Tumgik
#there was just…so much happening in that little bit of dialogue
Note
Are Merch Mimics capable of using assimilation offensively against humans, for self-defense and otherwise? Like, if someone tried to break a toy/game/etc they were inhabiting, could the Mimic instead pull them in?
To a degree, yeah. I should mention though that Victor isn't "in" the TV in any magical sense; spoiler alert: he's the controller Vance is holding! Hence, the eye on the controller reacting to the dialogue. The Victor on the screen is actualy a model he rigged for a homebrew game he coded the old fashioned way, which responds to whatever inputs the controller sends to the Wii.
He actually is an active member of the homebrew community, and loves to mess with electronics the old fashioned way. Almost no one on the forums knows he's a toy bird, but are impressed nonetheless with his little projects, various rail-shooter games, and weird obsession with snarky anthropomorphic birds.
Victor could technically "jump into a game" on a tv screen, but it'd be a bit of a weird process if he doesn't know how to mod the game, so it'd look more like a shitty greenscreen effect rather than anything coherent. He'd need to learn in real time how the game is coded, how to inject arbitrary code into the system while it's running, etc etc. He CAN do that because he's a fucking NERD, but it wouldn't be a quick process at all.
I should also mention, mimics have an inherent ability to create dreams, since they come about from processing the thoughts and ideas of humans. If a human bonds with a mimic, such that the mimic now knows how the human thinks, they can pull a (somewhat) willing human into the dream when the human sleeps. So to wrap this all up: what Victor could do for a game he understands inside and out is pull a human into a dream that happens to match whatever he himself experiences as currently going on in the game. Basically the ultimate VR experience, with the mimic as a middle-man. Which might be something that'll happen in the comic soon....!
So that all seems a bit convoluted, right? Here's even more worldbuilding about matter assimilation by mimics below the cut. Stop here if you don't want a headache.
The reason so many hoops would be needed to pull a human into a game world is that assimilation is much easier on inert, inanimate objects that are not currently "in use" by a thinking thing, or something that relies on constant electrical signals to function. This can be something with brainwaves, or some other kind of animation like a normal robot. A mimic can convert a CRT TV that's turned off somewhat easily, but a TV that's turned on, with particles of every kind constantly moving into and out of it, is much harder to convert.
This means that humans and biological creatures in general are also trickier to convert, though it can still happen if done gradually enough. Hence, Victor wouldn't be able to rapidly convert Vance in one fell swoop, it'd be a whole process. It's easier to just pull a human into a dream instead, and if a mimic undersrands a video game, or a story in a book really well, they can basically make the fictional world into an extremely lucid reality for whatever human tags along with them.
I often describe mimics as just "jojo stands if they were corporeal and could just get up and move around on their own with no user"; you know how in jojo stand battles or old stories about magic curses, if you break the curse or kill the stand before its effect becomes permanent, all of the damage is magically undone? Like if you kill Green Day, the mold stand, all of the molding just instantly stops?
Mimics who use their powers of assimilation offensively work similarly; they can project their influence to a certain range, and partially assimilate matter in that range. If you knock out or kill the mimic, however, everything reverts to normal. A human who doesn't want to get converted can basically just turn around and walk away most of the time, or shoot the mimic, so the mimic in question needs to pull off some trick to get the human to stay within range for the assimilation to fully stick. A human can still break free and get out of range even if fully converted, but it's much harder, as assimilation usually means the mimic gaining greater control over the converted object in question. The exact range and effect mimics have is again like jojo stand ranges; it varies.
Different mimics have different affinities for different things. Victor can assimilate cheap electronics fastest because he likes them and understands how they work (it's why he's a toy bird mp3 player). Az can assimilate guns, and turn ammo into weird anomalous ammo with weird effects. Zachary is a genius who can assimilate any matter, including biological matter, faster than anyone... but he's also extremely picky and hates the sight of blood, so he only uses assimilation on things he really, really likes.
If I could somehow make another read more at this point, I would. It's gonna get messy:
What a weird power and setup though, right? Why? The true nature of mimics is unknown to most of them, but the deepest lore is that the first mimics were constructs made by a people long ago, who first made them as highly advanced machines that'd recognize the thoughts of their masters to fulfill any practical desire. Need a road built? Done. Need a ship repaired? Done. With physical needs all met, the people began to turn inward, and use the mimics to illustrate their own artistic ideas. Eventually, the will and consciousness of these people were assimilated and inherited by mimics, who themselves became people. Mimics spread, altered themselves, duplicated, deviated, fused, split, and wandered around. Getting into recreational wars, manifesting horrors and delights into reality because they could.
Somehow, after the dust settled, the strongest mimics, the angels, decide to set their sights to the stars, and observe other lifeforms develop technology and their own art. Did mimics come to earth millions of years ago, and simply watched humans grow, evolving with them in-tandem? Or did humans make the first mimics, and somehow became undone and set back to the stone age? The answer to this mystery is currently known only to the oldest of mimics. Except Zachary. He's old, but didn't care to remember.
This is generally why mimics seem so compatible with humans; they were made by either them, or people who were, for whatever the reason, very much like them, flaws and all. The ability to assimilate is basically the conversion of matter into a more malleable state of information. A virtually magical power, but this was achieved not through prayers and spells, but a very human-like obsession with developing technology to the point of exerting control over molecules, then atoms, then the lowest planks of matter. The obsession with scaling every mountain and crossing through every valley. To rip the natural world apart, and hopefully, put it back together before it's too late. Angels seek to ensure humanity walks the right path there, but with human's own desires and intent honored, for better or worse.
To answer your question: yes. A mimic of Mario can pull you into the game and you can jump with him and eat shitty low poly spaghetti with him.
The process for doing that is just convoluted and complicated, and you need to get to know each other a bit first. If he tries to use it as an attack though, it either won't work, or it might just wind up giving you mild brain damage.
48 notes · View notes
🗒꒰⸝⸝₊ Masochism Tango ❛ ✧
Tumblr media Tumblr media
Featuring: Gortash x Durge! Reader
Not proofread!
# Notes: cw for descriptions of violence and gortash being a freak. also as usual with my drabbles, no use of "y/n" and I try to describe the reader's dialogue and actions as little as possible
Tumblr media
He'd be lying if he said he didn't decide to throw a ball only for the slim possibility of them showing up.
They hated him. That much was obvious. He could see it in their eyes during the coronation — that burning wrath and bloodlust that always made him weak in the knees. He couldn't help but wonder what they were thinking of. Maybe slashing his throat open, only to lap up the blood with their tongue. He hoped so. He revels in their aggression, even when it's directed towards him. Especially when it is.
The first hour of the ball was excruciating — having to pretend he cared about whatever the rest of Baldur's Gate's bourgeoisie were yapping about while apprehensively looking around, searching for the only thing in the world that mattered to him at that moment.
Just when he was starting to lose hope, he spotted them in a corner. The sight alone almost made him groan. Gods, how could they look even more beautiful, all dolled up just to see him. Or so he hoped, at least. He had to fight back the urge to just shove everyone out of his way, to go over to them and...
The band began to play before he could finish his thoughts, and he took that as the perfect opportunity. He sauntered over with confidence and elegance, ignoring the other guests with his eyes focused solely on them. Their little friends were nowhere to be seen, either. Even better.
They seemed uncomfortable, restless even, their fingers twitching slightly. Probably aching for their blade, he thought, and a grin formed on his lips. It's been so long, but they haven't changed a bit. He reached out, gently wrapping his fingers around their wrist and pulling them towards him before they even noticed his presence to slim the chances of being rejected.
"Good evening, my dear. I was starting to think you wouldn't come. Care for a dance?" It was supposed to be a question, but he didn't make it sound like one. He knew they'd say no, so he had to make it clear they didn't have a choice — just the way they were looking at him right now made it clear they were currently fantasizing about bashing his head into his neck. He smirked at that, dragging them firmly but not forcefully with him towards the dance floor. He wanted them angry — wanted them to want to hurt him.
He placed a hand on their waist, the other intertwined with theirs as he waltzed with them to the soft ballad playing in the background. "I rather missed this, you know. You used to be a most splendid dance partner, my treasure." He whispered, gazing deeply into those beautiful, livid eyes of theirs that seemed to bewitch him all the same as they did in the past. He didn't tell them the exact nature of their old relationship, but it was very much implied. He knew they could put two and two together.
Losing them hadn't been as easy as he desperately tried to pretend it was. He tried to pretend it didn't bother him, that it was just business as usual, that his heart didn't ache at the thought of never seeing them again — but whatever happened between the two flourished into something much deeper than he'd care to admit. And then, just when things were going well, they vanished. Just like that. They vanished and left him behind, alone, with Orin of all bloody people supposed to replace them. As if she could even hold a candle to them.
He tried his best to lie to himself — it was a good thing they were gone. They were making him soft, weak. He couldn't afford any distractions. And he actually believed those lies for a while. You can convince your mind of almost anything if you repeat it enough times.
But no amount of self-inflicted dishonesty could help ignore the flutter in his chest when they walked into the coronation room. He was almost giddy — even while trying his best to act professional, anyone could see that if he had a tail, it would be wagging at that moment. But after confirming they had lost their memories, a rush of conflicting emotions washed over him. On one hand, they didn't remember him. Didn't remember what they shared together, didn't remember his touch. On the other, this was his chance to finally try again — to make things right. World domination be dammed, it's not worth ruling over without them to share the throne with him, and it took losing them to realize that. They left the coronation without giving him a clear answer to his proposition to kill Orin, and that was that.
But now they were here — in his arms once again. Well, technically not yet, not entirely at least, but it was just the beginning. And he wouldn't stop until they were his again, body, mind and soul.
A small cackle escaped him as they purposefully stepped harshly on his foot, clearly trying to confront him without causing a scene. "You look awfully tense, my dearest. Almost as if you want to dismember me. You'd rather like that, I wager." He mused, spinning them to the rhythm of the song before pulling them back against him. "If you managed to, I imagine it would be quite the spectacle. A thrill, really. But you can't live without your tyrant, can you?" He taunted, the smirk on his face never fading.
"You still have that fire in you. I missed it." He admitted, leaning in to whisper so that his words were for their ears alone. "But we both know I'm not afraid of you, dearest. If anything, you're the one that should be concerned." He motioned around vaguely, eyes never leaving theirs. "I control this city. One wrong move, and I'll have my Steel Watch take care of you. That would truly be a shame, would it not?"
The threat was empty, of course. He had no plans of harming them, no matter what they said or did, but he always quite enjoyed pushing their buttons, seeing what makes them tick, how much it takes for them to break.
He pulled them closer, pressing them flush against his chest, lips grazing their ear. "So why don't you try that again? Threaten me. Hurt me. Say you'll kill me if I don't do as you say. I promise I won't run away." He breathed out, his hand reaching up to caress their cheek gently, pulling their face towards his. "I'll beg for it. Crave it. Just as I always did. Show me how much you hate me, my treasure. Remind me of our history."
There was an unmistakable twinge of desperation in his voice. He needed this in ways he never needed anything else in his life — needed them to crave him, to hurt him all over again, to make him bleed. It was a yearning so strong he was sure it would swallow him whole. Which is why he pressed his lips against theirs despite his better judgement to keep teasing, keep pushing. He couldn't wait any longer.
What he wasn't expecting was the reciprocation and much less the harsh bite on his lower lip, strong enough he could taste his blood on their tongue. He moaned into their mouth, hands settling on their hips to pull them even closer. He did miss this.
It was hungry, sloppy, open-mouthed, but he still found it perfect. One hand rose to cup their cheek, and when they finally parted, gasping softly for air, he brushed it against their lower lip, smearing the remains of blood before slipping it inside their mouth. "That's better." He whispered, his voice husky. He felt their tongue against his digit before their teeth once again sank down on his flesh, and he groaned with a grin.
"Let's find somewhere more private, my pet. I believe we have some catching up to do."
39 notes · View notes
reduxulousoctopus · 3 days
Text
X-Men '97, Post-Episode 7, ~2500 words Morpherine established relationship, missing scene (unless the show actually does explore what happened during that fight, in which case boy is there egg on my face).
I follow established show canon by referring to Morph as he/him in diegetic works (fanfic and fan art) and they/them in non-diegetic works (my episode analyses and reblogs), because that's the stupidest option and, like Morph, I am also an enby with a terrible sense of humor.
Now come watch me struggle to write two whole lines of dialogue for one of my favorite characters in the series, Beast, because Me Too Stupid to Write Smart Talk Good.
--
“You wanna explain what the hell happened back there?”
Although he considers pretending he didn’t hear the question, Morph reluctantly glances across the center aisle of the Blackbird to see Logan glaring back at him with an expression as hard as the adamantium underneath it. Although it’s a look he’s seen plenty of times before as an innocent bystander, Morph has only been the target of that glare on a handful of occasions. Usually when he’s severely fucked something up. Or when Logan is completely out-of-his-mind, cuckoo-bananas worried about him.
Morph suspects that this time, it’s a little Column A, a little Column B.
A wiser person might realize they were in a hole and stop digging; Morph smirks and asks, “What, the Summers Family Reunion? Well, you see, when a man and the clone of his wife love each other very much…” Morph chuckles. “By the way, this might be a bit creepy to say as one of his honorary uncles, but Baby Nathan grew up to be a serious hottie—emphasis on serious.”
No laugh. Okay, maybe that wasn’t his best material, but not even a lip twitch? Logan must be pissed.
Morph sighs and slouches in his seat. God, he doesn’t want to talk about this right now. Or maybe ever. He can feel his throat literally closing up to stop the words from coming out.
When enough time has passed that what little patience Logan had left in the tap completely runs dry, he goes right for the jugular: “I thought you were dead. Again.”
Morph winces.
“I saw that… ‘Trask Sentinel’ blow your goddamn head off. Then, next thing I know, you’re up and walkin’ around like nothing happened.”
“Not that you’re complaining, right?” Morph asks with a weak attempt at a laugh. “You know what they say about gift horses. Although, you’d think the lesson from the Trojan War would be that you should look gift horses in the mouth.”
