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#where she acts like she's helping people but only does it to hold it over their head
envysparkler · 3 days
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Of all the people Bruce expects to see on his doorstep on a Sunday morning, Talia al Ghul is very, very low on the list.  Frankly, he’s surprised she bothered to knock.
“Oh,” Talia says, lips pursing in disappointment as he looms in the doorway, “it’s you.”  She rocks on her heels, like she’s attempting to peer around him.
“This is my house,” Bruce says, half-offended and half-bewildered.  She’s not alone, there’s a child scowling up at him—they’re making League assassins smaller and smaller these days—but Bruce ignores him and focuses on the greater threat.  “I’ve already told Ra’s al Ghul that Gotham is off-limits—”
“Don’t be ridiculous, this isn’t about him,” Talia waves him off and saunters forward, stepping over the threshold and into the house like it belongs to her.  The child follows her, only pausing to sneer at Bruce, and Bruce is left standing on his porch, thoroughly dismissed.
Talia always did have a way of getting what she wanted, and damn anything in her way.  It takes a moment for Bruce to shake the old, lingering fondness and remember that a deadly assassin is inside his house.
Alfred is going to kill him.
“Wait!  Talia!”  He catches up to her near the kitchen, where she is surveying the cereal boxes on the counter with palpable distaste.  The child looks like he’s trying to test them for poison, or possibly poison them himself, but Bruce doesn’t have time to worry about that, because she’s found—
“Uh, Bruce?” Tim’s voice cracks high, out of his chair and holding both his cereal bowl and his spoon ready to throw.  “Did you forget to tell me you had company?”
“Timothy Drake,” Talia says, cold enough to create icicles.  She studies him for a long moment, skipping from his Superboy pajamas to his bleary face to the overfull mug of coffee on the table.  “You are one of Lady Shiva’s.”
The child’s scowl deepens.
“Yes?” Tim looks at Bruce desperately, like it’s a test and he’s looking for the answer.  Bruce shrugs.
“She mentioned you were passable,” Talia sniffs.  “For a boy.”
Tim looks a mixture of outraged and pleased, but Bruce is more concerned with why Talia is here, standing in his home years after she gave back his mother’s ring.  Talia only reveals whatever she wants to reveal, and while she does only ever tells the truth, she lets him draw incorrect conclusions from those truths all on his own.  It means Ra’s isn’t involved in whatever brought her here, but that could mean anything from the old schemer being dead to Talia being on the run, and Bruce is not nearly awake for an imminent League invasion.
“Where’s Alfred?” Talia finally finishes her survey of the kitchen and rests her cool gaze on him.
That would be the reason Bruce is barely awake.  He only managed to drag himself from bed with the reminder that there was an unsupervised teenager in his house.  Unfortunately, he’d got there too late to save the coffeemaker.
“What do you want with Alfred?” Tim asks, on the verge of hostile.  The child draws himself up like a hissing, spitting snake, and only stays still by virtue of Talia’s hand on his shoulder.  Talia, for her part, merely looks inconvenienced.
“Well, this would’ve been several times simpler had he been here,” she sighs.  “I could’ve dropped off Damian for a spot of tea and gotten on with my business.”
“And what is your business?” Bruce presses.
Talia heaves another sigh—this time dramatic and put upon.  It’s an act, Bruce can tell, but that doesn’t help him, not when Talia turns to him and widens her eyes, looking up through her lashes.  “Unfortunately, Beloved, your son takes after you in terms of vanishing skills, and I’ve finally managed to track him down here, so I really must get going before he infiltrates that sorry excuse of a prison and finishes decapitating that clown you keep alive for some unfathomable reason.”
There’s a lot packed into that statement, and Bruce is still untangling ‘your son takes after you in terms of vanishing skills’ with the knowledge that Nightwing is supposed to be safely inside Bludhaven and the growing horror that Dick might’ve accidentally started a war with the League of Assassins, so it’s Tim that inhales first, staring at the child in sharp shock and then up at Talia, before finally turning towards Bruce.
“You have a kid with Talia al Ghul?!”
~#~
Talia, of course, does not bother to explain anything.  She merely instructs the child—Damian—to behave before vanishing back out the front door, and Bruce’s attempt to follow her is met with a katana and a high-pitched demand for a duel.  It becomes apparent that Talia’s version of behaving doesn’t match Bruce’s, because it takes several minutes and one shallowly bleeding slice before Bruce can extricate himself.
The child—his child—Damian leaves him alone then, looking disappointed in his swordsmanship skills, and turns instead to badgering Tim, who despite favoring a bo staff—“a clearly inferior weapon unsuited to anything but sloppy pulverization,” comes out crisp and clear-edged, much like Bruce himself when he was younger and his only point of reference was Alfred—is judged a suitable opponent on the basis of Lady Shiva’s reference.
Bruce is maybe a little sulky that a child—his child—has dismissed him in favor of a teenager with a pillow crease on his cheek, but he suppresses the emotion to dart to the Batcomputer so he can ask Nightwing what the hell he’s been up to.
Unfortunately, Dick’s response is both confused and irritated, which means Bruce has to waste time explaining the situation lest his eldest give him the silent treatment again, and Dick signs off with a promise to drop by, clearly excited at the prospect of a new sibling.
Bruce doesn’t warn him that this one is more apt to stab him than hug him.  Dick can figure that out for himself.
But with that distraction out of the way, he’s left to ruminate on Talia’s words.  She wasn’t talking about Dick, and clearly not about Tim, and not Damian, and Bruce has no other sons.  The thought drives a pang through him, a loss he will always carry, and he finds himself in front of the case with Jason’s uniform, as though it can help him solve the puzzle.
Is there another child out there he doesn’t know about?  He’d swear that he doesn’t have another with Talia, but he has no idea when or how Damian was conceived, so it’s the most likely explanation. 
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bestworstcase · 3 days
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the only purpose of the shock collar was to subjugate, enforce cinder’s status as an object the madame owned. she neither chose it nor wanted it—and in the end, it was just a necklace. cinder breaks it with ease, with one hand. anyone might have set her free at any time with, literally, no more effort than it would take to lift a finger.
(do not try the bullshit nonsense about cinder’s enslavement being legal with me. slavery was abolished after the great war, and when the madame is displeased she brings cinder into the kitchen to torture her behind closed doors. adopting an impoverished orphan from a foreign country and using a collar made to look like a pretty necklace is how she gets away with it, enabled by the complete indifference of her wealthy patrons to the plight of the "adopted child."
the thematic point of rhodes is that he enforces the law only when it’s convenient for him to do so: he knows cinder is being abused, but he’s a regular patron of the hotel and he chooses not to say or do anything to intervene until he recognizes cinder as a threat to the madame. “hurting them won’t make your life any easier.”
we see this pattern reoccur again and again in atlas, that those who hold political or economic power flout the law without consequence or contort it to work for them while those beneath are subjected to strict, unforgiving enforcement. everything robyn does before the election is legal and above-board but the ace-ops openly treat her like a criminal and hound her about obeying the law, while ironwood misappropriates construction materials earmarked for mantle. this is the idea that rhodes embodies.)
so the greatest injustice of the collar is that it had no real power, by itself, over cinder. she could take it off whenever she wanted, except that she was not allowed to; no one willing to help her, no safe haven where she could find refuge after, and when she becomes desperate enough to resort to violence to free herself she is immediately prevented from doing so by a huntsmen—exemplars of moral virtue as they are intended to be—who tells her that in order to be good she must endure seven more years before she is allowed to leave without her guardian’s permission.
as an instrument of control, the collar can exist only through the willingness of the hotel’s patrons to participate in the fiction that cinder, having been lifted out of poverty by the madame’s generosity (look, she even gave the girl a lovely necklace!), is now earning her keep, learning the value of hard work. pay the scars no mind. rhodes intervenes to keep protect the madame, and his fondness for cinder is circumscribed by that motive.
the first time he leaves after he begins to train her, rhodes says goodbye by placing his hand on top of her head; cinder flinches—
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—and the scene cuts right to the collar:
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in the same mode, the madame electrocutes cinder in a panic as cinder strangles her, and rhodes’ final act is to place his hand on cinder’s head, scaring her—
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—after which she cuts him down and stands upright to remove her collar:
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the collar and the gentle (unwanted) hand are one and the same, two faces of a single instrument. carrot, stick. neither figures cinder as a human being. rhodes is only gentle until she disobeys him, whereupon the covert violence of their first meeting is reified: he enters her only ‘safe’ place to catch her in an unlawful act; his first action is to pass judgment; his second, to draw his weapons.
now, that’s not yours, is it?—huntsmen are called to embody a heroic ideal, to protect others who cannot protect themselves. rhodes places his own weapons into cinder’s hands and declares that he will train her as a huntress on the condition that she agrees not to protect herself; he releases himself from his duty to protect her by moving her into the category of people who do not need to be protected, and thereby makes her both guardian and grimm: as a child who will become a huntress it falls to her to protect her family from the monster of herself.
thus she’s forced to become an active participant in her own abuse; before she can break free of the collar, she has to bite the hand that held it in place.
now to the grimm. during the montage of cinder’s training-and-abuse, there is a particular sequence that goes like this: rhodes and cinder spar with wasters late one night, he disengages and gives her an approving nod; we cut to cinder kneeling before the madame in the empty lobby, dusting a glass statuette of a sabyr for inspection. her work is found inadequate, and the madame finds quiet satisfaction in reminding cinder of the power she has over cinder:
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then the madame walks away, and although cinder strives to maintain the performance of being unaffected—indifferent—she can’t:
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in contrast to the scenes preceding cinder’s bargain with rhodes—wherein the larger-than-life glass statues looming over the lobby alternate between prominently visible or just protruding into frame and cinder’s face is an open book of angry resentment—this is the only instance of a grimm figurine being clearly visible and in focus during the montage, and also the one time cinder’s mask slips to reveal her anger.
similarly, in the time-skip at the end of the montage, the glass sphinx sitting on the coffee table in the mid-left is removed to signal the passage of time, with no other changes made to the decor:
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but guess who’s back as soon as the situation reaches critical mass?
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glass wolf. glass dragon. glass shoes.
the point is, throughout the flashback midnight leverages these glass-grimm to symbolize cinder’s true self, her anger which protects her and which the gentle hand demands she extinguish. the fantastical gilded opulence of the glass unicorn depends on cinder staying quietly in her cage. no, it isn’t fair—the gentle hand admits this—but it is her moral imperative to serve others. in this distorted unreality the defenseless and the indefensible become commingled. a huntress, as salem would have it, is a defender who lives and dies to protect a lifestyle. or she is, as ozpin defines it, one who guards the peace by killing monsters.
cinder’s instinctive understanding that this is not fair—that she is not nothing—that she has been wronged—is the monster she must slay to become the hero of this story, the story of the glass unicorn and madame and rhodes and all of atlas. and in the end she can’t.
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rwby has never been precious about depicting blood, but there is no blood in this scene: not not on the floor, not on the bodies, not on her weapons, not a single drop upon her white shirt. her hands are clean. in shadow, the monster snaps the chain around her throat and turns to looks up at the moon—and its light reveals what is true. her tears, her scars. a child who deserved better than she was given. a child who did nothing wrong.
ahem.
Keeping [grimm] in captivity has proved to be an understandably difficult task, as the creatures tend to either die, or kill those who imprisoned them in the first place.
hm! anyway. the narrative function of this flashback is to provide context and contrast with the scenes that follow.
to review:
the collar’s power is enforced by communal indifference and complicity.
the madame, though unaware of him, depends on rhodes to keep cinder under her control; rhodes intervenes to protect the madame from cinder.
the gentle hand is an equal to the collar, a mechanism of control by which cinder is made to participate in her own abuse, and when she disobeys, it turns to iron and inflicts violent punishment. even when he is gentle, cinder flinches under his touch.
by training cinder to fight but forbidding her to defend herself, rhodes casts her into the role of both guardian and grimm: she is expected to protect the madame by slaying her anger and turning the other cheek.
the glass grimm figurines symbolize cinder’s anger, which protects her. when she defends herself, cinder metaphorically becomes grimm: the monster of the glass unicorn is destined to be hated and hunted for the rest of her life, and the monster of the glass unicorn is a blameless child who refused to let herself be hurt. grimm, in this story, are good.
also note
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the similar framing here.
now!—from the moment cinder wakes up, it is abundantly clear that she expects to be met with brutal punishment for her failure. “you—you brought me back here… we failed.” she’s horror-stricken at finding herself in this place and that hardens into terror as the reality sinks in that she is within salem’s reach.
later, on the bridge, she affects calm until salem pauses in front of her; her eyes snap open. she shrinks into herself at the sound of salem’s voice but hangs on every word. when salem mentions the winter maiden, cinder grits her teeth and braces herself.
cinder associates salem with the madame: that is why without you, i am nothing falls out of her mouth so easily when salem tears her down in 8.1 and again when salem threatens her in 8.4—those are the words to make the pain stop, to appease, to demonstrate that she is contrite and repentant and grateful. she believes that this is what salem wants to hear when cinder has displeased her. and she is, at the top of the bridge scene, waiting for the torture to begin so that she can choke it out again and survive this humiliating ordeal.
except that is not what salem wants to hear.
by now salem knows beyond any doubt that “without you, i am nothing” is what cinder believes she wants to hear, and it is obvious to anyone with eyes that cinder expects to be tortured. whether salem knows cinder’s history or not—i don’t think she does, not in any great detail—she knows people well enough to put two and two together. salem knows, then, that cinder expects to be tortured into groveling self-denigration.
she doesn’t want cinder to expect that from her. there’s no other reason for salem to be so thorough in dismantling the expectation.
if she wanted to make cinder afraid, the more effective way is to decline to torture her at all: cinder is so certain that salem will hurt her that withholding punishment entirely will only convince her that salem intends to wait until the moment she lets her guard down, or some other form of deferred retribution all the worse for being delayed.
whereas the most efficient way to puncture cinder’s terror of being tortured is—somewhat perversely—to actually torture her a little bit. because cinder does not BELIEVE there is any possible outcome in which salem spares her, if salem wants to introduce the possibility of mercy she first needs to enter cinder’s reality, where mercy doesn’t exist, by proving she can and will inflict pain to answer both defiance (“you chose to disobey my specific instructions”) and failure (“just to fail again…”)
a brief burst of pain to express displeasure instead of holding cinder under torture until she breaks isn’t really merciful, but it’s the lower bound of what cinder will be able to trust and it eases her into the idea that salem is lenient.
then, “and i’ve realized it’s all my fault. you’ve fought your whole life unwaveringly for what you want, and here i am holding you back, instead of lifting you up; you deserve so much more than i’ve given you.”
aside from being a straightforward subversion of cinder’s clear expectation—cinder thinks she will be abused without mercy until she breaks, salem stops and absolves cinder by reframing cinder’s disobedience as a natural consequence of her own failures—salem has a few specific things in mind here.
the most obvious is the reversal of what she said to cinder in 4.11: “i thought you were the girl who wanted power. did you lie to me? then stop holding back.” and she’s also pointedly walking back things she said yesterday, in 8.1 and 8.4: “all you need concern yourself with is your ability to act when i tell you to” and the “she thinks; she wants…” bit are here flipped into implicit praise for cinder’s tenacity in pursuing what she wants and implicit apology for standing in her way.
but the most interesting angle to consider is that this is salem’s response to “without you, i am nothing.” salem does not verbally respond either of the times cinder says that to her in 8.1 and 8.4; the first time, she dismisses everyone with a gesture, and the second time she just walks away. both reactions are in line with what cinder expects—after all, the point is to remind cinder that she is nothing.
however, cinder has—from what we’ve seen—never spoken to salem this way before, and given she seems genuinely taken aback when salem shuts her down in 8.1 i do think it’s likelier than not that salem has never demeaned her like this before, and that together with having been in atlas for months is what surfaces the trauma association with the madame and thence the appeasing behavior.
so consider how this looks to salem.
the last time she spoke to cinder, she said “you’re free to speak your mind,” and cinder whipped around from the window without hesitation, outraged: “i don’t understand! working with bandits? leaving ruby alive? what’s the point? we’re strong enough to take what we want by force!”—not even a ma’am in there. cinder addressed her like she saw herself and salem as equals, notwithstanding that salem had final say, and salem clearly didn’t have a problem with that.
several months pass. salem is displeased about the loss at haven but trusts that cinder will make an effort to recover the lamp; she is also worried enough for cinder to toss her plans and divert nearly everything to atlas, not that she’s willing to admit that’s why.
cinder walks onto the bridge and the first words out of her mouth are “my queen.” a few minutes in salem curtly informs her that no she will not go rampaging after the winter maiden and cinder’s answer is a demure, “of course; without you, i am nothing.” and then a few hours later they quarrel about it and cinder repeats those exact words in exactly the same tone again.
unless salem knows cinder’s history in far more granular detail than i believe cinder would be willing to divulge, that’s… a really strange shift in behavior with no clear reason; yes, she had to make up the loss at haven (and she did), and yes, salem was unusually mean to her, but neither of those things add up to this plainly well-practiced self-abasement from the girl who only a few months ago did not appear to have a humble bone in her body. once might have been sarcasm; but twice within a few hours?
