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remidiy · 1 month

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We Don't Gatekeep Art Resources | A Comprehensive List

Here's a list of some of the tools/sites I currently use or have used previously for works/studies. I'll separate it into Software/Utility, Reference, and 'Other' which will be just general things that could help you map out things for your experience with art. **[Free highlighted in pink, paid highlighted in green. Blue is variable/both. Prices Listed in USD]**

Software/Utility:

Krita Painting app (PC) (my main digital art software on PC for 5+ yrs)

Clip Studio Paint [PC] [CSP 2.0+ allows for 3d modelling within the painting app and a lot of other cool features] [apparently allows up to 6 months free trial]

Procreate (12.99) [iPad/iPad Pro] (the GOAT)

Artstudio Pro [iPad/iPad Pro] (An alternative to Procreate if you enjoy the more traditional art app layout) -- I find this app handy when Procreate is lacking a feature I need, or vice versa. (you can easily transfer files between the two, but keep in mind Procreate's layer limit)

2D "Collaborative Painting/Drawing apps"

Magma Studio

Drawpile

Discord Whiteboard

Gartic Phone (Pretty decent for 2d animation practice, but has a hard limit on frames)

Blender [3D Modelling, Sculpting + Layout] (PC)

Sculptris [PC] (it's an old unsupported version of Zbrush, but can help to get ideas out, and functions better than browser sculpting apps

Nomad Sculpt [iPad/iPad Pro] ($20) Works pretty well if you prefer a mobile setup, but it is a bit intense on the battery life and takes some getting used to

References + Study

Magic Poser [ PC and Mobile ] Has both free and paid versions, I've made do with just the lite version before

Artpose ($9.99) [Iphone + Steam]

Head Model Studio [IPhone] A 3D head, with both a basic blockout version for angles, and a paid version with more detail

Cubebrush [simply search "[keyword] pose reference pack"], they usually have good results + they frequently have sales!

Line of Action [Good for Gesture practice + daily sketching], also has other resources built in.

Quickposes Similar to Line of action, more geared toward anatomy

Drawabox | Perspective Fundamentals Improvement modules (Suggested by @taffingspy )

Sketchfab, this skull in particular is useful, but there is other models that can help you study anatomy as well.

Pinterest can be good, you just have to be careful, usually you're better off just finding reference pack if you have the money, sometimes certain creators have freebies as well

Artstation Marketplace can be decent [make sure to turn on the Aye-Eye filter so it doesn't feed you trash], a colleague of mine recommended this head model for practicing facial blocking, there is also this free version without lighting.

Local Art Museums [Unironically good for studying old "master work" if you're into that, or even just getting some inspiration]

Brushes + Other Useful software:

I personally have used both of these brush packs before making my own

(I actually don't know how to share my daily brush set because I frequently switch between Krita, Procreate, and ASP, but once I figure that out I'll be sure to do that lol)

Marc Brunet's Starter brush pack [Technically free but supporting him for this if you like it is ideal, there's some good brushes]

Dave Greco Brush Pack [$3]

Gumroad in general is a good place to find brushes and art resources. *Note; for Krita specifically, brush packs are a bit weird, so it may require you to find different packs, or import them in a particular way

PureRef [PC] - Reference Compiler/Moodboarding

VizRef ($3.99) [iPad] - Moodboarding/Reference Compiler

Artist Youtubers/Creators that helped me improve/guide me along as a self-taught artist from when I first started digital art to where I am today:

Proko

Marco Bucci

Sinix Design

Sycra

Hardy Fowler

Lighting Mentor

Winged Canvas

Moderndayjames

Swatches

Chommang_drawing

Marc Brunet (YTartschool)

+ Observing a lot of speedpaint art by people whose work I enjoy on social media/youtube, trying to dissect their processes

If you've gotten this far, first of all, congrats, you can read a lot, and second of all, thank you for reading and I hope this helps! I'll continue to come back and update this if I find any new resources in the future, or if my processes change :)

Much Love,

-Remedy (aka "grommy_art")

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mollish-art · 7 months

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What is Generation Loss: Unperson?

Unperson is a Generation Loss AU written, illustrated, and narrated by yours truly!

The story begins as canon-adjacent to Generation 1 (the first chapter, Savior's Stigmata, is technically a prologue, in that it takes place during the events of episode three of The Social Experiments). In chapters 2 and onwards, the cast of TSE begin an adventure anew.

Showfall Media has revolutionized the field of interactive entertainment. In Hetch's Social Experiments, this entertainment took the form of three consecutive livestreams, which the audience could actively participate in and, ultimately, decide the fate of the Hero [i.e. Generation 1 of Generation Loss]. Now, Showfall Media is proud to bring you entertainment through an even more immersive medium: video games.

Anathema Annihilation is Showfall's most innovative use of "Phantoptics" technology to date: a video game where one's choices really matter and actively impact the world we live in.

Charlie awakens in a new environment and with a new purpose as the face of the beta tester's Hero avatar. Elsewhere, Ranboo has been revived, reprogrammed, and repurposed with a new face of his own: a biomechanical, bestial antagonist known as "The Devourer".

The player character - the Hero (who we know to be Charlie) - joins forces with a helpful non-player Companion (Sneeg) to eliminate a wide range of enemies - known as "Anathemas" - across multiple levels, each culminating with a fight against a powerful boss: an "Abomination".

