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#this feels like a 2am thought
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I’ve been listening to audiobooks for over a year and I need to get something off my chest. I think that if audiobook voices weren’t as monotone, I would be SO much more invested in the story. 
I just finished The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid and I can say that I was invested not just because of the story but also because of the voice. I can say the same for These Violent Delights by Chloe Gong. The person who voices that audiobook did an excellent job with both protagonist counterparts. I was listening to their every word.
But now listening to Turtles All The Way Down by John Green, I’m not even 20 minutes in and I already feel uninvested because there isn’t anything going on with the voice. How am I, the reader (in this case listener), suppose to be invested when it sounds like the voice isn’t either? 
Does anyone else ever feel like this?
It’s something that bothers me so much that it makes me want to be an audiobook voice ‘cause I definitely want people to get invested into the story rather than feel like it’s words being whispered to them. I want them to feel the words even if they can’t necessarily relate to the story on a personal level. Does this make sense? Probably just me. 
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aiku · 11 months
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My Lesbian Experience with Loneliness by Nagata Kabi
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sillyravenpassingby · 10 months
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You know what makes me fall on my knees???
The way Gwen very clearly said, "what i always think..."
She could've just said "Miles, ur amazing" and be done with that but NO.
She said "what I always think... you're amazing". Not just this one time, not just at this moment. ALWAYS.
And it's crazy because they haven't seen eo for a year -iamsobbing and who knows to what extent did she actually miss Miles. And yet there she was, for a moment, her emotions just out in the open like that. The delivery was so good plsss
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grxceful-ly · 11 months
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peter bringing mayday with him to do spider stuff because yeah, he had things to live for before--but now he has a child and he is going to raise this child and be there for her and maybe if she’s there, strapped to his chest, he’ll be more careful. he’ll consider his life almost as precious as hers. maybe bringing mayday to work is a precaution. 
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canonkiller · 4 months
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or, stop apologizing for feeling emotions about something having a character you think about is not a mortal sin (mobile version rough draft)
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cali · 7 months
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darkraiiiiii
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crow-with-a-pencil · 1 year
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@naffeclipse
Them ❤️
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milobyelo · 1 year
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I like to think that in Maverick’s down time from taking names and kicking ass in the sky he goes on walks to get himself to slow down and back to life’s regular speed instead of the adrenaline rush of flying. And it’s like a whole thing for him, he has a designated bookbag he brings with him if a sketch book and snacks etc. But most importantly his favorite part of the park is the pond, because there’s so many ducks. And the ducks remind him of goose so he just gets a little melancholic and sits down under a tree by the pond for an hour feeding the ducks.
The thing is he’s had the same house he inherited from his dad in Sand Diego by the base for decades so he’s gone to this pond in his downtime whenever he gets back in town for decades. And he always feeds the ducks. Hes brought Bradley and Carole to feed ducks with him before and later played catch with Bradley for practice by the pond, it’s a whole thing for him.
Well after Ice’s cancer scare and the two of them get their shit together (in this I imagine they don’t really get in a relationship until a couple years pre-canon) and Mav takes him to the pond because it’s his special place and he wants to share it with his boyfriend.
So he brings a blanket, they get settled, and Maverick grabs the food out his bag to go feed the ducks. He looks at Ice with such a soft look because they’ve been through so much but they can still find time in their life to sit down and feed the ducks in Mav’s special place.
And everything goes perfect until Iceman looks down at the food Maverick brought and offhandedly says “You know you’re not supposed to feed ducks bread, it’s bad for them. Did you bring anything else?”
And Maverick is just horrified. Because he’s been feeding these ducks bread for like 35 years and “oh my god Ice how many ducks did I kill”. And it’s a whole thing and Ice had to help him through the heartbreaking news but starting next week he brings seeds instead and thoroughly apologies to the ducks that just stare at him in return.
