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#Best inventions 2019
astonmartinii · 7 months
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we don’t play about halloween | max verstappen social media au
pairing: max verstappen x fem reader
max doesn’t play about three things: formula one, his cats and his girlfriend’s love for halloween
MASTERLIST | TIPS
yourusername
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liked by oscarpiastri, maxverstappen1 and 607,344 others
tagged: maxverstappen1
yourusername: yes we dress up to carve pumpkins, it’s rude if you don’t.
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user1: gosh they are so cute
user2: did max just dress as himself whenever he’s within 5ft of y/n?
maxverstappen1: i get why the americans don’t play about the statue of liberty
yourusername: i think they should build one of you in zandvoort
maxverstappen1: and they still wouldn’t worship it as much as i worship you
yourusername: i literally light candles in your name and pray for you with you mum, i think i worship you more sorry
maxverstappen1: the ONLY loss i’ll take
user3: i feel lonely year round because of them but it’s SO much worse during halloween
user4: they are the definition of the couple costume they invented it and they PERFECTED it
landonorris: i thought your apartment was a safe space, why did i get harassed over my costume?
yourusername: it was more of the lack of costume? “streamer” does not count
landonorris: who actually dresses up to carve pumpkins?
maxverstappen1: COOL PEOPLE
yourusername: imagine not dressing up and having an awful pumpkin … could never be me
landonorris: STOP BULLYING ME
maxverstappen1: do better then.
user5: obsessed with how peace and love y/n is for the whole year but as soon as someone doesn’t care about halloween it’s fight time
charles_leclerc: remind me to never accept an invite to a halloween event at the verstappen-l/n household - far TOO much stress
yourusername: but you’re like the only one who deserves an invite to next year because the air max costume slayed
maxverstappen1: i might even let you back on it
charles_leclerc: might???
maxverstappen1: follow me on instagram
yourusername: 2019 was so long ago we really need to move on
danielricciardo: you seriously underestimate just how petty these men are
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maxverstappen1
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liked by danielricciardo, yourusername and 894,560 others
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maxverstappen1: halloween is a full family affair
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user8: JIMMY AND SASSY I CAN'T
user9: yall looking at the croissant and the lobster i'm focusing on AMY AND NICK?
user10: has max even seen this film?
maxverstappen1: nope i just like doing the costumes y/n wants to do
user11: i wish i had enough friends to have like ten billion halloween parties
oscarpiastri: i didn't know what to expect but i did not think i was going to see alex trying to drown george at the apple bobbing station
yourusername: i let them work out their own mess as long as they don't accidentally flood our living room again
oscarpiastri: AGAIN?
maxverstappen1: f1 drivers are just competitive about apple bobbing as they are about driving
alexalbon: in my defence there is a sick trophy for the champ i simply cannot let anyone else win it
user12: they got a trophy made? and girlies are serious about this?
yourusername: custom trophies for apple bobbing, pumpkin carving and best costume
alexalbon: three time apple bobbing champ right here
charles_leclerc: i'm coming for best costume this year
danielricciardo: pumpkin carving was an easy dub last year
maxverstappen1: but no one has out done us for costumes thus far
yourusername: and that's not bias, there is a democratic voting process x
user13: i need to be in this friendship group right now
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yourusername
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liked by georgerussell63, maxverstappen1 and 723,409 others
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yourusername: it's the most wonderful time of the year ! thanks to everyone who came out and making the spooky season special. p.s. shout out to max who found this wig while going through our costume box and insisted on not taking it off the whole set up.
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user16: NOOOOO WHY IS HALLOWEEN OVER ALREADY
user17: rip to all of us who were hoping for a sexy y/n x max costume
user18: they heard we wanted sexy and gave us ratatouille i hate their asses
oscarpiastri: okay so lando wasn't lying when he said you guys go insane for halloween
yourusername: i fear not. i hope you enjoyed your dip in the pool, we found you in a guest room in my bath robe at 3am
oscarpiastri: oops.