Depending on the player's Variant choice, the theme (and therefore appearance and ability mechanics) of the Anathemas, as well as the Hero and Companion classses, changes.

Regardless of the player's Variant choice, however, the Abominations always remain the same: previous cast members who have been previously rejected by an audience and have been revived and repurposed as biomechanical monstrosities.

As the Hero and Companion progress through the levels of Anathema Annihilation, their minds become increasingly plagued by questions concerning their memories, free will, and grasp of reality. But they are not the only ones cursed with introspection; the Devouerer, too, clings desperately on to whatever shreds of humanity it still possesses, and seeks, above all else, to avenge its friends.

...

Now that you have a brief synopsis of the world and premise of Unperson, if you are so inclined, you can read the available chapters here or check out the in-universe website I created for it!

On the website, you can find additional lore, concept art, links to all currently available chapters (as well as audiobook adaptations of all of them, narrated by the author), themed playlists, and a fanworks feature page (showcasing some of the fanart and cosplay that you guys have made for this story)!

I am always open to Tumblr asks if you have any further questions!

Please note that Unperson is currently on a bit of a hiatus, however, as I am in graduate school and must focus on my academics before working on this AU. It will be completed - I promise you that! I have plans for the rest of the story, as well as more art and such on the way. Patience is key ;)

Here are the currently available chapters:

That's all for now, folks! Remember to check out the official website as well as my Unperson Youtube Playlist, which contains speedpaints for all of the chapter art as well as the audiobook adaptation!

Lastly, if you'd like to keep up to date on this project or share your feedback, follow or post on the #UnpersonGL tag!

#UnpersonGL #Generation Loss #gen loss #AU #myart

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hydr0phius-art · 4 months

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Painting Chiss Skin

Before I start this, I’m just going to say that I attempted to do an in depth version of this part and then stopped and did dot points because it was too overwhelming.

A lot of what’s in here can be applied to different body parts. Some of it may also be applied to traditional art, but most of this is for digital art. This post focuses on faces. Eyes and scars will be another post that'll hopefully follow this one relatively quickly.

Picking colours (and some other tips)

> Experimenting is good!

> There’s blood beneath skin and it’s going to show through at different intensities based on what your lighting is doing. I’m assuming Chiss blood is red, so I usually make any blush on my Chiss purple. (Red + blue = purple. Basic colour mixing thingz, you know?)

> The fairer the Chiss’ skin is, the more vibrant you can be with that purple blush in my opinion.

> Temperature, colour, and intensity of light determines what the skin looks like.

> Having black shadows on a coloured artwork is a good way to flatten the whole piece; when I paint shadows on a Chiss face, I go for a dark blue or purple and blend it with what’s already on the canvas. Playing with layers and their opacity function is also good.

> Laying down a base blue before starting with the rest of the colours is good. You can see that I did that in the speedpaint I’ve attached to the end of this post.

> This website about colour zones will help.

> This website about colour blocking will also help.

References

> I find a face reference of an actor I want to Chiss-ify. Then I have my blue skin reference, which is usually one of the Na’vi from Avatar.

> I use the Na’vi because there’s a lot of images available with variation with temperature of light and quality of light to observe.

> Make note of the colours that appear in their flesh as light interacts with it.

> Warm light will have pink that transitions to purple, then to blue as shadow starts to come back in. I’ve put Ar’alani next to the reference I took inspiration from (link here) for comparison.

> You want to go and paint your reference as it is, except blue. When you get to adding highlights and shadows, look at the Na’vi image and see what colours appear in that light.

I think that’s pretty much all I do when I paint Chiss. Here’s a speedpaint of Thrawn with Lee Pace as a face claim if that helps somewhat :3

(Ignore how I erased his uniform; I could NOT be bothered with that sorry).

Also, Here are some artworks that helped me when I was figuring this out. I’ve done a bit of analysis that might or might not be helpful. Take what you like from it.

Magali Villeneuve

View this post on Instagram

A post shared by Magali Villeneuve (@magali_villeneuve)

instagram

In my opinion, Villeneuve’s Thrawn portraits are the best official artworks of him that we have right now. They’re my main go-to for inspiration. The lighting plays across the skin in a way that gives it a fleshy, warm, alive feel. Even the colour zones are present, which gives it that extra bit of depth. If you can’t see them, that’s fine; it takes a bit of time to get used to looking for them.

Rod Reis

The first of Reis’ Alliances cover is also up there with good official Thrawn art we’ve had fairly recently, imo. His style is different to Villeneuve’s, but he follows the same processes with the colour zones and how the skin interacts with the environment around it. The shadows aren’t flat or black; they have colour to them that adds more dimension to the portrait. There’s also that hint of purple-blue blush around his cheeks with more yellowy-blue tones on his forehead and more blue tones around his jaw and chin (again, colour zones are present :3). The light is cooler than Villeneuve’s in the Chaos Rising Portrait, which you can see in the lighter teal hue on the right side of his face. Cool light usually brings out the lighter blue tones in the skin (that’s just what I’ve noticed, though).

