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eyrieofsynapses · 4 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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boughkeeperdain · 11 months

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Out of context genshin story quests

Part 1

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ani-craft · 1 year

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"Martyn is loyal" this and "Martyn isn't loyal" that

Loyal or not, this man loves. No matter what he might say. Calls himself selfish, or a wanderer, or a wildcard, or whatever else he'll readily claim to seem unanchored. And sure, he is highly driven by self-interest, that is undeniable especially after Lim Life's ending. Yet every season he gets attached to people, finds a fondness in someone. To Scott, to Cleo, to the Southlands (especially Mumbo), to Ren--and to an extent he is loyal, or devoted, or whatever other word you want to use for it. As loyal as he can be up until he can't be anymore. Looks at every alliance with the idea that they'll make it to the finale together, even if what happens after is unsavory. He knows too much for his own good, knows that every life will end as him versus everyone he's allied with. It's inevitable, given the nature of his lore and his role in the grand scheme of things. It's an always present truth that backs every plan he has. An audience is Watching, and we need a grand finale, after all.

But until then:

"That's it, they're dead."

"I'm more than happy for you to link back up with me, and we can be real proper soulmates."

"You said, 'You and your allies will see the end.' You said I could bring them all!"

"I'm with you. This is us, now. This is us."

#limited life smp #limited life spoilers #martyn inthelittlewood #inthelittlewood #he's a contradiction and that's what makes him interesting #a disciple of the shadows but his heart holds fondness still #it's worth noting how set on a betrayal he is specifically #that he wants to be the one to kill his allies #it'd be simpler to let them die by someone else's hands than his own and yet... gotta feed into the negative emotions right? that's showbiz #i also love to compare cc!Martyn's take on things versus the narrative as a whole #sometimes the story writes itself out of the author's hands #it's impossible to determine one way or another what is 'correct' in an ever-evolving saga #too many retcons and meta comments and spur of the moment improv to really make it clear cut

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a-drama-addict · 8 months

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redraw of an ancient piece

#SLIGHLTY ALTERED THE POSE IDK WHAT EARLY 2021 ME WAS DOING BUT I AINT EVEN GONNA TRY #anyway i do love them a lot still #oh the drama the everything theyre so in love #cant get enough of them tbf #also shoutout emira for dating the pope! not many people can do that #silly gremlin lesbian meets catholic bisexual and then the story just writes itself #AAAAAHHHHH they #my art #dragon age #dao #oc: emira tabris #leliana

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cometrose · 2 months

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"Silk Flowers grow in pairs on small red bushes"

Other archon having twins

Zhobgli is suspicious

(Plus the god of eternity saying his story is not yet over)

“~twin where have you been~”

it’s still pretty interesting that Zhongli doesn’t have a ‘twin’

it is very clear one of the main themes of genshin is family especially between that of siblings (twins)

the traveler is the twin and all of the archons -the main characters of their respective regions have “twins”.

Venti has the nameless bard, Ei and Makoto, Nahida and Rukkhadevata, Furina and Focalors. These are characters that look identical but live very different lives.

A core part of each archon is their relationship with their respective twin. Ei struggled to move on after Makoto died, Rukkha was everything Nahida dreamed of being, Focalors made Furina play a part for 500 years. I am unsure of the dynamic of Venti and his bard but it’s pretty easy to assume he gave his life great meaning and considering he looks just like him he never could move or wanted to forget what he looked like.

So the fact Zhongli doesn’t have anybody with that kind of connection is really odd lol. I've complained so many times like “Zhongli!! where is your silly clone!” and he refuses to answer my calls. Rex Lapis is represented by silk flowers but they grow in pairs but where is Rex Lapis’ pair? Where is the moon to his beautiful sun???

Some people argue a more metaphorical twin for Zhongli is Rex Lapis/the Exuvia. The point of the Liyue archon quest was Zhongli stepping down from a role he has had for thousands of years and considering the way he talks about Rex Lapis/geo archon (he always refers to him in third person) I believe Zhongli sees him as a separate person entirely. So losing Rex Lapis was like losing his twin. Casting his exuvia aka body double on a crowd of people and burying Rex Lapis was Zhongli’s conclusion with his “twin”. He ended his reign and made peace with his life.

