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#will be answered the more i post
aurorangen · 2 months
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Thump. Thump. Vincent couldn't believe what he was hearing. He had a feeling there was something off about Isaac, with his constant questions about his personal life. If this was true, then all he intended was to get to know his brother better. He put a firm hand on his shoulder and looked at his face. Just like their Dad, they had similar facial features. Vincent wanted to clarify by asking him a question. The question was ridiculous, but it wasn't shared with the media during his disappearance. Only his family would know his habits, "What football club did he support?" Isaac turned the other way.
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"Arsenal. That bastard never missed a match!" an immediate response. He tried to hide his anger and gritted his teeth, "Look, Vincent. I lived as Isacco Romano in Italy. I worked my ass off there to become a lawyer" he paused, "Now that I've found you, let's uncover the truth and give our Dad the end he deserves." Vincent knew at that moment, that they shared the same goal. They were both certain that their Dad was still alive.
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qiinamii · 9 months
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"Xiao does things" (and friends) twitter log part 2
-- UPDATE: removed some of the arts to make its own individual post since I am bad at organizing, sorry! (but the last one is new lol) xD
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jakeperalta · 1 year
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I’m not trying to attack you, but do you know that proshipper means someone who supports and romanticizes pedophilia, incest, and abuse? Your reblog on that post seems to read that you think antis just hate on people for having ships they don’t like. But it’s completely different than that. Just looking on the proshipper side of Tumblr and the internet and you can see people happily shipping children and adults and making nsfw content of such things.
i appreciate that you're not being outright hostile, but i have to say, that on its own put you above basically every anti i've interacted with.
i understand where antis are coming from, i really do. there are a lot of things on the internet that make me deeply uncomfortable, including the minor/adult ships that you mention. i don't want to anything to do with those kinds of ships and i would be happiest if i never saw them again. which is why i'm proship.
nine times out of ten, if i see that kind of ship brought up on my dash, it's because i was following an anti without realizing it, and they brought it up unprompted and untagged, to talk about how bad it is that they exist. they are the ones putting that kind of content in front of my face and making it harder to avoid.
the thing about people who ship those ships is that they're generally very aware that not everyone wants to see that kind of content, and so they tag it. they make sideblogs to talk about it. they don't go out of their way to shove it in people's faces. that means i, and everyone else who doesn't like it, can avoid it.
what antis want is for it to not exist at all. they want the tags to be purged and blocked, and for anyone who uses those tags to have their accounts deleted. and sure, that might get rid of some of it, but do you know what would happen to the rest? it would stop being tagged. people who don't want to see it wouldn't have the tools to avoid it. this isn't just a hypothetical, that's what's happened any time a fan space has tried to do that.
that's not even getting into the rabbit hole of what should be banned and what shouldn't. obviously any content that depicts real children or real life abuse shouldn't exist and shouldn't be allowed to be posted, but basically any platform that people use already enforces those policies, and there's not much of a slippery slope to go down there. if it involves real living breathing people being abused, it's bad. end of discussion.
but the same can't be said for fiction. ask ten antis for a specific list of all the content that should be banned, and you'll get ten different answers. what about kink? what about roleplay? what about horror and murder and anything that involves fictional characters being graphically tortured? what about people using art to process terrible things that have happened to them? what about art that uses dark themes as a horror element? if you just want to ban anything questionable to anyone, that's the line of thinking that gets any mention of lgbt existence banned. and again, this isn't just a hypothetical, this has happened before, and that's generally where it leads.
i know, from personal experience, that antis do, in fact, send harassment to people just for shipping things they don't like. i've gotten accused of absolutely vile shit for shipping two fictional characters who were both consenting adults. i've seen ship wars turn into moral battlegrounds, over ships that an average person wouldn't bat an eye at.
the thing about "romanticization" is a whole other can of worms. the anti logic goes like this: if someone sees something (even if it's very obviously fictional) in a positive light enough times, they will start thinking it's okay in real life, and go on to hurt real people. the problem with that is that it's just. blatantly untrue.
if it were true every horror movie fan would be a serial killer, every person that studies dark media would be an unhinged psychopath, and everyone who is into ddlg would be a pedophile. but they're not. they just aren't. people have directed movies just as fucked up as the darkest shit on ao3, and are still capable of being normal human beings who know right from wrong in real life.
even if someone is that impressionable, scrubbing away the existence of every piece of questionable content isn't going to solve their problem, because they're still going to be vulnerable to con men, scams, and cultists. the only thing that would actually materially help someone like that is developing their own morals and critical thinking.
children are also more impressionable, and there's a lot of content that's not suitable for them, but that doesn't mean that content shouldn't exist. it just means that they should stick to spaces designed for them (which most social media sites, tumblr included, are not) or, if they're old enough to be responsible for their experience online, they, or a trusted adult in their lives, should block and filter out things that they aren't comfortable with.
