#And I keep wanting to post them but they're ALL sketches | Explore Tumblr Posts and Blogs

egophiliac · 6 months

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I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.

Do you have a process for how you come up with the compositions for them?

oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D

I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!

I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)

the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!

personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.

it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!

(blue - thirds, red - half)

and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):

(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)

other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:

and frame and control the focus:

honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!

NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️

#art #sketch #twisted wonderland #...technically i guess? it's not about twst but there is twst art present anyway #i did have a few more examples but then i wasn't sure if you were cool with episode 7 spoilers. whoops. 🫠#many other people have explained the rule of thirds and directional flow way better than me and i apologize #it is so hard to put things into words i am so sorry #me: the...you know...the lines...they sort of converge? like a triangle?#the internet: mm-hmm. yes. go on.#me: (sweating) the...the triangle points here...because it...it has a point.#the internet: it's doing better than you are then #genuinely shocked at how well some of these line up though #uh. i mean. actually it was all totally intentional and i put actual thought into it! NOT an accident at all!#my eyes darting back and forth shiftily are just ✨following the paths✨

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reds-skull · 7 months

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Thank youuu

I love them too, I'm thinking of having them as a big brother/little brother duo maybe?? Anyway here's them buying tea for the base like stereotypical Brits

Ok first time I read this my heart melted because it's so sweet :]

I keep thinking up aus for mw2, but they're all too complicated for a one-off comic, and I just finished a series so I'm not doing another one for the time being. But I had a superpower au for them, that I'm gonna explain under a read more because I know it's gonna be long lmao

But before that thank you for everyone again! I read all your lovely comments and they warm my heart <333

SO in this au, some people gain powers the first time they die. The powers are based on how they died (also when they die they meet these cool eldritch beings called reapers that have a little chat with them to decide if they're worthy of those powers).

Soap died from an explosion. Got blown out of a building. So his powers are explosion resistance and creation. His fingertips are always on fire because he's practically blowing the air around them all the time.

Gaz fell off a helicopter :( so now he can manipulate gravity, either objects around him or himself. He also floats a few inches off the ground most times.

Price was kinda hard for me to decide but I ended up making him die by abandonment. Now he can telepathically communicate with people.

And Ghost... he died in that coffin. Got pulled out by a reaper and received the powers to control limbo, the space between life and death. He's not authorized to use them unless he's alone, so he gets sent on solo missions only, until Price recruits him to the 141.

That is, until he pairs up with Ghost.

Before being recruited to the 141, Soap mainly defused bombs. Since, even if it's too late, he won't die. Thing is, Soap still gets hurt. His bones get crushed, his heart stops, his limbs get torn apart. He does heal, but the worse the injury, the longer it takes.

That made him kinda depressed. Because he felt like a glorified bomb robot. Except he's cheaper, since it doesn't cost the military any money when he fails to defuse on time.

Ghost isn't immune to bombs. He himself doesn't enter limbo, since that traps anything alive.

He and Soap go on a mission where intel suggests the enemy has rigged various explosives around the intel they need. They split up, Soap goes to defuse them and Ghost slowly makes his way through the facility.

And Ghost does help him. But he treats him like he would a regular, non-powered human. Stops when he's in too much pain, encourages him through it. Does his best to stop the bleeding.

Ghost completes his objective, but Soap gets spotted by an enemy and detonates the bomb he's working on to save himself.

Ghost find Soap after he fails to sitrep, impaled by a rebar. He whimpers and begs Ghost to help him off it, since he can't heal.

Because Ghost sees him as human. He watched as Soap kept trying to make jokes with him, but more importantly, how he treated him no differently from anyone else.

Soap, for his side, isn't used to that... gentleness. And that's how his interest in Ghost begins.

They exfil and return to base. A few months pass, and Ghost keeps an eye on one Soap MacTavish. Looks through his medical records, past missions. Finds out just how much he suffers through.

But Ghost isn't his commending officer, so he can't do anything. Until he's approached by his captain, John Price. He brings up the option of adding a new member to the taskforce. He gives Ghost the candidates he considered, Soap was brought up, Ghost stops him and states that he would agree to a new member if it was Soap.

Now if I had like, better writing abilities I would have absolutely written this as a fic. Butttt I don't and even if I did, I don't have confidence in them so I won't. But this idea is now out there and you can do whatever you want with it.

Also I got like a lot more sketches of this au but I only posted the ones I made for the ask.

#call of duty modern warfare 2 #cod mw2 #cod fanart #cod ghost #cod soap #cod gaz #asks answered #john soap mactavish #simon ghost riley #kyle gaz garrick #sorry this took a while uni really kicked me while I was down #it's getting better tho #also if more ppl wanna request you can always want i dont mind #revenant au #<new name

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moiraimyths · 1 month

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Howdy, fateful friends! Are you an artist or illustrator with an interest in visual novels?

If so: Moirai Myths, creators of the visual novel The Good People (Na Daoine Maithe), are in need of guest artists! More specifically, we're looking for up to two artists to help us with the content graphics ("CGs") for Maeve and Shae's upcoming routes. All of the details will be listed on our application form (linked below), but here is the gist:

This is paid work with 20-30 business day deadlines per piece!

Complicated revisions in the post-sketch phase are compensated!

You will be prioritized for future guest artist opportunities!

You will be featured/credited on Moirai Myths' website and in the game itself!

Sound interesting? If so, apply here:

Click under the cut for some F&Q 👇

Who are you? (I'm new here!)

Hi! We're Moirai Myths: a small, newish visual novel company based out of Canada. We're making a game inspired by mostly Irish mythology, which was funded on Kickstarter in 2023! Our game's got fairy politics, a diverse cast, a Gaeilge-to-English translation tool, and routes that can be played either romantically or platonically! Also horses. An ungodly amount of horses, really.

If that odd pitch sounded intriguing, perhaps you'd like to play our demo! It's free on Steam & Itch.io.

Why are you looking for guest artists?

When we originally launched our Kickstarter, the plan was to have our three in-house artists collaborate on the CGs in the same way our header image was. However, we quickly realized that adding CGs, even if they're done collaboratively, onto the existing duties of our artists was a tall order. Add to that the departure of our original sprite artist (who has since been replaced by our graphic designer), and we determined that having our in-house team work on CGs was simply not possible if we still wanted our first release to happen in 2024. So, rather than omitting CGs or adding them in at a later time, we came up with the idea of hiring guest artists. Overall this means our CGs will be a bit more varied in terms of art style, but we like to think of this as a positive! NDM's development will take a number of years to complete in full, so we hope our CGs will allow us to feature a lot of artists either within the VN/indie dev community already, or artists who aspire to work in gaming and are looking for entry positions.

How long will applications remain open for?

