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#this is now on the tumblr university curriculum
heritageposts · 1 year
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how do i start to read marxist leninist/leftist stuff ? i searched on the internet but it’s super confusing lol
the most important value for me as an ML is anti-imperialism, so i guess i'll always recommend that people start with works centred on that
some suggestions below (all books should be available either on marxist.org or as pdf/epub files on libgen)
American Holocaust by David E. Stannard
about the colonization of america. not explicitly marxist, but it's probably done more to radicalize me than any other piece of writing. this is the pile of corpses capitalism is built on:
Within no more than a handful of generations following their first en counters with Europeans, the vast majority of the Western Hemisphere's native peoples had been exterminated. The pace and magnitude of their obliteration varied from place to place and from time to time, but for years now historical demographers have been uncovering, in region upon region, post-Columbian depopulation rates of between 90 and 98 percent with such regularity that an overall decline of 95 percent has become a working rule of thumb. What this means is that, on average, for every twenty natives alive at the moment of European contact-when the lands of the Americas teemed with numerous tens of millions of people-only one stood in their place when the bloodbath was over. To put this in a contemporary context, the ratio of native survivorship in the Americas following European contact was less than half of what the human survivorship ratio would be in the United States today if every single white person and every single black person died. The destruction of the Indians of the Americas was, far and away, the most massive act of genocide in the history of the world. That is why, as one historian aptly has said, far from the heroic and romantic heraldry that customarily is used to symbolize the European settlement of the Americas, the emblem most congruent with reality would be a pyramid of skulls. - David E. Stannard
2. Imperialism: The Highest Stage of Capitalism by Vladimir Lenin
Imperialism is capitalism at that stage of development at which the dominance of monopolies and finance capital is established; in which the export of capital has acquired pronounced importance; in which the division of the world among the international trusts has begun, in which the division of all territories of the globe among the biggest capitalist powers has been completed. - Vladimir Lenin
3. The Wretched of The Earth by Franz Fanon
Let us look at ourselves, if we can bear to, and see what is becoming of us. First, we must face that unexpected revelation, the strip-tease of our humanism. There you can see it, quite naked, and it’s not a pretty sight. It was nothing but an ideology of lies, a perfect justification for pillage; its honeyed words, its affectation of sensibility were only alibis for our aggressions. A fine sight they are too, the believers in non-violence, saying that they are neither executioners nor victims. Very well then; if you’re not victims when the government which you’ve voted for, when the army in which your younger brothers are serving without hesitation or remorse have undertaken race murder, you are, without a shadow of doubt, executioners. And if you chose to be victims and to risk being put in prison for a day or two, you are simply choosing to pull your irons out of the fire. But you will not be able to pull them out; they’ll have to stay there till the end. Try to understand this at any rate: if violence began this very evening and if exploitation and oppression had never existed on the earth, perhaps the slogans of non-violence might end the quarrel. But if the whole regime, even your non-violent ideas, are conditioned by a thousand-year-old oppression, your passivity serves only to place you in the ranks of the oppressors. - prefrace by Jean-Paul Sartre
4. Discourse on Colonialism by Aimé Césaire
Yes, it would be worthwhile to study clinically, in detail, the steps taken by Hitler and Hitlerism and to reveal to the very distinguished, very humanistic, very Christian bourgeois of the twentieth century that without his being aware of it, he has a Hitler inside him, that Hitler inhabits him, that Hitler is his demon, that if he rails against him, he is being inconsistent and that, at bottom, what he cannot forgive Hitler for is not crime in itself, the crime against man, it is not the humiliation of man as such, it is the crime against the white man, the humiliation of the white man, and the fact that he applied to Europe colonialist procedures which until then had been reserved exclusively for the Arabs of Algeria, the coolies of India, and the blacks of Africa I have talked a good deal about Hitler. Because he deserves it: he makes it possible to see things on a large scale and to grasp the fact that capitalist society, at its present stage, is incapable of establishing a concept of the rights of all men, just as it has proved incapable of establishing a system of individual ethics. Whether one likes it or not, at the end of the blind alley that is Europe, I mean the Europe of Adenauer, Schuman, Bidault, and a few others, there is Hitler. At the end of capitalism, which is eager to outlive its day, there is Hitler. At the end of formal humanism and philosophicrenunciation, there is Hitler - Aimé Césaire
5. Blackshirts and Reds: Rational Fascism and the Overthrow of Communism by Michael Parenti
probably the most accessible introduction to communism that doesn't demonize countries that have undergone—or attempted to undergo—a transitation into socalism (like the ussr, cuba, etc.)
The very concept of "revolutionary violence" is somewhat falsely cast, since most of the violence comes from those who attempt to prevent reform, not from those struggling for reform. By focusing on the violent rebellions of the downtrodden, we overlook the much greater repressive force and violence utilized by the ruling oligarchs to maintain the status quo, including armed attacks against peaceful demonstrations, mass arrests, torture, destruction of opposition organizations, suppression of dissident publications, death squad assassinations, the extermination of whole villages, and the like. - Michael Parenti
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srbachchan · 1 year
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DAY 5532
Jalsa, Mumbai                Apr 9/10 ,  2023              Sun/Mon  12:19 AM
🪔 .. April 10 .. birthday greetings to Ef Dr. Sunir Kumar .. 🌿and the wishes to you from the Ef family 
a Sunday that worked with a vengeance .. to disrupt the norm , when it disrupts you .. a normal tendency .. but never suggested in practical .. practicals bring back memories of School, where the word or the expression was invariably referred to the practicals in the Science Labs .. mixing elements , playing around with gadgetry in the physics lab .. the College routine in continuation and the site one fine day when the last paper for the Graduate degree was over to find some of the classmates celebrating with the pure alcohol , kept in the Lab,  for experiments and getting extremely sick .. 😁 .. an act that taught a lesson very early towards the effects or rather the dis effects of the elixir ..
Yes there were a few other instances noticed, in School and in College , when this intoxicant played havoc due to its excess .. and then when in job in the City of Joy, the natural curriculum seemed to be in line with that phrase ‘social drinking’  ..
I shall not deny the consumption of it, but its reason or resolve in leaving for years and years now, I shall not deliberate .. it is a personal choice and demeanour .. yes I do not .. but why the announce of it .. 
as is the case with the cigarette .. in abundance in the years of free, and the sudden and immediate resolve to leave it .. and the way to leave is really quite simple .. chuck that glass of the intoxicant , while in the middle of it and crush the ‘ciggi’ on your lips at the same time and .. sayonara .. the very best way to be in riddance .. not some part time exigencies to stop the use .. its the removal of the cancer at once .. done at the rush of a stroke .. the more the dwindling , the greater the undesired habit of remaining ..
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.. and they ask me .. why the bare feet .. 
why ? 
why is it not asked why the shoe or covered feet  .. ?
protection I assume they would revert .. but bare .. 
I have it - closer to the Earth .. in its touch , in its feel .. Earth , the reason why this Universe exists .. for us at least .. in time it may be referred to in the past .. who knows .. 
there is something about the seat of the desk that surrounds itself with all that is needed, within hands reach .. there may be the desire to dump our fatigue and disappear .. but the moment the hour approaches the symbiosis awakens and lends its presence to the Universe .. 
 .. what shall be written to attract the Ef, is the issue .. but on seating itself, the words tumble out much like the antagonising locale for the next season .. if ever there is one ..
tumble out .. pun never intended , but filled up the mind and space .. quite obviously when the Tumblr., doth play games with most and the complaints be filed against it .. 
do not allow me the permitted privilege of opinion .. it ops out in various nefarious forms, to destroy and rewind the powers that stipulate conversation to be put on the mat with the heaviest , and allowed to breathe through the remaining openings of the body .. the ‘dashadwar’ .. the ‘dash’ .. the ten openings in the body .. 
when you look forward to the day year event happening .. it goes beyond the happening .. be in the silence of time and listen , it shall tell you when and how and where .. 
