invisible scars (referenced previous talk here)
[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."
Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”
Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.
At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.
"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.
Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”
Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."
In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]
Credits for ID here and here
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it probably says something either sad or deeply unfortunate about me as a person, but I'm darkly amused to see some people react to the reveal of the ultimate permeability of souls in tlt as a triumphant thing -- the "you can't take 'loved' away!!!" side of it all -- when my first reaction was such an immediate wave of 'oh, oh so this is why this series is horror, I truly understand now' distress haha. ngl the final confirmation of the self not being inviolable in the deepest way freaks me the fuck out far more than any moment of body horror in the series has managed. (these two elements are of course the two sides of one thematic coin; it's about the horror of our bodies and minds and selves not being inviolable things, and about the effect of violence on them on so many different levels. violence psychological and interpersonal, physical, subtextually sexual, emotional, medical, political, a whole unlovely smörgåsbord of indignity and violation a person can be exposed to, and on a broader scale the spectrum of violence colonialism wields). The world and other people being capable of leaving indelible marks on us for good or ill through their presence in our lives is of course a pretty self-evident demonstrable truth in the real world, but somehow having it be proven metaphysically just uh. Fucks me up!
It also drives home to me just how perfectly Muir has captured the dilemma at the heart of human connection and intimacy: the fact that the thing that gives us life and meaning is also capable of harming us so deeply. the same thing that can be so beautiful — even in a bittersweet, violently transformative form like with the creation of Paul — when done mutually and consensually and compassionately, is the same process that means someone like John can touch someone else's soul and 'after he's put his fingers on something, you'll never find anyone else's fingerprints on it; too much noise'. I think the text itself — the whole series, because to me this is what it is ultimately about, this tension between individuation/self vs. love/connection/enmeshment — is far more ambivalent in its treatment of it than saying it’s inherently a good thing or inherently a bad thing. The only thing it says for sure is that it is always a thing, that thinking you’re ever getting away from it is the height of futility, and that through being alive (or even through being dead lol) it is something you have to engage with in some way no matter what. Contact with other people is deeply necessary — without it we sicken and die. it can be the most beautiful and meaningful thing in a human life, and the most unspeakably horrific. All of these people are searching for some way to be whole, whether in total self-contained sufficiency on their own or in melding with someone else as their ‘other half’, and stumbling around in the dark they reach for each other and score deep wounds into the thing they’re trying to touch even when they don’t mean to. Taken to horrific extremes with the form of lyctorhood John guided his disciples to when they were ‘children — playing in the reflections of stars in a pool of water, thinking it was space’, because while people hurt each other all the time with differing levels of intentionality behind it, what John did was deliberate. It weaponizes the misapprehension of what closeness must be and destroys everyone involved in the process… and all because it leaves John the one sun their ruined lives have left to orbit around, because that’s the closest thing his soul will allow to connection. He doesn’t understand that to truly touch something you have to truly let it touch you back, and then wonders why he’s never satisfied.
‘The horrors of love’ has been memed to death, I know, but… yeah. That is what it is, isn’t it.
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Not sure if this has been suggested before but what do you think about a DP x DC Cross where the JL discover Amity because the "It's Not Gay if he's Dead" joke escapes containment into mainstream? Also I love your blog! You're awesome.
aaaaa thank you sm hun! I really appreciate that :D I'm glad you enjoy my funky lil blog!
And now, I threw this idea at a fellow who is simply me with prompts but even more unhinged and they wrote a thing. I present to you, This:
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Escaping containment implies that the content got leaked somehow.
Maybe after so long with dealing with ghosts on their own, especially with ghosts that can control and use tech the people of Amity Park decide to self isolate. Phantom and Red Huntress are considered the only main heroes allowed in Amity, one out of pride and two out of concern of a ghost possessing an foreign hero.
There was a fight and the tech isolation software glitched or a satellite picks up something on accident, letting a small leak occur. Nothing major, just a small joke.
A blurry photo of a white haired teenager with a fancam like edit around him and the words "It's Not Gay if he's Dead."
Which on its own wouldn't have taken off very much on the internet, but someone pointed out that the teenager was wearing what was very obviously a hero outfit. Leading to people wondering just who exactly this hero is or was.
So they dig, and it turns out the “one” leak wasn't the only one to happen.
The internet finds out there's not just one meme. There's hundreds of them. All originating from a single midwestern city and mostly focused around one person, the white haired teenager that is referred to as Phantom in most memes.
Theres edits of a female musician with bright blue hair with text saying “that moment when a dead girl is your bisexual awakening” and “Its not a crush on a villian if shes not alive.”
There's even photos of these slime-like creatures. With dozens of different memes referring to them. Varying from calling them green pigeons, to talking about tossing them like a sports ball.
Theres even a photo of Dash and most of the football team are wearing group shirts that all say “It's Not Gay if he's Dead” with Phantoms logo on it, half as a joke and half because some of them would definitely date Phantom if they could.
It's not even the Justice League that finds the jokes first, it's the younger generation of heroes.
(It's how Tim asks Kon for a date. He sends a meme with Danny getting flunged in the worlds most tumbling superhero pose with the below text "It's not gay if he's dead." Tim immediately sends another text "But it is gay if he's an alien, 10pm picnic date?")
The different memes get passed around, none of them taking them that seriously, until it gets to Batman. One of the memes is sent in the bat group chat by one of the Bat kids to ask Jason about getting group Batburger later. “If your hero’s dead its not gay, it’s just hero worship, even if you want to meet him behind the Nasty Burger.”
It's the hyper specific wording that gets Batman to look into it. He only finds the memes, nothing else. No town called Amity Park, no hero called Phantom, no trace outside of a reference to a defunct and wiped completely clean government branch and references to a nonexist law.
This leads him to contact the Justice League, including the JL Dark, for a meeting.
Surprisingly quite a few members recognize the teen outside of the memes. Flash, Captain Marvel, Wonder Woman, Martian Manhunter, Aquaman, and some of the JLD. The Flash refuses to say anything due to timeline continuum dangers. Wonder Woman, Aquaman, and Martian Manhunter mention someone like him appearing in ancient texts, but nothing beyond that. The JLD that know are physically and contractually unable to say much beyond Phantom being a hero and very important.
It’s Captain Marvel that genuinely knows anything about him. “That's Danny, he's pretty cool. He's even helped me out a few times!”
The rest of the JL are surprised, Marvel gets more questions and answers some of them. He doesn't share the knowledge that he's helped Billy at handling the whole secret child hero thing, and that he's welcome in Amity. Just enough information to make the League stop looking into Phantom, Ember, Cujo, all of Amity.
It works, mostly.
Batman has never been one to let sleeping dogs lie…
-From Bones’ GhostWriter, S.
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