And that's it! If anyone has questions, feel free to ask them :3 I'll try and get this eye post out soon <3

#thrawn #ar'alani #grand admiral thrawn #admiral ar'alani #chiss art #thrawn art #art with hydro #hydro rambles #painting aliens is hard but you don't have to suffer in silence #magali villeneuve #rod reis #art study #chiss #chiss ascendancy #star wars #star wars art #Instagram

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spicy-apple-pie · 6 months

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For your artists ask (if you’re still doing that) <3

7,8,9,11,15

agggh, you chose all the hard ones lol

7) Favourite works of all time excluding your own

This one is so hard because I have favourite artists, but not many favourite works. Plus, my favourite changes with every passing second but right now I would have to say this drawing of Damian with some birbies by @malenjoyer

I love this art style so much and HE'S SO CUTE

8) What do you like most about your own work

Gosh this is a hard one because I think as artists we're always thinking on whats wrong or how we can improve, but I would have to say the line art. It's my favourite part of the process and I like how much character I add to it, though I want to experiment with a more messier style.

9) What are you currently trying to improve

two things. My colour and my backgrounds. I struggle with picking out background colours that makes the foreground pop out or that just looks nice. And I think almost everyone can agree that backgrounds are hard and boring to draw. But it must be done.

11) Favourite comment you've ever received on your work

I have no idea. I love and cherish every comment on my work. Sometimes I just look through them when I'm feeling down. But my favourite right now is on my comic about Damian riding Batcow. They were basically info dumping about how riding cows isn't actually that great but I put Damian in the best spot to sit when riding. I felt so smart for that, even though I just guessed where someone would sit on a cow.

15) Biggest Art Pet Peeve

I don't have a lot of art pet peeves, more like artist pet peeves. Like those people that make those speed paint videos with the clip of markiplier going "jingle jingle" and slime videos to be like "ooooh you don't have the attention span to watch this speedpaint until the end oooooh you hate artists". I'm being hyperbolic, but I still scroll to spite them lol. But for an actual ART pet peeve, I don't like it when a character has soooo many accessories. tbf that's my personal taste, I still find the art lovely and I still admire those who put so many accessories on characters, if that makes sense??? Like that one post about the art teacher who gave a critique about a girls art telling her to make the teacher hate it? Idk I'm writing this past my bedtime so my brain is a little like mush right know. I also hate people bashing art styles. like the "calarts style" (don't get me started) or any other popular trends. Like dude, ever heard of art eras? Art goes through trends.

Thanks so much for the ask!! Hopefully this wasn't too rambley, I just like talking about stuff lol

#thanks for the ask!!#shut up spicy #ask game #anon ask #SEND ME MORE

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loupy-mongoose · 7 months

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I don't know how you shade things so perfectly! I'm excellent at blending colors but I can't shade even if my life depended on it!😅🤣

How do you do it so good? Could you lend me some tips?

First off, thank you very much, but I refuse to accept my shading as "perfect". I'm proud of how far I've come, but it ain't perfect!

Tips... Hmmmm...

I have a pretty good understanding of the characters' and objects three-dimensional shape in my mind, so when I shade I subconsciously keep in mind how the light will affect them and where shadows will form.

Don't be afraid to look at books, references, tutorials, and Youtube videos! Take advantage of the vast library of resources at your fingertips!

I've spent a lot of my teen years watching speedpaints--Twarda8's Pokemon paintings on Youtube are old favorites of mine. Ironically their playlist called "Junk'n'Old" played a MASSIVE part in my artistic upbringing. One man's trash is another man's treasure~ I've also looked at many many mannnyyyy tutorials over the years, some of them multiple times, taking in how different shapes affect the shadow outcome. For example, sharp cut-offs will result in solid lines of shadow, while rounder shapes will have softer transitions from dark to light.

Take, for instance, my latest masterpiece; The eyebrows are meant to somewhat sharply overhang the eyelid, so they cause a sharper shadow cut-off.

While rounder parts of the body have smoother shading.

Mix and match them depending on the shapes present! (Hopefully that's coherent enough. X3)

A few extra things;

-Different light sources and surroundings can influence shadows as well. For example, the sun will create sharp, defined shadows, but clouds will soften the shadows considerably.

-When shading colored artworks, try to avoid using pure black to shade. If possible with your tools, use a darker color set to the Multiply or another darkening blend mode. Experiment! (I have another post about my painting process here if you're interested, although the canvas size in that may be incorrect now.)

-Find brushes you're comfortable with! I don't want to advocate that an artist can't be good without certain brushes, but I do think it's important to love the tools you use. But also don't feel like you have to stick with them for eternity--Every once in a while I get dissatisfied with my brushes and tweak them a bit, or dump them for others.

-For doodle shading like the above, I scribble in rough chunks where I want the shadow to be, then smudge and erase them as I see fit. All on a separate layer from the line-art, of course.

That may be more than you bargained for, but you can pick and choose what you want to take from this, if anything at all. I just felt like dumping. Happy shading! ^w^

#art #info

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uovo0 · 3 months

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i hope you dont mind me asking but how do u do ur shading :3? i love how simplistic yet super cute it is but cannot seem to figure it out !

The brush itself is from wamudraws (nsfw account) which is for the clip studio paint program!!