whereafter cinder ran off to attack the winter maiden and almost died again and salem had six hours to pick all of this apart in her head while cinder lay unconscious.
why didn’t she respond to cinder saying “without you, i am nothing,” if that is not what she wants from cinder? well,
“you disobeyed my specific instructions, just to fail again, and i’ve realized it’s all my fault.” both times cinder said that, it was in response to the specific instructions that cinder disobeyed when she went after penny: you will act when i tell you to, and you will remain here. six hours, salem had to think about this. “you’ve fought your whole life unwaveringly for what you want, and here i am holding you back, instead of lifting you up; you deserve so much more than i’ve given you.”
salem does not think of cinder as nothing. even when she is deliberately being mean, she makes a point to say that she values cinder (“just because you’re more valuable to me than a pawn–”). cinder holds the key to her victory and cinder is also important to her in ways she cannot bring herself to admit except that she keeps bending her plans further and further for cinder’s sake. the first time cinder says “without you, i am nothing” to her, she seems bemused (brows up) and then wry. the second time, she doesn’t react at all.
then because she left it there, cinder nearly dies and is unconscious for hours. and once she wakes up salem hits her with:
this is my fault
what you want matters
i should be lifting you up
you deserve better
i will help you
IN A CLASSIC SALEM MOVE she does not actually say what she means, which is “you are not nothing,” but she finds an impressive number of ways to say it without saying it in just a handful of lines. and:
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she doesn’t touch cinder, but instead she offers, gives cinder a choice to take her hand or not, and this matters because no other character has ever given cinder that.
in 2.1 cinder touches roman’s face to assert her power over him; she does the same to pyrrha in 3.12 right before killing her; she slaps emerald in 3.7.
in 5.9, cinder reacts to watts grabbing her wrist like this—
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—and then sets his hand on fire. in 8.1, emerald starts to run over to embrace her, cinder snaps her head around and snarls “quiet.,” stopping her in her tracks. and after she wakes up in midnight, when emerald rushes into the room and grabs her, cinder tenses and verbally lashes out before jerking her hand away.
cinder really does not like to be touched and that all traces back to:
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rhodes patting her head. which is what he’s reaching down for when cinder kills him, because this time she senses him moving to touch her and can’t take it.
cinder bristles and retaliates whenever anyone touches her, and outside of grappling during fights the only times cinder ever touches other people is to hurt them or to remind them of her power to hurt them, because that is what touch means to her; it’s something those with power do to those beneath them, and something the weak must endure.
for salem to offer her hand to help cinder up is strange and unsettling; it breaks the rules. and cinder is very hesitant to take it—her fingers shake—but she does, and it isn’t a trick, salem pulls her to her feet without hurting her.
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whereupon cinder’s whole demeanor transforms from terrified incredulity to calculation. she doesn’t understand what just happened, but she knows touch is an instrument of coercion and a way to inflict pain. if salem were like the madame, she would not have done any of that; if salem didn’t touch her with the intent to harm her, then there are only two possibilities:
one, that salem’s resemblance to the madame is superficial and she is actually much more like rhodes; or two, that salem is the weak one and cinder holds some unknown degree of power over her.
the instant this thought enters cinder’s head, it becomes urgently important to figure out which it is, hence the murdering of colleagues and stepsisters and lying to salem’s face that cinder gets up to immediately afterward. BUT THAT IS NOT WHAT THIS POST IS ABOUT THIS IS A POST ABOUT THE GRIMM ARM. AND THEMES.
wheeze. okay
in the glass unicorn, cinder has two parental figures—the madame and rhodes—who act in synchronicity to keep her in her place. shock collar, pat on the head. stick, carrot. she is tortured and made to refract this violence inwards, against herself, by turning the other cheek. within this narrative, the symbolic purpose of the grimm is to protect cinder and cinder herself is symbolically identified as grimm; just as black glass is her signature in in the present, the white glass of the hotel’s grimm figurines reflects cinder’s starkly white-and-grey uniform.
glass, cinder. glass grimm, glass shoes.
unicorns, classically, are said to be ferociously wild and dangerous beasts tamable only by the touch of a maiden. those who hunt unicorns, then, should solicit a maiden’s assistance. she goes out into the woods alone; the unicorn finds her and docilely, fearlessly lays its head upon her lap and goes to sleep; and thus the hunters take it. this manner of hunting unicorns is called entrapment, and among medieval and renaissance depictions of unicorns it is by far the most common motif.
in the world of remnant, if unicorns are real then they are undoubtedly a kind of grimm.
gestures at cinder, the fall maiden, who can tame the grimm. who feels for them. maiden. unicorn. maiden. unicorn.
the story of the glass unicorn is a story about a maiden-monster whom a huntsman instructs to tame herself lest she be hunted forever; an entrapment of the self; in the end she hears the baying of hunting dogs in the distance and awakens to the truth that she too will be killed, in spirit if not in body, if she obeys the huntsman. the unicorn is not to blame, and the maiden is right to protect it, and the unicorn is, has always been, grimm.
bearing all of this in mind,
is the grimm arm another collar?
i don’t think it…is, actually, in any sense except that cinder forms an association between the madame and salem in 8.1—the collar and the arm are diametric opposites, mirror-images of each other:
where the collar was fragile and easily removed, the grimm arm is part of cinder’s body. where the collar derived all its power from pretense (it’s only a pretty necklace!), the grimm arm is impossible to mistake for something other than what it is. where the collar’s sole purpose was to inflict pain and remind cinder of her place, the foremost purpose of the arm is to replace cinder’s missing limb. where the collar was forced upon her and she hated it, cinder trained hard to master her new arm and has grown more comfortable with it in every new volume.
paired with the way grimm function symbolically within the glass unicorn narrative, as representations of cinder’s justified anger and desire to protect herself… well. maiden, unicorn. lol
is it then an iteration of the gentle hand? that’s a more interesting question, because salem’s abuse of cinder is really quite a lot more like rhodes than the madame, but then there’s also… the reversal. rhodes’ affection for cinder is restricted by his interest in protecting the madame, and when cinder disobeys him he attacks her presumably with the intent to arrest her for murder. whereas salem has repeatedly and increasingly rearranged her plans for cinder’s benefit, and when cinder disobeys her, she reconsiders her treatment of cinder and offers an apology.
and obviously—
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—we have the way rhodes touches cinder’s head, which at best makes her tense up in discomfort and at worst scares her so much she kills him to make him stop, mirrored in the same episode by salem offering her hand and cinder choosing to take it.
salem is not by any stretch of the imagination good to cinder, but midnight places her in juxtaposition with the madame and rhodes in order to clarify the difference between salem and the parent-figures of cinder’s childhood. it’s salem who tells cinder that she isn’t nothing, that she deserves better, that she was right to become defiant when salem was cruel to her. it’s salem who gives cinder a choice to let salem touch her or not.
everyone who gets where the wind is blowing with cinder understands, because it is obvious, that her turnaround is going to be incited by someone showing her mercy, which will shatter her view of the world and open a door for her to change. but… that “someone” is salem. it is literally already happening.
the first crack is salem telling her you deserve so much more than i’ve given you, as she pulls cinder to her feet.
and cinder doesn’t know how to parse that, she has no frame of reference except the madame and rhodes and she’s superimposed them both onto salem; the discrepancies, the pieces that don’t fit, are small right now. they will get larger, and the cracks will keep widening until the looking glass breaks.
which is why the grimm arm is related to the collar in the specific way that it is, with cinder flashing back to her childhood and the pain salem inflicts ending when cinder shifts emotionally from helpless fear to defiance and salem then explicitly affirming the rightness of cinder’s anger. the moral of the glass unicorn narrative according to rhodes is that what cinder did is unforgivable, and she will never escape it; the moral according to salem is that cinder did the right thing, and deserves better. the symbolic function of the grimm figurines in the glass unicorn narrative is to represent cinder’s self-protective anger. salem, grimm, uses cinder’s grimm arm to make a point that cinder should get angry when salem mistreats her, and then rewards her for being defiant.
is that a really fucked up way for salem to make that point YES OBVIOUSLY but no one else is even trying. lol
little steps.
(whispers into a cup) the grimm arm is also a metaphor for learning to be vulnerable and trust others not to harm you
cinder feels its pain. when it’s severed, it hurts, but also grows back. it’s both powerful (superbly strong, inhuman flexibility) and vulnerable (aura can’t protect it). salem can use it to hurt her; it connects them both together, so salem knows she’s alive and cinder knows when she’s back. it refused to bond with cinder until she let go of her fear and welcomed it.
the shattering trauma that made her what she is now was rhodes telling her that defending herself made her an irredeemable monster. the grimm figurines in her childhood story symbolize cinder’s desire to defend herself. the grimm arm is part of her body that connects her to salem in a way that salem can abuse to hurt her, but salem is also the first character to look cinder in the eye and tell her that she is right to defend herself. both cinder and salem are in the early stages of developing villain -> hero arcs.
your newfound strength brings with it a crippling weakness, salem says. remember that it comes with a cost. take care to protect yourself; there is only so much i can do to aid you. cinder wants to be strong, but she is terrified of weakness, and it is the terror of weakness that drives her, that must be faced, that must be resolved before she can find peace. her story isn’t about “learning to be satisfied with the power she already has” it’s about learning to be okay with being vulnerable. with having weaknesses.
like an arm she can’t shield with aura, that grows back when it’s severed, which she feared and then hid in discomfort and now accepts as a part of herself. just because salem can hurt her doesn’t mean that salem is incapable of choosing not to. salem could also, like, smash cinder into a gory pancake with a snap of her fingers.
it’s a story. about trust.
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tittyinfinity · 1 month
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when you're disabled, being financially abused by your parents never ends
#so you're telling me that you got 5k this week from claiming me on your taxes#while hounding me about how i haven't been contributing enough to bills & expenses (i was giving you what you asked for!)#and none of it will go to me because ''i owe it to you for living with you''#despite the fact that 5k nearly covers the mortgage for the entire YEAR#DESPITE THE FACT THAT I COULD PAY OFF MY OWN LANDLORD AND MOVE OUT#btw i literally only let her claim me on her taxes bc she said she'd be giving it to me. and this is the third time she has done this.#promised me it wouldn't happen again. she used me.#she does this thing a lot#where she acts like she's helping people but only does it to hold it over their head#i told her i could have been paying her more for bills but she told me i didn't have to#and now she's complaining that i don't pay enough#i will literally tell her not to help me sometimes#bc she'll do it anyway and then later on you hear ''i did something nice for you so if you don't help me with a favor right now...#...I'll do everything I can to sabotage your life''#so she literally only does it for personal gain#so that she can have an excuse to feel like she's better than all of her kids and that we're just stupid ungrateful assholes#all 3 of her kids could be telling her that her logic is wrong and she won't budge#another thing that happened recently is that she told me i needed to pay her back for a gift she bought me that got stolen#which is also something she does a lot. buys me things without asking and then telling me i have to pay her back for them#i had way more stuff stolen that i had personally bought#i didn't ask for that fucking keyboard sorry. I ALREADY HAD ONE.#and she's been going on about how ''she's the one who's ACTUALLY being affected''#she is FULLY AWARE that the dude she lets over has stolen from us MULTIPLE times#but apparently it's my responsibility to pay her back for something out of my control#STOP BUYING ME SHIT AND TELLING ME I DON'T NEED TO PAY YOU MORE IF YOU'RE JUST GONNA HOLD IT OVER MY HEAD#IF I'M SUCH A BURDEN MAKE IT POSSIBLE FOR ME TO LEAVE#.bdo
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godslino · 3 months
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PIECE BY PIECE | minho first date series. friends to lovers.
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pairing: minho x fem!reader word count: 6.2k genre: college au, mutual pining, fluff, angst warnings: drinking, referenced injury (very minor) summary: minho, on a drunken whim, asks you out on a date.
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chan | minho | changbin | hyunjin | jisung | felix | seungmin | jeongin · · · ♡ series masterlist · · · ♡ taglist · · · ♡
a/n: finally!! the minho part!! i’ve been sooo excited about this one since i first got the idea. i hope you guys enjoy! once again any and all feedback is appreciated, happy reading <3
“Dude, I think it’s clean.”
Minho looks up from where he’s scrubbing the counter, eyes narrowed. So what if it’s his third time going over every surface in the kitchen?
“Are you going to help me or are you just gonna sit there and make more crumbs?”
Jeongin’s eyebrows shoot into his hairline. He holds up his hands in surrender, the bag of chips in his lap crinkling. “I’m just saying. You’re acting like she’s never seen the place before.”
That’s the problem. You’ve seen his place. Minho has to stop the shudder that threatens to overtake his body at the thought.
“So you’re not helping? Great. Get out.”
“I live here!” Jeongin whines. “Why do I have to get out? You can’t banish me like this.”
“I can and I will. Now leave. I have two hours to make sure everything is ready and I am not going to vacuum for a fourth time.”
“Yes mom,” Jeongin rolls his eyes as he unfolds his legs from underneath him.
He stops just short of the kitchen counter, points an accusatory finger at Minho’s disheveled figure still hunched over an imaginary stain.
“For the record, Chan hyung would never do this to me. He loves my crumbs.”
Minho throws the scrub daddy at him.
🏠
The night it happens, all it takes is approximately three shots and a pep talk from Hyunjin for Minho to finally find the nerve to ask you out.
“You’ve got this,” the younger boy says, words slurred, his hands steady on both Minho’s shoulders. The bass thumps loud in the other room, drowned out by the walls of the kitchen until it’s nothing but garbled nonsense going in one of his ears and out the other, vibrations low in his chest.
“I’ve got this.” Minho repeats, the thrum of alcohol already spreading to his fingertips. He feels warm, light on his feet. His limbs are starting to loosen up and his insides are turning to jelly. He might even be floating.
“You look hot.”
“I look hot.”
“She’s gonna say yes.”
“She’s gonna say yes.”
“You’re gonna venmo me twenty dollars.”
“I’m gonna venmo you twenty dollars.” Minho parrots before he can even process what he’s saying. Changbin, who’d been watching the entire thing unfold from where he stands with his back pressed against the sink, snorts.
“Wait, what the f—”
“Go get her!” Hyunjin screams, pushing him through the door of the kitchen with one last pat on the back, “And send me my money!”
Minho stumbles over himself, just barely able to stop in time before he goes crashing into a group of people. The living room is crowded: there’s furniture pushed up against the walls, bodies pressed front to back in the middle of the floor, a makeshift DJ stand in the corner where Chan is controlling the music from his laptop, drink in hand. Minho catches his eye from across the room, the glow of the LEDs reflecting off the toothy grin he shoots his way, dimples on full display.
“Hey!” Minho feels someone grab his arm, and he turns to find you staring up at him. “Where’d you go? You said you were gonna get a drink.”
Minho follows your eyes down to where you’re staring at his empty hands. “I—uh, well. I ran into Hyunjin and we took a few shots.”
The pout you give him does nothing but spur on the fluttering of his chest, his brain still hyper aware of the way your hand was resting on his elbow. “Shots? I want shots!” you whine, and Minho has to avert his gaze from staring at your lips when your pout only worsens.
“How much have you had?” he tries to ask over the music. There’s a shitty pop song playing, high pitched and wonky. If he remembers in the morning, he’ll make sure he berates Chan about his DJ-ing abilities.
“What?” you scream back, tiptoeing to bring your mouth closer to his ear.
Minho is only a man. A man who's been in love with you since the moment you accidentally spilled your coffee all over Hyunjin in the quad during freshman year. He remembers that day well, remembers the way your eyes went wide and your lips parted. He also remembers the way he wished it was him with the large wet stain on his shirt, that way it was him that was offered to have his lunch bought as an apology.
He’d never admit it, but sometimes really late at night, when the moon is high in the sky and he’s feeling oddly sentimental, he counts his lucky stars that Hyunjin had been in a relationship at the time. Minho doesn’t know what he would’ve done had he been forced to watch the two of you hit it off—some form of arson, presumably. Anything to take the edge off. But because of the fact that Hyunjin was not trying to have his head cut off by said girlfriend at the time, he invited Minho along as some sort of collateral damage. That’s when the two of you became friends. Kind of perfect if you ask him.
With the jumbled mess of butterflies in his stomach that he gets whenever you’re near him, and the threat of the alcohol slowly seeping through his skin, his brain short circuits the minute your breath grazes the shell of his ear. When your hand follows not long after, fingers gripping the nape of his neck to hold him in place, he almost passes out.
“Min? What’d you say?”
Minho is rendered completely useless by you. Absolutely ruined. Your existence has thrown his entire plan to woo you off course and now his mouth is opening and closing like a badly programmed robot. Pathetic. Nuts and bolts for brains.
By the grace of God (or some other higher being that Minho’s never bothered to believe in until this very moment) he finds his voice, but not before you’re pulling back with a confused look on your face.
“I asked how much you’ve had to drink,” he says, straining against the music.
