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#we just didn't see her in s5
wingedwolfgirl · 2 months
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Did The Scotsman have that many kids just so he'd increase his odds of Jack being part of the family?
Yes 😎
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dixons-sunshine · 9 days
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Holding On To You | Daryl Dixon x Fem!Reader
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Summary: Despite not being too keen on PDA, Daryl craved comfort too. He got that comfort by holding your hand in his. It wasn't always that simple, though. He had to work his way up to being comfortable with that. Luckily, you were a patient person.
Or, three different scenarios in where the archer shows progress in his comfort with you.
Genre: Fluff.
Era: Pre-prison (on the road); pre-Alexandria; Alexandria, pre Saviour arc.
Warnings: Swearing, migraines, mentions of injuries.
Word count: 2.1k
A/n: @louifaith, the muse you are, feeding our Daryl obsessed minds with your beautifully crafted scenarios. I wasn't feeling well today (a migraine and I was pretty dizzy) and didn't get much writing done, but this idea deserved to be written. There's a bit of Eugene slander in this but it's because I don't really like S5 Eugene. He's way better in the other seasons imo. Anyways, I hope you like this!
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The cruelty of life seemed endless. With the stability and safety of the farm being something of the past, having to scavenge for scraps and having to move from house to house every few days, and with the impending arrival of Lori's little baby, everyone's spirits were diminished. Everyone longed for the comfort the farm brought for those few weeks you had all been looking for Sophia, everyone wanted a decent meal to satiate their hunger and although Lori's unborn baby was a reminder that innocence still existed, it was also a cruel reminder that you all needed to find someplace to plant some roots, and fast—especially if you didn't want to attract the dead with the baby's loud crying.
You sighed softly as you quietly followed behind Daryl, yours and his boots making clear tracks in the deep snow. The archer, as observant as ever, noticed your shift in mood and turned his head, eyeing you carefully.
“Ya alrigh'?” he questioned, turning his attention back to the tracks in front of him. Your relationship was pretty new, only having been "officially" together since the two of you had shared a kiss back after the fall of the farm.
You nodded, although he couldn't see you. “I'm fine.”
Daryl hummed, unconvinced. “Yer not fine. I know ya better than tha'.”
Your lips twitched up into a smile, walking a little faster to walk next to him. Daryl slowed his pace slightly to allow you to walk next to him at a steady pace, eyeing you as you adjusted your compound bow over your shoulder—a gift he had gotten you when you had mentioned wanting to learn how to hunt.
“I'm fine, I promise. I'm just tired, that's all,” you replied reassuringly, walking almost shoulder to shoulder with your partner.
Daryl shot you a worried look, fully prepared to head back. “If yer tired, we can go back. This trail ain't leadin' us anywhere, anyway.”
“I don't mean tired in the literal sense,” you corrected. “I'm just tired of all this moving around. Not knowing what our next meals going to be, if we even eat at all, not knowing when our current camp's going to be overrun with walkers, not knowing when Lori's baby's going to be here... It's mentally exhausting. We all need a break.”
Daryl nudged his nose up in a nod. “Yeah,” he agreed. “We could do with a couple' of days where we ain't gotta worry.”
Before you could respond, there was a snap of a twig ahead of the two of you. Instinctively, you and Daryl raised your respective weapons in the direction of the noise, expecting to find a walker staggering towards you. However, instead of coming face to face with danger, you saw a small deer walking over to something in the distance.
Daryl raised his crossbow, aiming to take the shot. However, your hand on his arm halted his intentions. He shot you a questioning look, but you only hushed him and beckoned for him to follow you. The two of you slowly crept closer, the scene before you becoming clearer. The small deer made its way to what was presumably its mother, nuzzling against her legs.
You smiled softly at the sight. Despite the fall of the world, beauty still remained. Unbeknownst to you, Daryl was thinking the exact same thing at that moment, but he wasn't looking at the deer. He was gazing at you, taking in your radiant smile, the sparkle in your eyes, just everything about you. You truly were beautiful to the archer.
Hesitantly, Daryl brushed his hand against yours. Your smile widened but you made no move to grab his hand, not wanting to scare him off. You moved at his pace, and whether he held your hand at that moment was his decision.
In the end, the only thing he did was link his pinky with yours, and it was a perfect moment for you. In your mind, that was really good progress for a man who wasn't familiar with giving or receiving comfort. You'd wait as long as you needed to for Daryl to be comfortable around you. You'd never push him, never.
➳༻❀✿❀༺➳
The road seemed endless. You listened to the incessant yapping from one of your newest companions in your group of ragtag survivors, Eugene Porter, and had to resist the urge to tell him to shut up. Despite the euphoria and relief that came with reuniting with your group and having new members that could help you all, you were tired. Not just physically, but mentally, too. It was so much worse this time around than when you were initially on the road two years back. You were sporting a bruised cheek with deep cuts and scrapes littering the rest of your body, and you had a raging migraine.
And Eugene's droning wasn't helping matters at all.
As if sensing your deteriorating resolve at not biting the poor man's head of, Rick finally called for a break. “We rest here for now. We'll get moving again in an hour. Everything you want to do, do it now. Once we move again, we're not stopping until nightfall.”
Everyone soon dispersed, some heading to a nearby creek to refill the water supply, some starting a small fire to heat up some food and some even laying down on the hard ground to get some much needed sleep. You walked over to a tree and slid down against it, resting your head on your knees, willing the migraine away.
You soon heard a rustling next to you, before feeling a body sitting down next to you. You didn't even have to look up to know it was Daryl—the archer's presence was something you had grown used to and you could identify him anywhere.
“Hey,” he greeted you quietly, loosely hugging his knees. “Ya alrigh'?”
You hummed, lifting your head to look at him. “I'm fine,” you replied. “I just have a migraine.”
Daryl nodded, his face showing sympathy for you. “M'sorry we dun' have anythin' fer yer migraine. I know how bad they can get.”
You smiled and shook your head, placing your hand on the ground beside you, right between you and Daryl. “It's okay. It'll go away eventually. It's not that bad, as long as Eugene's quiet.”
Daryl chuckled, eyeing the aforementioned man who was sitting near the campfire. “Yeah, he's quite annoying, ain't he?”
“No, he's alright. He just needs to learn to be quiet from time to time.”
Daryl hummed and quieted down, simply basking in the early afternoon heat under the shade of the tree while the two of you observed the survivors going about their chores. However, Rick soon called for everyone to regroup, and you and Daryl got up to follow behind him.
You and Daryl walked at the back, giving you some semblance of privacy, and some semblance of relief from Eugene's rambling as he was at the front with Abraham and Rosita. Slowly and hesitantly, Daryl moved closer to you and brushed his hand against yours, before slowly interlacing his fingers through yours.
You smiled up at him, and he returned the smile with a small one of his own. It may not have been the first time that you've held hands with the archer, but it was the first time that you've done so with people around. Although Daryl slightly manoeuvred the two of you in a way that your locked hands wouldn't draw attention if people weren't directly looking at you, it was still a big deal for you. He was starting to show you off publicly. Although people back at the prison knew you as "the hunter's girl" because of an incident where a guy flirted with you and Daryl put him in his place, PDA wasn't something they ever saw from the man. He preferred to keep that part of your lives private—so this simple gesture was a big deal.
You squeezed his hand, a gesture you and Daryl had come up with to quietly tell the other "I love you". Daryl smiled softly and squeezed your hand back.
You truly loved this man, and he had shown countless times that he loved you, too.
➳༻❀✿❀༺➳
“You guys should come over again. This was nice,” Eric told you with a smile, him and Aaron walking out onto the porch with you and Daryl.
You smiled at him and nodded. “We will, especially if you're going to be serving that spaghetti you made again. It was delicious. Seriously, thank you. It's the best meal we've had in a while.”
“No thanks necessary,” Aaron replied, waving you off. “It was our pleasure.”
Daryl nodded, moving to shake Aaron's extended hand. “Thanks. This was a hell of a lot better than tha' party at Deanna's woulda been.”
Aaron nodded and withdrew his hand again, allowing Eric to take his place before moving over to give you a hug. You returned it before giving Eric a hug too, and then pulled back.
“We should get going. Once again, thanks for tonight.”
“Once again, it's our pleasure,” Eric laughed. “Goodnight, guys. We'll see you around.”
“Goodnight,” you greeted them.
“Nigh',” Daryl responded, turning to you and subconsciously extending his hand to you.
You smiled at him but didn't say anything, not wanting him to change his mind about it. You slipped your hand into his and walked with him down the porch steps and into the relatively quiet streets of Alexandria, music from Deanna's party playing very faintly in the background.
You and Daryl didn't instantly go home. You simply walked through the streets, familiarising yourselves with the community. Daryl never let go of your hand; he had even brought your hand up to his lips once to kiss your knuckles, and your heart swelled with love for the man.
The two of you had run into a couple of the people in the community who were returning to their homes after the party, and you had suspected that Daryl would pull his hand from yours, but he never did. His grip on your hand seemed to tighten slightly during your interactions with those people, seeking your comfort around people he didn't know. It made you feel special, important. It made you happy to know that the man you met back at the quarry trusted you enough to bring him comfort.
Later that night, when the two of you returned to the empty house and retreated into the sanctuary of your shared basement, snuggled up together under the covers was when you finally addressed what he had done. Daryl was laying with his head on your chest, absentmindedly tracing shapes and figures onto your hand.
“You held my hand today,” you told him, softly threading your fingers through his freshly washed, brown locks, the shower having been courtesy of your skillful convincing.
“Mhm,” Daryl hummed absentmindedly, nuzzling his face deeper into your chest.
“In front of people,” you said, eyeing his reaction carefully.
Daryl simply glanced up at you, his face not revealing anything. “Ya want me to stop doin' tha'?”
You shook your head. “No, I like it. It's just a little out of the ordinary for you, and it took me by surprise.”
Daryl was quiet for a few moments. “I always wanna hold yer hand when we're walkin' together. I jus' never had the courage to. Dun' want people to overreact when they see it. But, I dunno... I love ya and I'll be damned if I dun' hold my girl's hand 'cause of wha' people think.”
You giggled and kissed the top of Daryl's head. “So I can expect an increase in handholding?”
Daryl nodded. “Yeah.”
You smiled at him. “Good. That's exactly what I wanted to hear. I love you, Dar.”
Daryl placed a kiss to your chest, before laying his head back down. “Love ya more, sunshine.”
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confused-pyramid · 2 months
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You're the Only One Who Knows to Slow it Down | s5
pairing: aaron hotchner x childhood bsf!reader
summary: Hotch and his childhood best friend working together at the BAU: a slow burn across the seasons.
word count: 16.2k
warnings: canon!typical violence, mentions of abuse, major character death, gun violence, drinking, specific episodes mentioned in this part are 5x01, 5x02, 5x06, 5x09, 5x10, and 5x21
a/n: This season was really hard to write at points (I think we all know which eps I'm talking about lol) but I'm looking forward to brighter days ahead:') Also we get some more tangible tension so yay! Title is from Look After You by The Fray
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"We're not working a case," Derek states matter-of-factly when you arrive at the crime scene. You were woken up early the next morning after getting back from Canada, and on less than four hours of sleep, your brain is struggling to function.
"Why call us to a crime scene?" you ask, walking up to the front door of the house with the rest of the team.
He shrugs. "I was hoping you knew."
You look around, trying to find Aaron, but he's nowhere in sight. He had promised to put in the team request for a few days of leave, but you presume the call came in before he got a chance to do so.
The local police let you survey the scene, explaining that a Dr. Barton got a threatening letter that someone would be murdered everyday that he didn't give up his own son. Once you're done inspecting the body, you turn to JJ, lowering your voice. "Where's Hotch?"
"He's not answering his cell," she says, her lips thinning. "I assume it's on vibrate."
You nod. "I'll try him again."
You step away from the group and click his number in your speed dial, listening to the rings until it reaches his voicemail. It's unlike him to keep his phone on silent, but you know the previous night was tough on everyone. "Hey, it's me." You tell him the address you're heading to for the case, before turning towards the car and lowering your voice. "I know you're probably just asleep, but I don't know...I have that weird feeling again that you know I get...so please just call me back." You take a deep breath, hoping you're being overdramatic, and that you'll see him pull up in a few minutes. "See you soon."
When you get to Dr. Barton's house, he still hasn't called you back. You sit with the doctor, Prentiss, and Reid in his living room, going through his recent patient files, while Morgan, JJ, and Rossi head to the school to find his son.
"Something set this guy off," Emily explains as you start poring over the records. "Odds are it's in your files."
You manage to get through about a dozen before Dr. Barton stands up with a sigh. "My son is leaving school in five hours. There's no way we can get through all of these patients in time."
You check your phone again, mostly to see the time, but you also note that there aren't any new calls or messages. "He's right. We need more eyes on this. I can get Hotch and be back in a half hour."
"Keep us updated," Emily says, nodding at you. Concern flashes across her eyes for a millisecond, and you're sure it reflects the look in yours.
The drive to his apartment doesn't take long, and you stalk down the hall, all the way to the end, until you find his door. There's no answer the first time you knock, so you reach for the spare key he gave you, but before you can use it, you realize the door is already unlocked.
Your heart drops into your stomach and you pull your gun out, using it to push open the door carefully. "Aaron? Aaron, it's me."
When the door is ajar, the sight before you almost makes you drop your gun. There's a large bullet hole in the far wall, along with a patch of drying blood and bits of broken glass on the floor. His phone is on the ground as well, and his gun and holster are lying on his dining table.
You crouch down on your heels, trying to calm your breathing, as you take in your surroundings. You need to think logically about this, or you'll be no help at all.
A few things come to you as your mind clears.
His car is still outside.
No blood splatter around the bullet hole.
No drag marks.
You dig your hand around your back pocket and pull out your phone, dialing Garcia as fast as you can. "Overtime shift, Penelope speaking."
Her chipper voice usually calms you down, but right now you need to cut to the chase. "Garcia, it's me. Something's happened to Hotch. You need to get an APB out on him."
Her breath stutters. "What do you mean, something?"
"There's blood on the floor," you whisper, willing your voice not to crack as your throat thickens with tears. "There's also a bullet hole in the wall, probably a .44."
"I'll send the whole team," she says before you cut her off.
"No, don't call the team. They need to finish the case we were assigned. Just tell Emily, since she's expecting me back, but send every other agent in the vicinity."
"On it."
The line clicks off and you release your breath, before standing up again. While you wait for the crime scene techs, you poke around his things in the main area, trying to see if anything has been taken or moved. The only thing you notice before they arrive is that a page has been ripped from his address book.
"Agent L/N?" a voice calls from the doorway.
You lift your hand. "Yeah, in here."
They come inside and get to work immediately, so you step out, just in time for Garcia to call you back. "Y/N, I checked local hospitals for his name, and I didn't find anything at first, but then one of them told me something really strange."
"Garcia," you whisper through gritted teeth. You love her, but she needs to hurry up before you explode. "What was it?"
"Someone dropped off a John Doe at St. Sebastian hospital, and that someone's name was FBI Agent Derek Morgan."
Your vision turns black for a moment. He's back. Foyet's back.
You're rushing to your car before she has a chance to hang up.