I don't remember where I found the brushes but if I find it there I'll put it so that people can use it too! ;vv; but on the other hand the credits go to the artist

and I also use ''ink on wet paper'' which comes by default in csp :D a lot of people ask me how I color so I don't know if I should do a speedpaint since I wouldn't know how to explain it through text

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jayessar · 6 months

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This video came out two years ago, so I can now bring it up without people jumping me in the public.

Not only it's just not good, the worst part of it is the shocking amount of uncredited art, especially considering that the author credited their sources.

It's just disrespectful, plain and simple.

So, I decided to find and credit every author I can, since I can't stand this sort of thing.

Either way, let's begin.

Instead of timestamping where specific artwork appeared, I'll just write in which section they appeared.

jgr vs jsr - https://www.pixiv.net/en/artworks/15837155

pots is playable - https://www.tumblr.com/jsrf-inside/138005975042/so-i-made-potts-the-dog-giant-d-i-was-messing (have no clue if it was posted on the actual jsrf-inside blog, so yea)

different names for different releases - https://www.pixiv.net/en/users/652648 (author deleted the art, but it is their)

In the same section appears edit of artwork made by Lesean Thomas for Girls of Gaming volume 5

tier 2 - https://www.deviantart.com/lordwong/art/Gummmm-3191374

jsr billboard in blah blah blah - https://konkonkonna.tumblr.com/post/105559062635/cosmicremix-i-know-im-not-the-first-person-to (this is a reblog, author wiped their blog)

the scrapped wii game - https://vgboxart.com/view/35875/jet-set-radio-future-wii-cover/

https://www.deviantart.com/jocelynada/art/Dreamcast-136486127

tier 3 - https://www.deviantart.com/lordwong/art/This-is-Corn-3264351

dj k rap - https://www.tumblr.com/sulkymonkey/634633936856907776/dj-professor-k-jet-set-radio

cube's original design - https://www.deviantart.com/theinfamousmrd/art/Cube-Jet-Set-Radio-169727501

beat has whatever condition - https://www.deviantart.com/fryguy64/art/Beat-Jet-Set-Radio-316764100

ereki shirt - https://www.facebook.com/photo/?fbid=2068703416545342&set=a.864913143591048.1073741829.864559183626444 (take the speedpaint too https://www.youtube.com/watch?v=OPuXCyd9ZAY)

tier 5 - https://www.deviantart.com/parororo/art/Jet-Set-Radio-Mew-491206262

coin died - https://www.tumblr.com/dedtoot/629700991997050880/them-art-is-based-on-this-unused-texture

clutch is coin - https://www.deviantart.com/royto-krowler/art/Clutch-Jet-Set-Radio-Future-119256643

gorillaz noodle thing - https://web.archive.org/web/20151025040607/https://tremendousrexx.deviantart.com/art/Jet-Set-Radio-The-GG-s-Radio-Days-540098911 (woow author deactivated IMAGINE THAT)

nb noise tanks - https://www.deviantart.com/tabu123/art/Noise-Tanks-514955886

tier 9 - https://www.deviantart.com/eisu/art/GG-on-the-Go-27875236

So yeah, that's all i could dig up. If you know the source for more images, or noticed a mistake in this post, then please tell me and I'll edit the post.

What's the moral of the story here?

Respect artist's work!

Just because they are uploading pretty images for free, doesn't mean that you can just take them all willy-nilly. As a fandom based around an art based game, that has a lot of issues with crediting its own developers, we should know better.

Special thanks to my friends, saucenao and the Hokuto no Ken OST that was blaring while I searched for art lol.

#jet set radio #jet set radio future #info

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ninjapaste · 25 days

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dude your art is so GOOD!!! Do you take any classes or have any tips to share? that resource post you reblogged the other day was helpful but i've felt so stuck in my art. I don't know if you have anything u learned that just made something click for u or anything like that?

Tysm anon!!!👍

In terms of your questions, I apologise i advance for the long answer im about to give and possibly things you already know haha:

I guess in terms of what classes i take, Ive gone from GCSE to A level Art and design (Fine art), and both courses have helped me to learn the importance of observation studies.

However, its moreso all the art i practice in my own time that has played the biggest part in my art improvement journey. I adopted art as a big hobby around 2018, and really ever since then I tend to draw/create for myself every day, however big or small it may be.

I guess my first tip would be to indulge in a 'sketchbook' or space to work in freely, it could be any form but the importance is that its personal and can be picked up whenever. I find that having a sketchbook to draw in has really helped with productivity and creating new ideas. I think you can go into a sketchbook space with any mindset and it can work wonders, like for example if you wanted to focus purely on challenging yourself, you can do that! If you just, want to doodle without thinking, go ahead! After all, its a sketchbook for you and nobody else, so go wild!

My next tip would definitely be, when you are feeling stuck in art, to take inspiration from a wide range of different things be it in real life or on the internet, a building or a really cool tree, since I find it defintiely fuels the creation of new ideas/concepts that can provide a path out of that creative rut. I guess to an extent there may always be periods where you have that 'I have no idea what to draw!' Feeling, and thats okay! Sometimes its refreshing that helps the most. But I often see that the solution to being in a rut is usually REFERENCING, wether it be trying to accurately draw the anatomy of an arm or if I just saw a cool design/pose/style on Pinterest and i drew a bunch of wacky characters from it. In fact, I find that places like Pinterest or Resplash are such good resources to hone imagination and generally most art skills by looking at and drawinf from all the cool images (and get some of that inspo!). And if im not using Pinterest, im usually using an art book as reference! (The itsv and splatoon art book helped me so so much lol)

On the topic of REFERENCING, its mega important! Depending on imagination/memory feels pretty good at times but its always beneficial to have image references in your process when you find its good to have them. I woudl always recommend having a reference when drawing poses/expressions/anatomy because the more you use them, the more you learn about how an object like a face muscle, a torso or even light behaves and looks and the easier it is to draw/depict them.