From the seat behind him, Morph hears: “Although it’s a common misconception, that phrase actually has nothing to do with the Trojan Horse. The proverbial ‘gift horse’ is a literal, living horse, and to look it in the mouth—”
“With all those books you read,” Logan grumbles, “I thought at least one of them would've taught you it's rude to eavesdrop.”
“It would be difficult not to overhear, given the two of you are speaking quite loudly in a confined space while surrounded by people,” Beast points out. “Have you considered that this perhaps isn’t the best venue for a private conversation?”
“He is a super-genius. We’d better listen to him,” Morph tells Logan. “We’ll talk later, okay big guy?”
The stubborn set of that heavy jaw says Logan knows damn well ‘later’ means ‘never,’ and he isn’t gonna let Morph weasel out of this that easy. “If you ever want me to let you off this plane, you’ll talk now.”
“Let me?” Morph scoffs. He transforms into Quicksilver, puts on his best smug speedster grin, and says, “Just try and stop me, slowpoke.”
To his shock, Logan actually flinches. It’s a subtle thing, Morph might not have even noticed if he didn’t know Logan so well. The cause eludes him, however—until Morph remembers that he looked like Maximoff when the Thrask Sentinel… when everything went dark and quiet for a few seconds.
Funny. There was a time when Morph, blinded by youthful naivety and hero-worship, would have insisted Wolverine wasn’t afraid of anything.
Returning to his default form, Morph mutters out an apology. He tries to imagine what it would be like to see Logan die, only for him to get up a few seconds later and act like nothing happened. With that healing factor of his, they’ve gotten damned close to that exact scenario more than a few times.
How much worse would it feel, if Logan had kept his quick-healing abilities secret and Morph had to find out the hard way?
Morph takes a breath, looks out the window at the black clouds rushing by, and starts from the beginning.
“You know how most of us don’t know we’re mutants until we hit puberty, and our powers manifest? Well… I didn’t have to wait that long. Problem is, since I was just a baby, I had no idea how to control my powers—no more than a normal baby is born knowing how to walk or talk.
He holds out his hands with his palms cupped together to form a shallow, makeshift bowl.
“When I was born, I looked like a wriggling lump of white clay, about yay-big. No arms or legs, no face, no ears, no eyes. Just a mouth that would appear somewhere on my body whenever I was hungry or wanted to cry.”
Whatever Logan was expecting to hear, from the look on his face, it clearly wasn’t that.
“But even at that tender age, someone clearly recognized my star potential. I was only two days old when I made my media debut: Severely Deformed MUTANT Born In Pittsburgh Hospital.” Morph shrugs. “Not the most positive review, I’ll admit, but you know what they say: all publicity is good publicity. After all, that’s how the professor found me.”
Logan’s frown returns, more confused than angry. “You told me you didn’t meet Xavier until you were thirteen—after your mom passed.”
“That’s when I moved to the Institute. Turns out we actually met quite a lot earlier than I remembered, which is pretty embarrassing. Ideally, you don’t want to meet your future high school principal, college instructor, mentor, and world famous civil rights leader while wearing a diaper. Even worse, I was wearing a diaper, too—and I told him, mister, one of us is going to have to go home and change his outfit and it sure isn’t going to be me.”
That gets him a smile and a huff of a laugh, which would be an encouraging sign if he didn’t know how the story ends.
“So Xavier talked to my parents, explained the whole ‘mutant thing.’ Dad wasn’t happy. Then again, I’m not sure he ever was. He would have been disappointed to have a girl—a sentient lump of polymorphic biomass was right out. Thankfully, Xavier was able to use his telepathy to coach me through my very first transformation. He showed me how to turn into a normal baby boy, who would eventually grow up to look like this.”
Morph transforms into his old default, the one he still uses whenever he wants to pass: pale (although not that pale) skin, brown eyes, brown hair, hooked nose, pointed chin, gaunt cheeks, arched brows. Not exactly Fabio, but it’s the face Logan used to know him by—the face he sometimes worries Logan might secretly still prefer.
“Then he put some psychic blocks in place to limit my powers to something a bit more… manageable. Don’t give me that look. It sounds shady, but the professor messing with my head was the only reason I got to have a normal, happy childhood with my parents. God only knows what would have happened otherwise—if I’d even be alive now.”
The worry and suspicion that appeared on Logan’s face at the mention of psychic tampering grudgingly fade away. “When did you find out?” he asks instead.
“A couple months after the professor… y’know,” Morph sighs. “I hacked his personal files. Since he wouldn’t be around anymore to help you recover your memories, I hoped that maybe I could find something small he overlooked, some clue that might give us an idea where to look next.”
Logan’s eyes widen and his mouth goes slightly slack. “Morph…”
“I didn’t find anything, before you get excited. Not about you, anyway. Sure found out a lot about myself, though—a lot more than I was bargaining for.”
“That’s when your default form changed,” Logan realizes.
“Yeah. It was kind of hard to think of this,” Morph replies, gesturing at the face of his human-passing form, “as my ‘real’ face after that. Not that my new look is any more real, of course.”
“Who else knows?”
“Other than our friends listening to this conversation right now?” Morph asks pointedly, causing an entire plane full of X-Men to each make their best attempt at looking busy. Nightcrawler’s method of peering thoughtfully at the radio controls with one hand on his chin is particularly masterful—Logan mentioned he used to perform in a circus, so it’s no wonder he’s got such a good instinct for stage-business. “I told Hank and Moira not long after I found out. Seemed like a bad idea to keep that information from my doctors. Especially when one of them is also my therapist.”
At receiving a glare from Logan, Beast develops a sudden and convenient fascination with the view through the Blackbird’s window.
“But you didn’t want anyone else to know.” Logan could accept that, even if he doesn’t like it. Nothing personal. A man’s business is man's business, after all—even for a not-quite-man like Morph.
Too bad it wouldn’t be the truth; no more ‘real’ than any face that Morph wears.
“I didn’t want you to know.”
Morph can handle Logan’s anger, no problem. That’s almost charming, after all these years. But it’s the flicker of hurt, just like that little flinch earlier, that really cuts him to the quick.
“Not because I don’t trust you, or want to keep things from you or anything, it’s just… I didn’t—I couldn’t—”
He sighs and looks away again. He transforms back into his new default: smooth white skin, mask-like face. Obviously inhuman.
Still a lot more human than he looked when he was born, though.
“So, yeah. That’s why I’ve apparently gained the ability to survive having my head blown off. It sure would have been handy to know that my organs were optional the last time a Sentinel put me down. Now, instead of being out of commission for two years I’ll never get back, I can just squish myself back together and keep on keepin’ on.”
Logan doesn’t respond, and slowly, the mutter of other conversations step in to fill the void. Morph stares at nothing, sick with nerves. It’s deeply unfair that he can still feel nauseous even though he doesn’t have a stomach anymore.
He would say it’s all in his head, but if he can survive without one, maybe he doesn’t have a brain, either.
Badum-tch.
Good line. Hopefully he’ll remember it after the existential horror wears off, in the brief window when things will be funny again before the heartbreak sinks in.
Because there’s dropping a bombshell on a relationship—then there’s dropping a fucking nuke.
Oh God. There isn’t going to be a window, is there?
“Morph. Look at me.”
Although he considers pretending he didn’t hear the command, Morph reluctantly glances across the center aisle of the Blackbird to see Logan looking back at him with an expression as soft as the heart he usually tries to hide.
“No matter what you look like, there’s one thing you’ve never been able to change,” Logan tells him. “That’s real enough for me.”
A wiser person might realize they were in a hole and stop digging; Morph can’t stop himself from opening his big stupid mouth. No wonder that was the one feature even Baby Morph knew to give himself. “There are more blocks Xavier left behind that I haven’t pushed through, yet. Maybe I’ll even figure out how to change my scent, someday.”
From the look on his face, Logan clearly hadn’t considered that possibility. Morph immediately wishes he could take it back, feeling like he’s just tarnished something sacred.
It’s always been strangely intimate, the way Logan can recognize him by scent alone. Even from the beginning, when Morph decided to pull a prank on the grumpy new recruit, only for Wolverine to sniff him out mere seconds into his planned routine—it was as if, like the Emperor’s New Clothes, he suddenly realized he had been naked the entire time.
Another, smarter shapeshifter might have avoided Logan after that; Morph couldn’t get enough.
One-sided pestering turned into an unlikely friendship, turned into friends-with-benefits, turned into… whatever they have now. That which dares not speak its name.
The thought of losing that connection, the idea that someday he may be able to change himself so thoroughly that even Logan won’t be able to recognize him anymore… It’s too awful. Cursed knowledge. Like learning about the solar cycle when he was a kid, and suddenly having the horrible realization: if even the sun is going to die someday, what makes him so sure Mom will get better?
Out of the corner of his eye, Morph sees Logan’s hand start to move, stop, then start again, reaching across the aisle towards him. For a insane, terrifying moment, he thinks Logan’s about to hold his hand, outing them in front of God, the other X-Men, and everybody—but of course, that enormous, rough mitt lands on his shoulder instead. Perfectly platonic, approved for all audiences by S&P.
Though they’re shooting through the air at supersonic speed, under the heavy weight of that hand, Morph feels rooted to stable ground. He closes his eyes and takes a few slow breaths he doesn’t actually need, with lungs he only has when he remembers to make himself some.
If there are any people left when the sun finally burns out in a few billion years, they’ll still be telling each other jokes as they go into that endless good night. Just think of the money we’ll save on sunscreen. Maybe, but you know the light-bulb companies are gonna take us to the cleaners. Ha ha, freeze frame, theme song, end credits.
Even as her body slowly wasted away under the combined onslaught of cancer and chemo, Mom always laughed at his jokes, no matter how many times she heard the one about the chicken who crossed the road. His most appreciative audience, to the very last curtain call.
The world is pretty fucking scary right now, and only getting scarier. Sinister. Genosha. Losing Gambit. Sentinels again, in all new and even more monstrous forms. Even worse: total war between humans and mutants looming over the horizon, shaking the ground with each step, getting closer and more inevitable every time someone mentions it, like a demon whose power grows every time you says its name.
But just because things are scary doesn’t mean the world's turning into a horror movie, and just because things are sad doesn’t make it a tragedy. Everyone gets to choose the genre of their life story—and Morph will always pick comedy.
He gives the hand on his shoulder a friendly pat, and uses the motion to disguise a slightly more-than-friendly squeeze. “I’m alright, just a little airsick. I think it’s making me maudlin.”
As he pulls his hand back, Logan frowns a little in confusion—he knows Morph is experienced enough in the air that he shouldn’t be getting nauseous over what are, for the Blackbird, barely above pleasure-cruise speeds.
“How unfair is that, by the way?” Morph asks. “I don’t even have a stomach right now.”
Logan chuckles. Nah, baby, don’t give it up for me that easy, Morph thinks, fighting a grin. You gotta make me work for it a little…
He needn’t have worried, though. When he does make it to the punchline, Logan laughs so hard that he snorts, the laugh-lines Morph has personally carved into that seemingly indestructible face creasing and growing deeper still. And as their friends who Definitely Weren’t Eavesdropping join in—even Rogue, so teary and congested that her laughs would sound like sobs if she wasn’t smiling—Morph knows all their attempts to hide their relationship have been for nothing, because there’s no way that all the love he feels for Logan in that moment isn’t writ large all over whichever face he's wearing right now.
That’s real enough for him.
44 notes · View notes
ordinaryschmuck · 15 hours
Text
What I Thought About The Owl House Pilot
Huh. Never thought I’d get to do this again, but oh well.
Salutations, random people on the internet! I’m an Ordinary Schmuck! I write stories and reviews and draw comics and cartoons.
And, above all else, I LOVE talking about The Owl House. I have an entire masterpost dedicated to talking about every single episode of the show and I’m halfway through a six-part review discussing everything that I love about it (Part Four's coming when it’s done. Let’s say…late June. Early July at the latest). I figured that after I’d finished that whole deal, I wouldn’t have anything left to talk about when it came to this series. Then, out of nowhere, the show’s original pilot leaked online…Sort of. It’s just an animatic with the show’s original voice cast voicing MOST of the lines, but it’s very much the pilot episode. It’s just not a finished product and I won’t share a link because I don’t think it’s exactly…legal. BUT I will at least share my thoughts about it because, well…Look at my blog. The Owl House has become the BIG THING that I obsess over for a reason and I love that I got to see what’s basically an alternate version of the show that I love. What do I mean?
Well, a pilot is MUCH different from a first episode. Where the first episode is meant to sell the show to the audience, a pilot is meant to sell it to a STUDIO. It can happen at any point of the story or act as the show’s first episode. Just as long as it shows off the characters, concepts, and tone, a studio can look at it, greenlight it, and allow the show to continue, BUT with some extra notes. Sometimes, those notes can change the rest of the series where others can keep the pilot good enough to stay canon. Some best examples off the top of my head are the pilots for Regular Show and Rick and Morty. You can tell that not much changed from the pilots of those shows and what was initially pitched, but there are clear changes in tone, animation, and even personality. Skips sounds a little more illiterate and Benson being more informed of the consequences of something as simple as rock, paper, scissors in the Regular Show pilot and Rick is noticeably more reckless and unprepared for situations in the Rick and Morty pilot. Nothing is set in stone with a pilot episode, even the ones that are canon. For the case of The Owl House, it’s pilot is no exception. A lot of it is just the same as “A Lying Witch and A Warden” at least in terms of plot and themes, but there are so many changes that show off what the series COULD HAVE been instead of what it was. How different? Well, let’s go through it all.
But real quick, I’m not going to do the “Like/Dislike” format I’ve done for previous reviews. Instead, I’m going to look through this pilot, note the changes it has, and share my thoughts on them. There’s also going to be a few spoilers to what happens in this pilot, so if you haven’t checked it out then I suggest giving it a watch wherever you can find it. It really is interesting to get a peak into what’s basically an alternate version of my favorite show.
With that said, let’s get into it.
