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#the kids come in eventually yes
kennahjune · 4 months
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Another Gareth and Steve Idea
I’ve mentioned before my idea of step-brothers Steve and Gareth.
This is another one of those.
Steve and Gareth who— after their parents finally marry— move to Hawkins Indiana just in time for Steve’s Senior year of high school.
Steve’s not at all happy about it but he tries to keep the brooding to a minimum. His anger issues tend to spark up Gareth’s anger issues which would just make everything worse.
So Steve deals. It’s fine. It’s Gareth’s Freshman year, and he himself isn’t to happy about starting in Hawkins. But it’s whatever, not like he had any friends back in (insert wherever Tf it was they moved from).
Except when they start at Hawkins nobody knows they’re brothers. Gareth kept the Emerson last name in honor of his late mother and Steve’s last name remains Harrington from before his mom and dads divorce when he was 12.
Not to mention that they immediately run in different social circles.
Well— they try to.
Steve isn’t too good about sticking to a circle. Sometimes he’s hanging out with the “nerds” others he’s hanging out with the band kids. He’s often found talking with the cheerleaders in the halls and the jocks and popular crew at lunch. But he doesn’t seem to have any trouble talking to just about everyone.
Gareth goes on to meet Eddie and Jeff. He shares a few classes with Jeff, even though he’s in the year above. He starts running with the freaks of the school and he quickly becomes a target for bullies.
Steve doesn’t know Gareth’s being bullied until later, when he hears some of the jocks he sits with at lunch laughing about him.
Idk where I was going with this.
The jocks end up going home early in the nurses office.
Eddie and Jeff and Brian are all very skeptical about Steve and Gareth finds it hilarious to no ends.
“Steve? Who cried over a dead bird in the road literally last week?”
The guys don’t know they’re brothers. And it’s not like Gareth is keeping it from them or anything, it’s just never quite come up.
They both manage to get over half way through the year before Steve finally meets Hellfire.
The drama club room is being used the night of Hellfire so Gareth offers up his place because his parents won’t be home, only his older brother.
The guys come over and it’s Steve who opens the door.
They’re fully convinced they have the wrong house until Steve’s like “oh yeah that Dorks and Dumbasses game with Gare, right?”
And that’s when everyone finds out they’re brothers.
Steve and Gareth had no idea that they had no idea that they were brothers. They thought everyone knew???
Apparently, nobody in the school knows.
Idk where this continues but uh— eventual Steddie!!
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askblueandviolet · 2 months
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macaque, denial is a river in egypt..
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MASTER POST
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In the AU where unicron is optimus father what would happen if the kids were harmed or in a dangerous situation thanks to unicron resulting in the response of the optimus and the rest of the autobots
More pain for my lovely boy. This is going to be complete angst so to make sure Prime gets some comfort eventually, I am going to make an additional two parts for this in different posts.
A Father's Wrath
After months of watching Optimus be ignored and feared by his own team, the bots Optimus had come to see as family, Unicron grew angered. The chaos god understood their initial fear, but as he watched his only creation wallow and slowly fall to loneliness, his patience wore thin. This was his son, his glorious creation who had lowered himself to protect and care for Primus's lesser spawn, and now said spawn were rejecting that kindness. It was despicable.
The chaos god tried to reign in his anger for Optimus's sake. If nothing else the human vermin that had taken up residence on his frame were there to support his wayward creation. But days turned to weeks, and weeks into months until at last Unicron could take it no longer. One day after Optimus had struggled in vain to try and speak to any of his team only to be promptly ignored, Unicron at last snapped.
In a fit of rage, Unicron transferred power over to his creation unknowingly, causing Optimus to once again fall to the ground in agony as his frame rearranged itself to make up for the surplus of power. It was unintentional on Unicron's part, but as Optimus flailed and screamed, the waves of power emanating from him struck the children and the team. The team grew ill, most purging on the spot as Optimus pulled himself together and stood on shaky pedes, his spark once again exposed. But the children... they did not fare nearly as well.
