continue after this, and probably should continue). It’s not like I’m necessarily giving my blessing to every single creative decision in Adventure or 02 in running this blog, it’s more of the attitude of “now that this decision was in the series, can we figure out what that was intended to mean?”, and that’s going to apply to this one too. And so, we’ll proceed with the analysis.

In any case, here’s the first thing to start with, which may surprise some people to learn: at no point in the epilogue is the word “housewife” ever used to refer to Miyako. The only words that Takeru uses to describe her are: that she is married to Ken and is a mother of three. Not only that, post-02 materials that have referred to the epilogue and Miyako’s part in it have also avoided using that word -- the Character Complete File and the Animation Chronicle only reiterate the same points of “married to Ken” and “mother of three children”, and practically go out of their way to avoid insinuating that being a stay-at-home housewife is the main focus of her life right now. It would have been so easy to say it outright if they’d wanted to, but they didn’t, and they consistently don’t, to the point the omission is almost suspicious. And, indeed, if you want to believe the Character Complete File, Miyako is not a full-time housewife and is simply not working at the time of the epilogue due to maternity leave because the third child had recently been born. So it’s completely within the realm of possibility that she’s still working! In that case, why is something that could easily be a big deal left ambiguous like this?

If you look at the way the epilogue presents its information, there’s a certain pattern: what information is emphasized and what information is given little attention or omitted has very little to do with “how curious the audience would be about it”, but rather “how relevant it is”; just because a certain piece of information is omitted doesn’t mean it necessarily isn’t true. For example, Sora; she’s married to Yamato, but despite how much the audience would probably consider that as vital information, it’s left for you to infer from the visuals and an oblique comment that Sora’s daughter is a “dependable older sister”, and even the question of whether Sora did succeed her mother in flower arrangement is left up in the air despite that also probably being a question the audience is curious about (and in fact, a few flower branches are clearly visible in the front, implying very heavily that, whatever happened, she’s at least still maintaining her roots with her family instead of violently cutting it all off). But we do learn about the fact that she went into fashion design, which is something that’s not an expectation that was placed by her family but rather something she presumably decided on herself. Hence, presumably why that’s the part emphasized, and moreso than her marriage to Yamato -- said marriage is of course an important part of her life, but it’s not as prominent as the fact that she has her own independent career, especially since her entire character arc was about doing things that she wanted for herself instead of doing things for others. That is to say, compared to their own individual ambitions, Sora and Yamato’s love life is “an important part, but not the important part.” This is especially when you add the context that Takeru is delivering abridged single-sentence “catch-up” descriptions of his friends on their behalf (possibly to the world, if this is part of his novel), and so, it begs the question: what would each of these characters want to be most remembered for accomplishing?

(And if you think I’m being tinfoil hat about this, remember that a constant theme with this blog I’m running is that “being annoyingly subtle and relying on ridiculously oblique messaging” like this permeates the entirety of 02 in general, and it’s definitely not the only time they’ve used this kind of technique to communicate details that are too consistent and on-the-nose to be passed off as coincidence. As far as assuming that this series follows rational storytelling logic goes, we are far past that point, and in ways that extend far beyond this epilogue.)

So we look back at Miyako, and the hobbies she’d indulged in and what purpose they were for, and her personality, and the fact that the main point of her character arc was about her complex that she would never be a good enough person who could properly emotionally reach out and take care of others -- in some ways, her arc was the opposite of Sora’s, in that while Sora’s was about not being as beholden to others, Miyako’s was about how to become someone who can better support others -- and once we apply the above question, there lies the answer to why the priority and emphasis given to her future in the epilogue is “Miyako is the kind of person who prioritizes taking care of and supporting her loved ones more than anything else.”

This is especially because (in an epilogue with not very many lines, so every bit of information becomes vital) the lines we see Miyako and her family exchange are representative of a lot of what that character arc was about. According to her son, Miyako is still her panicky and emotionally messy self, even when in the role of the matriarch of a large family who’s responsible for taking care of all of them. She did not ever become the ideal “gentle” and “mature” kind of person that she considered Mimi and Hikari to be and negatively compared herself to. However, her family responds by cheerfully laughing, which is -- most likely not coincidentally -- the same thing that was shown to be the positive flip side of Miyako’s over-the-top personality back in 02 episodes 31, 36, and 38, in that it brings joy and cheer to others.

If you do want to take the Character Complete File’s statement at face value, the fact that she’s on self-imposed maternity leave means that it’s very likely she wasn’t on a salaried job and was instead freelancing, or at least was involved with something that didn’t require constant commitment. Considering the fact she’s consistently portrayed as an impatient sort who gets bored easily, she probably would prefer something more flexible like freelancing or at least not being tied to a single thing; even looking back at her completely disparate hobbies back when she was a kid, when she was basically jack-of-all-trades-ing to fit whatever people needed her for, she never really came off as someone who could commit very easily to a single form of work, but what she did have commitment to was other people, especially her friends and family. If you (or, perhaps, Takeru) were to ask her during the time of the epilogue “what are you up to right now?”, it’s not really that hard to believe that gushing about her lovely family would come before everything else; not to say that everyone else here (especially her own husband) isn’t presumably devoted to their own families, but Miyako’s the type to have that much higher sense of pride in what she does for those she cares about than she would have particular attachment to any kind of work. Look at her behavior during Kizuna; she’s pursuing a degree in computer programming and thus is still aiming to be a busybody with a high level of skill, but when given a job by a stranger, she immediately dumps it off on her seniors so she can be with her friends, then happily accepts that same job again when the same friends present it back to her.

So, in other words, the conclusion is: the biggest priority and most important thing to Miyako in regards to her future is that she finally became someone who could properly support others around her, even in spite of her personality that would suggest otherwise.

In addition, the fact that she has three children might initially come off as a little in-your-face or overkill, but remember that Miyako came from a family with four siblings, and 02 episode 49 had her say outright that she does treasure that – or, in other words, being part of a big family surrounded by affection and love is something she considers to be a valuable part of her life (especially since the age gaps between the three children imply a reasonable likelihood of actual family planning, moreso than even Miyako’s own).

Incidentally, this is just a bit of a personal note, but one might notice that I’ve also never actually used the word “housewife” to refer to the epilogue’s depiction of Miyako in the course of writing for this blog, because of how little evidence we have that she is one – being on temporary maternity leave still being a very viable and, given the post-02 materials we now have, arguably heavily likely interpretation, it’s not like you’d necessarily call someone a housewife if their break from work is only temporary, even if they’re a freelancer. Given the above circumstances, perhaps something like “family matriarch” would be more accurate…

#digimon #digimon adventure 02 #digimon adventure last evolution kizuna #inoue miyako #miyako inoue #kizuna spoilers #shihameta

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commentaryvorg · 3 years

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Digimon Data Squad Dub Comparison Episode 1 - There Are Monsters Among Us!

This is a companion to my commentary on the original Japanese Digimon Savers! Reading my commentary on the original version of this episode (which you can find here) is recommended before reading this dub comparison.

Original name ~ Dubbed name

Masaru Daimon ~ Marcus Damon

Yoshino Fujieda ~ Yoshino “Yoshi” Fujieda

Captain Rentarou Satsuma ~ Commander Richard Sampson

[Since several characters share the same name between the original and the dub, quotes from the dub will always be in italics, while quotes from the original will not, in order to distinguish them.]

First off, can we talk about the characters’ dub names? The dub doesn’t actively draw attention to its setting much (but then again neither does the original, really), but it also does not change the fact that this is taking place in Japan and these characters are actually Japanese, despite that we’re hearing them speak English. Some of them keep their Japanese names, too, even if maybe they have slight shortenings of them to be easier for a Western audience to remember. But then some characters’ names are randomly changed to completely English ones, even though these characters are apparently still meant to be Japanese and living in Japan. It’s just strange – if they’re okay with keeping some of the Japanese names, why not keep all of them?

(Honestly, despite my complaints, I am kind of a little glad that they changed Masaru’s name in the dub, because Marcus comes across somewhat of a different character to Masaru for reasons I will be discussing at length. In that sense, it’s convenient to have different names to differentiate them by.)

Kudamon: “He’s a renegade to begin with. We have no choice but to dispose of him.”

~~~~~

Kudamon: “The target is a renegade. We must catch him before he gets out.”

This is actually more reasonable than what Kudamon says here in the original.

Satsuma: “The only ones who can keep Digimon under control… are Digimon!”

~~~~~

Sampson: “Only a high-level DATS agent can capture a Digimon.”

The original version of this line was already awkwardly expositiony, sure, but this one just doesn’t make as much sense. The point is not that Yoshi is a high level DATS agent, but that she has a Digimon partner.

The dub completely replaces the original’s soundtrack. I did a shoutout to the BGM here in the original, and I also want to do a BGM shoutout here in the dub! This piece here is very different sounding from Provocation Infinity but still gives a similar sort of actiony gung-ho feel appropriate for Marcus and Agumon being fighty dorks, and I like it. It’s used often enough in moments like this such that it’s the only dub theme aside from the evolution theme that I’ve become able to pick out and recognise the melody of, even though this is only my second time watching the dub. Though I don’t know what the dub soundtrack’s titles are (actually, after having a look, it seems like the dub OST was never released, so nobody does), I like to think that this one is probably Marcus’s theme based on the moments its used in, so I’m going to be calling it Probably Marcus’s Theme.

Marcus: “This is my training ground!”

This park is apparently specifically his “training ground”, even though it’s just an ordinary park that anyone can visit. Um, okay? (More on this at the end of this episode.)

Masaru: “I’m the number one street fighter in Japan, Daimon Masaru-sama!”

~~~~~

Marcus: “One day, I’m gonna be a champion ultimate fighter!”

They’ve changed “street fighter” to “ultimate fighter”, which, okay, makes him come across a bit less like a delinquent, fair enough. But a noteworthy difference is that he’s only trying to be the best ultimate fighter. Masaru, on the other hand, feels like he already is Japan’s number one street fighter. This change still sounds fine and in-character enough on the surface, but it’s a meaningful distinction that will become quite relevant further in as we get more into Masaru’s character, so keep this in mind.

Marcus: “Fans all over will chant my name! They’ll say, ‘Marcus Damon is the best!’”

I get that what the dubbers are going for here is something equivalent in spirit to Masaru using -sama on himself. But there’s other, simpler ways to do that – just have him call himself “the great Marcus Damon”, or something like that.

As it is, what they’ve done here is make it seem like, apparently, Marcus has fans, or at least he wants to have fans. Which is not even remotely the point of his fighting thing in the original, nor will it be in the dub, either. He’s not doing this for recognition from others; this is something he’s doing entirely for himself.

Yoshi: “Raptor-1 can talk…?”

This was not a thing implied in the original – that apparently, Yoshi (and presumably therefore everyone else at DATS) hadn’t even heard Agumon talk until now. I guess they’re going for giving more of an explanation as to why DATS treated him like a monster, but I find it difficult to buy that Agumon really wouldn’t have said at least some stuff while trapped at DATS HQ. (“I’m hungry,” if nothing else, right?)

Lalamon: “Yoshi, he’ll destroy the human!”

Oh, boy. This is one of those English dubs that refuses to directly acknowledge the concept of death because apparently the poor kiddies can’t handle that or something. I will attempt to not rag on it every time it does so – only because that’d get really boringly repetitive – but I will be talking about it a lot in future episodes when death becomes quite a story-important thing that is happening.

For now, let’s just point out that it sounds really silly to talk like a human can be “destroyed”. There’s plenty of other ways to get across that Agumon is dangerous without directly referencing death that would sound more natural.

Marcus: “Then I’ll knock you out like I did these guys!”

Masaru did not mention the fact that he was responsible for beating up all the dudes this early on. I guess here in the dub, Yoshi just isn’t paying proper attention, because she’s going to continue to assume it was Agumon who hurt all the students.

Kudamon: “He’s too dangerous.”

~~~~~

Kudamon: “We cannot let this escalate.”

I am sad that the dub lost the fun “who’s too dangerous?” double meaning of Kudamon’s original line.

Yoshino: “Hey, you! Get away from him! You’ll only lose if you fight him!”

Masaru: “Huh? This isn’t about win or lose! This is about fighting man-to-man!”

~~~~~

Yoshi: “You can’t fight that creature! He’s too dangerous!”

Marcus: “Huh? Look, toots, I’m the dangerous fighter here! And I don’t need any babysitter to hold my hand!”

We really, really did not need Marcus being vaguely misogynistic by calling Yoshi “toots”, or by implying that she’s nothing but a babysitter. We really didn’t.

This also replaces Masaru’s original line that has that fun aspect of him not even caring about winning and just wanting to have a good challenging fight with a worthy opponent, so we lose that, too.

(Though, ignoring the misogyny, I do enjoy Marcus responding to “he’s too dangerous!” with “hey, I’m dangerous”.)

Agumon: “Yeah! It’s man-to-man!”

~~~~~

Agumon: “That’s right! This is between him and me!”

Agumon then also isn’t able to agree about this being man-to-man, and this just becomes a less interestingly nuanced “stay out of our fight”, rather than really about the kind of fight they want to have.

Masaru: “Got it? Now stay out of this!”

~~~~~

Marcus: “This is a fight between men, so stay out of it!”

Having removed Masaru’s reference to men a few lines earlier, the dub does something which is going to be extremely rare by its standards and actually adds in a reference to men here. …Unfortunately, because they’d also added in Marcus’s random misogynistic lines earlier, this comes across much more like it’s about gender, and he’s just essentially saying “we don’t want any girls in our fight”. Which, no. Masaru talking about manliness is never actually that much about gender at all, despite the word he uses.

Masaru: “I see you’re pretty brave.”

~~~~~

Marcus: “I dunno what you are, but you’re goin’ down!”

We lose the sense of Masaru having respect for Agumon challenging him in place of some basic I’m-better-than-you trash talk. And this also adds in Marcus calling Agumon a what, rather than a who, indicating that apparently Marcus is paying some attention to Agumon’s species and is seeing him, at least a little, as not quite worthy of the same respect as a human.

After their big cross-counter…

Agumon: “I wasn’t ready. But you won’t get me this time!”

~~~~~

Agumon: “Hey! I wasn’t ready! I was waitin’ for you to say, ‘One, two, three, go!’”

The dubbers completely missed the point of the original, “I wasn’t ready.” Original-Agumon’s line comes across as “I wasn’t expecting you to be that strong, but now I’ve got the measure of you”, like he’s gained more respect for Masaru’s strength. Meanwhile dub-Agumon is just whining and acting like Marcus totally cheated rather than acknowledging his unexpected strength.

Agumon kicking Marcus in the crotch is cut, replaced with a rather cheesy-looking comic book POW sort of effect across the whole screen.

There’s a cute acoustic guitar BGM here for their bonding moment that I like, especially after recognising its melody and realising that this is a variation on Probably Marcus’s Theme! That seems very appropriate.

Agumon: “You’re… pretty good… for a human.”

Geez, what a backhanded compliment. Apparently dub-Agumon still sees Marcus as below him simply because he’s human, rather than fully acknowledging his strength regardless of species.

Agumon: “Let’s call it a draw.”

This line fills a silence, stating something that was already perfectly well implied in the first place by the fact that they’re no longer fighting and yet there’s no clear winner. It shouldn’t need to be said. In fact, it makes it seem a lot more like this fight really was just about winning or losing to both of them, when in the original that was never the point.

Rather than “Aniki”, which, okay, works fine in subs but can’t really be kept in a proper official English dub, Agumon calls Marcus “Boss”. I guess this is acceptable, but I feel like it would have been better for them to lean into the “big brother” meaning of aniki, rather than the “boss” one, for reasons I will be grumbling about a lot.

Masaru: “Aniki?”

Agumon: “Yeah. You’re the first person to acknowledge me as a full-fledged individual, Aniki.”

~~~~~

Marcus: “Boss?”

Agumon: “Yeah. Y’see, you’re the only guy who’s ever matched me blow-for-blow in a fight before.”

So, in this version, Agumon gaining respect for Marcus has absolutely nothing to do with Marcus treating him like a person. It’s just because of his strength, nothing else. Way to lose that really fun little bit of nuance and character depth on both sides.

(Also, what does Agumon even mean, “before”? It’s not like he’d have been able to have proper fights that weren’t just defending himself while trying to escape until now.)

Agumon: “That’s why, from now on, I’ll be your follower!”

~~~~~

Agumon: “That makes you the boss. From now on, you give the orders and I’ll faithfully follow!”

Matching Agumon in a fight shouldn’t really suddenly make Marcus the boss who gets to order him around, should it? Plus, here’s Agumon explicitly saying Marcus can give him orders, which was not at all part of the arrangement originally. This whole thing has such a different tone to “you treated me like a person when nobody else did, so now I look up to you and will be loyal to you.”

Marcus: “I never thought one day that I’d have an employee that’s as funny-lookin’ as you are.”

Oh, boy. Meanwhile, instead of “follower”, we have… employee. That is even more completely missing the point of the aniki-and-follower relationship of the original. If they didn’t like the gang connotations of “boss”, maybe they should have gone for “big bro” instead, perhaps? But no, they just doubled down on the “boss” in a totally different and inappropriate direction. Marcus has apparently just started up a small business.

The heartwarming BGM gets a record scratch as Yoshi reminds them she’s still there. I admit, it made me chuckle.

Yoshi: “So, are you gonna come quietly, or do I have to use force?”

Marcus: “Who’s she talkin’ to, you or me?”

I do enjoy this – a little implication that Marcus has some experience with being treated in a similar way, perhaps by the regular police.

Masaru: “It’s the aniki’s job to look after his follower. I’m not handing him over to you!”

~~~~~

Marcus: “I’ve never had an employee before, and I’m not turning my only one over to you!”

Instead of Masaru doing this out of feeling like it’s an aniki’s responsibility, Marcus is making it about himself. He doesn’t want to lose his new and only employee. Like Agumon’s just a possession of his now. Nothing about how this is something that should be expected of him as a boss.

Later, at the tower, as Agumon asks Marcus to help him evade DATS:

Marcus: “What am I getting myself into this time?”

I enjoy this too. More implications that Marcus is used to getting himself into all sorts of Trouble.

Agumon: “I’m starved!”

Marcus: “Well, suck it up and act like a real man!”

Again with the dub adding in references to manliness that weren’t there originally, as if Marcus actually has a concept of manliness that will continue to be a running theme. Haha, I wish. Get ready for me complaining about the exact opposite of this in basically every other dub episode.

Agumon: “I’m a growing boy!”

How does Agumon even know this phrase? This is an entirely human concept. Dub Agumon will be doing a lot of this, awkwardly invoking human ideas that he shouldn’t have any conception of.