***
He's still under anesthesia when you arrive at the hospital. He was stabbed nine times. That's what the nurse told you when you flashed your credentials and asked for any information she could give you.
Now, you're standing in his doorway, trying to build up the nerve to approach his sleeping form. Even with all of the bandages covering his arms and abdomen, he somehow looks peaceful. It's been so long since you've seen his brow unfurrowed, his forehead smooth, without the tension that invades his daily life.
After a few minutes, you take a step inside, then another, and suddenly you're right beside him, reaching out to clutch his hand over the bedsheet.
His skin is cold, and you wrap both hands around his to warm it up, if even by just a little. He's usually a furnace, generating his own heat even when it's freezing out, but whenever he gets hurt, his hands turn to ice.
After a minute, your phone buzzes in your pocket and you let him go to answer it. It's just Emily telling you that she's at the hospital with the rest of the team, and you walk out into the hall to talk to them.
Rossi is the first to reach you. He squeezes you into a hug before getting back to business. "You sure it was Foyet?"
"He had Morgan's credentials," you nod, rubbing a hand over the back of your neck. Derek glances at you then, and you press your lips together with a nod.
"Did they catch him on the security cam?"
"You could see him dropping Hotch off," you explain, trying to keep your voice steady, "but the camera's only on the entrance, so I have no idea what direction he went once he left the hospital."
Emily shakes her head. "It doesn't make sense for him to have brought Hotch to the E.R."
The nurse from earlier approaches you then, pulling your attention. "Agents, he's waking up."
You shuffle inside and take his hand again as everyone walks in.
His voice is soft when he opens his eyes. "Where am I?"
"In the hospital," Emily whispers, taking care to be mindful of her volume.
He shuts his eyes for a beat. "How did I get here?"
"Foyet drove you." Rossi doesn't frown often, but the lines of his face are clearer than ever. "Can you remember what happened?"
Hotch shakes his head, closing his eyes. "What did he take? The Reaper always takes something from his victims."
"There was an address page missing from your day planner," you whisper, finally finding your voice. "In the B's."
His eyes snap open and he tries to lift his head from the pillow, but he can only wince. "Where are my clothes?"
Emily hands him a plastic bag filled with his belongings, and he ruffles through them, until he finds his wallet. When he opens it, a photograph is stuffed inside, covered in blood spatter. Haley and Jack.
Your breath catches, and he seems to realize what it means at the same moment you do. "Haley's maiden name is Brooks. I always listed her in the B's in my personal information in case it fell into the wrong hands."
You squeeze his hand involuntarily, and he exhales sharply. "He knows where they live."
***
When the rest of the team rushes off to his old house, you stay with him at the hospital. You get a call soon from JJ that Haley and Jack are just fine, and you are finally able to breathe easy for the first time all day.
"They're okay," you tell him when you hang up the phone. "That was JJ. She said Haley was home and Jack's at a playdate, but Morgan is going to pick him up right now."
He nods slowly, his body relaxing into the bed. "Good. That's good."
"It is," you say, eyeing his movements. It's still enormously difficult to look at him like this, but you won't be able to move forward if you don't know the truth. "Aaron, what happened? What did he do?"
"I don't remember all of it," he says slowly, clearly taking his time with each word. There's no rush, and he knows it. Even if it takes him hours to get it all out, you'll still be here. "I remember him being there when I got home, after I dropped you off. He fired off a shot into the wall, and then I tried to tackle him, but..."
He trails off, and you squeeze his hand tighter, as though trying to tether him to the present moment. After a few shallow breaths, he continues. "I tried to tackle him, and I got him on the ground, but then he overpowered me." You can almost see it in your mind. The picture he's painting as he weaves over the details with startling clarity. "The first one hurt the most."
The first stab. Your eyes close for a beat, like you're trying to hide from his words. The first of nine.
"I don't remember much after that." You can tell he's leaving things out, but you also don't know if you'll be able to handle it if he does tell you everything.
"That's okay," you whisper as his eyes droop down. "You should rest."
He nods slowly as the exhaustion takes over and his grip loosens around your hand as he falls asleep.
You wait by his side for about a half hour, until you spot a familiar face (with a new haircut) dawdling in the hallway.
You stand up in a fervor. "Oh, thank god."
You rush over to Haley and pull her into a hug, which she returns just as forcefully. "JJ called us when she found you, but it's still really good to see your face."
"It's good to see you too," she says with an exhale before letting you go. You look down and see Jack standing next to her, his mouth downturned as his fingers twiddle at his sides. "Do you mind staying with him while I go talk to Aaron?"
You turn around and see that he's blinking his eyes open again. "Not at all." You take Jack's hand with a smile and lead him down the hall.
"I'm sorry if the big men scared you," you tell him once you find a few seats in the waiting area. "I know it was all very sudden."
To your surprise, his face breaks out into a big grin. "Uncle Derek let me turn on the siren!"
"Wow!" you smile, feeling warm laughter echo around your chest. "That sounds super fun."
He nods ecstatically, before leaning his head over to look back up the hall. "Can I see Daddy now?"
Your smile falls as fast as it appeared and you take his hand again, pressing his fingers between yours. "Soon, baby, soon."
***
He wakes up to the sound of faint talking. He can vaguely see you hugging someone, and he blinks a few times to clear his vision as you disappear down the hall.
"How do you feel?" Haley asks as she walks into his hospital room. She doesn't come further than the foot of the bed, but he's just glad to see her here, in one piece.
He clears his throat quietly. "I'm gonna be okay." She doesn't look convinced, but he doesn't want to focus on him right now. "Did they explain to you what's happening?"
She nods slowly, looking at him for another moment. "They said the Marshal's service is taking us straight from here and putting us into protective custody."
She looks upset, and it takes him back to the lowest moments of their relationship. "Haley, I'm sorry."
She looks down and the familiar urge to comfort her returns, even while lying in a hospital bed. "Do you know where they're gonna take us?"
"No, I don't." He tries to catch her eye but she won't look at him. "And that's the point. I can't know where you're going. If you have any contact with anyone, then he could track you."
She finally looks at him then, and her sadness is tinged with exasperation. "Jack has school. He has friends. I have a job now."
He doesn't know what else to say but: "I know. I'm sorry." He hopes he's conveying what he means, but it doesn't feel like enough. "We will catch him, and you'll come back, and I promise that I will spend the rest of my life making this up to you."
She nods minutely, and he takes the small comfort. "Are you sure that we're in danger?"
"Yes." There's little else he's been more sure of.
"And what about you?" she asks, her voice small. "Are you gonna be safe?"
He doesn't want to worry her, but he also doesn't want to lie. "He wants to see me suffer. Knowing that my son is out there and that I can't see him is better than killing me."
Her brow pinches and she pushes her short hair back from her forehead. "Jack wants to come in."
He tries to argue at first, not because he doesn't want to see him, but because it will only make it harder to let him go again, but eventually she convinces him to accede.
She leaves to go get him, and he leans back on the pillows, trying not to let himself sink inside.
~
Haley finds you in the waiting area, with Jack sitting on your lap, in the middle of a game of I Spy.
"Is he ready for him?" you whisper when you see her approach. She nods and you lift Jack off your lap and set him on his feet. "Off you go, buddy. Time to see Daddy."
"Yay!" he cheers before racing down the hall, you and Haley right behind him. She steers him into the correct room, and he jumps onto the bed before either of you can stop him.
There's a quiet chorus of 'be careful's before he grunts, "Don't worry. It's okay. The doctors made sure that I'm completely fine." He turns to the small boy with a smile you haven't seen in days. "Did Mommy tell you that you two are gonna take a trip?"
Jack nods once, moving his chin up and down dramatically. "Yeah."
"So I'm not gonna see you for a while."
Jack frowns. "Why?" The word sounds so small out of his mouth, and your heart cracks in your chest.
"Well, think about it like when Daddy goes away for work. Only this time you and Mommy get to go someplace."
Jack ponders this for a few seconds, before crawling up again and wrapping his arms around his dad's neck. "Are you okay?"
"I'm very proud of you." It's a father's answer. The kind of response that doesn't tell the truth, but hides the pain with love. "Every single day. I'll see you soon, okay?"
"Okay."
Haley says another goodbye and grabs Jack's hand before leading him out of the room. She gives you another hug, squeezing extra tight for the last second. "It's not his fault."
"Of course it isn't," you whisper, letting her pull back.
"No," she whispers, closing her eyes. "I mean, don't let him blame himself for this."
He's one of the most stoic people you know, but he can also be so transparent sometimes. "I won't. I'll be here."
"He needs you," she says with a sad smile. "He's always needed you, but he especially needs you now."
She doesn't let you respond before she's tugging Jack down the hall. You watch as she exits the side door of the wing, and only turn back when you can't see her anymore. She's one of your longest friends, and you won't be able to see her or her son for god knows how long.
When you step back into the room, you stand at the foot of his bed, trying to gauge what he needs from you, but then you see his expression. Tears prick the corners of his eyes and his mouth twists as you rush forward and grab his hand, squeezing it between yours with the grip of someone holding onto a life preserver.
"They'll be okay," you whisper, trying to keep your own tears back. "We'll get through this."
He nods, his eyes still shining. You move to sit in the chair beside him, but he tugs you back, pulling you closer. You understand the desperate look in his eyes, the need for connection and comfort from someone you care about that you've seen in yourself on so many occasions.
Slipping your shoes off, you tuck the sheet into his side and carefully climb onto the little hospital bed, taking care to avoid any of the wires and tubes. Once you're sure you're not pulling on anything, you curl up beside him and wrap yourself around his arm. His skin is warmer than it was earlier, and you take solace in the fact that he's going to be okay. Maybe not now, but he will be.
Your breaths synchronize with his and you listen to the beeping of the heart monitor as your own heart rate calms down. There's a feeling tugging at your spine, filling you up and threatening to spill over, but you shove it down, knowing it will be too much right now. You don't have the words to describe the emotions circulating through your brain, so you stick with what you know. "I love you." It's quiet, barely a whisper, but you know he can hear you. "Thank you for staying alive."
"You're welcome," he whispers back, his voice barely audible over the monitor. "I love you too."
***
You leave the hospital the next morning with a plan. He's still asleep when you wake up, so you get up carefully and thank the nurses one more time before heading out.
You make two stops on the way to his apartment, and this time, you use your spare key to unlock the front door. The crime scene crew cleaned the blood off the floor, and you told Rossi to get them to spackle the hole in the wall, for at least a temporary fix, but there's still an air about the place. It was just starting to feel like his home, and now it's soiled, once again.
You shut the door behind you and drop your bags to the ground, surveying the place one last time for any damage or mess you missed earlier. When everything seems fine, you get to work.
An hour later, you slump back against the wall and toss the packet of instructions to the ground. In front of you is a freshly installed security system, with a door proximity sensor and keypad for when he leaves the house in a hurry.
You can already hear the arguments coming, but you don't care anymore. You won't be able to sleep knowing he's in here, all alone, without anything to keep Foyet from coming back and finishing the job.
For someone who has as little of a technical background as you do, you're impressed with how quickly you were able to get the system running, and you test it a couple of times, turning it on and off and checking the doors, before you finally pull his door closed and lock it behind you.
***
The doctors don't release him until the end of the week, but once he's able to walk again, he calls you to get him from the hospital. By the time he signs his discharge papers and makes the phone call, you're already almost there, and as much as he hates putting you out on a weekend, he can't help the satisfaction that rumbles through him.
The drive to his apartment is mostly silent, with him just trying to stay still as you take the turns carefully, and drive five under the speed limit. When you arrive, you hold the bag of salves and ointments for him as you take his arm, helping him down the hall and to his front door.
He moves to grab his key, but you stop him with a forceful "Wait!"
"I can unlock my own door," he grumbles, but you just shake your head, taking the key from him and turning it slowly in the lock. The moment it swings open, a loud beeping fills the air, and you rush forward to type something into the keypad by his door. Wait...keypad? "When did tha-"
"Before you argue," you jump in, clearly anticipating his disgruntlement, "it's for me, okay."
He raises an eyebrow and you glare at him, but there's no effort behind it. "I mean, it's obviously for you, but still...it's for my peace of mind too."
You're rambling makes him crack a smile for the first time in days, and he nods slowly. "Okay."
Your mouth snaps shut and you look at him with a meek smile. "Okay."
You help him get settled on the couch, and he waits there as you scrounge up some food from the kitchen. He's not sure he has anything perishable, but you manage to put together a comforting bowl of pasta with jarred tomato sauce that makes him feel a little more at home.
As the evening turns to night, he catches himself glancing at his watch more often than not, and eventually you catch on too.
"Is it time?" you ask, your voice gentle.
After a breath, he nods, and you reach across the coffee table to grab his bag of supplies from the doctor. You lay the salve and extra gauze on the table, and wait for him to make the next move, a decision he accepts gratefully.
He's been injured before. He knows how painful it is to sanitize a wound, and especially one as deep and grotesque as his. He just needs a few moments to accept the fact that he's...scared.
"I can do it," he says once he's ready, before reaching for the salve. The simple motion makes him wince and you jump in right away, grabbing it for him and undoing the top.
"Let me," you whisper, your words somewhere between a statement and a question. "Please."
He can already feel his stitches pulling, just from the simple act of swiveling his body to face you, so he gives in with a quick nod.
He doesn't look at you as he undoes the buttons of his shirt. He's not embarrassed - you've never pitied him, even at his lowest moments - but he needs the semblance of privacy as he exposes his injuries to the open air.
The air feels cold as he pulls his undershirt over his head, and you get to work immediately, peeling back the old layer of gauze as slowly as you can. The sections directly over his wounds stick slightly, and he grits his teeth against the pain as you gently tug them free, making sure to avoid pulling his stitches.
"Do you want a break?" you ask once the gauze has been fully removed. He shakes his head, needing this to be over as soon as possible, but when he meets your eyes, he sees them welling up with tears.
He glances down at his bare torso, his eyes darting over the jagged scars ranging from his stomach to his collarbone. Your breath stutters as you take it in with him, and he looks at you. "He made sure we'd match."
He sees you rapidly blinking away the tears that rush forward, and he wants to comfort you somehow, but he doesn't know what to do. You help him lean back on the armrest, so you can apply the salve around each of his injuries, and as your fingers press into his skin, he can't help but be reminded of his childhood. The pressure of your hands as you wrapped him with bandages, the warmth of your breath when you leaned in to inspect your work.
It's usually a sad memory when he thinks back to his childhood, but with you, it was always good. He watches as you slowly tape the new layer of gauze around his abdomen, and even as tears slide down your cheeks, the way you look at him doesn't change.
"All done," you whisper after pressing on the final pieces of tape. "How do you feel?"
Anxious. Terrified. Lonely. Guilty. "Good. Thank you."
***
"Hey, it's Emily."
"What's up, Em?" you say, your phone pressed between your ear and shoulder as you hop around, trying to get your shoes on before work.
"How was your weekend?"
You pause. "Fine?" The question isn't out of the ordinary, you're just not sure why she called to ask you that when she's going to be seeing you in person in about twenty minutes. "How was yours?"
"Oh, you know." She sounds distracted, and you feel a smile pull at your lips as you realize she's avoiding something.
"Em...is there a reason you called? You know, given that we're both on our way to the same place."