which is what everyone on the internet should be doing. it's what i do, and it's made the internet a much more pleasant place to be. and it's why i sometimes worry for antis mental health, especially teenagers, because they're being told it's right and moral to seek out content that makes them uncomfortable and to engage with the people making it. and that's just. really bad. it's not good for the creators that they're harassing obviously, but it's also really bad for them! it's not healthy to seek out things that make you feel bad, and it's a terrible internet safety lesson to teach minors that it's okay for them to seek out and engage with people making adult content.
individual harassment and crusading is never going to succeed at removing dark content from the internet. it just isn't. at best you might get a small percentage of people who create that content to stop sharing it, at worst you're just going to make people stop tagging it, and either way, you're exposing yourself to things that make you feel bad, when you don't have to.
if you want to materially change the type of content you see, you can. the block button is your friend, use it liberally. same with content filtering and tag blocking.
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napping-sapphic · 9 months
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*gives you a gay little kiss that feels like home*
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crimeronan · 10 months
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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the-phantom-peach · 2 months
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Have you ever designed your own Link/Zelda? Like your own original design?
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ooooo yes!! I have my own original toon link design!
He’s an oldie but I don’t have a full story for him yet. His and my Zelda designs are influenced by the tribal attire of my culture, along with some of our old beliefs and superstitions in their backstory haha.
He signs too, which is cool ^^
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demigods-posts · 1 month
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i saw this post the other day about annabeth and how she doesn't have a birth certificate because she was never technically born. and that raises so many interesting questions. like, does she even legally exist? does she have a fake ID? i don't need sleep. i need answers.
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wispscribbles · 5 months
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why are you and your drawings so cool 😭🙏
afdsasdfasg thank you !! irl ppl would laugh at me being called cool lol - Have a ghoap as thanks <33
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en-chi-la-da · 7 months
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OTHER THAN A VAMPIRE OBVS i think he would be a hamster! not bc i think that's what he would dress up as for halloween, but bc that's what i want him to dress up as for halloween :) lmao here's also a bonus doodle of him dressed as a bat <3 bc i think he's cute <3
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mysterycitrus · 4 months
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PLEASE go off about Bruce
the popular modern character beat for bruce where he’s this truly unhinged machiavellian mega genius actively plotting his own downfall is so far divorced from his neo-noir detective roots it makes me want to tear my hair out
it really goes without saying that bruce is singularly driven by restorative justice, more than literally anyone else aside from maybe cass cain. his decision not to kill under any circumstances is not a selfish one, it’s a selfless one, because bruce understands that no one person should have the right to take a life. if killing is a legitimate action to take against a threat then anyone, whether it be an individual or an institution, can be incentivised to kill as a first resort. bruce understands the complicated nature of crime and why it occurs. he understands community and the importance of social support, and how human connection will save lives. he never wants anyone to feel the pain he felt in that alley ever again.
he’s a detective who mistrusts the police and actively works against them. combat and physical violence aren’t what drive him, it’s an unfortunate consequence of opposing corruption. if he can save a child instead of throwing a punch, he’ll do it. if he can talk someone off a ledge, he’ll make the time. he can’t unknot his own heart, but he still tries. it hurts, but he tries.
bruce’s purposeful disconnection from others out of fear of losing them is driven by selfish desire, because he is (deep down and hidden away) a profoundly loving person who believes everyone deserves a chance. this is shown in how he raised his kids — he’ll smother them to protect them while forcing himself to hold them at arms distance. when they reflect his worst habits back at him, he’s horrified. he’s objectively a bad parent. no one else should let him adopt more children. he saved dick grayson and jason todd and cass cain and tim drake. many things can be true at once.
the interpretation of him as either a brooding, violent asshole with no redeeming qualities OR a somewhat pugnacious but ultimately emotionally mature father figure both miss the point of bruce wayne’s primary motivation, being that he is still in crime alley as an eight year old, kneeling in the ground amid the pearls, and he has not moved in thirty years. he can’t leave, because if he leaves then who will be there to guide the next dick grayson, the next cass, out from those shadows and into the light? he is anchored by his own weight. so much of what he does comes from a need for control, a hyper fixation on predicting the outcome, if preventing the worst case scenario before it happens. the rest of it is love in motion.
