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annabellearts · 11 months
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For the longest time I've been relying on lineart, and as much as I love how detailed I can make it, I felt burnt out. So I decided to try something new; painting on top of/under a sketch.
Here's a WIP:
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annabellearts · 1 year
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Finally back. Been in a bit of an art slump, but the worst of it seems over. I've been a bit disappointed with Mandalorian season 3, so I'm working on my Star Wars OC again; then I can put her in a fix-it fic.
Yes, I have a thing for Chiss 😩
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annabellearts · 1 year
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Still got stuff to add but I'm happy with how this redraw is shaping up 😳
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annabellearts · 1 year
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Working on a redraw of my old Masquerade outfit redesign 😳
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annabellearts · 2 years
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(WIP) "Like dogs, Shianni..."
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In other words, even after 10+ years and multiple playthroughs, I am still not over the City Elf origin; especially the female version.
Yes the background is rough; I'm literally just working out composition.
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annabellearts · 2 years
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Hey everyone.
Sorry I haven't posted in a while; depression has been hitting hard and I've just straight forgotten to post on here (as well as Twitter) as a result.
I do have a good few finished pieces to show, so I'm working on posts for them.
There's also a handful of WIPs to show as well.
The first of which I will be uploading shortly.
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annabellearts · 2 years
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~ OPENING UP COMMISSIONS ~
(Single Character Portraits)
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~ To read the full details of what I’m offering, as well as my pricelist, please see under the read more ~
SLOTS OPEN:
(1) OPEN
(2) OPEN
(3) OPEN
EMAIL ME AT: [email protected]
EMAIL SUBJECT: ~ Your name, what kind of portrait you are after ~
FANDOMS I AM CURRENTLY IN:
~ Cyberpunk 2077
~ Dragon Age
~ Fallout
~ Skyrim
I am open to drawing for other fandoms as well, of course.
Keep reading
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annabellearts · 2 years
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After over a year of working on this piece, occasionally getting burned out, and 30+ hours...I’ve finally finished my Lady Dimitrescu artwork; inspired by one of my favourite artists, Alphonse Mucha.
Here it is, the result of a labour of love:
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If you’d like to see some commentary on the process of this piece, as well as WIP shots, check out under the read more!!!
So I did a version a while ago; the lineart anyway. And I gave up on it for a while before eventually returning. I redid a fair amount of the lines, particularly our vampire goddesses’ face, hair, and hat. I added more and more to it, and went through several versions before deciding on the one that would eventually become what you see today.
This is easily one of the most detailed, labour intesive pieces of art I’ve ever produced. And sure, it’s not perfect- no art is. But I am very, very proud of myself for returning to this piece and finally finishing it.
Here’s the (highly condensed) process:
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You can see how much work went into this, hopefully! I haven’t gotten past the first hour of RE8 because I am a chickenshit, but I am a major Lady Dimitrescu simp (even have a 5 ft body pillow of her) and her whole aesthetic/design has gotten my attention from the moment she first showed up in the earlier RE8 teasers.
It was tough to dodge potential spoilers whilst looking for suitable references, but as you can see, I did ok and managed to find some good stuff. I wanted to stay true to the original Mucha piece that I chose, but also put as much of the gothic aesthetic and Lady Dimitrescu’s design as possible.
All in all, I think this piece was a success. I’m immensely proud of it, and I hope you all like it even slightly as much as I do. I’d normally post a colouring timelapse, but the file is too big to put on Tumblr, unfortunately.
I’m definitely going to do more Lady Dimitrescu art in the future, because whilst this was lowkey a pain in the ass to line and stuff, it was somehow alot of fun as well.
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annabellearts · 2 years
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My Lady Dimitrescu/Alphonse Mucha piece is done, and I'll be uploading it later today, but for now...have a sneak peek:
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annabellearts · 2 years
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Working on a redraw of my Dragon Age Origins/Alphonse Mucha piece 👀
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annabellearts · 2 years
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Under the Neon Lights, meet Mox Merc, Velour ;)
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To learn a bit about my Mox V, as well as see the process behind this detailed piece, check under the ‘read more’ 
Keep reading
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annabellearts · 2 years
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Under the Neon Lights, meet Mox Merc, Velour ;)
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To learn a bit about my Mox V, as well as see the process behind this detailed piece, check under the ‘read more’ 
This V’s birth name is Valerie, the name our Fem Vs have in-game. But she takes on the name of Velour as she becomes more of her own person. Her cyberware may seem flashy, and yeah it kinda is, but it all serves a function; and she only has all these prosthetics due to a particularly dark era in her past.