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bitfruity · 7 months
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i have never been so obsessed and in love with a man before in my life
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like as a teenager i liked bands and thought some members were kinda cute but NOTHING has prepared me for the teenage girl in my 20’s level infatuation i have for this man
and then he had the AUDACITY to bring another one into the mix
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words cannot explain the amount of gender envy tommy gives me do i want him or do i want to be him?? i look at some pictures of him and go THATS ME THATS HOW I SEE MYSELF
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xenon-demon · 9 months
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I... have no idea what this is. No that's a lie I know exactly what this is, it's 2.6k of a Frozen AU with Steve as Elsa and Robin as Anna that I wrote in a fugue state after seeing a friend's production of Frozen: The Musical tonight. I have several WIPs I'm supposed to be working on and this is exactly none of them. Bone apple teeth. (Also I'm genuinely unsure if my usual crew of beloved enablers would even WANT to be tagged in this so... for now I'm not doing a taglist, and if I write any more of this AU I'll do one next time 😂)
“Steve!”
At the sound of his name, the Prince — now King, and boy is Robin going to take a while to get used to that — turns his head towards her. Seeing it's Robin, Steve gives his apologies to whatever noble he was talking to and steps away from their conversation. He makes his way over to Robin in just a few short strides, but his eyes flick back and forth between Robin and her new... well. She doesn't really want to think about what Eddie now is to her. In any case, she can already see a questioning frown start to brew on Steve's face, meaning this will be a much harder sell than she expected.
“Robin!” Steve exclaims, his gaze almost immediately sliding over to Eddie and giving him a once-over. He sounds markedly more subdued when he continues, “I see you've... made a friend.”
“Well, I wouldn't say a friend exactly!” Robin laughs, shrill and stilted, and gives Eddie's arm a pointed squeeze when he doesn't immediately join in. Getting the hint, Eddie finally starts laughing along. Hopefully Steve didn't notice her hinting, since she's had her arm wrapped around Eddie's since before she even called him over.
Steve raises an eyebrow at her, and shit does she need to keep this moving.
“This,” Robin announces, using the hand that's not around Eddie's arm to do a quick flourish in the direction of his face, “is Prince Edward of the Kingdom of Forest-Upon-Hills. We met at the ball tonight.”
“It's an absolute pleasure to meet you, Your Majesty,” says Eddie, trying his best to show the proper respect and bow as he does so. Robin's death grip on his arm prevents him from getting very far.
“Likewise,” Steve replies, sounding incredibly skeptical of this whole conversation. He then shoots Robin a look, which, rude, but also entirely warranted given what she's about to ask him.
Steeling herself, Robin begins to say, “Prince Edward and I-”
“Just Eddie is fine,” Eddie interrupts her, leaning in a little bit closer to her as he whispers. He's got terrible volume control, however, so she wouldn't know it was meant to be a whisper if she hadn't spent the past two hours talking to him.
“Not one for formalities, Prince Eddie?” Steve asks, the weight of his gaze finally leaving Robin's shoulders for a moment. God, she often wishes her brother was easier to read, but never as strongly as she does right now.
Eddie, meanwhile, straightens up so quickly it's like he's been electrocuted.
“Uh, not particularly, no. They grate on me,” Eddie says. He pauses for a moment, and Robin can see the deliberation on his face before he adds, “Your Majesty.”
“I'm not one for formalities either, Prince Eddie,” Steve says. His mouth twitches into a very small smile. “I prefer Steve.”
There's a pause, then, where Steve and Eddie are locked into some strange stare-down, while Robin looks on in vague exasperation. She's pretty sure she could strip naked and swing from the chandelier in the center of the ballroom and neither of them would take any notice of her. She's about to intervene, actually, because they really do not have time for whatever this is, when Eddie miraculously breaks the spell himself. He blinks a bit, looking away from Steve and back to Robin, face significantly more flushed than it was a minute ago.
“I believe you were saying something to K- to Steve, Princess?” Eddie asks, just about tripping over Steve's new title on instinct before catching himself.