But at the same time I feel that interpretation is so ehhhh. Like all of the twins we’ve seen were their own person with their own thoughts and feelings. Like yeah furina and focalors were once the same person but that was no longer the case when focalors brought out the scissors and said act woman.

Let’s get venti and zhongli out of the way cause they are a little weird from the rest of the seven but we’ve never met “Rex Lapis” and then he doesn’t have a human form like the rest of them. We have talked or at least heard the voices of the “other twin” . We met rukkha, we heard makoto and neuvi let us see focalors.

A big part of the archons is their relationship with their other half but Zhongli’s stories most always focus on someone else-a different god a different entity there is just so little of what we know about him comes from his own mouth.

Besides when you look at the visual symbolism then all the archons are represented by the moon and shadows. They live in the shadows of the "twin" if almost haunted by them. They cannot live up to their glory or they are forced to be someone they are not. These 'twins' are the reason for our archon's (hell even the traveler's) existence and journey, it is why they continue forward until they eventually find new meaning in life.

However Morax is always represented by the sun and light, and you could argue that Zhongli is the moon to Rex Lapis’ sun but if you look as his symbols -his golden eyes, the golden light he uses to save xiao and his interactions with the people of Liyue he still holds that warmth.

Next the big revelation for Zhongli was his relationship with Liyue itself, not himself. We could argue that the existence of "Rex Lapis, The Geo Archon" was intertwined with that relationship but Zhongli's narrative is stepping down and taking his hands off Liyue not any personal struggle. If Liyue had failed his test he would've remained the geo archon for the foreseeable future.

That means, Liyue itself is more of his twin, it is something that plays a huge role in his identity and leaving it behind and moving forward is the core of his arc. It is Liyue that made Zhongli play the part of the geo archon, it is Liyue that made him turn on friend or foe if they were are threat, Liyue and its people are the motivation for everything Rex Lapis did. Morax’s love for his people defined every action that he did as the geo archon.

Long story short ehh if push comes to shove I can accept Zhongli's dragon clone as his twin but I would also argue against it because it doesn’t hold thematic weight that the other twins do!

In the end, we can still safely assume that zhongli’s twin has gone awol but then who are they!!! Each archon has a pair that is meant to parallel the relationship between our travelers Aether and Lumine but where is such a twin???

I've talked so much about Zhongli about everything but Ei mentions in her voice lines that she believes his story isn't anywhere finished. She even talks about him in Zhongli's teaser way back in 2020, "in his long life he has met countless people and shall meet countless more still. As they say: waters change course but mountains move not". Its kind of neat the god of eternity says your story isn't over

I may be a delusional zhongli stan but I don't think it is farfetched to say he is veryyy suspicious. We don't know his true form, we don't know the truth of his contracts, we don't know if he's hiding a twin, and the goddess of eternity herself believes his journey will continue forward.

Could he be missing a twin because he's not from Teyvat? What if he lost his counterpart a long time ago? What if we have simply not met Zhongli's twin and the two of them are separated from each other much like the traveler? I always believed Zhongli kind of crashed into Teyvat like a meteor or shooting star and that's why he's kind of weird but it could be possible that Zhongli's counterpart is just not here either long dead or with a different destiny.

Fun fact to add to Zhongli’s weirdness; Did you know Zhongli and Neuvillette are the only playable characters whose constellations are different from their character quest? Zhongli's constellation is Lapis Dei but his story quest is Historia Antiqua, much like Neuvillette's constellation is Leviathan Judicator but his story quest is called Diluvies. Which is weird cause Venti has the same constellation as Zhongli (Carmen Dei) but Venti's quests line up. Like is it a dragon thing but why?

Then most of the original archons croaked during the cataclysm and Venti went into a coma. How did Zhongli get out of the damn thing unscathed? Why didn't he lose his twin or die and shit?

I know in my soul Zhongli is hiding the secrets of the world in that pretty little head of his. He's just a bum and refuses to share it with the crowd.