Some Things Stayed the Same: Like I said, it’s basically an altered version of “A Lying Witch and A Warden.” The plot is that Eda uses Luz to get King back his “crown of power,” with some bits and pieces carrying over. Certain jokes that must have been too funny to get rid of, specific lines of dialogue that hit just the right notes, and some aspects of the characters’ personalities being just the same, proving that they're already perfect the way they are. It’s the changes, however, that makes for something more interesting. For one…
There’s More of an Emphasis on Comedy: As much as I love The Owl House, I’ll always admit that humor isn't its strong suit. It CAN be funny, really funny. But the jokes don’t land as well as something as Gravity Falls or Amphibia. I can say that a part of that could be because Dana Terrace wanted a more serious show, and we definitely get a sense of how serious it could be later in the series. Here, in the pilot, it definitely seems like there was more of an attempt to make the show comedic. King’s crown isn’t in a warden’s cell held within a magical barrier that only a human can get through. It’s in a Principal’s high school, locked in a human locker that Eda and King treat as something devious. Amity’s friends aren’t preppy mean girls who seem like they could cause conflict to Luz and her friends. They’re characters used for jokes who are amazed by Luz standing up to Lilith. There’s less of an edge and more of a lean towards cutesy fun, waiting until the very end to reveal something heavy. To me, it makes the pilot feel MORE like a Gravity Falls clone than the final product. Because while Gravity Falls has its serious moments, it makes it clear that it was a comedy first, both in the pilot and final product. Any moment of heart or drama was overshadowed by one hilarious joke after the other. Now, “A Lying Witch and A Warden” had a lot of jokes too, but there were also these moments that hinted at something more. You have the oppressive looking prison, the grand beam of light hiding human collectibles, a crazy chase from a threatening looking warden. And yes, the reveal that Warden Wrath was trying to go out with Eda was hilarious, but a warden who tortures a prisoner for speaking her truth gives a hint of how dark this world can be. Meanwhile, a principal sending a student to demon detention feels more like a joke, exaggerating how strict some principals can be.
And keep in mind, I’m not complaining about the pilot leaning more towards comedy. I actually laughed a lot more with it than I did with “A Lying Witch and A Warden.” I’m just trying to explain how the tone is definitely going for something different than the full series. It might have that darker twist in the end, but even that is nothing more than a surprise. I'll get into why later, but while it has darker implications, it doesn't detract from the fun times to be had. Not by much. From what I can gather from the pilot, it’s definitely going for a series with goofy, fun adventures with a bit of heart to it. It’s just missing that personal touch that’s in The Owl House. One good example of how?
There’s Not Even a MENTION of Camila: Before you say anything, this has nothing to do with me being Camila’s number one fan, to the point where I almost made a side-blog dedicated to her (I really should get on that, though…)
I bring up this change because Camila grounds the story in “A Lying Witch and A Warden.” She draws Luz close to reality and is the first thing that comes to Luz’s mind when in real danger, saying, “If I die, my mom will kill me!” More than that, though, Camila is the one real connection Luz has to the human realm. She has no friends nor adventures, but Luz always has Camila, with even the first episode hinting that. So when Luz starts getting herself into trouble or choosing to lie and stay in the Boiling Isles, it lets the audience get ready for the inevitable drama that could unfold when Luz finally tells Camila everything. By removing Camila, though, the anticipation of Luz telling her mom goes away with her. At least, it tells ME that there’s less of a worry about Luz basically running away from home. Either this version of the show is holding off from that for a future episode or that Luz and Camila’s relationship isn’t close enough where it matters. This is speculation, of course, but I still stand by that a sense of something personal with Luz is lost for the sake of having fun and epic fantasy adventures with entertaining characters. It’s still good and entertaining, and the pilot does offer something else that’s personal, but it’s not the same as The Owl House we all fell in love with. Though, it’s notable that our main cast stayed the same.
Luz, Eda, and King: Overall, I’d say that these three, personality wise, didn’t change much. King’s probably the least altered, being the exact same character he was in Season One aside from MAYBE having a design change (It’s hard to tell through storyboards). As for Luz and Eda, they’re more or less the same. There’s a BIG change with Eda (That I’ll get to later), but her devil-may-care attitude is very much the same, as well as her snark and soft nature towards Luz and King. It’s her magic that gets the real boost, being able to do more like teleport across the Isles and turn into a…softer version of the Owl Beast at will. It’s pretty cool to see the power that this alternate Owl Lady has. And then there’s Luz, who’s still the lovable weirdo we all know. Though, this version seems a lot more dim and I’m not really a fan. How does she mistakenly give a book report in geometry class? How did it take seeing Amity’s witch ears to realize that she belonged in the demon realm? Luz had her dumb moments in the show too, but not to this extent. There was still a sense of maturity and cognitive understanding that made Luz feel like someone that seemed weird but intelligent enough to think herself out of a situation. This Luz seems more weird and focused on using brute force on a problem. In a way, it makes Pilot!Luz more of an…emotionally driven Star Butterfly. A fun and capable character, but not the same kind I had made several posts and reviews talking about how much I love/personally connected to her. But, comparatively, I guess it IS the most minor change that could be done to this character. Now let’s move onto BIGGER changes.
The Boiling Isles: The look and feel of the Isles remains the same, but the fact that it’s more connected to the Human Realm is intriguing. From what I can tell, the Demon Realm treats traveling to the Human Realm like it’s going to a new country. You visit, make some memories, and, for some, send your children over to be a foreign exchange student of sorts. Except that racism seems to be encouraged in this regard as the demons and witches don’t see humans worth breathing the same air as them. And some think it’s more than okay to hunt down and kill if one human trespasses into their realm. And the reason for THAT is implied to be Belos’ doing. Er, I mean–*Checks the leaked pitch bible*--Emperor Pupa? Uh…I’ll just stick with Belos. 
And that’s extra fascinating to me because Belos being a witch hunter was a major twist that spoke VOLUMES of the kind of people he represents. To find out that this version is more anti-human makes me curious of what kind of angle the show would have taken. Would Belos have been your bare-bones fantasy villain or would the writers find a different way to tackle his symbolism? And is the reason why the Demon Realm is more open up to the Human Realm because he hopes witches and demons can report about their enemies for a possible invasion? There’s no way to know for sure because that version of the story will never come to be, but it’s interesting to think of all the things we COULD have gotten. The same goes for other characters.
Amity: To think, Amity was considered important enough to be included in the original pitch pilot alongside our main trio. It makes sense. Dana Terrace has gone on record in saying that Luz and Amity’s relationship was something she wanted from the get go, so it’s smart to establish it as quickly as possible. Though the route they take is definitely different. Instead of being enemies to lovers, Lumity, in the original pitch, went for the friends to lovers trope…kind of.
Luz, in this version, is someone so desperate for positive attention and respect that she latches onto the first person in school that was nice to her. Except that Amity was looking for some quiet and just so happened to look like she was supporting Luz when telling everyone to leave her alone. It was an act of kindness, but not one done in generosity. It still meant the world to Luz, though, making her go ALL IN with friendship. Only to be a little too forward and creeped Amity out to the point where she was polite enough to say “Thank you,” but you could see the desperation in her eyes to be anywhere but next to Luz. Yet Luz doesn’t see that. She’s still too focused that someone was actually nice to her that she blindly follows Amity into a new world just to return a weird looking passport. Because Amity’s Luz’s friend now and friends do nice things to each other. Only for Amity to accidentally reveal that she couldn’t care less for Luz and shatter her hopes and dreams in one fell swoop.
In a weird way, I’d say Luz and Amity are off on a better first impression here than in the original series. There’s no attempted dissections or witch’s duels. Just…Amity trying to be polite in Luz’s presence only to act like your typical mean girl when she THINKS Luz isn’t around. Tossing away the drawing is harsh for sure, but here’s the interesting thing: Amity didn’t know she was talking to Luz at that moment. She didn’t even get rid of the drawing until someone drew (haha) attention to it. If anything, it’s worth noting that Amity still kept the drawing on her. Almost like, despite being weirded out by Luz, Amity felt as though the drawing WAS cute and only got rid of it when she thought someone would question her for having it. Can’t have that Little Miss Perfect status shatter over something some human gave her.
Am I reaching as a Lumity shipper? Oh, most certainly yes. But we all know the inevitable conclusion between these two. We know where they’re headed. Dana has been pretty adamant about wanting it from the start and this pilot sets the groundwork well. Knowing where these two will end up, it’s easy to make connections and hypothesize what means what. Plus, look at the face of shock and amazement on Amity’s face when she sees Luz standing up to Lilith. That looks like a girl who’s…feeling things for this human weirdo. They’re not off to a ROARING start, but I can see how things could improve between Luz and Amity. And who knows, maybe this version of these two might end up dating sooner with how quickly they seem interested in each other. Again, am I reaching? Most definitely, but I went without any new Lumity content for over a year so LET ME REACH!
The point I’m trying to make is that this version of Amity definitely seems a lot more chill and polite at the start, even though it’s likely she still has issues of even being FRIENDS with a human. But not everyone starts off polite.
Lilith: Crazy to think that Lilith started out as…basically a one-off villain like Warden Wrath. At least, that’s what I gathered from the pilot. The pitch bible hints that there COULD be more to her, but at the same time she gets sent to a fire dimension and loses a hand. That’s one-off villain energy if I’ve ever seen it. But if she is meant to be something more, I would love to see what differences could come of her being the headmaster of Hexside instead of Bump and how she could either develop into someone better through Luz’s influence as a student or regress into someone worse as she makes Luz’s school life a living hell. Whatever could come from her, it was kind of fun seeing Lilith act as more of a threat with her…out of nowhere ability to turn into a bat monster. It’s a pretty cool design and I love that it was brought out due to Eda’s constant pestering, proving that Lilith is still the same insecure nut that I love. And it is pretty great that this pilot confirmed that Lilith really did dye her hair to look more serious. You CAN’T tell me that’s not why the Lilith we know ditched the curly red hair.
But that’s about it when it comes to changes towards characters and locations. Let’s talk about the potential differences in the ongoing story.
Luz Stays Trapped Instead of Choosing to Stay: I mean, technically she chose to stay by breaking that key for no reason, but that’s more of a consequence of not thinking things through. She didn’t NEED to break the key, Luz could have just as easily pulled it out. Instead, she kicked the dang thing, leaving herself trapped in this new world. And it’s here that I would like to once again point out how this makes Pilot!Luz different and what’s lost by not including Camila. The Luz WE know would have been more careful. She always felt like someone who fought smarter, not harder, even in that first episode. Luz didn’t fight Wrath head on, she rallied a prison riot that distracted him long enough for her to hit a firework ball into his mouth. She’s intelligent and resourceful, where this one…kind of is? It was smart to send Lilith to the fire dimension, but again, not a great plan to break the key. Plus, without Camila, this doesn’t feel like as big of a deal as it could have been. Camila was the first person in Luz’s mind as she destroyed the portal door in the Season One finale. In the pilot, with no Camila, it feels like a non-sacrifice or even that big of a deal. She’s stuck, sure, but Luz doesn’t really seem to care that much. She feels happy being with Eda and King and doesn’t seem to be in that big of a rush to get home. Plus, it’s not exactly complicated to get back. There was a whole line of portal doors in the beginning that Luz could potentially sneak through and there’s not yet an established cannon that makes it seem like getting a new key would be difficult or even complicated. Once more, it gives the impression that this version of The Owl House would be focused less on personal stakes and more like giving Luz that fantasy adventure she’s always been craving for. It would make for a fun show, but not the SAME show. However, it is worth noting that there could be some potential drama. Especially for one twist that was a JOLT to my system.
EDA WORKS FOR THE EMPEROR?!: WHAT?!
I’ll admit, I feel like the reason why this is so shocking is because of the Eda I know and the Emperor I learned to fear. I mean, Eda, the woman who would sooner eat her own fist before even CONSIDERING helping Belos, even before the witch hunter business, was originally meant to HELP him. Of all the changes that the series could have made, this was by far the biggest. Everything that I thought to be constant turned out to be a lie and I was NOT prepared for it!
But again, the reason why I got that big of a reaction is because it goes against everything I knew about Eda. If this was my first introduction to her, it’d be less of a shocking twist and more of a…hook. Like how Invincible’s first episode (Don’t watch if you’re a baby) ends with a character you THOUGHT you could trust doing this intensely dark thing. The rest of the season is leading you to figure out WHY this was done and how the other characters would react, making you want to see more as the show inevitably leads up to this big conclusion that changes everything you once knew. The same applies here, with the reveal making me wonder why Eda would do this, how long she’s been doing it, how it will affect her relationship with Luz, and whether or not it’d be an easy fix. And much like the ending of Invincible’s first episode (Seriously, NOT meant for babies), this hook makes me interested in wanting to see what comes next. Except I never will know because that came from a version of The Owl House that will never exist.
The pilot is interesting because it shows me what The Owl House COULD have been. I wouldn’t say that it’s better than what we got or even that it’s a better first impression than “A Lying Witch and A Warden.” It’s definitely FUNNIER, I’ll give it that, but it doesn’t make the original pitch better, it makes it different. Everything looks the same and sounds the same, but the overall feel of this pilot makes it something that would have had a different story, tone, and ideas on how to develop these characters. Would I have liked it? Absolutely. It seems like a fun time. But that doesn’t mean I like the show we got any less. This was more like…getting a peek into an alternate universe where a show I already love would have been vastly different. And after over a year without any new Owl House content aside from stuff that fans have made, this was a very pleasant surprise that leaves me excited for the NEW fan content that springs from all this.
But that’s enough talking about a show that could have been made. Time to get back to a series that came into existence and I still love so much. See you all then as you all milk this gift that the internet has given you.
20 notes · View notes
katlyntheartist · 2 days
Note
Knuckle series is out!! Any thoughts? Does it affect your Jojo and Gang au?
Spoilers for the Knuckles series people! Avert your eyes children!
First, let's talk about the things I liked:
- Sonic and Tails were great for as little screen time as they had. And Maddie trying to be patient with Knuckles while also not strangling him was great, haha. As someone who worked at a Daycare, I related to her dealing with kids like Knuckles and Maddie's facial expressions when she was grounding Knuckles were on point. Also THEY HAVE A PLAIN BED FOR TAILS AND A TRUCK BED FOR KNUCKLES AHHHHH!!!!!