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Amitabh Bachchan
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duckprintspress · 4 months
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Meet Aether Beyond the Binary Contributor Scarlett Gale
We are sloooowly creeping up on being 2/3rds funded on the crowdfunding campaign for Aether Beyond the Binary, an anthology of 17 stories by queer authors starring non-binary main characters in aetherpunk settings! It’ll definitely be a relief when we hit that wonderful 100%. Don’t forget to share Aether Beyond the Binary with friends who you think might be interested in the project!
Head on over to our Kickstarter Campaign page NOW to learn waaaay more about this project, and read on to get to know Scarlett Gale, read an interview with her, and check out an excerpt from her contribution!
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About Scarlett Gale: Scarlett Gale is the author of His Secret Illuminations and His Sacred Incantations. Long ago, under another name, she was the co-author of Needles and Artifice (Cooperative Press; 2012), featuring a rollicking romantic steampunk adventure novella and associated knitting patterns, of which she also designed several. She writes and produces fringe theatre plays based on B-movies, such as Bodacious Barbarian Babes vs. The Indigo Empress and Showgirls of Beast Island. She is a co-producer of the Alison-Bechdel-approved Bechdel Test Burlesque, which in 2017 was included in the Women and Gender Studies curriculum at the University of Oregon. She lives in Seattle with her wife where she gardens, knits, reads, and drinks warm beverages. Unsurprisingly, she also has cats.
Links: Personal Website | Tumblr | Bluesky
This is Scarlett’s second time contributing to a Duck Prints Press anthology. A short story by her was also included in our debut anthology Add Magic to Taste. Learn more about Scarlett’s other published works.
An Interview with Scarlett Gale
What motivates you to create?
Spite and love in equal measure.
What are your goals as a creator?
To make the world a kinder, hornier place one story at a time.
Are you a pantser, a planner, or a planster? What’s your process look like?
I suppose Planster is the best description, though I think that makes me sound more like someone who has a lot of plants (she says, sitting next to a glass cabinet full of houseplants). For my longer works I usually start with a vibe and a general idea of the arc and write with no real outline until I’m about two-thirds through the story, at which point I will sit down and roughly bullet point the scenes I still want to write, arrange them into story order, and use that as a reference to finish the piece. Why when I’m two-thirds through? Because at that point I’ve had enough Shower Ideas that if I don’t document them somewhere, I risk forgetting to put them in, and my Shower Ideas are the most inspired parts of my writing!
What do you consider to be your strengths as a creator?
Wordcount. Good god, wordcount. I am the rare writer who can just sit down at a computer and bang out several hundred words in twenty minutes without second-guessing myself or worrying if the words are good enough. This makes me simultaneously the best and worst person to have in your writering group.
What do you consider to be your weaknesses as a creator?
Also wordcount. I think every story I’ve submitted to the Press has started out two thousand words above the limit, which means we have to do sooooo much editing. Goodbye, my beautiful words!
Do you like having background noise when you create? What do you listen to? Does it vary depending on the project, and if so, how?
Yes! It makes writing feel less lonely, since I do a lot of it only accompanied by my cats. I listen to music at a medium to low volume that either has no lyrics, or lyrics in a language I don’t speak so I don’t get distracted by the words. I actually bought the cheapest Pandora subscription specifically for writing music. My favorite stations are:
Lofi Chill
Bonobo*
Mikel & Gamechops 
Radio Asian Kung-Fu Generation (a recent addition)
*Fun story about the group Bonobo: The morning after our wedding, my whole family crowded into our tiny house to watch us open our wedding gifts. I had given my siblings control over distributing the drink tickets, which meant that after they handed them out to the guests, they used the remaining tickets to get SPECTACULARLY plastered, and were thus deeply hungover. My wife made loads of coffee while everyone grazed on the catering leftovers, and in the interest of creating a calming atmosphere, we put on a Bonobo album. Everyone liked the music, to the point that they repeatedly asked the name of the group, which meant my wife and I kept repeating, with increasing exasperation, “BONOBO!! LIKE THE MONKEY!!!!” It is my primary memory of that morning.
What are your favorite snacks and/or drinks to consume while creating?
Remember to eat? While I’m writing?? You think I’m sensible or something?! (I enjoy a cup of tea, either green, decaf black, or herbal, depending on the time of day.)
Tell us about your pet(s).
We currently have three cats: CeeCee, Matcha, and Gyoza. CeeCee (the Lady Catherine the Purr) is our most recent addition from March of 2023. She’s a fifteen year old scrungly tiny black goblin who knows exactly what she wants out of life: Food, sippies from the bathroom sink, belly rubs, and shoulder rides. If we are not providing any of these at the speed she would prefer, she screams at us. She’s PERFECT.
Matcha is an eight-pound calico brat with the sass of at least four cats crammed into her tiny body. Her favorite things in life are causing trouble and rubbing her face on my hands when I’m trying to write.
Gyoza is a sixteen pound gray tabby with the physical properties of a water balloon full of pudding. He loves to try to “play” with Matcha, which results in her screaming like she’s being murdered. His other favorite thing to do is play in the toilet and then come step on us with his wet toilet feet, because he’s the worst.
Please enjoy this festive photo of the three of them that I had to photoshop from three individual photos, since all of them hate each other.
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What’s the best advice you’ve ever received?
Always take the opportunity to use the restroom when it’s available to you. Solid life advice applicable to any situation, really!
What’s the worst advice you’ve ever received?
I had a Jimmy John’s delivery guy tell me I should lie to people and say my fire-engine-red hair was natural, does that count? (I stared him down blankly long enough that he spontaneously apologized.)
If you could give one piece of advice to a new creator who came to you for help, what would that advice be?
Just write it. You can fix the words once they’re on the page, but excessive planning and worrying and worldbuilding won’t help you if you don’t write the words. Just write it! Let it be bad! Fix it in post! Write the damn thing!!!
What’s one thing (style, genre, etc.) that you think you’ll never do, and why not?
Write the type of fantasy book that has a map in the front and a glossary of terms, only because I personally am not motivated to do that level of worldbuilding. I appreciate the people who want to do that, but I guarantee that as a reader I will skip the map and then probably the glossary in order to get to the STORY, which tells you where my priorities lie.
Scarlett’s Contribution to Aether Beyond The Binary
Title: N(ae)ghbours
Tags: attraction at first sight, bisexual, city mouse and country mouse, competence kink, didn’t know they were dating, f/nb, farmer, first kiss, genderfluid, getting together, humor, idiots to lovers, meet cute, misgendering (unintentional), omg they were neighbors, panic attacks (mentions of), present tense, self-esteem issues, third person limited pov
Excerpt:
“But you were going to tell me what you’re researching?”
Ah. Well. “This might be boring and hard to explain.”
Rin waves a fork at the breakfast spread between them. “You have at least five pancakes’ worth of time. Hit me.”
Dahlia takes a steadying sip of tea. She explains about greenhouses and other protected growing areas for delicate crops, and the advantages and disadvantages of using them on a large scale. She explains that her family has a small greenhouse for starts, but most of their land is open-air, which means they get the advantages that come with that, but also the issues—they’re at the mercy of the weather, insects, birds…
Or they would be if not for the aether tunnel.
“It’s like a hoop house,” Dahlia explains, pulling up a photo of a hoop house on her phone to show Rin. “Normally, you cover the frame with mesh, or clear bio-plastic if you’re trying to trap the heat and control the amount of water it gets, but…”
“That’d rip right off in a big storm, right? And how do you get in there when you need to do plant stuff?”