The next tip is uh YOUTUBE, or any account/person who's art inspires you in particular. I found that certain channels like Ethan Becker, Marc Brunet, Marco Bucci and more have helped me the most to gain confidence in drawing and learning how to practice it better. Of course, theres a lot to learn from a plethora of other channels too, even ones that dont specifically promote themselves as teachers! Also, if theres a certain style/art approach or an artist that appeals to you, study it in any way you like! Analyse an artist's work or ask/find out about their personal process (or even watch a speedpaint/art stream)! Sometimes it can be a big inspiration booster and skill boost to do just that (plus the 'artist' could be any piece of media/thing too!! Like a game or something).

Ok ok last paragraph haha, on the topic of your last question. Thinking back, its hard for me to define any specific moment or thing that gave me a 'click' moment. Its more like a process of growth that starts with learning and understanding a new thing, then familiarizing myself with using it successfully/'correctly' by studying and practicing, so that eventually its like muscle memory or easier to use in my work.

Hope this helps!!! If theres anything else you want to ask, dont be afraid to dm or send another ask!!

#ask #answer #art #im still learning so much but heres all that i can give in its long windedness #theres stuff from like #less than a year ago that i would def redraw haha #but i guess most artists feel that way about some of past work #anywayy #listening to music while sketching away GOES HARD but that might jut be me

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sumikatt · 5 months

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[Video ID: Time-lapse of me drawing the above image]

it's really not nice to say this to anyone, even if you thought they were using AI. I know my art looks bad but only I can say that !!! 😤

I was also gonna humor you by showing you a speedpaint/time-lapse i made from 2016 where it would be impossible for me to use AI, but i don't want to take it off private because it's super personal and somewhat embarrassing (made it when i was in high school). Here's a screenshot instead.

You can find this character in my "my art" tag, he's one of my hockey OCs. You can see posts from 2017 in there.

So yes, I can draw and paint things myself, without the aid of AI generation, but even then… I don't think I'm "better" "more authentic" or "more ethical" than other people who use AI to make visual art. Just different. I don't think effort or time invested is a valid way of judging art. A marble statue that took years to make isn't "better" than a sketchy concept environment that took 2 hours, they're just different. Isn't it great that art and self-expression can take such different and diverse forms?? It's fucking wonderful and I'm sad that people are always clutching their pearls about new art forms. You know how many of my own relatives in 2012 thought I was "cheating" as an artist because I used a computer???

I stand by my opinions on AI: namely that most people that oppose it don't know how it actually works, are usually being reactionary weirdos, and are supporting stricter copyright laws that will only hurt artists in the long run. Also, I was wishy-washy about it before (especially in my first posts about AI) but I think AI image generation constitutes fair use, and that prompters are artists (yes, even the ones who only generate "anime woman large breasts swimsuit 4k").

#.s #ai art #my art

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jsuika · 28 days

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JUST FOUND YOUR BLOG AND I LOVE YOUR ART!!!!

Your line art is so smooth and the colors too! How are u underrated

Thanks :]]

Actually I remember doing thick linearts before to make it look like y2k bubbly styled and I was thinking of going back again since I wanted to make logos or icons like this one:

These ig were just a lil practice if someday I'll be making one (or more of these). Also this is just an example btw, these are artist-made game icons. Imo, if it were me to be commissioned to design one or if I was assigned by a game dev, then most likely its gonna look like something that y'all won't know who did that thing lol.

Besides, I'm pretty sure a lot of people were inspired by my artstyle. 😭 Also in case you guys don't know what these are, I'll show you guys mine. (NOTE: You can still check on archive, I don't mind though-)

Examples of my artworks with thick lineart:

The first one was Hatsune Miku fanart

I kinda remember drawing this back in the day since 2023, the sketch version (on my other sketchpad) was discontinued. Supposed to finish it but, sadly I gave up because the hair was something that reminded me of an Inkling from Splatoon (rarely I noticed the first miku fanart also reminded me too lmao).

I wish I'd do this again hopefully if I could use my artstyle, then yeah. Watch here if you want to see the speedpaint :3 : https://youtu.be/sRE3-snDGkM?si=op3tISbGFTjLCcdB

Next one is Bomb Rush Cyberfunk fanart

Okay LISTEN, I may not be good at anatomy but might as well tried especially RED's head. For the BG, I only duplicated the character + added a screenshot/fakescreenshot/whatever, to make it look related to both y2k & frutiger aero (same applies to Hatsune Miku).

Nothing to say much but I've been thinking of making more character concept arts in the future & maybe work on shoes since they look a bit too complicated much.

Overall, I'd say it isn't bad. I'll just leave as it is for now (until some BRC fan shows up and sees this).