maxverstappen1: you fared better than others on their rookie halloween appearance, just ask lando and charles
landonorris: you told me there was no alcohol in the jelly so it's not my fault i ate the whole bowl and threw up in your shower
yourusername: wow way to blame the victims there lando, you literally blocked the drain
landonorris: MAX SAID THERE WAS NO ALCOHOL
yourusername: it was labelled with the ingredients. you just can't read
landonorris: no comment
yourusername: and charles got so drunk that he decided he would sleep on the couch but got 'lonely' and insisted on cuddling with us
charles_leclerc: Y/N!!!! YOU SAID YOU'D KEEP THAT A SECRET
maxverstappen1: don't worry we thought it was cute
carlossainz55: wait is that why you came as a "cuddle bug" this year?
charles_leclerc: NO
alexalbon: and that must be why he got best costume RIGGORY
yourusername: no riggory here, you and lily as mavis and jonathon were a close second
user19: i won't rest until i have an invite next year.
maxverstappen1
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maxverstappen1: sorting the recycling with your head barely attached is always the worst part of halloween
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user20: drunk max looks like so much fun
yourusername: i think i might drink my weight in coffee today but i need to see the kitchen floor soon before i lose my mind
user21: ma'am i know you're clinging to life rn but can we know who won what?
alexalbon: ALEX ALBON APPLE BOBBING CHAMP FOUR YEARS IN A ROW
charles_leclerc: i won best costume and it's purely because i'm cute cause NO one there knew about my cuddling escapades last year
landonorris: ugh pretty privilege back at it again
charles_leclerc: jealousy is a disease get well soon
oscarpiastri: my pumpkin ended up winning !! turns out people love a kangaroo in the ghostface mask
maxverstappen1: first rookie to win that title (i am so impressed by the kangaroo)
yourusername: you were actually so good you have to help me with all the decorative ones next year
oscarpiastri: i'm in
user21: but who won the real award - most embarrassing moment?
maxverstappen1: daniel got stuck in the door in his inflatable horse/cowboy costume
danielricciardo: NO esteban dressing as the cheese string man was worse
estebanocon: that's real creativity at least i didn't fall asleep in the bath like carlos
yourusername: not to gang up on carlos but the blanket you took in their is damaged beyond repair and i request a replacement
carlossainz55: fair, but it was me, lando and george in the tub
georgerussell63: fake news @carmenmundt
carmenmundt: i was also at the party babe, it was impressive how you all fit in there
user22: the fact they do all of this and race like two weeks later and the teams just deal with it
maxverstappen1: we've done much worse on race weekends
yourusername: someone didn't have to try and get home after abu dhabi 2021, halloween is nothing compared to that
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note: a lil halloween one for you all. i also DO NOT PLAY ABOUT HALLOWEEN. and am currently planning my costume lol. just wanted to get a small one out before all my work comes in tomorrow, much love xx
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melbatron5000 · 4 days
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Murder Board 2.0
Updated 4/27/24
Since I've figure a few things out, I need to re-do my Murder Board. New answers, new questions.
What I think I know:
NEIL GAIMAN IS A LYING LIAR WHO LIES. Except when he's dropping hints or answering straight out. All of his answers to anything anyone asks about GO are suspect at best. (I cannot blame him or anyone else on the cast or crew -- they spent A LOT of time and energy building this very meticulous puzzle game for us -- why would ANY of them give ANY of it away? That would ruin all the fun!)
Most of the discontinuity of Season 2 can be explained by POV switches between characters. See here and here for more. I think the title/location cards are also probably POV Clues, that needs a closer look.
Crowley gave something to Aziraphale in his mouth when they kissed. It's the fly. Now, what else was in the fly besides Gabriel's memory? RECORDS.
Saraqael and Crowley and by proxy, Aziraphale are all working together. See here and here for more. That explains A. the tiny miracle blowing up into a 25 Lazarii miracle. It didn't. They had to cover for something else that did. B. Saraqael showing the archangels the book shop in 2019 in the spy hole. C. Crowley's spy turtle neck and where he went during Aziraphale's Job flashback. D. Why Saraqael helps him see the trial in Heaven. (Oh! Muriel's now in on it, too!)
