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#the-cool-nerd
phantom-cosmonaut · 5 months
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"nyc in 1940", berlioz
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cringethursday · 2 years
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My physics professor just told the class the wildest story from when he was in grad school about building a high voltage unauthorized Tesla coil with the ability to kill a man
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myosotisa · 4 months
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some of y'all have seriously forgotten that Eddie is an absolute loser who doodles dragons on every single piece of paper he can get his hands on
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poorly-drawn-mdzs · 4 months
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Lap Pillow
[First] Prev <–-> Next
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bbyteach · 5 months
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Uhhh sooooo NYC 80’s punk scene AU where ed used to play in bands when younger but not anymore & runs a popular venue and is totally burned out on the scene. Until a blonde weirdo wearing pastels started coming to shows there and he had to understand what is going on with this guy?? And the guy wants to learn more about this world and Ed confused but ends up having more fun than he has in ages??
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molinaesque · 8 months
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Astarion: I think he likes us. Tav: I like him, too. But I'd never say it to his smarmy face. Raphael has a crush on Tav and tries real hard to act cool about it.
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i feel like these things are connected
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abel-draws · 5 months
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My faves should meet
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callcorbett · 1 year
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something about glass onion that makes me go insane is first the movie starts with Bach’s ‘little’ fugue in G minor, then the box miles sends to each of the ‘shitheads’ has it as one of the clues. Don’t exactly remember who says it but someone says that fugues are a complicated layer of music. While they are layered they are not fundamentally complicated, it’s just layers of the same figure played over and over again. The fundamental core melody is all the same. Which is a perfect melody for Miles thinking his plan and puzzles was this complicated system of music, when it’s really just the same story told over and over again, and also a metaphor for the glass onion itself. I dunno I just love when classical music is used in movies that itself tells the story in a deeper way
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matchstique · 11 months
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💜“missed seeing your dumb dumb face”
🟥“right back at’cha bro”
@/somerandomdudelmao *waves from the back row*
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coquelicoq · 8 months
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what i like especially about the pronouns in the goblin emperor is that this language doesn't just have the T-V distinction (aka informal vs. formal second-person pronouns, in this case 'thou' vs. 'you'), it also has informal and formal first-person pronouns. having BOTH of these distinctions in the same language lets you fine-tune your tone by mixing and matching. with only one axis of formality, when you use informal pronouns, are you being familiar in an intimate way, or in an insolent or dismissive way? when you use formal pronouns, are you being polite or standoffish? you can't tell just from the pronouns; there's ambiguity. but a language where you can use a formal first-person pronoun in the same sentence as an informal second-person pronoun allows you to distance yourself (via the formal first) while also being familiar (via the informal second), thereby achieving the conversational tenor known to linguists as Fuck Thee Specifically.
#just kidding i don't know what linguists call that tenor. or any tenors. i'm not totally positive what a tenor even is#but i can't let that stop me from writing a jokey post on tumblr dot com#register is a very interesting area of linguistics that i know very little about#so i'm probably revealing the depths of my vast ignorance here to all the sociolinguists who surely hang on my every word#but i've always thought of the formal/informal pronoun thing as being about two things: intimacy-distance & rudeness-politeness#and of course you can usually tell from context whether a formal pronoun is meant to indicate distance or politeness#(plus distance and politeness are related to each other (to various degrees depending on culture))#but it seems like it would be cool to have a built-in alignment chart of sorts just for pronoun combos#instead of prep jock nerd goth...why not try intimate self-effacing polite superior?#the goblin emperor#pronouns#register#sociolinguistics#my posts#f#anyway i know i said i wasn't going to reread the goblin emperor...but guess what. lol#and i edited my tags on that earlier post but fyi the language DOES distinguish between plural and formal singular pronouns#i had said i thought it used the same pronouns for plural and formal but i just wasn't paying close enough attention#so anyway i just reread the part where maia is talking to setheris in formal first and informal second#and you can see setheris going ohhh shit. oh shit oh shit oh shit#i'm in biiiiiig trouble#you sure are dude. that's the Time to Grovel signal#it's interesting because at the very beginning of the book when i first saw the formal first used i just thought it was the royal we#because i knew the main character was supposed to be royalty#but then EVERYONE was doing it. so it's not the royal we it's just the formal we#however. this does make me realize that the way the royal we would function in a language that retains the t-v distinction#is the same way i'm describing here. it's just reserving that particular tone (i'm better than you and am displeased with you)#for royalty only. which makes sense given royalty's whole deal
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phantom-cosmonaut · 7 months
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otterloreart · 7 months
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yanno, i wasn't sure why i got immediately obsessed with the takara ponies but then i remembered how I love anthros so much i was considering getting a g1 pony and somehow beheading it and sticking it on a custom made anthro body and i was like oh wait. yes this is right up my wheelhouse.
Anyways these are half based on promo photos I found online and half based on the other information and illustrations I found on this website, because apparently the colors were different than the promos. If anyone knows of a webpage where the box promo stuff is translated I'd be interested to see it; I tried to give these guys simple personalities.
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sillywoyscreenshots · 1 month
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can you post the scene from the cool guy where peepers falls down the skullship's tongue and makes a stupid fucking noise
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poorly-drawn-mdzs · 5 months
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At the start of this project all I wanted was to 'learn how to draw' using comics as a medium and the MDZS audio drama as inspiration.
I've come *very* far from making simple, 3 panel black and white comics, and I truly do intend to go even further. Thank you to everyone who cheered me on throughout 2023, it has been an incredible year in so many ways I never could have imagined. I look forwards to drawing throughout 2024 B*)
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thewhizzyhead · 7 months
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So like one common theme when discussing bullying is the tendency for bullies to project their insecurities on their victims right? like them taking their own shit out on the people they bully?
so i know that may not be exaaaactly the case with Max Jagerman in Nerdy Prudes Must Die like the dude even in the afterlife just really fuckin likes terrorising the shit out of people due to his god complex BUUUUT what I found very interesting was when in the Nerdy Prudes Must Die sequence, he was telling Richie to repeat after him: "Who will pray for me when my body's gone or until another Richie comes along?" And mind you, this song comes directly after another musical sequence about all the teens in that high school being so fucking happy that Max was gone. And like, well yea you can't blame the kids for being happy that Top Terrorizer #1 is gone and that they don't have to abide by his social strata anymore - but then again, having nobody pray or give a fuck about Max after him being mysteriously missing for 2 weeks is,,kinda fucked up for Max no matter the kind of person he is. So, to see someone he victimised get the attention and appreciation I would assume Max would've wanted from his team especially after being missing for so long - it really does seem to me that he was projecting onto Richie when he was about to kill him and making him feel how little he will matter to other people when he dies - like what he could've felt after literally everyone considered the high school "objectively better" now that Max was gone.
Which makes things a whole lot more interesting when Max snaps out of his WHO WILL PRAY FOR YOU solo when Richie belts out I'M NOT A LOSER - henceforth defying the idea of worthlessness Max was projecting onto Richie. So damn.
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