They collapsed and convulsed. Jack became violently ill, throwing up as blood leaked from his eyes and ears. Miko started having a seizure that very nearly stopped her breathing altogether. And Rafael screamed and clawed at his face as the worst migraine he had ever gotten assaulted him. Before Optimus could do anything, Fowler was called in and the children were taken away for immediate hospitalization. The team left in Vehicle mode and parked in the hospital parking lot to keep a general optic on the children for fear that they might die while Optimus remained at base.
Left completely and utterly alone, Optimus cried. His frame once again shattered so thoroughly could not shed tears even if he tried, but the mixed dark and normal energon that leaked from his armor was enough of a testament to his grief. Otherworldly cries and wails echoed throughout the abandoned missile silo for hours as Optimus wept, hating himself and everything he was in that moment. The Matrix thrummed within him, trying to calm him and comfort its chosen bearer in its own odd way, but Optimus only composed himself nearly a day after being left alone to drown in his guilt. By the time the team came back, Optimus was no longer crying, but he was frantic for answers.
Optimus: The children, are they well?
Ratchet: *refusing to look at him*...
Optimus: Please, tell me their conditions!
Ratchet: *turning to leave* ...
Optimus: *grabbing his arm to keep him still* I can endure this silence no longer! Tell me what has befallen the children!
Ratchet: *snarling and ripping his arm away* They live, no thanks to you.
Optimus: Ratchet-
Ratchet: Save it! If this incident has proven anything, it is that you are dangerous, too dangerous to be kept near.
Optimus: Wait!
Ratchet: We are done. Take what you need and leave. You are no longer welcome here.
Optimus: Please don't do this-!
Ratchet: LEAVE!
The dooming declaration hung in the air as Optimus stopped dead in his tracks, the blazing motes of light that served as his optics flickering and wavering. His outstretched servo shook and his exposed spark pulsed in shock and horror. He looked at the rest of the team, desperate for it to be some cruel joke or perhaps a mistake. But as he met the fierce gazes of each of his former team, he knew the truth.
They feared him, and they wanted him gone.
The only one who didn't meet his pleading gaze was Bumblebee who instead opted to look away, unable to watch as Optimus was sent away. The Prime shook and energon leaked from his frame in his own version of tears as he sputtered in vain. However after a moment of silence, Optimus shuddered, turned away, and began gathering the few items he would take with him. He did not want to strip his family of anything important, after all, they still had a war to win. So all the Prime took was the few personal accessories he brought with him to earth, a singular first aid kit, and a whetstone for his in built blades.
He looked back pleadingly one last time as the ground bridge was fired up and prepared to send him halfway across the country. But as he was met with only cold and frigid glares by most, he tore his gaze away and said only one sentence before stepping through.
Optimus: If this is what you wish of me, I will honor it... but let it be known that I never intended for this to happen.
Optimus: ...
Optimus: I'm sorry.
He stepped through and the groundbridge closed behind him the moment he was out of sight. As soon as Optimus was gone, the team sighed collectively, not out of relief like they expected to, but out of grief for what they had done. But despite those feelings, they did not call Optimus back and instead each took time to themselves to think over the matter.
Arcee had been the one to hate Optimus most adamantly after the reveal, but as she lay in her berth, she found herself sorrowful. Optimus had been nothing but kind to her, caring for her and showing her the utmost sympathy and respect after the losses of her partners. He never yelled, he never harmed her, and he even willingly took hits for her more times than she could count. He was Unicron's creation, but he was the kindest mech she had ever met. She hated to admit it, but laying there after he left, she cried and tried to tell herself that it was for the best.
Bulkhead and Wheeljack were both very torn when it came to the matter of Optimus. Both respected him and looked up to him, even after the reveal they wanted to serve under him as they always had. After all, wreckers don't judge a mech so long as he does good. But with how dangerous he had proven to be, in their minds they could not afford to accept the risk that he posed, not when the children were in their care. As much as they loathed sending their Prime away, to them it was only right. It was what good wreckers would do...
Ratchet despised himself the moment he saw the look on Optimus's face after he ordered him to leave. He wished more than anything to take back those words, but his spark... his spark screamed in terror whenever his old friend looked at him. The sight of Optimus's blazing form and the feeling of his sickening spark waves washing over him were engraved into his memory. He couldn't look at Optimus the same way, not after all he had seen since Unicron's near awakening. He wanted to believe that what he was doing was right, that he was sending away a monster that had posed as Cybertronian like some sleeper agent for millions of years. But the pain in Optimus's glowing optics... it made Ratchet regret.