She clears her throat, and you hear the indecision in her voice, even over the phone. "I know this is kind of a weird question, but would you mind if I picked up Hotch for work this morning. I left late last night, so JJ was able to brief me early, and I figured he could use a headstart."
You stop your movements, straightening up and lifting your hand to your cell. It's not at all what you were expecting her to say, but that's not all you're confused about. "Yeah, of course. You don't have to ask me first, though. We're all teammates."
She makes an little noise that you don't recognize. "Yeah...but you two are different."
You don't know what to say to that, so you just wait for her to keep going. Emily was never very good at uncomfortable silences, so after a few moments, she's back. "Anyway...I'll grab Hotch and see you in 30?"
You try to hide your grin, even though no one can see you. "Sounds like it."
"Bye."
The phone clicks off, and you tuck it back into your pocket, still smiling. You're already in a better mood than normal, because after 34 days of medical leave, Aaron comes back to work today.
You finish clasping your shoe and head out the door, more relaxed this time. With Emily picking up Aaron, you're not in a rush anymore. You take the drive at a leisurely pace, and when you arrive at the office, you run into Spencer by the front of the building.
"Wait up!" you call out, jogging over to him before he gets in the elevator. "Let me get that." You slide the strap of his book bag off his shoulder and sling it onto yours. He nods in thanks and tucks his crutch under his arm as he presses the button for your floor.
"I thought I'd be used to the crutches by now, but I keep tripping over everything." You scrunch your brow with amusement as he frowns down at his leg. "The doctors say it's healing well, though."
The elevator doors open and you step in front of him to get the door across the hall. "Does it hurt?"
He shrugs. "It really only hurts when I think about it, which is pretty much all the time."
The statement isn't exactly comical, but his deadpan tone makes you snort as you hold the door, and he smiles as he passes by you. You follow him to Garcia's lair, and she perks up upon seeing the both of you.
"My babies," she grins, pulling out a chair for Spencer. "Sit, sit."
You let out a laugh as you place his bag on the floor next to him. "I'm older than you."
"Who's counting?" she throws back, typing something furiously into her computer. She turns around a moment later, just in time to swat Spencer's hand away from the tin of cookies sitting on her table. "No, no, no."
"What?" he complains, gaping at her.
She swats him again, before pulling the tin away from him. "Get away, you. These are for Hotch."
"Butterscotch?" you ask, glancing down at the box. His preference for butterscotch cookies was something you used to tease him about when you were kids. Butterscotch Hotch.
Penelope nods and lifts the edge of the lid, implicitly offering you a cookie. When you take one, Spencer throws his hands up into the air. "Why does she get one? I get shot in the leg and I still don't get any cookies."
You laugh and break off half of your cookie, which he takes from you the moment it's in your palm. He stuffs the entire thing into his mouth, not bothering to swallow it before he pipes up again. "You know he's gonna hate the attention."
"It's cookies," Garcia pouts, "not cake."
Spencer shrugs. "He's probably gonna pretend like nothing happened, anyway."
"Well, it doesn't mean we have to."
You don't know how to weigh in to this discussion, mostly because you know more about how he's feeling than they do, but also because the idea of speculating on his recovery without him here feels like a betrayal.
"What do you think?"
You look up and realize that Spencer was directing this question to you. Swallowing down the last bit of your cookie, you cough once to clear your throat. "I think he's been through a lot, but sometimes coming back to work is the best way to take your mind off of things. Foyet was in his home. I don't think staring at the same walls that used to have bullet holes in them is exactly healthy either."
Spencer and Penelope both stare at you for a moment, before nodding and looking down. They remind you of two children who have just been reprimanded, and you smile to soften the sentiment. "I love you guys for caring about this, but we just have to trust that he's okay."
"Yeah," Penelope nods, reaching forward to squeeze your hand. "Are you okay? This can't have been easy for you, either."
"I'm fine," you say too quickly. "Nothing happened to me." It's not a lie, exactly. You weren't the one who was stabbed. Nine times. "I've just been keeping him company after work, and helping with some of his post-hospital care checklist."
"He's lucky to have you," Penelope says softly, to which Spencer nods.
"He was great too after I got shot," you add, feeling oddly defensive of your friendship. "He stayed with me for a long time when my dad was gone."
She smiles at you sadly, before holding the tin out for you. "Want another cookie?"
You let out a weak laugh as Spencer chuffs behind you, and you shake your head. "No thanks."
"Do you think he'll like them?" Her voice sounds earnest, and you nod, knowing what it's like to want so desperately to understand someone who's as closed off as he seems at times.
"Spence, Y/N, there you guys are."
You turn around to see JJ, her face lined with tension. "Are you ready for us?"
She nods. "Grab your go bag."
***
He's been erratic all day. When he snapped at Garcia earlier for missing the antipsychotics link, you wanted to throttle him, especially when you remembered the cookies she had waiting for him in her office.
The thought that maybe Spencer was right keeps flashing through your mind as you watch him get frustrated with everyone, including himself. When you all arrive at the Darrin Call's father's house, where he and a young boy he kidnapped are waiting, Aaron instructs Emily to speak with the lieutenant on scene to figure out what you're dealing with.
"The kid's in there," you hear him say, "We've got this. Tactical teams are covering the exits. Call needs a distraction. He's focused on the old man."
Emily glances back at the house as she ties her hair back. "For now. But we're gonna have to figure out the safest way to get that kid out."
"I've got a team in the back and one on the way. We're going to infiltrate."
"You do that and someone else dies."
The man just shrugs. "Either Call or a child murderer...flip a coin."
"It doesn't have to end like that." You can see how hard she's trying to make the lieutenant understand, but sometimes the locals just don't listen. "We get a confession out of Jarvis and he goes away, and Call gets his answers. No one else has to die."
There's movement behind you and you turn around at the last second as Aaron stalks past you and towards the house.
"Hotch," you call out, but he doesn't look back. "Aaron. Aaron!"
He's almost at the front door, and your feet start moving without you realizing it. You make it within a few feet of the front gate before two pairs of arms seize you from behind, halting your momentum.
"Let him go," Dave whispers as he and Derek release you. "We have to trust him."
"He's not thinking straight," you grit out, unable to tear your eyes away from the closed door as you step forward again. He wasn't wearing his vest, and you can't remember if you saw his gun in his holster. You close your eyes, wracking your brain. Think, goddamnit.
Derek grabs you again as you try to make a break for it, anticipating your movements before you even know what you're doing. "Rossi's right. We have to trust him. We can't help him if we rush inside now."
"We can't help him out here either!" Your voice sounds frenzied in your ears, but he doesn't loosen his grip, even as you try to shove him off of you.
"You know we're right." He looks at you sternly, and your resolve diminishes as reason starts to set in. "Going inside will only make it worse."
Emily comes up from behind you and takes your arm, leading you back to the street in front of the house. You back up, but you don't turn around, ready to rush in the moment anything changes.
"What's he doing?" she asks Derek, her voice quiet, like she doesn't want you to hear.
"Stalling," he says simply. "He's got nothing to lose."
Your breath catches and you lift your hand to your chest, clutching the top of your vest like it's a lifeline. You want to scream at them, scream that he has everything to lose. He has a son, and an ex-wife who loves him, and he has you.
"You got the shot?"
"Negative."
He suddenly appears in the front of the door, but you can tell he's angling his body to block the visual of the shot. What is he doing?
The door opens for a split second, and the little boy runs down the porch and into the arms of one of the SWAT members. It shuts as fast as it opened up, and you only manage to see his face for a moment before he disappears into the house again.
For a minute, there's only silence, until the air is pierced with the sound of three gunshots, one after the other. Your body visibly flinches and you throw yourself forward and over the gate, pulling out your gun at the last moment as you breach the front door.
When you storm into the living room, Aaron is putting cuffs on Darrin. The father is dead in his recliner at the center of the room.
"What happened?" Dave asks from behind you.
He purses his lips. "I couldn't stop him." It's then that he finally looks up at you, but all you can do is glare. You don't know if you've ever been angrier in your life, and definitely not at him.
His brow dips with a mix of confusion and remorse, but you just stuff your gun back in its holster, spin around, and stalk out of the house. The fresh air outside feels like a welcome respite from the emotions swirling around inside of you, and you turn your face to the sky as your brain fires off millions of questions at once.
When did he get so reckless?
Is this all because of Foyet? The need to feel like he's getting something done, with his family on lockdown?
He comes out of the house then, and you're practically shaking from the relief that he is okay, but the anger isn't fading. You can feel it flooding your veins with each breath you take.
He hands Call off and approaches you slowly, stopping in front of you with a look you don't recognize.
"This is the job," he says simply, his voice almost cold. "You know what you signed up for."
"I know what I signed up for?" Your face twists with disbelief and you look at him with contempt. "Fuck you, Hotch." His face drops slightly and it only feeds your fight. You know him better than anyone else in this world, and that also means you know exactly how far you can push him until he cracks.
"This is what we do." His voice is tight, and you see your anger reflected in his eyes. "You knew that when you joined the team."
Emily and Dave exit the house, and you can feel their eyes flickering over to you, but you can't bring yourself to care right now.
"No," you grit out, shaking your head. "You don't get to be angry with me. You don't get to say that to me."
He looks at you for a beat before his face falls and you see all the fight leave him. He sighs, his brow pinching. "You're right."
You can practically see the war going on inside his head. The battle between fear and action, where there are no winners.
You nod as you look down at the ground, and he reaches forward to take your hand. He squeezes it tightly, before lifting it to his chest. "Y/N." I love you, I'm sorry.
You nod. "I know." I'm sorry too.
***
You've been looking at the text JJ sent you for the better part of an hour. Something's going on. Strauss was in Hotch's office and it looked bad.
You're reminded of his suspension and the two long weeks you worked here without him, and you internally resolve that it won't be happening again if you have any say at all.
The next morning, you're one of the last people to arrive, and you walk into a conversation that Spencer is having with Emily at his desk.
"You're not gonna believe this," he says, turning to you and lifting his hands dramatically. "Some moron just posted a blog called 'What would Carl Sagan do?' and it's completely illogical."
"L/N, what did I miss?"
You spin around to see Derek strutting into the bullpen, his phone held up in his hand.
"What do you mean?" you ask with a frown.
He looks at you expectantly, and you start to feel like you're on the outside of something you should know. "All the emails from Hotch..."
You yank your phone from your pocket and refresh your email. "I don't have any new ones."
"Me neither," Reid chimes in from next to you.
Derek doesn't wait another moment before he's barreling past you and up the stairs to Aaron's office.
"What was that about?" Spencer asks, a confused look on his face.
"I don't know," you say honestly, "but I think we're gonna find out soon."
~
"You wanted to see me?"
He nods and you step into his office, shutting the door behind you. Ever since his private conversation with Derek this morning, you've been obnoxiously curious about what's been going on with the team, but you also know when not to overstep your boundaries.
"Take a seat." He beckons to the couch on the far wall, and he sits down across from you when you plop down. "We have to talk about something."
"If you say Strauss suspended you again-" He cuts you off with a lift of his hand. You look at him sheepishly and nod. "You were saying..."
"This is going to sound odd, but just hear me out." You're starting to get worried, but he doesn't look anxious, so that's a start. You nod, and he continues. "The bureau thinks that my ability to lead this team has been compromised. They've been questioning me since Foyet's attack, and they're not entirely wrong."
You want to refute this, but you've also been questioning some of his actions as of late. Nevertheless, that doesn't mean that you won't have his back if it comes down to it. "They can't fire you. The whole team will fight back if they even try."
He looks at you with something that resembles concern. Concern? "They won't fire me...because I'm stepping down."
"What?" you burst out, unable to help your volume. "What are you talking about?"
"I'm resigning as unit chief at the end of the week, but I'm not leaving this team."
You think you have an idea of where this is going, but his eyes are still tracking your movements, like they do when he's worried about how you'll react. You don't know how it could get much worse than this, but then you realize he hasn't told you who will be replacing him.
"I told Morgan to take my place until we catch Foyet."
There it is. You don't expect it to sting as much as it does. "Oh."
Your voice sounds small to your own ears, and you clear your throat to keep the emotion out. This isn't a personal decision, it's professional. If Strauss was telling you this now, it probably wouldn't faze you. So why does it hurt coming from him?
"Strauss wasn't happy with your decision to not take the New York position," he explains, his eyes finding yours. "You know I think you deserve more leadership roles. It was her that suggested Morgan for it, and I couldn't argue when she was already so unsure about letting me promote internally."
"I get it," you nod. Your tone a bit sharper than expected, even though you understand where the decision came from. Derek deserves this position too. "I do, I promise."
He raises his eyebrows with a check in, and after a moment, you finally nod. It's okay. We're good.
"I'll see you in the morning?"
You dip your chin. "Good night."
***
"I can't believe Hotch is stepping down."
Penelope, Emily, Spencer, and JJ are all unabashedly watching Derek as he briefs Strauss on the case he chose for today. You've been trying not to look, but every few minutes, something snags your attention.
"Morgan said it's business as usual," Emily adds, her brow furrowed as she watches them converse.
Penelope doesn't seem eased. "So we're just supposed to move forward without any discussion?"
Spencer shrugs. "After Foyet, I think we'd have to be ready for anything."
Derek finishes speaking with Strauss then, and you stand up as he asks Emily to call Rossi for the briefing. He looks official with his ironed button-down, and you can't help but wonder if he's trying to emulate Aaron.
You flash him a cheeky smile as he walks towards the conference room, but he just brushes past you. 
~
Derek steps into his new role effectively, and you even notice him provide extra feedback to everyone throughout the case. Hotch has a bit of a difficult time stepping down at first, but you know it comes from habit, not distrust.
When you're back at the office later that night, you look up to see that he is still in his office, furiously jotting something down, even though his responsibilities have been greatly diminished. You don't know why you expected the demotion to make him want to cut back a bit.
Derek is the only person still in the bullpen when you take a seat again. You finished up the last of your paperwork, so you start to pack up your stuff, but then your interaction from earlier crosses your mind again.
Latching your bag closed, you stand up and perch on the edge of Derek's desk. "Hey, boss, how's the responsibility feel?"
"Fine," he mutters, his tone snippier than you've ever heard it.
"A lot more paperwork than you were expecting, huh?"
He doesn't look at you, so you reach forward to tap the back of his hand. "Derek, come on, what's going on with you?"
You brace for him to snap at you again, but then he just sighs, setting his pen down. "You're not angry with me, right?"
"What?" You don't know where this is coming from, seeing as how he's been the one who's been avoiding you all day. "Why would I be mad at you?"
"Why?" he repeats, his face twisted with disbelief. "I basically stole this position out from under you."
You shake your head forcefully, putting your hand over his on the desk. "Not even close, hon. Anything on my end was bureau politics, but that's just one side of it. You deserve this just as much as I would have. You've even been at the BAU longer than I have."
He's silent for a moment, before he turns his hand under yours and clasps it gently. You give his hand a squeeze before bringing your other one up to his cheek. "You're doing a great job. You were an amazing leader out there today. Hotch picked you well."
Derek leans into your hand for a beat, before letting out another sigh. "Thanks."
"Seriously, Derek," you say with a smile. "This might have been one of his best professional decisions yet."