This application will be open until Sunday, March 24 at midnight (EST)! If we intend to extend past that deadline, we'll make an announcement about it.

I can't apply right now. Will you look for more CG guest artists in the future?

Definitely! As mentioned, NDM will take a while to develop in full, so this is by no means your only opportunity to apply. That being said, we suspect we're going to end up shortlisting a number of artists over the course of this application period, and we intend to keep a list of all the runners-up. So, even if you won't be able to participate this time, it might be a good idea to apply anyway just to remain in our contacts! Either way, this will not be the last time we have apps.

Will you be looking for guest artists outside of CGs?

Maybe! We already have two guest artists (Nefukurou and Madi Funk) working on sprites and CGs respectively, so it's always possible that we'll have other artistic needs later down the line. Likewise, we may also reach out to past guest artists for future work with us, whether it's on this game or something else!

You say we need to sign an NDA. What does that entail?

The non-disclosure agreement essentially means you will be legally unable to publicly disclose any confidential information you become privy to as a result of working with us. This would include personal information about the developers, as well as spoilers from the game itself. In addition do this, you will be expected to sign over the IP and copyright of any artworks you produce for us.

Can I still use my artworks in portfolios, even if I don't own the copyright?

Yes! We'd only ask, if your portfolio is a website, that you wait to do so until after your art has been made public by us, either on our social media or via the publication of the game. Our first release is anticipated to happen later this year, most likely mid-autumn.

How do you guys feel about AI? Do you intend to use it, or would you ever train an AI off of the artworks whose copyright you own?

No.

Making a game is expensive and time-consuming, but AI is no replacement for human artistry. We fundamentally believe that any advancements in AI should be used for the purpose of giving people more time to make art, not take away opportunities for it. Moirai Myths will never, ever use AI or train an AI off your work.

***

If you've got any more questions for us that we didn't think to include here, feel free to send us an ask!

#the good people #na daoine maithe #ndm #visual novel #interactive fiction #otome #english otome #amare #amare game #visual story #visual storytelling #romance game #otome romance #romance visual novel #dating game #dating sim #moirai myths

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manasurge · 1 month

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Guild Wars 2 OC stuff: So I finally figured out the full body design for Vallotash (Mordremoth's Scion a.k.a. who Mourynn actually is) They're more or less the same person, but it's complicated, but leans more to Vall believing she's Mourynn and kind of is since she inhabits her body and memories, but is technically an imposter and is very depressed and in denial about it. Inspiration from Jahai Bluffs: "Are you a dragon dreaming that it's a hero? If you were, how would you know?" (also it's my tumblr banner lol) I'm still sketching out the origin story to explain how this happens, but for now here is this sketch bc I am happy with how this turned out and wanted to post it early. It's basically self preservation turned to parasitism to accidental death of host to unintentional identity theft out of guilt/tribute + memory absorption to make her think she's the sapling + amnesia about the whole event taking place over the span of a year stuck in the dream (to super condense her origin lore). I'll finish these sketches once I'm done her origin story pages, or if I get possessed to do it earlier bc I'm still happy with how this turned out and might want to keep working on it sooner, hehe.

Here is more sketches of Mourynn/Vallotash under the cut:

She has some simpler looks for when she's flattened down. She looks SO SILLY but I love it. Beware the Scion of Mordremoth: This freaking wiggly silly noodle thing. A terrifying menace!! Beloathed parasite daughter vine of the mighty Jungle Elder Dragon!! /does a snake blep (Also the first two head sketches I did of her from last year when she still didn't have a body designed yet lmao. I still have to figure out how large she actually is, as well as her colouration. She'll have to match Mourynn's, so she's gonna be a funny mix of the colours in the cool spectrum, which doesn't look very plant-like, but sylvari can be all different colours, and she has the whole poisonous/hallucinogenic thing going on, as well as some Soo-won influence bc she's based off a leafy sea dragon and is very attuned to water, so it kinda works yeah????) I also have no idea what her large chin whisker things are supposed to be. I just kind of made them up on the spot and fell in love with them, so they're STAYING, even if they make no sense. I mostly just love that they'd look so cool underwater and while glowing in the dark, and they are vaguely alien and jellyfish-like.

#wip gallery #gw2 OC #guild wars 2 #sylvari OC #vallotash #mourynn #dragons #Making sure to keep gw2 visible in case this reaches outside my gw2 bubble; I don't want it labelled generic fantasy or D&D #also sorry i can never leave short concise descriptions lsjfaskf #i'm plagued with the fear of misunderstandings and have to over-explain everything out of paranoia #I'll still probably change/adjust a few things; but overall I like how funky and over the top ornate she looks #mostly bc i like to envision her being all weird and alien like underwater #and even while floating in the air/gliding it gives her a cool looking/elegant silhouette #also she can't fly!!! she can only swim; glide; and skim over water; but she's also a very good climber!!!#I also have to figure out a watermark for the final pieces; for now I have more earlier wips of these saved just in case

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icycoldninja · 1 month

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hello! may i request for a reaction/interaction for the sparda boys about having an s/o who is an artist? (for drawing reasearch and ideas teehee)

Ohoho coming right up!

Sparda boys x Artist!Reader headcannons

¤ Dante ¤

-The day he discovered you were an artist was the day you gained a permanent, constantly willing model.

-Always wants you to draw him, no matter what time of day it is. He'll wake you up at 3:00 A.M. because he just put together the most badass outfit he's ever seen and wants you to sketch him in it. (Except it's the same outfit he always wears)

-The drawings you make of him hold more worth than museum art pieces in his eyes.

-Buys you sketchbooks, art supplies and whatever you need whenever he can afford them.

-To him, you are more talented than da Vinci. Not that he knows who da Vinci is, because according to him, you're the best artist in the world.

-Follows you on all your social medias and likes your every post.

■ Vergil ■

-Hangs your art up everywhere like a proud dad; the fridge can now barely be opened because there are so many drawings attached to it.

-He will (with your help) download any digital drawings and use them for a variety of purposes, such as his home screen on his phone, lock screen, etc.

-If you just gift him drawings of himself he will tear up with sentimantality and hastily excuse himself so he can go cry in private.

-Also buys you art supplies, paints, and whatnot whenever you need them.

-If he wasn't such a boomer, he'd follow your social medias too but unfortunately, he is tech-inept, so he can't.

-Loves watching you draw just as much as he enjoys looking at your drawings.

□ Nero □

-Normally, Nero isn't all that into art and really doesn’t care for it, but when you came along, all that changed.

-Now he's suddenly super interested in it and wants to watch you draw or have you teach him to draw whenever he's free.

-He's no Picasso, but he can at least manage a couple of funny looking stick men.