Last but not the least, my very first artist-made album cover

I remembered drawing this for future use if I ever find a music composer either if they can do DnB, game soundtrack or whatever but it slightly depends on them. Also shout out to Lxchee Music! They're the ones who compose music like these. They even commented on my speedpaint video!!! (after using their songs lol).

Such a shame that I am limited to drawing only however, I wish I also was a composer of this whooooooole album then everyone's gonna listen to my bangers. One time I used to make music in Beepbox.co (a website where you can compose there).

There are some music-composing softwares that most people use for their game making & also songs. I wish I'd even use FL studio or other music-composing. Reminds me, I also have one friend who makes music (unrelated to dnb or any genre) using accordian & any other instruments that he uses. I swear, he is so good in composing Nintendo Orchestra-music related I can tell.

Conclusion

No worries though, I didn't say I hate using thick lineart but its sometimes too much for the anatomy still and might not fit pretty well. I can still do another one hopefully just to focus on more y2k aesthetic. But if it were me to learn anatomy, might as well use thin lineart and just increase to make it look like there is perspective on it.

Anyways, ig this might be a long one but I do hope you understand what I mean-

#thanks for asking #jgz ask #y2k #fanart #oc #hatsune miku #fanarts #y2k artist #y2kcore

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tiikerikani · 4 days

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Throwback Not-Thursday (2012 v 2024)

Gerrin Goblinkicker, Dwarf Hero (sculpted by Bob Olley)

This was the last figure I painted before starting up again in 2020.

I'm known to be insufferably/irredeemably stuck in the past, so unlike normal people who might strip and repaint their earlier figures, I painted a whole other copy. This dwarf figure is still in production, so I didn't need to wrangle one from eBay at stupid prices. I even happened to have a matching base (they had come in a 3-pack and I still had the other 2—these are discontinued).

On the old version the middle of the shield is just off-center if you look at the model from that corner and it just feels like something is wrong. For the new version I decided to place him along the diagonal of the base instead of the side. I think this way it is clearer which direction he's facing—though it's actually the feet that are aligned to the diagonal and not his face, so it's still kind of off.

I considered painting a whole pattern onto the shield instead of leaving it plain wood, but I didn't want it to be too different from the old version, so I just changed the shield boss to brass/bronze for contrast.

I had placed him too far forward too; I think I was trying to center the feet on the base instead of the figure overall.

I used the same static grass from a plastic film container of it that I got from somebody. I have no memory of where it's from and this is the only figure I have that uses it. I wonder if it's from 2000/1 when I'd just learned to paint, since a pinch of grass on the base appears to have been typical on Warhammer figures from that era. Maybe I used it on Battletech figures I painted for my classmates at $5 a pop. Anyway, it sits on a bed of green stuff instead of a thick layer of PVA glue (which shrinks so you'd need a lot of it to fill up the hollow base, but that's how I did things back then. didn't know any better).

Recipes

The base blue paint on the old model was Ral Partha's Dragon Blue (highlights in Sky Blue). I still have the Dragon Blue pot and wanted to use it but the paint doesn't stick to the primer anymore so I guess it's dead. It's a bit drowned in black wash on the 2012 model, and here's what I did on the new one:

Speedpaint Beowulf Blue (as you do because, you know, vikings). I didn't shake it enough so it came out a bit purple

Thin layer of Ultramarine Blue

Wet blend Wolf Grey into Ultramarine for first highlight

Gorgon Hide for second highlight

The green base was a bit trickier since the Army Painter Warpaints do not have a match for it (maybe the new Fanatic line does, dunno). But I made it work with a solid coat of Greenskin and then Speedpaint Shamrock Green (the latter of which is a decent match).

P.S. The old Ral Partha Bronze paint is really more of a brassy color. It's not orange-ish at all.

Bonus: Super-black background tutorial (kind of)

When you take the photos, use a sheet of black velour / flocking as the backdrop; Green Stuff World sells these in various sizes but the material is originally used in other things that need to be super dark, like telescopes, so you can probably find it in places where astronomy stuff is sold.

You'll never get all the dust and speckles out of it with a tape roller so just remove as much as you can.

Editing the pictures—I use GIMP:

(Optional) Crop your image. You can do it now, or at the end like I do.

Adjust levels and do color corrections as needed.

Fuzzy select the black area around the figures. 10% tolerance worked for me, but go lower if the figures are dark. You want to avoid picking up parts of the miniatures.

Invert the selection.

Copy and paste to a new layer and put it at the top. This layer will be transparent and contain just the figures and a lot of dust speckles.

Create a new white layer and put it under the transparent layer. Now you can see all the speckles against the white background.

Clean up background with eraser tool.

Hide the white layer and create a black layer. (Or just put the black layer above the white one.)

Clean up any stray dust with eraser tool.

If fuzzy select was overzealous and took out too much (you can flip the solid layers on and off to check), copy/paste those areas back in from the original picture.

#miniatures #fantasy miniatures #reaper miniatures #miniature painting #dwarf #photo editing

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lunchtimebedamned1997 · 5 days

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Playing around with Charlie's Design!