Her Mom died when she was just 10 years old; a tragedy NC knows all too well- she got caught in the crossfire of a gang shootout on her way home from work at Clouds. The grief shattered V and her Father, and when the grief took away what little they had left, their Father turned to drinking; becoming more irate and abusive as time passed by. Things eventually got so bad that V ended up having to run away from home.
They lived on the streets for some time, scraping by as they tried to learn how to survive in their newfound hell. Over the years, they built up a pretty decent set of skills, but never stayed in one place for too long. When they got older, times were particularly bad money-wise; she had a few bad run-ins with some shitty people.
And as she was older, V found themselves working as a Hooker down on JigJig Street. One night, whilst having a smoke between shifts, she happened to cross paths with Evelyn Parker. The two hit it off, and she was able to get V in at Clouds. This gave V a new sense of security and belonging; there was a cluster of Clouds’ dolls that stuck together. And when more time passed, Evelyn brought up to V the idea that they could try and get in with the Mox. 
V was incredibly excited for this; they saw it as further steps to gaining the family they’d lost, and finding more solid footing on the streets. A meeting was set up in Lizzie’s bar, but V never showed; on the way over, they’d been accosted by a group of Scavengers, and whilst they fought like hell, they got taken down. Evelyn knew something was up, especially when V didn’t respond to her calls. So she asked the Mox to help her look.
Trapped in the Scav den, V was subjected to torture as they stripped her for parts. She was paralysed due to the drugs they injected, but she could still feel the agony. Limbs were taken, organs removed and replaced with cheap parts to keep her breathing while they took as much as they could. Even her eyes, some facial nerves, and certain parts of her neck were taken or butchered.
It took several days for Evelyn and the Mox to get a lead on V, and when they did, they immediately went for the den, storming through and saving who they could along the way. They found V close to death. And they took her back to a safehouse. Evelyn helped get V fixed up, gaining extra help from the Mox because they had heard from her the skills that V had, and knew she’d be a good addition to the crew.
When she was finally physically recovered, V dove into life with the Mox, wanting to repay them and Evelyn for everything that they’d done; turning to drink and drugs when the nightmares got bad. 
And they spent time honing their skills and gaining new ones. V left Clouds when Evelyn did; the two becoming private, well known Escorts. But V also took on merc work; and steadily built a rep. 
This is a basic summary of her story; I’ll be exploring it more in-detail in a fic I’m planning for her. Excited to explore where it’ll all go!
As for the art, here’s the (condensed) process behind it:
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Honestly, it took forever to do this piece; chipping away at it for 3 or 4 hour long stints every few days, until I finished it after 30 hours. But I believe it was worth it; I really am happy with how it turned out.
I normally shy away from backgrounds, so it was great to deviate from my norm with this project. It was super fun actually; I love the whole neon/brightly coloured aesthetic of the Mox and their hub at Lizzie’s Bar.
And it was even more fun to draw Velour! I loved making her outfit fit with the whole Mox aesthetic, but also making it her own thing. Working on her Cyberware was challenging, but I still had fun with it.
Unfortunately the colouring Timelapse was too long for Tumblr to handle :(
Definitely expect to see more art of her in the future; this little project was very labour intensive, but it was a labour of love honestly.
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annabellearts · 2 years
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Soon y'all are gonna properly meet my Mox V, Velour 😉❤️ (WIP) 😉❤️
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annabellearts · 2 years
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~ OPENING UP COMMISSIONS ~
(Single Character Portraits)
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~ To read the full details of what I’m offering, as well as my pricelist, please see under the read more ~
SLOTS OPEN:
(1) OPEN
(2) OPEN
(3) OPEN
EMAIL ME AT: [email protected]
EMAIL SUBJECT: ~ Your name, what kind of portrait you are after ~
FANDOMS I AM CURRENTLY IN:
~ Cyberpunk 2077
~ Dragon Age
~ Fallout
~ Skyrim
I am open to drawing for other fandoms as well, of course.
Keep reading
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annabellearts · 2 years
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~ OPENING UP COMMISSIONS ~
(Single Character Portraits)
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~ To read the full details of what I’m offering, as well as my pricelist, please see under the read more ~
SLOTS OPEN:
(1) OPEN
(2) OPEN
(3) OPEN
EMAIL ME AT: [email protected]
EMAIL SUBJECT: ~ Your name, what kind of portrait you are after ~
FANDOMS I AM CURRENTLY IN:
~ Cyberpunk 2077
~ Dragon Age
~ Fallout
~ Skyrim
I am open to drawing for other fandoms as well, of course.