-Pachacamac is a Jedi Force ghost? Alright then. I don't know much about this character outside of Sonic X but I thought that he was fine. And Christopher Lloyd does a great job as usual.
-Wade was not terrible. I like how he has some character growth through the series and at the end he isn't a master warrior/fighter. He's still a goofball but now he's thinking things through and using what he has and his current surroundings to his advantage in a fight, and isn't just hiding and waiting for Knuckles to save him. But him breaking out of the cage in episode 4 was a bit ridiculous. What was that cage made of, cardboard? He really should have broken his hand or something.
-I liked the villains but I wish that we got to see them more involved in the story, especially the buyer. Who was menacing for about five minutes and then was crushed to death like, dang 0-0
-NANA WHIPPLE AND KNUCKLES SPINOFF SHOW PLEASE!!
-Knuckles was the best part of the show. He's the strong tough warrior but with a big heart and good intentions, though a bit misguided at times. Idris did a great job, nothing new there.
And now let's get into the things I didn't like:
-The show is %70 Wade bowling story and %30 Knuckles adjusting to earth and his backstory with Pachacamac and his tribe and his connection to the master emerald and everything else that the show should have been about. The Wade sub plot takes up so much time that we don't get to explore Knuckles. I wished that we had gotten to see him learn to appreciate and call Earth his new home instead of him just accepting it at the end. It just felt so rushed.
-Episode four wasn't awful but I didn't care for it. Also you can NOT show us the Flames of Disaster from '06 and not have Silver or Blaze show up. You can't do that >:(
-Knuckles and Maddie didn't get to have a heart to heart conversation which is what I and many others thought that was what the show was building up to. Also he never gets in trouble for running way and we never cut back to seeing Maddie or Sonic and Tails realizing Knuckles is gone, or even Sonic and Tails trying to cover for Knuckles. I get that the CGI was expensive and voice actor and actor schedules might not have worked out for it to happen, but my point still stands.
-Wanda was useless and you could have cut her out and lost nothing. Don't get me wrong, the actress is good but she feels wasted here. Her character is so annoying and serves no purpose other than to be mean to Wade. And why do we have to have the "siblings who hate each other but make up at the end" cliche? I would have liked Wanda more if she was nicer to Wade from the start and if they had a fun sibling bond with each other. Also if she was able to actually use her skills as an FBI agent to at least hold her own against the gang when they attack Nanna Whipple's house. Also the dad needed to be more comedically villainous, he was too generic.
-Like I said the villains here are fine but the Buyer's whole character is to just show up, have a cool robot fight, and die. We don't get to see him be a threat to Knuckles at all, he just appears for the climax and then is offed in a snap. And the two agents were fun but a lot of their dialogue was graining.
-And that leads me to the main problem with the series. The writing. I'm aware that the writers for the main movies didn't work much on this series, except Jeff did do the first episode. Which is why it's the best one. There is no balance between the jokes and the emotional moments. The show is so focused on trying to make you laugh every five minutes that it sacrifices genuine emotional growth for the characters especially for Knuckles. You know, the whole reason for the show existing in the first place. It suffers the same problems that the live action Ton and Jerry movie had, where the main stars weren't allowed to be the main stars of their film. All of the screen time there went to the human characters who weren't interesting or just plain annoying and mean.
And the dialogue for the show teeters back and forth between actually funny/well written and being dangerously close to obnoxious. And kids shows having jokes all the time isn't a problem. Rottmnt and the Lego Movies are both kid properties that fire off a joke every minute but they knew when to cut back and let the emotional moments shine. The jokes in the Knuckles show felt more like they were pandering to four year old's then actually trying to be funny and the emotional moments felt kind of forced.
I don't want to give any of the writers or anyone who worked on this show a hard time. I can see that everyone worked hard and had fun with this. And I had fun too. There were some good moments between Knuckles and Wade and even a few jokes that got me. But the problems I listed above are just to hard for me to ignore. If you liked the Knuckles series then great for you! I'm happy you were able to have a great time! But for me it was just ok.
Not great. But not bad either. 5/10.
Now, about this affecting Jojo and Gang. I think what I'll do is have comic take place a month after the Knuckles series. And use my AU to focus on Knuckles getting accustomed to Earth and learning to call it home. Basically my AU will do what the Knuckles series didn't.
16 notes · View notes
thewebcomicsreview · 2 days
Note
Disregard this message if you don’t do this sort of thing, but i was wondering if there would be any feedback i could get in regards to my comic? I am almost finished drawing the entire backlogue, so if feedback is received it will probably be applied towards the sequel. Feedback or not, I love your page very much, it’s introduced me to saffron and sage(of which i am very fond of the character designs and humour) and out of placers(weird creatures my beloved!)
Thank you for your work!
https://m.webtoons.com/en/canvas/piebald-dove-plea/list?title_no=621921
Hey, thanks!
So, lessee. Your comic is called "Piebald Dove Plea". Bit of a weird name, for a bit of a weird comic. It's dreamlike, and to be honest I'm having a lot of trouble following it.
Tumblr media
Some of that is that it's literally difficult to read. None of the dialogue is appropriately sized for the word balloon it's in here, and panel three has some (black) text escape the balloon into the (dark) background, so I literally can not tell what this dude is saying.
Tumblr media
And I can see that this is something you're working on, there's a notable improvement between pages ten and page fifty-one (I like the "feathery" word balloon in the fourth panel here!), but even on the later pages there's a lot of issues and even some words escaping the balloons again. And it's pretty clear why this is happening: These word balloons don't fit the shape of the dialogue well at all. I spent some time trying to fix them, and while I'm not a letterer and I'm sure someone else could've done better, it was rough trying to get that text to fit nicely.
Tumblr media
I think this does look a bit better, but that's mostly just because I'm using a better comics font (Anime Ace 2.0 BB from Blambot. It's free!), and maybe that I split "to sink them into cockerels" a bit from the rest of the monologue to make it hit a bit different, but I'm fighting to squeeze the square text into the round balloon. I cropped out Panel 4 because I was too scared to even try.
Tumblr media
My own lettering is actually pretty trash, to be honest, and I'm sure all the real artists in the audience are tittering to themselves at those fucked balloons, but I think this is still enough to illustrate my point. I typed the words, then I drew the bubbles, then I drew the little rabbit doodle, and everything fits so much nicer and I can properly draw the rabbit there because I know where it fits. It's way easier because you'll see balloon/dialogue issues when it's easy to fix and not when the whole goddamn page is done being drawn and you can't change it. For the first panel in the example, simply moving Dorcas a bit to the left would've made it way easier for you to fit the dialogue in, but it's a huge pain to do that now.
For newer artists, it's usually best to focus on fixing on thing at a time, and fixing up that lettering is the think you should focus your energy into before moving on to other things. It's a small thing that's relatively easy to learn and makes such a difference.
15 notes · View notes
mxtxfanatic · 2 years
Text
Jin Zixuan in the Cloud Recesses arc saying that Wei Wuxian should just marry Jiang Yanli, himself, if he likes her so much just has so many layers to it 😭
On the insult itself:
He knows about Madam Yu accusing wwx of being jfm’s bastard son because his mother is Madam Yu’s best friend. He’s implying that the reason wwx can’t marry Jiang Yanli is because they are actually, secretly related through their fathers.
On the flip side of this, if (and we know they literally aren’t, but for the sake of this post “if”) they aren’t actually related, then wwx can use marriage as a way to gain status amongst the Jiang by marrying into power, thereby usurping Jiang Cheng’s rightful position as clan heir by becoming a “true” son of jfm (through marriage).
On thematic parallels and literary irony:
Jin Zixuan, himself, has a thousand and one secret siblings sown across the cultivation world by his own philandering father. One of them is forced by his father to be officially taken in to the clan, thereby making him a potential clan heir, threatening Jin Zixuan’s position like jxz implies wwx does to jc.
Said bastard brother then knowingly marries one of their actual sisters (after killing jzx to usurp his title as heir) in order to secure his position in the Jin clan through his wife-sister’s family status and to gain more power to achieve his position as Chief Cultivator. Like jzx implies wwx could do to jc.
In other words, Jin Zixuan was a whole clown, and irony is a bitch
268 notes · View notes
pyrriax · 2 months
Note
6, 12, 30 for the writing asks ^_^
6. What’s the last line you wrote?
Shaking its head in what seems like disbelief before meeting his eyes again, almost like it wants to say something before it makes a noise like a growl, "oh, you're one of those seraphs, aren't you. A star-eater. No wonder you act like you've lost your mind."
(ignore that that's a couple sentences, the Thought is important)
12. Do you outline your fics?  If yes, how detailed are your outlines?  How far do you stray from them?
Oh yes! I outline my fics thoroughly. Though, I do allowed myself to deviate as much from the outline as I feel like when things go off the rails. Some snippets of planning from a couple fics & concepts:
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
My outlines are very... One for one. With some exceptions. I tend to basically write a very brief version of the fic and try to get the feelings and words right before I actually write it. This is... Also why it can and will take me a month to write a oneshot. I try to get things Right.
30. How much do you edit your fics?  Do you edit as you write or wait until you finish the first draft?
So! I edit them a bit? I edit while I work, but often I don't really touch anything I've already written unless it's something longer that might be taking a few months to get through. I think the fic I've edited the most is the prologue of Artificial Stars, which was originally a quickly written 2k oneshot into about 5k of actually decent fic.
Usually I don't edit to make something shorter/more concise, since I tend to only come up with more ways to bridge concepts when I go back to it. Also to be fair... There's usually no difference between first draft and final product. I cannot be asked to edit my fics after I write them, I just release them to the birds and pray for the best. (Unless I actually decide to show it to my beta reader in full instead of just sharing snippets as I... usually do.)
Conclusion: Rarely, those thangs are being given to the world as-is unless something is horrifically wrong with them
#ask a ghost#asker: solxr-planet#ask game#i get a little silly sometimes but also uhhhHH!! welcome to several things i havent posted about before#grey notes is an oc thing that will never be finished but i still have the line-by-line dialogue between two characters that is.#kind of how i plan dialogue? at least how i outline it.#i'm super picky with it and i plan stuff so much that you can usually tell pretty quickly when something isn't planned#ALSO!#scene titles!#nobody sees them ever but theyre there for me and me alone#usually theyre song lyrics or something i think is important to the concept but also other times theyre just kind of silly#“all the candy you can eat” is a song title from one of my favorite albums.#honestly i think this is the first time i've shared anything of my writing that is even remotely roshambo-centric#i am still learning how i want to write & characterize him so its a bit funky#haunted bookshelf#purely for the random stuff that's in there#also! i started breaking things up into scenes rather than just chapters and it helped a hell of a lot with my process#since it's easier to divide when there's a lot potentially happening in a chapter of something#or even just in a oneshot#my process is. definitely made for the way i write. i don't think i would ever recommend anybody do what i do with my fics#also yes i could actually just edit my plans and call that a fic because really that is the effort i put into them.#theoretically you could call my outline my first draft because really that is the way that it is
7 notes · View notes
waywardsalt · 10 months
Text
now bc of that one post abt zelda getting fridged whenever that one guy directs a zelda game im thinking abt tetra just getting turned to stone in ph and like. what would it have been like if she were an actual character in ph. what would she have done how would this have changed the story
#not gonna do a whole lot of tagging im just musing. if you wanna rb or reply with ideas thats great#im not the person to figure this out bc i dont actually care much abt tetra#not like oh i hate her but like. i only played ph and what i see of her beyond that has not endeared me to her#shes fine i just dont get it. ig cuz i didnt play ww but eh#cuz like. ok. pretty much the majority of phs plot relies on tetra having been turned to stone and fixing that#and me being the autistic little freak i am the psrt that also makes it hard for me to wonder what could happen if#tetra werent stone and that making the game better is like. ok what about linebeck and his arc#listen his arc is so fucking good and hes great and i dont think his arc would have been so good if link wasnt the character he was put wit#cuz link is a great foil and despite having minimal characterization has just the right personality to nudge linebeck along#cuz hes def part of what inspires some of that change in linebeck so idk what might have happened#if tetra was an active player interacting with him in ph too. cuz like idk most of the time when i see people#do stuff where they interact its usually tetra one upping linebeck or whatever and thars like. ok thats whar ciela does#maybe im reading into it too much and focusing on linebeck. idk how you couldve done and changed#the plot of ph to include tetra without just straight up rewriting the whole thing or putting link away#bc look me in the eyes. i do not think linebeck would have developed the way he did without having met link specifically#salty talks#idk i feel like linebecks arc is the best bit of story in ph so i want that to remain more or less intact bc thats where a lot of#the emotional stuff comes in at the end. his dialogue in the ghost ship battle and the final boss. its important#i dont think about tetra much cant you tell. so id leave this to someone who actually cares abt her as a character
9 notes · View notes
lighthouseborn · 9 days
Text
to balance the extremely odd energy i just put out here though i really do think. and i maybe think about this a lot but- i really do think. the movie is wrong because carina definitely kissed him first. send post.