No monster could have looked so betrayed and so very broken at being sent away.
As for Bumblebee? He was left in a state of internal conflict. Much like Ratchet, he was terrified of his Sire's true form and nature, but like Arcee, he couldn't just ignore the fact that he had only ever been met with love and care from Optimus. The Prime had raised him, taken care of him, fought for him, and never once done a thing to harm him. Bumblebee wanted to think that he was cutting off a parasite or getting rid of a spy when he blocked off his bond with Optimus. But as he watched his Sire leave the base for what was likely the last time, Bumblebee felt empty and more alone than every before.
He had betrayed his Sire on every level and his spark knew it...
The children were not allowed back to base for over a week afterward as they recovered. Thankfully they did not suffer any serious damage and healed quickly. But upon entering base for the first time since the incident and seeing Bumblebee issuing orders instead of Optimus, they grew concerned. Immediately they tried to ask what had happened in their absence only to be met with silence from Fowler and June. Even when they turned to the team for answers, the bots simply dodged their questions, eventually up and lying by saying that Optimus was taking a few days to himself because he felt guilty.
The children were suspicious as pit, especially once they noticed the lack of avatars from Unicron and the mysterious disappearance of Optimus's plants, but they accepted it. The reasoning seemed plausible with Optimus's personality... so they waited.
Every day after school the children asked about Optimus. Bulkhead and Wheeljack only met their queries with guilty gazes and did their best to dodge the question. Arcee outright told the children to leave her alone every time they tried to talk with her about the absent Prime, only further rousing their suspicions. Ratchet straight up wouldn't even look at the children and tended to wander off muttering something whenever they tried going to him. And so lastly, after an additional week of prodding and begging for answers, Bumblebee stepped up as leader and gave them.
Jack: Where's Optimus? I know you said he was taking some time off, but it's been nearly two weeks!
Miko: It isn't like him!
Rafael: Optimus is always working and never takes breaks. Did something happen to him?
Bumblebee: ...
Rafael: Bee?
Bumblebee: For your safety, Optimus Prime has been stripped of his badge and exiled for harming innocents, associating with the enemy, and traitorous behavior.
The children: What!?!
The children were distraught but could do nothing once the truth was revealed. They could only make a fuss and give the team the silent treatment in retribution. The team did not take Optimus's absence and the children's reactions well... and neither did the Prime even with the distance between them.
Optimus set up camp in his alt-mode once his frame had healed from the power burst. He hid out in an old garage on some farmstead where a human male and his daughter lived. He stayed undercover for nearly a week in his alt-mode, both to allow his frame to recover and to wallow. He was absolutely spark broken at being sent away and most of his time in alt-mode was spent lamenting his losses.
But the Matrix has never been one to allow its bearer to remain inactive for long, and it swiftly pushed Optimus to move, to do something. As such Optimus resolved himself and left his makeshift base of operations with one goal in mind.
He would continue to fight for his Autobots, weather they wanted him to or not.
Unicron tried to reach out to his creation multiple times during the whole fiasco, but Optimus ignored him, angry at his father for destroying the delicate balance he had forged with his team. As such Optimus went at his work alone, using his remaining access to Autobot codes and signatures to track down his old team to assist where he could.
He would not stand idly by, not while Megatron still lurked.