Yoshi: “Yum. I love chocolate pudding – it reminds me of being a little kid again!”

Yoshino’s coffee jelly gets localised into chocolate pudding, because I guess coffee jelly is more of a Japanese thing that Westerners might be unfamiliar with? I enjoy the added detail that it reminds her of being a kid and that’s why she likes it.

Masaru: “I don’t know anyone by that name!”

~~~~~

Marcus: “I have no idea who this ‘Raptor-1’ is!”

Marcus’s line loses the technically-not-lying and respecting-Agumon’s-identity of the original line. He does know who this “Raptor-1” that Yoshi’s talking about is, even if that isn’t actually his name.

Masaru: “How’d you know my name?”

Yoshino: “You yelled it out earlier for everyone to hear.”

~~~~~

Marcus: “How do you know my name, anyway?”

Yoshi: “I know everything about you.”

No pointing out that he yelled it out earlier like a huge dork. Instead, she just really leans into the DATS-are-creepily-authoritative vibe that she already had a little of in the original.

Yoshi: “Born April 2nd in Tokyo, blood type B, Ootori middle school eighth grade.”

Him being born in Tokyo was not a detail mentioned in the original. And also probably not true in the original, since the series is set in Yokohama and there’s no indication that his family moved here. The dub is presumably still set in Yokohama even though it’s never mentioned, just because the scenery is that of Yokohama, so I guess they’ve just established some dub-only canon that the Damon family moved home at some point. This will actually come up briefly later. I am shocked that I’m saying this.

At least, props to the dub for mentioning Tokyo and making it pretty overt that, yes, this is set in Japan. (You know, with this Japanese guy called Marcus.)

Yoshi also does not explicitly specify Marcus’s age, only that he’s in eighth grade. Which (I’m pretty sure, though I’m unfamiliar with American school grades and may be wrong) would make him fourteen anyway, at least assuming he hasn’t been held back at any point. Keep this in mind, because this will also come up later.

Yoshi: “…and you now live with your mother Sarah and your little sister Kristy, who looks up to you even though you generally act like a jerk.”

First of all, how the hell does DATS have so much information that they even know how his sister feels about him?

Second of all, more importantly, way to just tell us that, hey, did you know, Marcus is A Jerk, hey, guys, you’re supposed to think he’s a jerk, because… he fights things, I guess?

The reality? Masaru is not a jerk. Not even slightly. He’s reckless and hot-headed and will fight anything that poses a challenge, but that is not even remotely the same thing as being a jerk to people.

But apparently the dub doesn’t understand this, and they seem to think that being a jerk is somehow meant to be one of his most noticeable character traits. And I guess they’re trying to present the idea that he’s going to slowly grow into being a nicer person through the power of Digimon and friendship? Which is not at all any kind of arc that Masaru is going to have, because he is not actually a jerk in the first place.

If it was just this one line that seemed to think this, I wouldn’t be that annoyed. But one of the biggest things I’m going to be complaining about with the dub is the fact that they actually do change Marcus’s character significantly to make him noticeably more of a jerk than Masaru ever was. We’ve already seen a little bit of this sort of thing going on so far in this episode, with how they’ve removed focus from the bits with Masaru treating Agumon like a person and instead made it all about fighting, and specifically winning those fights. But, oh boy, there’s going to be a lot more, to an extent that it has to be deliberate.

And aside from me just finding this very frustrating as someone who deeply loves Masaru’s character to see him distorted like this, I also can’t help but boggle at why they would ever want to do this at all. Why would you deliberately adapt a character – the main character – to be less likeable than in the original version of the work? How does it not occur to you that this is only going to make your new audience enjoy the work less? I do not get it.

Lines like this one here are even worse, because they blatantly violate “show don’t tell”. Along with making Marcus act like a jerk and showing us that, the dub’s narrative is also telling us that he’s a jerk and insisting we should think that about him instead of letting us make up our own minds. It’s so lazy and heavy-handed. There will be more like this and I do not like it one bit.

Yoshi: “I’m with the Digimon Data Squad.”

I guess the Data Squad really is its full name in the dub. Even though the acronym is still DATS. Don’t ask me how that’s meant to work.

Marcus: “That’s a great story, dollface, but what’s it gotta do with me?”

Can we not with the Marcus being casually misogynistic? Can we not? (Thankfully, this isn’t going to be a recurring thing. Other ways in which Marcus is being made less likeable will be, but at least not this.)

Marcus does not say anything about assuming Agumon was just a frog. Since Masaru having thought that is going to be relevant again later in the series, this is a loss of not just a moment of amusing dorkiness but something actually meaningful.

(One thing that is very clear about the dub is that, with a few exceptions, they do not appear to have watched ahead to see the whole series first and are just dubbing episode-by-episode. For a series like this with quite a strong overarching plot and lots of little things like this that get callbacks, that means that a lot of this overarching sense of cohesiveness will be lost, simply by accident, because they didn’t realise there was something important there worth keeping around. This is another thing I will be talking about a lot.)

Yoshino: “As long as you keep running from DATS, Raptor-1 will only starve to death.”

~~~~~

Yoshi: “If you don’t return Raptor-1 to us, he’ll starve to death!”

This is a little different. Yoshino was only trying to get Masaru to come to DATS, supposedly to pick up some Digimon food. Yoshi, meanwhile, wants Marcus to bring Agumon to DATS. Which on the one hand is a more helpful strategy for what she’s trying to achieve. But on the other hand, he doesn’t bring Agumon, because obviously the dub can’t change the episode that much, so instead we’re just left with that awkwardly not being what happens despite it being brought up.

Yoshino: “You…”

~~~~~

Yoshi: “Thank you.”

The hint that Yoshino is gaining a new respect for Masaru from his desire to help Agumon gets lost here, in favour of simply a thanks-for-finally-co-operating. Might partly be just lip-flap’s fault – the Japanese “you” is two syllables – but still, Yoshi’s tone of voice could at least have done some of the work to imply the same as the original, and it doesn’t really.

Kudamon: “This is the boy that put Raptor-1 under control? He doesn’t appear to have any special power, at any rate.”

~~~~~

Kudamon: “Interesting that this is the boy who fought Raptor-1, because nothing about him indicates that he’s able to fight at that level.”

We lose any implication that Satsuma might have been telling Kudamon things about Masaru offscreen, and instead here’s dub-Kudamon simply refusing to believe the evidence of his own eyes. You literally watched him fight Agumon on your screen. He very evidently can fight at that level.

Kamemon: “Enjoy.”

Marcus: “I’m not thirsty.”

Kamemon: “Suit yourself.”

Kamemon actually says words in the dub as he brings Marcus tea! This was very bizarre to me when I’m used to original-Kamemon, who almost never speaks at all.

Masaru: “Just hand over what I came for.”

~~~~~

Marcus: “Just say what ya have to say and stop wasting my time!”

Apparently the dub has forgotten that Marcus only came here to pick up Digimon food for Agumon, and suddenly he expects to be receiving a speech here when he shouldn’t.

Masaru: “Renegades?”

Kudamon: “Yes. Raptor-1 has already entered the human world and injured humans. He cannot be allowed to go free.”

~~~~~

Marcus: “Why are you calling him a renegade?”

Kudamon: “Because Raptor-1 has already entered the human world and made contact with human beings, so he can no longer be allowed to go free.”

I would complain that it’s a bit much that Agumon’s getting in so much trouble simply for meeting humans in the dub, and not specifically injuring them like they were assuming in the original. But, as it turns out, the original is also going to call Digimon simply meeting humans a “crime” in the next episode, possibly as part of its early weirdness. So, eh, this isn’t really the dub being any sillier than the original here.

Satsuma: “Daimon Masaru, you should work with us to create a bright future for both humans and Digimon!”

~~~~~

Sampson: “Please co-operate. The future relationship between humans and Digimon depends on you returning Raptor-1 to us.”

Also, apparently Sampson isn’t actually trying to recruit Masaru to join DATS with this speech. I can understand the logic behind changing that, since Satsuma was going about that whole thing weirdly vaguely.

That said, saying that the entire relationship between the two species hinges on this one Digimon being returned doesn’t make any sense. So I get the feeling that the implication of what Satsuma really wanted in the original line just went completely over the dubbers’ heads, and they simply thought they were translating his intent directly and made it sound rather silly as a result.

Masaru: “What the hell is this? Stop pestering without even listening to what I have to say first!”

~~~~~

Marcus: “Why not? Because I don’t owe you people a single thing!”

We lose the fun subtle Masaru-y nuance of him caring about being given a chance to express how he feels here. Though I suppose it’s also relevant and illustrative that Marcus is implying he would help them if he felt like he owed them, showing a sense of responsibility there.

Masaru: “…but have you even considered why he suddenly showed up in this world? He admired this place! He admired this wide world, filled with things moving around that he’d never seen before.”

~~~~~

Marcus: “Have you thought about why he came to the human world in the first place? What if he didn’t have a choice? Maybe things were bad for him back in the Digital World!”

This would be Marcus being sweet and thinking about how Agumon feels… if it wasn’t for the fact that Agumon told him he doesn’t know about anything except the institution, and therefore clearly didn’t deliberately try and run away from something bad in the Digital World. Pay attention to your foll – uh, employee, Marcus. Masaru’s line there had somewhat forgotten or misinterpreted what Agumon had told him, but Marcus’s is doing so to a much greater extent.

Masaru: “But if he starts rampaging, then I’ll be responsible.”

~~~~~

Marcus: “And if he gets into any sort of trouble, I’ll claim full responsibility for his actions.”

This sounds like a perfectly reasonable translation, but the dub version of the sentence does not work nearly as well to foreshadow the thing that the original line is foreshadowing and this makes me sad.

Marcus: “But only if you give me some food for him!”

…This is immediately following the previous line. So I guess, since they never give him any food, Marcus doesn’t end up obligated to take any responsibility for Agumon getting into trouble. (Even though that’s still what he is going to do when they think Agumon’s attacking the hamburger shop. But this makes him come across like someone who’s less willing to do so no matter what and has less of a strong sense of responsibility.)

Kudamon: “It looks like you’ll have to take responsibility sooner than you thought.”

~~~~~

Kudamon: “Do you now see how hiding him has created a security breach for all of us?”

This change makes a fair amount of sense, since original-Kudamon was being unreasonable by insisting Masaru should take responsibility for Agumon’s hunger when that was really Yoshino’s fault. And it also fits with the fact that Marcus never actually promised to take responsibility since he wasn’t given any food.

Yoshino: “So this is where you were hiding him. Since he’s nowhere to be seen, it must be him who attacked the hamburger shop.”

~~~~~

Yoshi: “So this is where you were hiding Raptor-1. A lot of good it did you, since we confirmed it was definitely him who attacked the hamburger stand.”

No, you didn’t! How did you confirm a thing that isn’t true? If this is Yoshi lying, that’s just a dick move; she doesn’t even have anything to gain from it. It feels more like this was the dubbers not paying attention and missing the original’s meaning, which is very obviously that Yoshino was assuming based simply on the fact that Agumon went missing. But he didn’t actually attack the hamburger stand! Did they not even watch ahead to the rest of this episode to realise that?

Marcus: “Why’d you attack a hamburger stand?”

Marcus asks this of Agumon after finding him with his head dorkily stuck in a trashcan, not really all that close to the explosions and flames. Way to jump to freaking conclusions after basically just finding proof that Agumon isn’t the culprit, geez! …Though I suppose that can be partly blamed on Yoshi inexplicably insisting he definitely was.

Agumon: “Huh? I didn’t attack anything, but a hamburger sure sounds good!”

Agumon should not know what a hamburger is. Again with his dub version knowing more human things than he should.

Kudamon: “He hasn’t been tamed. I don’t understand why he’s fighting alongside human beings.”

This just makes no sense. What the hell does “tamed” even mean? Doesn’t it just mean “has become willing to work with humans”? Because if so, he evidently has been tamed, actually. Just sounds frustratingly like Kudamon trying to insist he Knows Better than this nobody kid, and I don’t think that’s meant to be his character.

Agumon: “Aniki! He’s really strong…!”

Masaru: “Doesn’t that just fire you up!?”

Agumon: “Y… yeah!”

~~~~~

Marcus: “No! Agumon!”

Agumon: “Boss! I’m fine, but could you lend a hand?”

Marcus: “Ha! How about I lend a couple of fists!?”

The dub’s version of this exchange is kinda still cute, but it loses that fun nuance that Masaru loves how strong their opponent is, and that Agumon is learning to agree with that idea thanks to him.

Yoshi: “That thing will tear you to pieces!”

See, here’s a way to avoid directly using the word “die” or “kill” while still making it clear that’s what she’s referring to, without awkwardly acting like humans can be “destroyed”.

Masaru: “When you’re in a man’s fight, you’re already risking your life! The moment you get scared of dying is the moment you’ve lost the fight!”

~~~~~

Marcus: “Besides, the ultimate fighter is always willing to make the ultimate sacrifice!”

This significantly changes the meaning here, and instead Marcus is apparently consciously willing to get himself killed if necessary, even though the kinds of fights he’s been in before really aren’t something that’s actually worth dying for at all. Masaru’s philosophy of acknowledging but then choosing to brush aside the potential risk in order to fight better makes more sense, because he’s not actually intending to die for anything.

The dub’s changed version of this line will also not work for the callback that the original line is going to get later in the series. I’d talk a lot more about why not, but, spoilers, so I’ll save that for then.

There’s a brief snippet of music here during the Anime Sads that appears to be a sad piano variation of Probably Marcus’s Theme, which feels appropriate. I don’t remember it from my one previous dub watch-through, but I hope it gets used in some of the future much more substantial moments of Marcus being sad about things.

Masaru: “You… How dare you hurt my follower!”

~~~~~

Marcus: “It’s… It’s fightin’ time!”

We also lose another future callback here. But on the other hand, “it’s fightin’ time!” is going to become Marcus’s catchphrase that he uses basically every time he fights (a dub-only catchphrase that Masaru has no equivalent of, and that I’m really pretty happy with), and this moment when he’s avenging Agumon getting hurt is definitely an appropriate moment for it to start being a thing.

The dub’s term for Digisoul is, instead, DNA. Luckily for the biologist in me, who would otherwise be tearing my hair out over this, this stands for something entirely different from deoxyribonucleic acid, because boy would it being that kind of DNA make absolutely zero sense. It’s still pretty awkward that it happens to be the same acronym as a commonly-known thing that it could easily be mistaken for, mind you.

I don’t know why they couldn’t just keep the term Digisoul, though. It’s a perfectly good term! It can’t even be that the dubbers have some kind of oh-no-religious-references objection to using the word “soul”, because that word is also in the dub’s opening song that we’ll be hearing every episode.

Old man: “By mastering this technique, your Digimon can Digivolve.”

Um, sure. The technique of waving your glowing hand over the Digivice is definitely something that needs to be “mastered”.

Marcus also yells “DNA Charge!” out of nowhere for the first time. But in his case, the old man never actually mentioned the word “charge” when telling him what to do here, so it’s even less clear how he knew that was what he was supposed to say.

Alas, the English dub does not dub the original evolution songs in Digimon. The evolution music instead is an instrumental version of the dub’s opening song, which, though I prefer Believer, is an acceptable replacement in terms of creating a similarly triumphant mood.

Marcus: “That’ll teach ya! Don’t mess with my employee!”

Oh my god, wow, way to completely unintentionally mood-whiplash the triumphant moment by reminding us that this huge powerful dinosaur is actually just your subordinate in the new small business you’ve set up here, Marcus. A small business of punching everything.

Agumon: “Aniki! I’m hungry!”

Masaru: “What the hell… That’s so anti-climactic…”

~~~~~

Agumon: “Boss! I’m hungry.”

Marcus: “What else is new? I’m just glad you’re safe.”

This addition is cute. Originally Masaru’s just referring to the anticlimax of Agumon devolving so fast.

Masaru: “How about going for a hamburger?”

Agumon: “Does that taste good?”

~~~~~

Marcus: “How about a nice hamburger?”

Agumon: “Ooh! With cheese, too?”

On the one hand, at least the dub remembered the fact that this Agumon somehow already knows what a hamburger is. On the other, this raises even more questions in terms of how he also knows that they can come with cheese.