#so much of this absolutely has to be. because of the way i filled out the empty parts of his writing i don't know if this would be true of#canon henry but i really do think. when speaking of hannah!henry and rora!carina she absolutely kissed him first ok ty#and not like. i don't say that because i think it's some kind of empowerment statement i just think that like#if there is one (1) place in the whole thing where he is clearly not really sure. what's going on exactly#it's between him and her. and he sets up a lot of the banter moment and definitely makes eyes and has little private moments where#he's just. he's so endeared and a little bit thrown#and he! sets things up. but she's the one that hits it home that commits so it's like#this dialogue where he is. not really asking exactly but creating places where she can go. Yeah Me Too. (?) if that#if that makes sense?? we're. we're wading into unfinished-rewrite territory here but this is actually;;;#my footing here comes from the movie (and the little bit more of it we get in the novelization!) where henry will sort of...#mostly he's just Like This i think but he shares and he offers and *yes* he's bold in that regard#and in the doing-what-he-thinks-he-must regard right but also when it comes to like.... dynamics?#or at least theirs specifically#he will. say something and then look. say something and then wait. set up and let her open up in response or not.#and she usually does! (which. smth smth she's used to no one asking. aaahhhhhh)#but all of that is just. u see how this leads me? to. i think she kissed him first#and i don't think he set it up in the same way as that .. at least half intentional ''i'll go first'' way but just in a#he would have found some way to make it known he likes her and i just think#when the first kiss happens it's because he did something really stupidly endearing and she couldn't bear it and i think#she kissed him first is all#woooo hannah's on her ship bullshit let's goooooo#oh i forgot about the very-run-through-the-airport thought until just now but i'm back on that technically aren't i#i said it there too.#anyway carina! kissed! him! first!!#(he did -however- kiss her back like three times in the next couple seconds)
0 notes
nanaslutt · 6 months
Note
okey so brainrot: this is RLLY WEIRD IM SORRY but the reader is like innocent/shy and doesn't really have any experiences regarding sex so like one day she asks satoru to "show her" how to touch herself but he demonstrates it on a fruit (like on an orange? peach? or smth like that) then things get heated😉. I DONT KNOW IF I EXPLAINED THIS WELL
Gojo teaching you to touch yourself on an orange.. and things escalate..
contains: fem reader, teasing, sexual tension, fingering, guided masturbation, experienced gojo, readers first orgasm, he talks you through it, 99% of this is dirty talk and nasty dialogue
MDNI
°❀⋆.ೃ࿔*:・°❀⋆.ೃ࿔*:・°❀⋆.ೃ࿔*:・°❀⋆.ೃ࿔*:・°❀⋆.ೃ࿔
*Ding* the sound of a video recording starting chimed from Gojo’ phone, “Okay okay, say that again for me?~” The white haired man cooed cockily.
“Gojo you asshole! Ugh, forget it, I was stupid to ask you.” You threw your arms up in defeat, rolling your eyes as you turned to walk out of his room, embarrassed.
“Noooonono,” he cried, the chime sounded again, ending the video, “I’m sorry I shouldn’t tease you like that~” The man was suddenly behind you, wrapping his arms around your torso and rocking you side to side, “Forgive me, I was wrong okayy~” he tried to reason, he really didn’t want to blow this.
After all, his cute little friend had just burst into his room and confessed that she had never touched herself before and was wanting some guidance; knowing gojo had some experience with women under his belt, you came to him for help.
“To make it up to you, I won’t even make you pay for this session how bout that?” he grinned behind you annoyingly, poking his head out to the side of you so you could see his expression through your peripheral vision.
“What are you some sex therapist?” you laughed, making him sigh in relief. “I’ll be anything you need me to be~” he wiggled his eyebrows, making you shrug his heavy body off of you in faux disgust.
“So, you a visual learner? or more hands on?” He asked when you turned your body to face him once more, letting him drag you so you were sitting on the end of his bed.
“I’m not uh.. really sure when it comes to this.” you confessed. “You’re not sure of much huh?” he teased, making you punch his shoulder lightly, “haha, you’ll know soon if you’re a hands on learner or not.” he said ambiguously.
But you trusted gojo with this for some reason..
..which might’ve been a mistake.
You did not anticipate how riled up this situation would get you. You’ve always found gojo attractive; who didn’t; but you came to him because nothing had ever happened between the two of you before, you were friends, you were sure the atmosphere wouldn’t feel so embarrassing but—
“This is your clit, you wanna make little circles on it like this with one or two fingers,” The white haired man spoke, currently holding half an orange in one hand, and rubbing tight circles onto the suggestive looking slit of the fruit with the other.
Gojo was sat in front of you on his chair while you sat on the bed, his legs spread as he held the fruit out in front of him and instructed you on it.
“Don’t wanna go too fast either, wanna work yourself up a bit.” He spoke, looking up at you every so often to make sure you were paying attention; this was important after all.
“If you start getting too needy, rub your fingers down here-“ he dragged his long digits down to the middle of the fruit, presumably where the opening to your pussy would be.
He rubbed his fingers on the outside of the slit, in a ‘come hither’ motion; not inserting his fingers; just caressing them on the outside, occasionally rubbing them back and forth over the opening.
“You paying attention?” he checked, snapping you out of your stupor as your eyes flitted up to his, you were hoping the blush on your face wasn’t as evident as it felt. You just gave a curt nod at his question, not trusting your voice to sound steady right now.
The longer and longer this went on, the needier and needier you we’re feeling between your own legs, a heat was growing between them and you were praying gojo hadn’t noticed that your legs were crossed not in comfort but because you had been steadily squeezing them together and rubbing your pussy against the rough denim stitch your jeans made for awhile now.
“Good, it gets a little more interesting now so make sure you’re paying attention.” he says, waiting for you nod again before he continued.
“This is your vaginal opening, this is where you would put your little fingers inside yourself when you masturbate.” he said, “or get fucked heh,” he adds vulgarly, making himself smile.
“Start with one finger, especially since you’ve never done anything here before right?” He asks, still nonchalantly rubbing his fingers against the slit while he waits for you to once again acknowledge his words; his piercing blue eyes staring bullets through you as he does so.
“Y-yeah.” You verbally answered, silently begging for him to continue. If you tried hard enough, you could almost feel him touching you like that instead of the stupid fruit, who you were unnecessarily jealous of at the moment.
“It’s gonna be tight, and it might not feel like much at first-“ You held your breath as he spoke, waiting for his next moves. Gojo looked down at the fruit, teasing a circle around the slit one last time before he pressed the tip of his finger into the center deeper and deeper, making juices spill out around it. “But a couple inches inside, there’s gonna be a little rough patch.” he tells you.
“A rough patch?” you repeat, confused. “Your g-spot.” he answered, “It’s gonna make you feel soo good.” he smirks, looking up at you from his ministrations on the fruit. “All you gotta do is ruuub~ like this-“ he demonstrates, massaging upwards inside the slit of the fruit, making vulgar squelching noises emanate around the room.
“It’ll even sound similar if you’re doing it right,” he adds, giggling to himself. “Can you do both?” you ask, hoping the breathlessness of your words wasn’t able to be picked up by Gojo’s ears.
He tilts his head to the side for a second, questioning what you mean before his eyes light up when he fully registers what you were asking, “Ohhh~ You want me to show you how to touch your clit and finger yourself at the same time?” he asked, a slightly mocking lilt to his voice.
“Oh I just- I wanted to know if it was possible..” you shyly clarified, looking away for a second, suddenly way too aware of his eyes on you.
“Aww~ of course it’s possible!” he beamed. You watched his thumb come up and pet the top of the slit of the orange, where your clit would be, and rubbed back and forth when his fingers thrusted out of the slit. “You can use two hands if this is too uncomfortable,” He adds.
“Most women cant cum unless you give ur little clit some attention, even with how good touching yourself inside can feel.” Gojo spoke.
“Have you ever-“ you gulped, “made someone cum from just the inside?” you asked, taking the brief pause he took to answer to add, “I-I just wanna know if it’s p-possible is all!”
“Oh yeah~” he answers in a heartbeat after your last sentence, “Even made a couple squirt from just the inside too.” he brags.
“Shit,” you accidentally mumble, not meaning to actually say that our loud, “What was that?” he asks, playing dumb when he mentally recorded the word that fell from your lips, making his ego swell.
“Oh n-nothing.” you brushed it off, waving your hand in front of yourself, urging him to continue his teachings. “Make sure when your fingers are inside that pump them in-“ he slowly drags his fingers out of the fruit, juices coating them, making you squeeze your legs together at the lewd image, “and out, that you also curl them inside at the same time.” he instructs.
“That’s how you’re gonna make your g-spot happy and get the most of your pleasure.” Gojo finishes.
Your mouth was completely dry at this point, leg bouncing in impatience, still subtly squeezing your thighs together for even the smallest bit of relief while you watched the juices drip down his lengthy fingers.
“Well that’s about it for the basics, I think you can go pretty far with what i’ve taught you, if you can remember it all.” He giggles, raising from the chair and moving to set the fruit on the table.
“Wait!” you say a little too loudly, hopping he didn’t sense the need in your voice, “Um.. I think I might be a hands on learner..” You confess, “I’m still a little confused..”
Gojo stops in his tracks, retracting his hand that’s holding the fruit back towards his body as a sinister smirk grows on his face. “Yeah?” he asks, cheering internally when you not coyly.
“Alright then, class is back in session!!” he throws his hands up, walking over to you.
When you think he’s going to sit back down in the chair he actually walks past it, and past you. You turn your head to see where he was going but your muscles freeze and tense up when you feel the bed dip behind you, followed by his strong chest pressing snugly against your back.
“This okay?” he asks before he continues, to which you nod. “Need to hear you say it, sweets.” You blush at the nickname, glad he can’t see your face like this, “Yes, this is okay.” you confirm softly.
“Alright, here” he holds the fruit out to you, and you take it in both your smaller hands. “I’m gonna walk you through it, that sound okay?” he checks, smiling to himself when you let out a meek ‘mhm.’
He pulls the both of you further back on the bed, so he’s resting comfortably upright against the bed frame, and you following suit against his chest. “Comfortable?” the while haired man whispers far too close to your ear.
“Y-yes,” you confirm once more, the hitch of your breath made him smile to himself.
“Okayy~ Ideally you would want to work yourself up by playing with your chest first,, slowly drag your fingers down your body, touch yourself over your pants and all that— but we only have an orange so this will have to do!” he says, not realizing (?) how hot his words were making you.
“Start by slowly touching your clit.” He spoke, as if you were really touching yourself right now. Your shaky fingers came down to find the top of the slit, rubbing one finger against where you guessed your clit would be, as he watched intently over your shoulder.
“Yeah, right there good job.” he praised, making you wish you were back to sitting on the bed with your legs crossed so you could squeeze them together. It would be a little too risky to try anything when he was so close to you, you bet he could hear your heartbeat beating out of your chest from how the two of you were squished together right now.
“A little faster now.” he instructed, licking his lips behind you as he felt your breath pick up when you drew faster circles against the fruit, wet ‘schlick’ noises echoing in your ears.
“Like this?” you asked, switching up the direction of the circles every so often, “Oh yeah, you’re a pro,” he giggled into your ear, sending goosebumps down your spine, “You sure you’ve never touched yourself before?”
“Well I have but it.. it didn’t feel like much.” you confessed, blushing at your own revealing words. “I see..” he ponders, cerulean eyes focused on your smaller fingers playing with the fruit.
“I have an idea, something that might help you understand a little better, if your open to it,” he pauses you, his big hand coming to stop your movements against the orange.
“Um, what is it?” you ask hesitantly. The white haired man leaned a little too close for comfort, making you whine out loud when he whispered, “You trust me?” into the shell of your ear.
Truthfully, Gojo had been hard from the moment you asked him to teach you how to touch yourself. Stealing glances at your thighs pressing together not so subtly when he was talking you through step by step how to pleasure yourself, watching you suck your lip into your mouth when his words became a little too dirty, how your breath picked up when he inserted his fingers into the slit of the fruit.
He was losing his mind, his patience was wearing increasingly thinner and thinner at your reactions, he knew exactly what he was doing to you, and your obliviousness was making his cock drip pre steadily into his boxers.
Thank god for his baggy sweater or you might’ve (100% would’ve) noticed the huge hard on he was sporting in his sweats. He was surprised you didn’t say anything when he was pressed against your back, assuming you were too enthralled and overwhelmed with what was going on to notice.
“I trust you.” you responded honestly, making his cock twitch against the fabric that confined it.
“I’m gonna touch this fruit just how I just showed you, and you’re going to mimic me, on yourself.” He whispered, his hot breath against the shell of your ear making you shiver.
“R-right here? now?” you asked clarifying his words, slight panic and embarrassment seeping into your tone. “I saw you rubbing your thighs together, you’re aching for it, right? What better time to practice getting off when you’re actually all worked up?” He made a good point, you’ve been wanting to touch yourself for half an hour now, you were sure you had completely soaked through your panties by this point.
You made a sound of embarrassment, eyes darting around the room at him having exposed you, “Awww heh, don’t be embarrassed, I’m in the same boat.” he confessed, trying to comfort you, “Been so hard since you asked me for help.”
His words did little to comfort you, making you even more flustered as you covered your eyes with the hand you weren’t holding the orange in, “Okay- just.. just do something, please.” you begged, not being able to take the throbbing between your own legs anymore.
“Okay okay, all you gotta do is follow my lead, kay?” he clarifies, grabbing your wrist and pulling off of your face so he could see your expression from the side. When he heard you let out a meek ‘okay’ he reached for the orange and set it down on the bed for a moment.
“Go ahead and take off your pants for me,, leave your panties on.” Came Gojo’s first instructions. You followed, leaning forward and away from his chest, your fingers worked quickly at undoing your button and zipper, sliding your fingers underneath the waistband as you pulled the garment off your body, revealing your soft-looking skin to Gojos eyes.
When you leaned back against him he dragged the tips of his fingers along your thighs, his assumption of your soft skin becoming true as he dragged his digits all the way up to your hips, gripping your waist for a moment before he complimented, “So fucking soft.”
“Spread your legs pretty,” His soothing voice told you, staring intently between your legs, wishing he had a better view, but after this little scene he had high hopes he would have no problem getting a closer look at you.
You did as you were told, you parted your knees, feet propped up on the bed as you waited with bated breath for his next instruction, feeling yourself throb behind the drenched fabric.
He reached for the fruit again, holding it with both hands in front of you, as he started tapping with one long finger on the ‘clit’ of the orange. When you didn’t move your own finger to repeat him he pats your pelvis lightly with his hand, “I know i’m addicting to watch, but you gotta touch yourself too.” He laughs, making you snap out of your stupor as you forgot you were supposed to be mimicking him.
“S-sorry, do it again.” you request, really focusing on his fingers against the fruit this time while you started sliding your own fingers inside your panties.