Crowley's memory is fine, it's a red herring. He is dissing Furfur, he is denying knowing Saraqael even after she gives him a reason to recognize her to hide that they are working together. He tells Jim he doesn't remember why they invented gravity, but that whole scene if from Aziraphale's perspective, so the conversation likely didn't actually go just like that.
Shax is on a mission besides Gabriel -- she's looking for whatever Aziraphale and Crowley are hiding. Gabriel is a side-mission.
The hand-washing comment from Crowley in the Resurrectionists minisode -- he tells DaVinci about helicopters in Good Omens the novel. It's just a thing he can do.
What is up with Maggie? Maggie's freaking Jesus 2.0. She's what Shax is looking for, and who Crowley, Aziraphale, and Saraqael are hiding. Also, where is God? God is busy being Maggie, that's where. Now, how the FUCK did Jesus 2.0 wind up owning a record store she inherited from her family NEXT TO AN ANGEL??
SECRET SONGS??? Why are the songs secret?? I'm losing my mind, what is happening?? I think this is a message that A. Aziraphale and Crowley are okay, and B. We will absolutely be getting part 3 of 1941.
I still think the scenes might be out of order. Is it as simple as watching them in chronological order? Could be.
What still needs answering:
The clocks jumping time still don't make any sense.
The weird hand in the 1941 photo still doesn't make sense.
Aziraphale's chair position being moved still doesn't make sense.
The extras behaving strangely still doesn't make sense.
Crowley's car being in the wrong spot on the road after Shax threatens him still doesn't make any sense.
I'm not sure that the POV switches explains all the weird sounds.
I'm not sure that POV switches explain Crowley's sunglasses going from silver to black.
I still don't know why Aziraphale went to Edinburgh, or why he stopped at the graveyard where Gabriel's statue is.
Why does Michael do the "nothing's in the box" thing with the matchbox? It's a petty specific action. Someone pointed out that Michael's nails look chewed and terrible, are we meant to stare at the matchbox while something else goes unnoticed? Well, duh. But what?
We most certainly did not get the whole scene where the Metatron is talking to Aziraphale. What else was said?
What did Crowley do during his ALL-NIGHT JAUNT in Heaven? Did he sneak around and steal something? Did he uncover something? Did they hurt him?
What did Aziraphale do with his briefcase that he took to Edinburgh? We see it in the book shop from his POV, and Edinburgh is seen from Crowley's POV, so they both know it exists. And then it's gone.
Why does Gabriel prophecy with God's voice? IS it God's voice? It's a woman, is it Francis McDormand? It's hard to hear.
Why the heck did Maggie and Nina go talk to Crowley while the Metatron was talking to Aziraphale? What they had to say wasn't important enough to leave Nina's shop during a rush, and I definitely don't think they derailed Crowley from what he needed to say to Aziraphale, though it might look at first as if they did. So what was that about?
When Shax stops Aziraphale for a ride, he says, "Oh, I really need to get to --" and then is cut off. He really needs to get to where? It's an easy assumption to think he means the book shop, or London. But is that all he means? Or was he on his way somewhere else? And if it was just the book shop, what does he mean he's late? Late for what?
Crowley can tell "something's wrong," and he doesn't just mean the demons. What?
Why would the Metatron allow Beelzebub and Gabriel to leave, after trying to stop Armageddon 2.0, but come after Crowley and Aziraphale like that? Because of the big miracle? Just because they're higher-ups? Something stinks. Is it because he knows they know where Jesus is?? Fuck.
Why does Crowley say "Oh, God," right before his confession in the final fifteen? To let Aziraphale know that he understands what Aziraphale is saying? That God (or the Voice) is there? Seems possible.
When Crowley leaves Heaven, he tells Saraqael and Muriel to come, too. But in the elevator, Michael and Uriel are there! When the fuck did they show up??
Why does Beelzebub tell Shax to attack the bookstore? Aren't they worried about Gabriel being harmed? And they know Hell is understaffed. Maybe that's why they command it? Because they know Shax won't be able to get the demons?
What about the Masons? It's such a specific thing for the pub owner to bring up, what is the meaning of it? And Maggie has a Mason symbol on her necklace. Did the Masons carve the statue of Gabriel? When did they see him?