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annabellearts · 2 years
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It took me a little longer than I thought, but I finally finished another piece of art! February’s been a bit weird; like I’ve done far less art than I thought I would. But I mean, hey, life happens. 
And yes it’s my nonbinary Corpo/Assassin V again, they are my current brainrot OC.
Here’s the portrait, with and without glasses, in their early days with Arasaka:
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To see a bit about this OC’s story, as well as the overall process and a colouring timelapse, check out under the read more!!!
This eventually attracts the attention of Arasaka, and they offer V a place/contract with them. Despite the fact they know their friends will hate them for it, V accepts this offer. It puts a huge rift between V and the Samurai crew, but they keep going for their brother’s sake. 
This eventually attracts the attention of Arasaka, and they offer V a place/contract with them. Despite the fact they know their friends will hate them for it, V accepts this offer. It puts a huge rift between V and the Samurai crew, but they keep going for their brother’s sake. 
Over the years, V rises in the ranks, and is a major fixture in significant events; like the 2013 raid to save Alt, and the 2023 tower bombing. 
Eventually, they get to like 85, and have gone from merc, to Arasaka Assassin, to Saburo’s bodyguard...and back to Assassin again when asked. 
Stuff happens, and this leads into a vastly different take on the 2077 in-game events.
Here’s the (condensed) process behind this piece:
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You can see that, whilst it’s not quite as detailed as some of my other recent pieces, alot of work still went into this. It was super fun exploring an age I haven’t really drawn this V at (2013 era, Age 23) and adding all the Arasaka details.
I really tried to work on different fabric textures, as well as shadows and lighting, and while I know I’ve still got a ways to go, I’m still really happy with the progress I’ve made.
Overall, I’m so happy with how this turned out. I feel like it has the right kind of vibe that an Arasaka Assassin would have, and the outfit kinda has that Corpo/Luxury style to it.
Here’s the colouring timelapse (warning for flashes of colour):
The timelapse gives an even better look at the colouring process; it emphasizes all the little details that get a bit lost amidst the dramatic lighting and shadows.
This is definitely one of my favourite pieces from recent months, and I’m excited to draw this V at other stages in their Arasaka career.
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annabellearts · 2 years
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So, even though I have 10303030 different Vs, some fleshed out/developed and some just kinda vibing in my PC folders...I made another V. 
They’re a nonbinary disasterpiece from an AU I’m working on, which touches on religious themes; drawn from my Jehovah’s Witness upbringing.
Thank fuck I am out of that now and can draw sick shit like this Feral Child of a V:
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To see the process behind this piece, as well as a brief write-up,  and a colouring timelapse- check under the read more!!!
V kills their Father in return, but the police happen to arrive on the scene whilst V is leaning over their Father’s body; and assume wrongly that V is responsible for both deaths.
V kills their Father in return, but the police happen to arrive on the scene whilst V is leaning over their Father’s body; and assume wrongly that V is responsible for both deaths.
They kill the cops in order to escape, and go on the run; ending up having to throw themselves at the one person they feel they could trust- only to have that trust thrown back when the person betrays them.
V has to continue on the run until they collapse, and are taken in by a group that becomes the family they never truly had.
Drawing a piece which conveyed how kind of angry this V is at everything and everyone was kind of fun, in a weird way; it gave me a chance to convey said anger- as well as give hints as to the rest of the person hiding beneath this anger.
Here is the (condensed) process behind this piece:
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So whilst alot of the smaller details got lost in the darker tones/limited colour palette, you can see from the earlier phases just how much work went into this.
I still have a ways to go with colouring in certain textures, but I really tried hard to improve on those techniques in this piece.
And it was fun to have their outfit 99% dark tones, but then absolutely eye-breaking levels of bright hair, and tiny hints of colour in their pin badges.
Here is the colouring timelapse (warning for flashes of colour):
This gives a further look at the earlier stages, as well as how hard I worked to try and show differing textures with the limited colour palette I was working with.
I did admittedly give up a bit with the lighting and background, but that’s lowkey my fault because I got burnt out on all the tiny details.
Still, I love how this piece turned out; it was really fun to work with limited colours, a fierce expression, and differing textures.
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