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peony-pearl · 1 year
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yeah I’ll say it again: there was no reason for Azula to be put in an asylum for a year and still be going through it that bad all for a breakdown that took, what, less than a month? If we take Zuko’s betrayal, then Mai and Ty Lee swapping sides(? we never really see them “turning good” they just prevent Azula from hurting Zuko and the Gaang but that’s a different discussion) and then her father’s denial of her joining him to the Earth Kingdom (then feeling like she’s being treated like Zuko - thus she’s suddenly lesser in his eyes) followed by Zuko defeating her (which, in her mind, is a whole new failure and she probably feels like she failed her Nation)... yeah that’s stuff that, if given proper therapy, she could have just stayed in a hospital, and within a year, possibly even be living back in the palace with a whole new outlook on life. The writers make it sound like Zuko just wanted her out of his hair which is not how you want to write your hero whose arc is based around growth and wanting acceptance and is forgiven by a family elder after he hurts him. Yes he’s a new Fire Lord and he’s got a lot on his plate, but to just handwave his sister away after he knows the pain of being denied by his family is... bleh (also you all know how much I hate Iroh's canonical endgame)
And I know that there were talks of a fourth season in which she got her healing arc (which would have been really great to see); but it’s such a mess that the comics just kind of decided ‘nahh let the teenager who’s been locked up for a year keep her antagonist role, that’s fresh right?’ Not the girl who was put on a pedestal until suddenly everything she did was wrong (which... yeah, she WAS doing wrong; but she’s been raised to believe everything she was doing was for a greater good for HER nation and the world. She believes she’s a hero because she’s doing what she was raised to do, and to them she IS a hero. She has daddy’s ‘love’ so long as she’s perfect and amazing - and then suddenly all of that gets absolutely obliterated right in front of her one at a time as she realizes everything she’s been doing to maintain her power is also driving people away. Being 'the good kid' until suddenly you aren'twill unravel you.). Zuko knows how that feels, to feel like everything he did was wrong. He knows how it feels to have to break away from realizing he’s been hurting people; to learn from that and how he needs to change his ways.
And not only that but the way they write Azula as a villain in The Search is just AWFUL like it’s boring af. They recycle the same beats over and over and no one gets the bright idea to stop the cycle it’s AWFUL everyone in that comic is a raging idiot.
idk I could keep going in circles and we already know the comics are awful but there’s my extra 2 cents on the matter. They took a character that was already entertaining and fascinating and denied her a really great potential arc to make her one of the best allies the Gaang could have (and Zuko could have some FAMILY) but nope. Let's retread the show but instead let's make it bad.
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the-game-spirit · 4 months
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am I the only one who gets squicked out when people call Danielle Danny's daughter??? 🥲
its just.
that is a 14 year old child you're assigning parenthood to???
like I actually do think canon did one thing right: having Danny and Ellie's relationship be functionally "uuuuuuhhhh????? okay you can do your thing and. I will do mine. waaaaaay over there. see'ya cuz!" and then they both awkwardly dip out FAST
not because they don't have affection for each other! because they do! but one of them is a 14 year old kid, neck deep in hiding everything about himself from everyone except all of 3 people (also kids), who was just unwillingly cloned by his creep arch enemy-- and the other is a (???) 12 year old (??ig??) who may have only been around for a few months at best but is still functionally a 12 year old, FIERCELY independent, and just recently tried to murder the person she was cloned from-- then betrayed her dad-- then abruptly had nothing to her name, which also isn't even really hers--
I think they want to be friends-- family, even! but I also think they have ALOT of complicated Feelings about it. none of which touches on a "father-daughter dynamic"
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chiimeramanticore · 4 months
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does this mean anything to anyone. does this make sense. hello. hello
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echoheart · 4 months
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Absolutely tragic when you have a super old fic you once read trapped in your head but you're pretty sure whatever site that was doesn't even exist anymore and you're doomed to remember it from afar
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asagi-red-wolf · 1 year
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ok but you KNOW Monster High did something SEVERELY right when I spent last year worried about all the changes they’d make to g3 because I love g1 so much but now all I can do is worry about all the changes they’ll make to g4 (because you know it’ll happen eventually) because I love g3 so much
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quietwingsinthesky · 1 year
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laying on the floor thinking about franziska & miles….