-Really into painting now, mostly because he can use the various attachments on his arm to make different patters on the paper. Yes, this is a complicated way to say he finger paints with his prosthetic arm.

-Any sketches you do of him, any at all, will go into his wallet unless you want to keep them for yourself.

-His wallet is now packed to the brim with folded up pictures of him that you drew, so whenever he's away on a long mission, he can stare at them and remember his badass S/O drew that for him.

● V ●

-You're an artist? V's perfect for you--he's a writer.

-He will write poems about whatever you draw; they're usually short limericks describing the image, praising your talent, or both.

-Looking at your latest masterpieces is the highlight of his day because they inspire him to write more poems.

-Calls you his "Magnificent artist".

-Shows your art to his familiars, who all agree (except Griffon, of course, he always has something to yap about) that it's quite nice.

-Is pleasantly surprised whenever he finds sketches/paintings/drawings of himself and is honored to be your muse.

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alkalinefrog · 9 months

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Hey Alka, I had a quick question for you (whenever you have the time to answer or even if you have the time), I've been taking some storyboard classes and with my illustration background, it's been hard to really find a good shorthand for characters to really get that anatomy/gesture looking right without it being too sketchy and unreadable.

How long did it take you to find your storyboard shorthand, and what exercises would you recommend to try to find it? I'm sure it just takes time and practice, I've been doing a lot more studies and gesture drawings (currently following along all the free Glenn Vilppu videos I can find on youtube) but I wanted to ask you as well because I am in love with how fluid your anatomy is, and how clear your storyboards read. And those hands my god you're a wizard!!!

Thanks a bunch, have a wonderful day!

Heya Secret, great to hear from ya! Well, what you don’t see online is how gross the rough stage of my boards can get LMFAO. Most of the boards I post are actually overly cleaned up because I'm just doing them for fun and can afford the time! I'm not really sure how long it took to develop my shorthand, I've never really enjoyed drawing detail to begin with, so when I decided to go into boarding I kinda just leaned into it!

I’ve covered a bunch of gesture drawing exercises already if you scroll through my advice tag, but ***once you have a good foundation*** here's some stuff you can try!

First you'll want to build up an arsenal of anatomy hacks you can always fallback on, particularly for complex parts of the body. The less time you spend on details, the more time you have to focus on the overall pose and storytelling. Aim to find ways to draw with as FEW lines as possible. If I had to make a list to streamline what to practice:

Head shapes - find the most efficient way to draw the front + 3/4 + side view in as few lines as possible (the challenge is still making them look structured with dimension)

Eyes - are SO important for expressions! Unless your project has characters with dot eyes, you're going to need to find a quick way to do the circle and iris in as few lines as possible. Make sure you can convey where they're looking

Hands - fists (you'll be drawing a lot of people holding poles), open palms at various angles, foreshortened fingers pointing at viewer, fingers making grabby motions----protips: 1) half the time all you need is a vague triangle/rectangle plus thumb sticking up and that's a hand 2) if the hand is relaxed, you probably don't need to draw the knuckles. Save some time!

Feet - just learn how to make sure they look like they're standing on the ground, and do some studies of what they look like when you're running. Otherwise you can usually get away with a vague shoe or boot shape (just add toe lines if they're not wearing any)

----everything else you'll practice as you go!

Jump from SUPER rough straight into clean boards to really force yourself to be economic. I've done each of these methods for work before:

Before you start boarding with a character, sketch them a few times with the intention of simplifying their design while keeping them recognizable:

You'd be surprised how little you need to recognize a character:

Depending on the scene, you can adjust how much detail you want to include:

Stay loose/more generalized with action, especially for the "inbetweens" between key poses. Clean up enough to communicate movement and make the character recognizable.

If the character's small on screen in a wide shot, edit out most details and focus on the silhouette

Save the detail work for character acting, when you really want to be specific with their expressions and gestures.

But outside of all that, be bold and fearless!! Everyone has that stage where their boards look like spaghetti! Boarding is like handwriting; you could have really shitty chicken scratch, but if you're writing beautiful poetry, who cares!

god I love drawing hands you don’t even know thank you so much!! Good luck dude!! You’ve more than got this!!

#my art #advice #ask #secretsivekept #you got this!#sorry this took a while! my mental health was in the pits for a solid couple weeks #getting better now though!#storyboards

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meangirls-imagines · 2 months

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Can I have a Janis 'Imi'ike x femme reader imagine where they’re friends and reader finds Janis’ sketchbook which is full of sketches of reader?

Life Imitates Art

WARNINGS: none, just fluff. janis being a gay mess.

Janis Imi'ike and Y/N Y/L/N have been best friends since they were in diapers.

Their parents were best friends in college and stuck together for years. So it was like they were destined to be together.

Y/N was there for Janis through everything, but they got even closer after the Regina incident. Janis had gone to Y/N's house crying after what happened and the two, along with Damian, spent the rest of that night watching the girl's favorite movies.

Janis fell in love with Y/N that night.

Years and years of denying their feelings brings them to senior year, aka "post-bitchy regina".

Everyone was friends so it was a lot easier to go through their last year together. Instantly, (without Janis and Y/N's knowledge), everyone decided that senior year was going to be "Project Get Y/N and Janis Together".

Regina, Janis, and Y/N all had homeroom together and Regina began texting in the group chat.

(Former) Queen Bitch👑: guys. they are staring at each other. the tension is suffocating.

Detective Gretchen🕵️‍♀️: OMG! That is ADORABLE!

Sexy Maus🐭: thats so qute

Nerd: awwww. guys, maybe we don't need a plan. let's let them work through it.

Beyonce: uh. have you met janis? that girl doesn't know how to act around y/n. we need to intervene. and there's only one way.

(Former) Queen Bitch👑: damian. no. not that.

Nerd: what is going on?

Beyonce: this is classified information. no one can tell janis or y/n this. karen? got it?

Sexy Maus🐭: what?

Detective Gretchen🕵️‍♀️: I got it. Now what is it?

Beyonce: Janis's sketchbook. It's got tons of beautiful drawings of Y/N in it. Regina and I stumbled upon it accidentally a couple of weeks ago.

Detective Gretchen🕵️‍♀️: OMG!!

Nerd: THAT'S SO CUTE!

Beyonce: I think it's time we subtly show Y/N the book.

That weekend, the group all met up at Janis's house for their weekly sleepover. Damian decided to put his plan into motion. Whenever Janis was distracted, he snuck upstairs and put her sketchbook in plain sight, then he snuck back downstairs.

Then he put it into motion.

"Hey, Y/N. I was wondering if I could have some ibuprofen? I have a headache and I know you always have some." The girl smiled and nodded, standing from her place next to Janis and heading upstairs.