Yoshino: “But that one’s already injured 13 students!”

~~~~~

Yoshi: “But Agumon still injured fifteen men!”

Remember how the original tried to calculate fifteen minus one and got thirteen? Well, the dub tried it and got fifteen. Somehow each of them managed to get this very simple sum wrong in a different way.

(And yes, the dub did also specifically have Lalamon sense fifteen humans at the park in the beginning. Actually, it flashes back here to a part where Yoshi was then relaying to HQ that there are fifteen victims, but that was before she saw that Marcus was still standing. I guess it’s plausible to assume that Yoshi herself forgot to subtract Marcus after that and this is her mistake rather than the writers. Not convinced that’s the case, though.)

Also, told you the dub would forget about the part in the beginning where Marcus yelled out within Yoshi’s earshot that he beat up the dudes.

Marcus: “Those were some punks claiming to be ultimate fighters who wanted to train in my area, so I fought them for it, and guess what, I won!”

This begs the question: how the hell is that park supposed to be Marcus’s training ground? Surely, it’d make most sense as a training ground if it was where people regularly come to challenge him to fights? Instead, he only fought the dudes there because he wanted to drive them away from his training ground, so that he can continue to train there, alone, in a perfectly ordinary park that isn’t a gym or anything like that. How is he supposed to train there without opponents? Does he just, like… punch the trees?

I understand if the dub wants to make Marcus have slightly less of a teenage delinquent vibe, but the resulting implications they have here instead are just amusingly nonsensical. It does not seem like they actually thought about this very hard at all.

Overall differences

Overall, the dub of this episode shows a pattern of things generally making a bit less sense and having a bit less nuance, and Marcus in particular being just a bit less interesting and distinctive than Masaru. This is going to be such a regular pattern for every single dub episode that I probably won’t even bother to remark on it in most of these summaries going forward.

In terms of more specific effect on how this episode comes across, I think the most noticeable shift is that the sense of Marcus’s empathy towards Agumon despite his species is watered down slightly. Perhaps most notably, Agumon did not become loyal to Marcus because Marcus treated him like a person, but instead just because he matched him in a fight, which is less meaningful.

The terms “boss” and “employee” also give something of a different vibe to their relationship than in the original. Obviously the dub had to localise “aniki” to something, but I don’t think this was the best choice. This’ll be a thing in every episode, of course, but I’m bringing it up here because this is where it starts.

Then there’s the part where one of Yoshi’s lines casually established that Agumon had never spoken before. As much as this doesn’t make any sense to be a thing – why would he not have spoken while being held in DATS? – I guess it makes it slightly more reasonable that DATS then sees him as just a monster? Though they should also be changing their tune quite quickly when they realise he can speak, which of course they don’t. I guess this could have been an attempt to justify the original’s issues with DATS’s attitude towards Agumon… but not a very effective one.

#digimon #digimon savers #digimon data squad

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yslkook · 3 years

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#customer centric (4)

#corporate masterlist summary: you arrive in tokyo and spend a few days catching up and reminiscing. jin comes as well, with a few old friends that you haven’t seen in years. Or, you wander around the city visiting familiar places and go to a club with people you haven’t called friends in years. word count: 8656 warnings: cursing, parental death, discussion of mental health, lots of alcohol a/n: this is part 1/2 of being in tokyo!! this is the top i envisioned for oc lol

You missed Tokyo, and Tokyo missed you. The city itself brings bittersweet memories to you, memories of your childhood with your dead father and grandmother passing through your mind as if you’re watching a movie.

Your dad had brought you to Tokyo every summer when you were young, until you were about seventeen or eighteen. Tokyo had become more of a second home than a vacation place for you. You haven’t been here since college, about two years before your dad passed away. But despite that, it feels like home.

You can read, write, and speak Japanese fluently, which is part of the reason why you’ve been such an integral part of the team so far. The company’s sister branch is in Tokyo, and it’s not your first time visiting the branch, or interacting with your team members based in Tokyo.

You’ve wondered often, quite bitterly, if your fluency in Japanese is the only reason you’re even still on the team. Your boss and his boss at least trust you enough to be the responsible party for your team- there’s only one other member of your team here, Sana. But she’s relatively new, so the responsibility has fallen onto you.

That’s alright. You operate well under pressure.

You’re joined by your small knit team, Sana, Namjoon and Jungkook. Namjoon had managed to finagle with the budget enough that you could arrive a day early, on Friday, and spend the weekend in Tokyo before the workshops began on Monday.

And Seokjin would be flying in on Saturday morning with some of his friends. You’re grateful that at least Jin was coming. Whenever Jin makes these spontaneous types of trips, they’re bound to be eventful.

Monday and Tuesday will be filled with workshops, proposals and pitch meetings. You made Jin promise that he’d spend time with you during the weekend, so that you could show him some of the treasures you remembered from the city. Despite your many years of friendship, you had never been to Tokyo with Jin and you want to show him some of the places Appa used to take you to.

You’re excited. Even if Jungkook, with his big, sparkling eyes and his natural curiosity is coming along. Seeing him, even though it’s been well over three months that he joined the company, sends you down a dangerous path that isn’t fair to him or to you.

You have to constantly remind yourself that it’s not his fault and you shouldn’t be mean to him. It’s not his fault that your boss and his boss are out for your blood and refuse to give you recognition. But you can’t help but feel like he’s part of the problem that has faced you for the last three years. Part of the same awful old school, conservative mindset that so many of your peers were part of as well.

The leadership at your company needed a drastic overhaul, but you would be the last person to voice those thoughts out loud. Unless it was to Jin.

You know Jungkook doesn’t deserve your unspoken rage. You can admit that, but you’re not saint enough to channel it somewhere else. You’ve mellowed out considerably from the initial few months, but you could stand to be a little warmer to him.

After all, the way his bunny smile takes up half of his face when he offers it up to someone so worthy… that means nothing to you.

You arrive in Tokyo with your team at around eleven AM, and you check into your hotel rooms about an hour later. Jungkook and Sana had planned the logistics of the trip, from the hotel to the taxi service to lunch, dinner, and the company sponsored happy hour on Monday and Tuesday.

Because you were in Tokyo for work, you fully planned on using your company card to the fullest for the next few days. This company could kiss your ass, and you would be more than willing to spend as much as you needed to as a subtle ‘fuck you’. It was your version of flipping off your boss, for when he would have to approve your expense report sheet.

Namjoon had given you Friday to yourselves, to get acquainted with the hotel room and the area itself. Sana and Jungkook had done a good job with choosing the hotel- it has a wonderful view of the city from the rooftop, and being inside the sophisticated hotel with it’s hues of black and white and pops of color and elegance. This regal building screams opulence and you’re bathing in the luxurious feel of it all.

The diamonds of the chandeliers hanging high above you glint in the dim light of the lobby, bouncing off of the sleek, black piano and adding to the romantic air. Was this a love hotel? You scoff to yourself, keeping your head down as you exit the hotel and head in the direction of your favorite park, the Happo-en Garden.

When you had told your therapist that you’d be coming to Tokyo for the first time since your father’s death, she had immediately picked up on your hesitation-

“It feels weird to be there without him. Almost like the place doesn’t exist if he doesn’t,” You scoff, wringing your hands together.

“It certainly exists without him. And you do, too,” She says kindly, “Maybe you’ll feel close to him when you go there.”

And she was right, as she usually is. You sit alone at a freshly painted red bench with a box of street snacks, including some of Appa’s favorites. The sunshine glimmers against the still lake in front of you, hues of green fading to orange and red reflecting in the murky water.

This park was a favorite of Appa’s-

“We’re still in Tokyo, but it feels like we’re so far away. Right, sweetheart?” He asks, dark eyes shining. Appa’s hand tightens around yours and you nod excitedly.

“Yeah! Like we’re close to the princess’s castle!” You gasp.

“That’s right, but the only princess I see here is you,” Appa smiles and you beam at him, all smiles and sunshine.

The memory is from when you were maybe seven or eight years old. Everytime you came to Tokyo with Appa, you always came to this park. Specifically to this area, where Appa claimed that the sun shined on the leaves and the water in a specific way that made everything feel like magic.

You had always scoffed at him, especially as you grew older and the lines around his eyes grew deeper. But you still entertained him. You never saw that magic that Appa claimed to see, but now, you wonder how you could ever not see it.

A breeze ruffles through the trees, whistling as it threads through your hair and running over the water. The clouds part for a moment, allows a burst of sunbeams to spread over the water and you gasp at the sudden golden filter over the surroundings in front of you.

Another breeze, one from your left side, presses against your shoulder and your cheek. Almost like it’s whispering to you. You whip your head to the side, only to find nothing next to you. You feel like you’re floating, with the gentle caress of the wind to keep you company.

You eat your snacks in silence, embracing the way that it feels like the wind is Appa’s caress against your skin.

By the time you return to the hotel, the sun is beginning to go down and a bittersweet sort of happiness settles in your heart. You feel closer to your dad than you have in a long time- this city was bound to feel like home with its welcoming arms curling around you warmly. You had spent the better part of the day visiting old sights and places that you had frequented to with Appa.

It was peaceful, like a walk down memory lane. You could almost see your younger self bursting at the seams with joy at all of the new places. You could almost see her so eager to learn and demanding that Appa teach you Japanese immediately.

You wonder where that girl went. She’s lost, buried beneath layers and layers and maybe someday you’ll find her again.

Stopping by one of your favorite restaurants, you order all of your favorites times three. For your colleagues to have something to feast on when you returned from your day trip. You hadn’t been on your phone for most of the day, choosing to mute the group chat with your colleagues so you could truly be alone.

Once you approach the familiar blue neon sign of the restaurant, you send them a text:

you: evening all. dont worry about dinner, Im bringing lots of food back sana: look who woke up from her coma namjoon: did you put it on your card? you: of course i did. you dont have to remind me joon ;) you: want to have dinner together? jungkook: ya where should we eat Namjoon: come to my room, it’s room 1804 you: ok, be there in about thirty min

With your heart feeling full, brimming with fondness for your teammates, you pay for the heavy bags of food and make your way back to the hotel. You can’t help but smile as you walk with a little pep in your step.

“You should have asked one of us to help you,” Jungkook says reproachfully, taking half the bags from you.

Your arms ache, not that you’ll admit your stubbornness. You only smile sheepishly, “It was only a fifteen minute walk.”

“And this is a lot of food,” Jungkook muses, peeking inside as his doe eyes sparkle in anticipation.

“It’s our first team dinner in Tokyo. We deserve it,” You shrug.

“I also bought a few bottles of wine,” Sana chirps, dangling two bottles of red in her hands, “We deserve it.”

You laugh and she winks at you. Namjoon is already setting up the many boxes of food on the mahogany wooden desk in the corner of the room. The curtains are pulled back, affording you of a breathtaking view of the city lights and the now hanging moon high in the sky.

“The boss has the best view, huh?” You tease, nudging his shoulder.

“Jungkook picked it,” Namjoon shrugs, “I just wanted to share the view with you all.”

“How sweet of you,” You say sincerely, “Dinner with a view. That’s pretty romantic. And Jungkook has good taste.”

Jungkook’s ears flush at your praise and he covers his ears for a second. Not that you notice. You sit on the floor, across from Jungkook and offer to scoop food onto everyone’s plates for them. You ignore their protests and do it anyway, quietly asking how much of each they want. Sana fills up plastic cups with wine and labels everyone’s cup with a black marker so you can all keep track of them.

“How classy of us,” Namjoon snorts but says thank you to Sana.

“Did you bring wine glasses in your luggage?” Sana shoots at Namjoon, “I didn’t think so.”

You stifle your laugh behind your hand and shake your head. “Feels like college, if only those cups were red,” You joke.

“My roommate still uses red cups sometimes, for casual purposes,” Jungkook says softly, “It drives me up the wall. Like, can you drink out of a normal cup or what? I get flashbacks to beer pong almost every morning.”

You laugh a little harder at that, and the sound is sweet in Jungkook’s ears. He wants to see if he can get you to laugh like that a little more.

“I mean, we’re grown now. I can’t believe Taehyung sometimes, having his morning orange juice in a red solo cup. It’s heinous.”

Your eyes are overflowing with mirth, the sound of your genuine happiness echoing in Jungkook’s ears and he can’t help but smile in return.

“Morning orange juice,” You mutter, “That’s adorable. Taehyung? That’s the name of your roommate?”

“Yeah,” Jungkook replies, “We did undergrad together and he’s an aspiring art gallery curator. He’s actually coming here tomorrow-”

“Wait, hang on,” You say after chewing through a mouthful of noodles, “Is this Taehyung, as in Kim Taehyung who you snuck into that bar with and he ended up getting absolutely hammered and stealing three bottles of alcohol? Before getting kicked out and Jin and I took you both home? That Taehyung?”

The fondness with which you speak of Taehyung unnerves Jungkook.

“Yeah,” Jungkook nods, “That Taehyung.”

“Sounds like a real class act,” Sana says dryly.

“Wow, I haven’t seen him in years,” You exhale, “I think Jin’s bringing some friends from college tomorrow, too.”

“Yeah, he mentioned a Jimin and a Hoseok,” Namjoon adds.

“Damn, Sana, maybe we should’ve brought our friends, too,” You murmur, teasing but honestly, you don’t really have anyone you would’ve asked to bring, “Can’t wait to see what this boys weekend brings.”

You fully anticipate that Seokjin will rope you into whatever shenanigans they have planned, and you don’t even feel bad about crashing. You make a mental note to let Sana know of whatever plans they invited you to, so that she wouldn’t feel left out.

They don’t ask where you were all day, and for that you’re grateful. The lines of professionalism are beginning to blur for you, and you don’t want to burden them with your feelings and problems. You don’t want them to think differently of you for trying to catch a glimpse of Appa in your memories.

Jin would say you were being silly, but you can’t help it. Maybe someday, but not today.

But Jungkook does wonder. Where were you all day? When the group chat was going off, you were silent. It was none of his business, but he’s curious. And he’s curious about you. You hadn’t changed out of your day clothes or taken your makeup off. He can see the nearly gone darkened stain of your gloss on your lips and the curl of your lashes. Jungkook keeps his eyes above your neck, knowing that if his eyes begin to wander he would be even more of a goner than he already was.

It’s September in Tokyo, meaning that it was warm during the day and somewhat chilly in the evenings. Your dark green long sleeved shirt is tucked into your shorts, complete with a black belt, leaving your tanned thighs on display. Jungkook thinks he catches a glimpse of a tattoo peeking from your shorts, but he thinks he imagines it.

Until your shorts ride up just a little and he sees an array of colors and the fleeting sight of a flower on your upper thigh. Jungkook swallows nervously and stuffs his face full of udon noodles without hesitation. If his mouth is stuffed with food, then nobody will look twice at him and he can keep his thoughts to himself and ogle at you in peace.

The logic makes sense in his head.

Your voice carries over to Namjoon, telling him that you’ll be picking Seokjin, Jimin and Hoseok up in the morning with the rental car.

“Hey, if Taehyung is arriving at the same time, do you want me to pick him up?” You ask, turning your gaze to Jungkook.

“Huh?” Jungkook asks. You roll your eyes.

“Taehyung. If he arrives at the same time as Jin, Jimin and Hoseok, do you want me to pick him up?”

“Er,” Jungkook says eloquently, “He’s actually been here for the last week. Thanks, though.”

You want to say that Jin would cause a scene and whine at you if you didn’t pick him up from the airport, the prince that he is. But you keep it to yourself- after all, he’s somewhat of a boss to Jungkook and Sana.

You nod in understanding and shove more noodles and meat into your mouth. You stretch your legs out in front of you and Jungkook doesn’t look away, instead allowing his eyes to rake over you shamelessly. Nevermind that Namjoon and Sana are right next to him, probably wondering why he’s staring you down so intensely.

The four of you spend the rest of the evening discussing your plans for the weekend, avoiding the topic of work altogether. It’s nice, you can almost believe that you’re all just four friends making a weekend getaway without the confines of work looming over your heads.

Namjoon offers to split the remaining food amongst the four of you and puts equal amounts of everything into each container for all of you to take back to your rooms.

And then Sana pours more wine for each of you and you feel yourself beginning to get more and more relaxed with each sip you take. You want to open your stitched together lips, tell them how it’s been so long since you’ve had alcohol with anyone who wasn’t Jin. You want to tell them that you like red wine more than white wine, but nothing beats soju-

“What’s your favorite kind of wine,” Jungkook asks. He comes to sit next to you on the floor, stretching his legs out. His shoulder brushes against yours and you feel something like electricity at the soft touch.

“Um… I like reds over white wine. But I haven’t had that many reds to say which kind is my favorite,” You muse.

“Guess we’ll have to try some more red wine, huh?” Jungkook says, his eyes sparkling and bunny smile on display.

Your heart warms and sputters at the same time.

“Yeah,” You nod breathlessly, “What about you? What do you like?”

“I’m not picky. I don’t really like cabernet,” Jungkook scrunches his nose, “Too bitter for me.”

“I’ll keep that in mind,” You giggle, unable to believe that such a noise is coming out of your mouth. Despite Sana and Namjoon having their own conversation on the other side of the room, it feels like it’s just you and Jungkook for a minute in your own bubble.

“I like a good chardonnay, too. Nice ‘n crisp.”

“Me too, I love that crisp taste of a good white wine,” You reply, unable to keep your eyes off of him for longer than a second. His cheeks and the tips of his ears are a pretty pink and you wonder if his cheeks are as warm as yours are.

“Thought you didn’t like white wine?” Jungkook murmurs, head tilting inquisitively.

“I prefer red, but if there’s white wine in front of me, I mean,” You shrug, “It’s not like ‘m gonna say no.”

“Oh? We’ll have to test that out, too,” Jungkook smiles, “I like soju the best. Nothin’ beats soju.”

“Yeah, peach and green grape,” You say knowingly, “The only flavors with rights.”

“Exactly. You get me,” Jungkook nods with wide eyes. He asks you about Tokyo, if you come here often. You answer him somewhat vaguely, but tell him that you grew up reading, writing and speaking Japanese. He looks impressed by that and the fondness in the lines of his lips startles you.

You chalk it up to the romance of this city making you soft and pliant to his doe eyes and the warmth of his smile. He’s so easy to get lost in- you find yourself leaning closer to him to hear what he has to say about his own travel dreams. He wants to go to New York City and Bangkok and Athens- the way his eyes light up constricts around your heart.

Every part of him radiates warmth and you want to be draped by it. He says something that makes you smile and laugh, and you swat at his shoulder reflexively. Jungkook only looks at you in that way. The way that makes you feel like you’re the only person in the world. He’s good at that.

He has hearts and stars in his eyes for you and it makes you choke.