The only narration we hear in the entire season is Aziraphale in the Resurrectionist flashback. I believe this is to throw us off the POV character switches all season. But still, why do we only hear him narrate 1 flashback? I think he's reading the diary to himself in the present day. That would explain the end, "And that was the last I was to see of Crowley for some time." He JUST heard the story of the jukebox from Maggie. And Gabriel appearing -- same city that statue is in. Of course he thought of something important from that diary entry! Now, what did he notice?
Is the Book of Life a real threat? We hear two stories about it, that it's real and that its ability to erase beings was something to scare the cherubs with, this is inconclusive. Crowley gets nervous after Beelzebub talks to him, but I think he's pissed that Heaven and Hell have taken an interest in them again, especially since they're trying to hide Maggie!Jesus.
So many promo posters show Aziraphale, Crowley, and Jimbriel together, or symbols of them. Three feathers: two white, one black. Tea cup, cocoa mug, wine glass. The three of them. Not with Beelzebub, not with Muriel, the three of them. And all three of them have been Jesus-coded in some small way. No one else. Those three. What. Why. Are they the sacrifice required to bring about the new world? Why not Beez, then?
Wait. Two Crowleys?? WTF. There are two Crowley puppets in the magic shop. Am I insane? I have no theory here, just some wild speculation that needs a lot more time to simmer. Two actual Crowleys, or two ideas of Crowley? Or something to hurt my head?
An album on the wall in Maggie's shop says "Rat Keith." This seems to me to be an allusion to The Amazing Maurice and His Educated Rodents, by Terry Pratchett. In the book, some men have tied several rats' tails together to create a rat king that keeps the wild rats under control -- except that the rat king has too much power and is doing way more than just that. People die. So who's been given too much power and is now running the show instead of being a puppet? The Metatron, perhaps? Hm . . . Also, Keith is the young boy who plays the part of the Pied Piper for Maurice's scam. He leads all the rats out of town, never mind that the rats can talk and are in on the scam.
WHAT is going on with that damn white head statue in Aziraphale's book shop? It's centered in more than one shot, as if it's a character. Is it a POV hint? I wonder, if it is, whose POV it represents?
A blog that I didn't reblog pointed out that the records Aziraphale is listening to when Garbriel shows up are neither Shostakovich nor 21 minutes long. That seems important, but I'm not sure how.
Repeating themes: (I am just realizing that these aren't just themes, they are all Clues!)
Beverages of all kinds -- tea for Aziraphale, wine or whiskey for Crowley, cocoa for Jim.
Time -- lots of clocks/mentions of time
Love/partnership/togetherness being stronger than separateness
Memories/forgetting/remembering
Payment -- money comes up in both the Resurrectionists minisode and the Flesh Eating Nazi Zombies minisode, but no one pays for anything in present. There is bartering, but no money.
Rising from the dead -- Job's kids (even though they weren't actually dead), bodies used for science, Nazi zombies, the Second Coming. I think this is all just hinting around Jesus -- sure, hinting around Jesus, who we were expecting to show up in Season 3, but she's already here. The hints indicate that she is already on Earth, not going to show up next season. Ha!
Unreliable narrators. Because we are seeing the whole show from various characters' points of view. Because of that, we can only see what they know, expect, believe, or understand, but also what they want us to see. We need to take the whole second season with a grain of salt.
Death in general -- but 9a., I'm a dirty pagan, why didn't I make this connection sooner, death always leads to REBIRTH, change, something totally new and 9b. there are tarot cards in the magic shop, and even if you're not a dirty pagan, the Death tarot card means transition, something must die before a new thing can be born. Hmmmm.
Morality and what is "good" and what is right
Recognition and identity. Ah! Probably at least partly because Maggie is Jesus. How would you recognize her? She doesn't look like White Jesus, or even a more realistic Middle-Eastern or Black Jesus. She looks like Maggie. Who would know her? I think there's more to this theme, but Maggie as Jesus 2.0 adds up.
Licenses, permits, permissions, rules, proof, evidence, what's allowed. All of the minisodes mention this, and it all gets mentioned again over and over. Because Heaven and Hell do have rules they have to follow. Which drives home my theory that Gabriel stole some very incriminating records from Heaven when he left, Crowley got hold of them and gave them to Aziraphale during the kiss, and now Aziraphale is going to nail them.