Janis watched the girl go and turned back to see everyone smirking at her. "What?" Damian giggled. "Girl, keep it in your pants." Janis blushed. "What are you talking about?" Gretchen squealed. "You totally have a crush on Y/N! It's so cute!"

Janis blushed harder. "I do not have a crush on her! She's my best friend." Karen smiled. "Your best friend that you wanna kiss. Which is really cool because Gretchen is my best friend that I wanna kiss."

Everyone paused and looked at Gretchen, who was blushing harder than Janis. Regina broke the silence. "Okay, we'll come back to this. But Janis, they're right. You and Y/N have feelings for each other and I think it's time that you tell her. It's our senior year. We don't know what the future holds, we just don't want you to regret not telling her."

Janis took the blonde's words to heart and nodded. "Okay, I'll tell her." She got up and with the cheering from her friends, she went upstairs to talk to Y/N.

"Y/N, I need to tell you something."

Janis froze in her tracks. Y/N was looking at her sketchbook. Specifially, a portrait that she drew of Y/N. Janis stuttered over her words. "Y/N, I can explain."

"This is beautiful, Janis. Is this how you see me?" Janis swallowed hard and nodded, walking closer to Y/N.

"It's how I've always seen you." Y/N's breath hitched as Janis continued.

"Y/N. I love you. I've loved you since you comforted me after the incident with Regina. Maybe even longer. And I really wanna be with you. Those pictures I've drawn don't even compare to your actual beauty. Every time I look at you, the rest of the world melts away. And if you give me the chance, I really wanna be with you."

Janis couldn't say anything else because Y/N kissed her.

Y/N was kissing her.

Y/N WAS KISSING HER?

The girl's lips were a lot softer than Janis imagined. It was everything she imagined actually, and more. The two kissed for a minute before cheering made them break away from each other.

They looked to see their friends standing in the hallway, all smiling widely.

Y/N tucked her face into Janis's neck, hiding her blush. Damian spoke. "So?"

Janis smirked back at him. "My girlfriend and I will meet you guys downstairs."

#janis imiike x reader #janis imi'ike #mean girls imagines #mean girls 2024

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animeomegas · 11 months

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More Baxter thoughts~

Imagine post Step 4, MC telling Baxter that he was their first kiss. They sort of laugh and explain that for some people 18 would be considered a late bloomer, but that was the right time for them. They joke that Baxter was just too irresistible.

MC is trying to keep the mood light, just joking about it, but that doesn't really go to plan.

Because Baxter is shocked for three seconds, pleased and flustered for one second, and then deeply guilty from then on.

He feels guilty for not knowing, for taking MC's first kiss even if they kissed him first, and he feels even worse for ghosting them now, which he didn't think was possible.

He tries to just smile and say he's honoured, but he cannot sleep that night because he feels so guilty. He wants to punch 19 year old him in the face (don't we all).

I think MC'd have to firmly pull him from the guilt and kiss him until he truly understands that they'd forgiven him for the shenanigans he pulled 5 years ago, and that they definitely don't regret him being the first person they kissed.

Actually that would be a good strategy to pull his head out of the guilt cloud: MC should ask him if he regrets being the first person they kissed and then watch this man backtrack at the speed of light and vehemently deny it lol.

...

But also, imagine MC face timing Baxter for the first time after they had to go home.

They'd both do it late at night, I think, maybe they'd both be in bed, and when the call connects, they both just stare at each other for several moments.

Until MC pushes out an 'I miss you' and Baxter melts and says it back.

MC was sort of expecting to be teased about missing him when it's only been a day since they left, but Baxter isn't about to deny that he's already wishing they were with him again.

Just imagine them softly talking about their days to each other, tucked up in their respective beds, wishing the other one was close enough to touch and hold.

Imagine them having to end every face time with a reminder about when they were going to see each other next, just to soften the bitter blow of the end of the call.

Imagine MC taking a screenshot when Baxter looks cute, his hair mussed from his pillow.

Imagine Baxter taking a screenshot when MC starts nodding off, head propped up by one dangerously swaying hand.

Imagine neither of them wanting to bring up staying on the call as they sleep, but both thinking about it every time.

Just... soft Baxter and MC, because they'd be the cutest sappiest couples, especially when they're alone.

...

This third one and final one is not as cute, but imagine an artist MC who is just enamoured by the mole on the upper back of Baxter's thigh.

They really want to not be creepy, but also... they really want to sketch it.

And so they sketch it, but it doesn't capture the beauty properly, so they add colour and edit and keep going until they have a near photo realistic image of the back of Baxter's thigh XD

Baxter finds the drawing one day and basically blue screens for a good 40 seconds before he attempts to compliment their art work and tease them about the subject material at the same time, the words coming out as a jumbled, flustered mess.

That is all XD Thank you for letting me scream my Baxter ideas into the void haha.

#baxter ward #baxter x reader #our life #hcs #headcanons #baxter x mc #our life beginnings & always

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rinkkuma · 11 months

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୨୧ BLUE LOCK BOYS AS BFS

ft. isagi yoichi, rin itoshi, & nagi seishiro

tags. a bit of cussing, gn!reader, all fluff ! / author's note. hihihiihihii this is my first time ever writing so yeah :3 hope you enjoy ! <3 somewhat proofread? i will also probably be doing a part 2, so look out for that soon !

ISAGI YOICHI

an absolute gentleman!! to opening doors for you, (even if it means sprinting to the door) pulling out chairs for you, making sure you're on the inside of the sidewalk, he will do anything. will treat you like royalty!!

insists you make a playlist for him to listen to and deadass listens to it while literally doing anything. while he trains, studies, or even just taking a walk, he just loves having small things that remind him of you to keep him sane throughout the day.

better yet, recommend a song to him and he'll be listening to it on repeat for the rest of the week.

takes polaroids of you and him on every one of your dates and puts them in his phone case and changes them after every date.

buys you two matching outfits, jewelry, etc. takes a million pictures when do you do, and posts them on all of his socials!! changes his phone wallpaper every day because of how many photos he has of you two matching (and because he's indecisive)

lets you gossip to him about drama at school, and lowkey gets invested and asks you to update him every week. (you can't just leaving him hanging after you just told him the juiciest drama ever!!)

ITOSHI RIN

100% takes you on boba/cafe dates, a weekly thing honestly! nothing sounds better to rin than spending the afternoon chatting with you while eating some delicious food.

while he's out shopping and sees something he thinks you'll like, in the cart immediately. most of the time he's just making a quick stop at the store to buy stuff for himself, but always ends up with him buying a bunch of things for you instead. (which he does not regret)

secretly an artist. sketches you when he misses you or when he's bored. (all of these sketches are strategically drawn in a notebook that he claims to be for school so that you would never look at it) you do end up accidentally seeing the drawings one day and loved them but he was absolutely flustered and hid them so fast.

sends ‘good morning’ and ‘goodnight’ texts to you, and starts small conversation after to check up on you especially if he's busy for the day.

since he is an avid horror movie and game enjoyer, late nights are spent watching and/or playing various horror games with rin. he likes seeing your scared/surprised face because of how cute you look, and probably dies in the game because he started staring at you.

notices small, not noticeable habits that you have and thinks they're pretty cute!