A saccharine sweet grin that has him seeing stars spreads across your face, “Not enough!”
Minho is not an enabler. Never has been, never will be. There was one time, back in that fateful freshman year that also introduced the two of you, that he let Hyunjin get blackout drunk. A terrible decision on his end, if the earful he got from Chan the next morning was anything to go by. And as if that wasn’t enough, he was finding remnants of the resulting hacking session for the following week. So yeah, never again.
But while Minho isn’t an enabler, he is smitten, and the way your hand feels wrapped around his wrist as you drag him into the kitchen has his soul threatening to leave his body. He thinks that maybe he could do anything as long as you asked. He also hopes you can’t feel the way his pulse is rabbiting beneath his skin, right under the press of your thumb.
“There’s, like, nothing here.” you say as you rummage through the cupboard near the window, nose scrunched and a frown on your face.
Minho laughs, rounds the kitchen island to crouch down and open the cabinet under the sink. “That’s because you don’t know where to look,” he smirks, pulling out a fresh bottle of tequila. “Also, Chan hyung is greedy. He knows people like you will go scavenging his supply if he isn’t careful.”
“I resent that.” you frown, taking the bottle from him. “Besides, people like me deserve to have fun too.”
“Mhm, sure.” Minho says, grabbing a solo cup. He holds his hand out for the bottle, pours just the right amount before sliding it over and following it up with a can of coke.
“A man after my heart.” you joke, holding your cup up to him in a mock toast before downing it in one go. Minho watches with so much focus, fighting against the way his head spins. He doesn’t even know if it’s the alcohol anymore, it might just be the effect you have on him. Dizzying—you flip his entire world on its axis in the best way possible.
Minho’s gonna be seeing your exposed neck in his dreams later, he’s sure of it—it’s branded into his memory.
“That…is so fucking bad.” you giggle, holding your cup out. “Another one.”
Minho clicks his tongue. “I don’t know…”
“Pleaseeee Min,” the lilt in your voice sounds oddly familiar. Minho holds his breath just in case you—yup. There it is. There goes that pout again.
It’d be so easy for him to lean down and kiss it right off your lips. He could blame it on the alcohol, maybe, but then that takes away from how he actually means it.
He sighs instead. “It’s gonna cost you.”
“An arm and a leg?”
“What? No—I meant some water.”
“Oh. Okay.”
Three shots and a full bottle of water later, Minho knows you’ve hit your limit. Cheeks flushed pink, a dopey grin on your face, pupils blown wide. Even in this state, Minho is certain that you’re the most beautiful thing he’s ever seen.
“Anotherrrr,” you slur, waving your cup in his face.
Minho shakes his head. “No can do. You’re cut off.”
“Please,” you whine, placing both hands on his shoulders, “I’ll do anything.”
Minho, completely taken back by the sudden closeness of your body to his, freezes.
“Anything?” he asks before he can stop himself.
This is stupid. You’re drunk. There’s no way you’re going to remember anything in the morning, much less within the next thirty minutes. He’s pretty sure that you’ll lose control of all your senses soon, which is why he’s already texted your roommate Jiwoo to unlock the door so he can carry you inside. Nothing he hasn’t done before.
“Anything,” you repeat, eyes going cross-eyed where they’re fixing on the mole he has at the tip of his nose.
This is stupid. But then again, so is Minho. A big, stupid fool that blames everything on the fact that he’s so in love with you it hurts. This might be the only chance he gets to shoot his shot.
Minho takes a deep breath, says something similar to a little prayer that’s more like Hey, if anyone’s listening, help a guy out, and hopes that the twenty bucks he sent Hyunjin works.
“Go on a date with me.” he says slowly, wincing when your eyes snap up to meet his gaze.
Well, there’s really no going back from that. The only thing that could possibly grant him redemption now is banking on the fact that you don’t remember anything in the morning.
Minho waits with bated breaths, watches as your eyes search his for a long while. He waits for the anger, the disgust, the visible repulsion that he starts to think might happen the longer the silence continues.
He’s about to backtrack, quickly conjuring up an excuse about how Oh, haha, gotcha! when your hands suddenly drop from his shoulders. You grab the cup, your chin tipped upwards, and hold it out for him to fill.
“Okay.”
“O…kay?”
“Yeah. Okay. Pour me another one.”
The next morning, when Minho all but drags himself into the kitchen in search of water and something to soothe the throbbing in his head, he nearly spits a mouthful at Jeongin, the poor guy too busy eating his cereal to realize he’s gotten a front row seat in the splash zone.
Y/N [10:34am]
so
when do you want to do that date?
🏠
Are candles too much?
Minho has options: clean linen, lavender breeze, ocean mist, warm vanilla. He really just needs something to get rid of the smell of cleaning spray.
He thought that having a night in for a first date would be ideal—less pressure, no unwanted attention, a bathroom that he can run into when he starts to hyperventilate if you smile at him for too long. But now that it’s happening, he’s convinced that every surface of his and Jeongin’s shared apartment will scare you away if anything so much as looks off-putting.
Minho is, to put it simply, freaking out. All the other times you’ve been over to his place were on a completely platonic level. Movie nights with all the other guys in tow, dropping off food that you felt generous enough to buy every once in a while, one time because you’d accidentally worn Minho’s jacket home from a party and needed to return it to him.
But this is different. This is a date. Minho’s not dreaming—he already pinched himself a dozen times in the bathroom mirror, tiny red marks on the inside of his forearm to prove it. He’s going to open the door, invite you in, cook for you, and then proceed to resist the urge to tell you how beautiful you are for however long the night continues on after that. He can practically hear Jeongin’s laugh in the back of his head, sneering at how pathetic his inner monologue sounds right now.
He needs to find another stain to scrub.
By the time you’re knocking on his door, Minho has changed his outfit seven times. Sweats were too casual, a button up was too fancy. Should he not have done his hair? No, that’s just lazy, the way his fringe is swept up and out of his forehead adds a nice touch that doesn’t scream Hey! I’m trying to woo you! You’ve never been the type to be impressed by grand gestures and shows of confidence anyways, he knows that well.
One time, when a guy from one of the frat houses hired the campus quartet to sing a song for you in the quad as he stood there with big beady eyes and a bouquet of roses in his hand, you’d all but ran from the scene, Minho following close behind as you called out to him over your shoulder. It’s one of his fondest memories. As soon as the two of you made it around the back of the science building, you’d doubled over in laughter, the both of you in disbelief at what had happened. Minho has had that information tucked into the deepest parts of his brain ever since, saved just in case he needed it.
(Later that night, in the safety of his own bed, he’d laughed maniacally at the situation. Something about watching you reject another guy filled him with a sense of joy he couldn’t explain. He just hoped he was never going to be on the receiving end of it.)
He does a quick once over of the kitchen: double checks that all the ingredients are out, blows a speck of dust off the glass stovetop, spins the tiny floral arrangement he bought so that it’s sitting at just the right angle. When the doorbell rings, the chime bouncing off the walls of the apartment, he visibly pales.
He has to reel it in, to remember that it’s just you. You might not even be here with any intentions other than to fulfill your end of the deal; one date in exchange for the extra three shots he poured you the other night. Minho takes a deep breath, grips the doorknob with conviction, and decides that he’s determined to show you the way you deserve to be treated. The opportunity is there, and he’s gonna take it.
As soon as the door swings open, every nerve that had somehow crept its way into his brain disappears, the sight of you standing on the other side immediately sending the anxiety scrambling and replacing it with fondness instead.
“Hi,” you smile, and Minho sees images of you coming home to his apartment flash across his mind. After class, after work, in the winter when it’s cold and your nose is tinted pink, on rainy days where the ends of your hair are damp and you have a wet umbrella in tow. He could get used to it. He’s so in love that it hurts.
“Hey,” he breathes out, stepping aside to make way for you, “Come in. Are you hungry?”
“Starving, actually. Been saving myself all day since I don’t always get to have your cooking.” You hop on to one of the stools, your attention momentarily stolen by the flower arrangement. One point for Minho.
I’d cook for you every day, he wants to say. But that’s weird, right? So instead, “Well then I guess today is your lucky day.”
“Yeah, I guess it is.” You say softly.
Minho can’t see you with the way his back is turned, hands moving to grab out the knife and cutting board, but if he could he’d see the way your eyes are staring softly at his back, the ghost of a smile on your lips.
Conversation flows easily after that, despite Minho’s original worries about it being awkward. You’re not necessarily treating it as a date, and he isn’t really either. It feels more like a glorified hangout, just the two of you spending time together with the added glances and smiles that normally wouldn’t be there.
Minho finds it easy to get lost in you. He finds himself craving to know more about your day, about the things that’ve been on your mind lately and the hobbies you’ve picked up. Most of the conversation is a continuation of stuff that’s fallen through the cracks during the times you see each other, but he doesn’t miss the way you ask about him too, your eyes shining with genuine interest. It makes his heart slam against his ribcage.
“How are your cats doing?”
Minho looks up from the cutting board, follows your gaze to where it’s fixed on the scattered pictures that litter his fridge. “They’re good,” he says, smiling down at a head of garlic, “My mom sends pictures all the time. She says they claw at the door to my room when they miss me.” He smashes the garlic under the knife’s blade by hitting it with the heel of his palm. “It’s cute.”
“You’re cute.”
Minho, in a very flashy demonstration of what it means to be cool, calm, and collected, slices his thumb mid-chop.
“Shit.” he mutters, dropping the knife.
It’s not that bad, just a little nick, the surprise was mostly what scared him. He probably doesn’t even need a bandaid. But despite how small it is, nothing stops you from hurriedly walking up to him and taking his hand in yours, his thumb held closely to your face for inspection.
“Are you okay?” You turn his hand over between your fingers, the soft pads of them against his calloused ones. Minho is dumbfounded, struggling to find the words to say.
“Yeah—um, it’s fine. My fault. I was distracted.” He stammers out, pulling his hand back and holding it up. He wiggles his fingers, making a show of bending and twisting his thumb that, at most, has just a small cut on the side. “See? Perfect.”
Your face relaxes, and then you’re laughing. Why are you laughing? Either Minho looks like a complete idiot or he’s suddenly the funniest person in the world for being clumsy and reckless and almost ruining the night by losing a finger. Whichever one it is, he doesn’t care, as long as he gets to hear that sound again.
“Let me help cook, please? I know you said you would do it all but clearly you’re a threat to the integrity of this meal.” You say, bumping your hip against his to move him away from the cutting board.
Minho scoffs. “I wouldn’t have done that if you didn’t catch me off guard.”
“So what? You admit that I make you flustered?”
Oh.
Minho wasn’t prepared for this. He wasn’t prepared for the—the flirting that’s clearly happening. You’re flirting with him, right? Why else would you have called him cute or given him that suspicious side eye after you asked that question?
You and Minho have joked around like this before, but it was always empty with no real feelings attached—as far as he could tell. You’re a naturally friendly person, getting along with others comes easy to you. He’s seen the way you talk to the other guys and has always just assumed he was no different in your eyes than they were. Sure, there were moments where maybe your hand lingered on his arm for a little while after he made you laugh, or the two of you would steal glances across the room. Sometimes when Hyunjin said something stupid you’d both catch the other’s eye and make a face, just another funny way of proving that you were both on the same wavelength most of the time. It’s kind of why Minho is so taken with you—he’s never met anyone that gets him the same way.
Reluctantly, Minho puts his pride aside and allows you to help. And as it turns out, you’re actually really good at cooking. Minho doesn’t have to instruct you much, and before he knows it you’re both working like a well-oiled machine, scooting past one another as you switch places between the stove and the sink, reading each other’s minds without even having to ask.
“Taste this.” You say, holding the spoon up to his mouth. Minho leans forward, front teeth poking out, and brings the spoon into his mouth. You cup your hand under his chin to catch any droppings, watching in anticipation as he smacks his lips together.
His eyes light up, big and brown and twinkling under the light of the kitchen. “Perfect.” He smiles.
“Oh you have—uh,” you stop him with a hand on his forearm just as he’s about to turn back to the sink, your other hand hovering next to his face hesitantly, “It’s just, um, your—here.”
Minho’s eyes go wide when your thumb swipes against the corner of his mouth, your touch feather light. It’s so intimate, the only sound being the music playing low from the speaker on the counter. He’s half convinced that you’re able to hear his heartbeat, blood pumping loud in his ears.
“You had some sauce…on your face.” You say shyly, your palm still pressed to his cheek.
“…Oh.”
Minho’s never really looked into your eyes from this close up before. He’s always known they were beautiful, the shape of them soft, full of nothing but the world. He can see himself in them from here, and, selfishly, he hopes you can see yourself in his, too.
He might be imagining it when your gaze flicks down to his lips for just a fraction of a second, but there’s no time to unpack any of that when the sauce starts bubbling over the edge of the pot, spilling on to the burner as loud sizzling and smoke fills the kitchen.
It’s chaos. The bottom of the pot is burnt and there’s only so much of it that’s salvageable. He only bought the exact amount of ingredients too, because this is a self-proclaimed no-food-waste household (as explicitly stated in the napkin contract he has with Jeongin, much to his dismay). So, hooray for conscious consumption of goods!
At the end of it all, there’s no one to blame. You’re both guilty of…whatever that was.
Minho tries to reassure you that it’s okay as he dials the number for the pizza place just down the street, simultaneously shutting down all your attempts to pay as an apology. It doesn’t matter to him, he’d do anything as long as it means he gets to spend time with you. At the end of the day, it’s another memory that he’ll hold close to his heart.
“Listen,” you say, swallowing down a mouthful of pizza, the both of you seated on his couch with a half-eaten box of pizza open on the coffee table, “I know you wanted to cook and all—which, by the way, I’m still sorry—but this is so good. However I’m sure whatever you made would’ve been better.”
Minho chuckles. “Stop lying,” he wipes his hands on a napkin, “I can guarantee you that whatever I cooked wouldn’t be as good as this anyways.”
“Stop selling yourself short, Min. You’re good at everything you do.”
The words fall from your lips so easily, like it’s something you’ve convinced yourself of long ago. Minho’s never been the type to bounce around from one thing to another, always choosing to stick with it until he has it down to a science. Cooking is one of them. Jeongin can attest to all the times Minho has berated him with tasting his latest dishes, chasing him around the apartment with a spoon. The words tighten themselves around his heart.
“I’m not,” he rolls his eyes, “But nine times out of ten, grease and mozzarella cheese are gonna win. I know that for a fact.”
You laugh, and the conversation gradually diverts into a debate about the top ten best greasy foods in existence. You’re heated, half kneeling on the couch with a finger pointed at him as you plead your case for onion rings, when your eyes go past Minho’s head and settle on the shelf of games in the hallway.
“You have games?” you ask, suddenly giddy with excitement as you hurry over to inspect the selection.
Minho watches with fond eyes, collects the plates and napkins to throw away. “Yeah, most of them are Innie’s. We don’t really use them. Sometimes when we’re drunk, other times when we’re bored and decide to wager money for fun.”
You hum, not really paying attention. Monopoly, Chutes and Ladders, some decks of cards, Uno—you scan the shelf until your eyes light up at what you find hidden at the bottom.
“Min! Can we play Jenga?”
“Jenga?” Minho asks, re-entering the living room. The coffee table is clear now, and he sits between it and the couch, his back against the cushion. “Isn’t that kind of boring? We have other stuff there.”
“It’s only boring if you play it the way it’s supposed to be played.” You roll your eyes. Minho turns to you when you situate yourself on the floor beside him and only momentarily contemplates running to the bathroom when your knee knocks against his. He’s been holding it together pretty well so far, however The Sauce Incident had him ready to book it if anything had gone further.
“Well how else are we supposed to play it?” He frowns.
“We make up our own rules.”
The pieces scatter across the wood of the coffee table, clacking as you diligently begin putting them together. “This is a date, right?” You ask, stopping for a moment to turn and assess his response.
Minho stills. He genuinely forgot the grounds on which tonight had even happened in the first place. Spending time with you makes him forget everything else. And, despite his fears in the beginning, being on a date with you has felt so natural that it almost seems like you’ve done it a thousand times before.
Your eyes meet. For a moment, Minho lets himself wonder what it’d be like if he went for it right then and there. “Yeah,” he says slowly, unblinking, hoping you can see the sincerity on his face, “A date. One of the best ones I’ve ever been on, actually.”
He almost cries out in victory when your face flushes pink. “Now who’s a liar?” You ask quietly, going back to piecing together the game.
Minho has learned something new tonight: he really likes seeing you flustered.
“Why do you ask?” he decides to cut you the slack, “Or what does this being a date have to do with Jenga rules?”
He waits as you finish the stack, your tongue sticking out in concentration. You’re so cute. Minho mentally pockets that image for safe keeping.
“Sorry, okay, it’s done. But basically, if we pull out a block, we get to ask the other person a question.”
“And if the tower falls…?”
“Hmm,” you think for a moment, chewing on your bottom lip, “Oh! I know. If you lose you have to tell me why you asked me on a date.”
Minho’s stomach flips. “Okay. If you lose you have to tell me why you accepted the date.”