Robin just barely restrains herself from rolling her eyes. She really is the bravest, most long-suffering warrior in all of Hawkins.
Putting her brave face back on, Robin turns to her brother and says, “Yes I was, thank you Eddie, I was saying that Prince Eddie and I-” and here she falters, because Steve looks back at her and meets her gaze. She swallows, trying to be subtle, and looks very pointedly at Steve's forehead instead of his eyes. She can't do this if she's looking him in the eye.
She takes another half second to compose herself, then rips the band-aid off.
“Prince Eddie and I seek your blessing for our marriage.”
“Excuse me?” Steve says, more like demands, almost choking on nothing. Robin's never seen her brother this off-kilter in her life. He doesn't even try to compose himself at  all before he says, “Robin, can I speak to you for a moment? Alone?”
Robin swallows guiltily, knowing he'll see straight through her if she agrees.
“No. Anything you want to say to me, you can say to both of us,” Robin says, and how her voice stays steady, she doesn't even know. It probably helps that she's still not looking Steve in the eye.
“Robin- I don't-” Steve interrupts himself to run his gloved hands down his face. He pauses for a moment, face completely covered by his hands, and takes a deep sigh. When he removes his hands and starts speaking again, his voice is measured. Calm. Deadly.
“Rob, you can't marry a man you just met,” Steve states. The word man falls heavy off his tongue, and Robin knew she would regret coming out as a lesbian, she just didn't think it would be like this. Squaring herself up for the best performance of her life, Robin begins her improvised speech full of bullshit to convince her brother to let her do this.
Before she can, however, Eddie chimes in with, "You can if it's true love." Steve doesn't even spare Eddie a glance, but his frown does deepen significantly. Shit.
“Steve,” Robin begins, trying very hard to stay calm, “Eddie and I have a connection unlike any I've ever felt before. I lo-love him”—shit, she could feel the bile rising in the back of her throat saying that, and judging by the almost-imperceptible twitch in Steve's eye, he knows too—“and I think it's time I start giving back to the Kingdom of Hawkins.”
“Giving back?” Steve asks, and fuck he's folding his arms across his chest now. “How exactly is this giving back to the kingdom? What you're doing is running headfirst into the first bad decision you can find.”
”I'm a bad decision?” Eddie asks. Both Robin and Steve ignore him.
“No, Steve, I'm giving back by giving the kingdom a new celebration to look forward to after your coronation,” Robin hisses. “A royal wedding is another opportunity to open the castle gates and bring the kingdom together-”
“Absolutely not,” Steve snaps, interrupting her. “We are not opening up the castle gates again for a long time.”
“Why not, Steve?” Robin snaps back. “Tonight's been great for the kingdom's morale, it's been great for you to see people and actually socialize-”
“You have no idea what's good for me, Robin,” Steve says, making her stop dead. It hurts, hearing Steve say that like it's obvious and she's stupid for not knowing it already. What hurts more is that it’s true.
Once it's clear Robin won't keep talking, Steve continues, “You asked for my blessing, and I do not give it. I don't approve of this, and if you're doing this in some misguided attempt to make me happy- quite frankly you've gone insane if you think this would make me happy.”
With that, he turns to walk away.
Okay, sure, she has no idea what Steve's whole deal is or why he's always shutting her out, but Robin is sure she knows what will help.
Sure, part of this crazy scheme is the vague idea that if Robin has a picture-perfect capable-of-bearing-children partnership, then Steve will be under less pressure himself to marry someone who can produce an heir. Maybe, with less scrutiny on his personal choices, he'll learn to relax and open up more over time. That idea falls apart pretty quickly, however, as the thought of producing an heir with a man - even one as fun to talk to as Eddie - makes her want to gouge her own eyes out. No, the real reasoning behind Robin's (admittedly insane) plan to marry someone she met two hours ago at her brother's coronation is so she has an ironclad reason for Steve to open the gates again. Sure, ideally it would've been a woman who caught her eye tonight, but she can't be picky. Robin doesn't meet anyone, especially with the castle locked up like it always is, and she has yet to think of something other than a wedding that would convince Steve to open the gates. Then Eddie came along, laughing and flirting (she thinks, at least; Robin's tried to black that part out) and professing his undying true love to her, and this was the best opportunity she was ever going to get.