NAGI SEISHIRO

randomly calls you in the middle of the night to beg you to play video games with him. (he actually just wants to hear your voice, but he'll never admit it) if you're ever playing a 1v1 game, he always takes it easy on you so you can win.

if you have plushies on your bed, he will absolutely beat the shit out of them when you're not looking. like what do you mean they get to cuddle with you every night instead of him! purposely accidentally kicks all of them off your bed at night.

you woke up one night just to see his 6'3 ass standing over you (he just went to the bathroom and was just about to get back into bed) and you absolutely shit yourself thinking it was a random scary ass shadow figure.

gets you a matching cactus! (for context: nagi has a pet cactus named choki, shown in his spin off manga) if you forget to water it and whatnot, doesn't mind using some extra energy to take care of it for you!

you guys argue with random kids on roblox, sometimes even catching nagi doing it for fun in his free time. (it's a hobby for him atp)

begs you to pull all-nighters with him since he wasn't able to spend a lot of time with you during the day. (mostly because he accidentally fell asleep, but that's beside the point!) you end up giving in, and you guys spend the night talking about random things that come to your minds, playing video games, and watching the most random youtube videos that come up on his recommendations. (one night you guys binge watched mr. beast for a good 4 hours)

#blue lock x reader #isagi x reader #isagi yoichi x reader #isagi yoichi #rin x reader #rin itoshi x reader #rin itoshi #nagi x reader #nagi seishiro x reader #nagi seishiro #blue lock #blue lock fluff

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kaihuntrr · 6 months

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The Sea Prince; Betas and Sketches!

Hello! been a bit since ive done a sketch dump, but it isnt just a sketch dump, it's an announcement!

As @mewhoismyself and I work on the fic, we need an active set of beta readers! The two we have our wonderful, but to keep with the schedule, we need some extra hands and fresh eyes!

Hence, beta readers are once again open!

I am looking for two betas who are experienced in writing, and who are active to give their insights and feedback! currently, i am writing chapter 17, but while i do that, i'd need the feedback as soon as i can get it so i can prepare it for the chapter release dates. shoot a comment down below so i can check your account!

anyway, here's some doodles <3

ONE OF THESE IMAGES BELOW HAVE BLOOD. I AM WARNING YOU NOW.

first off, here's a joke made by a friend :> martyn is scott's babygirl, boom, its canon-

starting off, here's some silhouettes for the other princes ;D I can't reveal them, otherwise the surprise would be ruined! they're all based on different sea creatures, but they are just as scary as Prince Pearl and Prince Chromia. theres other designs i have to get to, but this is a sneak peak of the other terrors lurking in the dark.

speaking of, I got a fun doodle of em <3 the good thing about eating underwater is that they won't get all messy, but there are those times where an audience might watch them eat, they're messy eaters!

these two are pretty, but i really wanted to push their freakier, scarier sea prince sides! more slight changes, but they're both quite fun to draw! their contrasting designs are so much fun to draw together, i love these sillies! oh- and here's a bloodless version!

i absolutely LOVE my sea prince designs, scott and pearl just itch me the right way.

and before i pop off, here's some concept designs for joey and sausage, along with fwhip and gem! since gem is officially a lifer, i think her role in the story might be a bit more focused on, who knows!

wanted to make sure sausage didn't look like his pirates look :0c this au was originally before pirates smp, so i wanted to differentiate them somehow, so i pulled a lot from their empires' attire and see what works! what do you think?

finally, we have the cover art board! im planning to put this all in my pinned post the moment all the covers drop, but goodness, those eyes sure are pretty!

what do you think of the au so far? enjoying it? i hope you are! this au is such a blast <3

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genericpuff · 6 months

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The Extended Mishandling of LO's S3 Midseason Finale Premiere

Alright, so I had mentioned leading up to the release of the newest LO episode that my feelings regarding LO returning were pretty "meh". Not hyped, but not completely back of mind either. Just sort of a weird calm before the storm type feeling that could go either way.

I'm glad I got to have that moment of calmness because good god, this episode was an absolute shitshow. And honestly, I'm not surprised, for several reasons:

Rachel has never been good at maintaining a buffer, even back at the start of the series she only ever had 2-3 episodes ready ahead of her schedule which is NOT an ideal buffer for an originals series.

Rachel has never been good at writing, she's very "draw first write later" and has stated as such in interviews that when she gets 'stuck' on what she's writing, she'll just start drawing and fit the pieces in later.

Four months is NOT enough time to both rest, attend massive conventions, and work on improving a project while also getting buffer episodes ready.

Because of the FP episodes remaining locked over the hiatus, technically Rachel only needed to have ONE episode ready upon return for the newest FP release, not multiple like she'd usually need like in the past during the S2 midseason hiatus or the season finale episodes which would unlock those FP releases like normal - so for all we know, she could have drawn this episode literally last week, especially when the promo material was so last minute. Frankly I think it was REALLY stupid for whoever it was who decided to keep these FP episodes locked (whether it was her or WT, it was more likely WT) but you can read all I have to say about that in my review of the midseason finale episodes.

All that's to say, no, there was never any guarantee Rachel was going to somehow "turn around" the ride we're currently on. I know that many of the critics were hoping for that to happen, but with the circumstances of the hiatus mixed with Rachel's bad habits of putting her best efforts into the procrastination projects that aren't her actual comic (ex. the few original pieces and LO sketches she put out during the hiatus) it just wasn't in the cards. This is where the comic is at and this is where it will remain until it's over.

I want to also point something out about this episode that was... really glaring to me.

As with all of these hiatus returns, LO got priority advertising in the first two banner slots and push notifications AND a popup ad within the app. This is unsurprising, Webtoons is still trying to milk this thing for what it's worth.

I know a lot of people are gonna focus on the art, or the fact that WT is continuing to shill LO, but I wanna point out the part that WT implemented specifically - "NEW SEASON".

This is literally just false. At best I'd like to think some intern just messed up and thought this was a new season, but it's literally not, the episode designation still says "S3". Note that the creators only design the banner art, the actual labels on top are put there by Webtoons.