“Uh-uh” he warned, his voice alone stopping your hand in its tracks, “Over your panties, I’ll tell you when to touch yourself directly, I’ll take care of everything.” He explains, leaving a small peck against the side of your head.
“Alright, just pay attention that’s all you gotta do.” Gojo starts up again, tapping his fingers on the fruit and this time you follow him, tapping your finger over your wet panties, right against your clit.
The little stimulation alone was so intense, after being worked up for so long this relief was much needed. “Feels good to touch yourself after being so horny huh?” He spoke, like he was reading your mind.
‘Mhm’ you respond, letting your body relax against him, your head coming back to lay against his chest as you let yourself feel what he was allowing you to.
“I bet it does..” Gojo smirks, looking at your lithe shaky fingers tapping softly against your clothed mound. After a couple of seconds he decided to press against the fruit, starting up the small circles, “lightly.” He reminded.
You followed suit, the circles felt worlds better than the tapping, the consistent pressure and pattern was making you dizzy. The first actual whimper of the night left your lips and it made Gojo’s cock twitch in his pants.
He cooed at you when you squeezed your eyes shut, mouth dropping open in a small o shape while you continued your ministrations, “Cant follow directions with your eyes shut can you? Or you got some kinda super power I’m unaware of~?” he joked, making you crack your eyes open and look at his fingers again.
You noticed he had picked up his pace, you were unsure of when he did but you were happy you noticed now. You were appreciative at getting to touch yourself but were growing needy with the slow pace of his fingers. “F-fuck.” You gasped out, your hips bucking into your finger as you quickened the movement.
“Talk to me, how’s it feel.” Gojo was growing impatient himself, he loved teasing you and he knew he should take this slow especially since it was your fist time touching yourself properly— but the thought of pressing your back down into a mean arch while he just pulled your panties aside and fucked his cock into you at the hilt was constantly in the back of his mind.
He loved teasing his sex partners, but he’s never done anything like this before. Taking it this slow and instructing someone like this was new to him. It was so intimate, and so soft, and his dick really fucking liked it.
“F-feels so good, I- I wanna take my panties off.” you confessed, your ass bumping against his hard on every time your hips humped against your finger. “Yeah? Wanna touch your wet pussy directly?” He spoke, biting his lip as he held back a groan.
“Yes-yes- please..” You begged, the way he was talking was making your need to have something inside you— to feel more—so much worse.
“Soon, I promise.” He said, rubbing his long fingers against the slid of the fruit, making quiet squelching noises as he ran his finger up and down the length of it. He smiled to himself when you listened quicker this time, you were catching on.
You rubbed two fingers over the length of your pussy, moaning when he stopped his movements and pressed on and off against the hole of the fruit, where the opening of your pussy would be.
You repeated the action, feeling the fabric of your wet panties get pushed against the entrance of your little hole, “I cant tell if those sounds are you, or the fruit.” Gojo laughed breathlessly, becoming dizzy at the squelching that became louder and louder in his ears.
“Gojo..” you wined needily into the air. “Okay, okay,” His resolve cracked much faster than it normally would’ve. He knew he was the one in control right now but it felt like you had him on a leash, controlling his every move. Just a couple of wines from you was enough to make him fold, giving in to what you wanted.
He grinned watching you hastily remove your panties and spreading your legs once more, being so obedient by not immediately touching yourself and instead digging your nails into your thighs and waiting for his fingers to move against the orange.
He wanted to see how long you could hold out, but his dick and head alike were yelling at him to move his own fingers so he could watch you touch yourself, so that’s exactly what he did. Using two long fingers he rubbed hard circles again the fruit, his giggles shaking your body when you jumped into action with no hesitation, rubbing and pinching your clit between your fingers as you slid them back and forth, spelling letters and drawing shapes on it— whatever gojo did, you did.
“Fuck Gojo, this feels so good-“ you moaned, fighting the urge to let your head fall back as you felt an unfamiliar coil tighten itself in your tummy.
“I know baby I know.” His voice spoke with need, taking all four of his fingers and smacking them against the entire fruit, just so you would repeat him so he could hear how wet you were. “Oh shiit, you’re fucking drenched.” He groaned, his eyes briefly rolling back into his head before he started rubbing little circles again.
“This turning you on? huh?” He spoke, “You like when I show you how to treat your little pussy?” His words made you moan, going off of his instruction and quickening the pace of your fingers against yourself, “I know you wanna cum but you gotta slow down, I didn’t speed up my fingers so you don’t get to either~” Gojo reminded.
Being the obedient girl you were, you slowed your fingers down, “Sorry, ‘m sorry,” you apologized profusely, “It’s alright,” He smiled, “It just feels so good huh?” Again, it was like he was reading your mind.
“So good, s-so so good.” you whine. “Let’s make you feel ever better, huh?” Gojo spoke against your ear, his breathy laugh tickling your skin. He dragged his fingers down to the slit of the fruit, just teasing the entrance, watching your fingers do the same.
“I cant go as deep on my model here, but when I put them inside, I want you to go deep okay?” He said. “Okay, okay.” You rush, anxious but excited to have something inside of you.
“Good girl, such a good listener.” He praised, making your cunt clench around nothing. “Okay, here we go~” Gojo slowly pushed a single finger into the fruit, his jaw dropping with a smile when he watched your smaller finger insert itself into your walls.
“Yeahhh, how does that feel?” He asks, his cock dripping out more pre into his boxers, throbbing and twitching against its confines. “Fuck.. ‘s tight.” you whine, making him groan into the air.
“Yeah? Can you feel yourself twitching?” Gojo is trying to pull as many details out of you as he can, his cock was aching for it. “Y-yes, so much- ngh-“ you choke on a moan when you start to slide your finger it in and out, following Gojo’s lead.
“Remember to curl your finger twords the top of your tummy when you put it inside,” He instructs, watching your body jolt when you follow his instruction. “Oh fu-“ you cut yourself off with a breathless moan when you feel it— your gspot.
You’ve never felt anything like this before, it almost felt more intense than touching your clit, but drastically different, you didn’t know what part was your favorite— you were becoming enthralled with your own body.
“Fuck it- it feels so good Gojo-“ you whine, turning your head against his chest so you’re making eye contact with him. “I know baby I knoww~” He cooes down at you, shaking his head.
“Put another finger when you can take it, it’ll feel so much better.” he reveals, sucking his bottom lip into his mouth while he waited with bated breath as you pulled out your finger, covered in your juices— which made him grown— before you reinserted it, this time with your ring finger joining in tandem.
“Ohmygod-“ you cry, “It’s s-so much tighter gojo-“ you looked back down at his fingers, mimicking his increasingly rough pace as he looses his mind a bit at your use of his last name.
“Satoru baby, call me satoru.” He desperately needed to hear you say his name properly, every cell in his body was aching for it. “Sa-toru! Toru fuck!” you whine. His eyes roll back, his head falling suit and bumping against the headboard at his name leaving your lips.
“Yeah, keep saying my name sweet thing,” he groaned, not able to stop himself from humping against your lower back any longer, the air around you becoming increasingly thicker at how aroused the two of you were becoming.
Suddenly something snapped inside Gojo and he discarded the orange on the floor, wrapping one strong arm around your torso while he brought his juice soaked fingers to your lips, tapping them for you to open up for him.
“Yesss, good fucking girl, don’t stop your fingers- fuckkk-“ The white haired man groaned when your tongue eagerly licked around his fingers, he groaned at the warmth of your mouth, pushing his fingers as far as you would let him into your mouth, coughing a bit around them when they tickled the back of your throat.
“Play with your clit too sweetie, wanna see you cum all over your fingers.” He directed, keeping his fingers snug in your mouth as you moaned and whined around them, his other hand gripping the side of your waist strong enough to leave bruises as your other hand joined the mix on your pussy, rubbing quick circles with perfect pressure right against your clit.
“Fuck, you feel it? You gonna cum?” He groaned when your body jerked more frequently, breath coming in shorter pants as well, a sign of your impending orgasm.
You nodded against him, moaning around his fingers as you quickened your thrusts, the squelching emanating louder in the room as your juices started pooling around your fingers.
“Yesyesyes, take it, keep rubbing your clit just like that, fuck-“ Gojo felt like he was about to cum himself, lightheaded and entranced at the scene in front of him— watching you please yourself so eagerly. He couldn’t believe he was about to witness your first ever orgasm, something he only ever dreamed about.
You tried to speak his name around his fingers, warning him you were about to cum but it came out muffled. He removed his fingers from your mouth, grabbing your jaw with the same hand, and smearing your spit messily against your skin— he directed your head to look between your legs.
“Watch yourself cum baby, want you to take it all in, remember how fucking good this feels.” He instructed, as you whined and moaned his name freely into the room.
“Toru- I- I think i’m cumming!! fuck-“ you cried, squeezing your eyes shut as the dam broke.
“Oh yesyesyes- there you fucking go~ good fucking girl~” He talked you through it as you came all over your fingers— cum gushing out around them as your cunt pulsed around your digits, body jerking in on itself after every wave of your high, your legs and hands shaking at the intensity.
You panted as you came down from your first ever orgasm, barely registering that Gojo was praising you as your mind felt fuzzy, you were feeling complete bliss, you couldn’t believe it took you so long to finally do this— you were addicted.
“Satoru- ngh-“ you whined in sensitivity as you slowly pulled out your fingers, holding your soaked digits up into the air and blushing at how they shined in the light with how wet they were.
Gojo reached for your wrist, shamelessly bringing your hand to his mouth as he sucked your fingers into his mouth, moaning and eyes rolling back at the taste. Your face blushed increasingly darker at his antics, clenching your thighs at how his soft tongue felt cleaning off your fingers.
After he popped them out of his mouth a dopey grin made itself home on his face, “So fucking sweet too.” he praised, licking his lips to clean up any drop of your juices he might’ve missed.
Gojo squeezed his arm around you tighter, gripping your face once more as he made you turn your head more directly towards him before he spoke again, “Wanna learn how to touch a dick next?”
pt. 2 here
7K notes · View notes
washeduphazbin · 3 months
Note
Hello! I really loved the Adam x Reader Wife interaction hehehe reminds me too much of the dialogue: -You're an Idiot. -Yes... But I'm YOUR idiot... And forever 😌 Can we see a little more of this relationship?
You ABSOLUTELY can because it's the only thing on my mind since writing it. This will mostly be snippets of fluff between Adam and a female reader from my last one-shot. This is much shorter, but I wanted to give more of this dynamic before I work on a bit of a longer request someone sent in for them during the finale.
TLDR: Welcome to the Adamverse
⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅
"So this absolute cunt really thought it'd be okay to take one look at me and suggest that those Losers in hell can really make it into heaven and be redeemed!" You hummed as Adam sat with his head in your lap, complaining about his musical meeting with Charolette Morningstar. He looked up at you through his black lashes with a pout on his lips; you very clearly weren't paying attention. You had a book in your hands, which was taking more of your attention than Adam was taking up.
Now, that was something he couldn't let happen.
Your book was thrown halfway across the room in one swift movement, "Adam." You huffed, looking down at his innocent face, twirling his brown hair around his finger.
"Reading will rot your brain." He brought a clawed hand to his head and made a crazy motion against his temple.
"Pretty sure you've got that backward, darling." You felt his wings shiver under your touch as you stroked them tenderly, finally giving him your undivided attention. He stretched out in your lap like an oversized cat; Adam hummed pleasantly,
"Readings for losers, and my wife is not a loser." He shot back, yelping as you tugged on one of his feathers. "You bitch, the fuck was that for!"
"You seem to forget how much your bitch wife loves to read fuckhead." You shot back with a dirty look,
"Jesus, what's got your panties in a twist! I'm the one who had a rough day. First, I got blue balled and couldn't get to finish inside your sweet pus, and then I had to go to the most painful meeting of my life with the biggest doe-eyed fool I've met since her father. Now my wife is ignoring me when I'm clearly in distress." He watched in amusement as you tossed your head back with a sigh; you...his favorite winner. You caught the softer look in his eyes as you glanced down at him,
"Adam, you know I love you more than anything."
"I'm aware of how great I am, yes- if you keep giving me those bedroom eyes, I'm not going to be able to hold back."
"Glaring Adam. I'm glaring at you. I in no way want to fuck you right now."
"Impossible. No one ever glares at me AND no one ever doesn't want to fuck the fuck master; I'm a goddam delight, sugar."
He watched you take a deep breath of air in, "You did not just call yourself the 'fuck master.'"
"Ugh, duh, of course, I did. I am the fuck master. I've never heard you complain about this dick babe."
"You're an idiot."
"Ugh, duh. But I'm your idiot, forever." He mused, wiggling his fingers with his wedding ring on it. "Because you're gross, and you love me,"
"Unfortunately."
"HEY!" He sat up, brows furrowing in frustration. His jaw was set in a way you only recognize as a moment of slight panic and stress. "The fucks that supposed to mean?" You sucked in a small intake of breath, cupping his cheeks between your palms. He glared at you but still nuzzled against the soft palms of your hands.
"Darling." You spoke softly, moving to rest your forehead against Adam's, "I love you. I wouldn't want to be with any other person in heaven, hell, or on earth." His eyes softened, and you could see his face drop, "You're annoying as hell. But so am I; that's like our thing." You gave a crooked grin, nuzzling your nose against his, only to nuzzle his nose right back against yours. "I love you and that you're trying to keep everyone here safe and protected."
"I am; I want to keep you safe. You don't belong down there with them, and they don't belong here with us." He nodded rapidly, "You're so...good."
"You're giving me far too much credit, I didn't do drugs, and I didn't kill anybody when I was alive. I wasn't like a saint."
"You're a saint to me." You felt your cheeks burn, and you hit Adam gently with your wings; you saw his face light up and snicker. "What? You are. My saintly wife," You let out a strangled sound of embarrassment as he began to pepper kisses against your face. "Who's so good at praying on her knees-"
"And you ruined it." Adam tossed his head back in a laugh, pulling you close to his chest. You hummed as he nuzzled his face into your breasts, “Adam?”
“Hm?”
“I love you.”