(don't forget to check out the campaign, now that you've read to the end!)
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Okay. K - Diari Del Klondike has got to be one of the goofiest, dumbest, most illogical series yet with only 2 episodes. Barbieri is all like: yeah I'm going to make these stories to be consistent with Rosa and fill up the parts that he didn't write. So you expect that he's going to think about continuity. Then this episode he introduced Glomgold in the Klondike. You serious? That's not only going against Rosa, that's going against BARKS! BARKS?! You don't contradict Barks, that's sin in the Duck comics world. Scrooge doesn't know who Glomgold is until when they meet in the first ever Barks story. Rosa went around this by making sure that Scrooge never learns Glomgold his name in LaToS Chapter 6 The terror of the transvaal. Gervasio went around this by just avoiding these characters to directly interact in the past. They don't meet aside from that one Rosa appearance, so he makes sure that they don't meet. Glomgold can take over Duckburg and fake his curriculum vitae all he wants, but he doesn't interact with Scrooge. Meanwhile Barbieri is all like:
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Does he just not know or does he not care? 'I will be building upon Rosa' is a pretty big claim. But that's obviously not the case here so, like, huh, what, why,, i am confusw.
Then look at the random new 'lore' he creates that only rivals the bullshit Kari Korhonen pulled in the McDuck Diaries(funnily enough also a diary. It seems Scrooge has a lot of those together with the secret one that Donald finds). Korhonen had literally every single character be ancestor or family member of present day character. It was weird, but I don't mind it too much compared to what Barbieri did.
Cause for some reason we need Blackheart Beagle to also show up in the Klondike with a new name?????? Huh?? Where did that come from? Why? That's the goofiest thing ever.
Then we need to give Scrooge this treasure that he actually holds very dear even though we have never seen it before.
Then we need to give Scrooge a dog sidekick that he just has had through his Klondike period.
Then we establish that he was actually best friends with Goldie all the time even though she drugged him, he kidnapped her, she stole from him, they beat the shit out of each other, and Rosa shows that their relationship is very rocky and terrible which is what made their love story so good. But no now they're bffs. Sure.
And I don't get the whole diary thing either? What point does it serve? It only makes everything more annoying to read because it gets broken up by HDL talking. Is it just to fill up pages? Idk
Then Scrooge's glasses why does he need those why why why why why
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You get the chance to write about the Klondike, arguably one of the most exciting things in the donald duck universe and you decide to write the lamest stories ever. It's not like Barbieri can't write cool shit.
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Some of his Wizards of Mickey chapters are the only wizards of mickey stories ever that are in the inducks top 10000. If you somehow manage to write good wizards of mickey stories you're a goddamn wizard (pun not intended).
So why is K so incredibly dull? I don't get it. I only have questions it's so weirddd
Why does it have references to life and times even though it directly contradicts it? You don't have to adhere to the Rosa Canon but then why do you say that you do? I don't get it.
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Why is Flintheart Glomgold just chilling with Soapy Slick? This feels like a fever dream. You were somehow allowed to do this, this is crazy, so why is the result so boring? How? How can Soapy slick and Flintheart Glomgold be boring? *insert Tumblr blabbering*
There's so much goofy stuff. Scrooge as hulpsinterklaas is canon.
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Only the Dutch will understand that this is a big deal.
Why would panini want a new series taking place in the past? Why did they ask Barbieri to write this? Or was it his own initiative? Even then, why would Bertani give the green light? The Klondike is a holy part of the duckverse. Or can people just do this if they want to? I can't imagine that. Rosa and Korhonen couldn't just write about Scrooge's past. They needed to have a reason (the reason usually being demand from the publisher). But if panini wanted it, then why don't they promote it? They have only placed these stories in issues where the cover could be something else.
A big new part of Scrooge's past is revealed!! That will sell well! How do we let the people know? BY MAKING THIS
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THE COVER OF COURSE! (tbf they probably wanted a last chance to use it before it fell in the public domain. A last time they show everyone lmao look we can use this and you can't)
It's just such a strange series. And all the random OC's that pop up as well, but those are the least weird thing.
Anyway what I said was mostly ranting because that's funny. If you want to see people actually discussing this weird thing then you should read the papersera thread (use Google translate if you don't speak Italian it works fine)
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itsgerges · 2 months
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Best regards
Why Is The Nuclear Fusion Theory Wrong?
(1)
Where's Planet Motion Energy?
Any moving body produces motion energy (1/2mv^2), but where's the planet motion energy? The planet can't store its motion energy inside its body because it would raise its temperature, and no planet temperature is raised by its motion- so- again (Where's The Planet Motion Energy?)
Logically, Planet motion energy must be stored in the space in waves form-
The space is similar to the sea of water and planet motion in space is similar to a fish swimming in water- the fish motion creates waves in water and the planet motion energy creates waves in the space- means- Planet motion energy is stored in the space in waves form. 
Let's see this picture accurately- we observe one swimming fish in the sea- the fish hits the sea water by its tail and pushes some water and by that the fish swims and moves- we conclude the water moves by a velocity Equal the fish velocity because of the reaction force- means- the fish swimming creates wave in the water and this wave moves by the fish motion velocity-  
Similar to that-
Mercury motion energy creates wave in the space- this wave velocity equals Mercury velocity (47.4 km/s) -means– while Mercury moves, its motion creates waves move by the velocity (47.4 km/s)- 
Shortly- All planets motions energies create waves in the space and these waves move by these planets velocities- The space waves are similar to the water waves, they move far from their sources and can be reflected-
The Conclusion
The planets motions energies are stored in waves in the space
And
I claim the gravitational waves are these space waves, they are produced by the planets motions energies and NOT by the Sun gravitational field 
(2)
Now we can answer our question (Why Is The Nuclear Fusion Theory Is Wrong?)
Where
the solar system is rich in the motion energy- the planets move and produce motions energies continuously and this energy is stored in the space – that tells – there's massive motion energy stored in the space- the logical idea tells this energy should be used to produce the sun rays- BUT – the scientists created very artificial reason for the sun rays production (the sun nuclear fusion theory)- the theory is wrong in principle because the theory left the stored motion energy without using in the space and created the artificial idea (which doesn't depend on any cycle or motion), while everything in the solar system depends on motions and cycles.
Thanks a lot – please read
Can The Gravitational Waves  Produce A Light Beam?
or
or
or
or
Gerges Francis Tawdrous +201022532292
Physics Department-  Physics & Mathematics  Faculty 
Peoples' Friendship university of Russia – Moscow   (2010-2013)
Curriculum Vitae                  https://www.academia.edu/s/b88b0ecb7c
E-mail                            [email protected], [email protected]
                                      [email protected]                   
ORCID                          https://orcid.org/0000-0002-1041-7147
Facebook                        https://www.facebook.com/gergis.tawadrous
VK                                 https://vk.com/id696655587
Tumblr                           https://www.tumblr.com/blog/itsgerges 
Researcherid                   https://publons.com/researcher/3510834/gerges-tawadrous/
Google                                https://scholar.google.com/citations?user=2Y4ZdTUAAAAJ&hl=en
Livejournal                     https://gerges2022.livejournal.com/profile
Pocket                                                                     https://getpocket.com/@646g8dZ0p3aX5Ad1bsTr4d9THjA5p6a5b2fX99zd54g221E4bs76eBdtf6aJw5d0?src=navbar
PUBLICATIONS
box                                 https://app.box.com/s/47fwd0gshir636xt0i3wpso8lvvl8vnv
Academia                       https://rudn.academia.edu/GergesTawadrous
List of publications         http://vixra.org/author/gerges_francis_tawdrous
Slideshare                            https://www.slideshare.net/Gergesfrancis
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autismserenity · 1 year
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Okay, here's a strange poll topic. But bear with me.