#guys help it’s setting in again#when the characters… when the characters are siblings…. raised by an imposing father who eventually hurts them in ways that will never heal#(to be clear. I am team Manfred Von Karma wasn’t like. exceptionally abusive. I don’t think he was a monster to his kids while raising them.#I think he imposed extreme standards of perfection on them and himself that have done so much harm to miles & franziska.#so. emotional abuse. yes. but I don’t think it was like. an intentional evil scheme.#I think he just raised kids while having a fucked up worldview.#‘he killed edgeworth’s dad’ YES. YES HE DID. MONSTER!!! but what if. he did that. and then raised franziska & miles with love.#with all the love Von Karma could muster to show. and it was harsh. it was cold. but it was love.#and THEN. AT THE ELEVENTH HOUR. THE FINAL MOMENT BEFORE DL-6 COULD FINALLY GO AWAY. that was when he unraveled.#and that makes his betrayal and plot to destroy edgeworth even worse…#what if that. what if.)#anyway. miles being the first one in the game to say to Franziska’s face ‘you are being emotionally immature and violent like a child’#and franziska shooting back with ‘well! I came here to win a case and make you come back-‘#(sidenote: DID SHE HAVE ANY REASON TO BELIEVE HE WAS ALIVE? BEYOND GUT INSTINCT??? INSANE. INSANE BURDEN TO PUT ON HERSELF.#WIN AGAINST PHOENIX. REMAIN PERFECT IN ALL WAYS. AND YOUR BROTHER. THE LAST FAMILY YOU HAVE. WILL COME BACK FROM THE DEAD. INSANE GIRLIE.)#‘-but now that you’re here I don’t even want to look at you because you’re a painful reminder of everything that went wrong.’#franziska is rotating so fast in my mental microwave… the way she emulates Von karma in court. all the action. none of his control.#either of the court or of himself. franziska DOES act like a child. she hits people when she doesn’t get her way!#and it’s like yeah OF COURSE SHE DOES! SHES BEEN DOING THIS SINCE SHE WAS 13!!! THATS HOW SHE ACTED THEN AND NO ONE DARED CORRECT HER#BECAUSE SHES A VON KARMA. SHES PERFECT. SHES A SCARY LITTLE GIRL WITH A WHIP AND NO ONE FUCKING SAID ‘hey. uh. maybe. don’t hit people?’#god I am just fascinated by her. the way she has Von karma’s finger waggle animation but her version doesn’t stop the dialogue#and force you to watch the whole animation… she literally does not have the same power he did…#putting her in a cat carrier and taking her to the vet. that’s how I feel about her#ace attorney#franziska von karma#miles edgeworth#btw I’m only on AA 2 so if my analysis is way off somehow? that’s why.
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arborescreens-a · 1 year
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EEK EEK ABORT MISSION. THE TEENAGERS ARE MOVING INTO OUR HOUSE TOMORROW.
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1 do you prefer a standalone or a series?
11 the best book you have ever read?
20 do you prefer audio books or e-books?
Elli, I love you for changing out those pesky shorthand yous. <3 Thanks for the ask! From this ask game.
1. do you prefer a standalone or a series?
Most definitely prefer a series. I get attached to these little fuckers and I *always* want more. Honestly, it is exceedingly rare for me to even find a standalone I want to read anyway, but *shrugs*
Also, I prefer a series that follows the same cast of characters, but I'll take reading about a new set of mc's as long as the old ones still feature in the book :)
11. the best book you have ever read?
Fuck this question 😂
The best, how? Like best written? best as in favorite? I guess I'll go with favorite? (which also, fuck picking favorites lolol)
Mostly bc I'm not a great judge of literary quality. I'm in it for the characters and there are some truly awful books written that the characterization completely makes up for, so take that as you will lol.
...
...
I've been staring at this question for waaaaay too long. Also super hard to pick a singular book (reference first question lol)
Not gonna say its the best 😑, but The Rowan by Anne McCaffrey is a particular favorite of mine from way back when. It's part of a series, but it's the one I like most.
The Rowan is caught in a landslide that orphans her as a toddler, trapped in a vehicle for days while the entire planet listens to a baby wail psychically in their minds. Once rescued, she grows up with a handler's family. She is a strange traumatized child who keeps to herself, and is way way too strong (psychically).
She is set apart and isolated her entire life, either by her own choice or by the cruelty of others, and the whole book is just one blow after another until she walls herself off completely.
But she finds love and acceptance at the end and its just so 🥰🥰
20. do you prefer audio books or e-books?
ebooks ebooks ebooks ebooks ebooks
*comes up for air*
ebooks?