Something unreadable passes over your face, but it’s gone in an instant. You hold your hand out for a shake, and Minho wraps his fingers around it gently.
“Deal.”
“Why are you taking all of the middle pieces?” Minho pouts.
The two of you have gone through a couple turns by now, throwing out random questions for the better half of fifteen minutes. Favorite colors, childhood foods you wouldn’t eat, the best memory you have from high school. Minho’s learned a lot, has fallen for you a lot more. But that was always a given. It’s impossible not to when he can feel the warmth from your body where you’re seated next to him, your presence overtaking all of his senses.
“Because I’m trying to win,” you laugh, putting your freshly pulled piece at the top. Just a little crooked, too. To piss him off. “Favorite movie?”
“Ponyo. Easy. My turn.”
“Seriously? Why Ponyo?”
“One question at a time, princess.”
He means it as a joke, really. He doesn’t even realize what he’s said until after the fact, the nickname making your heart skip a beat. Minho notices, the corners of his lips tugging downwards as he suppresses a smile. He manages to flick one of the side pieces until it gives way.
“What’s one thing you regret?”
“Ooh, getting deep I see.” You laugh, taking a sip of your soda. There’s a long pause, and then, “I regret spilling my coffee on Hyunjin that day.”
Minho’s brow furrows. You…regret it? He runs through all the possible reasons in his head. Surely it can’t be because you regret becoming friends with them, friends with him, right?
“Why?” He chances.
“One question at a time, princess.” You echo, laughing at his shocked expression.
You remove the last middle piece. “On a scale of one to ten, how would you rate our first date?”
Minho’s brain is going a thousand miles a minute. “A ten. Wouldn’t trade it for the world.” He says it fast, wastes no time in moving forward to remove his own piece. He doesn’t even notice that your cheeks have gone pink again, too busy itching to ask his next question.
“Why do you regret spilling your coffee on Hyunjin?”
Minho watches you, lets his mind wander to the worst possible thing you could say in this situation, and mentally prepares to book it to the bathroom.
You take a deep breath, “I regret it because I wasn’t supposed to spill it on him. I was supposed to spill it on you.”
Wait, what?
Minho blinks. “What are you talking about?”
This is humiliating for you. A terrible thing to have to admit. Up until this moment, you’d thought that this information would follow you to your grave. You press the heel of your palms to your eyes, “This is so embarrassing,” you groan.
Minho pulls one hand away. He’s not really sure what to say, mostly because he’s confused, but, “You can tell me.”
“I had…” you start, looking up at him slowly, “A plan. With Jiwoo.” Minho nods for you to continue. “I’d seen you and Hyunjin walking through the quad a few times, and I thought that you were cute, but I didn't know how to approach you. So I did something stupid and decided that I would literally just crash into you. But I fucked it up.”
I thought that you were cute. The words echo in Minho’s ears like a bell. All this time, all those stolen glances and lingering touches, all the ways you would make hope spike in his chest that maybe you felt the same—they were real.
“So you, wait—” Minho shakes his head, “So you’re telling me that all this time…”
You roll your eyes. “Yes, Min, really. All this time.”
Minho’s never been skydiving, but he imagines that this is what it feels like. Free falling—his soul hurtling towards earth at a horrifying speed, slamming back into his body right here in his living room with a force so strong it would knock him off his feet if he wasn’t already sitting on the floor. You were interested in him first.
Wordlessly, you lean forward, pulling out a piece with practiced ease. Minho waits with bated breaths.
“Can I kiss you?”
Minho feels like he might pass out. “Am I dreaming right now?”
“You didn’t pull out a piece.”
He scrambles forward, clumsily nudging a piece on the side that ends up sending the entire tower toppling over. You smile at him, soft and sweet. “Looks like you have to pay up with an answer. You know, since you lost.”
Minho doesn’t care. “Because I like you,” he breathes out, “I asked you on a date because I like you. I like you so much, ever since I saw you that day. And, funnily enough, I’ve always wished you’d spilled that coffee on me instead, too.”
The confession feels like a weight lifted off his shoulders. He’s spent so long pining after you, laying awake at night thinking about how this would go down if he ever got the chance. He never expected for it to happen like this, much less for you to possibly feel the same.
Panic slowly starts to rise in his chest when you don’t respond. He watches as you reach an arm over, build a small tower out of a few pieces, and then knock it over. You turn to him with a small smile, “Oops, I lost too.”
Minho is so in love with you that it hurts.
“I accepted the date because I like you, Minho. I’ve just been waiting for you to ask.”
He doesn’t think twice before he’s surging forward, cupping your face with one hand and kissing you with a tenderness that has you melting into his touch.
There’s no fireworks behind his eyes, no big bang or grand display of whatever it is that happens in the movies. But there’s a warmth, it starts out small in the center of his chest and spreads throughout his entire body, lights his skin aflame and travels all the way to his fingertips. You’re like that. A gentle presence, someone who worms their way into the very essence of his being and burrows into the deepest parts of him, like it was never his to begin with. Kissing you is slow, and deep, and right. He wouldn’t want it any other way. Minho doesn’t ever want to stop.
He lets his other hand fall to your waist, pulls you closer until you’re practically straddling him with his back against the couch, your knees on either side of his hips. Minho lets out a long, drawn out groan when you tilt his head back farther, his lips parting and allowing you to lick inside of his mouth. It’s so good. So good. He can’t believe he ever lived without knowing what this felt like; lived without ever having you this close before.
After a while, Minho reluctantly pulls back, holding you by the shoulders. When he looks up, your eyes are half-lidded. You look utterly debauched, cheeks pink and lips swollen from how hard they’d been pressed against his own. “We should probably slow down.” He tries hard to convince himself, too. “Talk about it all, you know? I don’t—this isn’t a one time thing for me. I don’t want it to be. I like you. I want you to know that.” He says softly, reaching up to tuck a piece of hair behind your ear.
You lean into his hand, smiling when he flattens his palm to let your head rest there. “You’re like, so perfect that I want to kiss you until you forget your own name.”
Minho’s ears go red, his head falling forward until it rests against your collarbone. The feeling of his breath against your skin makes you laugh and run a hand through his hair, rubbing at the back of his neck fondly.
“This is gonna be so bad now that you say stuff like that.”
“Bad? No, I think it’s cute. You’re cute.”
“Shut up,” he whines, but there’s no bite to it. Not when he can look up and press a kiss to your lips. A dream come true. The entire world in his hands, exactly where it was always meant to be.
🏠
In the morning, when Jeongin comes back home, one hand covering his eyes just in case, he calls out,
“Everyone better be dressed! Or else I’m ripping up that napkin and making a new one with No fornicating on the furniture added into the fine print.”
When he doesn’t get a response, he rounds the corner, and finds the two of you nestled into the couch. Minho’s back is pressed into the cushions, his arms wrapped tightly around you as you nuzzle your face into his neck.
Jeongin huffs out a laugh, sends a quick text to Hyunjin that reads: Negative. Clothes are still on. But they’re so cute it’s almost sickening.
He snaps a picture to send to the group chat, grabs a piece of cold pizza, and retreats to his room.
Yang Jeongin Fanclub
jeongin: [Attachment: 1 image]
chan: AWWWWWWW
jiwoo: i’m gonna cry
changbin: dude is that the good pizza from down the street?
hyunjin: FINALLY
hyunjin: wait
hyunjin: does this mean i have to send back his $20?
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[tags: @palindrome969 @summergirlsmj @n1staytiny @strwbrrychannie ]
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© all rights reserved. godslino 2024. please do not steal, translate, or re-upload.
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the-cat-and-the-birdie · 11 months
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How They Tell Their S/O They're Spider-Man (& Spider-Gwen) - Spider-Crew x GN!Reader Headcanons
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Miles - The king of acting like he isn't a nervous wreck. Honestly, it takes Miles months before he finally has the courage to come out and say it. He'd ask Gwen and the others over and over for advice. He prepares a big speech, invites you out so the two of you are alone. And though he has it planned out, he acts nervous the whole date and it's pretty obvious something is up.
Miles can barely remember his speech, but he tells you about how much he cares about you, and how he's been struggling keeping something from you. Eventually, after fighting himself a bit, he tells you he's Spider-man, unzipping his suit to show you the suit under it.
After telling you, he's ten times more relieved. He's just happy he has someone who he can actually talk to about it (besides Genke), and he says up all night telling you about the cool things he's seen. He'd enjoy calling you while on patrol, when he's handling a 'villain-of-the-week'.
Though his biggest hope is that it doesn't change the way you see him, because he's still Miles first, Spider-man second.
Gwen - Gwen really struggles with this. She'd fight the hardest to keep it under wraps, coming up with white lies to keep the peace. It kills her inside, and makes her paranoid knowing that one day she might slip up. But she tries to play it cool, and shrugs it off if anything comes up.
But being confronted is a lot for her to take. The thing Gwen fears the most is hurting the people she loves. If confronted, Gwen would deny it at first, get defensive, then eventually just break down and admit it.
There may be tears, but she's just so done hiding everything from you. She'd hold you, and tell you she's really sorry for lying and hiding everything. The guilt gets to her the most. But afterwards, she's just happy that she can finally show her whole self to you. no more secrets.
She's much happier having someone she can go home to. And even though she doesn't talk about the stress a lot, having a shoulder to lean on really helps her.
Pavitr - If we're being honest, Pavi makes little to no attempt to hide it to begin with. Why? Because being Spider-man is fun, it's the best! Why wouldn't he want to share that with the person closest to him?
It only takes a couple weeks, maybe a month or two before he can't take it anymore and just blurts it out to you. He's nervous, but excited, more hyper than usual. And unlike Miles, he can't beat around the bush. He just says it. One second you're hanging out with your bf, another second he's telling you he's Spider-man, and hanging from the ceiling.
Pavi really likes to show off. He wants to share with you all the cool things he sees and does, and hiding things from his partner for long doesn't sit right with him. He wants to feel close to you, and he can't do that when he's hiding stuff.
Right after he wants to take you web-swinging, or show you all his cool stunts, but he understands if you need a little time. He kinda tells you with little warning.
Hobie - Hobie leaves it up to you. He trusts you and he knows you're smart. That's why he's with you. He knows that eventually, you'll know something is off. So he just lets you piece it all together.
He'll leave parts for his web-shooters around, he won't hide his bruises, or clean the occasional blood off his boots. He may catch something a bit faster than a normal person would, or seem to 'sense' something before anyone else.
He's strong in his morals, and he isn't going to lie to you or try to hide it from you. If he's going out, he'll text you and tell you. And if you ask where he is, you'll get a sarcastic answer. He's not hiding it, he just isn't saying it.
If you decide to not bring it up, fine - it's squashed. If you do come out and ask him, he'll tell you the truth. He'll give you his mask. But he'll also play it off. He doesn't want it to be a big deal, because being Spider-man isn't something he does for fun. Or fame. He does it because his dimension is shit, people are suffering, and someone has to do something.
Really, he hopes it doesn't change anything between the two of you, that he can just be his (super-powered) self, and you'll love him for all the other cool shit he's got going on.
____________________________________________
Thanks for reading :) Let me know what you think loves bye
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princesssmars · 8 months
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thinking of karlach who once her engine cools off goes fucking ballistic. nsfw, fem! reader, me being horny for karlach because who isn't. baldur's gate 3 spoilers! i've only finished act one so i start improvising shit.
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now, for a woman who has not been able to have even a hint of physical contact for ten years, you have to give her her flowers with how well she seems to deal with being incredibly emotionally and sexually frustrated.
but once she joins your party that hold she had over her body and brain starts to crack. fast.
hell, it started happening before the two of you became romantically involved. while she was drawn to you from the moment you said "yes" to helping a stranger kill a building full of people, she also had eyes and constantly wondered how everyone in the party was so attractive. astarion was never not flirting with someone, wyll was incredibly kind to her, and she could tell when shadowheart was admiring her physique...
but after a few weeks of traveling, fighting, and making friends for the first time in years, eventually during those quiet nights at camp she finds you invading her mind her mind when she rests in her tent to fall asleep, kind of like the parasite, but in a good way.
she thinks of a joke you you made when the two of you were eating by the fire that made her snort like a pig, the way you explored a dungeon and when you found a magical war axe immediately turned to her and gave it to her with a smile, how you so quickly stood up for her when wyll was adamant on killing her because of her past.
your kindness, your intelligence (she's amused when you act like a dumbass and fail when trying to persuade someone), just everything about you, it was only a matter of time before she asked you to join her when everyone fell asleep one night, talking about how you thankfully return her feelings. it takes a turn when you bring up how her condition leaves her pent up, and as you're whispering the sinful things you cant wait to do to her and she do to you.
it hits her full force that oh, she does actually want to fuck your brains out.
after that night everything you do starts to turn her on. like, horrendously. eating a snack on the road? all she can focus on is the way your lips move around the fruit. dancing to a song volo is playing? she's becoming entranced by the way your hips and arms move to the music.
once when the sun was set and the moon was high she headed down to the lake, figuring the rest of the party had already cleaned themselves when she started to undress on the sand, standing still as a statue when she spots you in the middle of the lake, rinsing out your hair when you turn around to look at her.
she can see the water falling from your hair to your shoulders, dripping down over the peak of your nipples, some falling down your chest to between yours legs-
when she comes back later after running off, the ground where she stood was scorched.
but until her engine got fixed, her nights were spent inside her tent rubbing at her clit and fingering her cunt while pretending it was you. the only thing that makes it better is when she can tell you about all the naughty things she thinks about you and seeing you squirm.
once dammon gets another piece of infernal iron and gives her the final upgrade she needs to have physical contact, she at least has the courtesy to take you to a rented room in an inn before she ravages you.
shes tossing you on to the bed and wondering if she should slow down, take it slow with you for your first time together to make it all the more special, but you're staring at her while she's contemplating and youre taking off your top and then youre pants and then youre pulling her by the arm on top of you and she realizes she can save the softness for later.
there's so much kissing, pulling, biting and moaning that after both of your first two orgasms she starts to feel dizzy. she swears shes never felt a greater pleasure than when you were cumming on her fingers, or when you brought her hips up to your face and made her ride your tongue.
she reaches down to your bag that was throw haphazardly on to the floor earlier and finds the toy you bought, the tiefling smiling so brightly her fangs are on full display as she aligns the double sided dildo with your entrance, nearly going cross eyed at the way it slips inside of you before she sticks the other end into her.
she throws your legs over her shoulders, hold your hands in hers, and starts thrusting so quickly its almost like she's afraid she'll die if she stops.
and she is. she has never felt as good as she does in this moment, fucking the toy into you before feeling it do the same to her every time she pulls her hips back.
shes thinking about how much she loves you when she feels your right hand claw at her back.
shes wondering how someone can be so damn beautiful when you arch your back and nearly scream out her name.
she can barely contain herself when she thinks about how she gets to fuck you like this for the rest of her life when her hand leaves yours and grabs onto the wooden bedpost.
your moans of ecstasy reach a pitch and her eyes are taking in every detail as you come undone, to the heaving of your chest and the fluttering of your lashes. its your gentle whisper of her name and a gentle kiss to her lips that tips her over the edge, grinding her hips faster to the point it starts to hurt and she feels her hands tightening and tightening-
her high feels like it lasts forever before she comes back down to earth, breathing heavy with a dopey smile on her face when she looks at you. she's confused by the look on your face, similarly blissed out but your cheeks are bunched up in that way that means youre trying to hold in a laugh...
its only then she starts to feel it : a large chunk of the headboard is in her hand, snapped almost clean off from the rest of in im the height of her euphoria. she cant help but laugh which makes you finally laugh which just makes you laugh harder.
she drops the wood and shakes her hand of any splinters when your hands are wrapping around her neck and pulling her back into you.
she doesn't feel that bad about it.
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i've resorted to getting ideas from both dreams and those thoughts you turn into stories while trying to go to sleep im like a genius. i put this in the queue posted it and it only showed up on my blog whats with that.
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svndaysaweek · 3 months
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You Don’t Even Know My Name, Do You? — {Feat. Minji}
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3.1k words
A/N: Hi! It’s me, back in 6 months! I had the idea for this one since last summer, but never really made it a fic. But now I post it…! It’s a rushed fic, no editing, I’m sorry for any grammatical errors or typos. Thank you @praeluxius for help and advice in making the conversation better and more natural! Thanks for 1.6k followers and most importantly 1k notes for ‘Niche’!!! Enjoy reading this and luv you all…!
******
Subways late at night are dangerous, and you can’t deny it’s because of you. Drunken bodies swaying along the rail, left and right, back and forth, grasping up on their wasted balance not to embarrass themselves by falling on the floor. Less than an hour left from waving away the day, you can tell where others in the train came from—bars, karaokes, or anywhere with entertainment and alcohol. Returning home after having some fun to wrap up the day and live the following day. Victims of society, some say, but that’s what all people are. We work, get paid. Victims don’t get to enjoy themselves, do they? But to be honest, you’re not the one to care for them, the victims, when you’re one of the victimizers.