And she has to convince her brother to open the gates again. Steve's been thriving tonight. He clearly loves the thrum of people, all of them dancing and laughing and enjoying themselves, and he's slowly coming out of his shell with every conversation he has with their subjects. Robin's spent more time talking to her brother tonight than she has in a long, long time. Too long for her to try to quantify it without crying.
Watching her brother turn away from her, the promise of a relationship with him going forward about to slip through her fingers, she knows she has to do something.
“Steve, wait-” Robin says, reaching out for Steve. She grabs him by the hand, feeling the soft cotton of the white gloves he always, always wears.
“Enough, Robin,” Steve says, not even looking back as he yanks his hand out of her grip. She's trying to hold on, though, so she's left holding his glove as Steve pulls his now-bare hand away from her. God, how upsetting is it that it's been years since she saw the back of her own brother's hands?
Steve swears, then, under his breath. Robin almost doesn't hear it; almost.
“Robin, give me my glove.” Steve's not asking; he's demanding. Robin can work with this.
“Not unless you talk to me about why you won't open the gates. Look at how tonight went, it's been so good for you-”
“This isn't up for debate, Robin, give me my glove,” and Steve reaches for it then, but Robin quickly holds the glove up high above her head before he can grab it.
“Why isn't it up for debate? Why do you isolate yourself all the time?” Robin's almost dancing now, twisting and turning as she tries to keep the glove away from Steve's grabbing hands. It doesn't help that he's taller than her, but she's more agile than people think, especially since Steve's in full coronation regalia right now. The material's stiff as a board at the best of times.
“You wouldn't understand, just give me the- ugh!” Steve's stopped trying to grab the glove, instead trying to restrain her and make it easier to grab.
“Maybe I would understand if you'd talk to me instead of shutting me out all the time-” Steve's almost got her in a headlock, but Robin ducks out from underneath it and quickly steps away and out of Steve's reach.
“Robin, that's enough!” Steve shouts, and then several things happen consecutively.
Steve reaches out towards Robin with his right hand, the one missing the glove.
Robin thinks she's going crazy, but- what look like snowflakes shoot out from Steve's hand where he's reached for her.
The crowd, most of whom had turned to look at Steve's shout, gasp, almost in unison.
“I- Steve-” Robin says, not quite sure where to start with the -- actually quite sizable -- pile of snow now on the ballroom floor.
“No,” Steve gasps, and Robin's never heard her brother so distraught. It makes something keen inside her, the sheer anguish in his voice. “No, no no no, this can't be happening, this can't-” Steve reaches up to pull at this hair, but more snow and ice shoots out from his hand as soon as it's pointing towards the ceiling. He flinches away from his own hand, sheer terror on his face, but with every movement Steve makes more and more snow and ice surrounds him. Within a few seconds, there's a wind picking up as well, and it's like a snowstorm is starting to form right there in the castle dining room.
The crowd, originally shocked into silence, starts to move again. Robin hears screaming, people running, shouting from the guards about an evacuation plan, but it's all faint and distorted like she's underwater. All she can focus on right now is Steve, the way his terror is only worsening by the moment.
“Steve, let me help you,” Robin calls over the roar of the crowd and the storm, taking a few steps towards him. She needs to get his attention before getting closer, the last thing she wants to do right now is startle him.
“Stay away from me!” Steve yells, holding up his hands in an instinctive 'stay back' gesture. Yet more ice shoots out towards Robin as he does so. “I’m not safe!”
“I don't care! You're my brother!” Robin shouts back, but Steve doesn't seem to hear her. He's looking down at his hands in horror, then at the waist-high line of ice between the two of them.