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seilon · 1 year
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by no means do i regret cutting off my dad but. sometimes i remember experiences with him that are so novel i wouldnt ever replace them. specifically i am thinking about how he’d play this country song sometimes that i have no idea how he found about gay interracial cowboys in love. i never asked him about it. i think about it often
#kibumblabs#chorus was like ‘interracial cowboyyy homo kinda love’ or something like that#my dad’s music taste was like. the most unpredictable thing on earth. in the most autistic way possible. it’s so hard to explain#and I still have no idea how he came across 90% of the music he’d listen to#I know when most people think of listening to music Autistically they think of an extremely predictable music taste where you listen to one#thing/band/genre/etc on repeat for however long and nothing else#but. the thing is. my dad didn’t NOT do that. his music taste was weird as hell and all over the place but it came in waves where he’d#listen to solely the same few songs or same artist or whatever for a few weeks and then eventually his focus would switch to something else#and he’d only listen to THAT for a few weeks and so on and so on. sometimes old stuff would come up again in a wave as well and#yeah you get it. occasionally he’d REALLY like a song and then he’d legit play it over and over again#specifically thinking of one time he got like. obsessed with moon river (the breakfast at tiffanys version I think?) and would play it#quite literally on a continuous loop on the house living room/kitchen speaker system and i think I was doing homework at the kitchen table#(wasn’t allowed to do it in my room cause my parents didn’t trust me) ​and was like. uh. dad. this is getting kind of annoying#and now that I think about it. I don’t think he stopped. at least not because of Me. i don’t remember when he stopped or if I just went#upstairs eventually if I finished my work. but yeah good god is my father autistic. he may not want to admit it but im pretty sure he knows#he is at least to SOME degree (my mother is a psychologist. i don’t think he could avoid it being pointed out at least a few times)#(he’s just prideful and stubborn and likes thinking that’s just the way he is and it’s not Pathological or blah blah blah idk. he knows.)#anywho. on the topic of things my dad would do that in hindsight ive realized are Very Autistic of him- he’d get annoyed sometimes if I sang#along to songs he’d play in the car because he wanted to ‘actually hear the song’ and yes first of all: dickish thing to say to a kid. but#the fact he didn’t realize that + now putting together that it probably had to do with having two sounds overtop one another in a#possibly irritating way… yeah. sounds like an autism thing. which I guess is kinda redeeming cause it means he wasn’t just being a TOTAL#asshole. still an asshole nonetheless but at least I sort of get it and get the feeling#cant blame him for having Autism Moments. can blame him for avoiding diagnosis or at least acknowledgement of it and never even remotely#attempting to keep his more maladaptive behaviors in check
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sha-dali · 2 years
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Okay but no bc sha dali being sha wujing had SO much potential the writers are just cowards for not going for it, what do you Mean you're not going to give the guy who's job is to sit there and be plot convenient more spotlight—
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So this time we painted on rocks in poetry class (yes that's a thing)
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And of course following edgy Sasuke is none other than... You guessed it kawaii Naruto.
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mollyrealized · 3 months
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How Michael Met Neil
original direct link [MP3]
(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)
DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.
MICHAEL SHEEN: So this is what has brought us together.
DAVID: Yes.
MICHAEL: To the new love story for the 21st century.
DAVID: Exactly.
MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”
And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.
DAVID: The kids who'd grown up reading comic books were now making comic books
MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.
And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”
And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.
So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.
And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”
And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.
Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.
It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.
DAVID: You'd never met him?
MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …
And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."
I said, “All right.”
He said, "Do you want to go somewhere posh, or somewhere interesting?”
I said, "Let's go somewhere interesting."
He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.
I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 
And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."
So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”
And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.
And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"
"Right, okay. We'll ask for the bill in a minute."
And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.
And me and Neil are like, "What on Earth is going on?"
And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*
[* - delivered in a perfect American ‘serious law agent’ accent/impression]
And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  
We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.
DAVID: But you're assuming it's the mystery dish.
MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.
So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.
Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.
We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.
And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.
DAVID: That’s extraordinary.
MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"
"No, I haven't heard anything."
And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.
DAVID: And that was your first meeting with Neil Gaiman.
MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"
I said, "What are you talking about?" It's such a Neil Gaiman thing to say.
DAVID: Isn't it?
MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.
DAVID: Was there anything inside it?
MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...
DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.