#zhongli #archons #genshin impact #noooo #this is too long again #this was definetly a yap session #but like really though where is his twin!#where is zhongli 2 #like ive seen so many people at least on twitter say zhongli's twin is his exuvia and like *shrug* SURE I GUESS #but its still so different from the others UNLESS you count the exuvia as Liyue itself which is rather metaphorical then the physical twin #speaking of which what the fuck is the god of contracts #freedom eternity wisdom justice war and love are all common abstract concepts and normal things for gods to be #what the hell is contracts like if it were truth or power or even promise that would make sense #but contracts are not nearly as abstract as the rest of them fuckers #maybe if it were relationships instead of contracts but that sounds rather romantic doesn't it?#me writing this: uhh where do i put a page break this time #long story short he's weird!!!#zhongli is super weird!!!#why is all his fucking shit cubes!#also if we consider zhongli and exuvia a twin what fucking parallel is that to traveler UNLESS you look at it as the final stage #and you know during the lantern rite event paimon writes a little blurb about the regions and is like we've been through the land of winds #and for liyue it is the final destination of a star SEE HOW i can connect this back to star!zhongli but also the traveler is a star #maybe the end of the traveler's journey is letting go of their twin like zhongli let go of liyue

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swordheld · 8 months

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how did u choose your username?

oh, this is a fun one!! i think i considered being swordtold at first, for that very ancient myth vibe of the sword being this narrative tool for adventure and structure and physical time, the parable being passed down through the centuries until it meddles into modern day rhetoric and ideology – a kind of fantastical tool, a spark of magic, of possibility.

i like the arc of the story of a place being physical / having it be held by time and hand alike, wearing with the years and having it become something different to each holder, each reader, each experience fantastical and individual.

having that kind of physicality to it; swordheld is the action of taking up and holding the sword yourself, choosing your own narrative, leading your own story. self-identity has always been something i struggle with (a novel concept i know, i know), so it felt right for this blog, since most of my older blogs before this one have been just me silently reblogging and never really posting anything myself, and i wanted this to be the change to that.

i've always had trouble wranging my social anxiety, esp. on the internet, and previously thought that keeping my words to myself helped keep the timeline cleaner, in a way, no messy thoughts for others to sort through, especially ones i believed no one would want to read anyway? but it never felt right, keeping myself apart from it all, esp. not in the way i so avidly enjoyed reading others' posts and additions, keeping their words close to my heart.

i wanted it to reflect that this was a space i was holding for myself? and i'm a little slow on the uptake sometimes, but this - this i think i got right. i love being here, on this blog, and the joy that it brings me. everyone else enjoying it too has been a wild ride that i never expected, and still surprises me, one that brings a little extra thrill to my heart whenever i think about it.

i had other urls that i liked, but i didn't want this blog to be tied directly to any of my fandom/story interests, since i wanted it to really just be a sort of archive of artistic inspiration and resource, like a little library or museum. i use them now as lil sideblogs of more niche interests now, which is rather lovely.

it hasn't always felt like it fit perfectly, the way that i'd like, but for some reason i can't think of really wanting to change it anytime soon. it feels mythic yet modern in a way that feels like puzzle pieces finally slotting into their place, something my own and inspirational to me, like a lantern i'm holding to make my way by. my own kind of light, if that makes sense – a star i know by name.

#q&a.#birdsong.#all of this is truly just a way to say: it's your blog! it's your party! do what you like if it makes you happy!! (and doesn't hurt anyone!#live your dreams!!!!!! do your own thing truly it is worth it. which feels silly and cheesy inspirational talk vibes but u kno. it's right #thank u for ur question tho !!! it's been so long that i don't really remember exactly what the beginning of it all was?#it wasn't always my url for this blog esp. in the beginning but i've forgotten what that was ghjk so sorry dear anon !#like little flashes of a story in my memory i have to make out / like steam or fog on a window pane. blurry and unclear?#but now it feels more intentional / almost like watercolor! something that mixes itself into a new thing; bright and bursting w/ it all.#i hope this answers ur question nicely all the same tho <3 #i always on habit write out lantern as lanturn so this is an unintentional shout out to one of my fav pokemon love u lanturn !!#some of these things i truly do just write out bc i know it'll make me laugh later if i ever come back to it. lil joys for ur future self !#and that IS a reference to the dickinson poem ' i am out with lanterns looking for myself ' it is in my brain always ! ! thank u ! !