Speedpaint and fun fashion/design ramblies under the cut :3 (I'm not a fashion historian, I just have a special interest in it and know too much about it XD)

Oops I kinda wrote an article XD

So, I've heard through the grapevine that Charlie is actually somewhere around 200 years old - and not only does that make Rosie's "Oh, come now Alastor, she's much too young for you!" even funnier, I think it also makes her more hopeful outlook and determination for change 1000% more nuanced and interesting, AND I think it gives a ton of super fun space to play in as far as for-fun redesigns go!

I've really only seen charlie in 'historical' contexts art-wise in relation to Alastor and the Charlastor of it all (my personal tastes in Hazbin fan content probably account for a lot of that skew though tbh XD)

I'm mainly going to be referencing UK, Europe, and the United States in terms of the fashions and 'culture' I mention, which, yk, Charlie is an angel/demon and not human but also very obviously white so LMAO it seems fitting? That is also where the largest amount of my historical fashion/culture knowledge lays since I am also white, from America, and currently living in the EU XD (Plus the more you start delving into history in countries with a primary language other than English (including in Europe) the more you hit the language barrier, trying to find translations - and if its cultural and not fashion-oriented you have to figure out if you can even trust those translations or if they're bullshit etc etc etc (I cry))

But okay, so here's my train of thought with the left design:

Most people seem to have their style and/or tastes solidify somewhere around their 30s, and if we assume Charlie is somewhere near 200 in S1, then that would place her 30s around the 1850s! Given though that even with access to modern tech in S1, hell (More-so pride than the other rings imo) seems a little behind the human world - I think it would be safe to assume that divide would be more stark the farther back in time you go. With this in mind, I decided to base the majority of Charlie's style 'undertones' between 1850 and the early 1900's (AKA: Victorian era through the very early Edwardian period)

So lets go top down?

First up: HAIR! In many cultures around the world, an 'of age' woman wearing her hair down was considered very taboo. A social faux pa, if you will. This is one of the many reasons why beautiful updos in eras and areas where hair was allowed to remain uncovered were so popular. To be able to achieve these elaborate styles (and/or to be able to braid and pin back the hair to keep it still, and properly covered in other times/places) the hair was grown quite long. Though, many seeking elaborate styles, especially those with thinner hair, often employed the use of 'hair rats' and/or fake hair to be pinned/braided into the style. Buuut that's verging into a tangent lol...

I pretty obviously went with a Gibson girl look on this one,

The concept of the "Gibson Girl" first appeared around the 1890s as an expression of the 'ideal', but of course, like most aesthetics of the modern era, such as those within the 'clean-girl' or 'dark-academia' it is often displayed within a realm of privileged, upper-class, and faux-perfection that is largely inaccessible to most people. But, as Charlie is a Princess I thought the 'upper-class elegance' of it would work far better than attributing a style more common among the working class to this design. But the Gibson girl unlike many 'ideals' of the past, was not entirely a projection of male desire. In fact, in many ways they stood in opposition to this. Gibson Girls often represented independence and freedom. Many portrayed in the concept were emancipated and in the workforce (by choice), seen cycling and (GASP!) wearing cycling trousers!!! XD

The Gibson girls asked for equal opportunity, social and educational reform, and sexual freedom. The 'modern' and 'disruptive' girls of the turn of the century. All of which, I think speaks towards Charlie's character. And having her hair back while working is an element of practicality we see Charlie employ in canon! And you might say, Liz, that was so long ago! She hasn't changed her go-to hairstyle??? No. Not in my world. (I'm having fun!) Besides, we all know the distinction between the messy bun friend and the high-pony friend. We all have the way of putting long hair up that becomes 'automatic', I don't think it would be wrong to assume that something like this (esp. given her natural hair volume, which would negate the need for hairpieces), that is pretty, and stays out of the way would be retired from her usual repertoire (idk if I've ever had to spell repertoire before. My first guess was so wrong) Also I think the loose curls coming down are pretty and help fend off some of the uptight-ness that can sometimes come from a modern gaze looking at older styles. Loose curls are romantic! Charlie is romantic! I rest my rambling case!

Secondly: Her earring!

I wanted to bring in a quick flash of modernity here, as well as add a cutesy Charlie-esque nod to her more alternative emo phase we saw she had when she was younger XD Plus it helps bring in some of the heart motifs the show is so fond of in a more subtle way which I think is fun! Also, fun fact; did you know that nipple piercings and nipple chains were a thing in the Victorian era? No joke! There are articles from the era written about it! Here's a modern article that's just a bit of fun about it with a good general overview :3

Third : The Top! So, for the shirt I wanted to go with something that was a pleasant blend between modern and historical! In this design, I tried to keep a lot of the essence of Charlie's look: Hair pulled back, nice blouse, some sort of neck tie, red pants, etc.

I didn't go quite as long with the cuff as is historical, but the long, flush-to-skin sleeve cuffs were seemingly pretty popular in the eras I took inspo from. I decided to make the cuffs black because I thought it looked nice, matched the bowtie, and created a sense of visual completeness with the black tie at the top and the cuffs at the bottom, esp. bc I went more 'textured'/'sheer' with the stripes.