I went to a fucking AMAZING college. Mills College, in Oakland.
It was for marginalized genders. It had become majority queer, and majority students of color. 41% of its students were first-generation college students. A ton of students were resumers, finally able to finish their college degrees.
Going there meant you got something marginalized people almost never get: the sense of a history, a curriculum, a world built by and for people like you.
It had awesome interdisciplinary programs. You could learn anything, really, and figure out how it connected to your major somehow. Major in Biochem with a focus on environmental science, and gobble up all the Ethnic Studies classes you liked, then do a senior project on the impact of climate change in the global South. Do Data Science and take all the Book Arts classes, then, idk, create open source software that lets people print art books on 3D printed mini presses.
So OF COURRRRRSE the clueless Board of Trustees decided that it wasn't profitable enough. Not businesslike enough. Shut it down. And gave all its assets to global chain school Northeastern University.
But also: OF COUURRRRSSEEE we cannot leave it at that.
We have all the collective knowledge to rebuild it, as a low-residency university. Where you have a one-week in-person intensive each semester, (with remote options for accessibility), and the rest is online.
I'm working on rallying the alums and planning this out.
What I want to know, more than anything, is -- assuming this was a doable price and/or you got a scholarship --
This poll is not legally binding, obvs. I'm just super curious about how many people on Tumblr would hear, "hey this is basically a queer/trans school with some cool cis women," and jump at the chance.
Even if you skip the poll: if you think it would be nice for this to exist, please reblog.
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ira-407 · 7 months
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How to School Me Better: Universal Changes
This will be the first in a series of blog posts about me reflecting on my schooling experience. Each of them will be posted under the "school" tag on my tumblr.
I graduated college two years ago. I haven’t been back in school since then, though I do plan to return about a year from now. My overall school experience was, I’d say, pretty decent. I was certainly not without many personal struggles, whether it was academically or socially, though. Many of my teachers were great and really did the best with what they had. There were a few teachers I had who I didn’t think were good teachers and who failed to really reach me. Regardless, the public American education system is an absolute mess and I think it needs to be fundamentally reworked from the ground up. I don’t think I can find that many people, including current teachers, who would completely disagree with that sentiment. So what I am going to do here is brainstorm ways in which I think said system could be reworked, though more to the point, I am going to list ways in which I think specific subjects could have been taught to me in ways where they actually would have stuck and have been meaningful to me. Now that I am an adult, I have recognized that I definitely don’t have a dislike for learning-in fact, I think most people like learning in some form or fashion-but the way a lot of subjects were handled in the classes I took was in a way that was not very conducive to actual learning. It’s actually pretty wild, thinking back at it, how the people who design these curriculums thought that they were. I don’t mean the individual teachers I had here, for the most part at least. There was a large looming force over most of the courses I took, whether it was standardized testing or having to do grades in a specific way for the school. So these are more systemic suggestions than they are levied at any specific teachers I had, though certain teaching styles and philosophies worked better with me than others. 
Universal changes
More federal funding across the board
Smaller student-to-teacher ratio
The abolishment of homework
More recess/unstructured break time for all grade levels
No standardized testing
No self-contained special ed classes for *anyone*. Actually meaningfully include students with disabilities.
Shorter school days in general, though doing this without also shortening the work day for most jobs would not be optimal
Minimize traditional testing in general
Apply a strength-based approach to how mastery of the subjects are assessed
A lot of these are things already done at private schools and via homeschooling. Which is great! However, most families cannot afford these things. I don’t know that mine could’ve. Private schools and homeschooling are at best, band-aids on the current system we have, and at worst are shelters from the real world for parents who want to mold their children into their particular image of them. Tutoring also definitely helped me, but again, it’s a band-aid. Private schools also tend to have horrific things happen in them because they’re not beholden to the same rules as public schools, though they can also be great for that same reason. Regardless, those are not going to help the most people as opposed to more systemic changes. Other obligations can get in the way of homework if one is involved with extracurricular activities. Now yes, there’s the “school comes first, extracurriculars second” doctrine but I really don’t think it’s that simple.
Extracurriculars are supposed to enhance your learning in some way, and may even utilize skills you learn in classes. Why not leverage that more instead of expecting someone to not break under the pressure of having to juggle so many things at once? There seems to always be the underpinning argument of “this is how the real world works, Better Get Used To It” when it comes to this stuff. Yes, having to juggle obligations is part of adulthood. However, a lot of the time, even then, I feel like it doesn’t quite have to be that way. If this is what I needed to get used to, then why should I be excited to grow up at all? There’s also a point to be made about how a lot of what we even learn in school isn’t stuff we use in everyday life, though I think one way to fix that is to simply apply what we learn to real life more often. 
Strengths-based approach is a term often used in disability services, though I think in a lot of ways, it is applicable to learning as a whole. Some of the very best teachers I had used this approach. They were the ones who really valued growth and connection. The ones who didn’t simply feel like authority figures, the ones who didn’t care as much about the extrinsic value, but rather the ones who actually took time to meet students where they are, and make them recognize that they inherently have strengths that can be utilized effectively. They make the class feel legitimately connected, and the only people who may feel left out simply weren’t interested in the first place. I can tell the difference that makes for a classroom environment. A great example of this was a class I took two semesters in a row, which was for a storytelling ensemble known as Tellers.  One thing I really liked about Tellers was that everyone had their own thing they brought to the table. There wasn’t really a sense of, “oh, this guy is better than the other guy”. The director really has a way of making each performance feel special and becoming of the individual’s skillset. Does that mean nobody in tellers is better or worse than another or that all performances are equally good? No. What it does mean, is that there wasn’t a race to the top. There was simply being the best you. Bringing your best foot forward. Not creating a hierarchy or a sense of competition doesn’t mean nobody gets praised in a classroom. It means everyone’s unique talents and strengths are well recognized. What makes a teacher truly exceptional is the ability to fully realize that. 
Next, I want to go by individual subjects, since I had my own share of strengths and weaknesses in each of them. Generally speaking, I struggled the most with STEM subjects. I think some of this has to do with how my brain is wired. I’m definitely not a very logical point a-point b thinker. However, I also don’t at all think I am incapable of learning these things. Most, probably nearly all, of my former teachers and professors would likely agree that I was capable of learning what they taught me and I generally would absorb it pretty well. What I struggled with were the assignments themselves, and keeping up with the pace at which the content was taught. The most common ways most subjects were taught didn’t work for me. Some of what didn’t work about how these subjects were taught also affected how well I did in literature and humanities courses too, even though those were usually my stronger subjects. Since I don't want to put everything into one giant, long blog post, I am going to split these up into parts. Next time I will be discussing math, but for now, I would like to know what you think about what I have discussed so far, as well as your own personal experiences, should you feel comfortable sharing.
TL;DR: My schooling experience came with a myriad of challenges. Many of these were because of my disabilities as well as how the system is not properly designed for people like me, and is inherently flawed in general. There are many systemic changes that should be made that can improve the overall experience for everyone, students and teachers alike. There are also specific changes that could made which would benefit students like me.
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qqueenofhades · 1 year
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How hard would you say it is to do a major and then two minors, one of which is very highly related to my major (Theatre Arts with an emphasis in costume design as a major and Apparel Textiles & Merchandising as a minor) and the other being an unrelated side interest of mine (history)?