That makes him laugh, before shaking his head. "Nah, his best decision was bringing you to this team."
Your chest fills with warmth and you lean forward to pull him into a hug. His arms are strong as they wrap around you, and you settle into the hug, turning away from the office light upstairs and trying to ignore the fact that Aaron hasn't looked up from his desk since you started talking.
***
"Agent Hotchner, before you go, there's one final thing I'd like to share with you."
Karl Arnold, the Fox, has been taunting each of you throughout the whole day, and right when you finally thought you were done, he drew you right back in. You follow Hotch and Prentiss back into the interrogation room.
"So you think you found my admirer."
"No," Aaron says simply. "We found the killer."
Arnold grins. "With my help, of course."
"Your admirer is exactly like everyone who contacts you..." Emily sneers, "lost."
Arnold turns to her, and the look in his eyes makes your skin crawl. "My love, your guy is far from lost."
Hotch shakes his head, turning to the door. "We're done."
"So is he." All three of you spin back around, much to his amusement. "'Look at what I have done.' It's quite brilliant, you know?"
"We will find whoever sent you that."
"No, Agent Hotchner, I rather think he's already found you."
Aaron immediately starts flipping through the file on the table, shoving pictures and papers aside as he searches for something. Something about Arnold's tone sends your mind reeling and you grab the journal in front of you and start flipping through it as well.
"What's going on?" Emily asks, coming up behind you.
Arnold just laughs. "He's torturing him."
"Who?"
He ignores her. "It's great to see you squirm, Agent Hotchner."
You reach one of the bookmarked pages, and the symbol that greets you almost makes you drop the journal. "Aaron..."
His eyes snap to your hands as his skin turns white. "Foyet."
The three of you rush out of the interrogation room, accompanied by the disturbing sound of Arnold's laughter echoing behind you.
Just before the door shuts behind you, you hear his final words. "He knew you'd come."
***
The whole team spends days with only one goal in mind: find and capture Foyet. JJ works with you and Garcia to track prescription medications that he would be on given his self-inflicted injuries, and Spencer, Emily, and Aaron put together a geographic profile using the letters from the Fox and the proximity of nearby pharmacies. Derek's role as acting unit chief keeps him busy all on its own, but he manages to keep the team on track as he turns any new cases that come in to other teams.
When JJ returns from a local pharmacy with the discovery that many prescription meds have over-the-counter alternatives, the focus shifts. Garcia narrows down the list, and brings back a list of names that is way too long to feasibly question.
"153 names," you huff, leaning over her shoulder as she scrolls down the list.
Emily frowns. "Well, he's not gonna use his own name."
"What kind of aliases should we be looking for?"
You all consider this, before Derek chimes in. "He could have easily stolen someone's identity."
Hotch shuts that idea down immediately. "No, he's a narcissist in love with his own mythology. He'd use a name connected with the case."
"A victim, maybe," you guess, "or a cop?"
Garcia doesn't find anything on the initial search, but thankfully Spencer suggests another approach. "Guys, Foyet likes things to have meaning to him. The eye of providence, the addresses in blood he wrote on the bus that led us back to him. Maybe he's doing the same thing with the alias."
Emily frowns. "Like an anagram or something?"
Spencer walks over to the white board and writes out George Foyet, before fiddling around with the spellings of possible anagrams. You walk up behind him and follow his movements along the board. "You see something, Spence?"
He shakes his head. "Not yet."
"Spencer," you interrupt as the realization comes to you, "he named himself The Reaper."
He pauses for a beat, before switching over to scrawling out possible anagrams for The Reaper instead. After a moment, he's done. "Peter Rhea."
Penelope is already searching. "There's a Peter Rhea in Arlington."
Rossi nods, a satisfied look on his face. "We found him."
***
Garcia sends out the address of an apartment in his name, and you drive over with Hotch, who doesn't say a word the whole way over. You keep glancing at him, trying to be discreet, but the tension in his posture doesn't fade, even after the breakthrough.
The apartment ends up being empty, but when you all go inside, there's a laptop sitting on the center table. Emily dials Garcia the moment you realize that the files on it are being remotely deleted, and when she hacks in, she comes across a series of surveillance photos that make you gasp out loud. "Oh my god, isn't that-"
"That's the US Marshall protecting my family." His face looks frozen with stress as he dials Marshall Kassmeyer's number. When the call goes to voicemail, Aaron stalks out of the apartment and to the SUVs parked out front. He doesn't wait for you to get in, before he's already driving off.
"Where is he going?" Emily calls out as she exits the building behind you.
"Kassmeyer's house," you say, almost certain that you're correct. With the knowledge that his family is most likely in immediate danger, there is nothing anyone could do to stop him from trying to save them. "I'm gonna follow him."
"Here," Rossi says, tossing his car keys to you. You accept them gratefully and speed off down the road.
~
Kassmeyer is bleeding out when you get to his house. Aaron is already inside, trying to get him to explain what happened, and when he describes how Foyet taunted him and stabbed him, you resist the urge to take Aaron's hand.
"Sam," he says suddenly, leaning over him. "I need to understand. Does he know where Jack and Haley are?"
Your heart rate skyrockets as Kassmeyer mumbles another apology. If Foyet knows where they are, you don't know if any of you will be able to get there in time.
The paramedics rush in then, and they carry Sam out to the awaiting ambulance as he refuses sedation. Aaron runs out after them and throws himself into the back of the ambulance before you can catch up.
~
Without any new leads, there's nowhere for you to go, so you wait out front in your SUV as you wrack your brain for where Foyet would have told Haley and Jack to go. You don't know how long it takes until another agent calls you from the hospital with the news that Marshall Kassmeyer died in surgery.
The news hits you like a ton of bricks. One more body you can attribute to The Reaper. "Is Agent Hotchner there?"
The voice is tinny over the line. "He took one of the SUVs and left a few minutes ago."
"Where?" You can hear how frantic your voice sounds, but you don't care. "Where did he go?"
"I'm not sure," the agent says. "He sped away before anyone could ask."
You hang up the phone and turn the car on, before pulling onto the street and calling the team line. Garcia picks up on the first ring.
"Sam died in surgery," you explain as you turn at the end of the street. "Hotch is already gone, but I'm gonna go to the hospital now in case someone has more info."
"Okay, honey," she says, patching in the rest of the team. When they answer, she repeats your statement, before she gets cut off. "Guys, Hotch is calling Foyet."
"Patch us in," Derek instructs over the line, before going silent. You mute yourself as well, before turning back to the road.
"Agent Hotchner."
Foyet's voice makes you nauseous, and you can practically hear the grin behind his words.
"If you touch her..." Aaron doesn't even finish the threat, but you can feel the rage within it.
"Be gentle, like I was with you?"
Your eyes prick with tears as you remember the scars that are now a permanent fixture on his body. The matching scars. The idea of Haley ending up the same way, or Jack-
"What the hell took you so long?" Foyet complains, his tone playful. "I was beginning to think this phone was dead or something."
Aaron doesn't answer him, and the anger is almost palpable over the line.
"Why so quiet? You usually lash out when you're frustrated."
"I'm not frustrated," he finally responds. "You're more predictable than you think."
"Am I?"
He starts to recount the tale of Foyet's life, weaving in details that you didn't know from his childhood and the pain he was causing before he was even old enough to drive. You suppose this was what all of those late nights at the office were for. You hope they were worth it.
"That's the thing, George," he continues, his voice suddenly softer. It's like he's pleading with him. "This isn't a fairy tale. You don't have to write this story. Haven't you gotten what you wanted?"
There's silence for a few moments, and you can hear your heartbeat in your skull. Eventually Foyet comes back. "You know what I've been thinking? Haley looks pretty good with dark hair."
Your heart falls into your stomach. He has her. He already has her.
"She's lost some weight. Must be all the stress you caused her."
Just when you think that might be the worst of it, he continues. "Where's the little man? Oh. There he is. Does he like Captain America because of you?"
He has them both. You can barely see the road through the anger and fear that is coursing through your veins. Another phone rings and Foyet answers it, leaving his line with Hotch on as well. "Mrs. Hotchner. I'm here. Open the gate and I'll drive in."
You can't hear her reply, before Foyet returns to the call you're listening to. "Aaron? I really gotta go."
The call disconnects, and you can't breathe. Open the gate. The gate. What gate?
Think, think, goddamnit think.
The answer hits you like a truck. "His house. They're at his old house."
Emily whispers something that sounds like "shit" and you swerve across the lanes to make a u-turn. "I'm heading there now."
Assuming Aaron was already heading back after leaving the hospital, he would reach the house before any of you. You can only hope he'll be there in time.
Your knuckles have turned white from how hard you're gripping the steering wheel, and when Garcia patches you all in for another call from Foyet, the tears are already flowing down your cheeks.
"Aaron?"
It's Haley's voice. You gasp out loud from the relief that she's still alive.
"You're okay?" She sounds so scared, but at least she's alive. That's all you can focus on right now.
Aaron answers with a defeated sigh. "I'm fine."
"But...he said that..." The realization hits her, and she lets out a small sob. "Oh, Aaron."
"He can hear us, right?"
"Yes."
His voice is softer then, wet with tears. "I am so sorry. Haley, show him no weakness, no fear."
"I know." Of course she does. She was married to a profiler for years. She knows what all of this means, but she doesn't deserve any of it. "Sam told me all about him. Is he, uh..."
"No," he says gently. "Sam is fine."
Foyet's voice is like the hiss of a snake as it joins the call. "Aaron, Aaron, Aaron. Is that why your marriage broke up, because you're a liar?" His voice is too close to the phone. You want to scream for him to get away from her, but you're not supposed to be listening, and your car isn't moving fast enough.
"He's trying to scare you, Haley." His voice is trembling, and you can hear the tightness behind each of his words.
When Foyet mentions the deal, your stomach roils with nausea. You can picture the exact look on Aaron's face as he blames himself for this entire situation, even though it's happening to him, not because of him.
"Don't react."
Haley's voice is shaking too as she whispers, "What is he talking about?"
"Tell Jack I need him working the case."
"What?" She sounds confused, and that's when you remember the signal he told you about. The words that only Jack knows that are meant to keep him safe from situations exactly like this.
"Tell Jack I need him working the case," he repeats, his voice steadier. But all of it goes away the moment Haley hands her son the phone.
"Hi, Daddy."
"Hi, buddy." His voice cracks and you feel your heart crack with it. The tears are rushing down your cheeks now, and you wipe them out of your eyes with the back of your hand as you get closer to the house. But not close enough.
Aaron tells him to work the case again, and he gives Haley a hug before rushing out of the room.
"He's so cute. He's like a little junior G-Man." Foyet chuckles, before yelling out. "I'll be right up, Jackie boy!"
Aaron ignores him, and you feel his focus return. "Is he gone?"
"Yes." Haley's voice is strong, and you release a single sigh of relief as you press the gas pedal down as hard as you can.
Aaron's voice returns and you can hear the anguish as he speaks. "You're so strong, Haley. You're stronger than I ever was."
"You'll hurry, right?" The fear in her voice breaks your heart, and you want to assure her that you're all doing everything you can, but you're still a few streets away.
"I know you didn't sign on for this."
Neither did you.
She echoes your thoughts. "Neither did you."
His voice breaks into a sob. "I'm sorry for everything."
"Promise me that you will tell him how we met and how you used to make me laugh."
"Haley..."
"He needs to know that you weren't always so serious, Aaron." Her words sound so final, and you can't imagine what Foyet is pointing at her right now, but you can only hope that Aaron gets there before it's too late. "I want him to believe in love, because it is the most important thing. But you need to show him." She sounds almost resolute, and your body floods with hope for a split second. "Promise me."
His breathing is ragged as he whispers, "I promise."
Three gunshots ring out and the wheel jerks in your hand as a painful sob wrenches from your throat. No, no, no.
~
You race out of your car the moment you pull to a stop in front of the house. There's only one other SUV outside, and you don't give yourself a moment to think as you rush inside, lifting your gun at the last second.
The front foyer is empty, but then a jagged thumping fills the air and you dart around the corner to find Aaron beating Foyet to a pulp. You can tell from where you're standing that he's already dead, but that doesn't seem to matter to him.
"Aaron!" you yell, hoping to break his reverie. His hands are covered in blood as he pounds the man's face in, and he doesn't look up until you grab him from behind and yank his arms back. "Aaron, he's dead. He's dead."
He stops moving, and for one single second, everything is still. Then his body pitches forward and he breaks down as he sobs, his hands coming up like he's begging for the pain to go away.
You clutch him as tightly as you can, like if you hold him close enough, he won't fall apart. You can hear the voices of your teammates as they enter the house, but then his head lifts and he pulls himself up, dashing down the hall. You follow after him, rushing past Morgan and Rossi, and you realize where he's going in real time as he runs into his office and kneels down beside his desk.
Please, please, not him. Just not him. He opens the cabinet and you all share a gasp of relief as Jack's little face peeks out, his skin unmarred.
"I worked the case, Daddy. Just like you said."
Aaron reaches in and picks him up, before squeezing him tightly, his little face glancing around the room in confusion.
"You did a great job, buddy." He releases him after a few moments, before handing him off to JJ to go outside and away from the carnage littering the house. You press a kiss to his forehead before she lifts him up and walks out of the room.
Emily looks at you then, concern flashing in her eyes, but you just nod, and she follows JJ, pulling the door closed behind her.
You turn back around just in time to catch Aaron as he collapses to the floor. The weight sends you both to your knees, and he crushes you to him as you hold him as tightly as you can. His sobs mix in with your own, and you try not to let your body shake from the force of your crying, because you need to be strong for him.
He buries his face into your neck, his tears mixing with the blood on his face as it soaks your shirt and vest.
"I'm so sorry," you whisper into his hair. It doesn't feel like enough, but there's nothing else to say. "I'm so sorry."
~
Derek and Emily come back with the paramedics eventually to take him outside to check for injuries, and you're about to follow after them when something catches your eye. A pair of feet invade your periphery as you glance through a doorway down the hall. Oh god.
Your knees buckle and Derek catches you before you stumble forward into her room. You fall to your knees beside her, and you vaguely hear Emily whisper something behind you before there's just silence.
Her eyes are already closed, and if you really wanted to, you could try to pretend that she was just sleeping, but there's too much blood. You reach out to push her short hair back from her forehead, so that you can see her face one last time. One last time.
A sob rips out of you and you take her hand, pressing it to your lips. The scene is suddenly too much, and you close your eyes before letting out a shaky breath. You don't know what your life is going to look like without her presence. What Aaron's life with look like, or Jack's.
You squeeze her hand again before laying it on her stomach, and Emily comes forward then to help you up. Derek holds the door open as she leads you outside, and helps you tear your vest off the moment you hit the fresh afternoon air.
You bend over, hands on your knees, gulping back fresh air and trying not to throw up. Emily pats your back as you take in deep breaths, rubbing comforting circles that help to calm down your heart rate.
When you look up, you spot Aaron sitting on the edge of an ambulance. The medics are cleaning his cuts, and one of them is holding an ice pack to his head, when you walk over to survey the damage.
He doesn't look up when you approach, instead staring at his bloody hands with a look you can't discern. You can't imagine what he must be thinking right now, but if you know him at all, you know that sometimes you don't need to talk.