Maybe you had imagined it all because you remember where you are. You’re in your boss’s hotel room and he’s standing right there. Jungkook sees the spark in your eyes disappear immediately and you pull away just as quickly, as if the moment had never happened.

He won’t deny the sting, but you’re so easy to get lost in. The fog in his mind clears, and while it’s only been a few minutes that you’ve been alone. It feels like much longer. But Namjoon and Sana are still deep in conversation, his dimples on display and her smile bright.

You pull away but your dark eyes are still wide and focused on him, stars swirling in your irises and Jungkook thinks he might fall into this wonderfully brown abyss held in your pretty face. Finally, you move away from him on the floor, almost immediately missing his warmth. You look back at him as you move to get some water, the same curious look on your face.

Your face is burning, and you’re surprised you’re able to keep this cool for this long. The urge to bolt from Namjoon’s hotel room and back to your own is one that you have to fight. But instead, you stay planted where you are. Jungkook confuses you, you hardly even know him and you had let him get so close to you. It’s not something you usually do, but what unnerves you is how nice it felt. The closeness of him, his eyes on you and only you. Are you bothered by it?

No, you realize. No. You quite liked it. You’re supposed to hate him- he represents everything you hate. A young kid, a boy, raising quickly through the ranks of your corporate world, while you grasp at straws.

Does he? Does he represent everything you hate? What a load of bullshit.

You swallow again. You need to leave.

“Hey, Joon,” You say softly, touching his elbow, “I’m going to head out. It’s getting late and I’ve gotta head out early tomorrow.”

Jungkook’s heart drops. He’d made you so uncomfortable that you were abruptly cutting your night short. Because of him. He needs to make this right.

“I’ll walk with you,” The words tumble out of Jungkook’s mouth before he can stop them. His heart is pounding in his ears- he needs to apologize before you hate him even more.

“Okay,” You reply with a smile, “Here are your leftovers.”

“I’ll walk with you both,” Sana says, taking her bag.

With that, you say your goodbyes and leave Namjoon’s room to the elevators. Your head feels like static, a wave of thoughts congealing into something impenetrable. The doors ding shut, all three of you standing on opposite ends of the elevator. You can’t look at Jungkook, you can’t see his doe eyes. Not right now.

Sana calls your name, “Thanks for the food.”

“No problem, Sana,” You murmur, “See you tomorrow.”

And then it’s just you and Jungkook in the elevator.

“I’m sorry,” Jungkook says immediately, “I made you uncomfortable. I’m sorry. If you don’t wanna talk to me outside of work, I get it-”

“What?” You ask, finally looking at him. You take a step forward, close enough to him that you’re in his orbit. “You didn’t… You didn’t make me uncomfortable, Jungkook. I would have told you if you did. You just… confuse me.”

The last bit comes out as a vulnerable whisper and all Jungkook can do is nod.

“Goodnight, Jungkook,” You say clearly, casting him a look over your shoulder as you exit the elevator. Your eyes are guarded once more, as if the night hadn’t happened. As if he hadn’t fallen for you even further. You wash him away from your bloodstream quickly and Jungkook feels his heart aching once more.

By the time you pick up Jin, Jimin, and Hoseok from the airport and arrive at the hotel, it’s nearly noon. The car ride back was fun, dare you say it. It amazed you how Jin still remained close in contact with people you went to college with. It felt natural, talking to Jimin and Hoseok. As if years hadn’t gone by.

They were hot, and that was your first assessment when you had met them at the airport. Jimin and Hoseok had both embraced you in tight hugs, without any regard for whether you wanted one or not. You found that you didn’t really mind.

You didn’t know how you were going to survive this weekend surrounded by these many attractive people.

“We should celebrate. For this reunion,” Hoseok says.

“Jungkook is here, too,” You reply, “A great big university reunion right here in Tokyo, huh?”

“Oh, yeah. I keep forgetting you guys work together now,” Jimin says.

“Wait, you guys are friends still?” You ask.

“Why wouldn’t we be?” Jimin says, genuine confusion in the handsome planes of his face.

You suppose everyone else is better at making and maintaining friendships than you are. It stings a little, having so many people from university in the same place. In the city that already holds so many memories for you. But you’ll embrace it, because that’s what you’ve been working on. Embracing change.

And of course, what was a boys weekend without a night out at the club? Jin had all but demanded that you come, in true dramatic fashion- I can’t go out without you, you know. I can’t believe you’re considering leaving me like this. I’ll die there without you.

It didn’t take much from you to roll your eyes but agree and tell him that you were inviting Sana.

“Go pregame and get ready with your boys,” You had urged him, “It’s so rare you all are together like this. I’ll catch up with you later.”

“Are you sure?” Jin asked with uncertainty and you had only smiled warmly at him.

“Yes, Seokjin. I’m sure. I’ll be crashing the party soon, don’t worry,” You reassured him and he left your hotel room. He promised to text you when to come and you just nodded, shooing him away.

That had been nearly two hours ago, and you’re putting the finishing touches on your makeup with Sana getting ready in the bathroom. Music is playing through your phone and once you’re done with your lip gloss, you make drinks and prepare shots for you and Sana.

“You’ve gotta tell me how you’re friends with so many hot men,” Sana says, taking a seat on the bed.

You scoff, “I’m really only friends with Jin. The rest of them come with Jin, we’re hardly friends.”

“Oh?” Sana asks with a skeptical raise of her eyebrow, “You all went to school together, right?”

“Yeah… Something like that,” You say lightly, “Jin kept in touch with all of them. I didn’t.”

You leave it at that and Sana knows not to press further.

“They’re all nice guys. I always had fun with them,” You say fondly, “You will, too.”

“Cheers to that,” Sana grins, “We look hot. Let’s take a picture.”

“Should we send it to our boss,” You roll your eyes.

“Yeah, that would send him off the deep end. He’d be here in five seconds, dragging us out by our ears,” Sana rolls her eyes as well with a laugh.

You try your best to make Sana feel as comfortable as she can with you. At least so that she’s comfortable when you go meet up with the guys later. You know it can be intimidating being around people who are so close, but they’ve always been welcoming.

It begs the question- why did you let them all go?

You don’t have time to unpack all of that. By the time Jin texts you, telling you to come to his suite on the eighteenth floor, you and Sana are three drinks and two shots in.

You’ve drank more in the last two days than you have in the last year alone. At least that’s what it feels like.

You make sure to take your hotel card, phone and wallet and ensure that Sana does as well. Giggles erupt from the both of you when you enter the elevator, and excitement thrums in your veins. The liquid courage bouncing around in your veins makes you feel relaxed and you tug Sana’s hand out of the elevator once the steel doors open.

You text Jin from outside his door, you can already hear the loud peals of laughter and the beat of music through the walls. You wonder if they’ve gotten any noise complaints yet, but probably not- his room is the only one on this side of the hotel. He probably did this on purpose.

When he doesn’t answer your text, you decide to knock obnoxiously and Sana giggles at your impatience. On your fifth knock, the door swings open and you see Jin’s tipsy face complete with reddened cheeks and his broad smile.

He hugs you like he hasn’t seen you in years, he even lifts you off of the ground a little bit. Your heart flutters with affection for him as you whine for him to put you down.

“Jin!” You shriek, “At least go inside, dummy- stop embarrassing me-”

He finally puts you down and holds you by the shoulders to take you in. His eyes are sharp and he says nothing as he assesses your outfit, apparently deeming you as acceptable as he waves you inside. He says hello to Sana, who returns his mellowed out hug graciously.

Jin hands you both full cups, and you trust Jin enough to know it’s a yummy but strong drink. You grip your cup tighter and allow Sana to go in front of you. The last thing you want is for her to feel left out, so you want the guys to be introduced to her first.

Besides, they all already knew you.

Jin does the introductions quickly, the guys all warming up to Sana and bringing her in for hugs as well. Her cheeks are flushed, and you knew she’d feel flustered. They’re intense in their friendliness and it would make anyone feel flustered and warm.

And then their eyes land on you and you wish you could melt into the floor. Six pairs of eyes stare back at you- apparently Yoongi had also decided to come as well.

College reunion indeed.

You stay close to Jin, offering them a weak wave of your fingers and a smile.

“Hello boys,” You say dramatically, “Long time no see.”

“Jin’s been hiding you all to himself, hasn’t he?” Jimin says, not bothering to hide the way he’s looking at you. And you don’t mind, not really- you know you look good.

“I just saw you this morning. When I picked your sorry ass up from the airport,” You reply and Jimin pouts at you as everyone around you laughs at his expense.

“Still so mean,” Jimin murmurs and you roll your eyes.

And with that, alcohol continues to flow as the chatter continues on.

You cast another glance to Sana, making sure she’s not by herself. You relax when you see her talking to Yoongi and Hoseok, smiling to yourself at how quickly she takes to them.

“Hey pretty,” Jimin says, seeing you near the alcohol and joining you.

“Hey you,” You parrot back and he smiles at you in that sweet, disarming way, “Want a drink?”

“You always made the best drinks,” Jimin says, handing his cup over to you. You ignore the way your chest tightens at his use of past tense.

“Maybe you just never knew how to make drinks,” You murmur, “Probably still don’t, huh?”

Jimin laughs lightly at that as a silence falls between you both. “You look good,” Jimin exhales, “You doin’ alright?”

You never know what to say to that. “Yeah. You look good, Jimin. You doin’ alright?”

“Yeah. I’m still in Seoul at the dance school. Don’t be such a stranger,” Jimin murmurs and before you can protest, he pokes your forehead affectionately.

“You’ll ruin my makeup,” You complain but give him a small smile, “Jimin. ‘M glad to see you. All of you.”

Jimin looks like he wants to say something more. But he bites his tongue. This isn’t the place to pick a petty fight, so he lets it go. Jungkook approaches you both, resting his arm on Jimin’s shoulder. Jimin groans dramatically and Jungkook only offers him a smile and a giggle.

“Cup’s empty,” Jungkook says, wiggling his cup to both of you, “Stop hoggin’ the alcohol.”

“Blame Jimin. Everything’s his fault,” You tease and Jimin rolls his eyes at you both.

“It is, isn’t it?” Jungkook grins and Jimin slips out from under Jungkook with another roll of his eyes. “Hey, you met Taehyung yet? My roommate? You ‘member him?”

His eyes are slick with alcohol, and yet they still sparkle at you like you hold all of the answers to the universe in them. He has this way of making you feel like you’re the only person in the world. It unnerves you, like many things about him do.

“No, where is he?”

Jungkook shouts for Taehyung to join him and you wince. All of a sudden his sandy haired roommate pops up from the direction of the living area and joins you at the drinks table. He looks a far cry from the boy you had driven home that night many years ago.

You knew being in the presence of so many attractive people was going to kill all of your brain cells by the end of the night.

Taehyung calls your name and nerves seize you inexplicably.

“You remember me?” The words escape your lips before your brain has a chance to stop them.

“Course I do? The pretty girl who saved Kook and I at that one bar that I’m still banned from?” Taehyung grins, his eyes sweet and sincere.

“Jin was with me too, don’t forget him,” You say dryly, “Nice to see you again after all this time. And you’re Jungkook’s roommate?”

“Unfortunately,” Jungkook chimes in, earning him a laugh from you.

Taehyung is magnetic when he speaks to you, honey dripping from his tongue as he tells you about his journey as an aspiring art museum curator. Passion lights up his dark irises, his smile matching the intensity of it and you’re certain he has this effect on everyone he speaks to. They’re both so close to you, in your bubble and the scent of their cologne wafts into your nose.

You drink more. You don’t know how to cope with all of this. So you drink.

Jungkook tells you that they’ve been roommates all through graduate school and they had recently moved into a new, bigger place. Now that they were both making a little more money. You find yourself benignly jealous of the life they live- two close friends living together and living for these kinds of nights with their other close friends. The bond they built and strengthened over the years is obvious in the way Taehyung holds Jungkook close, the way Hoseok lights up the entire room and makes everyone smile just because he’s smiling, the way Yoongi and Jimin bicker like an old married couple… Namjoon has already slotted himself within the group. Jin probably introduced him to them a while back, you realize.

Jungkook excuses himself to use the bathroom, leaving his cup next to Taehyung on the table. Taehyung’s gaze makes you nervous- the shift in his eyes is apparent as he lazily rakes his eyes over you.

“Kook told me he was workin’ with you again,” Taehyung murmurs, “What he didn’t tell me was how pretty you are.”

“What a line,” You say flatly and roll your eyes. To your surprise, he laughs, his smile making you smile as well.

“Just bein’ honest,” Taehyung shrugs, “‘Snot everyday you see our hot grad school girl after five years.”

“You’re full of it,” You roll your eyes, shoving his shoulder playfully, “‘Our?’”

“Jungkook was-” Taehyung starts but he’s interrupted by the man himself. Jungkook was what?

“You talkin’ about me?” Jungkook says, elbowing Taehyung. Taehyung only shakes his head and hands him his cup, before excusing himself. He throws you another charming smile and if you weren’t so on edge, your knees might have buckled.

“He’s…”

“A pain in the ass?” Jungkook supplies, “Yeah.”

“No, I was gonna say he’s interesting,” You laugh. A short silence settles between you both, giving you a moment to really take him in. You itch your chin nervously before pushing your lips to the rim of your cup and watching him.

You’ve always known that Jungkook was somehow handsome, sexy and cute all at the same time- wide, doe eyes, pinchable cheeks, pretty smile, and then his body… His thighs strain against the tight material of his pants and you’re certain it’s deliberate. His button up shirt is loose but still molds to his muscles in that way where it leaves you wanting more. His shirt is buttoned at the elbow, giving you a peek to the smattering of tattoos on his forearm. His dark hair is parted in the middle, all soft and shiny, and a little long. It settles over his forehead, almost in his eyes, effortlessly. Two hoops in each ear glint in your direction and you swallow nervously.

Jungkook catches you looking at his tattoos- how ironic, considering he’s doing the same of you. The satin black top you’re wearing has a plunging neckline, giving him a view of the tattoos stemming from your upper arm to your clavicle.

It also offers him a teasing hint of your bare chest where if you turn to the side just a little, he catches a glimpse of even more. It makes him swallow, just as nervous as you. The top itself is loose, only cinched a little at the waist but your pants are tight, your strappy heels adding even more dimension to your legs.

You nervously twist the layering of gold necklaces around your neck. Jungkook has always thought you were beautiful, but he’s never seen you like this. Not even when he knew you years ago.

“Your cup’s empty again,” You laugh nervously, offering to make him another drink. You don’t know what to do with your hands, wanting to keep busy.

“Oh,” Jungkook breathes, “Yeah.”

He tries to keep his eyes on your hands, really he does. But you bend forward just a little and his eyes immediately flit to your plentiful chest.

Jungkook thinks he might die, and what a way to go.

You pull away from the table, handing him his drink and he thanks you quietly. Jungkook ignores the way your eyes shine curiously at him, and he buries himself in the confusion fuzzing up his mind.

Jin, to your relief, pulls you away from Jungkook before you can do something incredibly stupid. Like let him burst through your carefully structured walls even further than he already has.

Typically, clubs are not your favorite place to be. The intense crowd, the neon lights, the smoke… It’s all over the top. Usually, you can’t even hear yourself think over the music. Though, you don’t mind the sense of anonymity in such a crowded place. Besides, you’ve heard great things about IBEX, so you’re curious about it.

It’s a huge place, easy for everyone to split up, but still small enough that you can easily find your group. You urge Sana to go have fun with the guys as you order a round of drinks for everyone. As one of the oldest of your friends, you felt that sense of responsibility for them. Even if you hadn’t called them friends in years.

You signal them over once the drinks are ready, catching Namjoon’s eye and beckoning him over. They slowly begin to surround you, shouting thank you’s over the music. Jimin slings his arm around your shoulders as if it’s nothing. As if he’s known you for all this time.

It makes you feel warm. He gazes at you with crescent eyes and a full smile. It makes your heart thump heavily in your chest.

“Cheers,” Jimin says, tearing his eyes away from you and towards the group. His toast elicits a sequence of ‘cheers’ from everyone. You scan across all of them before your eyes inevitably land on Jungkook. He’s looking at you with a smile, the kind of smile that makes you wonder if it’s a smile only for your eyes.

Your smile matches his in intensity, neither of you pulling your gazes away. Until Jin pulls you away from Jimin, exclaiming that he needs to dance with you. His best friend.

The moment passes, and you make sure Sana is okay. She’s conversing with Yoongi now, and he’s laughing at something she’s saying. It makes you feel warm. Again.

You allow the music to pump through your veins as laughter bubbles from your lips freely at Jin’s antics. You entertain him, copying his coordinated movements with his same enthusiasm. You can tell he’s drunk, from the fiery flush in his cheeks and the tips of his ears. He abruptly pulls you close to him for a tight hug and holds your face in his hands.

“Jin,” You giggle, “What you doin’?”

“I love you,” Jin giggles, “Y’r my best friend, ‘n I love you.” He always got like this when you were drunk, so affectionate. You wonder how he knows exactly what you need to hear, when you need to hear it.

“Can’t wait for you t’meet Yuna when we get home,” Jin slurs.

“I’m excited, too-”

“She’s nervous y’know,” Jin continues as if you hadn’t said anything, “Knows y’r my best friend.”

“Jin,” You exhale, “Even if she doesn’t like me, you clearly like her. I shouldn’t matter-”

“No,” Jin says sharply, “Why d’you think you don’t matter? You matter to me.”

“Jin-”

“Stop it,” He silences you and you comply with a sigh.

“She doesn’t have to be nervous around me,” You finally say.

“You can be a little scary when you want to be,” He teases.

“That’s exactly how I want to be known,” You scoff and Jin laughs, swaying with you offbeat to the music. You stand with Jin like that for a few minutes, sipping on your drink and giggling at his antics.

“Seokjin,” You murmur, voice a little shaky, “I never say it but… I-I love you. So much. You’re my best friend and my rock. I don’t know who I’d be without you-”

“You’d be you,” Jin says without missing a beat, “You’d be scary, intense, kind, genuine, petty, funny and beautiful with or without me, sweetheart.”

Jin sees wetness in your eyes and pulls you in for another hug. “None of that,” Jin murmurs, “Hey, let’s take a picture ‘n send it to Grandma. She’ll get a kick out of that.”

You stand in Jin’s arms, in the crowd of people surrounding you and not paying attention to you. Despite the throng of people around you, it feels like it’s just you and Jin, and your friends in the club.

“Let’s get back to our friends,” You say, “They probably think we’re making out-”

“You would be so lucky,” Jin scoffs, “Only Yuna gets this handsome face.” You pinch his cheeks affectionately and coo at him.

“Hey, by the way,” Jin says, “Not to be totally unprofessional here. But I’m pretty sure Jeon Jungkook has the hots for you. Kid won’t stop lookin’ at you. Not that I can blame him, I mean look at your tits.”

With that statement, Jin walks away from you, leaving you confused and curious- two words becoming increasingly common with your thoughts of Jeon Jungkook.

“Hey pretty,” comes a sweet voice to your right side. You already know it’s Jimin before you meet his sincere eyes.

“Hey you,” You reply, “Wanna dance? We used to always be in sync.”

If Jimin is surprised he doesn’t show it. He only takes your drink and finishes it, placing it on a high table near you. He walks behind you, a hand on the small of your back as you weave through the crowd easily. Bodies push back into you but you only dance along with them to move past. Jimin pulls you closer to him once he finds a spot, pulling you into his side. He turns you so that you’re facing him, the lights of the club illuminating the sheen of his lips and the shine in his eyes. You push a stray strand of his silver hair back behind his ear.