MICHAEL: That's how it began. Yeah.
DAVID: And then he came to offer you the part in Good Omens.
MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...
DAVID: Were you involved at that point?
MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.
DAVID: Right.
MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.
And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.
But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.
DAVID: Of course you can [play Crowley?].
MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.
DAVID: Sure, sure.
MICHAEL: I can do this.
DAVID: Yeah.
MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”
But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."
And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.
And then all these extraordinary people started to join in. And then, and then off we went.
DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?
MICHAEL: “I emailed Jon Hamm.”
DAVID: Yeah.
MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.
DAVID: Yes.
MICHAEL: And had never been turned into anything.
DAVID: Yeah.
MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”
DAVID: Yes.
MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”
DAVID: Yeah.
MICHAEL: So I feel that responsibility as well.
DAVID: But we have Neil on site.
MICHAEL: Yes. Well, Neil being the showrunner …
DAVID: Yeah. I think it takes the curse off.
MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.
DAVID: Well, we think. Not that the world has seen it yet.
MICHAEL (grimly): No, I know.
DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.
MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.
This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.
DAVID: Yeah.
MICHAEL: The two of us.
DAVID: Yes.
MICHAEL: Like they, what I do is defined by what you do.
DAVID: Yeah.
MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.
DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.
MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.
And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.
You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.
And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 
Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.
DAVID: That's lovely. Michael, thank you so much.
MICHAEL: Thank you.
DAVID: For talking today and for being here.
MICHAEL: Oh, it's a pleasure. Thank you.
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murmeloni · 3 months
Text
I need more fanboy Clark Kent in my life.
Like, he's seen Bruce Wayne interact with a child once and immediately fell in love with the guy. Now his bedroom walls are plastered with posters and he follows several social media accounts focused on capturing pictures of Bruce with kids and/or animals etc. He defends Bruce to anyone, no matter the antics he gets up to and it has become a bit of a running gag around the office.
Then, one day, Cat is out sick and someone jokingly suggests Clark should cover the gala in her stead, seeing as Bruce Wayne will be there and maybe this'll be Clark's shot to finally get his man? To everyone's surprise, Perry really does assign the gala coverage to Clark, who spends the days leading up to the event in a state somewhere between absolute panic and ultimate bliss.
But when the day finally arrives, Bruce doesn't show.
Of course Clark does his job and interviews everyone there (yes, even Lex Luthor) but a part of him spends all night waiting for Bruce to crash the party late, like he so often does.
Eventually, Clark gives up hope and it's shortly after that, that he stumbles upon one of the children dragged along to the event by their parents. Because apparently someone thought a charity gala was a good environment for an eight year old. The parents are nowhere in sight and the child is close to tears, so Clark makes it his mission to cheer the little girl up, regaling her with stories from his upbringing on a Kansas farm while he searches the crowd for her family.
With Clark thus occupied, he doesn't notice Bruce Wayne finally making his appearance for the night. But Bruce definitely notices him. The gentle giant who's all kind smiles and corny jokes... Until he finds the girl's parents. Uncaring of the fact that he's here on a job and that these people are richer than any one person should be and could easily sue him into oblivion, he takes them aside, fire in his eyes, and tears them a new one for losing track of their kid like this. Anything could have happened to her and maybe the readers of the Daily Planet would like to know about that? After all, how reliable and trustworthy could a company whose CEOs won't even look after their own daughter really be?
Bruce is immediately smitten. The passive-aggressive lecture and subtle threats - not to mention the broad shoulders and handsome face - are incredibly attractive to him and he wastes no time cornering the man afterwards.
Clark, who is so starstruck by the mere sight of Bruce coming towards him that he loses the ability to speak, nearly faints when Bruce just straight up shoves his tongue into his mouth. They end up in one of the coat rooms and Clark thinks that's it, just a one night stand. It sucks that he won't see Bruce again, but the night was amazing and at least he has the memory to treasure, right?
He thinks that right up until he gets to work the next day and two dozen red roses are waiting for him on his desk. There's a handwritten card nestled inbetween the petals and on it is the name of a restaurant along with a date and time. It's signed by Bruce.
And that is how Clark gets together with his celebrity crush.
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