You reach down and take his hands, holding them in yours with a tight grip that forces him to look at you. Neither of you says anything, but it's okay, because there is nothing left to say. There will be soon, but not right now.
***
"We'll be back in a couple of hours," Jess tells you as she slings her purse over her shoulder.
You nod at her as you pick Jack off the ground and swing him up into your arms. "Take your time. We'll be hanging out here."
Aaron beckons for Jess to walk out in front of him before he dips his chin at you. "Thank you again."
"Of course," you smile, shaking your head. They're going to make the last arrangements for the funeral, and the absolute least you can do is watch Jack while they're away.
"Can we watch cartoons?" Jack asks the moment the front door shuts behind them.
"Soon, baby," you laugh lightly, before placing him on the ground and leading him to the kitchen. "We gotta make lunch first."
You throw together two peanut butter and jelly sandwiches and bring them to the breakfast table, where Jack is obediently scribbling away at his coloring book. "Here you go, Jack-o-lantern."
He takes a massive bite before you can sit down, but over the next ten minutes, he only manages to finish about half of the sandwich. "I'm done."
"You sure?" you ask, scrunching your face into a playful frown. "I think you got at least a couple more bites in you."
He shakes his head forcefully, before dropping the sandwich onto his plate. You know he doesn't usually eat much, but he hasn't eaten since breakfast hours ago. "Come on, hon, at least another big bite."
"No!" he yells, pushing the plate away from him. Before you can stop him, he jumps off of his chair and races out of the kitchen, towards his bedroom.
You hear the door slam shut behind him, and you heave out a sigh before clearing away both of your plates and wiping down the counter. You don't fault him for anything, you just can't believe he has to go through something like this.
He's so young. Younger than you were when you lost your mom. There's some comfort in the fact that he likely won't remember this pain when he's older, but then comes the nausea. The sickening reminder that one day he'll forget about her. Haley, his mother, your best friend's wife, your friend.
You slowly make your way to his room, knocking on the door twice before calling out his name. When he doesn't answer, you twist the knob and gently open the door. "Jack?"
He doesn't say anything as you cross the room and sit on the floor in front of him. He's fiddling around with a set of colorful wooden blocks, and he only looks at you once you pick one up yourself. The edges have been worn smooth from being tossed around, and you run your fingers against them as you wait for him to speak.
"Did Mommy want to leave?"
You can practically hear your heart crack in two as the block falls from your hand. Tears spring to your eyes, but you blink them back, not wanting to scare him.
"No, baby, no," you say quickly, reaching forward to rub your thumb over his cheek. "She loved you more than anything in this world."
He still doesn't look convinced, so you rest your palms on his cheeks, trying to get him to look at you. "If it was her choice, she would have never left you."
After a moment, his lips jut out into a pout, but he nods once. "Is Daddy gonna leave too?"
The tears rush forward again. You want to tell him that Aaron would never leave him, that he may be gone most nights until after Jack is asleep, and sometimes even before he's up for breakfast, but he would never leave. But you also know that Haley didn't want to either, but sometimes the job takes more than you're willing to give. "He's not going to leave you. Not if he can help it."
That seems to calm him down for the time being, so you take his hand and lead him back to the living room. Once he's situated on the couch, you switch on his cartoons for him, turning the volume down low.
He settles into the cushion next to you, his arm resting on your thigh as he focuses on the screen in front of him, while your eyes wander down to the small tv stand. They land on a framed photo of Haley and Jess together, smiling at the camera as the sun shines down on their faces, and you lift your hand to your mouth to stifle the tears that rush forward.
When your eyes pan over to the photo of you and her, with Aaron and Jess right behind you, the tears stream down your cheeks, and you wipe them away quickly, trying to be quiet so as not to call away Jack's attention. But the cartoons are too quiet, and when a small sob escapes, Jack looks up, his brow furrowing with a look reminiscent of his father. "Are you okay?"
"I'm okay, baby," you nod, forcing a smile onto your face as you look down at him and press a kiss to his temple. "I just loved your mom very much."
***
The ground is still wet from the rain. It squelches beneath your feet as Jess clutches onto your arm, letting you lead her across the cemetery for the service.
You walk behind the pallbearers as they bring Haley to the top of the open grass and set her down carefully with a reverence that brings tears to your eyes again. You don't know if your eyes have been dry at any moment today, but the tears haven't spilled over yet. It's only a matter of time.
Aaron is ahead of everyone, looking down at the small sheet of paper in his hands, with Jack by his side. The young boy looks so small in his suit, and his eyes dart around the procession with a mix of confusion and sadness that pierces your chest.
When Aaron is ready to begin, Jessica lets go and walks up to stand on his other side, tears streaming silently down her cheeks. Your arm feels cold where she used to be, but it doesn't last long as another hand takes its place. You turn your head to see Spencer, one hand on his cane, and the other on your arm, as he holds you tightly to his side, his eyes brimming with tears as well. You don't expect that there's a dry eye in the crowd.
Aaron starts his speech with a quote, but the steadiness in his voice starts to waver the moment he says her name. "Haley was my best friend since we were in high school."
You remember how fiercely he loved her, even back then. The tenacity with which he pursued her when he realized that she was someone he wanted to spend his life with.
His voice continues as his eyes dip down. "We certainly had our struggles, but if there's one thing we agreed on unconditionally, it was our love and commitment to our son Jack." Your tears surface again, but you suck them back with a deep breath. "Haley's love for Jack was joyous and fierce. That fierceness is why she isn't here today."
Aaron looks up then, and his eyes land on the casket in front of him. "A mother's love is an unrivaled force of nature. And we can all learn much from the way Haley lived her life."
His hand flexes at his side, and you wish desperately that you were up there with him, holding his hand like he held yours when your mother died.
"I will make sure that Jack grows up knowing who his mother was and how she loved and protected him and how much I loved her."
His voice breaks and he reaches into his pocket for the scrap of paper he was looking at earlier. "I met Haley at the tryouts of our high school's production of 'The Pirates of Penzance'. I found our copy of the play and was looking through it the other night, and I came upon a passage that seemed appropriate for this moment."
The quote comes back to you as he recites it, and your mind flashes back to those adolescent afternoons when you would watch him make a fool of himself trying to impress Haley at play practice. You can't help yourself as the tears finally fall, and you feel Spencer squeeze your hand tightly, acting as the lifeline you so earnestly need.
When he finishes his speech, everyone comes forward to place white roses on her casket before it is lowered into the ground. You wait as the crowd slowly dissipates, as everyone heads to the repast, and you hold Jess's hand while Aaron picks Jack up, holding him tightly.
"Blow Mommy a kiss," he whispers, before leaning over to let Jack place a rose on the casket.
His brow furrows as he straightens again, and you watch as the familiar stoicism returns to his posture. He isn't pushing all of his emotions down, exactly. He's just tucking them away, so as to be there for his son, who needs a solid figure in his life, now more than ever.
And that's what he'll be.
***
The repast is bustling with people from all eras of Haley's life, and you sit with the team at a large table, staring at your plate of food. When Dave pulls Aaron outside to talk, you watch them leave, noting the stiffness in his shoulders as he's forced to leave Jack with Jess again. She has been nothing but grateful to see her nephew more often than usual, but nonetheless, he wears his guilt like a jagged scar across his face.
Penelope clutches your hand under the table and you give her a weak nod, unable to do more with all of the energy drained from you.
"It was a beautiful service," Emily says, her eyes big and soft as they look at you.
You nod again, before turning back to your full plate. You can't bear the thought of stomaching any food right now.
Then just when you think the day can't get any worse, Derek and JJ's phones chirp with a message at the same time. No. No.
"They can't be calling us in," Emily sighs, her lips thinning, "not tonight."
JJ shakes her head. "I'm on it." She returns from her phone call a minute later with a forlorn look. "There's no other team available."
Derek gets up with a sigh. "I'll get Rossi."
When he returns with Dave, leaving Aaron alone on the deck, you squeeze Penelope's hand before walking outside. The air is cold, and you wrap your shawl tighter around your shoulders as you approach him.
"It's okay," he says before you can open your mouth. "I'll see you when you get back."
Mind reader, you think for a split second.
He has already given you the blessing you assumed you needed when you came out here, but it still doesn't feel right. "I don't want to go."
"It's your job," he shrugs. Like it's that simple. "It's okay."
"Are you sure?" You won't be able to do your job with him here, but even less so if you're feeling guilty the whole time. "I can take time off."
"No," he says quietly, shaking his head. He looks out into the night air, and you take his hand, squeezing it between both of yours. "It'll be good for me to have some time with Jack."
You can understand that. You pull him into a hug, before dipping your chin into a nod and leaving him out there again.
***
His return to work hasn't been easy. When Strauss gave him the option to retire with full pension and benefits, it should have been an easy decision, but something was tugging at his gut, telling him that would be the wrong choice.
Now he's sitting in his office, and all of his recent life choices are swirling around him like a hurricane ready to close in. He misses Jack like he's missing a limb, and he feels terrible for how often he's been relying on Jess to take care of him, even though she readily offered her help.
His emotions are a tumbling mess, and he doesn't notice that his fingers have been tapping the edge of his desk until you enter his office.
"Coffee?" He looks up with a nod, accepting the steaming cup you hand him, before you flop down on the couch across from him. "What are you thinking about?"
He swallows back a scalding gulp that likely scorched his throat on the way down. He wants to push his emotions down and say something quippy that won't distract you for more than a few moments, but tonight he needs reassurance more than he's willing to admit. "Did I come back too early?"
He expects an immediate and bombastic denial, but you just sit there, stirring your black coffee as you tuck your legs under you. "I can't decide that for you."
It's a diplomatic answer, but he needs guidance, and he doesn't have anyone else to go to. Not that he would go to anyone else even if he did. "Do you think I'm jeopardizing the team by being here?"
This time, the answer is immediate. "Of course not. You've been doing your job effectively, and no one can say otherwise."
He pauses for a moment, ruminating over your words. He knows he's not asking the right questions. He's just delaying until he has to accept what he's feeling.
With a shaky breath, he sets his coffee down and looks at you. "Am I jeopardizing my family by being here?"
Your brows pinch. "Jack will be okay. He's young, and he'll miss you, but you're his hero, Aaron. He loves you because you keep him safe."
"But I'm never home." His voice sounds ragged to his own ears, and he's certain you can hear the pain clawing out of his throat. "How am I doing my job as a father if I'm never there?"
"Aaron," you whisper, drawing his eyes back to yours. "You're keeping him safe by catching the bad guys. He knows that. And that's what he needs." You fix him with a look that makes his back straighten. "Okay?"
After a moment, he nods. "Okay."
***
"Hi, Hales."
You sink down onto the bench in front of her headstone, before pulling the baggie of peach rings you brought from your pocket. They were the only candy you liked from your high school's vending machine, and the two of you would share them between classes during your senior year.
"I should've come sooner, but work's been really busy."
You've only visited her once since the funeral six months ago, and you wish you could've come by more, but sometimes being here is just too much. It's too stark of a reminder that she's never coming back.
You pop another peach ring in your mouth, before breaking into a grin. "Jack's growing up so fast. He's so resilient, it's amazing." He has already adjusted to living in his father's apartment full time, and he seems to like hanging out with you or Jess whenever he's stuck at work late. "I wish you could be here to see it all."
You wish for a lot of things these days. The loss seems to keep piling up, and you don't know what to do or how to feel most of the time, but time keeps passing. And with it, so does the grief.
"Aaron's starting to get better too." You don't know what you believe, but a part of you suspects she knows all of this already. "The transition back was hard on all of us, but he doesn't look as defeated all the time anymore." Your lip twitches. "He even smiles at my jokes sometimes."
You swear you hear her laughter over the rustling of the wind, but it's probably just in your head. "Anyway, I just wanted to come see you. Let you know how much we miss you."
You stand up, grabbing the bouquet from next to you, and walk over to the headstone. Without thinking, you reach into your bag of candy and drop a peach ring into the dirt. It feels juvenile, even as you're doing it, but you can't help yourself. She would find it funny. You know she would.
You tuck the rest into your pocket and walk across the grass to another row of stones. It's not a quick stroll, but it gives you enough time to take a few deep breaths before you face him again.
Jeff Adler. The letters jump out at you like flashing lights, and you blink a few times as the magnitude of your loss washes over you. So many lives, so much love and warmth gone from your life.
Bending down, you place the bouquet of carnations in front of his headstone, before kissing your fingertips and pressing them to his name.
***
"You've got to be kidding."
He just shrugs, but there's a small smile tugging at his lips. You make sure to keep your voice down as you toss your cards into the center pile and lean back against the bottom of his couch.
After putting Jack to bed, neither of you could think of anything quiet to do until Aaron pulled out a deck of cards from below the tv stand.
"I hate that you're so good at this," you grumble, watching as he deftly splits the deck and starts shuffling again. This being Go Fish.
"You're good, too," he concedes, flashing you an amused look that you don't share.
"Yeah, but you're better."
"As with most things."
You throw a card at him, but he dodges it easily. When he's finished shuffling, he deals out a card, before pausing. "We can play something else if you don't think you can beat me."
"Just deal the cards."
He lets out a low laugh and deals out another card, just as both of your cellphones chirp at the same time. You share a look before dropping the cards on the table. He stands first and gives you a hand up, which you accept.
"I'll call Jess," you whisper as he strides over to his bedroom to get his go-bag. You dial her quickly, and get the confirmation that she's coming over, before grabbing your own bag and heading out to his car.
***
"Sorry to ruin your night."
Everyone is in casual clothing when you walk into the briefing room with Aaron on your heels. JJ shoots you an apologetic look which quickly turns to surprise when Rossi walks in wearing a full tux.
"What, are you working on, wife number 4?" Derek laughs as he sets his bag down.
Dave just grumbles. "I see you people way too much."
"I hear that," you grin before taking your usual seat between Aaron and Spencer.
"Let's get started." JJ hands out the case files and clicks the screen on. "All right. Anchorage field office is asking us to investigate a series of murders in Franklin, Alaska. There's 3 people dead in less than a week."
You scan the file as fast as you can, but Spencer beats you to it. "For a town with a population of 1,476, that's fairly significant."
JJ nods. "It's their first murder investigation on record."
"Who are the victims?" Dave asks, his eyes darting back and forth between the file and the screen.
JJ looks down at her notes. "Uh, Jon Baker, a hunter. Dedaimia Swanson, a schoolteacher. Brenda Bright, the first mate on a fishing boat. There's a new victim every 2 days."
Everyone seems to be thinking the same thing, but Emily gives it a voice. "Any connections?"
"Unfortunately, in a town this small, everyone's connected."
When JJ finishes up the briefing, Aaron stands up and grabs his bag. "We'll fly out tonight. Everybody can sleep on the plane. Garcia, I need you with us."
She shoots him a confused look. "Sir?"
"I've tasked a satellite uplink and it's your job to keep us connected."
"Yes, sir."
"This town's already on the brink," he continues with a sigh, "and if this pattern continues, we've only got another day until the next murder. Let's finish this fast."
***
After barely getting any sleep on the plane ride over, and a long day in the cold, the team holes up in the lobby of a local inn, warming up around the fire.