Robin somehow knows what he's going to do the moment before he does it.
“Steve!” Robin screams, breaking into a run. Steve's faster than her, always has been, so he makes it to the doors of the ballroom well before she can catch him. It also helps that people, even the guards posted at the doors, part to make room for him whenever he draws near. Seeing Steve push open the ballroom doors just enough to slip through them, Robin yells again, “Steve! Stop!”
“Princess Robin!” Someone crashes into Robin then, nearly sending the two of them flying. (Robin mentally thanks whatever God there may be that she wore pants and not a dress.) After regaining her footing, Robin looks at her assailant to find- oh, it's that guy. The Duke of one of their main trading partners, Tommy something. Haggard? Halfwit? Yeah, something like that.
“Princess Robin,” Tommy Hapless says, bending over with one hand on his knees and the other holding Robin's elbow as he catches his breath. God, Robin does not have time for this. “Princess, you can't- we need guidance. We need someone to... to lead us while the King is... indisposed.”
“I really don't have time for this,” Robin snaps, brushing his hand off her elbow. “Steve's my brother, I have to find him before he gets hurt!”
“I don't think... he's the one who'll be getting hurt,” Tommy Hanger-On says between gasps, quietly, but not so quiet Robin doesn't hear. She makes a point to stomp on his toes as she stalks off towards Eddie, who is doing his best to help people follow the evacuation advice. He looks faintly queasy, and very much like he would rather be literally anywhere else, but he's actually doing a pretty good job of guiding people where the guards want them.
Eddie doesn't notice her coming, so he jumps when Robin grabs him by the shoulder. She turns him around to face her, then grabs him by the other shoulder as well so she's looking him right in the eyes.
“I need to find Steve,” Robin says, not waiting for Eddie to finish whatever question he's opened his mouth to ask before continuing, “Can you take care of the kingdom until we get back?”
Eddie goes pale instantly. “What? I can't-”
“You're a prince, right? I know Forest-Upon-Hills is a pretty small kingdom, but how different can Hawkins really be?” Eddie doesn't look reassured, but Robin cares very little about that right now. She claps him on both shoulders in what she hopes is an encouraging gesture.
She grabs Eddie's hand and thrusts it up into the air, shouting, “Prince Eddie is in charge until I return!”
She then drops his hand before turning and running out into the night, ignoring the chaos behind her and the faint sounds of Eddie's confused protests.
Nothing matters to her now except for finding Steve.
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I was looking online as to why my foot would feel swollen when it’s not injured and was confused when the solutions that came up was that the best treatment would be rice….RICE. As in Rest, Ice, Compression and Elevation.
My dumbass was ready to treat my ankle like a phone. Smh
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ourstarscollided · 1 year
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Feel free to expand in the tags cause I’d love to know!
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mae-i-scribble · 4 months
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I've recently reread book 1 of the official english TGCF release in my efforts to slowly reread the entire series as to better break down what about it has had me in such a choke hold since discovering it almost 2 years ago. And in particular I want to focus on Hua Cheng bc I am one of those that does not particularly like how he is presented in the novel (please give him something significant other than xie lian. please i am not asking for much here just like something he does or has that is no in some way tied back to xie lian but I digress). However, I do also think that his character is misconstrued fairly often.
One thing I found of interest is in Xie Lian and Hua Cheng's second meeting, where we first meet San Lang. As they near the shrine, Hua Cheng is not the one who asks for a place to stay, in fact, he clearly says goodbye and is about to walk away when Xie Lian is the one who offers him a place to stay. Literally all Hua Cheng wanted was a brief moment, one little conversation, and that would have satisfied him. It's such a quiet thing but is the first instance of what will become a precedence; Xie Lian taking the first step in furthering their relationship. Hua Cheng never pushes, never demands, he leaves the choice in Xie Lian's hands- hell it's even in their first meeting, with Hua Cheng holding out his hand waiting to see if Xie Lian would accept it. Idk I don't have any big boy thoughts about it I just think its neat
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gomzdrawfr · 5 months
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thoughts
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wundrousarts · 1 year
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It’s officially 2023, meaning that Silverborn comes out this year!