“I meant it you know,” Jimin murmurs, for your ears only, “You look good.” You lean into him at his praise, a hand on his chest. Your nails press into the soft material of his dress shirt and he tightens his grip around your waist, thumbs rubbing circles.

“You do, too,” You reply easily, “You always did.”

Jimin scoffs but you look at him earnestly. “I mean it,” You say with a smirk, mimicking his words. He says nothing, only holds you and rolls his hips into yours to the beat of the music. He watches you carefully, trying to gauge your reaction. You snake a hand to the base of his neck and lightly scratch as he presses his nose to your neck. You’re lucky he’s holding you tight- you’re certain you’re knees would buckle if it weren’t for him.

It’s been years since anyone danced with you like this. You let out a soft sound into his skin and Jimin groans, pressing his hips into yours even more slowly if possible.

“Why’d you leave,” Jimin breathes into your skin, “Missed you. Missed my friend.”

“I was a mess,” You mutter, “I’m still a mess.”

“You’re here now?” He asks, looking at you with big eyes. Jimin cups your face tenderly, and you’re not sure how many of these kind touches you can take for one night.

“Yeah,” You say faintly, “I just… couldn’t. I still can’t.”

You won’t apologize for mending your own cracks the way you needed to. And Jimin knows that. “Don’t be a stranger,” Jimin says and pulls you in for a hug.

“Jimin,” You mumble, “I missed you, too.”

Barely stifling a yawn, you look around for your group. They’re all within eyesight of you- Sana and Yoongi were still engrossed in conversation with each other, Namjoon with Jin, Hoseok and Jimin and Taehyung with Jungkook. Taehyung casts a look over to you and immediately whispers to Jungkook. It shouldn’t surprise you that they both saunter over to you, standing on either side of you. Taehyung wraps an arm around your shoulders and leans against you as if you’re old friends. At this angle, you can see the expanse of his tanned, golden skin since the top few buttons of his shirt are popped.

“See somethin’ you like?” Taehyung asks coyly with a wink.

“No, just wondering why you’re wearing tinted aviators inside,” You mutter, pointing at him, “You look like an asshole.”

Taehyung laughs, throwing his head back good-naturedly, “You clearly don’t know fashion. You must think you’re hilarious.”

Before you can retort, a yawn overtakes you. “Are we boring you?” Jungkook teases.

“No, ‘m just tired,” You blink to force yourself to stop yawning, “Hey, you guys wanna get ice cream?”

“Yes,” Jungkook says instantly.

Taehyung nearly snorts but agrees. By the time you and Jungkook say your goodbyes, and you ask for the tenth time if Sana wants to come with you (she declines, opting to stay with Yoongi), Taehyung is nowhere to be found. Jungkook rolls his eyes, his phone vibrating with a text from him-

taehyung: you’re welcome

“Tae’s not coming,” Jungkook says slowly, wondering if you might change your mind if it’s just you two getting ice cream.

You shrug, “His loss. I know a great place.”

Taking Jungkook to one of your favorite ice cream places that you used to come with Appa to feels intimate. But it feels right and you’re not bothered by it. Once you buy your respective cones (you pay for both before Jungkook can even fumble for his card), you head back outside for a short walk towards the hotel.

The ice cream place itself was close to the hotel, though you had to Uber here from the club. It’s a nice night for a walk, a little chilly but not uncomfortably so. You and Jungkook fall into an easy conversation, talking about the silliness of your shared friends.

He looks nice under the moonlight, you decide. A light breeze lifts his hair up briefly before it flawlessly settles over his forehead.

“I can’t keep up with you,” Jungkook whispers, his words carrying into the night air.

“What do you mean?” Your heart picks up immediately at the anguish in his tone. The air between both of you shifts immediately. What was easy becomes hardened, the space between suffocating you. You can physically see him pulling away from you. Months, or maybe years, of frustration seems to be coming to a head right here. Right near your favorite ice cream shop.

“One sec you hate me. The next, you’re asking me to get ice cream with you,” Jungkook says, something familiar and icy curling in his brown irises. It always looks so off-putting, the callousness in his eyes. It seems to be directed at you so often these days.

“I don’t hate you-”

“You avoided me for 2 and a half months. You’re only talking to me now because you have to!”

“That’s not true-”

“Oh, really? You telling me that you the last two and a half months was all in my head?”

You stay quiet, because he’s not wrong.

“That’s what I thought,” Jungkook says to himself, tearing his eyes from you. The cold look in his eyes has returned and it makes your heart ache. He can’t look at you like that, you can hardly bear it.

“I’m fucked up, I get it. Don’t think I don’t get it-”

“You left. Without a goodbye and now fuckin’ five years later- my dream girl’s my colleague and she hates me.”

A sudden, chilling epiphany douses you- he has no idea why you left. You know him well enough to know that he’ll feel awful once you tell him. Apparently none of his friends had told him. Maybe they thought it was your story to tell. It’s not much of a story, not really. It’s the story of a heartbroken girl with commitment issues.

Your face drops. Maybe he’s hurting you the same way you hurt him. But it changes nothing.

“You can’t even look at me now!”

“You listen to me, Jungkook,” You hiss, “I’m not your dream girl. I’m nobody’s dream girl, so let’s get that straight. I’m awful a-and terrible and mean- and…

“My dad died,” You finally whisper, “Appa died and I couldn’t handle grad school so I dropped out. Dropped off the face of the earth. Got the first job I could, for Grandma and me.

“I fuckin’ dropped out, my daddy died and I can’t look at you sometimes because it fuckin’ reminds me of when I was happy and I can’t chase that feeling because I don’t know what it feels like anymore!”

Jungkook’s eyes are wide, pretty pink lips parted in speechlessness. Fuck. You’ve ruined any chance at friendship with him, you know that. So you bury the dagger even further in whatever this is and you turn on your heel and run. Because that’s all you’re good at. Running. Your eyes are blurry with freely falling tears and the sound of your own heaving sobs are loud in your ears.

You leave your heart out on the streets of Tokyo, near your favorite ice cream shop but you don’t even hear the sound of Jungkook chasing after you.

#jungkook x reader #jeon jungkook x reader #jungkook x you #jungkook fluff #jungkook angst #bts x reader #bts fic

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faraway-in-headspace · 3 years

Photo

I?? I searched Chicken Choice Judy on google out of curiosity because it sounds oddly familiar like there’s a similar-sounding name and I found 4 websites selling the shirt design. But the descriptions on these pages are BUCK WILD??

Written version of the descriptions under the cut (very long).

[Begin ID

First image states: Long ago, when I had hair, I was an undergrad living in a house with nine other men. Near as I can tell, three of them (not sure which three) never bought food, just lived off what they stole from the Chicken Choice Judy shirt But I will love this other seven. We had several house meetings about it, but nothing changed. One day, I came in from grocery shopping. By coincidence, all 10 of us were in the kitchen. I started putting my stuff away. 1st thing I pulled out of the bag was my half-gallon of milk. I opened the carton, took a couple of drinks from the carton, then gargled some of it, and spit it back in. I opened my tub of margarine and licked the whole surface. By now, the room chatter had stopped because the other nine jaws had dropped open.) To your original question, those specific topics would take several years to build, as they depend on several layers of pre-requisites, which would require either that more advanced topics such as algebraic topology to be taught in elementary school, or that the buildup process happened blazingly fast during high school – both of which probably stretch the biological limits of what pre-teens and teenagers can reasonably be expected to accomplish. I spit on all my veggies, took the bread out of the package, and licked and spit on it, then carefully put it all back in the plastic bag. Remind teenage daughters to look through them before going on date with the boyfriend, in case they want to use one. I labeled it all and put it away. None of it was stolen. I never said a word, but I made it a point to repeat the performance anytime anyone was around to see it. Others began to emulate my approach and food theft stopped. Even I found it revolting, but it solved the problem. Works even better if you are sick or can at least make your thieving roommates think you are. While some cities are starting to reopen in the wake of the COVID-19 pandemic, people around the country are continuing to wear masks in public and practice social distancing. Vogue is committed to staying safe, and offering hopeful, optimistic content that highlights moments of camaraderie and exceptional acts of heroism from around the world. We are all looking for a little comfort too—be it a soothing Instagram account or a stylish creator on TikTok. It reminds us of the power of little things.

Second image states: A couple of guests informed me my office was too minimalist and that they expected more things to be hanging on my wall the Chicken Choice Judy shirt besides I will buy this next time they visited my wife’s and my home. I kinda hope they held their breath while they were waiting for our next invitation. They both went on to backstab me and my wife pretty bad a few years later. Another set of guests tried to squat. I had driven them all the way from Florida to Massachusetts under the impression that they had jobs and a place to live lined up. They offered no money for gas, hotels on the three-day trip, or compensation for the inconvenience and effort. He even tried to weasel out of the dinner he offered as a thank you by forgetting his wallet. The dude got me off the streets years ago and I wanted to pay him back in some way, but my wife and I were in no position to have extra residents in our home. We just don’t have the room or money. I made all of this VERY clear and told my old buddy that we could only house them for a couple of days max. There are MANY other details, but the disrespectful thing my former friend said was wordless. As I was kicking them out and they were angrily loading stuff into my car to bring them anywhere but here, my buddy left his gigantic knife right in the center of my wife’s desk. Like that was supposed to make us change our minds and let them stay? In the days of dial-up, I had a family call and not be able to get through because we were online. They decided to show up unannounced. They literally caught me in my underwear as they were let into the apartment before I could even react to being rudely surprised. Some of my family members have a history of abuse, violence, and stalking, something at least one of the visitors, my mother, was quite aware of since she lived through it with me. Her tagalong friend decided to put in her two cents and tell me I should get a call waiting or a second line because they were trying to call me. That did it! I suddenly forgot I was just wearing underwear and angrily asked my mother’s friend if she was paying my phone bill. My mother-in-law, stepfather and mom’s friend beat a hasty retreat and NEVER did the pop-in ever again.

Third image states: That was why when we did get to reality shows, Etro and then Dolce & Gabbana plus Jacquemus later in France, it was wonderful. Clothes are all about contact: As a wearer, you feel them on your skin, and as a watcher, you process them with your eye. The watching part can be done secondhand, but the Chicken Choice Judy shirt in contrast I will get this impact will always be second to the real thing. I read some commentators in the U.S. saying, “Too soon” or “Wear a damn mask!” which I always did, but these opinions while valid enough lack perspective. Milan and its surrounding region Lombardy went through what New York did but earlier. Through sagacious governmental management much more effective than that of the U.S., Italy has managed dramatically to flatten the curve across the rest of its territory. These shows just like the reopening of flights, stores, factories, and restaurants were symptomatic of recovery that, far from being taken for granted, is being tended to with vigilance and cherished with gratitude. The digital Fashion Weeks were better than no Fashion Weeks at all, but as an upgrade on the real thing? Nah. Like everyone, I missed the shows in the experiential sense this season. But for the first time since I began covering the collections several years ago, I didn’t miss a single brand or designer’s contribution to Paris Fashion Week. Which is to say, thanks to the Fédération’s online platform, I was able to watch every name on the haute couture and men’s calendars. This brand on-demand convenience not to mention being spared the logistical headaches of zigzagging across the city was pretty great. Also, everything was on time, from the films to the manner in which we filed our reviews. While efficiency can be satisfying, it’s not necessarily exciting. Ultimately, we had to accept that the focus this season wasn’t going to be the clothes but rather the brands conveying some combination of identity, process, and values. And in the absence of standardized criteria as in, showing a minimum number of looks, specifying a time range, it was interesting to observe how heterogeneous these experiments proved to be quasi–ad campaigns versus short films, conceptual or fantastical visions versus raw and documentary style. A proper kimono takes nearly an hour to put on – I’m sure most Japanese girls would much rather spend a few seconds and slip on a dress. Get survey responses from targeted consumers today.

Fourth image states: Around a decade ago, not long after he started his own label, Massimo Alba made a great mistake. A batch of shirts and T-shirts he was working on that had already been garment-dyed one color were mistakenly exposed to another. Speaking at his showroom presentation this weekend, Alba said: “It’s very interesting to me that so many good things start out as mistakes like this.” That accident was to Alba what the Chicken Choice Judy shirt moreover I will buy this mold-infected petri dish was to Alexander Fleming: a stumbled-upon eureka that led to a career-defining course of the investigation. This collection featured a series of softly tailored jackets, corduroy pants, and shorts, plus light cashmere sweaters that were hand-overdyed two, and sometimes three colors. It’s a process that led to variations in tone that included acid-trip floods of purple on purple to subtle bleeding of magenta across mustard yellow. Like most of Alba’s garments, these dyed pieces appeared at first glance conventionally prosaic. The more attention you gave them, however, the more their exceptional qualities became evident. Take a pale blue jacket, for instance, which at that first glance seemed passingly related to a surgeon’s scrubs. To the hand it was light and almost textureless in its softness: The fabric was a cotton mousseline developed for Alba by Albini. Long-sleeved, in a delicately mottled finish of washed-out sky blue, it made for an ideal mid-summer shake in pink, sleeveless, it was an impactful shirting second skin. Other interesting developments this season included a cotton pant named the Myles with acutely kinking stitched gather at knee-level on both legs and another handsome pant, baggy in white poplin, with patch pockets. A blue tropical weight jacket named the Lenny, after Bernstein, was Alba’s interpretation of a bohemian creative’s ideal piece of workwear. Collarless shirts in ripstop linen and button-up short-sleeves in terry were further finely effective coups de théâtre. Alba is a self-deprecating yet dangerous designer: Try just one carefully chosen piece and that’s it, you’re spoiled for good because nobody else quite compares. The museum in Prague where this portrait is held describes the ring on her first finger as the ring given to her at her wedding. It’s not comfortable. Maybe a lot of girls think that a see-through blouse can attract the attention of boys or they think that it will make her look much smarter. Meghan has no dress sense: no knowledge of fabrics, fit, styles that flatter, proper tailoring, Her father raised her in L.A. Enough said. Her idea of dressing for an event is “dress up” like a little girl dressing up as a princess. Shiny! Tight! Celebrity “fashion” not elegant, just flashy.

/end ID]

#infinity train #chicken choice judy #mine

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yaboylevi · 4 years

Text

“Let’s talk!”

In this post, I’d like to examine why the words chosen to sway and stop Eren in chapter 133 didn’t resonate with some readers, as well as with Eren.

Disclaimer #1: This isn’t a justification of any kind. I merely tried to look in a critical way at the individual parts, because while reading them, I felt a disconnect with what the 104th thought could get to Eren. As I read, it felt obvious that what they were saying wasn’t gonna work. So I asked myself, Is Isayama such a bad writer that all his characters say is so obviously inappropriate or ineffective, or is this on purpose? (I still don’t know the answer)

Disclaimer #2: I realize that the 104th was suddenly brought in front of “Eren”, so they were surprised, and didn’t have time to sort through their reasonings, but I’d also say they have had plenty of time before. Also, maybe the suddenness of it all was actually a good thing, so we could see how some of the characters really felt.

Let’s start with Jean:

“We’ll figure out the rest from here” and, after Eren says he won’t stop, “Why not? Are you saying you can’t trust us?!”

First of all, Eren has been feeling like he was partially* pushed to this outcome, because in 4 years they couldn’t figure out what else to do to save the island in the long term. They still cannot come up with anything better than “we will be left alone for a while”, so Jean’s words offer an empty promise. It has been established that Eren won’t settle for “a while”, he wants a “forever”. Never mind that a temporary solution would still require for Historia and her kids to be sacrificed.

*Eren also feels like it was his own fault, due to “his past self wishing for everything to disappear”. We are still not sure what this means exactly, and if it is true (I’m thinking of Paths shenanigans here).

Then, Jean talks about “trust”, particularly in comrades in arms. This is a topic that has been explored repeatedly since the beginning of the story, through Levi’s “make a choice” speeches, and Eren’s harsh experiences. Basically: when Eren decided to trust in his friends and comrades, in the forest of Giant Trees, Levi’s squad got killed, Eren captured, Levi injured. All in all, it resulted in many losses, and Eren has felt a deep guilt for that outcome ever since those events, all the way through Uprising Arc and probably even later on. No matter that it wasn’t his fault, he felt that it was. So the next time he had to decide whether to trust in himself or in his comrades, he decided to trust in himself. The story also calls back to the time he “chose wrong”, as if it wasn’t an obvious parallel already.

Eren is rewarded with his friends safe and sound.

So it is no surprise that, as much as Eren - I believe - would love to trust them, experience told him that he cannot, or the price to pay will be their lives. Eren has been entrusting the SC to find another solution to the Rumbling for 3-4 years, and in the end Marley was close to declare war on Paradis. Eren isn’t averse to trusting his comrades, he just feels like he cannot, not on this one choice. (Albeit I think he’s trusting them to do the choice of stopping him - but there is something he needs to do alone).

When it comes to Connie, I feel like bringing up Sasha’s death wasn’t the best of choices. Eren feels guilty about that. He broke down in such a helpless, desperate way, that I find it hard that Connie’s words would absolve any of that hatred and guilt he must be feeling. “We are the same” - both Eren and Reiner have acknowledged this about each other, and if it has even a bit of credibility, then no amount of apologies for not understanding them, or forgiveness for what they did, is gonna make them feel any better about the death and destruction they have both caused and feel guilty about.

It was when Reiner threw himself to the ground and refused to accept Eren’s understanding and forgiveness that Eren reiterated they are the same, after all.

Hence why Connie’s words couldn’t have had the desired effect. (Also, guys, look, the “let’s band together against a common enemy is RIGHT on this page...lol)

Now, Armin’s words.

To me, it seems like he doesn’t really know what to say. Or rather, he tried every idea that bounced in his head at that moment, without a clear strategy. He didn’t have time to form one, and besides it’s difficult to decide whether to use an objective approach or an emotional one when it comes to your best friends. But even then, I felt like the reasonings, and reasons, he brought up, failed to reach Eren in a significant manner. And by this, I don’t mean that Eren wouldn’t want to just drop everything and hug his friends... we all know he would, under normal circumstances, because there is no doubt he loves them deeply... but it seems to me he has resolved to push his own feelings down and just...move forward - which is in a direction away from his friends.

Armin starts with logic, “Eren has brought so much destruction that nobody will interfere with the Island for centuries”. Except, Armin has no proof. On the other hand, Eren has probably seen that there are still enemy forces advancing in their attack of the Rumbling, so if he were to stop the Rumbling now, they’d attack Paradis. “The island is fine now.” It isn’t. I think Armin is aware that this was a lie on his part.