You’re standing next to the door, the best position to scan the people in and out, empirically certified by yourself. There are quite a few people in the car—only a few seats available and half of the people chose to spare the seats empty. You’re holding onto a steel bar and slightly leaning your weight on it, eyeing thoroughly for your prey. But there’s no one yet to suit your taste, no one looking good and wealthy.
The mechanical female voice informs the next stop and a few dozens of seconds later the train halts for another group of people to be added to your menu.
“Alright, alright! I’m not that stupid to let someone just, like, snatch my purse away, huh?”
You hear a girl talking to her phone, laughing like she just heard the dumbest advice ever. A crop top for her defined belly to be open, relatively baggy jeans hinting the sculpted curve of her hips and full-blown outlines of legs. Within a second that girl has made everyone in the car latch their eyes on her doing nothing.
“What the fuck? I didn’t drink that much tonight I swear, and fuck, even an alcoholic won’t forget his own name,”
The girl, however, certainly looks drunk, sounds drunk, and acts drunk. Her eyes barely stay open, her tongue hardly makes her words clear. You can even smell how much she poured down her throat. It’s becoming more and more fit for your ideal condition.
Her talk goes on for a few more minutes then she puts her phone in her handbag and looks into the dark, mirror-like window. Her blinks become lazier and slower by the second, alcohol weighing her eyelids, but she does her best to stay up. She looks around to shake off the fatigue and meets your eyes, which have been on her since the moment she walked in. Three seconds is enough to make her look away in shyness, but it isn’t enough for her to examine you as her eyes lock with yours again.
She lets her eyes travel down your body to your toes slowly through(in) the window, alcohol erasing the fact that the subway is public. You pretend to neglect as she keeps eyeing you, head to toe several times, and the next stop the stumbly girl is forced to stand next to you by the crowd gushing in. Unavoidable contacts add leads to your eyes awkwardly meeting, which draws out mirrored smiles from each.
“Sorr-oh!”
A slight rattle of the train almost tackles her down but your arms are there to hold her from meeting the floor. 
"Careful, you almost hit your head, could have ended up like our friend over there." You nod and gesture at old man asleep at the other end of the carriage
"He looks peaceful though."
"You think you can stand up by yourself now?"
"Of Course! I'm not even that drunk."
"The last time my friend said that, he ended up face down in a bush." As soon as you’re done talking she stumbles again to her embarrassment. And of course you keep her standing.
"So you didn't catch him?"
"He's not as cute as you." She laughs and blushes, palm on her mouth and the tone a bit too high for a laughter in a subway. 
“Where do you live?” Change of topic, and you’re surprised that it’s her asking you, not the other way around as it used to be.
“Two stops before the terminus.” She checks where the train currently is, and stares at the map for a few dozen seconds as if her brain is still soaked with drinks, before looking back at you and pointing to the map.
“I’m getting off two stops later,” She blushes again, this time there’s even an awkward smile on her face. As if trying to say something shameful.
“And…” Her fidgety fingers dig into the arm of your shirt and her eyes are fixed on your shoes to never climb up. “And?” You repeat her, grin on your face because of her being so bashful and how overt her real intention is.
“And my name’s Minji by the way. Kim Minji.” It's trickery. A decoy. You almost burst into laughter but keep it down to a debonair ‘mhmm’ instead, hoping to bail Minji out of her own struggle to let the real words out.
And her phone rings. “No, not yet. Only two stops left. No, I don’t sound slurry at all, thanks. Oh my god, Hanni. I said I’m not that drunk! Yeah, I met a guy and maybe he’s taking me to my place-oh my god.” A brief moment of soberness washes through her body but her face is even rosier than ever. Over her phone you hear a woman shouting ‘hey’s and her name, but soon Minji hangs up. The train halts, and she just rushes between the crowd to get off out of shame but you catch her arm.
“Hey, it’s the wrong station.” She can’t look at your smirking face even facing you, face still red and fumbles the hem of her top. “Sorry for that… That was a total mistake.”
“It’s okay,” Minji raises her head, looks at you. “You’re drunk like hell, and you were going to say that anyways.” She's left speechless for a moment, then she opens her mouth to say something but frowns ignorantly.
“Why are you laughing? I was so embarrassed!” She's overtly trying to act cute and it's so working on you. With drunken red cheeks, slurry, lethargic pronunciation and on top of everything, her mesmerizing face. Even your most prior purpose is being threatened to melt by her exhilarating cuteness. 
“It’s nothing.” But your lips just can’t hide your smile, and there is more than one reason; Minji’s being so clingy, which is what usually happens when alcohol infiltrates people’s brains, and it is an aid for you as always. And when the announcement informs you of the next stop, her babyish grumbles are gone and shyness permeates again.
“So… Are you going to take me to my place…?” You hold out our arms and guide the groggy girl out of the train. “After you.” Minji can’t subdue the chuckles from the dizzy liquor, how sensible you are, at least in her opinion, and the fact that you two are going to stay the night together in her place. 
On the other hand, for you the reasons are somewhat different; it’s because tonight you made it, will see some pennies in your pocket and will be able to keep your stomach filled for a few more days. And she’s completely blind for that, giggling so innocently like what she’d do with her lover.
It must be her first time flirting with a guy. She can’t just follow anybody she likes. It’s dangerous. She can’t just trust anybody because he’s amiable. There could be a vice in his mind, transgressions at the tips of his fingers. Somebody should warn her about this, you think. How paradoxical. Maybe you won’t be doing this for long. But that’s something to worry about later.
All these thoughts pass through your mind in less than a second, and when you look back at her you see the green, innocent girl fluttered with excitement. “Lead the way please.” And she does.
******
“This is my place, it might be a little bit messy but-“ Minji opens the door and you close. “It’s okay. No one cares.” She sounds like the soberness has returned, but when you catch her ridiculously stumbling changing her shoes into slippers, ask if she’s okay, and she answers back that she’s alright, you just find yourself tentative about what’s in your mind.
“Are we going to kiss?” You know it’s a tipsy whim. You know she might not know what she’s doing. But it’s her asking you, not the opposite, she has no one to blame but herself, and you also know that she won’t. So you give it a go.
Her lips feel soft. You kiss her lips in a gingerly manner, eyes closed to focus all your senses to your lips. It feels like forever, but it’s obviously provisional so you do your best to find the perfect angle of your head, the right position of your hands, and the exact moment for your tongue to engage. A brief detach and then smoothly latch onto again, and a several times more, and in no time you two are completely submerged in the sensation, in the atmosphere and the feeling.
You open her lips with your tongue, and the key works so well you don’t even have to put any more effort to meet hers; she’s been waiting for it. When you taste her mouth, the alcoholic air hits your gustation and the olfactory sense—Jesus, how many glasses did she empty?—and you swallow it down to your body. Her tongue jockeys in your mouth, on your palate, around your tongue, everywhere it can reach. She’s so needy that when you try to withdraw for some air her arms lock you up and pull you in for a longer liplock.
But that doesn’t last long, before Minji herself pulls back to breathe.
“Minji,” Gasping, you call her name. She doesn’t respond. She takes your hand and drags you to her bedroom. It’s tidied up well unlike what she warned you about, but you don’t have any time to be infatuated with how neat her bedroom is, when her hasty tongue knocks on your lips to open up.
She really can’t hold it back as she redoubles the whirl inside your mouth. At this point you’re a bit shocked at how aggressive she has become—or, she might’ve been like this from the very start—but god, what a joy to reciprocate. But this desire is not a genital one, rather more like a sheer indulgence of the feeling itself as if it’s her first time.
“Minji, no one’s chasing you. You don’t have to rush.” Hands on her shoulders you say, in an assuring tone, to the panting girl in front of you. Regardless she dives in yet again, this time her hands dragging her jeans down, totally ignoring what you said. She doesn’t feel sorry, but neither do you when you can in fact enjoy what’s going to unfold.
You find it kinda cute to see that talkative girl in the subway all silent and busy with her hands with heavy breaths. It’s as if you have unbound her from the straitjacket—or the alcohol did—and her actual self inside was in need of some rabid lovemaking. No denial that she’s getting what she wants.
It’s hammy but a pleasure to watch. Her hands move to your top and hastily take it off of you, a sigh when it blocks the kiss. You’re overwhelmed as you take your pants yourself but Minji pulls it down to your ankles. Stepping out of them you push her onto her bed and crawl up to be parallel with her, eyes to eyes. When your erect cock brushes on her tummy she squints her eyes with a flinch. Her nerves are so worked up, whether it be from the intoxication she’s been in for hours or the anticipation. Or both.
“Minji, are you alright?” Her face is so red, her breaths are shallow and her teeth keep on biting her own fist. She just nods, eyes still filled with unrest; in fact you can’t tell if it’s concern or anticipation, but either way it’s your job to relax her. 
And putting her hand off of her mouth and replacing it with your lips is what you come up with as a solution. As if you want to absorb the turmoil out of her. When your tongues meet and intertwine her hands climb up to the back of your head and pull you deeper into the trance. Time passes like that. Minji’s so lost in the sensation, and when you lightly put your hand on her breasts she moans into your mouth. The size is just unblemished for you to leisurely fondle, so you keep doing that until she detaches from the kiss, asks you to take her top off with a coo.
“You look so beautiful. Just relax, Minji.” She bites on your under lip when your hand softly squeezes her breast and plays with her nipple. The pain is an approval you’d gratefully take.
You slide down to her neck, collarbone, chest, stomach and finally to her crotch, peppering everywhere on your way with pecks and licks and making it glisten. And oh, her pussy lips are already glistening—dripping, soaking wet—with her own water, nectar so dense with desire. You glimpse at her and she nods desperately, underside of her lips bitten hard, as if when you latch your tongue on her sex it’ll bleed. 
And when you do she yelps, sharp yet gutty, with her back involuntarily arching upward. “Ah, please…!” Is what follows her scream when you flick your tongue on her sensitive nub. You cherish her response and repeat it, eyeing her facial expressions and enjoying every furrow of her brows, every grasp on your hair and every squish of her thighs on your ears. It doesn’t take a while to reach the point where she loses control of herself. Where she loses her mind and cums with a scream. Your skull gets crushed between Minji’s fleshy thighs and your tongue drowns in her juices gushing into your mouth. It’s too saccharine, too flashy, beyond what you expected from her. 
“You’re so good at that… I’ve never squirted like that before.” Minji looks spent. Chest heaving up and down quickly, eyes almost teary and her tongue barely pronouncing correctly. You climb up again and lock lips with her, letting her taste her own liquid.
“Nngh…” You coat your cock with her prevailing girlcum, scrub it on her entrance a few times and slowly, slowly enter her first with only the head. That summons the clingy girl into her again as her arms lock around your neck and she screams into your shoulder. It’s enrapturing to feel the head of your cock slowly discover deeper parts of her, to hear her material moans permeating into your bones.
“God, you feel amazing!” Is what she says when you are halfway inside her. You withdraw a little bit, and put in even more, to make your entire cock disappear inside her. Her arms almost choke you when she hugs you tighter and shouts ‘yes’s and ‘oh my god’s right next to your ear.
“Minji, I’m going to move. I’m going to fuck you.” You groan. It’s finally the time to unleash everything in you, all too stacked up from the agonizing foreplays. “Yes, fuck me. Make me cum please-oh my god it feels so good!” You’re not going slow at all. The smacking sound is music to your ears, and her moans melt your brain. So you go brainless. Hitting the right spot and making her cry every time. It's soft no more, and Minji finds it crazy. Her arms can't settle down but intermittently darts about on the bed.
“Minji, fuck…” You doubt that she can hear you in the room full of her orgasmic yelps and moans. “Fuck, I love it! So deep inside me, don't stop…!” Her legs flutter, eyes roll back and fingers dig into your arms helplessly when she cums on your cock hard. “God, I can't… I can't-” The girl shyly asking for a kiss is now gone, beautifully degraded to a girl enjoying, loving and getting overtaken by the pleasure teeming into her. 
Overstimulated, Minji wriggles as if the sensations are throttling her. A few minutes you were caring about her more than you, but now your priorities are reset; you’re reminded of your purpose here, it's not for her sake, it's for you. And regardless of her condition you just push in, harder and deeper than each thrust, to the finish line. Her torso is turned red and at some point she's looking into your eyes, those subtle muscles beckoning for you to go for it, to cum.
“Minji, I'm cumming…! Fuck!” You splatter your seed all over her tummy and tits. The icing on the cake, an eye candy you're never going to be tired looking at.
“It was… Incredible.” Minji has a satisfied smile on her face. “Good to know you enjoyed it.” You nestle on the bed next to her, rearranging the wet strands of her hair out of her face.
******
Minji is asleep. Like nothing happened a few minutes ago. Like you're not in the bed with her. That's not an unexpected thing for you. You dress up, wipe your cum off her body. She's so pretty when sleeping, you think to yourself.
But right after that you take her purse; there are a few bucks and a credit card. And in the dressing table you find some fancy jewelry boxes.
It's bad, immoral. It's what you do for a living. Can't say you feel proud but not much of a guilt in your mind either. Maybe a little though. But only for this time. You actually liked Minji. Not that much, but you felt something different. Maybe you two can run into each other someday. And maybe you're hoping that happens, even though you know it won't help you in any ways. You can't explain it but there's something in your mind about what happened tonight. 
But you carry on, find a pen and a post-it, write something down and stick it on her empty purse on the nightstand.
‘You don't even know my name, do you?’
******
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golddust-if · 3 months
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you're a wanted person. that isn't new to you, but after years of working, someone. no. something is after you.
you were taught by the best, your mother, she was an amazing woman but she was too trusting and in the end, that was her downfall. you won't make that mistake. you're a killer, but a righteous one. you kill those who deserve it, the disposable.
with your abnormal abilities, of which only twenty-five percent of the population is gifted with. you can succeed in what she was never able to do, rid the world of sinners.
you work for the slaughterhouse, a bar... with a dark side; in a rowdy part of the city. your mother was the owner but she didn't pass it down to you, she passed it your younger twin siblings. she believed you were far too talented to sit behind a desk, dealing with paperwork.
you've traveled all over the world, exterminating. you've claimed plenty of people, but perhaps this time you went after the wrong one. having no other choice you flee back home, but you aren't safe there either, you never are.
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play with a customizable mc [gender (male or female), physical appearance, personality, sexuality]
protect those you care about or turn your back on them when they need you.
romance, befriend, or make enemies between any of the sixteen characters. four gender selectable, six male, and six female.
decide what supernatural ability you were gifted with; telepathy, telekinesis, or teleportation [figure out how to develop it and what other ability you have]
define your mc's signature weapon, fighting style and overall skillset; how you feel about killing, and the supernatural abilities you were gifted with.
this story is rated 18+ for sexual themes, substance (drug and alcohol) use, explicit language, and violence. [more themes might be added later]
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the tattoo artist [male or female] [ro] wren price – partner in crime. they've been by your side since you can remember. always with a bright smile and cheeky remarks, you can't think about how your life would look without them. though they act differently with others, more serious, with a glint in their eyes you can't quite figure out. they never look at you like that.
the bodyguard [male] [ro] theodore price – the older brother of your best friend. there's no doubt in your mind that they're related. he's protective over you, although you can't hold that against him as that's what he does for a living. protect people. he's hard to get to know on a deeper level and you can't help but wonder what's going on in his mind.
the detective [female] [ro] rori hayes – now, if you weren't yourself, perhaps you could have been friends with her. but unfortunately for you... she's extremely suspicious of you and set to bring you to justice. she's recently been promoted and she cannot afford to fail, not when her family is counting on her.
the chief deputy sheriff [male] [ro] charles butler – good ole charlie, you're acquainted with each other. he can't say he isn't a little impressed with you. but you're endangering the citizens of his city and that includes his little girl. he may not have any evidence on you but you need to be brought down, and he's going to be the one that books you.
the model [male] [ro] julien ripley – son of the sheriff. he always looks uncomfortable with his own father. he’s never talked to you before and you’re almost positive he has no opinion on you. he’s a very well known face, although you can tell he doesn’t like being stared at and overall talking to anyone. *male mcs only
the journalist [female] [ro] sloane campbell – she's fast alright and always seems to know your moves. too bad she isn't on your side. always trying to announce to the world, where you are and what you're planning to do next. good thing she's overlooked at her job, consistently being handed stories that, even you know, aren't going anywhere.
the bartender [male or female] [ro] hale/hart vaughn – a family friend, and your sister's best friend. with their tantalizing words, they don't know the meaning of being serious. they are quite insufferable and you can't seem to be able to get rid of them. you have a feeling if you did, your own sister would come after you.
the florist [female] [ro] paris graham– at first glance she doesn't appear to be anything special, but that would be wrong. she's a firework waiting to explode and you want to be there when it happens. her work doesn't suit her but you have a feeling, that being a florist isn't all that she does. *female mcs only
the apartment owner [male] [ro] nolan adams – he knows about you and what you do, but he doesn’t give off the feeling of someone who’d go running to tell. you’ve always come back to lay low at his apartment complex when you need to and as long as you pay on time he doesn’t care what you do. 
the actor [female] [ro] ophelia wylie – a face from your past, one you can’t say you particularly enjoy facing again. she seems remorseful for what she did to you, in fact she looks like a completely different person and she’s offering to help you, but for what in exchange… after all, no one gives anything for free.
the crime lord [male] [ro] louis foster – of course you’ve heard of lou, you’d be an idiot if you didn’t. he's tried and failed to recruit you and he never fails. you’ve been warned before, it would be a mistake to make an enemy out of a king.
the informant [male] [ro] vincent sutton – it’s rare to ever see him out, only ever seen accompanying lou. if you had the ability to feel fear, you’d fear him. he shows every sign of being against you, but then again, it seems as if he does that to everyone around him as well. 
the chef [male or female] [ro] mateo/melanie olsen – you see them quite often, as their restaurant is one of your favorites. they always serve you with a smile and if they do know you, they play oblivious. they're just happy to have a customer who enjoys their food.
the doctor [female] [ro] eileen yates – serene and calming, a voice who always knows exactly what to say. she may look innocent but she’s far from it, you’ve known her for years yet you don’t truly know her, for all you know eileen may not even be her name. 
the accountant [female] [ro] felix price – the youngest of the price siblings, she helps out with all the money coming into and out of the slaughterhouse. she’s always been compassionate and reasonable. you can't imagine her hurting a fly.
the rival bar owner [male or female] [ro] kinslee dean – they own a bar just a couple streets down from yours. it’s always been a problem and they’re actively trying to shut down the slaughterhouse. but they’re surprisingly level-headed and want to 'handle' this problem with logic.
the owner of the slaughterhouse [male] archer – your younger brother, he’s honestly kind of a mess. he was not ready for this responsibility but he’s trying. the mischievous boy you grew up with, you don’t know where he is anymore.
the owner of the slaughterhouse [female] iris – your younger sister, she’s always been loud and bold. but she’s changed too, she’s calm and collected. she’s trying her best to help her brother along too.
the sheriff [male] lazlo ripley – a pompous man with nothing else to do but terrorize those he thinks are inferior to him. 