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tathrin · 10 months

Text

An Elvish Lure

Somebody said “using yourself as bait” and my brain spat this disconnected snippet out, so: enjoy a scene in which the Three Hunters try an alternate plan by which to catch-up with the orcs and free Merry and Pippin.

"No," Gimli said.

"Gimli—"

"No," he said again, shaking his head hard enough to make the braids of his beard slap against his shoulders. "No, absolutely not."

"Gimli," Aragorn tried again, "this plan is our best chance to—"

"I said no!" Gimli roared. "I will not have it! Aragorn, I will not!"

It was not Aragorn who answered him. "Gimli, be calm."

Gimli squeezed his eyes shut at that voice, as though he could shut-out the words as easily as he did the sight of the narrow, beardless lips from which they had issues; that golden head; those mithril-bright eyes. Fingers as long and spindly as bare twigs closed on his shoulder, their grip tight enough that he could feel it even through his shirt of mail.

"This is our best chance to save Merry and Pippin," Legolas said. "Perhaps our only chance. Gimli, I am not afraid—"

"Can I not be afraid for you, then?" Gimli asked wildly, grabbing those long fingers and holding them tight. He looked up at Legolas, then very quickly closed his eyes again. He pressed the archer's captured hand to his cheek and held it there, as though he might hold the elf back from this reckless plan as easily. "Orcs hate elves so much, Legolas…"

"That is why it has a chance of working," Legolas said. He sounded so unbearably calm, his woodland accent giving his speech the lilting cant of birdsong. He had sounded so strange to Gimli's ears, once. When had that fair voice stopped sounding strange?

"And if it does?" Gimli retorted. His grip on Legolas's hand tightened. "When it does? What then, Legolas?"

Legolas's narrow shoulders lifted in a shrug. "Then we will fight them."

"Then you will fight them, all alone, until we can come to your aid," Gimli corrected him. "Legolas…" His voice failed him and he had to clear his throat twice before he could force the words out. "Legolas, what if we come too late?"

"It is a risk I am prepared to face," Legolas said simply. "And at any rate, Gimli, I do not believe you will. I have more faith in you and Aragorn both than to let myself fear that I will have to face all the orcs alone. And besides!" he continued with a sudden, fey laugh. "Should it not be the orcs who should fear to face my blade and bow? I slew many of their fellows at Amon Hen, and I will slay many more in these sweet green fields if they will but do me the favor of coming within range of my arrows!"

Gimli looked up at the laughing elf in sad, silent horror.

"We will not have to hide ourselves so far away from Legolas that he will be alone for long," Aragorn said, stepping forward to lay his hand on Gimli's other shoulder, the one that did not burn yet with the memory of Legolas's touch upon his mail. "Orcs are keen of smell, but their eyes are not so sharp in daylight, and their ears will have a hard time hearing anything over the thunder of their own feet upon these plains. Besides, Gimli, we have the cloaks given us by the Lady of Lórien; was it not said that they would help to hide us from unfriendly eyes?"

"It was," Gimli agreed heavily. "But these orcs are fast. And what if they have archers among them?"

"What of it?" Legolas shrugged again, scoffing. "I do not fear crude orcish arrows."

"A crude arrow can kill as readily as a finely-wrought one," Gimli reminded him.

Legolas tossed his head, his golden braids rippling in the dawn. "Only if they strike their target."

Gimli gaped at him in exasperation. "Legolas—"

"No, Gimli, I do not ask you to like this plan, but please. Are we not friends now?" Legolas dropped abruptly to his knees in the soft grass, a position which put his eyes nearly on the same level as the dwarf's. It was Legolas who looked up at him now, his pale eyes glittering as sharply as a sword. "Then please, my friend, cast aside your doubts. Trust me to do this."

"I do trust you, Legolas," Gimli responded automatically. "I do not doubt you. But—"

"Then it is settled." Legolas made to stand, to turn away, but Gimli caught him by the arm and held him still.

"But," Gimli said, his voice a stony growl, "I do not like the idea of you making yourself bait for orcs."