But at worst, this feels like blatant lying to continue to hide the fact that LO is ending. Mind you, Rachel and Webtoons have still not put out official posts stating that this is the final arc. There is NOTHING from either of them to communicate to the audience that the comic is ending next year. It feels like they're trying to avoid the topic altogether out of fear of losing the fanbase they still have, rather than hyping up the comic's end for those who have stuck around to see how it all wraps up. And honestly, I wouldn't be surprised if this was the case, considering they're now trying to funnel the fanbase into Penguin/Inklore with new marketing deals and the whole Rachel Smythe Presents thing. They're trying to make this seem like the beginning of something "new" when it's really just a quiet shifting of management (Penguin House).

But all that aside, let's actually get into the episode. It's one episode after 4 months, which is not standard for LO's hiatuses, typically FP episodes release on schedule (meaning free readers start hiatuses 3 weeks after FP readers do), the only time this has been an exception has been with the 2 week breaks because the whole point of those was to build a buffer (which you can't do if you're going ahead and releasing the FP episodes anyways). For extended hiatuses like these, usually free readers still get their FP episodes, but that wasn't the case here. That means Rachel technically only needed one episode ready for the comic's return, and it shows. It really fucking shows.

FROM HERE ON OUT THERE WILL BE FASTPASS SPOILERS REGARDING EPISODE 254. DO NOT CONTINUE IF YOU DO NOT WANT TO BE SPOILED !!!

As per tradition, we get a title that means nothing at all. It just says what we already know.

Our collective husband Zeus is dying, no thanks to the poison cupcake fed to him by Apollo. For those who don't remember, Apollo had tricked Zeus into eating the cupcake by making him believe it was from Hebe. We are fully aware that it was Apollo who poisoned him. Remember that for later in this review.

Right off the bat we're off to a hilarious start, both with a cryptid appearance from Apollo in the background (lmao) who is, for some reason, ALREADY returning to the scene of the crime he just committed because... who knows at this point. Apollo and Psyche know it was Apollo at this point, I might add, but I have no clue why Apollo is actually returning to the scene of the crime when he has no idea Eros and Psyche know.

Moving on from that, can we talk about this hilarious dialogue?

"We have to call a doctor! Let's call Asclepius!"

"No, we can't trust him! Gosh darn it, why are we only bothering to think of ONE doctor in this universe where we've seen more than one doctor?? Guess Zeus is just gonna die! What a horribly contrived situation this is!"

And that's literally how I can best describe most of this episode. Contrived. There is a LOT of manufactured drama in this that makes ZERO sense even on a surface level.

And what do you mean exactly, Eros? "What a terrible system!" Is this supposed to be a joke? Lampshading? We've seen Persephone go to the gynecologist. There are non-god doctors who tend to gods all the time here.

Eros just doesn't seem to be that pressed over this, he sounds like Ned Flanders and that's NOT a good way to open up a scene like this... let alone an episode people have been waiting four months for.

Anyways, after a few pointless reaction panels (again remember I have to cut a lot of what I show here for Tumblr image limitations but I promise you, I'm keeping as much important stuff as I can in this, there's just THAT MUCH filler at this point), Eros and Psyche confront Apollo and he is... good god.

There is... so much to unpack here.

First of all, remember those theories about how Rachel was clearly trying to write Apollo as this "secret twist villain" the whole time but it doesn't work because Apollo is simultaneously written as both a 'conniving villain' and a massive dumbass at the same time?

Well, I finally have a more appropriate term for him. He's your average red pill redditor - someone who thinks he's smarter than everyone else when really all he does is sit on reddit all day using big words incorrectly in arguments he gets himself into with a bunch of equally-air-headed dumbasses.

"You can't possibly understand the nuances of the Olympian political system," Apollo said proudly, a man who had, ironically and obliviously, run for president in a monarchy. The union of kettle and pot is eternal.

He's the Slappable Jerk but instead of it being a painfully hilarious impression, it's just painful and hilarious for all the wrong reasons.

this is so stupid because it's 1.) Eros pointing out how obvious Apollo's plan was, despite Apollo acting smart two seconds ago with a goddess who, mind you, has been a goddess for ten years, and 2.) patricide isn't even intrinsically linked to politics, there's nothing 'political' about a guy trying to kill his dad except in, idk, a monarchy, which again, Apollo has spent ten years trying to rise to power in as a president which is a completely different form of government.

If I wanted to be really granular with this, I'd like to think Apollo is making some kind of point about the critics who call out LO's whack as fuck political system (especially in the trial arc) - as if he's saying "well you're just a stupid reader and this is fantasy where you don't understand exactly what political system we're using, so shut the fuck up you stupid twig" - but I don't think it's meant to be that deep. I think it's just Rachel trying to write a smart character and then failing at it because she, herself, is not a smart writer. And I'm really inclined to believe that more than the theory about this being some kind of meta-narrative about the critics because this entire plotline is contrived and stupid down to its core.

I did not cut anything out here, that's the pacing. Leto literally just appears out of nowhere and uh oh spaghettio's, she has Kassandra! Remember Leto? The character we were led to believe was truly "pulling the strings" until she disappeared from the story completely after she realized that Apollo and Persephone weren't a thing, even going so far as to call out her own son for being a fucking dumbass? Well, she's back and once again she's being involved as some kind of "double agent" in this whole thing, even though we literally haven't seen her since halfway through S2.

"Mm yes, you're so stupid, falling into my trap! Even though you had no reason to remember Kassandra anyways because she's literally a mortal woman you just met and you yourself have committed acts of violence against mortals without a shred of care! I'm so smart! My plan is all coming together!"

We've never seen Apollo do anything except cry and poop his pants, the closest he got to being "powerful" was his attempts to murder Daphne (who he seems to have forgotten about in this "master plan" of his) but ultimately he's literally just a piss ant baby and there's no reason to believe that he could somehow outmatch the God of Love who can literally manipulate people's emotions and states of mind with his arrows. But yeah sure go off, you're so powerful and smart.

The worst part is, I can't even buy this as the narrative trying to be like "see how manipulative and conniving he is?" because it's just silly. We've SEEN this man cry with his victim complex, we've seen him say and do the DUMBEST things that don't lend to any amount of "intelligence" he may have, it comes across less as him being "smart the whole time" and more as him trying to sound smart but ultimately sounding incredibly stupid. And I can't even immerse myself into it and buy that maybe that's the point, because it doesn't feel like the point, it just feels like inconsistent writing, he doesn't feel like a 'threat', he's just monologuing.

Bad art and Apollo literally just repeating what Leto already implied so this is a waste of the audience's time.

This is the funniest panel in the whole episode because I can't tell if Apollo is supposed to be in the background (for some reason, despite him literally being in front of Eros and Psyche two seconds ago) or if he's in the foreground and just REALLY small for some reason. This is so off-putting. And of course, it's just Apollo explaining what we're ALREADY SEEING ONSCREEN.