"I'm gonna pull an all-nighter," Garcia announces when you stifle a yawn behind your fist. "I'll finish going through the town records. Should have background checks by sunrise."
"Good," Aaron nods, sitting up on the couch. "The rest of us should get some sleep, start fresh in the morning."
At his suggestion, the innkeeper steps out from behind her desk. "I've got four of the upstairs rooms available."
"Uh, 4?" Spencer squeaks, his eyes darting around the room.
"Come on," the sheriff sighs as he stands up, "that's the best we can do. Your team is double the size of my department." He glances at Aaron and they share a nod. "I'll see you in the morning."
"Good night."
The sheriff walks out of the inn and you lean back on the couch, turning your head to the side to look at Aaron. The question in your eyes is implicit. What's the plan?
"It looks like we'll have to double up," Emily answers for you, her lips stretching into a grin.
Derek speaks up immediately. "I'm not sleeping with Reid."
Penelope reaches over and grabs Derek's arm. "Dibs."
Emily and JJ stand together and head upstairs, and you glance at Aaron with a nod. "Let's find one of the double rooms before Emily snags it."
"Guess it's you and me, kid," Dave says to Spencer as you grab a key from the front desk and pick up your bag. The inn is so small that all of your rooms end up being in the same hallway. You leave the door open behind you as you step inside and toss your bag onto the nearest bed.
Aaron enters after you and locks the door, before wordlessly moving your bag to the other bed, away from the door. It takes you less than a second to realize why. His protective nature was always strong, but over the past year, it has kicked into overdrive, especially around you and Jack.
"Do you want first shower?" you ask as you unzip your bag and pull out a tee shirt and some sleep shorts.
"You take it," he says, shaking his head. The chilliness of the outside air hasn't left your bones, so you don't wait for him to change his mind before grabbing your toiletries and rushing into the bathroom.
While you're in the shower, Aaron takes his time fluffing out the comforter and pillows on his bed. The room itself isn't very spacious, but he doesn't mind sharing with you. The close quarters remind him of his youth when he would sneak into your room late at night to get away from his family. Just the sight of the lights through your bedroom window used to bring him peace. When he glances over at your side of the room, a tranquility washes over him, and he realizes that the feeling hasn't really gone away.
"Your turn," you say a little later when you emerge from the bathroom. Your skin is still slightly damp, and your cheeks are pink from the heat of the shower, and he has to tear his eyes away as he nods and steps around you.
The tiny mirror in the bathroom is still steamy when he shuts the door behind him and pulls off his shirt, and he lifts his hand to wipe it off, before pausing. His scars aren't something he likes to think about often, but after saving Jack, they took on a different image in his mind. He felt less like a victim.
He rubs his hand against the mirror to wipe off some of the condensation, and his reflection looks tense as it stares back at him. Back in the room, your presence felt warm and comfortable, but in here, with the steam fogging up the glass, and the scent of your perfume lingering in the air, something else roils in his gut.
It's a not-so-unfamiliar feeling that used to be commonplace when he was younger. It hadn't reared its head in years, but lately, it's been so much harder to push it down. When he sees how much his son loves you, how much he looks forward to finding you in his apartment when he gets back from a late meeting. It's been...hard.
He turns on the shower and steps in, letting the hot water wash away the notions tickling the edge of his brain. When he walks back into the room, you are tucked into your bed, the covers up to your chin.
"You look like a burrito," he notes with a small laugh.
You shrug, though it's barely visible from under the comforter. "I find this is the best way to keep out the Arctic chill that seems to have invaded our lodgings."
"Fair enough."
He slides into his own bed and clicks the switch on the wall to turn the lights off. He tries to sleep for a few minutes, but even though he's exhausted, it won't come.
It's dark enough that he can't see his fingers in front of his face, but the uneven sounds of your breathing let him know that you're still awake.
"You should really sleep," he whispers into the darkness.
"You first," you say after a moment, before your voice lowers. "How are you doing? How are you holding up, I mean."
"How are you doing?" he asks, knowing he's being unfair.
You don't let it slide this time. "You're deflecting."
"I know."
There's a pause before he finally concedes. "I think I'm okay. The normalcy is coming back, and Jack is doing a lot better, which helps immensely."
"Me too," you say after a beat.
He wants to let the subject go and try to sleep, but the words are pulling at his throat. "I miss her all the time."
"Me too," you repeat. You huff out a husky laugh, but there's no humor behind it. "God, me too."
There's a tinge of bitterness in your voice that he recognizes in himself, but it's not something he knows if he can explain. He remembers how a small part of you blamed Jeff after his death, but that's nothing like what he's feeling. He blames himself for everything but the act itself, knowing that if he had just gotten there quicker, or taken the deal, or taken the transfer-
His breath catches and he hears you rustle under your covers. He imagines you turning to face him, and as his eyes slowly adjust he sees that he was right.
"Do you remember that time in high school," he says suddenly, not entirely sure where he's going with this, "when I got detention."
"I'm gonna need you to be more specific."
He laughs, in spite of himself, and turns over to face you as well. You're so far away, but he can just barely make out your face from across the room. "When you broke me out."
Your laughter is sudden and it echoes around the small room as the memory hits you. "I do remember that. I told them your grandfather was in the hospital so that they would let you out. God, Mrs. Parker was so upset when she went to get you."
"I think my favorite part of the story was that both of my grandfathers died before I could walk."
You chuckle, your voice softer now. "I know."
His chest warms at the memory of the two of you running out to your car and driving to get a scoop of chocolate at your favorite ice cream shop. Even afterwards, you had driven around town for hours, without a complaint, and he hadn't mentioned the time once. It was so soon after his dad's death, and he hated going home for so many reasons. Sean hated him, and his mother was sad all of the time, and it was like you just knew.
"You were good at reading me," he whispers, almost to himself.
"Were good?" you ask with mock offense.
He snorts. "Fine, are good at reading me."
"That's more like it."
***
You drop your empty glass back on the table, feeling the burn of the liquor as you swallow it down. It's your second drink of the night, and while you usually don't indulge in more than one, you welcome the chance to let loose.
Everyone else seems to be in the same mindset, because JJ, Emily, and Penelope are in various states of drunkenness around the booth, and the men are either nursing a drink or driving.
"Let's dance," JJ shrieks, lifting her head off of Will's shoulder and pushing herself up from the booth.
"Hell yeah," Emily grins, pulling you and Penelope up with her.
JJ tries to corral the guys to join, but they all stay firmly seated. Dave and Will look content as they sip their whiskey, and Spencer doesn't budge, citing his leg hurting (a lie). After a bit of targeted shoving, Derek chuckles and gets up for one dance, following Penelope and JJ onto the dance floor.
"Aaaaaron," you slur, tugging his arm. He doesn't move even an inch, but the corner of his lip twitches when you don't give up.
"You used to dance in college," you point out with a frown.
Emily hoots as she saunters over to the floor. "This I need to see."
Aaron just shakes his head with a smile, and you eventually oblige, joining the ladies (and Derek) for a few dances. The dark atmosphere of the club has you feeling looser than you have in a long time, and after the next song, you join Dave over at the bar to get another drink.
You down half of it before you leave the counter, and by this point, JJ has coaxed Will out of his seat, while Spencer rushes off to find the bathroom. The tiredness hits you as soon as you finish the drink, and when you spot Aaron by himself at the booth, you glide back to keep him company.
He doesn't notice you at first as you walk over to him, and you can't help but register that he looks good in his undone button-down. You take another step forward and a thin glint of metal around his neck becomes visible. A jolt of heat shoots down your body and you set your glass down on a nearby table without looking as you approach him.
When you reach the edge of the bench, someone walking by bumps into you and you stumble forward. Aaron grabs onto you as you fall forward, and you end up crushed in his arms, your face just inches from his. Your thoughts cut out and you don't make a sound, your breaths coming out in quick spurts.
Neither one of you moves as you look at each other, so so close, so much closer than you've ever been, than you've ever gotten to be. The faintest impression of a thought - the thought - crosses the deepest edges of your mind as you lean in infinitesimally. He doesn't notice, and you barely register it either, but you can't help but notice how easy it would be to just close the gap and kiss him.
Kiss him?
Your brain short-circuits and you just barely manage to keep your eyes from widening. You have no idea where that came from, but then again, if you are honest with yourself, it has always been there, buried deep down beneath years of friendship and history.
The question invades your brain again, and this time, you're unable to stop it. What would it be like to kiss him?
You can't keep your breath from catching, and he pulls back immediately, tugging you to the side and depositing you on the booth beside him.
Your mouth falls open as you try to meet his eye. "Aaron-"
His head turns and he stands up, his eyes dark under the soft lighting. "I'm sorry."
Before you can get another word out, he's gone.
TAGLIST: @citrusiove, @yiiiikesmish, @sanayikes, @mdanon027, @alice-w0rld, @beata1108, @bakugocanstompme, @raely-study, @himboelover, @hermionegalathynius, @rousethemouse, @calif0rniadreamin, @tolerateit13, @delusional-13s-blog, @madesavage05, @littlemisskavities, @love13tter, @domithebomi, @guacam011y, @averyhotchner, @silver-studios, @whosmys (message me to be added!)
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teambyler · 7 days
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Mike HAS loved someone at first sight...
Mike didn't love the El "the moment" he saw her. But there IS someone he did...
It wasn't romantic love, as Mike and Will were too young. But it was more than just a playground friendship. Most kids make friends simply playing together and probably don't remember the day they met very well.
But Mike remembers it vividly, and so does Will. And the way Mike tells it in s2e8, he had feelings for Will when he saw him on the swings alone:
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Mike loved Will when he saw him. He didn't want him to be lonely. Mike also felt alone. Perhaps he sensed they were different from the other boys somehow?
He could have just joined him on the swings or said they should play. Instead he asked if they could be friends. The way Mike tells it, it had the intensity of a proposal.
"And you said yes... you said yes..."
"It was the best thing I've ever done."
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It took Mike longer to feel love for El. But for Will he loved him at first sight. And in more than a friends way, but in a BEST FRIENDS way, the way kids can and do love each other. The only thing different is that Mike and Will continued to feel that same intense bond they had as small children, when they were older in s2. And we now see it maturing into something else in s4 (and s5!)...
P.S. Follow and read my blog! I have so much to say!
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jaegerisim · 10 months
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Vent post y'all are gonna hate me for.
I viscerally hate how the Duffers treat most of their non white or queer characters and I hate even more viscerally, how y'all big byler blogs in your circle jerk of other 5 big byler blogs casually like to ignore many red flags the show has.
Y'all like to say: "tHe DufFeRs ArE gReAt WrIteRs" and it's like girl, who are you lying to??? They aren't top shit writers at all. The Duffers are pretty mid imo. Yeah, they run a good show that's fun to watch and theorize abt , but that doesn't mean they're good writers cuz they're not.
1. they completely side lined Will during s3 for the sake of their straight romances: lumax, jancy, mlvn, duzie and partly stobin (even if stobin wasn't endgame, thankfully, Steve's intentions were clearly wanting to date Robin and they gave it a lot of screen time). Will was sidelined bc he didn't fit the straight romance plotline bc they planned to make him gay or whatever. Now in s4 Will and his feelings have been used as mlvn toilet paper. Yes, we like to say this is build up for byler but canonically, Will's feelings have been used to clean the shit mlvn leaves behind.
2. Billy was sympathized a lot during the last 2 seasons. They gave him the sad backstoryTM in order for ppl to feel sorry for him. Billy's backstory is literally Jonathan's but whatever.
3. El's anger issues are constantly girlboss-ified. They down play her bullying situation and literally just use it for El to be a ''girlboss" without realizing how triggering that is. As someone who has lived bullying, seeing it be ignored by canon and fanon is super sad. The whole Rink-O' Mania experience must have been so traumatizing for her yet, everyone absolutely forgets abt it 🤷🏻‍♀️
4. Robin, Erica and Argyle are stereotypical characters. Robin is the quirky lesbian with social anxiety, Erica is the badass black woman and Argyle is the Latino stoner that sells weed to white kids and works as a pizza delivery guy.
5. Altho Argyle and Eddie both do drugs, (Eddie actually sells K-12 to a minor and nobody batted an eye. He has a huge fan base). Eddie is held in a pedestal bc "poor thing 🥺 he lives in a trailer with his uncle 🥺". Tell me a single fact you know abt Argyle that isn't "he smokes weed", "he is Jonathan's only friend", "drives a van" and "he works at a pizzeria". Exactly, Eddie is given a useless backstory and Argyle isn't.
6. Dustin stopped being important to the plot sometime around s2 and s3. He is only there to curse and be mildly funny. My guy needs to hangout with ppl his age cuz he only hangs out with seniors.
7. El needs to stop having so much "I'M THAT BITCH" screentime like I need in s5 for El's arc to not just be her becoming more powerful and falling in love with Mike. I need the Duffers to explore her trauma and problems.
8. Angela should have been run over by the van.
9. Patrick should have been given a backstory that isn't the basic "strict black parents that hit their kids cuz they are a disgrace". Patrick's backstory is actually racist af, fight w the wall.
10. As Lex already said, they didn't trigger tag the ep where Jason and his friends assault Lucas and Erica. Like wtf? Why was that necessary? Why did I have to see a black boy being held at gunpoint by some white guy?? Was it relevant to the plot?? I don't think so. And then I've got to see ppl online be like "Jason wasn't that bad. He was just mourning" like bitch you can stfu. This is what happens when you make the racist assholes conventionally attractive.
Also the fact that Lucas's arc is fulfilled by him fist-fighting Jason and "embracing his weirdness" aka accepting he is black. His arc was not fulfilled at all cuz that ending spoke so loud to me. It showed how little empathy ppl have towards the struggles poc ppl living in the Midwest have. Y'all circle jerks can only see racism when it's super obvious.
Furthermore, parents complained when ST showed "an excessive amount of smoking" yet nobody batted an eye when Billy tried to run over Lucas, when Erica (an 11 y.o ffs) was chased by white kids or when Lucas was held at gunpoint by Jason.
All of this happened while they focused on Max's guilt and mourning that, yeah, are important but certainly not less important than racism!!!
11. In s3, they gave us that whole Nancy vs The Bigots arc that was honestly just triggering and useless. It didn't help Nancy's character at all, quite the opposite it put unnecessary angst.
12. Lonnie being presented as an abuser just for him to never be spoken of again. Can we please get to explore the trauma he left the Byers's with?
13. The fact that both queer relationships are considered "sloppy seconds" is extremely sad. Both Vickie and Mike are rebounding from their failed relationship with Robin and Will. These 2 ships have caused more commotion than Jancy and Jopper together! (These last ships are technically sloppy seconds too but everybody forgets that. Shocker!!)
14. Last but not least, ppl blame Argyle for being the one to get Jonathan into smoking weed as if Jonathan probably wasn't the one looking for it. Let me tell you, that you only find weed if you look for it.