Legolas swiveled on his heels, elvish grace keeping him upright despite the sharp tug of a strong dwarven arm yanking him off balance, and stared up at Gimli. The smile he gave the dwarf was small and fleeting, and there was a heavy sadness in the curve of it that reminded Gimli, suddenly and painfully, of the grey woods of Lothlórien.

"I do not say that I like it either, Gimli," Legolas said softly. "But we cannot outrun the orcs. If they cannot be made to pause their march, they will vanish into Isengard with Merry and Pippin and all chance of saving our friends will be lost." He pressed his free hand to Gimli's cheek and gently stroked the downy hairs there. "I would risk a thousand such dangers for the chance to stop that foul fate from befalling those dear young Hobbits—and I know you would, too, Gimli."

Gimli swallowed, but the aching lump in his throat did not dissipate. "Legolas…"

"The fact that the orcs left the field of battle while the three of us yet lived worries my heart greatly," Aragorn said. His voice, too, was quiet, but a dark tension thrummed through his words like the warning rumble of stone on the brink of a cave-in. "That they put their need to carry away their captives over their desire for slaughter and torment…that worries me, Gimli. Worries me greatly."

Aragorn did not have the keen eyes of the elves, but his sharp grey gaze rose over the plains nonetheless and he stared off into the distance as though staring at the shadows of that terrible band of orcs nonetheless. "I do not know if even this will cause them to turn aside from their path…but if anything will entice them to delay their task, it will be the chance to make sport of a lone and injured elf."

"And so I shall play the bait," Legolas said, before he sprang to his feet, the movement too fast this time for Gimli to stop. He looked down and offered Gimli a fleeting, knifblade smile and declared, "And we Three Hunters will see if we can draw the hunt to us!"

Gimli should have cheered; the words were spoken in the sort of tone that rallied hearts and lifted spirits blazing into battle. But all Gimli could see in his mind was the terrible sight of Legolas left standing all alone, waiting for the orcs to come and find him while his friends hid and watched from safety.

"Legolas…"

"Peace." Elvish fingers pressed against Gimli's lips, stopping his words but not his fears. "Give me this chance, Gimli, and I will turn your doubts aside."

"I do not doubt you—" Gimli started to say again, his voice thick and strangled with the heavy feelings of his heart, but Legolas was already springing away, up the short and stony hillock. Gimli watched him go, his steps as light and swift as the flutter of butterfly wings.

"I do not doubt you, Legolas," he said, the words spoken now in a whisper so low that even elvish ears might struggle to hear them now. "But I fear for you."

Aragorn's hand closed on his shoulder again, warm and steady and lacking the silver-fire touch of Legolas's smooth brown skin. "Come," he said softly. "Let us get under cover, Gimli."

Gimli allowed himself to be drawn away, but his feet scuffed heavily on the uneven grass as he turned to stare behind him at the silhouette of Legolas standing tall and thin against the dawn, pale cloak and golden hair streaming out behind him. He made a fine target for arches up there, Gimli thought sourly; a fine target indeed.

Legolas drew his white knife, and Gimli turned away. He knew that the scent of elvish blood would be needed to draw the orcs' attention; knew further that only with the wind blowing strong and swift towards their quarry did this mad plan have any chance of success, and so he cursed the breeze. Had it only died or shifted, Aragorn and Legolas would have been forced to give up this chance; would have had no choice but to simply run instead, run until they dropped perhaps and even yet fail—but run together, rather than risking Legolas's life alone.

Gimli could not bear to watch Legolas take his blade to his own arm, spill his own blood, to lend verisimilitude to his role as bait; yet he fancied he could hear the sharp glide of knife over skin nonetheless, and he squeezed his eyes shut tight and let Aragorn lead him, stumbling, to the hollow in which they would hide together while Legolas stood out there, tempting danger, alone.

They huddled in their grey cloaks, hands on weapons and breath in their throats, and waited.

And then—and then Legolas screamed.

Gimli started upright, his own breath drawing in for an answering cry of rage and vengeance, but Aragorn grabbed his arms and held him fast. "No, Gimli!" he hissed, hauling the dwarf down bodily back into the small depression in the earth. "No, he is not hurt. This is the lure, Gimli! This is the plan. Be still!"