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DEMO [Coming Soon]
warning: this story is still under development, all elements are subject to change!!
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kamisama-kyaa · 7 months
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ow guys and girls (not all) getting jealous seeing you with a new recruit
TW: Cassidy's headcanon is a little mature... (eyes emoji)
Hanzo He'll have to remind himself that you can be friends and hangout with anyone you want. Being jealous is selfish and childish... right? So why does he feel so sad seeing you happy with someone else? He understands that you love him more than anything. But sometimes this man just wants you to himself. When you finally get back to Hanzo, he'll make sure to hold you close in the privacy of his room and tell you that he just wants to be enough for you. Please tell him he is enough and that there is no one else that will come in between you both. It will make him feel more confident in himself. :(
Genji The ultimate playboy when he was his younger self...oh how the tables have turned. He used to make all the girls jealous of each other if they got to talked to him. He's used to people being jealous of him if anything. So when this weird feeling started when he say you with a random new recruit in the lounge talking and laughing, what got into him? Genji couldn't help himself. He quickly walked up and excused you both as he took your hand and led you out of the Gibraltar lounge. Was it rude? He simply was not thinking nor did he care. He did apologize for the sudden intrusion while walking you to his room. In there all alone with you, he confessed how he felt. It seemed like the most mature thing.
"Sorry, (Name)... I wasn't thinking...Is it okay if we just lay together for a little?" Genji will lay you down onto his bed that he bought for you. He'll lay on his side propped up by an elbow and watch you closely. Feel free to fall asleep, he just wants to feel like he can protect you for a little bit.
Cassidy He'll walk up to that son of a gun and tell them how it is. "Howdy. Looks like you've gotten to meet my partner, (Name). Ain't they a sight for sore eyes?" He'll sling an arm around you and give a look at the new recruit that just radiates 'Get away or I'll kick your ass' energy. After the recruit scurries off to who knows where, Cassidy will give you a big o'l smile. He kind acts like he was never jealous in the first place and just tells you, "I'm just lettin' others know what is mine." No matter what, the day will end with the two of you in bed. Expect him to to be a bit more aggressive and possessive than usual. Think of him being more forceful in the way he'll grab at you and force himself into you. Cassidy will lean down and whisper in your ear, "I'm your huckleberry" "Only I can make you feel like this, pumpkin."
Brigitte "Hey, (Name)...Can we talk?" You looked over to see your adorable lover at the door waiting for a response. You told the newbie that you'll see them around or maybe in a future mission. After walking into the hallway with Brig, she asks if you could follow her to somewhere private. You guys end up in a hidden park outside of Gibraltar. You asked if there was anything wrong. Brig can't help but shift back and forth while trying to form a coherent sentence. "I...Sorry I just felt like I wanted to be alone with you. Honestly, I think I got a little jealous watching you talk to someone." You couldn't help but sadly smile and give her a kiss on the cheek. It took her by surprise. "You're not mad at me? Isn't it selfish of me to whisk you away when you're making friends...?" You tell her that it's something you can both work on; to be able to feel confident in each other and so jealousy doesn't have to be a thing. "You're right. I need to work on it. But, I'm feeling better already!"
Kiriko "Huh...So do you like hanging around them more than me?" Kiriko will playfully ask. Of course, she was only half joking...other half seriously asking. You would reassure her that you like spending time with her but you just wanted to say hi to the new person! "Alright, but can they do this?!" She'll bust out her kunai and start juggling them. You can only watch your silly partner try and impress you while you giggle. Kiriko will join in on the giggling session, making sure to catch all her kunai and stuff them in her pockets. "We're the perfect match... right?" You can see some uncertainty in her eye while she looks directly at you. Simply pull her into a tight hug and this will erase any lingering fear of you leaving her.
Reaper The person literally disappears. You never see that new recruit. Did your lover have something to do with this? You may never know. Maybe you should keep your distance with those who come around...
Moira She would definitely deny any accusations of her being jealous! Do not even try to confront her or ask her why she's acting strange. "What are you on about?" Moira will scoff. You can try to tease her all you like, but it'll come back and bite you in the end. She always knows how to come out on top. After slightly opening up and telling you about her feelings, you'll have to make sure to console her and confess your undying love and loyalty... or else!
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whore-era · 1 year
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delinquent!ellie williams headcanons 18+
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has the MEANEST MUG FACE at everyone but her close loved ones, especially you. she shows you the softest side to her bc you naturally just draw it out. ellie will literally have the grouchiest face, but once she sees you, it will be all soft heart eyes around you and you only! everyone else though? fuck them. they will get a bitch face and a middle finger thrown their way!
is guilty for always manspreading, but it's okay because it kinda stirs something inside you anyways. you guys will literally be anywhere, and she'll sit with her legs spread with her hands behind her head and you'd find yourself walking over and plopping yourself on her lap.
is extremely territorial and possessive of her girl, but not in a way where she's controlling you by any means. ellie is aware of how gorgeous and sexy her girl is, and while she has no problem with others looking, she draws the line at people approaching you. you would be at a party, talking with your friends, occasionally looking across the room at her. while giving each other loving glances, some guy approaches probably saying "hey girl, you lookin' finnneeee as hell tonight, you wanna get outta here?" and she'll already be behind him, fists balled up and hissing, "get the fuck away from my girlfriend."
would absolutely beat someone's ass for you. if someone is disrespectful to you or looks at you the wrong way or god forbid, lay their hands on you, it's automatically on sight for her. "but you should'a seen the other guy, babe. he's got it worse," she'll say, as you're sat on the sink with her in between your legs, tending to her small cuts and bruises. "what'd i tell you, els? you can't keep getting into these stupid fights because one guy says something dumb about me." "yea, baby, i know. i just hate when people say shit about you," she coos, "you're absolutely fucking amazing, and everyone should know that by now." you both end up kissing in the bathroom and it always ends up with you being bent over the sink taking her strap-
you would CONSTANTLY be on her ass about everything. since she does have a short temper, you always find yourself having to check her and and lecture her a bit, and she lowkey kinda loves it? ellie thinks you're hot as hell taking a little bit of control and telling her what to do, and every time you do have to lecture her, she'll look at you with desire in her eyes and respond with "yes, ma'am", "alright, baby, whatever you say", "mhm yes, baby m'listening" even though she quite literally is hyper-focused on how sexy as fuck you look lecturing her rn.
always putting her hands on you! whether it's rubbing your ass when she's cuddling you, holding your hand when you're out and about, or putting her hands on your hips and waist when she wants to be close to you. 
showing how she feels about you in actions rather than words. ellie has a tough time expressing how she feels for you directly in words, and sometimes her message that she’s trying to send doesn’t always sound…right. so she’ll do little acts of services for you like picking up lunch for you on days when you’re extremely swamped with work and assignments, organizing your books and backpack when you fall asleep on your desk from studying, picking up your favorite snacks when you need a lil cheering up, and helping you take off your clothes when you’re extra exhausted from the day. 
always assuring you’re safe. ellie will always make sure you never have to travel alone and tries to walk you to and from class, but if she’s busy she’ll bug dina to do it. she’ll always ask where you are and who you’re with just to make sure you’re safe and alright, periodically checking in with you with texts (even tho it can be a lil bit annoying but u never say anything bc u know she’s just worried). baby u ok taking the bus alone? yes els i’m fine babe. u sure? i can come get u rn. no my love u don’t need to do that. swear. yk what babe let me ask dina if she can- ellieeee….
a/n this one was rly short my apologies ;P
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cyberkitty1 · 11 months
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pt 2/2 of the crybaby reader x earth42 Miles Morales
MAJOR MAJOR spoilers!! read with caution.
i said tomorrow night but I worked my butt off to get it done today!!
Aaron makes his way to Miles and room not even bothering to knock, I mean why would he? He just watched his nephew make his own girlfriend who would do anything for him cry. He was beyond furious.
“So now we are just going around making people cry?” Miles smirks at him “man I am literally the prowler? all i make people do is cry and beg for their life” he says almost laughing.
Aaron sighs pinching the bridge of his nose.” you are not supposed to let your job interfere with your normal life, you know that. Now you’re chasing your girl, the girl your supposed to love away? are you serious?”
Miles looks at him annoyed “ why wouls you care all she ever does is cry, shes happy she cries, shes mad she cries, shes sad she cries, man even when shes bored she cries. its annoying” he says holding his face in his hands.
Aaron walks to the bed and sits next to him. He’s never been put in this situation so he doesn’t know what to say. “ you’re dad was a lot better doing this than i ever was.” Miles visibly stiffens, this was the first time he’s brought up his dad since his funeral.
“ Miles I know you have been through a lot, more then i ever will but that doesn’t give you a reason to act that way towards her, she only wants whats best for you and she loves you with everything shes got. I would kill for a person like that to be in my life. I know you reacted like this because you feel you don’t have anyone to talk to but i’m always here man you know this.”
He wrapped an arm around his shoulder.” So don’t be taken your anger out on your girl she just loves you ok?” Miles sighs realizing, he was way to harsh in you you shouldn’t have been ignoring you and now he feels like a fool.
“ Yea, ill talk to her tomorrow” Aaron smiles, “ good I don’t need the only person who can get you to open up gone, now do i?” he says laughing a bit.
* Next Morning *
You didnt get a wink of sleep that night you where thinking about all the things you could have done to upset him that much. You werent mad just confused, confused as to why he would react that way. Of course you will still love him but this still hurt.
You were lost in thought when you realize someone texted you, it was Miles? You wasted no time to open it.
miles. can you come over later today?
you. yea
miles. dress comfortable
you were nervous, was he breaking up with you? You had no idea what to expect with how you guys left everything yesterday there was many directions this could go.
Hours later ( im lazy )
You got ready and made your way over to his place. Knocking on the door he answered “hola cariño ven conmigo” he helped you in with a warm smile taking your hand. Shutting the door behind you he led you into his bedroom sitting you down on his bed. He stood looking at you kind of nervous? he started:
“Voy a decir esto en español para que todo salga bien. Te amo mucho y siento mucho haberte tratado de una manera que nunca te mereces. Lamento haberte hecho llorar y haberte hecho sentir que hiciste algo mal. Todo lo que haces es amarme y tratarme bien, pero yo te traté como si no me importara. Y por eso lo siento mucho y espero que lo encuentres en tu corazón para perdonarme.”
(I'm going to say this in Spanish so that everything goes well. I love you very much and I am so sorry that I treated you in a way that you never deserve. I'm sorry I made you cry and made you feel like you did something wrong. All you do is love me and treat me right, but I treated you like I didn't care. And for that I am very sorry and I hope that you find it in your heart to forgive me.)
You waited and listened to him through and through and when he was done you spoke. “ Miles I will forever love you, you know that. I know that you are going through something but why didn’t you tell me? why don’t you talk to me? why wont you let me in?” you said holding his hands.
“No quería que pensaras menos en mí, que me consideraras débil.” You look at him sympathetically “ Miles I would never, never ever think of you as weak ok? Whenever you need me I will be there with you, I love you miles so much.” and with that, you were crying.
(“I didn't want you to think less of me, to consider me weak.”)
“mi princesa por favor no llores odio cuando lloras” he said wiping your tears away “ I know and i’m sorry that i’m always crying about everything i know it annoys you” you say sniffling. He feeling you pulling at his heart strings, feeling the worse he has felt since his father’s passing.
("My princess please don't cry I hate when you cry"’)
“ahora me tienes a punto de llorar mami, te quiero mucho y me arrepiento de haberte dicho que te encontré una llorona. Nunca debí haberte dicho eso, eres mi todo, ¿lo sabías? Debería disculparme contigo, lamento haberte tratado de esa manera, ¿me perdonarías?” He said with tears in his eyes.
(“Now you have me about to cry mommy, I love you very much and I regret having told you that I found you a crybaby. I never should have told you that, you are my everything, you know that? I should apologize to you, I'm sorry I treated you that way, would you forgive me?")
You held his face looking into his eyes with so much adoration. “ Miles I will forever love you, I forgive you, I will forgive you ten times over.” You said resting your head on his. After a few minutes he wipes his tears saying “ I forgot I wanted you to watch a movie with me if you forgave me.” You smile at him giving him a kiss.
“ Thank you Miles,i appreciate it all.” he sighs “ Ma, stop saying stuff like that I need to be saying sorry to you” he says looking you in your eyes.
And with that he sits on his bed back against the headboard with you tucked into his side, eating snacks and watching your favorite movies.
( this or this )
He suddenly turns to you and says “te amo mas que la cantidad de estrellas en el cielo” he says looking into your eyes. You turn to him resting your hand ok his face, hearing your voice that sounds like honey.
("I love you more than the number of stars in the sky")
“yo tambien te amo mi principe”
( "I love you too my prince")
Part 3 of the earth 42 Miles spoiling you will be done as soon as I can 🙏🏾
A/n: overlook the fact that i spelt honey as hunny 😔 ( its changed now)
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axelsagewrites · 7 months
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Hey there just m back again with a request where it’s cerisi and roberts daughter who’s married to Robb. Can it be it’s after the red wedding she survived and she spent her time hinting those who participated in the red wedding but she gets brutally killed and somehow like whoever did it brings her corpse to Cersi and her reaction and maybe Tyrion reacting to the news too as he was quite close to her
Robb Stark*Don't Die For Me
Pairing: Robb x Baratheon!F!Reader
Word count: 3638
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Warnings: the red wedding, robb dying, cat dying, reader dying, description of war/injuries, pregnancy, angst
Masterlist Here
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The gown was made from thick snow-white wool, trimmed with a soft grey wolf fur with streaks of black. Stag horns were embroidered along the cuffs, yellow gold fastenings holding it together. Lannister red hearts were hand stitched by Myrcella around the hem of the dress. It was warm and thick and span out like a dancer’s dress whenever you twirled.
People gasped when they saw you enter the gods wood, arms linked with your father as you approached your husband. Robb wore simpler clothes with a heavy fur cloak over his shoulders that he would soon drape over your frame.
Sansa watched the wedding doe eyed and Catelyn felt her eyes grow wet at the sight of her son, smiling down at his betrothed as they made their union promise. The king tried to look stoic, clearing his throat umpteen times to keep his tears back. Tyrion stood front row, much to your mother’s dismay and wearing the beaming smile you would have expected from a mother.
Your mother stood stoned face as she watched, smiling when looked at by anyone but you. she gave you a knowing look. “He will be your husband. Nothing more. He will share your bed, but you will have separate chambers. he will tell you how to act. You must listen when he is there. You must choose your battles and the most important ones will be what comes out between your legs,” her lessons rang in your ears when you had met Robb for the first time.
You knew she wanted to protect you the way she thought she needed to. To her Robb was a stranger, a threat, the captor of her daughter, the thief in the north, the unknown. What she did not know was the way Robb softly stroked his fingers over your cheeks when he held you or how he rubbed his hands over yours to warm them.
She didn’t notice how he would let you walk in front and was happy to follow behind. She didn’t notice how grey wind went to protect you when someone stepped out of line. She didn’t notice the lingering glances or the way his hands held yours a moment too long once the dance had stopped. She didn’t notice. She didn’t want to hope.