“Love you too.”
3K notes · View notes
delta-lethonomia · 4 days
Text
There's a reddit thread on the BG3 sub where the user u/InklingRain posted a spreadsheet they made with all the companion approvals. Super useful in general both for playing the game and for fic, so I thought I'd post it on tumblr and play around a little!
There's a top row with the average approval by companion, but I didn't find that very useful, so I changed it to the count of approvals (i.e. count of approvals & disapproval total, how often a companion had a reaction to something). We all know Astarion gives a lot of disapprovals here and there, but they're only -1 at a time, so no big deal, right?
No. Minsc has the least at only 45 reactions, Halsin at 95, Minthara at 145, and of the main companions, Gale is pretty average at 198, Lae'zel at 224, and Shadowheart, rather opinionated at 258...
but that's nothing compared to Astarion's 406. That's almost 150 more than the next person!!! That's more than Minthara and Shadowheart combined! Babygirl really woke up one day and decided to get in a snit over everything that happens 😂
(Longer post about count of positive and negative opinions, sum of approvals and disapprovals, and some major outliers below. Picture with values at the very end.)
But that's a bit disingenuous. If we look at the ratio of positive to negative opinions (not taking value into account), Astarion's pretty average at 30% (negative count over sum count, so let's call that negativity). This is similar to Gale (31%), Karlach (30%), and Lae'zel (32%). In theory, getting Astarion's approval or disapproval is just as easy as any of theirs, with a 20% bias towards positive approvals. Later companions are weighted heavily towards the lower end of the spectrum, with Jaheira at 13% negativity and Minsc at 9%. As you only get them very late, it's pretty clear that the game gives you a lot of opportunities to get their approvals and thus open up more of their quests and dialogue.
However. We have an outlier. Wyll Ravenguard, clocking in at an indecent 38% negativity! Which really just goes to show, while Astarion is the most opinionated, Wyll has the most disapprovals, making him the judgiest companion of all 🤣
However, this really wouldn't be a good post if we didn't look at the value of approvals. Karlach, for instance, has the strongest disapproval value of -100 (given if you sleep with her and then call it a mistake). Ouch. This is clearly at outlier and doesn't say much about Karlach's changeability of opinion in general. If we look at the sum of positive and negative opinions, this is a very heavy swing, making up 100 points of her total 191 disapproval points possible to her 281 approvals total. Another outlier is Minsc, who currently possesses a 43% disapproval percentage (a heavy -50 disapproval given if you sacrifice him to Sarevok. Jaheira, by contrast, apparently doesn't give a damn, or her value might simply not be included in the dateset.)
Removing outliers is really a matter of opinion here, so I'll only remove the most extreme swings, such as the above mentioned disapprovals.
The otherwise strongest swings are Astarion (-15 for telling him it was a mistake preventing him from drinking Araj's blood, or saying you only wanted to sleep with him, not deal with his trauma) and Wyll (+20 for siding with Karlach during his confrontation with her, which really shows he didn't really want to kill her and is very grateful you stopped him). Halsin gives +40 for reuniting Oliver with Thaniel, which...lifting the shadow curse is sort of his life's mission, and a bit of a unique case, so while it makes sense, I think it's such a unique event that can't be topped by anything else and will remove it. Jaheira give +20 for extending the Emperor's protection to Minsc, and, for funsies, Minthara's heaviest disapproval is -5 for donating to Lolth at the Stormshore Tabernacle. (lol)
I only chose to remove the aforementioned Karlach, Minsc, and Halsin values, as they're all very large swings and rather character-defining or personal to the individuals mentioned, so I don't think it says much about them in a more general day-to-day sense.
Now, using the sums of our negative and positive values, Gale is our most Negative Nancy, clocking in at 37%, which goes to show that while he's pretty average for the amount of things he cares about, when he disapproves, it's a strong one. Next up is Astarion at 35%, and Wyll at 34%. Lowest are Jaheira and Minsc at 7% and 4% respectively, which makes an intuitive sort of sense: Jaheira is old and just over being upset by the players poor choices, and Minsc is an insanely positive person overall. The next most positive companion is Halsin at 13%, which also matches with his vibe pretty well, followed by Minthara at 17%, Karlach at 24%, Lae'zel at 26%, and Shadowheart at 28%.
Tl;dr: Astarion has many, many opinions, but Wyll is the most judgemental (most disapprovals compared to approvals possible). However, when it comes to the strength of those disapprovals, Gale reigns supreme, followed by Astarion.
If don't break Karlach's heart, help Halsin achieve his life's ambition, or sacrifice Minsc, then they're pretty positive overall. Later companions are heavily weighted to approve of your actions, and Minthara is comparatively judgemental, but overall far more easy to gain approval than disapproval from.
If you take the average of all these values and include the later companions to look at as a personality "baseline" of how judgy and how strong those disapprovals may be, then...the Act 1 companions are all dramatic af, which really should come to no ones' surprise, while Karlach is the most willing to give the benefit of the doubt imo.
Tumblr media
1K notes · View notes
little-hermit-crab56 · 6 months
Text
I've been writing for a while so I thought I'd share some writing tips I've learned along the way.
1. Never sacrifice the flow for a quirky line.
That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.
2. Dialogue is a dance.
Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.
3. Show don't tell is a guideline, not a rule.
Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.
4. If it's boring to write, it's probably boring to read.
If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.
5. Everything needs to have a purpose.
I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.
6. You don't need to explain everything all at once.
I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.
7. Write in a way that comes naturally.
I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.
8. Try to make us feel connected by cutting out certain words like "felt".
"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.
9. We don't need to know every physical detail of your character.
I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.
10. You're allowed to be vague.
Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.
11. Writing is a skill that takes practice.
Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.
12. Leave your work to rest.
I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.
And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.
Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.
I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.
I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.
2K notes · View notes
vspin · 7 months
Text
On Act 3 and the lack of companion reactivity and dialogue.
So, I officially hit 400 hours on BG3 yesterday (no lifing it lmao) and I've been thinking about some things I wish Larian would improve or wish that they had implemented. A big thing that comes to mind is how much companion reactivity and dialogue abruptly stops in Act 3.
Act 1 really shines with companion reactivity. They always have something to say to the MC, to NPCs, or even to each other! I love the interaction after you use your ilithid powers for the first time and it's a 4 way conversation between everyone.
Then we get to Act 3 and there's such huge drop-off. Some big offenses:
Very little reaction to quests and locations. When I killed Raphael I only got comments from Astarion and Gale! Seriously?? We just survived a trip to the Hells! This happens with multiple quests
Blank faces when Durge is killed by Bhaal.
Camp is lifeless. Everyone just stands in front of their bed, There are no interactions.
In my playthrough, the Emporer admitted to my Tav he was manipulating her and didn't really care. It was bummer I couldn't talk to the other tadpole gang about it.
I remember coming across a Druid in the city. He was trying to heal a tree. So I went back and grabbed Halsin because he was complaining no one in the city cared about nature or balance. So I thought surely, he would have an interaction here! Nope, nothing!
As soon as you finish a companion's personal quest that is basically the end of your interactions with them; even if you romance them.
What I'd like to see: (Disclaimer: Just my opinions. I have no expectation of any of this being added to the game)
More camp interaction between companions. Jahiera and Minsc had a great example of this. Let there be a quick cutscene of Minsc and Halsin arm wrestling. Shadowheart, Karlach, and Astarion drinking wine. Anything. DA:I did a great job at this. It seemed like anytime I approached someone for dialogue they were in the middle of an interaction with someone else. Or events like the card game. It brought a lot of life into the party.
More random city encounters. They did a good job with Karlach; she has interactions with the steel watcher and her friend Fitz. Would have been cool to have some of those with Wyll, maybe he meets another noble or a flaming fist and has to deal with their shock of seeing him as a devil. Or with Gale in Sorcerous Sundries (he is a famous wizard after all!). Astarion mentions he needs to keep a low profile in the taverns; what if someone called him out!
More reactions to story events.
Expand on romances a bit more. We don't need it to be a dating sim but if you finish your LI's quest early on get used to just asking for small pecks and that's it. I would like to see more romance-specific dialogue for quest reactions.
And Finally:
We needed all companions at the final battle. Everyone should have been at the main keep before confronting the brain. You should have had your final conversations with them before you all potentially die in battle. DA:O style. A passionate kiss with your LI (not a tiny little peck lmao). This was a huge exclusion.
Anyway, these are my thoughts on the matter. Thanks for coming to my Ted Talk.
3K notes · View notes
joelmillerisapunk · 2 months
Text
unbelievable
mechanic!Joel x f!reader
Tumblr media Tumblr media Tumblr media Tumblr media
masterlist
wordcount: 4,489
summary: the 'It's not just your car that needs fixing, is it?' Trope
warnings: 18+, unprotected p in v, lots of fingering, there's a joint, lots of 'sweetheart', some aftercare but like a bit different (I don't wanna spoil it) mentions of anxiety (bc I'm an anxious bltch and this would happen to me) fluffy smut?
notes: hiii 🥰 I hope you like mechanicJoel because I fell in love with him so fast, he has no right being so hot 🙃 The title is unbelievable by diamond rio, it felt pretty accurate to my inner Joel dialogue. a big thank you to @saradika-graphics & @firefly-graphics for the dividers (graphic designers deserve the world honestly)
Tumblr media
You've always had a thing for rugged men, and Joel Miller is the epitome of a handsome, rough-around-the-edges mechanic. His strong hands, grease-stained clothes, and confident demeanor make your heart race every time you see him, which has been a lot recently since your old car has been having its fair share of problems.
It's a hot summer day, and you decide to visit the garage where Joel works, hoping to catch a glimpse of him. As you walk in, the smell of oil and gasoline fills your nostrils, making you feel a little lightheaded. But then, you see him. He's hunched over a car engine, his muscular arms covered in sweat and grime. Your heart skips a beat as you take in the sight of him.
You approach Joel, trying to act cool and collected, even though your insides are turning to jelly. "Hey, Joel," you say, trying to keep your voice steady. "I was wondering if you could help me with my car again. It's been making a weird noise, and I don't know what to do."
Joel looks up at you, his beautiful brown eyes meeting yours. He wipes his forehead with the back of his hand, leaving a streak of grease on his face. "Sure thing, sweetheart," he says with an almost knowing grin. You've been coming to see him every couple of weeks for the past few months. "Let me take a look for you, darlin."
As Joel inspects your car, you can't help but steal glances at his muscular physique. You imagine what it would be like to run your hands over his firm chest and his stomach, to feel his stubble scratch against your skin as he kisses you. The thought makes you wet, and you squirm, trying to hide your arousal.
But Joel notices. He looks up at you, his gaze intense and seductive. "You seem a little flustered, sweetheart," he says, his voice low and husky. "Is there something on your mind?"
You swallow hard, trying to gather your nerves. The heat in the garage is making you feel more and more flustered, and the idea of Joel noticing your arousal only adds to your embarrassment. "Uh, yeah, I guess so," you manage to reply.
Joel's eyes rake over your body, taking in the way your shirt clings to your body and the way your nipples are hardening under the hot conditions. "I can tell you've been coming to see me for a while now. It's not just your car that needs fixing, is it?"
Your heart is pounding in your chest, and you can feel the heat rising to your face. "I-I don't know what you're talking about," you stammer, trying to deny the truth even to yourself.
But Joel isn't backing down. He steps closer to you, his body towering over yours. "I can help you with your car, sweetheart," he says, his voice a low growl. "But if you're looking for something else, something a little more personal, I can do that too."
Your mind is racing as you try to figure out what to do. On one hand, you've always had a thing for rough-and-tumble men like Joel, and the idea of being with him is almost too much to bear. On the other hand, you're not sure if you're ready for something like that with someone you're not even dating. As you stand there, frozen in indecision, Joel reaches out and gently takes your hand in his. "It's okay, darlin," he says, his voice soft and reassuring. "You don't have to decide right now. But if you change your mind, you know where to find me."
Joel continues working on your car, he takes his time, making sure to do everything a little slower. He runs his hand over the engine, and with every turn of the wrench and every adjustment of parts, you can't help but feel your heart race, your skin tingle, and your body heat up. He's wearing a pair of tight jeans that hug his thighs, and every time he bends over the car, you catch a glimpse of the outline of his bulge. You wonder what it would feel like to touch him there, to feel him hard and ready against your skin. Your mind races with fantasies of him taking you, claiming you, making you his in ways that go far beyond the mechanical fixings of a car.
Joel takes a bit of a break from your car, and you think he's about to tell you what was wrong with it. "You know, sweetheart, I could fix more than just your car," he repeats himself again, " I could fix all your problems, make you feel good in ways you've never felt before."
You swallow hard, trying to find your voice. "What do you mean?"
Joel grins, a knowing look in his eyes. "I mean, I could show you the kind of fixings that only a man like me can provide," he says, his voice low and seductive. "Make you mine, take you right here. I promise you, it's something you'd never forget.”
“Oh, uh I, uhm I need to -” You pause, looking at your phone, “I have a thing soon. So I should uh go when you're done.” You can barely keep yourself together as you fumble through your sentence.
Joel smirks, "Of course, sweetheart," he says, his voice reassuring. "When you're ready, I'll be here.”
Tumblr media
As you exit the garage, you feel a mix of excitement and anxiety coursing through your veins. Joel's words have left you feeling both turned on and terrified at the same time.
You spend the next few hours trying to shake off the encounter, but your mind keeps wandering back to Joel's words and the way his body made you feel. You can't stop thinking about the way his muscles bulged under his tight jeans, or the way his hair curled, his strong jawline, or the way those lips would part everytime he would focus on your car. You want to touch him, taste him, feel him- anything. And you're desperate to hear him speak that sexy accent of his once again.
When you finally arrive home, you let yourself into your apartment and immediately head straight for your bedroom. You shed your clothes as fast as possible, trying to rid your entire day from your skin. After your shower, you pull on a pair of shorts, your favorite oversized t shirt before padding barefoot across the carpeted floor of your room.