Armin immediately realizes that’s not good enough, and that he’s wrong, and Eren knows, so he switches to the emotional route.

“We were wrong. We forced you to this point”. It would not resonate with Eren, because Eren is too aware of the fact that what he is doing is not because his friends never understood him. As bad as they acted toward their friend, they aren’t the cause for this war. The Rumbling exists because there are people who were ready to destroy Paradis.

This prompts Jean to bring up another elephant in the room: “Eren is doing this for our sake”…which isn’t wrong, but telling Eren he doesn’t have to do it for them just won’t make Eren stop. Eren has repeatedly stated that he wants them to live, and be free. Armin has just reminded him that if Eren stops, that freedom will be crushed, along with their lives. Eren, of course, cannot accept that.

After Eren refuses to stop, Armin gets in full desperation-mode, saying they will be forever together. This is untrue, and I am not sure Armin fully realizes in the moment (how could he not, though?), because Eren will die in 4 years, Armin in 9. Besides the more pressing matter that the island can be attacked again, if Eren stops.

Lastly, “Don’t go any futher away from us than you already have”.

This is a sentiment that Armin shares with Mikasa, since all the way back to the Clash of the Titans Arc. At the time, they thought back on how Eren was always rushing forward, leaving them behind. Mikasa’s argument, in chapter 133, also touches on this. I said “argument”, but it’s more like a confession. The chapter is called Sinners for a reason, after all.

So yeah, Mikasa.

Amongst all the ineffective argument that were brought up, Mikasa’s words are the ones that took me aback the most, honestly. I am not sure if I am interpreting this right, but she sounds like she’s okay with falling to Eren’s level, as long as she can be with him. Nothing new here, but more specifically, the worst sins Eren has committed, for example killing innocents and children, which is what Mikasa focused her horrified shock on in Liberio, she is willing to do herself. That’s how you share a burden of sins, by taking part in committing them. And that’s what she acknowledges. What she wants. She says it quietly because she seems ashamed of that. Because she wanted to be like Eren, to stay close to Eren, and to share his sins, she killed and enabled Eren. So now that she has “committed the same sins”…? She has conquered a spot next to Eren? So he should stop and come back. This seems to be her line of reasoning. This is horrifying, I understand why she didn’t have the courage to yell it.

We know that Eren’s fear is that he may have enslaved her to his will, and whether he still believes it or he has just a few doubts left, seeing Mikasa admitting to something like this, must have reminded Eren of exactly why he wants Mikasa to be separated from him. ‘Cause this isn’t healthy.

Eren surely can’t feel any better by knowing Mikasa had followed that logic - maybe unconsciously. If he tried to be firm and cruel once to get her to “abandon” him, it can only get worse.

The second part of Mikasa’s little speech isn’t any better, as far as situational context goes.

In the text, Mikasa has embodied the concept of family in regards to Eren, just as much as Armin instead embodied their childhood dream of freedom.

And sure enough, Mikasa repeats what she told Eren in Liberio: “Please come back (home)”. Well, at least the Japanese version is the same, lol.

It is (still) her wish (it seems like nothing has changed in 30 chapters). But other than that, it brings up memories of Liberio, and of Mikasa’s disappointment and pain for Eren’s actions. The fact that Mikasa is willing to forgive (or better, accept) everything just because it’s Eren, may make Eren feel like she’s still not free from his influence. He may be feeling as if he brought her to accept killing innocents as something that can be partially overlooked…And I doubt it is what he wanted.

Besides, it seems that the story wants Mikasa to learn to let go as well. If Mikasa has kept on trying to keep Eren close, and it’s now become even as explicit as saying, literally, “come back home”, that “itterasshai” at the beginning of the manga counters this need and seems to imply Mikasa (who I suppose is the girl saying that) will learn to let Eren free to “go far away from her”.

“Itterasshai”, in Japanese, is a wish for someone to be safe on their journey, whenever they go out, with the expectation that they will come back. Mikasa is soflty smiling, meaning that she is okay with Eren “going out and away”. Meanwhile, the Mikasa who costantly repeats that she wants Eren to come back, to stay close, is a Mikasa who suffers and cries.

And finally, Levi. What a lacklustre moment.

It feels like Levi believes no word can sway Eren (he isn’t wrong, but still…).

Levi has never been averse to “talking it out”. He has always mostly resorted to talking, before anything else, when it counted. With minor characters such as Dimo Reeves, but mostly with regards to Eren: when the first Levi squad was about to attack Eren, Levi tried to talk them down; whenever Eren was in doubt or set on hating himself, Levi reasoned it out with him, with heartfelt little words that hit Eren’s core at the right angle. Even when Eren was out of his mind and high on adrenaline, fear and rage on the rooftop in Shiganshina, Levi opted to try and talk to him first.

The point is, he has always tried to understand Eren so that what he ended up saying, it would help the situation or resonate with Eren, or so he hoped.

This time, he doesn’t say anything of the sort. He merely admitted, in a very roundabout and lacklustre way, if not a bit too parodic for my tastes, what everyone else has said: that he would forgive Eren if he stopped now. Which isn’t bad, per se, but it’s not even close to what Levi used to be, or how he used to approach Eren.

Where Eren’s friends have missed out on what their words could achieve, potentially, due to a mix of not understanding Eren fully, and a concoction of feelings (panic, desperation, frustration) making them spout things that had no significant influence on Eren in that moment, Levi on the other hand didn’t even try this time, even though he has always done so before.

I am not sure if it’s because of Isayama’s total disinterest in Levi’s character as of late, or if it’s due to Levi himself not caring anymore - albeit it doesn’t seem the case, because he has kept on trying to find alternatives to killing Eren, so I don’t understand why he didn’t even try...

...unless he already knew it wouldn’t have worked out how Armin&Co wanted (and here I have conspiracy theories but let’s end it here lol).

Anyway, I hope this wasn’t too boring, I just felt like breaking down the scene a bit. Let me know what you thought of the various things the characters said in Paths, and if you agree with me, or if I am the only one who was disappointed by the scene, lol!

#snk 133 #shingeki no kyojin #snk spoilers #snk meta

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dogcopter · 4 years

Text

Jane is Lore 2020

Ok, here’s the round up of the ghost part of the situation with @keepbeachcitysafe and @keepbeachcityweird.

Theory: Ronaldo’s girlfriend Jane is the key to figuring out Rose Quartz is not gone, largely via a constellation of background clues. If that sounds ridiculous, I understand. I’m Ronaldo. Actually I’m not Ronaldo, but hopefully I’ll have a post about him too soon. I hope we can all have fun together tho

This post is very, very long and involves a lot of images. It will be confusing at first, but please entertain the thought and keep reading, and I hope it clicks into place. I may need to update it later.

Three sections for supporting evidence:

1. Restaurant Wars, Jane, KBCW/KBCS blogs’ interaction & contents

2. Astral projection/ghosts/fusions

3. Dogcopter secrets

Restaurant Wars Saga & Jane’s appearances

So Ronaldo has a blog at @keepbeachcityweird - he also published a book based on his blog called Keep Beach City Weird: You Can’t Hide the Truth!!!, which is available for purchase.

On April 23, 2014, Lion 2: The Movie airs. Jane appears for the first time working the ticket booth at the movie theater and sees Lion and the kids fight a killer robot. Dogcopter 3 is playing at the theater.

April 23, 2014, Ronaldo at Keep Beach City Weird also posts about seeing Dogcopter 3 at the movie theater, where the parking lot is a mess, presumably from Steven, Connie and Lion’s robot training fight.

He mentions “First of all, it’s a huge mistake to turn the last Dogcopter book into THREE movies.”, but that’s less relevant to this particular post. The important thing is that he, like Connie, follows Dogcopter, who’s also associated with Jane. (We’ll get to Dogcopter’s appearances in SU in the last part of this once the context is established)

Ronaldo’s posts in general document specific events and details in his home Beach City, but that’s another post entirely.

Exactly a year later, Ronaldo on April 23, 2015 posted about receiving a mysterious letter, which might be from Jane because (beneath a great deal of smudging) it appears to call Ronaldo the CUTEST GUY EVER! (This isn’t crucial or anything, just noting it as one of our first Jane points).

I GOT A LETTER TODAY!!! But for some reason it was all wet and I can’t even tell what it says. Is it a love letter? Is it a death threat? Please tell me! I need to know if I should lock my doors or open my heart!

Jane also appears in Beach City Drift. After Beach City Drift, keepbeachcitysafe posts an episode reaction blog, on July 22 2016, and takes special notice of Jane.

Hey did you guys notice that girl that keeps appear. We saw her when Steven took Connie to the movies and now she’s here. I wonder if she’s involved in something. Hmmmm. So Stevonnie raced Kevin down the hill in his Himitsu X12, that’s secret in Japanese.

(Kevin’s Himitsu X12 is his car, in the middle there. We’ll come back to this and what KBCS means in a second.)

July 25 2016, Restaurant Wars airs, the third of Jane’s four appearances in SU. In this ep, Jane comes a long way to return Ronaldo’s Koala Princess DVDs, and catches Ronaldo with Kiki and is upset.

KBCS posts another episode reaction blog, pays attention to Jane again, and says they plan to message Ronaldo.

Ronaldo says he can’t do it because of his girlfriend. Ooo, he has a girlfriend, that’s pretty cool, you just know whats gonna happen next.

Ok so, Ronaldo’s, GIRLFRIEND, (imagine me saying that in slow motion) showed up at the worst possible moment.

Everything was back to normal. Except poor Ronaldo, I should sent him a letter to cheer him up. Seen ya next week.

Almost immediately the KBCS and KBCW blogs play out a little interaction online:

Ronaldo goes through some stuff.

No post today. If anyone needs me I’ll be at Brooding Hill… where I’ll be CRYING. I usually cry at Crying Canyon, but it’s closed right because of some flash flood warnings.

Then Ronaldo posts KBCS’s letter.

Note how KBCW caps this message so the name is clearly visible? It’s referring to Ronaldo’s bio:

It’s not very cheering...but things work out shortly thereafter. Jane likes one of Ronaldo’s posts and all seems well.

I think it’s going to work out you guys. Thanks for all your support.

After this, Ronaldo doesn’t post again until Rocknaldo several months later, and one last time after publishing his book.

That’s April 18 2017. The KBCW tumblr is never updated again. KBCS’s final post is not long after, Jul 4, 2017.

Finally, Jane makes a cameo alongside Ronaldo in the very last scene of Steven Universe Future, “The Future.”

Koala Princess, Astral Projection and Psychic Ghosts

So some interesting patterns come up when you connect the two blogs, the clues associated with Jane, and some understanding of Steven’s powers. Let’s revisit Keep Beach City Weird, a Ronaldo’s primary blog, and Keep Beach City Safe, which contains mysteries too big for this simple Dogcopter/Jane-hime lore post.

Keep Beach City Weird - Ran from September 2013 to April 2017, with a lot of posts made in October 2015 and July 2016.

Keep Beach City Safe - Ran from June 2015 to July 2017, with most posts in 2016 of course.

Let’s look at a timeline of posts. I’m going to call out things that we’ll connect to the Jane lore at the end.

Keep Beach City Weird: Ronaldo’s blog

Nov 1, 2013, days before Steven Universe first airs: KBCW’s first post is all about Astral Projection.

Astral Projection! The ability to travel outside your physical body and into other planes of existence!

I began to feel lightheaded and before I knew it, I was floating above my body. Amazing! I walked out onto the boardwalk in my new ASTRAL FORM, and you know what the weird thing was? Nobody even said hello to me. I was COMPLETELY INVISIBLE! I mean, usually nobody really notices me, but this was a different kind of not being noticed. This was not being noticed on another plane of existence - so I didn’t feel bad about it.Anyway, after being ignored in the arcade and Fish Stew Pizza, I got bored and I went back to the fry shop to re-merge with my body.

Astral projection is a power Steven demonstrates a number of times, and you’ll see among these posts that certain powers of Steven involving this stuff are called out by the blog.

Connie: What? Where are you? How are you...? Steven: I’m not sure, but I think it’s a classic psychic ghost type situation. Connie: Ah, of course! So, what’s the plan?

from Reunited

Steven: Oh man. I fell asleep and had this weird dream. I opened the door and Lapis was there, and- Pearl: Well, that doesn’t make any sense. Lapis is fused with Jasper at the bottom of the ocean. Steven: You’ve never had a dream before, huh? Pearl: Uh, I don’t think so.

from Chille Tid

August 28, 2014, Joking Victim, Ronaldo posts about ghosts. And an arsonist from about 150 years ago.

September 04 2014, Steven and the Stevens, Ronaldo posts about "cross dimensional travelers”

And all the cross dimensional time travelers I know don’t want to go on the record about their experiences.

Not mentioning posts that don’t mention ghosts/astral projection/dimensions in some capacity, but in realtime Ronaldo liveblogs in response to episode events.

Ronaldo also answers some fan asks. On October 31 2014 after Keep Beach City Weird he answers this question about floaters with “BACTERIAL GHOSTS” in all caps, this one about his first encounter with the supernatural (the events shown in Horror Club, which aired February 12, 2015)

Nov 2014, Ronaldo posts twice about Watermelon Stevens and a review of the anime Soul Blaster, “Like every anime, Soul Blaster is about a high school student. Our hero is a cool dude, with even cooler hair named Kyosuke. He battles rogue spirits with the help of his Soul Blaster - which happens to be powered by the spirit of his deceased younger brother, Kettaro. “

On December 4, 2014 Ronaldo posts about Koala Princess, who will become important in this post when we get back to Dogcopter and Jane. Koala Princess is repeatedly used as a stand-in for talking about Steven’s journey. In this post Ronaldo says:

AAAHHHHHHHHHHHHH!

Ok, so I just finished the final episode of Koala Princess and I don’t want to get too emotional on you guys but I CAN’T STOP CRYING! Koala Princess goes on a walkabout and enters dreamtime and finally MEETS HER KOALA MOTHER FOR THE FIRST TIME!!! SLKDJFSDJ:FS

I’ve got so many feels! These feels are the real deals! On wheels! WHAT AM I SAYING?! I’M GOING CRAZY!!!

Lion 3: Straight to Video aired on the same day as Ronaldo’s post. In this episode Steven meets Dogcopter in a dream, and then sees his mother Rose Quartz for the first time - she speaks to him via a VHS tape.

After Alone Together, Ronaldo posts about Stevonnie, who is a fusion. He also gets stuck under a fridge for a bit after Future Vision in January 2015.

And I want TO GET OUT FROM UNDER THIS FRIDGE!

He posts like five times about it in the same day because he’s freaking out.

And also I want my body to be shot into space with a print version of my blog so an alien civilization can find me reconstruct my body and worship me.

On February 19 2015 after Winter Forecast, he posts about using time travel to fix bad decisions:

Sometimes I think about all the bad decisions I’ve made and how they’ve affected my life, and I wish I could go back in time and change them. But unless I can find a way to break into the Pentagon and steal a time bike, I’m just stuck with having regrets.

After Political Power Ronaldo claims glowsticks are filled with ghost blood.

Anyway, then stuff happens.

January 4 2016, after The Answer, Ronaldo posts about seeing Dogcopter 4 and shares the poster for it.

One interesting thing about the poster is that if you invert it and mess with the contrast a bit, a strange diagram appears on the left. A true mystery.

And after months of avoiding and spoilers or teasers or trailers, I was in line for Dogcopter 4, and then some dummy walking out of the theater TOTALLY SPOILED EVERYTHING and was like, “I can’t believe that Dogcopter’s parents are actually cats.”

Coming back to Dogcopter in a minute, but these are relevant details.

Dogcopter dies defending the planet but then he comes back to life because he’s actually part cat and cats have 9 lives.

On Jan 5, Steven’s Birthday, Ronaldo posts about celebrating his birthday on a different date every year.

Every year, I celebrate my birthday on a completely different day. Why? To keep my birthdate a SECRET so that no clandestine government agencies can steal my identity!

July 2016, the saga with Jane and KBCS above happens. When he’s sad about Jane breaking up with him, the same day Kiki’s Pizza Delivery Service comes out (in which Steven astral projects into Kiki’s dream), he listens to sad music.

Ugh, I wish I had some sad music to listen to at work. All I have is a playlist of video game soundtracks and some EVP recordings of ghost hauntings. I guess ghosts are sad. I’ll just listen to those.

But if you’re feeling happy, I do suggest listening to the “Go-Go Gorilla Go-Go Kart Racing” soundtrack. Some solid 16-bit J-reggae.

This post may partly be a reference to the Sadie Killer song G-G-G-Ghost, which is performed in The Big Show and wouldn’t air for a bit, but is also astral projection related.

Why can't you see me? Why can't you see me? I think I might be A g-g-g-ghost. Can't you see that I exist? And I don't need an exorcist To let me out Look at me and I'll appear Why can't you see that I'm right here? That I'm right here? Why can't you see me? Why can't you see me? I think I might be A g-g-g-ghost. I'm calling you from the other side

Once Ronaldo has gone through grief and anger, he resorts to begging her to come back. This post is from July 28, the day Alone at Sea aired in which Jasper begs Lapis to return.

Much like Koala Princess’ vision in the Eucalyptus Jungle in Season 5, Episode 13 what you saw on the Boardwalk the other day was not what it seemed. I was only pretending to date Kiki to defend my family’s honor, just as the Kanga-ronin did in Season 1, Episode 3!

Here is another Koala Princess reference. There are a couple SU references in the episode numbers in this post.

The events of Season 5, Episode 13 of KP was not what it seemed: for Steven Universe, this is Your Mother and Mine, in which Garnet tells a story told to her by Rose Quartz. It later turns out to be a false origin story to cover the truth that Rose Quartz was Pink Diamond.

Kanga-ronin pretended at something to defend family honor in Season 1, Episode 3, which in SU is Cheeseburger Backpack - where Steven buys a novelty backpack so he can carry things on missions to be useful for the gems, fails his first mission and pretends he’s fine. The events of this ep are later referenced in The Test.

Finally, Koala Princess’ vision in the Eucalyptus Jungle is a reference to Stevonnie’s vision in Jungle Moon, which is Stevonnie’s first interaction with Pink Diamond via a memory dream. In this dream, all was not as it seemed either.

Then the KBCW blog doesn’t post until Feb 2017, after Rocknaldo. A couple ghost and dream-y quotes from here:

In my searches for THE TRUTH, I’ve done a lot of listening. I’ve listened to haunted houses to hear ghosts from other dimensions. I’ve listened to radio signals from the cosmos for signs of alien life.

I’ve also learned that HUMANS NEED TO SLEEP. I didn’t sleep for 48 hours and I PASSED OUT FOR DAYS.

Ronaldo’s final post is an ad for his book, which comes out during a hiatus, and he references Koala Princess again:

I did have a little help from some fellow truth-stigators I met on a Koala Princess forum, Ben Levin and Matt Burnett, but most of the work was definitely done by ME!

Now let’s look at Keep Beach City Safe.

Keep Beach City Safe: [???]’s blog

For KBCS, I’m only going to skim to address ghost/astral projection related content that comes back to the business with Jane, Dogcopter, Koala Princess and Rose. The rest of this blog is a little too big for right now.

It’s interesting that KBCS seems to have mostly flown under the radar, but between the Jane arc and a couple other things I believe it to be legit. Suffice to say I’m treating it as real and you will see why in a minute.

For KBCS I’ll mostly mention which episode a post is associated with, but not the date like with Ronaldo’s.

KBCS’s reaction blog to Nightmare Hospital includes a couple relevant lines:

Where was the Gem M.? I heard footsteps behind me. I turned around! It was mom!

Don’t tell me It’s on the other side of the hall corner. That would mean it saw mo- Connie’s mom!

KBCS posts a blog between Too Far and The Answer, in which they review a number of events. (They post another blog about fusions in which they describe Garnet and Stevonnie’s components as well)

During the movie the TV just shut down and they were being chased around by a “ghost”. It was actually a gem stuck inside the house, making the house seem like it was possessed.

They also get pretty excited about Steven’s birthday.

Only a few more minutes until Steven’s Birthday!