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ignitesthestxrs · 5 months
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there's something about the way people talk about john gaius (incl the way the author writes him) that is like. so absent of any connection to te ao māori that it's really discomforting. like even in posts that acknowledge him as not being white, they still talk about him like a white, american leftist guy in a way that makes it clear people just AREN'T perceiving him as a māori man from aotearoa.
and it's just really serves to hammer home how powerful and pervasive whiteness and american hegemony is. because TLT is probably the single most Kiwi series in years to explode on the global stage, and all the things i find fraught about it as a pākehā woman reading a series by a pākehā author are illegible to a greater fandom of americans discoursing about whether or not memes are a valid way of portraying queer love.
idk the part of my brain that lights up every time i see a capital Z printed somewhere because of the New Zealand Mentioned??? instinct will always be proud of these books and muir. but i find myself caught in this midpoint of excitement and validation over my culture finding a place on the global stage, frustration at how kiwi humour and means of conveying emotion is misinterpreted or declared facile by an international audience, frustrated also by how that international audience runs the characters in this book through a filter of american whiteness before it bothers to interpret them, and ESPECIALLY frustrated by how muir has done a pretty middling job of portraying te ao māori and the māoriness of her characters, but tht conversation doesn't circulate in the same way* because a big part of the audience doesn't even realise the conversation is there to be had.
which is not to say that muir has done a huge glaring racism that non-kiwis haven't noticed or anything, but rather that there are very definitely things that she has done well, things that she has done poorly, things that she didn't think about in the first book that she has tacked on or expanded upon in the later books, that are all worthy of discussion and critique that can't happen when the popular posts that float past my dash are about how this indigenous man is 'guy who won't shut up about having gone to oxford'
*to be clear here, i'm not saying these conversations have never happened, just that in terms of like, ambient posts that float round my very dykey dash, the discussions and meta that circulate on this the lesbian social media, are overwhelmingly stripped of any connection to aotearoa in general, let alone te ao māori in specific. and because of the nature of american internet hegemony this just,,,isn't noticed, because how does a fish know it's in the ocean u know? i have seen discussions along these lines come up, and it's there if i specifically go looking for it, but it's not present in the bulk of tlt content that has its own circulatory life and i jut find that grim and a part of why the fandom is difficult to engage with.
#tlt#the locked tomb#i don't really have an answer lmao this is more#an expression of frustration and discomfort#over the way posts about john gaius seem to have very little connection to the background muir actually gave him#like you cant describe him as an educated leftist bisexual man#without INCLUDING that he is māori#that has an impact! that has weight and importance!#that is a background to every decision he makes#from the meat wall to the nuke to his relationship with the earth#and it also has weight and importance in the decisions that muir makes in writing him#it is not a neutral decision that he's known as john gaius lmao#it's not a neutral decision that the empire is explicitly of roman/latin extraction#it's not even neutral that this is a book about necromancy#it's certainly not a neutral fucking decision that john was at one point a māori man living in the bush#when the nz govt decided to send cops in#like that is a thing that happens here! that is a reference to nz cultural and political events that informs john's character and actions#and with the nature of who john is in the story#informs the narrative as a whole#and i think the tiresome part of this experience is that#in general#americans are not well positioned to understand that something might be being written from outside their experience as a default#like obviously many many americans in online leftist & queer spaces are willing to learn and take on new information#but so much of the conversation starts from a place of having to explain that forests exist to fish
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markscherz · 5 months
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you’re super good at taking selfies congrats
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and we haven't even scratched the surface
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madame-mongoose · 2 months
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guys pls be careful with anyone going into your inbox and asking for donations. unless you know them personally it's almost always a scam. look at blogs and ask yourself if it seems legit. search the contents of the ask and see if theyve sent the same ask to other people completely unrelated to your sphere. scam blogs now are reblogging some posts to seem legit but only have maybe five posts maximum, all reblogs. almost all of them being unrelated save for a topic similar to the one they are asking money for. recently theres been a scam of someone asking for donations for a family member in palestine. PLEASE check before posting or donating. use critical thinking skills. its disgusting there are people using this genocide as a way to scam others out of money. lastly please look towards actual palestinian bloggers who can verify donation links. remember: if theyre in your inbox it's highly likely its a scam
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unloneliest · 1 year
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in the lonely hearts club job leverage asks the question "does romantic love exist?" and answers it by having eliot buy parker a venus fly trap on hardison's behalf, expecting no recognition and revealing eliot remembers a throwaway comment parker made on their second job together.
we all know this.
but was anybody going to tell me hardison already had a browser window open looking for restaurants to buy eliot in portland in response at the start of the episode immediately after that? or was i supposed to figure it out on a rewatch all by myself?!
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duckiemimi · 2 months
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happy international women’s day!
today i think specifically about the women in Palestine, in Congo, and in Sudan. in West Papua and in India, in every corner of the world in need of liberation, of freedom. if you are able, please consider donating to these campaigns or any other you find today:
and if you are unable, don’t forget your daily clicks!
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