Gimli let himself be drawn back despite the thundering of his heart against his ribs. He pressed one bare palm against the earth, trying to draw strength from the touch of stone against his skin; trying to find the endurance for which the dwarves were so renowned. But he could not stop trembling; could not stop hearing the echoes of that terrible shrill scream inside his ears.

"I have never heard such a cry, Aragorn," he whispered.

Aragorn's grip on his arm tightened. "I have," he said. His voice was low, almost haunted in the shadows of their hiding-hole. "I am sure Legolas has as well, for his people have long fought the Shadow in Mirkwood—and," Aragorn added, swallowing hard as though against some terrible memory, "he could not have sounded so convincing, if he did not know the sound of an elf in torment."

Gimli's gut twisted and he bit his lip hard enough that he tasted a coppery spill of blood across his tongue. "I would that he did not know it," Gimli said hoarsely. He glared up at Aragorn and added in a sharp voice, "I would even more that he should never experience it himself."

"We are not far," Aragorn insisted. "If the orcs take the bait, we will know it; we are near enough to help. He will not stand alone."

"Not for long," Gimli muttered, "but perhaps for long enough." He held his axe very tightly and wished for a whole host of doughty dwarven warriors at his side—or better, at Legolas's side.

Another cry rose, more warbling than the first piercing shriek; more plaintive, like the screamer was weakening.

Gimli's grip on the haft of his axe tightened until his hand ached. "Aragorn…"

"He is not hurt, Gimli."

"Not yet."

Aragorn had no answer for that.

They sat in silence, straining their ears for the pounding thunder of orcish feet upon the earth; waiting to discover if the enemy would take the bait.

Waiting to learn if the three of them would live through it, if they did.

{read more gimleaf stories here}

#gimli #legolas #aragorn #three hunters #lotr #lotr fanfiction #gigolas #gimleaf #well unrealized gimleaf at the moment i suppose #could certainly be read platonically #but that's one of the joys of their relationship anyway: no matter the particular flavor the love never falters #they're every bit as devoted and delighted by one another whether there's a whiff of romance there or not #and i love that about them because there aren't many relationships you can say absolutely do not CHANGE based on whether it's romantic or no #even the ones that start as friendships and stay as friendships still tend to change somewhat if there's romance (or if there isn't)#but not legolas and gimli #you don't even need to decide which it is when you start writing a story with them because you're writing the same story either way #''you comfort me'' indeed #this ship sails itself all the way to valinor #my writing #my stuff

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trensu · 10 months

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I wish there was more steddie time travel fics. Where steddie travels back all the way to season one. Maybe both or one of them. Actually both because the comedic potential. Like Steve and Eddie trying to change things and save the day. And anyone who sees them sneaking around thinks they are in a secret gay relationship. Nancy has this whole theory that her boyfriend is gay and sneaking off with Eddie Munson. Reason why he's being distant and hiding things. And on one hand she's not wrong, because steddie has so much unresolved sexual tension that one is oblivious to and the other is to afriad to admit to. But on the other hand is she way way off.

okay tbh, as great as that would be, i don't think everyone would immediately jump to the gay thing. if this is during steve's kingly days, he's got enough sway and popularity that people would bend over backwards to prove he's a Normal Straight American Boy.

what i think would be more likely, considering he throws those parties and is a good athlete, people would assume he's either developing an addiction on something OR taking steroids. nancy would be SO worried about it because omg steve, do you know what drugs do to your brain? how are you going to get into college if you keep doing that stuff??

meanwhile, steve is touched by her concern and also like...just going along with it? What is he supposed to do? That explanation makes WAY more sense than the whole Upside Down nonsense that they're trying to prevent. So now you've got Steve--who can do a mean kegstand but has literally never even considered doing anything harder than that because DUH the hard stuff would fuck up his body and he's an ATHLETE--trying to pretend he's got to get his Drugs so he has to cancel his plans with Nancy and go see Eddie RIGHT NOW. Because of Drugs. No other reason.

But we all know Nancy is a stubborn bastard (affectionate), so she'd definitely use her investigative skills to find out more. She'd track down this Eddie Munson guy and give him a piece of her mind. Now, this Nancy is still pretty mild and is lacking guns because the UD stuff hasn't hit her yet, but Eddie remembers with crystal clarity his Nancy and her weapons proficiency and reacts to past Nancy accordingly. As in, he immediately apologizes for anything and everything and promises not to do it again, please don't hurt him.

