VTA AU NARI + LAMB DESIGNS! (+ DOODLE DUMP!!!)
Ppl who were interested in the auuu pspspsppspspsps (Is this au like my official introduction to the cotl fandom?)
Golly, I think in the end I am gonna keep the name- Suhddhjejfjejd
By the way! The lamb wore something different before they gave the crown away :> maybe I’ll eventually post that one too
Smoll Doodle dump under the cut :]
Vows to ash au: In which Narinder decides to bring a definitely not complaint lamb back to life after they were sacrificed a second time to help him deal with his siblings apparently not being dead dead + cult duties + he missed them terribly and the crown is slowly driving him insane. However, things don’t go as planned for the god of death since a certain someone didn’t exactly want to be alive again and in fact, would much prefer to go back to being dead, thank you. Chaos, angst and a ridiculous amount of miscommunication ensure!
What will happen? Will they get along enough to deal with this mess? Also what’s up with whole “The crown is as much of a blessing as it is a curse” thing?
All of that shall wait for now- cuz woe side characters be upon ye
Boy the birdie was so hard to draw
ANYWAYS!! These three are kids (not really kids anymore) that were born in the cult and almost raised entirely by the lamb (Dipal was entirely raised by them), reason why they are very very loyal to them. They were also turned into disciples some time before the lamb gave the crown back. They are very close with each other and the Lamb trusts them a lot. (These three are actually my in-game disciples who were born and raised in the cult almost entirely by the lamb)
WELP! That’s all for now. More doodles coming soon tho. As always, any questions are welcome (and encouraged, I like talking!) Hopefully I’ll be able to post some lore dumps or things of the such. Until theeeeeen!
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--")
("Tucker?")
("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
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Satellite Boys Headcannons
Yusei is a he/they bi, Crow is a transmasc gay/asexual, and Jack is a very loud straight ally.
Aki and Carly and super into horror movies, which really sucks for Jack and Yusei who are really not into horror movies. Yusei can handle most gore, but psychological horrors really mess with him. Jack can't handle gore beyond a stab wound, but he doesn't really mind psychological horrors because he's just like 'nah im just built different (dumber)'
Crow is very superstitious, much like Martha. Knocking on wood, being wary of the number 13, throwing salt over your shoulder (though that one is kinda justified considering spirits are like a real thing in ygo) are all stuff he does on the regular
Crow is the only person in the house who can cook. Yusei has never touched an oven in his life because he's spent half of it forgetting to eat, and Jack is... Jack.
In between the three of them, Jack has caused the most property damage. This is very impressive considering Yusei likes to kick down every door he can't open, regardless of the situation. He can lock pick, he just decides not to most of the time. Crow is usually more sneaky when trying to get into places he's not supposed/allowed to, though he's not above shattering a few windows for fun. Jack just likes blowing stuff up.
Neither Jack or Yusei have gotten their ears pierced (Jack wears clip-ons), because Crow has told them horror stories of what happened when he got his ears pierced in prison and how horribly infected they got (he told them this with a bright smile because he thought itd impress them and has yet to realize the mental ramifications it has had on his family)
Hogan is Martha's last name.
Jack has the most refined fighting style, mainly sticking to hard-hitting punches that can knock you out in one blow. Yusei's is more of a freestyle, mixing both fast punches and kicks to knock someone down as quickly as possible. Crow fights like a kindergartner, with biting, hair-pulling, spitting in your eye being some of his go-to tactics. Crow has nearly bitten off someone's finger before, and is not afraid to do it again.
Crow has only ever served his full jail sentence once. Every other time he's broken out.
All three of them participate in the twin's school activities in some way. Crow and Yusei usually go to the PTA meetings, and Jack usually goes to things like sporting events because he is too competitive for his own good and nobody can stop him.
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