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howtobecomeadragon · 1 year
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five years down the line some people are going to be like "hey did you ever watch stranger things? no? me neither, let's watch it. yeah I don't know much, just that Running Up That Hill is important and the bowl cut boy ends up with that other boy from when everyone was freaking out about it a few years ago"
and then they're going to watch and they're going to be like "aww Mike said he's the only one who care about Will" and then they're going to see El's introduction and one person is going to call a love triangle and the other will go "I mean it's the 80s and he's gay, he probably just feels pressured to like her." they'll laugh so hard they have to pause when El asks "will you be like my brother?" and they'll boo at the kiss
they'll go "aww" at the hand hold in s2, and get a little teary at the shed scene. they'll be a little 🤨 at El almost kissing Mike before going to the gate (one of them will shout "he's just not that into to you, El") and someone will point out how scared Mike looked. they'll freak out over the Snowball scene and see it for what it is.
they'll get sad over the rain fight and understand how slow of a burn it really is. they'll go "oh my god, poor Will, Mike just needs to talk about his feelings, it's obvious he's struggling. he loves Will, we KNOW they end up together, and he's acting different this season bc of it."
they'll get excited over the ramp up of Mike and Will's flirting in s4, bc finally, finally things are getting close. they'll be frustrated beyond belief at the monologue, throwing popcorn at their tv. "get it together, Mike! stop lying to her and go kiss your bf "
and then they'll watch s5, see the payoff, and they'll think wow, what a great slow burn. those crazy mother fuckers really pulled it off.
one person will say "I can't believe so many people were freaking out when they finally got together, it was so obvious." and the other person will shrug and say "idk we already knew it was coming. they didn't." and they'll both shrug and move on with lives. maybe that first person will tease their friend or family member who they remember complaining about byler post s5, going "it was right there in the show all along, were you even watching?"
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lucy-gray1075 · 3 months
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Finnick comforting reader when she is on her period?
I love your work so much<33
Tomorrow Never Came
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tyy love!!
context: Finnick and reader are fellow tributes from four who are both currently at the Capitol cause they were Reaped for the Games.
a/n: Yes, Finnick nicknames reader ace lol. I've been binging s5 and 6 of Gilmore Girls and Finnick is so Logan coded <3
౨ৎ・゚:*
"Ughhh!" You hated being dramatic, but you hated things not going your way even more. "Stupid blanket!"
You let out another prolonged groan when it once again slid off your legs and onto the floor. It was a blanket for God's sake, wasn't the thing supposed to keep you warm? Instead, the threadbare fabric couldn't even stay on top of your legs.
"Now, honey, there's no need to throw things around and cause a fuss." You could place the unmistakably pouty drawl from a mile away. You felt his maddeningly hot breath on the back of your neck as he leaned over your spot on the couch.
"Go away, Odair." You fought to keep your voice calm. Seeing you annoyed only egged Finnick on like some crude form of encouragement.
Predictably, he jumped over the edge of the couch, jostling you as he landed with a thump. Leave it to Finnick to annoy you when you're in your most irritable mood.
To your surprise, he held out a throw blanket. The plushy material looked so out of place in his calloused hands, so rough from all his seafaring.
"Take it, ace." He nodded encouragingly. "I can't even imagine how hard it is being on that time of the month. Especially, being here and all, away from home, and with all that pressure on ya."
"How do you know..."
"I saw you eating like three pounds of chocolate last night." At your look of mortification, he hurried to add, "I couldn't sleep either, sweetheart. I wanted to join you, but I figured if I interrupted you, I wouldn't stand a chance at even making it to the arena tomorrow night."
You chuckled at that, finding him funnier than you'd like to admit. You reluctantly accepted the blanket he was still holding out to you.
"You know, ace, we can be allies in there." He was looking at you earnestly now, gaze piercing enough to cut through glass. "I don't want this to sound forward, but I would die for you."
He swallowed as you frowned up at him. "I...I-I don't have anyone who cares about me. I don't have anyone to go home to if I come out of this thing alive. But you..."
You surprised yourself with what came out of your mouth next, "I care."
Finnick raised his head slowly.
"I mean it, Fin," you continued. "You're...Look, I know I'm not the easiest person to like, but somehow you make me seem tolerable. I never thanked you for saving my ass during the interview." You rolled your eyes at the memory.
"But thank you for spinning our story into a love tale. If it weren't for you, I would probably have a negative amount of sponsors. I mean, who wants to root for the scrawny girl from the fishing district who can't even fish-"
Finnick's plush lips found yours, immediately silencing the million thoughts running through your mind. He pulled back, eyebrows raised as if he had surprised himself. If tomorrow never came, you would be glad for it.
You pulled him back to you, the collar of his sweater clutched tightly in your hands. He kissed you slow as if you were a delicate primrose blooming in early spring.
When you pulled back again, he eyed you, the ghost of a smirk playing on his lips.
"I would root for the scrawny girl from four, who by the way, is the strongest swimmer I've ever seen." You suddenly felt yourself growing redder than channel bass. "And about that love tale, I didn't just spin it. I spoke from the heart."
"Oh, now you're done," you thwacked his chest, moving to stand up. "This does not mean you're getting in my pants tonight, Odair." You glanced at him pointedly, clutching his blanket to your chest.
You turned before you could notice that his answering smirk was more of a hopeful grin.
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erikiara80 · 28 days
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Someone noticed (here) that March 29, Billy's birthday, is also the day the Cali crew is back in Hawkins.
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So, I'm thinking. We see the name Billy as Max is reading the letter, but the name William when she is in the Vecna vision. That could just mean different timelines, or maybe it's also a hint that the theory that Will is in a Vecna vision at the end of S4 is correct (here)
Maybe on March 29 Vecna goes into William's mind and what he sees from the moment he touches his neck is a vision (everything else is real) The end credit song, Spellbound, is definitely an interesting choice...
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I would love it if S4 starts with a flashback of El in the lab, and ends with Will in a vision. Also, we know that S5 starts with a UD flashback, so:
4x01 -> lab flashback -> then El's letter, in which she lies about her life in Lenora
5x01 -> UD flashback -> then a vision, which is also a lie?
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What would Vecna show Will? Maybe the day at Rink-o-mania. But I think this would be different from El's letter. This time we would see the truth, twisted by Vecna, like the truth about Max wishing her brother to die. Maybe Vecna would tell Will that he is jealous, and that the reason he didn't help El is that, deep down, he wants her to suffer.
Well, Will is jealous, but that's normal. It doesn't mean that he's cruel or doesn't love his sister. We see that in the van scene and in 4x09.
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And how could Vecna show Will that he is jealous and wants to hurt his sister? Maybe by making him be the one who throws the milkshake on her dress.
Remember the BTS photo of Noah at Rink-o-mania in his 4x09 outfit? The boy behind him and Millie is the actor who plays Jake, or his double. Jake is the one who throws the milkshake on El's dress. Jake has a bowl cut and kinda resembles Will.
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So, maybe Noah was wearing his 4x09 here because this is the vision scene, and this time he's the one who humiliates El.
I could be wrong, but I think this would be a very interesting parallel with the beginning of S4. And a way to make Will more vulnerable
@chirpsythismorning @shippingfangirl013
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ha1taniwh0re · 3 months
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BSD TOPICS
‼️Spoilers,ped0 mentioning, mafia content?‼️
Ready for hate once again
So im back at watching BSD and im currently at season 5, so I want to talk about some things I see on tik tok recently.
Mori effect
We all know about Mori's "children". Dazai, Yosano, Elise, Q and how Mori traumatized them. First Dazai, he was traumatized before he even met Mori so Mori didn't traumatized him but he did gave him some bad memories(aka killing ex boss Infront of Dazai), Yosano wasn't really traumatized directly by Mori. Mori is a person who will try not to make much mess, he would rather make one person to lose mind than millions of people lifes. Let's remember that ADA and PM have same job, they protect Yokohama's people, ADA is light and Port Mafia is dark so Mori isn't really heartless, he killed ex boss so millions of people wouldn't die just like in war(The leader of an organisation is at the pinnacle of the organization and, at the same time, he is its slave. The leader must be more than willing to commit any atrocity in order to insure the survival of the organization.). At the time yosano was traumatized by Mori she was in war. That experience is already traumatising, her ability was really helpful but it wasn't just Mori who traumatized her but also a soldiers too. They started to hate her at some point because of her ability Mori is doing what anyone in military would do if they were in Mori's position while they are in the middle of the war. Elise, elise is his ability. Yeah yeah she was a young girl before Mori transformed into little girl, but now she is just an ability and Mori controls her how he wants she can't be really traumatized as ability, she doesn't seem like she remembers that she was a real person before. Q is indeed traumatized by Mori too but most by Dazai, Dazai was the one who locked Q.
ADA member transfer to PM
Where to start here? There are some of things that are hinting on Dazai being next boss. Mori predicted that Dazai will be boss at 23(now he is 22), Dazai took off his blue thing off (that was sign that he is with Ada), Mori not sitting in openings and Dazai is scene before that and after. All ADA members having white background in outro s5 but dazai has red. And much more that I saw. People also said that Dazai won't be a person will be back to PM because of Oda. Let's remember that Oda was famous mafia member that never killed someone. So Dazai can be like Oda and he is still keeping his promise to Oda but also he will save ADA people from being in PM.
Better villains
BRO YOU GUYS COULDN'T HANDLE THESE TWO AND YOU WANT "BETTER" VILLAINS. They are THE BEST villains you guys just see one wrong thing and you become blind af. You saw for Mori being ped0(still bad not defending) and never saw anything else but he just is soooo not important. If he wasn't important he wouldn't be still alive. Fukuchi was SOOOO GOOD never could guess he was fifth member. Poor Tachihara became blind T^T
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lovecolibri · 12 days
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Your tags about not settling for less than buddie and how fans of others couples are not expected to ABSOLUTE CHEF KISS. I’m NOT okay with anything else and I never will be, I will die on this hill idc lmao
Thank you! The tags in question
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I always thought it was such a refreshing thing with this show that when stuff came up like Hen cheating and Karen needing some time, or Bobby and Athena fighting, or Maddie leaving, the show didn't try to wedge in another love interest. ESPECIALLY with Maddie and Chim because in any other show, either she would have met someone in Boston who "helped her heal" and then she would "realize" she still loved Chim and break it off, or he would have spiraled after she left and met some hot single mom at like, a baby and me class or something and they would "bond" over being left. But the show didn't do that, because it was about the love story and getting the couple back together. And while it was certainly dramatic, it wasn't over the top everyone sleeping around dramatic.
So sorry for pointing out that the show has 3 established couples that have been around in some capacity from the start or in s2 forward, but Buck and Eddie get trapped with horrible LI drama all the time while THEIR actual relationship mirrors the other three couples. Like, no I'm not gonna settle for less.
ALSO!!! If, as everyone claims, they're fine with Buddie being besties if they get a "fully fleshed out" partner for either one of them, that means a) less screentime for the other main characters, and b) less screentime for BUDDIE. Remember s5 when KR had Buck sequestered in that tomb of a loft with Tay Kay and he wasn't ever allowed to talk to Eddie about how he was feeling? Yeah.
They are never going to be able to build up credible LIs for either of them without taking the majority of those deep, meaningful "I know you better than anyone else" scenes from Buddie and giving them to the LIs. Otherwise they're just going to be blury background partners and for one, we all deserve to watch an epic love story and for two, those characters DESERVE to have an epic love story.
Sorry I don't want to pretend it would be worth it to see it happen with anyone else, especially when they are already perfect for each other 🤷🏻‍♀️
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raayllum · 2 months
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RAYLLUM S5 MEME:  [1/6] scenes — 5x01, "Domina Profundis"
Opeli! What's going on? The Moonshadow elf has been arrested. I can see that. Let her go. I think you should know what happened first. It's not going to matter. But fine: what happened? She broke into the High Mage's office. No, that's crazy, she can go in there anywhere she wants. So you gave her your key? No, my key's right here. The elf stole it. She's not "the elf". She's Rayla. High Mage. She broke into the sealed dark magic chambers beneath the castle. We caught her when she emerged. And she was hiding a weapon. So what? She always is! Not just any weapon. She was carrying the weapon that was used to kill King Harrow. Wait... what? None of this matters. Don't you want to know what she was up to? Why she did all this? If she didn't tell me, she has a good reason. I know this. The tides are true as the ocean is deep. What does that mean, Prince Callum? It means I trust her. Unconditionally. Let her go. Now.
+ Bonus:
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familyagrestefanblog · 5 months
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Something Im still and will probably always grief is that ever since s1 origins we have known that Gabriel had a picture of Emilie in his Miraculous:
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That this was NEVER utilized in any way is driving me up the walls. It's such a crucial weak link that gives away his identity, which Hawkmoth was keeping 24/7 inside his Miraculous around his very neck.
Not even in an What if episode did we get a scenario where Ladynoir (and team) in s4 or s5 got to take the Butterfly away from him - leaving him either with only the Peacock or the other 15 miraculous so his identity could absolutely remain hidden anyway - but before he gets it back through either the dog for example or a Sentibeing Ladynoir opens up the Brooch and sees the picture of Adrien's mother inside.
They never did ANYTHING with it when it had so much potential to be game-changingly included in the plot, or even just a What if episode....
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And don't you get me started on Hawkmoth’s iconic Butterfly symbol from his lair straight up being one Adrien KNOWS because it stands in connection to his mother
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At least its still there at the end of s5
And they just didn't think any of that worthy of utilizing because it wasn't directly connected to Marinette, who still needed Félix to do her entire job of finding the man behind Hawkmoth’s mask bc the show prioritized Chloe being a bitch and bully, Maribug looking cool in every akuma battle that STILL never resulted in anything more than a TIE (meaning they never stopped being painfully POINTLESS), never getting a single step further even with Alya by her side and making an unnecessary team of 18 miraculous holders for herself when that was never her job in the damn first place.
We didn't even find out anything more substantial about the guardian or Kwami lore because she wasn't interested in that either...
*sigh*
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deluweil · 1 month
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This may be an unpopular opinion,
But I'm having a hard time reading the posts about Christopher cheating and associating it with misogyny.
Kid is what? 13 14?
He doesn't know what he's doing is cheating, he just knows that his mother left him, not just when she died, but when she was able and healthy, and her being overwhelmed and scared and worried for her dying mother, wasn't an excuse to just walk out on her young son.
And Christopher is at the stage when he is old enough to be mad at Shannon and not just miss her, but him not "committing" (I'm writing it like this because he's a child for God's sake no one should be committing to anything at this stage, hell kids' brains aren't even done developing yet.) is not out of some hate for women, but out of real fear to get attached to someone and that they will leave.
Male friends, he has plenty and he's learned that they come and go, but a "girlfriend"? That's a lot to adjust to for someone who is used to being left by key figures in his life.
And not just Shannon, he was separated from his bisabuela during covid, and we saw that she moved back Texas, his grandparents, who he grew up in their house while Eddie was deployed for at least 4 years (because he did two tours), he doesn't see them much anymore because he was moved to LA, he knows Eddie can get hurt and leave him in a blink of an eye and now he's aware of Buck might be leaving the same way.
Now, yes! "Leading girls on" is wrong. I agree. As a woman I hate two timing men, emphasis on MEN though. - Christopher is a kid.
If Eddie's and Buck's reaction would have been, along the lines of "Kid's got game", "Well done!" and shit like that I would have screamed misogyny with you, but that wasn't the response.
Eddie didn't like that, and Buck knows the consequences and explains them to Christopher. These kind of reactions and guidance tell me that kid is going to grow up to be a good man. And I love it.