Now Nancy is confused as to why this big bad leather and chain wearing drug dealer is practically cowering before her. She starts to suspect other stuff is going on because the pieces aren't adding up. Eventually she figures out what's happening and joins Steve and Eddie because while they're both creative and skilled in their own ways, they're not really that great at the actual investigating bit of the plan-making process.

It's only then, when she's spending more time with the two of them together, does she start to catch on to the way Eddie looks at Steve. She remembers the rumors that go around about Eddie, so she's not too surprised because Steve is stupid hot and really good in bed, like, so good, the things that boy could do with his tongue will stay with her always. What does catch her off guard is the way Steve reacts whenever Eddie does something that edges around flirty (but still has plausible deniability). He doesn't get disgusted, he gets confused and ruminates over it. It's curious (though if nancy were honest to herself, she'd admit that she's never really understood all the romance stuff and it's never particularly appealed to her). If there were more time, she'd probably study them more.

But there are more important things happening, so she's going to leave them to deal with that mess on their own.

#stranger things #nancy wheeler #eddie munson #steve harrington #steddie #trensu tells stories #trensu replies #this definitely got away from me #also i actually don't read a lot of time travel fics #or time loop fics #i wouldn't say i actively avoid them but they're usually the last thing i pick if i have other options #idk why #because there are really good ones that i've loved #but the concept itself never piques my interest THAT much #anyway #i think your idea is really fun and you should definitely write it up if you're so inclined #(did i take this opportunity to push my aro!nancy agenda? yes i did bc she screams aro to me and there's distressingly little fic with that

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noctisvixen · 4 months

Text

The Earth

//Secret Life Spoilers\\

Warnings: Minor character death

Summary:

The Watchers always favored Scar; it was why they made him a Witness to begin with. To toy with him in a way that they couldn’t with the other players. To pick and choose between his locked away memories and give them to him in pieces in each new life. He wasn’t a winner or a Watcher, so he only received fragments that he would have to piece together. Then he would forget, and the cycle repeats itself with each new game.

But now he’s won Secret Life.

“Pearl, I’m coming for you!” Scar yelled as he ran to the edge of the small ravine. He hadn’t heard the fading thunder or saw the flash of lightning; his crimson gaze was too focused on killing his final target. “I’m coming for you!” He yelled again when she didn’t respond. He swapped out his bow for his diamond sword, the once brilliant blue now stained red.

He leapt down into the ravine, swinging his head around as he searched for the brunette. “Where'd you go?!” He called, the grip on his sword tightening. Had she ran? After everything that had happened?! No, even with the faded memories of former lives, Scar knew Pearl. She wouldn’t have run. She was here and he was going to kill her, finally cure the itch in his hands by covering them in the final survivor’s blood. “Where'd you go?!” He called again, this time frustration dripping into his tone.

He wanted to end this now. He wanted his sword tearing into her. He wanted to see one more body bleeding out from his hand, to finally be the villain They wanted him to-

“She’s dead,” A voice- an all so familiar voice- echoed behind him. He spun around, sword at the ready as bloodied sand and awful screams before abrupt silence flooded his senses. He was ready to strike, to fulfill that want for more death. But the want left him, as if an ocean’s tide swept over him and left him on the shore, alive.

Grian smiled softly at him, as if sensing the tension leaving the other man. The avian looked different as a ghost, his wings white as a canvas and waiting to be painted to something new again. His brown eyes were a deep shaded purple, somehow lacking and still holding warmth at the same time. He wasn’t just a ghost, Scar remembered. He was one of Them. But good. Loving and kind, in his own ways.

“Scar...” He breathed, a gentle look of joy and pride dancing in his eyes. “You won.”

Scar stared at him, dumbfounded. It took him a moment to even register the words that left Grian’s mouth. “Oh.” He breathed before looking around. This wasn’t what he was expecting. Wasn’t there supposed to be some kind of feeling of victory? Of grief?

Why did Scar feel nothing?