I feel like the title is likely going to refer to something specific that we don’t know about yet, but here are some ways that silver has come up in the series and what it all might mean:
Nobility/The Rich + The Silver District
The description for Silverborn says that we'll "travel to places in Nevermoor that we've ever seen," and a lot of folks think that we'll be visiting the Silver District, which is where the rich reside. Some theories relating to this include:
— We could see Noelle again, which might be the character that we haven't seen in a while as teased by one of Jess's Instagram stories.
— Morrigan could come from nobility or a rich family. While she does come from some sort of wealth and privilege in Jackalfax due to Corvus's status as a politician, it doesn't really matter. Going with the Nevermoorian theory, perhaps Mog's mom comes from the Silver District. Additionally, Morrigan being from nobility could be another parallel with Lam.
— The [redacted] snippet could be a scene set somewhere in the Silver District. The redacted word was confirmed by Jess to be a surname, one that we haven't seen before. Perhaps it could be Mog's relatives on her Mom's side?
— Since the Silver District is where rich people live, it's likely a place where lots of Wundersmith monuments and etc. were commissioned. Morrigan might discover them and learn about some past Wundersmiths, and perhaps even run into a few Ghostly Hours on the way.
Another way that the "nobility" angle could come in, especially with it being something to be born into, could be Morrigan's status as a Wundersmith. Wundersmiths used to be put on a pedestal and even almost deified by the end of their time. Morrigan is born into this legacy and is starting to explore what it means.
The phrase about being "born with a silver spoon in your mouth" is one that's been thrown around since the title was announced, and refers to being born into a wealthy family. Perhaps it refers to Mog coming from a wealthy family, or perhaps it refers to her being born into the illustrious legacy of being a Wundersmith.
Additionally, while it's not something that people are born into (unless you count knacks, maybe?), the fact that Wunsoc folks have more privilege than other folks is definitely something we could see being explored more in this book and beyond.
Side note: Later in this post I discuss silver as it relates to inferiority. Perhaps if Morrigan goes to the Silver District and meets rich folk and/or Noelle, there'll be some sort of dynamic wherein Morrigan is just unintentionally superior to them in some way despite their wealth due to both her Wunsoc and Wundersmith status, and they are inferior because they lack these things.
Silver as it pertains to Witnesses
There are two moments where Witnesses have described a silver instance.
The first moment is this part in Wundersmith:
Jack looked at them a minute, frowning in concentration. ‘That loud one dressed as a clownfish would much rather be at home. Or somewhere else, anyway. There’s a … it’s like a thread, or something. Silver thread. Keeps trying to pull her right out the front door.”
The second moment is this part in Hollowpox:
Jupiter held the rabbit closer, examining every inch of fur, a frown deepening the crease between his eyebrows. “Her handprints are all over him. Cloudy silver smudges. Big hands, little hands. Hands a bit like yours. Twenty-odd years of them, layer upon layer.”
“Mog,” he said quietly. “I think, perhaps, this rabbit belonged to your mother.”
Silver relates to both a desire to be home or be elsewhere (the thread) along with the past and identity and ownership (the fingerprints). Here are some ideas for how this could apply to Silverborn and beyond:
— Morrigan is searching to learn more about herself, where she comes from, and where she belongs. She seeks to "return to her roots".
— She wants to properly "be at home," something she's been struggling with her whole life and is still trying to juggle with, even if it's not something she quite understands.
— We could learn more about Mog's Mom in this book, along with Mog's maternal family in general. See: the earlier thoughts about the [redacted] snippet.
— Squall is also someone longing to go home, because he wants to return to his beloved Nevermoor and the apprenticeship with Mog is a step towards that direction. I bet if a Witness looked at him, there'd be a silver thread pulling at him (towards Nevermoor?).