I'm a high school senior and I've already decided on college and everything but I'm holding back on sending off an application for the history minor just because I have no idea how much it would actually add to my courseload and I haven't been able to meet with people from the department like I have for the other two programs. I don't know how hard it would be to two minors, and I'd do just history as a minor if I hadn't chosen my college specifically based off of the fact that they offered the ATM minor. Is it something that I can wait until my sophomore year to decide after seeing how I handle just one minor and a major for my first year? I've been able to handle multiple AP classes each year throughout high school and that's my only point of comparison for what a higher than normal courseload would look like and I was able to handle that fine. What do you think or would you recommend?
Hmm. I'm very impressed with your initiative and your planning, but in my role as wise old academia grandmother of tumblr, I might caution you to wait a year and see how the workload goes with a major and a minor, rather than leaping immediately into a major/two minors (especially since a history minor will be work-intensive). Especially if you don't actually know the exact specifics of the courseload and/or haven't talked with people in the department yet.
I don't know when exactly your program would need you to declare a minor, but I would imagine that there's time to wait; after all, many students don't formally select a major until after their first year, and there's usually some amount of core courses/main curriculum to complete during that time anyway. Upper-level students do generally have more leeway to select their program of study, so it's not like you would totally miss out on the history minor if you didn't take it right away. If worse came to worse, you could at least take some history electives, even if you didn't do the formal minor, and have a chance to explore some other courses/opportunities.
Even if you've taken multiple AP courses in high school, the transition to college can be a lot, and you might also crash a little in your freshman year, especially if you're trying to do everything at once. So yes, I would recommend holding off on adding the history minor for now, just until you know how you feel. If you get through your first year and feel good and ready to add more work, you can go ahead and pursue it, but yeah. After all, there's nothing saying that you can't continue to study independently, have more time to meet history faculty/familiarize yourself with the university program, and otherwise be prepared to get started properly in year 2.
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plushiehamuko · 1 year
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"When you get this, you have to answer 5 things you like about yourself publicly!"
HELLO HELLO umm my friend @kazuichikazuichi tagged me for this game and as yall may have noticed by now i usually forget to respond to tag games and they get lost in the void of my notifs BUT THIS TIME I AM ACTUALLY PARTICIPATING so yay me
i like the kind of people i attract in my life, especially recently. i am not the type of person to be very popular or make friends easily and i never have been, but the people i do end up befriending are really good people, and it makes me think i'm doing something right. (looking at you friends i made here bc wtf i love you guys sm)
i like that i'm good at math!! i've always loved and been good at math - i took 10 different math classes in high school, and i pretty much exhausted the math curriculum while getting an A+ in all of those classes along the way. i love calculus and statistics so much (even tho i gripe about them all the time), and i'm grateful to have such a natural ability for them.
i'd like to think i am a pretty funny person - on my discord server with me and my close friends, half of the messages on the starboard are just my messages which obvs shows how hilarious and iconic i am. jajkjjfdjfdfd ok obvs i am exaggerating there but in all seriousness i like my sense of humor!!
i like how far i've come in accepting myself in the past couple of years. UHHHH SORRY IN ADVANCE THIS ONE MIGHT GET MORE SERIOUS THAN I AM INTENDING BUT. i'm new enough to tumblr that nobody here has really seen the way i used to be just a couple of years ago (and honestly thank god for that) - closeted to everyone including myself, insecure, and not good at standing up for myself. but i've come a long way, i've accepted my queerness in terms of both my lesbianism and my aroaceness, i've learned to establish boundaries and stand by them, and i've learned to be confident in the way i am. at the end of senior year i gave a speech about the progress i've made about my self acceptance at my graduation and that is one of my proudest moments :)
i like my own ambition. i've always been someone with big dreams and goals, and i've always been someone who works hard to achieve them. i am currently attending a university that's pretty prestigious for my major that i worked my ass off to get into, and i'm really proud of myself for achieving that, and i know i'm gonna continue to work hard to achieve the rest of my goals during and after college.
sorry this is so long waughgughgh i seriously don't know how to shut up so sorry if you read all this UMM ANYWAYS. i always feel awkward tagging people in these things but if you are reading this and need some positivity then consider yourself TAGGED and feel free to say i tagged you :)) <3
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imacowboy3 · 2 years
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Aces and Aros of tumblr (and anyone else who would like to help) I require assistance.
In my university we have a study group dedicated to human sexuality, now, I'm not a part of it but a friend of mine who's aroace went to their welcoming presentation some days ago and what she told me is very worrisome.
Apparently this STUDY GROUP dedicated to HUMAN SEXUALITY is spreading misinformations about Asexuality and aren't even acknowledging Aromanticism, they're giving the wrong definition of Asexuality, saying that is when people have little to no interest in sex (this same misinformation is in one of their banners and the friend I mentioned earlier send then an email trying to correct it and was ignored), when my friend saw this happen she got very bothered but didn't feel safe to correct them personally (and isn't that something in a group that supposedly accepts everyone) so she left and didn't go on the second day, she told me a friend of her went to a class about human sexuality (we're psychology students, this class is in our curriculum but none of us has had it yet cause I'm on my third year and she's on her second) and the teacher, who's the same teacher coordinating the study group was spreading the misinformation again during class, the friend who told her about it try to correct her and you know what this bitch said?
"Asexuality is still a controversy, many people disagree that it exists and we in this study group also think this" (in a mocking tone)
Asexuality stopped being considered a paraphilia in 2013, a psychology professor teaching a class about human sexuality should know that.
This is were I need help, I need you guys to please send me every document, research, biography, whatever it is that can help us prove that is a valid sexuality (also anything on Aromanticism cause they don't even mention it,they are still under the idea that romantic attraction and sexual attraction are the same thing), we will organize everything and send to then and if that doesn't work we will contact the rectory and the coordinator of the psychology course.
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whatevergreen · 1 year
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Torey Akers 23 March 2023:
"A school principal in Tallahassee, Florida, has been fired following parental complaints about a lesson on Michelangelo’s marble masterpiece David (1501-04), which was deemed “pornographic” by one aggrieved parent.
The now-former principal, Hope Carrasquilla, informed the Huffington Post that, due to a “series of miscommunications”, a customary letter informing parents of students at Tallahassee Classical School about this feature of the sixth-grade art history curriculum was not sent out, further contributing to parents’ outrage. One parent felt “point-blank upset”, Carrasquilla told HuffPost, and “felt her child should not be viewing” the iconic 16th-century exemplar of Renaissance sculpture, which depicts a figure from the Old Testament's Book of Samuel.
According to the Tallahassee Democrat, Tallahassee Classical School, a charter school in Florida's state capital, has now lost three principals since it opened in 2020. Carasquilla had worked there for less than a year. The school's “classical education curriculum model" is an increasingly popular pedagogical model in Florida that advocates a return to the foundational tenets of Western civilisation. The school is affiliated with Hillsdale College, a conservative Christian institution that has sought to “fight leftist academics” by expanding into charter school fundraising and implementation.
“Once in a while you get a parent who gets upset about Renaissance art,” Carrasquilla said.
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The move to oust Carrasquilla rides a cresting wave of conservative educational legislation in Florida and across the US. Florida governor Ron DeSantis, dubbed the “Education Governor” due to his efforts to transform the state’s school system, has targeted high school advanced placement studies in African American history as a form of “woke indoctrination”, signed a bill to ban transgender athletes from girl’s public school teams, banned more than 40% of math textbooks that publishers submit for review and passed the Parental Rights in Education Act, which prohibits any conversation about sexuality and gender in kindergarten and the first three grades of elementary school.
DeSantis also passed a bill that allows teachers to be armed at school and instituted the “Stop WOKE Act", aimed at preventing “discrimination in the workplace and public schools”. His targeting of tenure, affirmative action and diversity, equity and inclusion measures at the state's public universities reflects a nationwide Republican project to regulate and politicise education."
ffs.
These people are pathetic. Ignorant, barbaric, and highly dangerous.