You however had noticed his affection for you. you noticed how his cheeks tinged pink when he helped you on your horse or how he laughed loudly at jokes he barely understood. You noticed he would reach for his sword when a stranger approached or how he smiled when you walked in the room. The same dopey smile he wore when he swore to protect you.
The ceremony had been beautiful, done in front of the heart tree as you pledged to the old gods and new. When you arrived at the feast it was already filled with excitement as the south and north began to mix. You danced first with Robb then each of his sisters then his brothers, including Jon who had been nervous to take the floor with you, but you had insisted.
You danced with your father who choked out a teary piece of advice. “Never forget you are my daughter. When you need me, you’ll have me,” he told you privately on the dance floor. While he trusted ned with all his heart you knew he would miss you.
You danced with your siblings, even convincing Joffrey to join you. Your mother stayed sat in her chair all night, but you made sure to talk to her even if you could see the nerves behind her eyes. Your uncle Jamie gave you a tight-lipped smile but not much more while your uncle Tyrion was only two drinks down and already very excited.
“My little niece has gotten married,” He proclaimed loudly as you approached his table and laughed at his state, “Oh how my heart breaks. Stolen away by some northern heathens,”
“Now, now uncle,” you said as you sat down at the table, stealing a glass of wine, “You can’t get rid of me that easy. You shall visit me,”
“Shall I?” he fakes pondered as he poured himself a fresh drink, “The north is too cold for me sweet niece,”
You hummed a laugh as you clinked your glasses, “I’m sure I will find you a warm enough room. After all I am your favourite,” you grinned making him laugh as you continued the festivities. You however had no idea the next time you saw your uncle it would be on such a sour note.
It was only the week after your wedding that Bran had fallen from the window however you knew he hadn’t fallen from the look on your mother’s face alone. As soon as the Queen had left you told Robb your suspicions, but they fell on deaf ears. You tried to ignore the growing pit in your stomach the day your father had left, Ned joining him in the south, but you just knew. You just knew.
The war came quick, and it came hard. The only reason Winterfell had so quickly rebuilt their supplies was at your instruction. Robbs men had suggested you stay behind to guard Winterfell, war was no place for a wife, but when you told Robb you wanted to come, he agreed with no hesitation. He’d seen the way you could shoot a bow and was even frightened when he saw how you swung a sword.
You had been trained by the hound after all amongst many other swords masters. Barristan Selmy had even given you a few tips. Your father had arranged the lessons, insisting no daughter of his would go down without a fight. Your mother had taught you other lessons. Poisons and daggers and knives disguised in rings. You knew how to survive. You knew how to fight.
Maybe you should have stayed behind. It was a thought that plagued your mind the moment you left and cursed you when you released what Theon had done. Robb assured you it was not your fault. Catelyn had said no one man could hold a castle by themselves. But what if you could have?
Walder Frey was your next big problem. He tried to convince Catelyn your marriage was just an inconvenience to a new alliance, but a Stark keeps their oath. Soon you had to break the bad news to Edmure Tully of his pending nuptials to a Frey girl.
Despite everything you had hope. Not once had you lost a battle. Not one. You charged in on horseback, Robb leading the front and you fighting with those at the back. Grey wind charged into battle first, but it did not take long for you to spot him on the battlefield. However, Robb had insisted on one thing.
Each time you joined him on battle you were dressed as a man with a helmet covering your face. He couldn’t risk Tywin knowing you were on the field. After all, if your siblings were bastards that made you the rightful queen of the seven, now six, kingdoms.
“I just have a bad feeling about this,” you told Robb as he helped lace you into your dress before Edmures wedding.
Robb sighed as he finished up the ties before turning you to face him, “You know I would never let anything happen to you,” he said, his fingers stroking over your cheek.
You kissed the palm of his hand, enjoying his touch for just a moment, “I know but I worry,”
“We can worry tomorrow,” Robb said, kissing your forehead as he held your face softly in his hands, “but for now we can take pause. Even a Frey would not defile guest rights,”
When grey wind refused to enter the Twins, you almost dragged Robb away right then and there. However, Cat and Robb insisted everything would be alright. You believed them. Well, you wanted to. You tried to believe them.
“My king has married, and I owe my new queen a wedding gift,” Walder began to say as you stood from your chair, a practised smile on your face as you moved to stand beside Robb. Before you could reach him, chairs scrapped against stone floors as Cateleyn slapped Roose Bolton.
“Robb,” she cried as Roose climbed from his chair. You tried to grab Robbs hand, to grab him and run, your hand already reaching for the dagger you had hidden. However, before you could grab its handle you felt a hand wrap about your wrist, yanking you back harshly.
Your fingers were just brushing Robbs hand when you were pulled back into the chest of Roose Bolton, his arm trapping you to his chest. Your nails sunk into his wrist, desperately trying to pull yourself out of his grip as Roose picked you up and began to drag you away to the side.
“Robb,” you cried out. You felt your heart racing, your eyes searching for where Robb was stood as arrows got set loose on the Stark men, your men. You tried to pry yourself free as your men were slaughtered by crossbows and daggers.
When the first arrow hit Robb you screamed, a guttural scream that pierced even your own ears as you felt your stomach lurch. You twisted in Rooses grip, turning your head to sink your teeth down onto his nose making him cry out in pain. he let you go out of instinct, and you quickly ran to where Robb lay as an arrow hit cat in the shoulder, knocking her to the ground.
“Run,” Robb said, his voice low almost a whisper as he tried to pull himself to his feet, “Don’t stop for me,” he said through gritted teeth, but your hand reached for his. “Go!” he almost yelled but you could see the pain in his eyes, “its too late for me,” he grunted, and your eyes fell to where he was looking.
You felt yourself grow sick at the sight of an arrow tip sticking out his stomach. It had gone through between his ribs, and you could see the thick blood dripping off its end onto the stone floor. “I can’t leave you,” you whispered as you stood, pulling him with you.
Your eyes scanned the room. There was no where to go. No bargain to offer no clear way to run. Your eyes fell to Catelyn who had crawled under a table nearby. You could see the fear in her eyes. Your own eyes turned to Robb who tried his best to stand. “Go,” he begged, “Don’t die for me,” he whispered, a tear rolling down his face as he pushed your hand away, but you clung on tighter, “I love you too much to see you die,”
“I love you too,” you tried to say but it came out as broken whimpers, “Theres no way for me to run,”
“Lord Walder!” Cats voice was the only thing to drag your eyes from your husband as you watched his mother hold a knife to a girl of no more than twelves throat, “Let it end, please. he is my son,” she begged.
You could see Robbs skin start to sweat, the colour draining from his face. You felt a tear fall down your cheek when you realised, he was dying. Robb had realised it too as his clammy hands moved to softly hold your cheeks as you kneeled together on the ground. Your hands reached for his face, stroking your thumb over his cheek.
“Take me for a hostage,” Catelyn cried, “Take her. she is the princess. Think of how much you could get!” she cried as Robb shuffled closer to you, his head moving to lean against yours. you ignored Catelyn’s pleas, ignored the way she tried to trade you for her son. You would have offered yourself too for Robb if not for the blood you could see at the corner of his mouth.
“Get up and walk out,” Catelyn begged Robb but he ignored her. you weren’t sure if he could even hear her. his face shuffled forwards, his lips softly brushing against yours. you tried to ignore the metallic taste as his blood tainted your final kiss. Tried to ignore Catelyn’s cries. Tried to ignore the feeling of Robbs skin growing cold beneath your fingertips.
You screamed when he was ripped from your arms. When your eyes looked up through the tears you saw Roose Bolton holding Robb, blood dripping still from where your teeth had sunk in. Robb looked to Cat, “Mother,” he mumbled making her let out a sob. His eyes turned to yours, looking down at your filled with regret, “Wife,” was the last word that left his lips before a gasp when Roose Boltons dagger sunk into his chest.
“The Lannister’s send their regards,” you heard him whisper and you lunged for him only to be pulled back by yet another one of the Frey men.
“Take her to the kennels for the night. Her mother wants to see her,” Walder Frey called out as one of his sons dragged you out the room.
You let your body go limp as you listened to Catelyn’s scream echo the once happy hall. You let yourself be dragged, acting as if you could not walk. Tears streamed down your cheeks, but you didn’t have to pretend to let them flow.
However as soon as you were the only ones in the corridor your fingers felt for the hilt of your dagger, your fingers wrapping around the black leather. Your eyes glanced up to the distracted Frey man. You glanced forward, making sure the corridor was empty before slamming your head back into his mouth making him cry out and drop you.
This time you were ready though as you spun around, your dagger sinking through the side of his throat. When you pulled it back, he collapsed to his knees, blood squirting out his neck as his body fell lifelessly to the ground. You didn’t have time to watch the light leave his eyes as it had Robbs.
Your hands reached for his belt, undoing it quickly before tightening it around your own waist. Next was his cloak. It was too long but would work for now you thought as you put up the hood before taking off down the corridor. Your hands squeezed the pouch on his belt as you ran, and you sighed of relief when you could feel coins through it. his sword was heavier than you’d like but you knew you could handle it. before anyone knew what had happened you were already at the forest edge on the back of a Frey horse.
The next couple of weeks were possibly the worst of your life. You wanted to mourn, to curl up in a ball and sob. You wanted to die. However, you couldn’t. you had to live. Robb wanted you to live. As you walked the forest you often felt your hand hover over your stomach.
Baby Robb you thought. Or Catelyn for a girl. Your bloods hadn’t arrived for little over three months. At first you thought it was the stress of war but as you stood on the forest edge, listening to the faint sounds of your men being slaughtered as you escaped you knew. You knew you were pregnant, and you wondered if Robb would’ve run if he had known.
If you had not come across the brother hood without banners you wondered if you would have survived much longer with such a large bounty on your head. Soon though your mission became less about surviving and more about getting revenge.
When you sunk an arrow into the chest of the first Frey you came upon you remembered your anger and soon it almost became like a sport. It wasn’t hard to find a Frey to kill and they rarely put up a fight. It was the Lannister’s that were harder. Though many knew you and thought they could convince you to return to your family’s side.
You made sure to stab they ones twice. You never stabbed to kill, however. You enjoyed watching them crawl away, desperate to find help, but knowing they’d bleed out before finding any. But revenge is not a survival tool you soon learned.
You had been washing your face down at the stream near where you and the brotherhood had chosen to set up camp. It was almost peaceful here. The birds were chirping, deer walked around with no care in the world. Feeling the sweat wash off your face as your splashed yourself with the cool water was the best feeling you had had since the wedding.
For a moment, a single moment, you tried to forget it all. You let yourself enjoy the stream, your fingers hovering in the water, enjoying how the water flowed around them. You looked up across the stream, smiling at the stag that stood across the water from you. Dad. The idea pained your chest. Everything was so much simpler before.
When the stag began to kick you squinted, moving to stand to help the creature when you felt a hand grab a chunk of your hair. You tried to scream, to reach for his hand, but the ice-cold water entering your mouth made it hard to even move. You tried to thrash but you did little but make the water splash. You could hear muffle voices from atop the water but with no clue who they belonged to.
Your eyes stung as you tried to look up. You managed to turn your head just enough to see the stag out the corner of your eye. You wondered if the wolf that had pawed its way up to stand by the stag was real. It almost looked as if it was smiling down at you. your hands slipped away from your attacker’s grip as your body grew stiller. Your eyes stayed on the stag and wolf. When you need me, you’ll have me. Your fathers’ words echoed in the water. I love you too much you could hear Robbs voice whisper before everything faded to black.
“Where is she?” Cerci demanded as her apparent cousins she’d never heard of stood before her throne. “You said you had my daughter,”
“Yes, my queen,” the man bowed before turning to signal for a crate to be brought forward, “We have her right here,”
“Are there air holes in that box?” Tyrion asked, walking down the stairs from the throne to the crate the mountain had sat down with less than grace.
“Why would we need airholes my lord?” the man’s words even made cerci stand from her throne as Tyrion began to pry the crate open with his dagger, “Your grace we were told she had committed treason. She murdered my father your grace, your cousin. She was dangerous I’m telling you my grace you have to believe me,” the man pleaded but it fell on deaf ears as Cersei approached the crate.
Tyrion slowly pried it open, his eyes peeking inside before gasping, slamming its lid shut as he backed away, “What is it brother?”
“Don’t look in there” Tyrion begged as cerci approached the crate, “Don’t look in there! Any of you,” he screeched.
Cercis eyes were cold as stone as she looked from the crate to the mountain then to her cousin. The mans eyes widened in terror as the mountain carried him out wordlessly, “Please your grace. I thought this is what you wanted,” he screamed.
“Get out,” Cersi muttered, “All of you out!” she screamed making everyone, but Tyrion flee out the room. Her eyes were locked on the crate, “Is she-?” she tried to ask as Tyrion stood from where he had keeled over on the floor.
His feet scraped the ground as he walked over to stand by his sister, “She’s dead,” he said, his voice cold but tears streaked down his cheeks, “They killed her,” Cersei’s hand reached to open to crate, but Tyrion shuddered as he turned around, “Do not make me look at her,” he begged.
“I have to know,” she murmured as she took the lid off the crate, her eyes wound shut till she heard the lid clatter to the ground. Cerci opened her eyes, expecting to see her daughter asleep in a box but she gasped when she saw the reality. “No,” she gasped, her hand clutching her heart as she stepped towards the crate.
“Look what you’ve done,” Tyrion said through gritted teeth, “Look at the girl you had killed!”
“I never- I didn’t mean- I didn’t want her to die,” cerci said as she reached out to stroke her daughter’s hair but when Tyrion saw out the corner of his eye, he slapped her hand away. “I- “
“You do not touch her!” he screeched, “She is dead because of you! all of this is because of you,” he yelled at his sister before noticing a new horror reach her eyes. Tyrion choked back his tears, trying to hold his stomach steady as he peered back into the box, “Oh my gods,” he whispered as he backed away from the box.
“I didn’t know,” Cersi whispered, her eyes unable to move.
“You killed your own grandchild,” Tyrion whispered, venom dripping off his tongue as he backed away from his sister, “Your own daughter! Your flesh and your blood!” he began to yell once more.
“I didn’t mean to- “Cersei tried to beg, tears falling from her eyes as she backed away from the crate.
“That doesn’t matter,” Tyrion said coldly as he glared up at his older sister, “She is dead because of you. and I hope that haunts you till your last breath,”
Taglist: @clairacassidy @valeskafics @nyotamalfoy
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lilsedge · 1 month
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Girl I just had my first day of school and I'm in pain I done sweated my eyelashes off and everything please just give me a short story about tjd and y/n where she has a whole mental breakdown cause trust I did
I Didn’t Make Them Proud
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TJD x Fem! Reader
Warnings: Mental breakdown
It was all becoming too much. The cheating, the pressure, being overwhelmed all the time. Y/N’s life was horrible, and it was only a matter of time before she just breaks down.
She was currently backstage, waiting for her time to try to win a title for the second time. The creative team screwed her over the first time. Told her last minute that she was losing. Y/N couldn’t believe it. Her fans were rooting for her and when she lost. She felt like she disappointed them so much. Looking at comments on WWE social media posts. They were disappointed. This was her chance to make them proud. 
This time, creative had no say in who was winning. She had a chance. This was a big chance. All she could do was pace back and forth. 
“You’re gonna burn a hole in the floor if you keep pacing,” a voice says.
Y/N turns around. It was her lovers. She didn’t reply. All the girl does is walk into Finn’s arms. He immediately wraps his arms around her. The others note how she’s acting and know what to do. They don’t question her. She’ll talk when she’s ready.
“What if I don’t make it?” She asks.
“What do you mean, love?” Rhea questions.
“Like what if I don’t win? I’ll disappoint them again,” she says.
“Hey, it’s okay if you don’t win,” Damian reassures. “Don’t even worry about them either, because if they are disappointed in you for not winning, they are not genuine fans.”
Y/N nods and turns as someone else calls her name. “We need you in the gorilla.”
“I’ll be right there,” she replies.
The four give Y/N individual hugs, squeezing her extra tight. She waves bye to them and takes a deep breath. The girl did last-minute stretches and waited for her theme song to play. She went out there with a smile on her face, tapping hands. The nerves started to hit as she walked up the steel steps. 
Iyo Sky comes out with her team. Y/N had no one, so they thought this match up was easy. 
They were right. Towards the end of the match, they got the ref distracted. Asuka got Y/N with the mist and Iyo got her with a pin. All Y/N could do was try to blink to see if she could at least get some sight back. She stopped when she realized this was her last chance at winning the title for a while. She’s now back at the bottom and getting to the top is difficult. 
Two people from the medical team helped Y/N make her way backstage. She felt someone pick her up and take her to a room.
“Love it’s us. We got water and a towel,” Rhea says. 
“Let us hold open your eyes,” Dominik says, taking her hands away from her eyes. 
It was quite a process to flush Y/N’s eyes out. Now Rhea was just cleaning off her face. Y/N tried so hard not to, but she couldn’t help but cry. First it was tears welling in her eyes, then it was full on crying. She just couldn’t stop the tears. 
