Staff Pick of the Week
My staff pick this week is the trade edition of The Tale of the Shining Princess by Japanese-born writer Hisako Matsubara (b.1935) and Japanese-Canadian artist-printmaker Naoko Matsubara (b.1937), published by Kodansha International LTD. Tokyo, Japan in 1966.
As a artist-printmaker and bookmaker who makes woodcuts, I am greatly inspired by Naoko’s prints. Naoko Matsubara’s work carries on traditions of Japanese printmaking while having its own contemporary flavor. Her woodcuts are ecstatic, they are vibrating with movement. Her use of bold shapes and the white line of the the carving tool makes the most of what woodcut has to offer. In the book form, the active images carry the reader’s eyes through the book space. Her use of negative space activates the page. Additionally, her woodcuts have translated beautifully to commercial printing.
The Matsubara sisters are daughters of a senior Shinto priest, and were raised in Kyoto. Both studied, lived, and worked in the United States. Hisako received her Master of Arts degree from Pennsylvania State College, moving to Germany where she continued her studies and became a prominent writer, publishing her work in Japanese, English, and German. In the 1980s she moved back to the United States, this time to California where she worked at Stanford University.
Naoko received her Master of Fine Arts from Carnegie Institute of Technology in Pittsburgh, now Carnegie Mellon University. After her studies she traveled across Europe and Asia. She returned to the United States and became the personal assistant to the artist and wood engraver Fritz Eichenberg, an artist who has been featured many times on our blog. Naoko taught at Pratt University in New York and at the University of Rohde Island. She also lived in Cambridge, Massachusetts for a time. Naoko is currently living and working in Canada in Oakville, Ontario, where she continues to work and exhibit nationally.
The work of both Hisako and Naoko have had great influence inside the United States and around the world. So lets celebrate their accomplishments!
This book has end sheets of mulberry paper with inclusions of Bamboo leaves, the cover is a red textured paper with a gold stamped design by Naoko.
View some of our other AAPI selections for this month.
View our other Staff Picks.
- Teddy, Special Collections Graduate Intern
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Ofi’at losa means black dog in Chickasaw. In Chickasaw, colors are verbs (the grass is greening). The “at” suffix means that the dog is being black. Kinda cool huh?
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Picked up a nice etching by American, WPA artist Raphael Soyer (1933-1989) at a garage sale this morning.
Sorry for the poor photograph, it is under glass.
“Protected” was created in an edition of 250 in 1938.
It is in the collection of most major museums including the Smithsonian and the Metropolitan Museum of Art.
Once dubbed the “East Side Degas,” Russian-Jewish émigré and social-realist painter Raphael Soyer depicted ordinary men and women in contemporary settings. While studying at the Art Students League of New York under Guy Pène du Bois, he was influenced by the Ashcan School’s faithful representations of daily life in New York City’s poorer corners. Soyer rejected abstract art, stating, “I choose to be a realist and a humanist in art.” In sympathetic renderings of the unemployed during and after the great economic crash of 1929, many of Soyer’s paintings came to embody the Depression, as in the drawn, weary face and soft eyes that gaze out of Portrait of Walter Broe (1932). Soyer also painted women in large numbers and various forms throughout his career, including nudes, shop-girls, prostitutes, and pedestrians, displaying a love for and fascination with the manifold faces of humanity. WIKI
Moses and Raphael Soyer were identical twin brothers. Born in Russia, they immigrated with their family to America in 1913. They both studied art in New York, and went on to become successful figurative painters. During the 1930s, the brothers became involved with the Works Progress Administration and worked together on several large projects, including a mural for the Kingsessing Station Post Office in Philadelphia. Both Raphael and Moses were influenced by the Depression and painted many realistic scenes that expressed their concern for America’s poor and unemployed citizens. SMITHSONIAN
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Fairfield Porter (American, 1907-1975) - The Dog at the Door, 1971
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Artist I Like Series
Kara Walker 1969 - ???? an American contemporary painter, silhouettist, print-maker, installation artist, filmmaker, and professor who explores race, gender, sexuality, violence, and identity in her work. She is best known for her room-size tableaux of black cut-paper silhouettes. Walker was awarded a MacArthur fellowship in 1997, at the age of 28, becoming one of the youngest ever recipients of the award. Walker is regarded as among the most prominent and acclaimed Black American artists working today.
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