So no, Christopher isn't a two timing kid, he's just scared and did not understand the repercussions for his actions, which were explained to him, also revealing the deep wound that was festering deep inside of him without anyone knowing.
And I love that it comes out gentle and sad. Rather than the outburst we saw in S5 after Eddie almost died.
I love that Buck unravels the Diaz boys, gently helping them express the sadness and deal with it head on.
Because anger is just a mask to a lot of feelings that neither of the Diaz boys were good at expressing, I love seeing that transformation.
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lolabearwrites · 3 months
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Random things I would have loved for Voltron
-Keith never leaves w/ the BOM and stays the leader of Voltron (I have no problem with him being a blade, I actually enjoyed watching it, but I just didn't like him choosing them over Voltron)
-also! I wished we actually saw the "Galra Keith reveal" w/ the team. Such a missed opportunity.
-More of Lance being Keith's second in command. I feel like we didn't get a lot of that.
-Shiro stays dead. Look I love the man. One of my favorite characters. But after S2 it always feels like he just doesn't quite fit into the story like he used to.
-Very biased. But. Klance romance. Not the "will they won't they" shit. No. A actual relationship development. If it was written well I could see it happening maybe in s4/s5?
-Lotor and Keith friendship! Bonding over being mixed race and not fitting in.
-Keith learning Galra culture! Maybe through Lotor? Or BOM?
-Lotura. Pls. They were so cute.
-Oh, should have said this before the other three, but a Lotor redemption arc.
-A Keith and Lance ep. Because in eight seasons they never had an episode centered around them like they did for other characters. Klance had moments. But not eps.
-A Pidge arc !! She had a motivation (save her family) but not really an arc. The same could be said for Hunk.
-follow through with Lance's character development. Writers...you already set him up for it, you just had to follow through with it and actually do something with it.
-more found family fluff throughout the seasons. Because I felt like they never actually got to the level of "found family" if that makes sense
-change the armor color to match the lions. Mostly because I feel Keith wearing Shiro's armor for the first time when he takes over would also have an emotional impact.
- Coran being fleshed out. I know he's a comic relief. But I really love Coran! And I'd love to know more about him.
- I wish the team all had their own little quirks or interests, just something that didn't really have big significance to the story but made them feel more real, you know.
-okay, but It would have been amazing if team Voltron came to a planet that had no idea there was life outside their planet. Just like earth. Idk I feel like it would be funny XD
Anyway, that's my food for thought, feel free to add to this post :)
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teambyler · 1 month
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Will's anti-Vecna song should be David Bowie's "Heroes"
We know from the new BTS pic that he has headphones and a Walkman. Like Max, he might be fending off Vecna:
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Max's anti-Vecna song was highly personal to her. It helped her through her guilt and depression and feeling like she deserved to die.
For Will, "Should I Stay or Should I Go" is cute, but it doesn't have emotional weight. It might have helped a child Will in the Upside Down in s1, when it made him think of home and Jonathan, but he's all grown up now. He's changed.
If Byler becomes realized, David Bowie's "Heroes" is the perfect song for Mike and Will's relationship that would help Will resist Vecna. It's canon that Will likes David Bowie: kid Mike prefers the androgynous rock star over Kenny Rogers (s2e1).
@surferbeto on YouTube comments:
This is a heroic love song. Bowie starts out crooning but pretty soon he ramps up and belts it out hard. This song is about risking getting shot by East German border police and dragged over barbed wire for love. This is about young love against impossible odds. It's about that gloriously tragic fantasy... of giving our life in some grandly romantic way to save the life of our beloved. Maybe by taking a bullet for them and dying in their arms in the shadow of the Berlin Wall.
Having David Bowie's "Heroes" in the show would call-back to Peter Gabriel's somber 2010 cover from s1, when Mike hugged his mom thinking Will was dead. But Bowie's original is defiant, triumphant, and bittersweet. (Seriously, if you haven't yet, listen to it before reading further. It's perfect.)
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It would play when Mike and Will have their first kiss. Their song of losing each other is now of finding each other.
If Byler is realized, it could play as Mike and Will dare to hold hands in the school hall, as we fade out to the end credits.
Will would put it on his Walkman. If Will and Mike are bullied for their relationship, "Heroes" perfectly expresses their defiance and willingness to love each other despite the harm that might come to them.
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It's the song that would most help Will in case he gets Vecna'd. It doesn't just remind him of Mike; it culminates his journey over the five seasons. As a kid he told Jonathan he's not a baby, not just a victim. Despite seeming shy and weak, he has a huge amount of quiet courage, but his struggle in s3 and s4 was largely internal. ("I'm not gonna fall in love.") Show creator Matt Duffer says about s5: "Will's going to be a big part and focus... We're starting to see his coming of age, really... You're starting to see him come into his own." If Byler becomes real, then his fight becomes external, confronting the homophobia in Hawkins and the literal hell threatening his friends. He will rise to the occasion.
"Will really takes center stage again in [season] 5," Ross Duffer told Variety. "This emotional arc for him is what we feel is going to hopefully tie the whole series together. Will is used to being the young one, the introverted one, the one that’s being protected. So part of his journey, it’s not just sexuality – it’s Will coming into his own as a young man."
In s2, Will only allowed Mike to protect him because he didn't feel pitied by Mike; Mike saw his strength. A stronger Will will pay him back and protect him from the twin dangers they face.
It's Will's turn to be the hero. His fight for others is his fight for himself. "Heroes" perfectly expresses his journey of defying all odds to fight for HIS RIGHT TO LOVE.
P.S. Follow me and read my blog! I have so much to say!
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galvanizedfriend · 1 month
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KC Wip Wednesday
This is my humble contribution to WIP Wednesday! It's a scene from the rewriting of TVD S5 - Yokan's version. In it, The Originals never happens, most of the Mikaelsons remain in Mystic Falls and Klaus and Caroline are kind of a thing, but nobody knows (for sure). Remember that moment where Katherine locks herself up in a safe with Stefan to "cure" his PTSD? It's that, except it's Klaus, not Katherine. This alludes to a very Klefan past, btw. Be warned if you're not a fan.
Also, this is for @definedareasofuncertainty, who wanted me to write her Easter Klefan. 🤧 There you go, friend! And you know, not beta'ed and all that.
--
Klaus lies on his back, takes a calm breath as the heavy door is closed with a thud, engulfing them in absolute darkness. All in all, he'd say a metal box is hardly the most uncomfortable setting he's found himself in. He prefers the comfort of first-class accommodations, but he's traveled in worse. The grown man beating about beside him does make things rather unpleasant, though.
"Stop! Caroline! Get me out of here!" Stefan screams, smashing his fists against the iron safe's indestructible structure. The more desperate he gets, the more uncoordinated and weaker his movements become, thus making the effort completely useless, however accomplished in making the experience all the more miserable for him.
It's embarrassing how incapable Klaus is of saying no to Caroline whenever she asks for a favor. Locking himself up in a box with a traumatized Stefan has to be an all-time low. The things he won't do when she bats her eyelashes and says please.
"Oh, stop it," he remarks in a bored tone as he shoves Stefan aside. The old safe is rather spacious, but definitely not enough to comport two men, particularly if one of them won't stop bloody writhing like a worm in hot sand. "The more you scream, the more breathless you become." The more I want to tear your vocal cords to shreds.
"Get me out of here, Klaus, get me the fuck out of here!"
"Relax, Stefan. I'm here to help," he says. "I'm what you would call a greater agony to alleviate the smaller pain you feel being trapped inside the box. It's reverse psychology, or so Caroline read in a book. What do you think of a little werewolf venom high to speed up the process?"
"You're psychotic. You're fucking insane!" Stefan starts pounding on the box again. "Caroline! Caroline, open up! Open it now!"
"I'm sorry, Stefan!" comes her muffled apology. Even through the metal barrier she sounds thick with guilt. It was her idea, but already she's cracking. That bleeding heart of hers… "I'm sorry, I will -"
"Do not touch that box, Caroline," he commands with his full authority. "Leave it."
There's a long pause, the sound of Stefan's heart hammering away inside his chest in the box as they wait to see what she'll do. A beat goes by before she mumbles a final sorry and scurries away, likely to avoid the temptation of putting poor Stefan out of his misery.
Klaus' lips pull into a grin. "Good girl."
Stefan starts shaking beside him, his breath becoming even more labored. "I can't breathe," he gasps. "I can't - I can't -"
"You don't need to breathe, Stefan. It's all in your head," Klaus reminds him pointedly. "A vampire having a panic attack, honestly. When you think you've seen everything…"
"You're not fucking helping!"
"Pardon me. My bedside manners have gone a little rusty since the last time you've experienced them." Klaus casts Stefan a glance, sees the way his eyes widen in horror, his body growing stiff as a rod, and he can't contain the self-satisfied smile that draws across his lips. "We did once find comfort in each other's company, didn't we?" Stefan makes another panicked sound, smoothing his hands across the cold metal door above them, trying to find a way out. Klaus chuckles. "Don't worry, mate. Caroline can't hear us. Your sordid little secret is safe with me. It's just us here, alone under the cover of darkness. Nothing we haven't done a dozen times in the past. Ahh, the 20s…" he speaks around a dramatic sigh. "It was the roaring years, indeed."
"What are you doing?"
"Making conversation."
"I don't want to talk to you, I especially don't want to talk about that." Stefan nearly chokes on the last word, inching as far away from Klaus as the confined space will allow, as though the mere idea of touching him fills him with utter revulsion. Klaus knows better; it's the way he remembers exactly how it didn't what terrifies him.
Anybody who's met this watered down, colorless version of Stefan would never be able to tell how much of a free spirit he used to be. He was fun. A far cry from the shivering man beside him now. Tragic, really.
"I know you like to pretend it never happened. Frankly, you've become quite an embarrassment of your former self, so I wouldn't proudly advertise it either. This bunny-eating, crying in the dark skin you're wearing these days is someone is wouldn't be caught fraternizing with if you were the last human being on earth."
"Then leave me the fuck alone already."
"Don't flatter yourself. I'm not here for you," he snaps back. And then, putting a leash on his rising temper, he continues, "But since I have to be… I can recognize that there was something about that time we had together that suited us both, more than just for the obvious reasons."
"I have no idea what you're talking about."
"Sure you do. I was a tool for you."
"A tool for self-destruction."
Klaus huffs out a disdainful breath. "I was a balm to your tortured soul, Stefan, even at a time when you embraced your true self. I indulged you because you amused me, but at the end of the day, when we were together, it was all rather transactional. It wasn't about sentimentality or a shared appreciation for extravagance. It was about the hollow inside us. The fact we were always desperately seeking to fill it with… Anything, really. Whatever we could find. Passions. Pleasure. Violence. Cravings. But it never lasted, did it? Those things lack a purpose. They're all flitting in their essence, an immense explosion of satisfaction followed by… Nothing. We were both hungry, and we kept trying to find the thing that would sate us. You had lost your mind; I had lost my home. Like drawn to like." Klaus turns his face to Stefan, finds him staring back, eyes glinting with an emotion he can't quite read in the gloom. He always did fancy Stefan's eyes, though. There is something raw about them, something honest for a change. A little opening to the truth in his soul he tries so hard to hide from the outside world. "That's what the darkness is, Stefan," he continues. "Loneliness. It's what restrains us. The monster we cannot outrun. When it all stops - the laughter, the liquor, the hunger - and everything goes quiet around us, that's when we feel it. The curse of eternity. The weight of our years, deep in our bones. And the inevitable loneliness that comes with it. You had your names on the wall, I had my letters, but when all was said and done… We were both stuck in infinite darkness. Except for a few glorious stolen moments, in that repulsive room of yours." The corner of his mouth pulls up into a lopsided smile. "I was the bigger monster you needed in order to humanize yourself. Whatever you were, I was worse, and so I assuaged your guilt. Much like me being here right now. But then of course you found religion!" He laughs, closing his eyes and facing forward once more. "Your spiritual path towards the light. Elena Gilbert." He enunciates the name like it's coated in something toxic. His general distaste for Elena goes further than the fact she has thwarted so many of his plans. It's the boring saint act he cannot get over.
"Yes," Stefan says, his voice rough. "And then I lost her."
"Right. Because she chose your brother." Klaus chuckles. Stefan shifts uncomfortably beside him, the urge to hit him palpable in the air. It only spurs Klaus on. "How so very tacky. No taste, that one. Personally, I think there's no amount of blue eyes or good sex that can make Damon tolerable. What a wanker. I just want to bash his face against a wall whenever he opens his mouth."
Stefan scoffs. "Get in line."
"It's ironic, isn't it? You were at your absolute best behavior, weeding out all of your instincts, everything that made you fun and interesting in order to fashion yourself into a fairy tale prince for her, and what does she do? She chooses the dullard bad boy. Typical." Klaus shakes his head. "Ungrateful little -"
"Shut up."
"Martyr," he finishes with a smirk. "She probably thinks she's going to fix him, doesn't she? I bet he encourages it. But that's the difference between you and Damon, isn't it? Even with all your valiant efforts, you know creatures like us cannot be fixed. We're beyond salvation."
He gets a sudden twinge in his chest, an image flashing in his mind. A smile as bright as the sun. Hair the color of wheat. He sees her shifting under his sheets, feels the warmth of her touch, the brush of her rosy lips against his skin. It ignites a sense of joy inside him unlike anything else, a sense of possession, of belonging, of having found something that is far more precious or rare than any of the hundreds of treasures he's collected over the course of his life. But along with it comes the ever-present fear. Of loss. How long before he ruins her, like he's ruined everything else he's ever cherished? How long before he hurts her, even if he doesn't mean to? Before his darkness tarnishes her and kills that smile? Before she decides he's not worth it?
"How do you make yourself worthy?" he asks, the question tumbling out of his as though of their own accord. "How do you earn the affections of someone so…"
"Good?" Stefan finishes for him, reading his thoughts. "With sunshine and rainbows shining out of their eyes? Someone like, say… Caroline?" Klaus goes quiet, all his humor bleeding out of him in a second. "You don't," Stefan answers his own question. "You'll never be good enough for her, Klaus. Just like I was never good enough for Elena. Not really. The truth is they deserve much better than the two of us." He sighs, deflating with resignation next to Klaus. "I guess we did make quite a pair, you and I."
"Then perhaps we should die together," he says with an edge of aggression, his mood taking a sudden downturn. He's suddenly irritated. With Stefan, with this ridiculous situation, with himself for agreeing to that. "You and I, in a box, at the bottom of a quarry. Over and over again, drowning in suffering for all our sins and the women we don't deserve. How about that?" Silence stretches out between them, absolute. There's no response from Stefan, but there's also no pounding pulse, no disgruntled breaths. "Oh, look," he says dispassionately. "Someone's not having a panic attack anymore. Congratulations. You've conquered your fears. All you had to do was remember there are worse things than dying."
Klaus gives one violent kick on the door, sending it flying off its hinges. He pushes himself up, stepping out of the safe.
Caroline comes whooshing in, eyes wide as she takes in the state of the safe, the way Stefan is still down, cowering from the sudden burst of luminosity.
"What did you do to him?" she demands.
Klaus' mouth inches upward into the barest hint of a grin, no mirth whatsoever. "I fixed him."
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