You see, in addition to this episode being contrived, it also talks down to its audience a LOT by explaining exactly what we're seeing onscreen. It's like Rachel saw the criticisms about her not including enough to depict what's actually going on in her head and so she thought the solution was to spoon feed information over pictures that are already doing the job of explaining what's going on. Rachel really doesn't know how to write and even when she tries to implement changes that reflect criticisms that have been made of her writing, she somehow makes things worse because she completely misses the point of what those criticisms are trying to get across.

Anyways, without even trying to resist (for some reason) Eros and Psyche get sentenced to horny jail.

They're now trapped in a basement that Leto somehow has in her home. How do we know that?

HAHAHA FUNNY LAMPSHADING SO FUNNNYYYYYYY

Leto claims that they shouldn't try to escape because the dungeon is "enchanted", but she doesn't even bother to explain what that means. So they literally don't bother trying. They don't try to call her bluff, they don't try to teleport out of there, they literally just go "well shoot", shrug their shoulders, and accept their fate. Just like with the whole "we can't trust the only doctor we bothered to think of" situation, Eros and Psyche are turning out to be some of the stupidest, lowest-effort characters in this comic who literally can't be bothered to try because that would require too much brain power.

Notice how much time we've spent on this and we haven't gotten back to where the cliffhanger of the last episode left off? Well buckle up because there's still more to cover.

So it turns out Hebe was still inside with her dad, in FULL VIEW of what was going on through glass which is somehow COMPLETELY soundproof, and when Apollo steps inside, she just has no idea what happened. She never bothered to even look outside to see what was going on with Eros and Psyche, she's just been sitting on the floor staring at Zeus' dead face for what was likely several minutes, unless Rachel is seriously trying to convince us that conversation and hostage negotiation from earlier only took 2 seconds. The timeline is such a mess at this point that characters basically freeze in place as soon as they're not the focus of the scene.

Apollo rushes inside, acting shocked over the situation, and when Hebe asks where Eros and Psyche are (again, she could have just looked out the window at any time), he's just like "dur idk they just left lol" which Hebe just... buys, I guess.

That's just Persephone but yellow. She's even missing her beauty mark.

See how Apollo put his hand on Zeus' chest/shoulder by the way?

Apparently, despite Mr. Smarter Than Everyone Else trying to pretend it wasn't him, he's able to discern that Zeus is dying from a toxic and rare poison just from touching him. He doesn't even really seem to use his powers, he just touches him and goes "welp he's dead i guess lol don't bother asking me how I know that".

But oh nooo remember that note from before? Well gasp Apollo's gonna use it to frame Hebe! In front of no one else at all!

Hebe of course says she didn't write it, but Apollo continues to try and frame her anyways, even though, again, there's no one else present here, and so it effectively just becomes the most absurd form of gaslighting I've ever seen.

Again, THERE IS NO ONE ELSE HERE IN THE SCENE. He's just trying to claim she did it to absolutely no one at all, in the hopes of... what exactly? That she'll just take the fall for something she knows she didn't do? That she'll somehow be convinced? It's not like Hebe has the same thing going on as Persephone where she has a 'wrathful dark side' he could pin it on, this is just a criminal who just robbed a building pointing at the first person they see and yelling "YOU DID IT!"

All I'm saying is that Apollo would be really bad at Among Us. He'd be the type of player to kill someone, hit the report button, then claim yellow did it which, even if he DID convince the rest of the team, would still get kicked anyways as soon as yellow was proven through the eject to not be the imp and everyone would go "okay cool so yellow wasn't the imp, that means obviously it's purple self-reporting." It's a trick that doesn't even work anymore because of how old it is. Hebe isn't a child here, she's an 18 year old woman who should be fully capable of raising an eyebrow and wondering why Apollo is this quick to accuse her - almost like he's trying to hide the fact that he did it.

But Hebe can't catch onto this, just like Eros and Psyche, she has to act stupid for the sake of the plot.

At first I thought maybe Rachel was trying to do some "whodunit" scenario, but that doesn't work here because we already know who did it. And while there are stories that exist like that that pull it off (ex. Knives Out) the problem with trying to do this the way Rachel did is that the person being framed has to have this thing called motive. The reason why Knives Out and Glass Onion work so well is because the person who was murdered (or conspired against) is someone who is being targeted by multiple people who could all be the murderer. It's quite literally called out in Glass Onion as a form of smart lampshading. "It's like putting a loaded gun on the table, and turning off the lights."

But it doesn't work here because Hebe does not have motive. If you're going to attempt to frame a murder on someone, it has to be someone who would have reasonable motive to commit that murder, even if they didn't actually commit it.

And who among Zeus' children has motive?

What about the war-mongering bloodthirsty god of war who has been regularly sentenced to time in the Mortal Realm to fight in wars in which he's been regularly injured?

What about the chaos-seeking wrathful goddess who would do it to get revenge on the parental figure who cast her aside, or even just for the fun of saying she did it?

Why try and pin it on Hebe, the doting daughter of Zeus who's only had a collective of maybe 20 panels in the entire comic?

But then I realized... it's not Knives Out, it's the fucking Lion King.

Which is just as contrived - if not more - than the assumption this was gonna be some attempt to frame Hebe. It's not. He's literally just trying to keep her from assuming it was him. He could have just as easily played dumb without calling attention to the note but he intentionally went out of his way to try and be Scar from The Lion King , while completely missing the point of why that scene worked in the original movie.

Scar wasn't trying to 'frame' Simba for Mufasa's murder. He was trying to hide the murder, while also attempting to get the only heir to the throne out of the picture, so he passed the guilt of the death onto Simba - a child who, unlike Hebe, wouldn't have the ability to rationalize or realize his uncle his a scumbag - who then ran away from home because he was too terrified to face his family for what happened, assuming that it was all his fault when it wasn't.

That's not how this is panning out here. Hebe is the now 18 year old daughter of Zeus, and not one of his only children. She doesn't even fit into the whole "sons overthrowing their fathers" prophecy like Aries would. Apollo is literally just being a big idiot here by saying "well I'm gonna give you a headstart to run away, because if you stay, I might hurt you" (which btw, should be MORE of a smoking gun that Apollo did it??)

And again, it's all so contrived so that the plot can move forward. "Well I'm going to frame you for this murder, but y'know, you should just leave, I'm not gonna try and press it further lmao"

Again, Apollo is a fucking idiot here, because he just attempted to frame someone who has NO MOTIVE to harm Zeus, to absolutely NO ONE at all who would side with him, only to let her go which would leave her to question why Apollo would try to accuse and harm her in the first place before considering other options. And through ALL this he claims he's the smart one, which I can't even be bothered to "love to hate" because it's written so poorly.