“Hey, hey it’s okay.” Rhea says.
The boys look up from whatever they were doing and see her crying. They keep their distance for now. Watching as Rhea picks the girl up and sits on the couch with her in her lap. Rhea doesn’t say anything to the girl. She just holds her. Rocking her a bit. 
“I didn’t make them proud,” she says.
“Who?” Finn asks.
“The fans. They’re gonna hate me. Oh my god,” Y/N says.
“Hey. If they don’t like you after you tried so hard, they’re not genuine fans,” Damian says.
Y/N nods her head, but the tears don’t stop. She just knew that there was going to be hate comments toward her. She doesn’t get why they hate her for losing.
After a few minutes, Y/N could get off of Rhea’s lap, but the tears of course didn’t stop. Her breathing settled. She packed up all her things and got ready for the hotel. She just wanted to go to bed at this point.
“You ready?” Dominik asks.
Y/N nods, she picks up her bag and wipes her eyes. She just couldn’t believe that she’d lost. It wasn’t really her fault, but it was. She knew Asuka was going to pull the mist out at some point. 
That’s all Y/N could think of the whole time going back to the hotel and getting ready for bed. The Judgement Day has never seen her like this, so it was weird. Then again, they were all like this at one point in their life, just not as bad or worse.
The poor girl couldn’t really sleep that night and when she did, it was of exhaustion. Every time one of her lovers woke up, they’d make sure to look at her, but every single time they’d notice her tear-stained cheeks right away. It just broke their heart.
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insomniakisses · 1 year
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Her Little Stark
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Character: Cersei Lannister (GOT)
Requested?: Yes
Warnings/Notes: 18+ Content, MINORS DNI, Omegaverse universe, slightly au timeline / events. Tommen and Joffrey r both killed before the wedding, Tywin is the hand of queen Cersei.
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You knew it was wrong. Oh how wrong and corrupt it was, the thoughts that flooded your mind about her. Cersei Lannister the queen herself. Your captor, a woman belonging to the family that had torn yours apart and killed multiple of the people you loves. And yet you cant help the throbbing between your legs whenever you see her.
You blamed her, for the way she released her scent around you or for how she always seemed to press her bulge into you as she walked past. The lingering looks and the way shed lean to whisper ungodly vulgar things into your ear about everything she wanted to do with you. It was all too much and had you head over heels for her, weather it was love or lust you weren't sure. 
Today like no other you awoke to her shooing out your hand maiden demanding that she tend to your sister instead. Shooting her a look she left without complaint, leaving you staring up at your queen she smiles and reaches her hand out indication for you to take it.
She leads you to the next room, where a the tub is filled with bot water and there's an array of expensive soaps on a table beside it. You turn to her about to protest but she's already ridding you of your night dress, she chuckles almost meanly when you gasp at her palming your ass. Pushing her off and sinking into the tub as a way to hide your naked form from her. 
She pays no mind however, sauntering over and sinking to the floor by the tub grabbing the soup she likes the scent of best before dipping it into the tub by you leg. Now wet she glides it across your skin, smiling to herself when you relax and allow her access to your body. 
Your calmness fades when you here a quiet “oops” next to your ear, acting as if she had accidentally dropped the bar of soap that had landed by your leg. She acts as if she is about to reach it and you relax slightly, hoping you had simply misjudged her actions letting your eyes close again when you feel her bring her hand back up. 
Its only when you feel her fingers rub at your clit that you jolt, attempting to push her off but she simply shushes you, kissing at your neck as her other hand moves to your breasts squeezing and tugging at them as she wishes. 
“Its alright my little wolf,” kissing along your neck she moves to nip at your back and shoulders making sure all the marks can be coverable as she relishes in your soft gasps and whines your resolve disappearing as you let her have her way with you. Feeling her push two fingers into you, you cant help lean further into her hold allowing her mouth more area to kiss and mark. 
“Quiet now, wouldn't want anyone to hear you sinful little mouth would you, hmm?” she hums against your neck as you plea for your release, which she gladly gives you capturing your lips with her own to silence your moans. 
She smiles at your wide eyes when she pulls away, simply continuing to bathe you as if she hadn’t jus touched you in such a sinful way. She helps you dry off and dress, placing soft kisses along your bare skin as she does so, reminding you of how fond she is of her good little wolf and how soon she will have you as her little wife all hers to ruin and fill with her lion cubs. 
Now dressed, you feel her arms wrap around you that sweet soft Cersei only you get to see resting against you. “You okay?” she chuckles bitterly the anger returning “I keep you captive here, Your family slaughtered by my own, Your sister tortured by my late son her previously betrothed and both of you needlessly reminded of your own fathers death by my father yet you ask me if I am okay?” She turns you to face her before sinking to her knees in front of you, face resting against your stomach. “Gods I don't deserve you”
Your silent then, hand running through her hair as she holds you to her burying her face deeper into your dress. “I'm sorry I shouldn't have brought it up-” you cut her off by kneeling next to her placing a soft kiss to her own lips. “Its okay” you whisper softly wiping away her tears when you here a knock at the door and are both notified of the council meeting Cersei is to attend immediately. 
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That night you return to your champers to find a note from Cersei, a request that you should go to her chambers tonight. You knew the connotations if you where to accept she means to bed you, clearly having settled the arrangement that you are to marry her and now needing to begin making heirs for her throne having non as it stands now. 
You make quick work of undressing, wrapping one of your cloaks around your bare form and heading to her champers. When you enter you are greeted with the sight of her naked form laying atop the grand rug by her bed. Her hand stroking her cock gently, hand speeding up once she realises your there.
You body moves of its own accord and you find yourself kneeling against her, watching her hand glide up and down before she speaks, “Go on. Suck.”
Your cheeks flush as you move to take the tip into you mouth sucking gently and moaning at the salty taste of her pre-cum. Moving her hand to your hair she pushes you further down, her cock being forced down your throat as she groans. She holds you there while you gag, until you slap at her thigh to let go. 
She growls at you, pulling you on top of her as her hand wraps around your throat. You whine in protest when you feel her tip brush against your hole almost slipping in, not wanting your first time to be forceful. As if sensing this she releases your neck, moving her hands to your thighs thumbs brushing the skin gently.
“Now, are you going to behave or act like a spoilt slut?” she taunts moving you against her cock moaning at your wetness coating her cock. “Behave” you whimper and she smirks, nodding in approval as she pulls you into a kiss as she pushes into you softly. 
She swallows your moans, guiding you along her cock in a soft pace allowing you to get used to her cock. You surprise her when you grab her hands, pinning her hands above her head and moving to kiss at her neck. You pick up the speed of your hips, bouncing on her cock fast and hard. 
A soft gasp escapes her when your lips reach her jaw, cock twitching rapidly and a gush of cum filling landing on your ass when u pull off of her jus before she cums. She groans and thrashes under you in protest as you smirk, “Think i found your weakness baby” you coo in faux sympathy.
Reaching behind you you sink back onto her cock, the tip red and throbbing from her ruined orgasm she groans moving to push you off but you simply grab her face pulling her into a kiss as you you ride her.
You smirk against her lips when she begins cumming again, going to pull off of her once more but she growls deep. Flipping you into a mating press with ease, satisfied smirk on her face as you try and fail to regain control.
“Now you said you would behave, and while i would love to let you have your fun i can’t very well put a baby in you when you wont take my cum” she nips your neck then, placing a kiss on it before biting there again deeper, mate marking you as hers.
She uses this as a distraction to fuck you properly, hard fast thrusts as she nears her next orgasm keeping this pace until her cock shoots hot cum deep into you. She pushes her knot in then her tip kissing your cervix as it shoots her load. Your walls milking her as your orgasm takes over once more.
Your both breathing heavily when she rolls onto her back bringing u with her so your laying on her front her arm rubbing your back. Kissing her neck you smile against her calling her your soft golden lion feeling her start rumbling in response eliciting soft purrs from you.
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divijohm · 2 months
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Headcanons for Toby, Jeff, Nina and slendy with a reader that lovesss animals? (and is good with them) :D like every time they return from a mission, reader has brought back a puppy or kitty? (bonus points if once she accidentally brought a wolf in the house mistaking it for a dog)
Pastas with a s/o that's good with animals!
Toby, Jeff, Nina and Slenderman
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A/n: I LOVE ANIMALS! ALL ARE SUPER CUTE but sadly I'm not very good with them lolol I have a cat and a dog though they're my babyss hope you enjoy!
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Slenderman
🐾 He does not get along well with animals, at all. He scares most them away just by standing there, problems of being a eldritch horror but once one warms up to him he actually is very gentle with them.
🐾 finds it cute and fascinating how well you can interact with the lil fellas, might even find a way to you to use them in missions. Not a fan of you bringing them to the mansion though, most pastas aren't a fan and may be allergic, and he does not enjoy when animals/wildlife are being mistreated so for everyone's sake, he'll ask you not to.
🐾 If you manage to convince him to have a pet, other than smile dog that is, he would like a cat, probably a black or tuxedo one, because it would be easier to hide the fur that will be all over his clothes
🐾 He's a tidy man, animals that make much mess are not his type, he also don't like the high maintenance ones (i.e hamsters) heck he barely takes care of his proxies, leaving most of them to survive on their own only giving the best ones a somewhat stable life. A high maintenance thing that's not even useful?? Hell no
🐾 Overall, he likes animals but he does not like to take care of them nor have them in his house, he doesn't need more little, bratty, short life-span beings to take care of, he already has the proxys
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Toby
🐾 Adores animals as long as they're far away from him, he's scared of most of them at first but find them cute
🐾 Have a strong cat allergy poor thing can't be near one without a mask and he's sneezing
🐾 Will help you take care of them despite his fear and allergies, mostly by being on your side handing you stuff but he'll hold the animal still if you need to apply a vaccine or something
🐾 Sometimes his tics will be saying an animal name, because he's spending so much time listening to you talk about them, you find it cute
🐾 He's besties with the mansion permanent pets and will let them stay in his room if needed
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Nina
🐾 BIG ANIMAL FAN, especially big ones
🐾 WILL pamper all the pets you bring home, to a point where you have to hide the treats from her otherwise she'll give them nonstop
🐾 Begs Slenderman to let you make a zoo with all the pets, he refuses of course but lets her keep a parrot
🐾 She named the parrot Willy, is a blue one and he's very talkative (much like his owner) surprisingly he can roam free and don't run away/get lost.
🐾Willy will attack on command, Nina did not teach him how to do that but one day she said to another proxy "I'll make willy take your eyes out!" And the birb was near and he just attacked going for the eyes. A moment of laughter and panic later, Willy was safe and the poor victim just had his eyelids slightly clawed, nothing major but Slenderman made Nina promise that she would never command willy to attack a proxy to a degree that can compromise their performance. So now she just makes him poop on people's foods and/or in them
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Jeff
🐾 He only likes dogs, not much of a fan of any other species, he will tolerate birds and most of the wild life thought
🐾 He's afraid of cats, whenever you bring one to the house he'll try to act cool but the slightest movement towards him will make him flinch
🐾 Will act uninterested when you bring a dog but the moment you turn your back he WILL gush over them specially if they get along with Smiley
🐾 Fights everyone who criticizes your actions, because "at least animals are better than humans" bedsides you do all the work to care for them and keep the mansion permanent pets safe if they don't get along with the strays
🐾 will complain if you spend more time with the pets than with him, and will throw a tantrum if you tell him to wait because you have to take care of the lil ones before giving him attention
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soracities · 8 months
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how do you know when you're getting good at poetry? everybody dunks on halsey and rupi kaur's poetry, and i never really got why and idk if that's what i sound like
Honestly, I don't think there's ever a point at which you "know" you're getting good at poetry--I think "good" and "bad" are kind of vague and amorphous (and distracting) categories that don't do much in helping us understand the feel and impact of certain writing, chiefly because they can also be deeply subjective. How a poet views a particular work and how a reader views it will be very, very different because their relationship to the work is different. I also think "good" is a sort of external category that does not (or should not) carry into the act of writing itself--when you make "is this good?" the chief consideration as you write, you're not actually present in the writing: you're focused on the finished product, not the process, but the process is the most important thing: that's where the poem actually meets you. I think growth, in writing, is less about knowing if you're "good" in this regard, and more about being able to have confidence, or simply just trust, in the writing as it happens.
There's a famous saying somewhere that a work of literature is never "finished"--it just stops. I think skill, when it comes to writing, lies in recognising where this point is, in learning and developing how you navigate what it is you want to say, and how you say it. Some poems, eventually, reach a point where you can take them no further and you know there is nothing more to be said in them or through them. Some poems reach a point where you can take them no further, but there is still something left to be said in them. Those poems get revisited, worked, and reworked again, until they (maybe) get close to the first category: this may mean you work on them for a few weeks, or for years--but either way you are prioritizing the process of making the poem, not how it will be received. "Is this a good poem?" in my view at least, is not really the relevant question--what's relevant is "is this true to what I wanted to say?" Leonard Cohen famously wrote over 100 drafts of "Hallelujah"--I don't know if the central question for him here was just a matter of his skills as a songwriter.
Regarding Halsey and Rupi Kaur, I've only been able to read Halsey's poems through previews on Google Books so I don't know what other people's critiques are--based on what I saw, though, I don't know if it makes sense to criticize their quality as "poems" when she is primarily a songwriter and a lot of those poems wound up as songs. I'm more familiar with Rupi Kaur's writing, though, and others like her (Atticus, Michael Faudet etc), and while I have a personal policy of not getting into Kaur online (there's an ask here which is about as much as I'm willing to say regarding my feelings on her writing)--I can get into this trend or poetry "style" as a whole. And to be honest I think the chief issue here with poetry like this is that poetry, by definition, involves a deep and intimate relationship with language: this holds true regardless of whether the poem is simple, or complex, whether it's 5 lines long or goes on for 50 pages. As I said in that previous ask, it's not something you can reduce to a formula, nor is it a matter of mere reportage or a collection of statements: what makes a poem has nothing to do with line breaks (prose poems exist), but everything to do with how the language moves, how the language of a poem engages with its own content, with itself, and, as a result, with the reader.
The kind of work that proliferates on Instagram does not have that kind of engagement with language--they are, to me, pieces of information more than anything else. They reduce language to a series of stock phrases that act, not as actual words, but as images (and I don't mean this in a visually evocative way). It tries to evoke something that requires a thoughtful and sustained examination in order to be expressed, by surpassing the reality of what that examination actually requires. It tries to ape the effect of a powerful poem without the work that goes into actually being able to make that kind of a poem in the first place: and that work is a sustained encounter and confrontation with the language used and its relationship to what it tries to convey, in understanding that words are not interchangeable blocks you move around willy-nilly but that they have weight and intention, that they interact with each other to build up an idea or a feeling or a landscape in the most accessible way (insofar as language can make anything accessible, at least). But this is rarely, if ever, felt in IG poetry because it refuses to recognize or respect the demands and requirements of the medium it uses.
And because it is lacking in this engagement and recognition, these poems are also, for the most part, lacking sincerity--and this, to me, is one of the most crucial things when it comes to writing. I recall one IG poet whose work was in the same class as someone like Atticus, but I also recall one of his poems which genuinely moved me--and it moved me because, unlike everything else on his account, that poem felt sincere: the structure and the language wasn't any different to anything else he wrote, but in reading it, it was not a question for me of whether it was "bad" or "good"--what made the impact was that it was honest: and the difference showed. You can't come into a poem with ulterior motives. You can't come into it without an understanding, or respect, for the language you use. I'm absolutely not policing what people should or shouldn't read, and I'm not saying people are wrong for liking these poems, either, or that Halsey, Kaur, Atticus et al., are wrong for writing them. Expression is expression, and what speaks to you speaks to you. And to be honest, it is a different kettle of fish when you are writing something purely for yourself (and I think allowing yourself to partake in any kind of artform, without worrying about needing to be good at it, is deeply important for the human spirit)--but because they are putting their work out publicly, if we are going to be evaluating what they write and how they write it, that evaluation has to be rooted in an understanding of the art form they intend their work to be a part of.
For me, these are the main issues I have with these writers and their work and why I just do not like them. But I also want to stress that, ultimately, what you sound like in your own poems, anon, does not matter as much as being sincere to yourself does. As I said, I don' like using terms like "good" and "bad" and I think that often they're fairly reductive (and sometimes outright pointless) categories to use when we talk about and assess poetry--more than anything else, the key to building a robust and informed discernment when it comes to poems is to simply just read--read a lot of it and read widely. The broader and richer your repository of poetry (and literature in general) is, the more informed you are when it comes to all the different ways language can move through a poem, and all the different impacts it can have as a result. It deepens and enriches your understanding of all the different ways of looking at something, questioning something, expressing something. Your vocabularly grows and deepens; your net of associations--visual, linguistic etc--strengthens. And when this understanding grows you are able to place the things you read into a much wider and far more informed context. And this in turn allows you to grow as a reader and a writer. I hope this helps you a little, anon 💕
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