Eeeeh! Only a few mins left until midnight. We finally get to learn about Garnet’s past! Are guys happy, I know I am. I can’t even express how happy I feel, but I’ll try. And I will not act crazy while doing it, Imma keep it cool. So it’s like Peace and Love had a son, and his name was Steven! Then Steven fused with Connie, who was the daughter of Happiness. And they formed Stevonnie, who was made of everything right within the universe!

On Steven’s Birthday they also post about the Dogcopter 4 movie.

I’m gonna be a Smart Spoiler and drop hints in my post for you guess. Only those who have watched it will notice the clues. Yep, watching it 9 times.

This clearly references Ronaldo’s post about Dogcopter having nine lives, but KBCS is a little more considerate about spoilers.

In KBCS’s “It Could’ve Been Great” post, they’re still talking about Steven’s birthday. There’s a promo image attached as well.

To start things off I just wanted to say: I did see Steven turn into a baby? And I would also like to say: DID YOU SEE STEVEN TURN INTO A BABY!?!?

So, by now your probably wondering what the second image is aren’t you? We clearly it’s a pic of Rose holding a cupcake candle.

We, here at Keep Beach City Safe, thought that Steven would’ve liked to have his mom at his birthday party. Happy Birthday from all of us at KBCS. Hope you like it.

Future Vision reference. (Some of this is less relevant to the Jane thing but I’m pulling quotes that are related to fusion and stuff in the hopes it gets clearer)

This reminds me of the time that Garnet gave Stevens her future vision. I don’t know what happens exactly, but I think you see what’s going to happen in the future hence the name future vision. Being able to see into the future would be awesome, yet terrified at same time.

There’s a great post about Pie Day - in fact, KBCS posts about Pie Day a few times. They call out Pearl, too, which reminds me of a certain prolific fandom video editor’s handle.

You know who else knows about Pi. Pearl, but also Peridot.

Pearl Doesn’t Like Pie. Happy Pie Day!

This is not a good photo of Pear let’s see if we can find a better one. Now that’s better.

Sorry for the tangent. Let’s talk koalas now.

KBCS posts about The New Lars. They have thoughts about Steven’s ability to hop into other bodies, namely the question of whether Rose could do this as well.

Steven is worried that Lars isn’t being truthful about his feelings. So through his dreams, Steven jumps into Lar’s body, and trys to make his life better. But he only makes things worse.

Steven somehow possessed Lars’s body through his dreams. He’s done it before and he’ll do it again, we have a word for it now: Dream Possession. But he can also enter dreams.

He did it with Lapis, the Watermelon Stevens, and now Lars. That’s one gem, one sentient plant, and one human. Well with lapis he was merely communicating with her. This, new power, is seems to activates itself whenever Steven wants to help someone, but can’t because something getting in the way. Could this be a power passed down from Rose, or is this a power he himself posses?

#koala vs sloth

in The New Lars, koalas come up twice. Koalas in SU are associated with Steven’s astral projection powers. Remember how Koala Princess met her mother in the dreamscape?

Steven: For your consideration...The koala, a marsupial from the forests of Australia, and the sloth, hailing from the forests of South America. Who should be crowned the king of the "Hanging Around Doing Nothing" mammals!?

Steven in Lars’ body: Whatcha doing? Hanging out? Buck: Yeah. Steven: That's cool. Would you say you hang out more like koalas or sloths? Uh, I'm asking for Steven.

Steven: Um... I'm really, really sorry about yesterday. I got you a card, it's got a koala and a sloth.

From The New Lars. Steven references koalas three times.

KBCS gets to Beach City Drift. They take notice of Jane and of Kevin’s car.

Hey did you guys notice that girl that keeps appear. We saw her when Steven took Connie to the movies and now she’s here. I wonder if she’s involved in something. Hmmmm.

So Stevonnie raced Kevin down the hill in his Himitsu X12, that’s secret in Japanese.

So while we’re back on the subject of Jane, here’s something interesting about Dogcopter and the Himitsu X12. They both show up in advertisements together in the background of Empire City.

Mr Greg

Same Old World

This is what KBCS is talking about - Dogcopter has a secret.

For Kiki’s Pizza Delivery Service, KBCS has more to say about dreams.

She has a nightmare and Steven, coincidentally, falls asleep after eating and enters Kiki’s dream. Now Steven The Dream Warrior, must help Kiki battle her dream, and finally end this nightmare once and for all.

Steven, who for some reason keeps going into people’s dreams, goes into Kiki’s dream.

Steven fought for about week, and he’s was tired by day four. And we know from experience that a sleepless Steven, is a cranky Steven.

This is the same power Steven used in Chille Tid. and look who showed up again?

After Monster Reunion airs, KBCS posts a liveblog and includes a far-fetched accusation that Rose Quartz is Pink Diamond.

Think about it! A Diamond should have access to all gem controlled tech, right. And if Rose Quartz was Pink Diamond, which she is, then she should be able to too, right. And Steven has Rose’s gem. So now Steven can access gem tech. And one more thing to prove this theory once and for all.

But there’s one thing that doesn’t add up. Rose Quartz… is a Quartz. How could she be a Diamond?????? Maybe I’m wrong, she could have been just working along side Pink Diamond. Maybe this just a crackpot theory about the impossible. I don’t think gems can turn into different gems? who knows, I guess we’ll find out sooner or later.

When KBCS gets to Crack the Whip, they take note of Lion and tag him thrice:

Crack the Whip! Is it just me or is that foreshadowing?

Oh, did I mention that Lion was there. He was just there, when Connie opened the door, he walked up and just started hanging. It was so cool! It was like, Just Lion Things 2! So the snack break, that takes the whole day, ends at the beach, where the idea originally began.

Amethyst faces off Jasper, gem to gem, while Steven and Connie, and don’t forget Lion, fight the corrupted gem.

Lion was keeping the Gem Monster busy while all of this was happening. I was so stunned when Steven and Connie fused, without doing a fusion dance! How well they worked, together, they rode on Lion, and defeated Jasper, and poofed the Gem Monster all at the same time!!!

#just lion things 2 #lion fights #lion still fights

There’s also a weird Google Slides slideshow connected to the KBCS account, which includes this image featuring Lion, Tiny Floating Whale, (and Connie and Greg) and the word TRUE with Steven’s affirmative!

More Koala Princess

Two more Koala Princess references - although only one is immediately relevant -

In Gemcation, Ronaldo keeps texting Steven about Koala Princess. Steven’s lockscreen is a selfie with him and Lion.

Also, as a sidenote, Koala Princess is implicated in sneople trolls on anime message boards.

Dogcopter

These are just the Dogcopter appearances (Thanks to SU wiki as well as my brain) Dogcopter fights robots in at least one timeline, and the book is allegedly really long. Bold Dogcopters are the pink dogcopter, everything else is an ad or grey.

Lars and the Cool Kids - Poster

Lion 2 - The movie they all go see.

Lion 3 - Gives Steven advice.

Chille Tid - Shows Steven how to find Lapis. Meows. (Dogcopter’s parents are cats.)

Same Old World & Mr. Greg - Advertisement

Kiki’s Pizza Delivery Service - flies Steven away.

In Dreams and Growing Pains (Note this is grey Dogcopter) - Flies away in Stefan’s nightmare, proposes to Drew the driver (or at least offers them something) in the Dogcopter 6 Till Death Do Us Bark I Now Pronounce You Man and Woof trailer.

Snow Day - Pupcopter, a spinoff for babies.

And for Steven’s Birthday - Connie points out a Dogcopter constellation.

Astral Projection

Another quick summary. I’ve written a lot on this psychic ghost stuff so check my blog if you want the tags, idrc. Summary of astral projection powers Steven has shown:

Leaving his body (Reunited, Escapism)

Possessing other bodies (New Lars, Escapism, SWI)

Traveling to others’ dreams (Kiki’s Pizza, Chille Tid)

Interacting with fusion components within the fusion’s mind (Chille Tid, Mindful)

Regarding KBCS’s question of whether Rose could have done this, it doesn’t seem impossible - and as of Fragments and Homeworld Bound, we know that Gems don’t die when they are killed. (Lol.) That is, the personality/soul can appear in the same gem if it’s shattered and repaired. And Steven’s mom’s gem is perfectly intact, inside him.

Literally what is the point of all this

So after KBCS and KBCW spent so long talking about astral projection, ghosts, dreams, fusions, etc etc. they never actually got to the point - just pointed us in the direction of a bunch of clues that

Rose Quartz isn’t gone.

Obviously. She’s in his gem in him, like Lapis and the mirror, or the lighthouse gem. She uses astral projection to help Steven in his dreams as well as see him in Rose’s room, like other fusions speak in the mindscape. (There’s a lot more to this but this is enough to ask anyone to wrap their head around atm)

She also interacts with him through other bodies, the same way Steven takes over Lars’ body, or the Watermelon Stevens.

Remember this?

We, here at Keep Beach City Safe, thought that Steven would’ve liked to have his mom at his birthday party.

Who came to Steven’s birthday in which Connie points out that Dogcopter constellation?

Who gave Steven advice when he wished he could talk to his mom?

Who showed Steven where to find the tape?

Who else could have asked Steven, “What do you want” in Susan Egan’s voice?

(Why did they choose to hire Susan Egan to voice a cameo in Under the Knife in the first few seconds of Fusion Cuisine, where she says “It’s my son!” while Lion is onscreen)

Or reassured him that Rose’s tape was telling him the truth?

Who first brought him to Pink Diamond’s moon base?

Who knew where Rose’s armory was and how to train with it? (Note the giant penny)

Who showed Steven the location of Pink’s fallen palanquin?

Who found Rose’s lost scabbard?

and knew where Pearl would run to when she’s upset?

Who (reluctantly) brought Steven to the landfill and Pink Diamond’s ship?

Who showed him how to find Malachite?

Twice?

Who showed him how Pink Diamond tried to stop the Earth’s colonization, and who to ask for the truth?

Who tried to entertain him on Mask Island when he was trapped on Homeworld?

And then rescued him from the open sea?

Who showed Stevonnie the password to Yellow Diamond’s moon base?

Much like Koala Princess’ vision in the Eucalyptus Jungle in Season 5, Episode 13 what you saw on the Boardwalk the other day was not what it seemed.

So yeah Rose is Lion 2020. Thanks for reading this extremely long nonsense.

Also thanks to @babybeetlebongos for both mindscape lore and fixing Ronaldo’s cheek in the banner image, lol. I made a Twitter thread about this as well (and the more in depth Lion and astral projection theory threads are quoted at the top, if you need them. the #mindscape deeplore 2020 tag/tags on this post have stuff too.)

#steven universe theory #steven universe future #su theory #steven universe #rose is lion 2020 #mindscape deeplore 2020 #jane lore 2020 #kbcs lore #dogcopter #lion the mood #rosedemption 2020 #would you believe this isn't even the deep part of the rabbit hole??? im tired tho #i hope i left enough info for others to get into KBCS if anyone cares #i love this fool rose quartz

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strawberry1212 · 3 years

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How Asian dramas simultaneously fetishize and denounce extreme wealth

(This is not necessarily unique to Asian dramas, and fetishization of extreme wealth is present in most neoliberal capitalist societies, but that’s just the genre I’m most familiar with)

It has always bothered me that Asian dramas will simultaneously invite viewers to oggle over the luxury, convenience, and fantastic life of those in extreme wealth and power, while simultaneously seeming to wag their fingers at us that money is not that important, because they can’t have the “message” be something superficial. It is a contradiction that appeals to the most basic part of human nature: we wish wonderful things that bring us an advantage over others, but we don’t wish that they come to us because we chase after them, which would be unseemly. A good example of this is the “naturally beautiful girl” trope. She is not like other girls, she eats pizza and doesn’t wear makeup. But, she is a size 2 super model beauty. Guys will say they want a “natural” girl, but she must be naturally beautiful. We want the good thing without the embarrassment of admitting we want it.

Applied to Asian dramas and wealth/power it works like this: there will be multiple scenes throughout the Asian drama that show the power, benefit, and appeal of extreme wealth. Usually it is the male lead that holds this wealth/power, and he uses it to his advantage to woo the female lead through the Grand Romantic Gesture (I’ve said this in other posts, but things such as renting whole stadiums/restaurants/hospitals to talk to the girl or throw some event for her, or through buying her expensive presents, paying her debts, etc.). The male lead is of course well dressed and surrounded in luxury. As the viewer we are bombarded repeatedly with how great it is to be wealthy, how wonderful it would be to have an extremely wealthy and doting boyfriend.

The case of this that disturbed me the most was actually in Crash Landing on You, where the male lead is actually the son of a top general in North Korea. Like literally why? Why can’t the male lead be someone normal? Even in a fantastical situation as being in North Korea the male lead has to have wealth and power! And not only does he have wealth and power, but there are many cases that again show how great it is that he has these things...IN NORTH KOREA! I remember one specific scene where because he has special privileges, he has a car license plate that allows him to drive through traffic unimpeded; he gets special treatment over others that allows him to never have to stop at traffic lights basically, and this is all framed in a very positive way, in that it allows him to rush home to his beloved and save her. Don��t get me wrong, I actually loved Crash Landing on You and enjoyed the show, but it shocked me that even this constant focus on how great it is to be wealthy and powerful would carry over into a drama about North Korea, where wealth and power inequality are at a point where tons of people die from starvation and are malnourished. It’s not attractive at all for a person to hold power in North Korea, because it means so many others are suffering from scarcity, so it is disturbing for scenes which display immense wealth and power to be played out with inspirational, exciting music in the background, showing how great it is to have a guy of immense wealth and power.

I think a case of this trope that bothers me the most, however, is Boys over Flowers. I’ve only seen the Japanese version, so I can’t speak to the experience of the Korean version, but I’ve heard they are similar. We are again, repeatedly bombarded with how romantic and wonderful it is to be rich, with the male lead repeatedly able to win her over with expensive Grand Romantic Gestures, but the drama also claims this weird moral high ground of constantly telling the viewer that wealth isn’t, in fact, important, by having the male lead fall for the female lead’s plucky, impoverished, state. She’s different, she is attractive, she is good, because she does not care about wealth. So as a viewer we are simultaneously invited to see the splendor and romance of immense wealth, while being told we should reject it or else we are bad people. And of course the female lead ultimately gets to have it both ways: after holding the moral high ground by supposedly “not caring” about wealth, she still gets the wealthy boyfriend, and lives a comfortable life. It’s not like at the end they truly denounce wealth, give all their money to charity, and go live a lower class or even middle class life.

The reason why I hate this so much is because again, I hate the subtle direction of making something out to be wonderful, while shaming those who pursue it. We look down on girls for trying hard to be pretty, while also idolizing prettiness and lavishing attention depending on external attractiveness. Likewise, we shame those for chasing wealth, seeing them as frivolous and shallow, while also continuing to uphold a classist society where extreme wealth gives you not only economic, but more social power, and affords you respect.

First of all, I would like to see more dramas about normal people, and I believe it is going in that direction. No one has to secretly be a CEO’s son. And when we ween ourselves off of consuming images of extreme luxury (I think reality shows play a role in this as well), we may find that extreme luxury is not what we are really after. We envy the convenience, the lack of worry, and the luxury to pursue one’s own interests--perhaps it is not private jets that we need, perhaps we are pining after a sense of security that so many of us lack and world where we don’t have guaranteed healthcare, where generational wealth has a stark racial divide, where we cannot afford higher education.

#kdramas #kdrama tropes #capitalism #jdramas

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askroahmmythril · 3 years

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Reference List for amiibo Fighter Names (Set 2)

13) Ganondorf : Going Alone - A reference to the start of the original Legend of Zelda, the good ol’ “IT’S DANGEROUS TO GO ALONE TAKE THIS!” And the fact that, up to Smash 4, Ganondorf did not use his sword, despite clearly having one in his victory poses from Melee. Many jokes were of course made about this, this is one of them. Granted, now that he HAS his sword in Ultimate, this one’s a bit outdated, so might have to see if this one needs a revamp. I’d still be using the Smash 4 visual style though since alas, we didn’t get an updated amiibo figure for him of his OoT style.

14) Greninja : Kerobusa - A play on kero, Japanese for the sound a frog makes, and Hayabusa, the last name of Ryu Hayabusa, star of the Ninja Gaiden series. I wanted to parody the cutscene from the original Ninja Gaiden where Ryu is standing on a cliffside, overlooking the tower of the big bad, Jacquio. Given Greninja was introduced in the Kalos games, I subbed in Lumiose City and its prominent central tower for the scenery. The writing on the nameplate is from the title screen of the original Ninja Gaiden.

15) Ice Climbers : ParkaPower - Not really any sort of major reference here, I mostly stuck to the source game for this one, and just referenced that they wear parkas. Because dangit, their parkas are adorable. A notable difference between my version and Neo’s, he used the seal version of the normal enemy from Ice Climber, whereas I used the Topi as it’s what I was more used to.

16) Ike : SluggaBeef - This name actually came from WanStan, who donated this particular amiibo to me. Back with the earlier amiibos, I offered an incentive for anyone who donated a Smash amiibo to allow them to name the character, and they were the only one who donated a figure and actually took me up on that offer. Their idea was essentially just how he swings his sword with the power of a baseball bat for some hefty hits, so we played around with the idea and went with making a full-on baseball card out of it. The 24 refers to the release number of his amiibo.

17) Jigglypuff : J-Pop - A reference to j-pop style music, and well, the fact that her name starts with a J. And she’s a balloon, so those can pop. Multi leveled references! This was actually the first card I drew for the project. I originally asked Neo if he could just like, polish up my drawings with better colors and shading, and he surprised me by going full tilt and making his own version of my rough sketch. And thus the project was born. This went through some various bits of retooling, such as the Love Ball being replaced with a Fairy Energy symbol on the nameplate, and also revising her hairstyle a bit.

18) Kirby : dyson - Dyson, much like Kirby, is actually a brand of vacuum cleaner. Dyson’s commercials were famous for the designer being shown working on blueprints, saying things like “I just think vacuums should work properly,” things like that. Since it’s his most powerful vacuum power to date, I put in a Hypernova plant on his desk.

19) Link : HeroOfAges - While a little outdated visually since we now have BotW Link as the Smash rep, again, we’re in that impasse where we didn’t get a BotW style Link amiibo specifically for Smash. So he’s still got his Smash 4 look here. With this one, I just wanted to reference the various Links and LoZ games throughout time. So here we have referenced Ocarina of Time (Ocarina itself), Link to the Past (Magic Mirror), Link Between Worlds (Ravio’s bracelet), Twilight Princess (Fused Shadow), Hyrule Warriors (Link’s scarf), Skyward Sword (Beetle), the original Legend of Zelda (8-bit Wooden Sword), and the Oracles games (Harp of Ages). Neo added some extra details on each reference as well.

20) Little Mac : Jr.Whopper - Basically just a play on, if Little Mac is to Big Mac, what would you call the Whopper equivalent? Burger King for a long while was my go-to for fast food, though these days I probably prefer Sonic. Still, the joke was too good to pass up. Still amused Neo snuck the actual Burger King “King” mascot on there on his version, haha. I have no idea why I had so much trouble drawing Little Mac’s hair, I was probably way overthinking it...