Just as you're opening your bedroom door to get a snack, your phone rings. You glance at your screen - a number with no name showing up - before answering the call, your heart pounding in anticipation. “Hello?”
You can hear a woman's voice in the background, "I told you not to come in my office. You can't just call random clients." Then you hear a muffled males voice and the woman again. "Yes... I understand she hasnt paid, but we don't contact clients until the end of the month."
You sit there unsure of what to do, should you say something? Should you hang up? Should you ignore her? Suddenly, you hear yelling. "Out - now!" she exclaims before apologizing for the misunderstanding and hanging up the phone on you. As you hang up the phone, you can't help but feel a sense of confusion and disappointment wash over you. You had been hoping that it was Joel on the other end of the line and that he was calling to follow up on his earlier proposition. But instead, it seems like you were caught in the middle of a heated exchange between a man and a woman, and you can't help but wonder what it all means.
You shake your head, trying to clear your thoughts. You know that you can't let yourself get too caught up in the idea of Joel. You need to focus on yourself and your own needs rather than getting swept up in the allure of a man you barely know. You've got plenty of people who love you, and it's better to prioritize your relationships than get carried away with a man like Joel. You know you wouldn't be able to handle it.
But then suddenly here you are. You take a deep breath and steel yourself as you walk back into the garage, hoping to catch Joel before he leaves for the day. The receptionist gives you a disapproving look as you enter, but you ignore her and make your way towards Joel, who has just finished up with a customer. As you approach, Joel looks up and sees you, a small smile spreading across his face. "Hey there, sweetheart," he says, wiping his hands on a nearby towel. "I didn't expect to see you again so soon."
You swallow hard, trying to find the right words. "I, uh, I had some questions about my car," you say, trying to sound casual. "I figured I'd come down and ask you in person."
Joel raises an eyebrow but doesn't say anything. Instead, he nods towards the back of the garage, inviting you to follow him. As you walk, you can't help but notice the way his muscles ripple under his shirt or the way his jeans hug his hips. You feel a heat creeping up your neck, and you hope he doesn't notice.
Once you're in the back, Joel crosses his arms over his chest and looks at you with a serious expression. "Listen, sweetheart," he says, his voice low and intense. "I know what you're doing, and I want you to know that it's not going to work."
You furrow your brow, confused. "What do you mean?" you ask, your voice shaking slightly.
Joel takes a step closer to you, his eyes never leaving yours. "I mean that I know you're trying to avoid what's going on between us," he says, his voice softening. "And I get it. I know I'm not the easiest person to be around." You open your mouth to protest, but Joel holds up a hand to stop you. "But I also know that there's something between us, something real and intense," he continues. "And I don't want to ignore it anymore."
You swallow hard, your heart pounding in your chest. "What are you saying?" you ask, your voice barely above a whisper.
Joel takes another step closer to you, his body almost touching yours. "I'm saying that I want you, sweetheart," he says, his voice low and seductive. "I want to make you feel good, to show you things you've never experienced before."
Your mind is racing as you try to process what Joel is saying. On one hand, you're terrified of the intensity of your feelings for him so soon, of the way he makes your heart race and your skin tingle. On the other hand, you can't deny the attraction you feel towards him, the way your body responds to his voice alone.
As you stand there, frozen, Joel reaches out and gently takes your hand in his. "It's okay, darlin," he says, his voice soft and reassuring.
You know that you have a choice to make, a decision to make about what you want and what you're ready for. And as you stand there, looking into Joel's beautiful brown eyes, you know that you're ready. Without saying a word, you lean in and press your lips to Joel's, feeling the heat and passion of his kiss. Joel responds eagerly, his arms wrapping around your waist as he pulls you closer. You can feel the strength and power of his body. As Joel deepens the kiss, he reaches down and gently lifts you up, wrapping your legs around his waist as he carries you over to a nearby workbench. He sets you down gently, cupping your face in his hands, "Be right back, sweetheart, don't go anywhere.”
Just as Joel turns to lock up, the receptionist calls out, "Joel, she can't stay here. She's not an employee."
Joel turns to her, his expression stern. "I'll take care of it, Linda," he says. "Just go home."
Linda looks taken aback, but she doesn't argue. She grabs her things and leaves the garage, shooting you a disapproving look as she goes.
Once she's gone and the doors are locked,Joel walks back over to you, a mischievous glint in his eye. He pulls a small joint out of his pocket and holds it up for you to see. "Ever tried this before, sweetheart?" he asks, his voice low and seductive.
You shake your head, feeling a mix of excitement and nervousness. "No, I haven't," you admit.
Joel grins, lighting the joint and taking a deep drag. He holds it out to you, his eyes locked on yours. "Here, let me show you," he says.
You lean in, taking a tentative puff on the joint. The smoke is harsh and unfamiliar, but the sensation of Joel's hand on your back, guiding you, is intoxicating. You feel a warm, tingly sensation spreading through your body. He pulls back, his eyes shining with desire as he takes another drag. "You like that, sweetheart?" he asks, his voice low and husky.
You nod, unable to speak. You've never smoked weed before, but with Joel, it feels right. It feels intimate and exciting, like you're sharing a secret that only the two of you know. For a while, the two of you just stand there, wrapped up in each other, the world outside fading away, like you're the only two people in the entire world, and it's a feeling you never want to let go of.
But eventually, the joint burns down to nothing, and the two of you are forced to come back to reality. Joel grins, leaning in to kiss you again. This time, his lips are soft and gentle, his tongue exploring your mouth as he deepens the kiss. You can feel the warmth of the weed spreading through your body, making you feel relaxed and happy.
As you kiss, Joel's hands roam over your body, his fingers tracing the curves of your waist and the swell of your breasts. You moan softly, your body responding to his touch. You can feel the heat building between your legs, your clit throbbing with desire.
Joel breaks the kiss, his eyes dark with desire. "I want you, sweetheart," he says, his voice low and intense. "I want to make you feel good.” You nod, your body trembling with anticipation. You want him too, more than anything. You want to feel his hands on your body, his lips on your skin. You want to feel him inside you, filling you up and making you his.
Joel's fingers find the hem of your shirt, lifting it up over your head. He tosses it aside, his eyes raking over your body. You're wearing a lacy bra, the color of pale pink. Joel's fingers trace the lines of your bra, his touch gentle and teasing. You can feel your nipples hardening under the lace, your body begging for more.
"You're so beautiful, sweetheart," Joel says, his voice low and husky. "I can't wait to taste you." With a quick motion, he removes your bra, throwing it to the floor.
He leans in, his mouth closing over one of your nipples. His tongue flicks at the hard peak, making you gasp with pleasure. Joel's hands roam over your body. He reaches down, his fingers finding the waistband of your shorts. He tugs them down, his fingers tracing the lines of your lacy panties. You can feel his breath against your skin, hot and heavy. Joel's fingers find the edge of your panties, tugging them aside. His fingers trace the outer lips of your pussy, his touch gentle and teasing.
Joel's fingers find your entrance, sliding inside you with ease. You gasp with pleasure, your body responding to his touch. He starts to move his fingers inside you, faster, his touch more urgent. You can feel the orgasm building inside you.
"Fuck, sweetheart, so fuckin' tight," Joel growls.
You can feel yourself teetering on the edge, your breath coming in short, sharp gasps. Joel's fingers continue to work their magic.
And then, suddenly, you're there.
You cry out as you come, your orgasm ripping through you like wildfire. Joel's fingers continue, drawing out your pleasure until you're left weak and trembling in his arms. “S'okay baby, s'okay, you did so so good for me sweetheart.”
As your orgasm subsides, Joel pulls his fingers out of you, his eyes dark with desire. He licks his fingers clean, his tongue tracing the lines of your juices. You watch him, your mouth parted like you just watched him lick the tastiest ice cream cone.
Joel reaches down, his fingers finding the button of his jeans. He undoes it, tugging his jeans down over his hips. He's not wearing any underwear, and his cock springs free, hard and ready.
You can't help but stare, your eyes wide with desire. Joel's cock is long and thick, the head dark and swollen. You can see a drop of pre-cum glistening on the tip, and you can't wait to taste it. Joel steps closer to you, his cock brushing against your thigh. You can feel the heat of it, the hardness. You reach out, your fingers wrapping around the shaft. Joel groans, his head falling back as you start to stroke him. You can feel his body trembling, his cock twitching in your hand. You stroke him faster, your hand moving up and down the shaft. Joel's hands roam over your body. He reaches down, tugging your panties off in one swift motion.
You're completely exposed now, your pussy on full display. Joel's eyes darken as he takes in the sight of you, his cock throbbing in your hand.
"Fuck, you look so hot," Joel growls.
You've never felt so exposed, so vulnerable. But with Joel, it feels right. It feels exciting and thrilling, he reaches down, his fingers finding your clit. He starts to rub, his touch gentle and teasing.
"Do you like that, sweetheart?" Joel asks, his voice low and husky. You nod, unable to speak. "You're so fucking hot,," Joel growls. "I can't wait to taste you."
He drops to his knees in front of you, his eyes locked on yours. He reaches up, his fingers tracing your inner thighs. You can feel his breath against your skin, hot and heavy. Joel's tongue finds your clit, gentle and teasing. You gasp with pleasure, your body responding to his touch. Joel's tongue moves lower, tracing the outer lips of your pussy. His tongue finds your entrance, pushing inside you. You can feel him exploring his tongue, tracing your walls. Joel's fingers find your clit again, rubbing in time with his tongue.
"Fuck, Joel, m’gonna come," you cry out grabbing onto his hair.
Joel doesn't stop, his tongue and fingers continuing, his eyes don't leave yours, it makes him almost painfully hard watching you come. You cry out as you come. Joel's tongue continues to lick at your pussy, drawing out your pleasure.
"You taste so fucking good, sweetheart," Joel growls, standing up.
He steps closer to you, his cock brushing against your entrance. Joel's hands find your hips, his fingers digging into your skin. "You ready for me sweetheart?
"Yes, please, Joel." He pushes inside you, his cock filling you up completely. You gasp with pleasure, your body responding to his touch. Joel starts to move, his hips thrusting against you. His cock hits that sweet spot inside of you with every stroke. Joel reaches down, his fingers finding your. You can feel your body trembling, your pleasure building higher and higher.
"Fuck, Joel, I'm gonna come again," you cry out, your voice hoarse with pleasure.
Joel's thrusts become more urgent, his fingers moving faster. You can feel your orgasm building, your body tensing with pleasure until you come again. Joel's thrusts become erratic, his body tensing as he reaches his own release. He groans, his cock twitching inside of you as he fills you with his seed.
The two of you lie there, panting and sated, your bodies still tangled together. Joel's forehead is pressed against yours, his eyes shining with desire and affection. You can feel the warmth of his breath against your skin, the beating of his heart against your chest.
"You're so fucking perfect, sweetheart," Joel murmurs, his voice low and husky.
You smile, feeling a sense of contentment. But even as those thoughts run through your mind, you also know that you can't let yourself get carried away. You barely know Joel, and there are things about him that you don't know. Important things.
You take a deep breath, steeling yourself for what you know you have to do. "Joel, I... I need to go," you say, your voice soft but firm.
Joel's expression changes, a hint of sadness and disappointment flashing in his eyes. "Hey, what's wrong?" he asks, his voice soft.
You take a deep breath, trying to steady yourself. Suddenly, the walls feel like they're closing in on you, and you can't catch your breath. "I-I can't breathe," you manage to say, your voice shaking.
Joel's face falls, and he pulls you into a tight embrace. "It's okay, sweetheart," he murmurs, his voice soothing. "Just breathe with me, in and out. You're safe, I've got you."
You focus on Joel's voice, trying to match your breathing to his. Slowly, the panic begins to recede, and you can feel your heart rate returning to normal. "I'm so sorry," you say, your voice still shaking. "I don't know what came over me."
Joel shushes you, his hand tracing circles on your back. "It's okay," he says. "You don't have to apologize. You've been through a lot today. It's okay to feel overwhelmed."
You nod, feeling a sense of shame wash over you. You wanted to be strong, to be brave, but instead, you fell apart.
Joel must sense your embarrassment because he pulls back and looks at you with a serious expression. "Hey, listen to me," he says, his voice firm. "You have nothing to be ashamed of. You're allowed to feel however you feel, and I'm here, no matter what. Okay?"
You nod, feeling a sense of gratitude towards Joel. He's been so kind and understanding, even for someone who knows nothing about you and you can't help but feel drawn to him.
"Come on, sweetheart," Joel says, standing up and pulling you to your feet. "Let's get you out of here and into some fresh air. How about we go to my place and spend the night? I promise, no funny business."
You know it sounds crazy but a sense of relief washes over you as you agree. You don't want to be alone right now, and the thought of spending the night with Joel is weirdly comforting. As much as you know, you should probably just go home. Joel helps you get dressed, his hands gentle and reassuring. Once you're both dressed, he leads you outside and into his truck. He drives you to his house, his hand resting on yours the entire time. When you arrive, Joel leads you inside and shows you to his bedroom. He pulls back the covers and helps you climb into bed, tucking you in like a child. "Just rest, sweetheart," he says, his voice soft. "I'll be right back."
You nod, feeling a sense of exhaustion wash over you. Joel returns a few minutes later with a glass of water. He helps you sit up and take a sip of water, then lays down next to you, pulling you into a tight embrace.
You rest your head on his chest, listening to the steady rhythm of his heartbeat. It's soothing, and you can feel yourself drifting off to sleep.
"Thank you, Joel," you murmur, your voice sleepy.
Joel kisses the top of your head, his arms tightening around you. "Anytime, sweetheart," he says. "I'm always here for you."
As you drift off to sleep, you can't help but feel a sense of gratitude towards Joel. He's been so kind and understanding. For the first time in a long time, you feel safe, and you know that everything is going to be okay.
As you sleep, Joel watches over you, his eyes full of affection and concern. He's fallen for you, hard.
As the night wears on, Joel holds you close, his arms wrapped around you. He knows that you're not ready for anything serious, and he's okay with that. For now, he's just happy to be with you, to be there for you, to comfort you, and to make you happy.
1K notes · View notes