And of course it's another thing the Simpson's predicted...
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We've all got to fight back against the return of this dangerous censorship everywhere, including on tumblr.
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sunfish-exotics · 1 year
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General rambles (both about reptiles & life & art)
Hey guys! I apologize for not being super active / responsive lately, I’ve been really busy getting prepped for brumating snakes / next season, moving lots of cages and animals around, and OH yeah this show this weekend lol
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Yeah! I’ll be there with western hognoses, leopard geckos, art, and a couple gently used AP cages. That’s pretty much it for the reptiles portion of today’s ramblings with sunfish so I’m gonna put the rest below a cut
In life news I’ve really been doing some serious thinking about what I want and how to achieve those goals. I was bouncing around the idea of going back to school (FOR ART!) Which is something I’ve never attempted at a higher-education level. Long story short I don’t think full time university would be a good option for me for both financial and time commitment reasons. I would have to do TWO full years of general art classes before I could even apply for a BFA program and that’s really just not realistic for me. Instead I’m going to be taking some enrichment classes at one of the local community colleges, some online courses, and developing my own curriculum to really COMMIT to being a full-time artist. I’d be able to keep a part time job during this in addition to my reptile stuff so finances wouldn’t be too bad and I could continue my house down-payment savings.
Some things to look forward from me if you’re into my artwork!
-> Starting a youtube channel to document my growth and experiences as someone not pursuing an art degree / trying to make self-driven schooling work, and share just generalized art content
->Creating an instagram account just for art (reels! posts! curated content!)
->Really working hard to bring new products to my Etsy, redbubble, etc
->Expanding into other online art marketplaces
-> MAYBE look into streaming? I’ve tried and I don’t think my existing internet / computer setup has enough POWER to handle really dedicated streaming but it may be something to look into investing in if there’s enough interest.
-> EVENTUALLY a patreon with a sticker of the month club, maybe enamel pin club, that kind of thing. I have PLANS!
I’m not going to like... spam my channel / instagram or anything on this tumblr. I’ll probably make an announcement when they’re up and running but after that just try to create something from scratch!
If any of yall are making it work as full time artists (or even part time artists!) I’d love to chat about your experiences and if you have any advice, please don’t hesitate to send me a dm! I’m really nice lmao I know I can come off as intimidating to people who don’t know me well ;-;
That’s all for now!
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duckprintspress · 9 months
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Announcing: The Contributors to Our Next Anthology, Aether Beyond the Binary
Duck Prints Press’s next anthology, slated for crowdfunding during the fall of 2023, is Aether Beyond the Binary. This innovative and unique collection includes 20 stories featuring characters outside the binary exploring modern-ish Earth aetherpunk settings where the technology is fueled by magical aether. Stories range from fluffy to dark (but we guarantee happy endings!), in settings where aether was just discovered and those where it’s been known about for centuries. 
What is aetherpunk? Imagine a world where there’s technology not unlike what we have in the modern world, except that instead of that technology operating using the principals that we, now, would call “science,” that technology operates using magic! That’s aetherpunk—the awesome union of technology and complex magical systems in magic-suffused worlds to produce unique settings that resemble modern-day Earth but are also very, very different. With aetherpunk stories, the impossible becomes possible, and new solutions to the world’s problems become available!
We’ve been hard at work on this anthology since February, and currently the stories are being edited to polish them up. 
For this collection, we recruited 20 authors – 9 who’ve written for Duck Prints Press before and 11 who haven’t. We’re thrilled to have some folks returning from our earliest anthology Add Magic to Taste, and we also have some work-with-the-Press-but-this-is-their-first-anthology contributors. It’s a really wonderful group of people, and getting to know them all has been a lovely part of working on this collection. And – the stories are g.r.e.a.t. You’re not gonna want to miss this one.
And now for the fun part…
MEET THE CONTRIBUTORS!
boneturtle
boneturtle (they/them) comes from the other side of the portal and is still looking for their home in this world. in the meantime they write softhearted villains and dangerous heroes making breakfast, saving the world, falling in love, and everything in between. boneturtle is not, contrary to previous assertions, an archelon. 
Links: Personal Website | Archive of Our Own | Tumblr
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Ellen Faye
Ellen has been a dreamer and designer of worlds all her life. She has been involved in many fandom environments over the years but most recently jumped with two feet into Supernatural, and never surfaced. She has shared many stories online (as Ellenofoz), but she’s grateful to be able to take the leap into published works with the Aether Beyond the Binary anthology. 
Ellen lives in Brisbane, Australia, and spends her days writing code. By night, she reads and writes stories, watches shows, and plays games involving magic, science, historical adventures or romance—sometimes all at the same time. She co-hosts a podcast about Supernatural fanfiction, but can also be found enjoying Star Wars, Marvel, Doctor Who and other assorted fandoms.
Links: Archive of Our Own | Twitter
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Scarlett Gale
Scarlett Gale is the author of His Secret Illuminations and His Sacred Incantations. Long ago, under another name, she was the co-author of Needles and Artifice (Cooperative Press; 2012), featuring a rollicking romantic steampunk adventure novella and associated knitting patterns, of which she also designed several. She writes and produces fringe theatre plays based on B-movies, such as Bodacious Barbarian Babes vs. The Indigo Empress and Showgirls of Beast Island. She is a co-producer of the Alison-Bechdel-approved Bechdel Test Burlesque, which in 2017 was included in the Women and Gender Studies curriculum at the University of Oregon. She lives in Seattle with her wife where she gardens, knits, reads, and drinks warm beverages. Unsurprisingly, she also has cats. 
Link: Personal Website | Tumblr | Twitter
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Rhosyn Goodfellow
Rhosyn Goodfellow is an author of queer romance and speculative fiction living with her spouse and two dogs in the Pacific Northwest, where she is sad to report that she has not yet mysteriously disappeared or encountered any cryptids. Her hobbies include spoiling the aforementioned dogs, drinking inadvisable amounts of coffee, and running unreasonably long distances very slowly. She’s secretly just a collection of loosely-related stories dressed up in a meat suit. 
Links: Personal Website | Instagram | Mastodon | Tumblr | Twitter
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Catherine E. Green
Catherine E. Green (pronouns: xe/xem/xyr or they/them/their) is an agender person, one who’s had an on-again, off-again love affair with writing. Xe began writing when xe was a wee thing, when xyr other major pastimes were playing xyr mother’s NES and roughhousing with the boys next door. It’s only in the past few years that they have begun writing consistently and publishing their writing, fanfiction and original writing alike, leading to their first published short story titled “Of Loops and Weaves.” 
Outside of writing, xe is a collector of books and sleep debt and an avid admirer of the cosmos. Playing video games, reading a variety of fiction genres (primarily fantasy, queer romance, and manga and graphic novels of all kinds), and working on wrangling their own personal data archiving projects occupy most of their free time. Xe has also started meeting up with a local fiber arts group and is excited to be crocheting xyr first scarf.
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Elior Haley
Elior has spent much of the past few years primarily writing for fanfic exchanges. Currently, he’s in the process of slowly working his way through university. When not writing or studying, he can be found binding books, drawing, ice skating, and—very occasionally—playing the violin. His story in Aether Beyond the Binary is his first published work.
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Zel Howland
Zel (they/she) is a writer and artist currently living in Los Angeles with their partner. When not writing, they spend their time painting, embroidering, analyzing literature and tv shows, and playing Dungeons & Dragons. They are the author of many a fanfiction, as well as the novel The Shadow of Ophelia Walker.