21) Lucario : AttackTurn - Yu-Gi-Oh! is one TCG I have a tendency to return to every now and again. Given the Egyptian theming it has, it seemed a good fit for Lucario, who has an Anubis kind of feel to him visually. Thus I set about trying to find a card that made sense as a reference to how Lucario works. “Psychic Blade” was the best I could find. You equip it to a monster, then pay life points in multiples of 100, up to a max of 2000. The equipped monster then gains that much Attack and Defense. Thus, somewhat similar to the concept of Lucario’s aura, as he gains more attack power the more damage he’s taken. For the final card, we changed the name to “Aura of Psychic Blade” to more reference his aura. Neo added a lot of clever references in the “card info” parts of this one, such as having the Pokémon artist shown as the illustrator, a card number referencing the Hoenn games where Lucario originated, all nice little easter eggs.

22) Lucas : Tomato Kid - Given the long time wait for an official localization of Mother 3 (I forget, DID one ever get announced?), fans took it upon themselves to make their own translation. One of the more prominent ones I’d heard about was done by someone going by Tomato. And thus, since in Earthbound we had Orange Kid and Apple Kid, we now have Tomato Kid. There’s not too much else to detail here. I literally copied a screenshot of Mother 3 pixel by pixel in Visio Home for this. I couldn’t resist having the frog in the car, it’s just too weirdly cute.

23) Lucina : #FixFate - I admittedly don’t have a whole lot of Fire Emblem knowledge, so I had to just go with what references I could pull from. Lucina’s game came out fairly close to around the same time as that Fire Emblem / SMT crossover type game. Tokyo Mirage Sessions I think it was? All I really knew about it was some of the visual style of the colored shadows walking around. Given Lucina does have some time travel elements to her, going through time to fix her family’s past, her being in modern day Shibuya and texting on a smartphone doesn’t seem too out of the question... (okay it probably totally is but work with me here). I snuck in a Persona 4 reference with the Calorie Magic ad, as well as a more general SMT reference with the Jack Frost phone charm. Neo suggested adding a Splatoon ad in the background on the Shibuya tower.

24) Luigi : ReaL2401 - This is a reference to a big ol’ rumor inducing message people claimed to see on the star statue in the back garden of Peach’s castle in Super Mario 64. Supposedly, the plaque on it said “L is Real 2401.” People thought it was a hint to Luigi existing somewhere in the game. Later, more well defined images showed the plaque to just likely say “Eternal Star.” So I had the idea of Luigi leaving the message as a graffiti tag.

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genshin-djinn · 4 years

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genshin impact: how I feel so far

I’ve just finished the prologue! Here are all of my thoughts on Genshin Impact thus far presented in a very confusing and non- linear manner.

My first and most resounding opinion on this game is that it’s amazing. The graphics are insane— the lighting, the weather, clouds passing by. All of the characters have designs so ridiculous it’s hard for me to draw them and it makes me feel like the game is just flaunting the flawless animation of all these characters’ extremely convoluted designs.

places

I love the locations sO mUCH. My favorite places so far are the two major cities— Mondstadt is just so cheery and fits the vibe of the early game (by early game I mean the dvalin quest line). It’s presented as large but in a very linear manner that you learn quite quickly. It has plenty of places to buy stuff from and just genuinely feels like a cheerful, bustling, fantasy city. fantastic and I’m in love. Liyue Harbor is presented in a completely different architectural style and it’s excellent. Mondstadt makes me feel safe, Liyue Harbor makes me feel like I’m in a wild metropolitan center.

And importantly, both of these cities feel genuinely alive. All the romantic hullabaloo in Mondstadt, Yi Zhu trying to cheer up his little sister Yi Xian after their mother’s death, the mysterious locked door in Mondstadt, Anna making wishes to recover from her illness at the well and her brother going there at night to collect all the coins so he can pay for her medication.

Besides the main cities my other favorite location has been Qingce village. The walk over to it is very nice and the town has an incredible vibe with the scale- like terraced fields. And even beyond that, the town is filled with old citizens and children— showing how all of the young adults in the town have left and decided to try to find a new and more exciting life in Liyue Harbor.

I’m having a hard time thinking of something I don’t like about the locations and honestly I’m drawing a blank. I really love all the set design/ map design. I know I will never finish that “collect every geoculus and anemoculus” quest because that’s just not the kind of dedication I have to this game (unless I get really stuck at an adventure level, though.... then things are a wild card.)

adventure ranks

this is my biggest problem with Genshin Impact.

You can’t progress the main quest (which honestly I enjoy more than a lot of the side quest because of my sheer attachment to these characters and their stories, which I’ll talk more about later) until you hit a certain adventure rank. And it’s a real pain getting them. I’m the type of person who gets freaked out when fighting a level 1 ruin guard with a set of level 39 characters and an inventory full of honey chickens. I do sometimes go into this state of bloodlust when fighting hillichurls and I feel like actually seeking out their camps to return them to dust myself but then I find one of them dudes with a shield and remember that my one pyro unit is amber and uhh.... that feeling goes away real fast.

I hope that the game does what they did with adventure ranks 18-20 more often— my next quest in Liyue is locked until rank 23 (I am not looking forward to increasing my world level can I please just play on easy difficulty until forever) but I get this cool new Darknight Hero quest that I’ve been looking forward to to tide me over until I hit level 21 and can go on another bookworm date with Lisa. Yes, spacing out the main quest line is okay, but I really like having a lot of side quests in between as well so I can gain adventure ranks organically rather than specifically hunting for geo/ anemoculi.

characters

I love the characters in this game maybe as much as I love the locations in this game. Maybe more.

My favorite character is Kaeya because I am a sap for antiheroes with attitude problems. More on him later.

I’ve also become very attached to Amber. She’s just such a positive soul and she so genuinely wants to do what’s right and she’s so useful for lighting things on fire which is something I do not have any other character to do (holding out for Xiangling at level 20....). But she’s just not a great character fighting wise. She takes a while to load arrows and they aren’t super useful compared to any of the other seven characters I own. But she can light stuff on fire and I don’t have anyone else to do that so she must remain on my team for the time being.

next up is Lisa. I like Lisa. I know she’s there for the perverts who want to see anime women’s chests but I genuinely do like her. Her personality is, well, very different from all the other characters’ and I kind of like her constant over the top- ness. Her ability is useful but I switched her out for Chongyun in my team and I can’t bring myself to get rid of Aether or Kaeya yet.

I rolled Xingqiu, Beidou, and Noelle but haven’t used them much. All I know about them is “water bookworm young master whos closet good at fighting”, “pirate who stopped me from getting that fecking file folder I was trying to get”, and “maid whose voice I like in the english and Japanese version”. (Side note, I mainly use the Japanese voiceovers because I prefer them. Downside is I sometimes can’t understand a word the characters are saying but it’s worth it for the voice actors)

I also got Chongyun who seems like a nice boy. I rolled him after I started playing with Japanese voiceovers, though, so I don’t understand most of his idle dialogue. All I really know about him is that he’s super positive and he loves ice cream and that’s good enough for me

Next up is my somewhat problematic fave Kaeya. It’s morally bad that you can’t tell whether he’s lying or telling the truth but all it does is make me like him better as a character. I can 100% see why he’s paired up with Jean and Amber as the most visible characters in power in the Knights of Favonius— they all sort of fulfill different roles. I really want to see more of him in the main plot, not when he’s lying about his grandpa hiding pirate treasure. Also we know nothing about his real motivations and actual past besides “diluc’s step brother, maybe like saw diluc kill his dad or like saw diluc upset after his dad was killed wE dOnT kNow”. and I want to know.

Can’t talk about Kaeya without talkin about his bro Diluc. I can’t wait to see him in this next quest line. I really want Diluc on my team. Same with Jean. That is all.

Penultimately I’m gonna talk about my personal favorite god of freedom whose powers just got stolen, maybe god, definite good bard Venti. I really like Venti. He’s got a lot of charm and he just fits perfectly as the easygoing free god of Mondstadt. I started yelling when that signora gal nabbed him. don’t worry venti we will kill her for you

Annnnd finally here’s my opinions on Aether (I chose him to be my protagonist) and Lumine (the Princess, I think). I do kinda enjoy them. They’re a bit of the typical blank protagonist type (can be sassy, can be cruel, can be honest, can be kind) but Lumine’s dark turn is just fascinating and I want to learn more about their relationship and how it’s changed since they were separated. Where even is Lumine? What will Aether do when he learns that his entire purpose in life has been in charge of the ones who’ve been hurting his new friends? It sounds like a fascinating situation.

(also Venti refers to Lumine as Aether’s “imouto”/ little sister— does he call Aether Lumine’s “otouto”/ little brother if you chose Lumine as your protag? which twin is older? is it determined by your choice of protagonist? hmmm)

least favorite things

Besides my problems with adventure rank, I have two other main issues with Genshin Impact.

Firstly, basically all of the female characters are dressed in outfits that seem designed to show as much skin as possible.

annnd secondly it’s extremely difficult to roll five star characters (Jean, Venti, Diluc) without paying money. this is a good way for the company to make cash but it’s also kind of annoying.

wrap- up

Ok! Those are all my main thoughts for now, at the end of the prologue and before chapter 1! I’m off to play the darknight hero quest (probably gonna post some of my mishaps here too). also I want more primogems we should be able to pet dogs npcs excitement bye

#genshin impact

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kaialone · 3 years

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Kirby Planet Robobot Translation Comparison: Before the Final Battle

This will be a comparison of the original Japanese version and the US English localized version.

Specifically, this will cover the last cutscene before the final battle of the game.

You can also watch this cutscene for yourself in English and Japanese.

For the comparison, the usual points apply:

Bolded is the original Japanese text, for the reference.

Bolded and italicized is my translation.

Italicized is the official NOA translation.

A (number) indicates that I have a specific comment to make on that part in the translation notes.

As you read this, please keep in mind that with translations like these, it’s important not to focus on the exact literal wordings, since there is no single “correct answer” when it comes to translations.

Rather than that, consider the actual information that is being conveyed, in which way, and why.

Before the Battle With Star Dream:

エリア７マインドコントロールドバイアプログラム Mind controlled by a program

Area 7 Mind Controlled by a Program (1)

Area 7 Mind in the Program

Secretary Susie:

……まさかこんなことになっちゃうなんてネ…

...Well, didn't expect THIS to happen...

...This wasn't supposed to happen!

Secretary Susie:

……ぜんっぜんわらえないわ。

...This isn't funny in the slightest.

No! I won't let it!

Secretary Susie:

アタシはね、星の夢をうばって…

You know, I just wanted to steal Star Dream...

All I wanted was to steal Star Dream!

Secretary Susie:

アイツにほえづらかかせて、目をさまさせたい…

I wanted to make him pay, make him come to his senses...

And teach the old man a lesson.

Secretary Susie:

そう、思ってただけなのよ。

That was all, really.

Was that too much to ask?

Secretary Susie:

それなのにあんな…

So, why...

Look at this mess...

Secretary Susie:

あんなくるったマシンにほろぼされちゃ、たまんないわ！

Why should I let some crazy machine destroy me?! (2)

I'm not going to stand here and be destroyed by some crazy machine!

Secretary Susie:

…さぁ乗りなさいよ、ピンクのゲンジュウ民。

...Alright, get in, pink native.

...There. Get in, pinky.

Secretary Susie:

このアーマーで、さっさとあのマシンを…

Take this armor, hurry after that machine...

Take this armor and go!

Secretary Susie:

ぶっこわしちゃってよね！！

And smash it to pieces!!

Stop that machine!

Secretary Susie:

おねがい…… 星のカービィ。

Please... Kirby of the Stars...

Please... Little pinky!

Secretary Susie:

アイツを………

You have to...

You have to stop it!

Secretary Susie:

アイツをもう… とめて………っ！

You have to... stop him...! (3)

If anyone can do it, it's you!

Translation Notes:

I’ll go over it in more detail in the section below, but this Area’s title is actually written in English in the Japanese version. Since this is English written from the perspective of Japanese-speakers, it should maybe not be taken exactly literally, which is likely why the official English version changed it slightly.

Since this line is a follow-up of the one before it, I had to translate them a bit loosely so that I could have them match in English as well.

Because of how grammar works in Japanese, the verb in this sentence is originally the final word that is said. Since Susie is also hesitating before saying it, it gives off the impression that she might’ve intended to use a different verb before changing her mind.

Comparisons & Thoughts:

This section will be a bit shorter than last time, but there’s still several details I want to go over for a bit.

We have reached the final main story cutscene of the game after all, so even some smaller details here are wrapping up threads that have been present throughout the narrative.

But it’s also going to be more straightforward, as I’ll go through them in the order as they come up in the scene.

In the Japanese version, the final Area is called “Mind controlled by a program“, which the English version changed to “Mind in the Program“.

As I mentioned above, we should keep in mind that this Area is literally called “Mind controlled by a program” in English in the Japanese version, so the intended meaning might not be exactly what it appears to be to a native English speaker.

One meaning that comes to mind is “mind-controlled by a program”, so, the state of being mind-controlled or brainwashed by a program.

I do think that’s likely what it’s meant to invoke, alluding to Star Dream’s potential influence on Haltmann, but there might be other aspects to it, too.

For example, one interpretation I have seen from Japanese fans is closer to “mind, controlled by a program”. In other words, a mind or heart that is controlled by a program.

This interpretation is interesting to me, because it can potentially apply to not just Haltmann, but Star Dream as well.

If you look at the story as a whole, a potential “tragedy” of both these characters is that they couldn’t see beyond the “program” and as a result lose themselves in some shape or form.

Or at least, that’s one way I’d put it.

Of course, I can’t say for sure if anything like that was the intention, but I do think it’s likely that the title was supposed to be vague in a way where there could be multiple interpretations.

Because of that, I think it makes sense for the English version to adapt the Area title as “Mind in the Program” rather than keeping it the same.

It’s a bit different, but there’s a similar vagueness to it where it can mean different things depending on how one looks at it.

A small detail, but when Susie starts talking to Kirby at the start of this cutscene, the Japanese version has her seemingly talk in a low voice, using a lot of ellipses, making this like a quiet moment of reflection for her, as she gathers her bearings.

And then, the quiet mood is broken by her raising her voice again and going “Why should I let some crazy machine destroy me?!“, shifting the focus back to the problem at hand.

In the English version, the flow is slightly different, with her seemingly starting out with her voice raised, then quieting down as she reflects more on what happened, before raising her voice again.

In the Japanese version, Susie says she wanted to "make him pay, make him come to his senses…”, and the English version says she wanted to ”teach the old man a lesson”.

I think the wording of “teaching a lesson” is a good way of combining the idea of “make him pay” and “make him come to his senses” into one phrase.

But the idea of “make him come to his senses” specifically can be a bit less apparent there, making Susie’s intentions less clear to some, from what I’ve seen.

Also for the reference, in the Japanese version Susie refers to Haltmann as アイツ/aitsu here, which can be translated as something like “that guy”, and it’s something that can come off as somewhat rude when used for someone you’re not too familiar with.

The English version probably went for “the old man” to adapt this to allude to that implied familiarity, though it also comes off a bit stronger than the Japanese one.

I think that works well in this case though.

Another little thing, but in the Japanese version Susie tells Kirby to go after the machine and “smash it to pieces!!“, while in the English version she just tells him to “Stop that machine!“

So Japanese Susie is slightly more extreme there.

As mentioned in previous parts, the Japanese version exclusively had Susie call Kirby either “native” or “pink native” whenever she addressed him.

The pay-off of that trend happens in this cutscene, where Susie finally calls Kirby by his full title, “Kirby of the Stars”, after he’s taken off.

Since this also implies she knew his name all along, her using it now could be a sign of Kirby having earned her respect, or to show that she’s really being genuine here, or something to that effect.

In the English version, the way Susie refers to Kirby has been slightly less consistent, but in this cutscene she simply refers to him as “pinky”.

Kirby doesn’t have a full title in English, so using that wouldn’t be possible, so I think using “pinky” might have been meant to convey her being more casual with Kirby?

But I think they easily could’ve just had her call him “Kirby” in this cutscene, too.

It also doesn’t have the same effect as in Japanese, where she only stops calling him “native” and uses his real name once he’s already taken off, being the last time in the game where she refers to him.

It’s a small detail at the end of the day, but in the Japanese version, this moment is like the figurative cherry on top that closes out Susie’s character and her relationship with Kirby in the main story, so I think it’s a bit of a shame it’s not in the English version in some form.

Last point to go over for this cutscene.

In the Japanese version, Susie’s final lines are:

You have to…

You have to… stop him…!

And in the English version, her final lines are:

You have to stop it!

If anyone can do it, it’s you!

First off, in the Japanese version Susie specifically tells Kirby to stop Haltmann, using the same アイツ/aitsu she used to refer to him earlier in the scene, making it clear that’s who she means.

In the English version she’s telling Kirby to stop “it” instead, likely referring to Star Dream, or perhaps just the situation as a whole.

Adding to that, Susie also seems more hesitant in the Japanese version, which leads to an interesting point of speculation.

Like I mentioned in the translation notes, the way Japanese grammar works makes it possible that Susie may have wanted to use another verb first, before changing her mind and settling on “stop”.

Again, this is only speculation, but it feels like Susie may have wanted to say “You have to save him” first, but then stopped herself from saying that.

There’s also another detail to this that didn’t exactly fit the translation notes section, which is that in Japanese, she adds the word もう/mou in her final line, which literally means “already”.

And that basically makes her final line closer to something like “Now you have to stop him” or “At this point, you have to stop him”, but I couldn’t really include that in my translation without sounding awkward in English.

But the point is that this phrasing basically means that Susie is indirectly saying that now there is no other choice left but to stop Haltmann. In other words, it’s too late for anything else to be done.

So, regardless of whether you imagine she wanted to say “You have to save him” first or not, the Japanese version of her lines here has this feeling of resignation to them.

The English version doesn’t really carry that same feeling here.

And that’s it for this part.

I have similar feelings about this cutscene like I had about the previous one.

The English version is accurate for the most part as usual, it’s perfectly fine.

But, this late in the game, seeing the various small set-ups from the Japanese version pay off during the climax, whereas they don’t really do the same in English, it does make me feel like the English version is slightly lacking by comparison.

Especially Susie’s final moments in the main story here, where the Japanese version has her seemingly show some vulnerability and be genuine, which doesn’t come across quite as well in the English version.

But that’s just me pointing out the things that bother me slightly, I still think the English localization of this game is very good, as I said before.

Now, this may have been the final main story cutscene, but we still have the extra story to go through, so feel free to check that out in the next part!

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