“Really?” He asked, looking back at the Watcher in front of him. Grian said nothing, but his smile faded, especially when the sword in Scar’s hand fell from his grasp. He brought his hand to his forehead, his fingers brushing against his hair. “Oh my God.” He said. Then he cracked a smile, the only thing seeming appropriate even with the empty feeling in his chest. “How did that happen?” He moved his hand from his head to motion it to Grian. He tried to ignore how it was trembling. How Grian’s gaze flicked to it and then back to him, frowning and eyes showing concern. He tried to ignore it.

“How’d the guy with no friends win?” He asked, his smile broadening and a little snicker leaving his lips. “How did-” His laughter interrupted him. “H-how did the guy w-with no fri-friends win?” He laughed more, letting it echo off the walls. It really was ridiculous- How did he win with the odds so stacked against him? The whole server hated him, for his tasks and who he was. They wanted him dead because of it.

His eyes burned. His laughter stuttered, changing into something broken and rough. His breathing hitched, turning uneven and jagged. Something like a sob broke out from his mouth and his cheeks grew damp, tears flowing along them and falling to the ground. He gripped at himself in a makeshift hug, as if he could pull this horrible feeling out of him and feel victory or guilt. Anything but this.

But, void, he wasn’t feeling emptiness. He was feeling hate. His friends’ hate towards him. His hate towards himself and his actions. He had won, but at what cost? He killed Pearl, the only teammate he was truly able to get out of this mess. She had given the one thing he had wanted the whole game, and he killed her! She’ll never want to see him again, not after a betrayal like this.

His sobs wracked his body, his knees almost ready to give out until a set of arms wrapped around him and a small body pressed against his. Instinctively, his arms shifted and latched onto the person, just as he felt wings wrap around him and shield him from the world.

“It's okay.” Grian whispered by his ear, letting Scar hunch into him and sob. The wings around him pulled tighter while the avian’s arms held him as if he was fragile and precious. “We don’t hate you. We don’t blame you.” His voice remained soft, but firm.

“Y-you should.” Scar argued weakly. He didn’t deserve to be forgiven.

“We don’t.” Grian repeated, firmer this time. “These games make us do things that are hard to forgive, Scar. But that doesn’t mean they can’t be forgiven.” As he spoke, he pulled away and met Scar’s gaze. His eyes revealed understanding at a level that Scar couldn’t comprehend. But deep down he knew that he would soon.

“I’m tired.” Scar settles on saying instead of what he should be asking. It isn’t a lie though. He was tired. He’s been tired for a long time during this game. This is just the first time since this game started that he felt safe enough to let the exhaustion flood his body. The crying probably didn’t help either, even if it left him feeling a bit lighter than before.

Grian gave him an understanding smile. “That's okay.” The avian said, bringing a hand to Scar’s cheek. The newest winner leaned into his hand, closing his eyes and just enjoying the warmth that Grian’s skin produced. He hadn’t even noticed it before and when he opened his eyes to ask, Grian was no longer a ghost or Watcher. He was standing in front of him, his wings the wonderful design of Scarlet Macaws, the only kind of wings he ever saw on him in Hermitcraft. He saw gentle brown eyes and an even gentler smile. “Let’s go home then.” His voice was full of warmth and Scar couldn’t help himself.

A genuine smile graced his lips and he brought a hand up to hold Grian’s. “Let’s go home.” He whispered. The world around them was fading to white as the wind picked up around them, but Scar couldn’t find himself to care. Instead, he closed his eyes and let Grian pull him into another embrace.

He had won Secret Life, but his real victory was this. Finally being able to let his guard down. Finally getting to go home and rest.

And, after everything, finally being held in the arms of someone who loves him.

#vixwrites #(<- tag for my stories/writing prompts)#secret life smp #Witness AU #(debating if this counts as Traffic Paws or not; but for organization sake)#traffic paws #goodtimeswithscar #gtws #gtwscar #grian #angst with a happy ending #fanfic #honest to god- everyone has been doing angst for this man's ending #I love it but let's have some fluff and Grian rescuing his partner in crime #can be read as platonic or romantic #whatever you fancy- but the au itself has hermitshipping/trafficshipping #so keep that in mind if you decide to stick around

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