And really it all comes down to how everyone else behaves in relation to Apollo that makes it so stupid and unbelievable. Apollo, you're not smart just because all the characters around you are intentionally being written to be as stupid and non-confrontation as possible. If you can only write a smart villain by making everyone else stupid, you haven't written a smart villain, you've written a dumbass whose victory only happens due to contrived plot convenience. It's not even done well like in Glass Onion, it's just bad writing, full stop.

And who does he call to report this emergency? The satyr police? His son the doctor?

No.

The media. Literally just "hello, the media?? I need your best journalist here stat!"

I need you to understand, even if he were calling a tabloid magazine like The Weekly Nark, you don't just... call a journalist to report a murder. These are not the actions of someone who's trying to absolve himself of guilt, these are the actions of a complete dumbass trying to get news coverage of his trophy kill who would be better off just playing dumb instead of trying to play smart. Even Walter White wasn't this fucking stupid despite all the times he fell on his own sword, Apollo is literally just instigating suspicion towards himself for no reason at all. He's self-reporting so hard and worst of all, you can't even take any of this seriously because of how corny it is. There's no dramatic tension, no stakes, it's just a bunch of characters performing in a really bad stage play and reducing every conflict to "well I guess Zeus is just dead now because no one's bothering to make an effort to stop Apollo or ask questions lmao"

It's truly the epitome of "this plot wouldn't exist if characters would just talk to each other."

But finally, FINALLY we mention the thing this episode is named after, the transition point to Persephone.

Just like with the midseason finale episode, there's a lot to cover here, so I'm gonna get more into it in a part two post.

That said, you can see already this is the messiest, most contrived bullshit to ever wind up in LO. It's trying so hard to be smart and it just comes across as a bunch of toddlers in the world's worst stage play rendition of Clue. None of what was done here was in any way dramatic or tense, it's just a bunch of characters infodumping shit we already know, trying to set up new plot threads that don't make any sense, and allowing one another to get away with what they're doing because they don't bother to even try.

It's completely manufactured, contrived nonsense. It's not "smart", it's not "so dumb it's brilliant", it's just dumb.

youtube

#lore olympus critical #lo critical #anti lore olympus #this is the comic that bought two eisners #uh i mean *won* two eisners #... no wait i had it right the first time lmao

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renthony · 11 months

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I haven't enjoyed a Marvel movie since I stopped bothering to keep up with the MCU in 2014. I don't care for most Marvel movies. I think Marvel Studios is a case study in things that are shitty in the entertainment industry. But holy shit, pretentious posts along the lines of "haha, I don't watch Marvel films, I have real taste, go watch another movie!" are so fucking annoying.

Like, go put up your middle finger at some preps or something. People are allowed to watch whatever they want and enjoy whatever movies they want and make whatever fandom stuff they want, and that doesn't say anything about their intelligence or morals or character. It doesn't mean they are somehow bad at watching movies, or are too stupid to realize whatever nugget of wisdom ye high-and-mighty Marvel Haters think you're the only ones to understand.

Again, not personally a Marvel fan, but this whole "haha, I'm better than Marvel fans" relates to something I've been musing on about media analysis as a whole. There is a persistent idea that mass entertainment is inherently lower quality or less artistic because it's made for a wide audience, and that bad art isn't worth analyzing or engaging with just because it's low quality. In this mindset, the only art that has the possibility to be any good at all is 100% independent projects made by amateurs, and anything produced by a studio or with wide appeal is inherently poser art with absolutely nothing meaningful to say. In this mindset, you can't possibly learn anything or take anything from bad art, and if you find meaning in bad art, you're clearly just stupid and uneducated and have bad taste.

The thing is? Liking bad art is not a sin. Having a different opinion about what constitutes "bad art" is not a sin. Finding something entertaining despite its flaws is not a sin. Studying bad art is not a sin. You can learn a lot from bad art, you can learn a lot from interpreting propaganda, you can learn a lot from engaging with things even if you don't think they're very "good."

My vaudeville research keeps turning up author after author who talks about vaudeville as some sort of "point of no return," like the performing arts all turned to shit the second things were intended to be seen by more than a single audience for a single show. Popularity gets equated with lack of skill or quality, because all the performers were "just pandering to the audience" instead of relying on "real skill."

For one, what the fuck does that even mean, but for two, the theatrical quality of vaudeville isn't what makes it interesting and worth engaging with. Every single thing that ever came out of vaudeville could be 100% total utter garbage, but vaudeville would still be worth studying because of how influential it still is on arts and entertainment today. It has significant historical and educational merit. And some of it is still genuinely fun and entertaining, once you pick out all the things that didn't age well or were just plain bigoted. There's artistic merit in those old sketches and songs, and there's meaning to be drawn from plenty of it even here in 2023.

You want to learn about the Hays Code? Well, let's talk about how early films were shown on projectors on vaudeville stages, so vaudeville censorship went on to influence American film censorship. Let's talk about how we still use slang to this day that originated on vaudeville, such as "skit" or "one night stand" or "ad lib" or "the big time." Vaudeville is still in the bones of the modern American entertainment industry and pop culture, and you can't really escape that influence.

People in modern day use Marvel movies as proof that big studio films are singlehandedly responsible for the decline of art, and there is nothing to learn from them or see in them at all, ever. But to me, "Marvel movies are bad" is such a flat, uninteresting observation, because when it comes to media analysis, it doesn't really matter if Marvel films are good or entertaining. If you want to actually dig into the problems with big-budget summer Hollywood blockbusters, and the way they're impacting the industry as a whole, you have to go deeper than "pop culture is all stupid stuff for stupid people, unlike me, who isn't like other girls actually has good taste in media!"

There are so many more factors at play than "mass entertainment = bad art." Let's look at the ways capitalism screws over small creators and forces them to seek funding from the very same studios that fuck them over. Let's talk about how the actual workers in the industry are fighting tooth and fucking nail against the exact same things all the Marvel haters harp on about. Let's talk about studios that accept funding from the United States Government to turn superhero comics into propaganda films, and then threaten the actual workers with never having a career again if they complain or quit. Let's talk about how the actors are regularly abused and treated to hostile work environments.

Let's talk about the people who made the films, because the films were not made by a CEO pressing the "make movie" button. The workers made those films. The workers were exploited by those studios. Let's try giving a shit about them, instead of taking the "haha, Marvel fans are stupid and cringe" route.

There is so much more fucking nuance and detail and conversation about mass media as a topic, and boiling it down to, "art made for a wide audience is inherently shitty and has nothing to say."

You're not a better, more intelligent, more educated person just because you don't like Marvel movies. Making posts about how much better you are than Marvel fans does nothing to either explain or tackle the issues in the entertainment industry.

It just makes you look like a dickhead.

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