— When it comes to ownership, Morrigan is learning how to be a Wundersmith and take control of her powers and the history that come with them. As a teenager now, she's starting to figure out who she is and become her own person.
Silver as a key to Wunder
Morrigan's silver umbrella tip, given to her by Jupiter, is used to unlock the Hall of Shadows, which definitely seems wundrous, especially after we learn that Shadowmaking is a sub-art of Veil.
In Hollowpox, Jupiter gives her and Jack a silver key to unlock the frozen lake room so that they can ice skate. The room is as wacky and wundrous as the rest of the hotel. Morrigan makes a specific connection between the two things:
This wasn’t, after all, the first time that Jupiter had given her a slightly odd gift. It wasn’t the first time he had given her a key.
A memory came to her of a strange locked door on a quiet floor of the Hotel Deucalion. The tip of her oilskin umbrella—a birthday present from Jupiter—turning in the lock with a satisfying click. An enchanted lantern-lit room full of shadow-monsters within.
I just think it's interesting that twice now we've had something silver be a key to unlocking something Wundrous. I think we will probably see this continue.
Another line in the Silverborn description says "we'll meet people from Morrigan's past who will be very important in untangling the mystery of who she is." Perhaps whoever this is will be the key to unlocking Morrigan's past, whether it's related to Wundersmiths or her mother or both. "Key to unlock" and "important in untangling" feel like the same sentiment, just with different wording.
Silver as it relates to the Wintersea Republic
When Morrigan meets Maud, she sees this:
There was a double door made of dark wood, with an unusual set of silver handles that interlocked to form a large, ornate W.
Was she back at Wunsoc?
We quickly learn that the W stands for Wintersea and not Wundrous, but it's still interesting because it marks a clear distinction with the cool silver compared to the warm golden Wunsoc W.
The gold color related to Wunsoc comes from the golden color of Wunder, so perhaps the silver relates to the absence of Wunder in the Republic.
Some folks in the Discord brought up how silver has a connotation with second place and inferiority. Given how Squall helped create the Republic, this could make sense. It'll always be second place and less than his beloved Nevermoor, as it's just a temporary way for him to hold power until he returns. However, he's also the second most powerful person, as Maud is more powerful than him and even scares him.
I think that Maud and the Wintersea Republic are going to become more powerful and more important as we go into this second act of the story, and silver being associated with them is definitely something to keep in mind.
Silver + Secrets
Added 2/23/23
I'm currently rereading Nevermoor and have found some fun possible associations with keeping secrets and things being hidden that I wanted to share:
— Morrigan's umbrella unlocks the Hall of Shadows, which is in the renovated wing that she isn't supposed to be in
— Squall uses a silver scarf to hide his face on Hallowmas
— Expanding on the aforementioned silver Witnessing associations, being a Witness is essentially being able to see the secrets of people and things
Silver + Celestials
Added 7/22/23
Wrapped up my Wundersmith reread and found something fun.
— Jupiter receives a "note sealed with silver wax" from "the Celes-"
— This could mean that we might learn some more about Celestial Beings in Silverborn, or perhaps the term is related to them somehow
—— Could relate to a Celestial Being being born, someone born of a Celestial Being, or perhaps someone born under / during an important celestial event (cough cough Eventide)
—— Could also tie back to all the theories of Noelle's knack being related to, and even possibly stolen from, Celestials. Especially interesting since a lot of folks are hoping to see her again in the book.
— A side note: some of the emotions Mog describes in relation to Israfel's voice are reminiscent of some of the themes of family, longing, nostalgia, etc.
— Also: the Eventide phase on the Skyfaced Clock is referred to as “inky, star-strewn blackness”. If silver is related to Celestials and perhaps stars….. what if “Silverborn” is just another term for being born on Eventide?
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chobit92 · 1 year
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That moment when Wesker is beating on Alice and you notice his boxers sticking out. Hmmm…And yes I had to pause it and take a screenshot 😂
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