You can also see, much like Charlie's OG design, we have high collars on the inspo pictures! however, I was worried Charlie was going to start looking a bit too matronly/snobby school mistress-y, and so I decided to implement a bit of modern flare into the collar, having it fold over the much daintier bowtie (which is truly more of a bow, but it does tie the shirt together quite literally, as I've left a very large opening in the neckline to show a bit more skin (still trying to beat the matronly) as well as accounting for non-stretch fabric without buttons. I cannot allow myself to design things that wouldn't work if I decided to try and sew them XD I just can't!!! Non-stretch fabric gives you that nice drape effect while still allowing for a certain amount of structure, as well as being - sigh - historicallllll lmao These days only natural fibers in a garment tend to be pricier/more of a luxury, but elastic didn't even exist until the early 1900s, and synthetic fibers didn't exist until the 1930s. Oh boy I'm starting to tangent - the shirt, Lizzie!

Black and white stripes bc I grew up as Tim Burton trash and my love for them has never faded + yk, hell, and Vivzie's general love of a similar vibe hehe. I also felt like Charlie could use a little bit of patterning somewhere in her design. The most detail we get in the OG is her hair striping. TBH I think it works in her OG design, showing off some of her more practical nature in the face of her rainbow crayon drawings, but I think the hair in this design helps a little in that respect and I wanted to have fun damn it! XD Not to mention that a plain color (especially white) would make the design feel too plain and too old imo, where as the stripes help create interest and add in a little fun w/o making it too busy :3 (Though I think if the stripes had been solid black it would be too busy. I didn't want too many 'flats' on her. Going for a different or more in-between shade helps a lot I think)

Fourth: The Pants This one is another blend of Historical and modern! (pls don't take a shot every time I typed historical u will be very ill or very dead :'( that would be sad)

Most obviously, I primarily brought back the red in her design here! Though, I did pull the darker color from her OG lapels rather than the color of her suit - I'm trying to get more comfy with more vibrant colors in my work, but I just really felt averse to using the bright red with this outfit. Even though Zippers were invented (/first patented???) in the 1850s, they didn't really start being used in garments until the 1920s-ish, and I also just think lots of buttons on pants are really pretty XD and hey, look, I used the brighter red from her OG suit for the buttons, r u proud of me?! (I think it's cute :3 I usually default to metal buttons in my art, but colored and fabric buttons are SO pretty! Button diversity needs to be addressed! I am calling myself out rn! Lizzie! Use more colorful/textured buttons in things!)

I know a lot of people still try and call for the death of capris, but y'all are kinda wrong (I'm sorry) (Not really) what you hate is wide-straight leg capris cut at the wrong length!!! Skinny, well-cut straight leg, or wide-leg capris are cute! Deal with it! I will fight you!!!!!! This specific silhouette (perhaps minus my very 1800's buttons lmao) is very 1950s/60s

And again, showing off a liiiiitle more skin to help keep her from looking too modest. She may be trying to reform people and the squishiest goody-goody, but we're in hell, toots. And it's not like she's a prude - or like she ever grew up with historical earthly morals Asmodeus and the sins are her aunts and uncles - enough said XD

Fifth - Shoes I didn't draw any. They intimate me, I wanted this drawing to be fun, and besides! Too many of these characters have hooves (literally just charlie and Al (?) lmao but I like those two shush) and I need to practice!!!!

Did I draw them well? Perhaps not? Idk, I didn't look at a reference, but I think they're cuuute! I squealed when we saw her little hoofsies in 'Hello Rosie' As for the right design, my only real note is that I included eyelet lace bc lace was all the rage in the times I was pulling from, and eyelet has always been my personal fav of the laces hehe ...yeahhh I just really wanted to draw Charlie in jammies XD

As a final note before the speedpaint, I made Charlie's body a bit curvier! This was for a couple reasons! (yes I'm a nerrrd, if you read all this you know hehe)

Prettyyyyy! Bodies are pretty! Pretty curves

As far as character shape language goes soft shapes + soft character = very harmonious Idk I just feel like Charlie would have a little more curve to her (in my universe anyway lmao) even though she's a tall gorrrrlll (They're all like, stupid tall lmao - do y'all realize Lucifer is probs actually like 5'6/7?! I'm 5'6!!! Val is like TEN feet tall!!! :0)

It's also a fun(? maybe the wrooong word - interesting) bonus that historically (IDK about the time periods I took inspo from, but generally), the bigger/curvier/plumper you were, the more people assumed you to be in higher social-standing. This was bc the wealthy tended to have access to more (and often, better) foods. Ofc partnered with not having to do manual labor, which generally tends to (esp. pre-industrial revolution) to cause one to be more muscular and have less physical softness (tho ofc genetics also play a part in this nuance nuance).

Plus, yk, goat features bc I did that in my Charlastor Painting and I really liked it! I considered adding horns this time bc I think they're so cute but I honestly just forgot. I'll have to play with that another time!

Oki, I gotta shush up and post this soon my whole browser is lagging SO HARD :( If any of you read to the end uh - holy crap??? Glad I was interesting to you! (pls talk to me about fashion and hazbin and history lmao my asks are open! Feel free to request!)

#my art #hazbin hotel fanart #hazbin hotel #im sorry if there are typos i accidentally spent 3 hours writing this and now it's 4 in the morning - i'm so tiiiired holy crap #fanart #digital art #hellaverse fanart #ltbd rambles #character redesign #character studies #charlie morningstar #charlie fanart #charlie hazbin hotel #charlie morningstar fanart #historical fashion #speedpaint

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