Links: Archive of Our Own | Tumblr
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ilgaksu
Full-time fandom cryptid, Furby enthusiast, and the human embodiment of that one gif of Elmo on fire, ilgaksu was born and raised in an undisclosed location, living in several others, and now currently residing in [REDACTED]. Their interests include collecting haunted toys, using their artistic practice as an excuse to forget to do their laundry, and playing with fictional men like Bratz dolls. They have not unclenched their jaw yet today, but they do remember to drink lots of water.
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Bettina Juszak
Originally from Germany, Bettina has (so far) spent time in the US, the UK, and Canada. She is particularly interested in exploring questions of music and language in imaginary worlds, aided by degrees in linguistics and literature. When not writing, she loses herself in hobbies such as archery, cross-stitch, attempting to learn yet another language, and complaining about the amount of space her book and notebook collection takes up. Her first published work appeared in the Upon a Twice Time anthology published by Air and Nothingness Press, and she is working on a second original novel – despite the first one not having seen the light of day yet.
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Nicola Kapron
Nicola Kapron has previously been published by Neo-opsis Science Fiction Magazine, Rebel Mountain Press, Soteira Press, All Worlds Wayfarer, Mannison Press, and more. Nicola lives in British Columbia with a hoard of books—mostly fantasy and horror—and an extremely fluffy cat.
Links: Personal Website
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Kelas Lloyd
Kelas is a disabled, trans, bi author and artist currently (unfortunately) living in Texas. They graduated from the University of Central Florida with an English degree and love cats, tea, and all things speculative fiction. A lot of their writing features magic or disability or both, and they’re often found in Star Trek, Mass Effect, Babylon 5, and Untamed spaces. You can also find them in a lot of bead and resin spaces, because they love making sparkly jewelry of all sorts. 
Previously published pieces include an article on disability in The Last Of Us, short stories in two publications by Shacklebound Books, a pair of poems about being trans, an essay on disabled life, and a whole bunch of pieces about San Diego Comic-con. They’re single, an Ernie looking for their Bert, but they have a found family that stretches around the globe and some of their birth family accepts them for who they are. 
You can find out more about them at kelaslloyd.com.
Links: Personal Website | Archive of Our Own | Twitter
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Lyonel Loy
Lifelong maladaptive daydreamer, finally working up the courage to write those daydreams down. Spends time cosplaying as a Responsible Adult With A Job.
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Mikki Madison
Mikki Madison has been writing stories since she was seven years old. While she is most prolific in fanfiction and has works scattered among more than a dozen fandoms, she has been making strides into original fiction. Her favorite genres to read are romance, fantasy, and cozy mysteries.
When she isn’t reading, writing, or falling headfirst into a new fandom, she can be found baking, doing puzzles, walking her foster dog, doting on her niblings, or playing Pokemon Go. She has also written under the name M.K. Mads.
Link: Tumblr
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Sebastian Marie
Sebastian Marie (he/him) is an engineering student with a lot of opinions about dragons, pirates, and sword fighting. Track him down on Ao3 or Tumblr and he’ll share these opinions gladly, just be prepared for music and some excited shouting. His original works often combine fantasy and dystopia into what he calls “queer fantasy hopepunk,” something that will be explored in his future novels. He loves to write conflicting traditional and non-traditional family dynamics, especially where they intersect with queer relationships. And if he can throw werewolves and brujas into the mix? So much the better. When not writing, frantically studying, or reading, he can be found singing loudly, sewing impractical coats, and going on long rambling walks while plotting stories (and occasionally falling into rivers). 
Also, he’s also the guitarist and one of the lyricists of folk punk band Here Be Dragons, who hope to have their debut EP out near the end of Fall, 2023. 
This is his third time writing for Duck Prints Press, having previously contributed to Aim For the Heart and She Wears the Midnight Crown. This brings his grand total of published works up to three! He’s looking forward to more, as soon as he gets some sleep. 
Links: Archive of Our Own | Tumblr
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Alec J. Marsh
Alec lives in the Pacific Northwest, where they write romantic adult fantasy and self-indulgent fanfiction. They make candles inspired by their favorite characters.
Links: Etsy | Instagram | Twitter
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Flore Picard
I’m a linguist and translator who lives in France and I have been itching to write since I learned how to. I started writing (fan)fiction more regularly when I was procrastinating on my PhD dissertation, and I haven’t looked back since. I’m also an artist who loves drawing both fanart and original art, and I have a passion for patterns and systems, for the beauty at the edge of chaos and the complexity of being human. I tend to write about queer and disabled characters finding themselves and each other and learning to take up space in the world.
Link: Instagram | Twitter
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S. J. Ralston
S. J. grew up in a distinctly weird, distinctly southern hometown, then hied out West for grad school before landing in Texas, where they currently work as a planetary scientist. They’ve been writing original works and fanfiction since they could hold a pencil semi-correctly, and continue to write both whenever possible (as well as still holding a pencil only semi-correctly). In their clearly copious spare time, S. J. enjoys hiking, tabletop RPGs, jigsaw puzzles, and enthusiastically crappy sci-fi. 
Link: Personal Website
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Em Rowntree
Em Rowntree’s first foray into the world of writing was with a story called The Magic Land that featured a unicorn and a flying carpet the size of a country, and they’ve been chasing that high ever since. They’ve been sharing their writing online for almost seven years, and have had poems and short stories published in anthologies. They live in the UK.
Links: Twitter
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Terra P. Waters
Terra is a scientist by day who lives in the Pacific Northwest with her family. She has been writing fiction as long as she can remember, and has always told her partner of 17 years that if she wasn’t a scientist, she would be an author. During grad school, she discovered fanfiction and immediately began writing her own. After many years and several fandoms (including Teen Wolf, Hawaii Five-0, and Stranger Things), she returned to writing original fiction. To date, she has self-published two novellas in a 90s-nostalgia polyamory comedy series and has drafted two YA/NA sci-fi novels. When not doing science or writing, you can find Terra indulging her yarn addiction and knitting. 
Links: Archive of Our Own | Tumblr | Twitter
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Cecil Wilde
Tea enjoyer, knitter, dead language enthusiast, self-warming cat bed and future eccentric lit professor Cecil Wilde has also written and published, in various forms and guises, nearly 3 million words to date. They do not plan to stop until Death intervenes, should it dare. 
Links: Instagram | Tumblr | Twitter
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Want to be sure you don't miss out on this awesome anthology when we formally launch our crowdfunding campaign? Make sure you keep an eye on our many social media accounts, subscribe to our newsletters, and follow our Kickstarter profile!
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paidtoreadbooks · 1 year
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Back and Better Than Ever
Hello! I’m Desmond and I’m a dungeon master/game master and a graduate student studying fan studies and specifically fan archives. I know I’m mostly shouting into the void right now, but if I’m not- hi, hello, how are you!
I’m currently DM-ing Strixhaven: A Curriculum of Chaos for a 6 person party that calls themselves The Loose Ends. I love recounting their chaotic endeavors, so that’s probably going to be a lot of what I write about. This version of Strixhaven University takes place in the Eberron campaign setting (shoutout to the unofficial god of D&D, Keith Baker) that I’ve been playing in with this group for the past 2.5 years now! 
The table’s adventures (first party was The Mistakes [Curse of Strahd and Rise of Tiamat] and the second was The Placeholders [homebrew adventure]) has changed a lot about that Eberron- chiefly that the Mourning was reversed and Cyre is in its second renaissance as it bounces back from certain death. I’ll talk about who these characters were/are and what my Eberron looks like now sometime in the future.
My studies are rooted in fan culture and fan archives- which includes AO3 chiefly, as well as communities on Tumblr! I’m in the throes of writing my thesis, so I might not touch on that as much, but idk!
I am someone who is shifting a focus back to Tumblr after the collapse of Twitter, but I’m certainly not new to this platform- I’ve been here for the past decade with varying levels of interaction- but I’m looking forward to taking the time to build this blog from scratch!
Anyways- if you’ve read this far, thanks for doing so! See y’all around!
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itsgerges · 6 months
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Best Greetings
Can The Sun Be Created After All Planets Creation?
The planets velocities analysis helps to answer
DATA
I have discovered a rule tells (v1v2=322) (my fifth equation)– let's prove it
322 = 47.4 km/s (Mercury velocities)  x 6.8 km/s  (Uranus velocities)                            
322 = 35 km/s  (Venus velocity) x 4.7 km/s (Pluto velocity) x 2                   
322 = 29.8 km/s (the Earth velocity) x 5.4 km/s (Neptune velocities) x 2   
322 = 24.1 km/s (Mars velocity) x 13.1 km/s (Jupiter velocity)                      
322 = (17.9 km/s)^2 (Ceres velocity) (Max error 2%)
DATA ANALYSIS
The previous data tells the planets velocities are defined by two features
(1st Feature)
The planets velocities are complementary one another –means - each planet velocity is complementary with another planet – means– The planets velocities are defined in pairs and not in single planets.  
(Notice, the inner planets orbital inclinations are defined by the rule (v1/v2), for example, Mercury orbital inclination 7 deg = Mercury velocity 47.4/ Uranus velocity 6.8- that proves the effect of the rule (v1v2=322) on the planet motion)
(2nd Feature)
Why the constant is 322 because
1160000 seconds = 322 hours – means- there's a light velocity = 1.16 million km /s and this light moves for one second passes 1160000 km but we see this distance as a period (1160000 seconds =322 hours)- and - the planets velocities are defined based on this velocity 1.16 million km /s (I prove this velocity existence in my paper) 
Discussion
Ceres velocity tells the idea - Ceres is used as the origin point - as a result the outer planets be complementary with the inner planets – for that the rule (v1v2=322) controls the planets velocities.
(a)
The planets velocities are created based on one design- Ceres velocity is used as the origin point for this design
(b)
No single planet can be added to the solar group – the planets should be added to the solar system in Pairs- and - the planets addition will change the origin point.
(c)
Can We Add A New Planet To The Solar System?
Let's try in following
I add a new planet after Pluto
I suppose the new planet orbital distance to be =7000 million km
This new planet velocity will be 4.3 km/s (We can define it by kepler law)
Now we need the complementary planet because of the rule (v1v2 =322)
(322 =4.3 x 75), means, the complementary planet velocity is 75 km/s   
Where can we find a planet its velocity 75 km/s? this planet must be in the distance between the Sun and Mercury –
This planet orbital distance should be 23.2 million km
(57.9/23.2) = (75/47.4)^2  where (57.9 million km = Mercury Orbital Distance)
Shortly –
It's hard to add any planet in the distance between Mercury and the Sun- means- we can't add any new planet to the solar system because of the Sun existence.
But- How Could The Found Planets Be Added To The Solar System?
The Sun is created after all planets creation and motion- means – after all planets be in their orbits the Sun is created- because - technically-  the Sun existence prevents to add any new planet to the solar system and also the Sun existence prevents any planet to change its orbit (For example- Mars original orbit was between Mercury and Venus and Mars had migrated to its current orbit before the Sun creation but Mars couldn't return to its original orbit because of the Sun existence )
Thanks a lot – please read
Physics Nobel Prize For Imaginary Ideas!
or
Gerges Francis Tawdrous +201022532292
Physics Department-Peoples' Friendship university of Russia–Moscow 
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grandhotelabyss · 3 months
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what would be the place of the university in an ideal society? and what would this ideal university look like, in your opinion?
The modern secular university was an artifact of the modern secular nation-state and will not survive the latter's obsolescence. It existed to train the newly adult citizenry in the responsibilities of their citizenship. Now that this citizenship has decomposed, variously, into transnational or subnational identity categories and castes, such that the husk of the modern secular nation-state can no longer even field an army in its own defense, the university has neither addressee nor reason for being. Many of the disciplines it brought under its aegis long pre-existed it and will find some other refuge after its demise—physics, philosophy, poetry—while many of the disciplines it brought into being may well die (unregretted) with it—sociology, psychology, anthropology.
In an ideal society, though I never expect to see one, all education should be rigorous but non-compulsory. If it's compulsory, then it can't be rigorous. The curriculum will be lowered to the level of the most belligerently uninterested person forced to be in the room. I don't criticize this hypothetical unruly student: a belligerent lack of interest is a reasonable response to being compelled. As Blake said, one law for the lion and ox is oppression. In such a free society, the university's purpose is the uncalculated, uncoerced diffusion of knowledge and beauty.
A university should, therefore, ideally be an open-ended, ever-ongoing series of lectures, demonstrations, and performances by adepts and lunatics, orderly and rigorous according to the inner logics of their arts or sciences, which anyone of any age may attend at will, either for a modest fee or by public subsidy. There will be time for questions and discussions after each lecture, demonstration, or performance, but there will be no required "coursework," "homework," etc., since this is mostly an artifice unrelated to the arts and sciences, existing only to prepare the ephebe for office drudgery and deadlines. Anyone who wants actually to enter one of the arts or sciences as practitioner—as adept or lunatic—will be apprenticed to members of the faculty and undergo a more private or small-group tutelage. The faculty will recruit for itself; there will be no administration, no bureaucracy. There will be no campus; the university will loosely occupy a city neighborhood, the way the University of Pittsburgh "campus" loosely occupies the neighborhood of Oakland, still my own beau ideal in these matters.
People who think the most important thing in the world is whether one is "left-wing" or "right-wing," also an artifact of the secular nation-state, accordingly think it matters enormously if the ideal university's funding source will be public or private. I don't think it matters. The important thing is for the funding source to be benignly indifferent to what it's funding—benignly indifferent because it understands what it's funding (i.e., the arts and sciences) to have an autonomous value that would only be degraded by the exercise of extrinsic influence. If anything, private funders, as long as we can convince them that in some ineffable way culture will eventually turn into money, might be more reliably indifferent than the state, whether nation-state or world-state, with the latter's interest in manufacturing loyal and docile citizens. My imagined adepts and lunatics can, of course, also market their wares if they want more money than the stipend their funders will grant; even an ideal society will still have a market, but then I, as an American, would say that.
As for the architecture of the ideal university, let's first consider the most contemptible passage in my otherwise beloved Virginia Woolf, for which I forgive her since she was after all a descendant of Evangelical activists: her proposal in Three Guineas, a 2014-Tumblr-style screed far inferior to A Room of One's Own, for the ideal university that it
must be built not of carved stone and stained glass, but of some cheap, easily combustible material which does not hoard dust and perpetrate traditions...
This is exactly wrong, almost unbelievably misguided from what was otherwise so fine a mind. She unwittingly here proposes extreme dehumanization in a typically patronizing gesture from the left-wing intelligentsia who can't imagine that the public or the poor might ever concern itself with magnificence. And wherever they burn traditions, they'll be burning people next. The mind can only soar from a solid foundation, and not only a solid but also a glorious one. The architecture, then, should be sublime, in any extant or nascent mode of sublimity. It doesn't have to be Gothic—in fact it shouldn't be, because that's mere nostalgia—but the point of making it Gothic in the first place was to appropriate for uses of the free mind what Ruskin, defying his own native Evangelical plain-style, had hailed as the Gothic style's savagery and abundance. In such new uses of sublime old forms, tradition renews itself, avoiding both childishness and senility in its juvenescence, or as it said above the Gothic gate in the Cathedral where I went to school: "for you the very stars of heaven are new." And this, too, this winding stair from the ancient to the hitherto unimaginable, is an ideal purpose for the university.
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