Repeating words and phrases:
Technically
Properly
Isn't it just?
Too late
Funny old world
Not as such
Made for each other
EVERYWHERE
Obviously
Two shakes of a lamb's tail
Horses
Hints:
Powell and Pressburg films
The Crow Road
Catch 22
The Amazing Maurice and his Educated Rodents, Terry Pratchett in general
Jane Austin
Book Good Omens
The titles of episodes, minisodes, places, etc. 7a. The Arrival: a book and a movie, though the book seems far more relevant. And lovely. The Clue: a movie. Companion to Owls: a line from a Bible story. I Know Where I'm Going: a movie. The Resurrectionists: two novels, each called The Resurrectionist, singular. Both look unhinged. The Hitchhiker: a Twilight Zone episode. Nazi Zombie Flesheaters: Literally no other reference. ?? Nazi Zombies do appear in a LOT of movies, comics, and video games, usually as a dark joke. The Ball: a video game. Irrelevant? It's a puzzle-based game, so maybe not. Every Day: a song AND a movie. Some themes repeat here: Puzzle games, being re-directed from one's path to find true love, death and being brought back to life in a gruesome and unpleasant way.
Objects that get a close-up/centering:
Starmaker's nebula book
Shostakovich record
Tomatoes
The box
Eccles cakes
The bell
Head statue
The book Jim drops
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At long last, a meaningful step to protect Americans' privacy
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This Saturday (19 Aug), I'm appearing at the San Diego Union-Tribune Festival of Books. I'm on a 2:30PM panel called "Return From Retirement," followed by a signing:
https://www.sandiegouniontribune.com/festivalofbooks
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Privacy raises some thorny, subtle and complex issues. It also raises some stupid-simple ones. The American surveillance industry's shell-game is founded on the deliberate confusion of the two, so that the most modest and sensible actions are posed as reductive, simplistic and unworkable.
Two pillars of the American surveillance industry are credit reporting bureaux and data brokers. Both are unbelievably sleazy, reckless and dangerous, and neither faces any real accountability, let alone regulation.
Remember Equifax, the company that doxed every adult in America and was given a mere wrist-slap, and now continues to assemble nonconsensual dossiers on every one of us, without any material oversight improvements?
https://memex.craphound.com/2019/07/20/equifax-settles-with-ftc-cfpb-states-and-consumer-class-actions-for-700m/
Equifax's competitors are no better. Experian doxed the nation again, in 2021:
https://pluralistic.net/2021/04/30/dox-the-world/#experian
It's hard to overstate how fucking scummy the credit reporting world is. Equifax invented the business in 1899, when, as the Retail Credit Company, it used private spies to track queers, political dissidents and "race mixers" so that banks and merchants could discriminate against them:
https://jacobin.com/2017/09/equifax-retail-credit-company-discrimination-loans
As awful as credit reporting is, the data broker industry makes it look like a paragon of virtue. If you want to target an ad to "Rural and Barely Making It" consumers, the brokers have you covered:
https://pluralistic.net/2021/04/13/public-interest-pharma/#axciom
More than 650,000 of these categories exist, allowing advertisers to target substance abusers, depressed teens, and people on the brink of bankruptcy:
https://themarkup.org/privacy/2023/06/08/from-heavy-purchasers-of-pregnancy-tests-to-the-depression-prone-we-found-650000-ways-advertisers-label-you
These companies follow you everywhere, including to abortion clinics, and sell the data to just about anyone:
https://pluralistic.net/2022/05/07/safegraph-spies-and-lies/#theres-no-i-in-uterus
There are zillions of these data brokers, operating in an unregulated wild west industry. Many of them have been rolled up into tech giants (Oracle owns more than 80 brokers), while others merely do business with ad-tech giants like Google and Meta, who are some of their best customers.
As bad as these two sectors are, they're even worse in combination – the harms data brokers (sloppy, invasive) inflict on us when they supply credit bureaux (consequential, secretive, intransigent) are far worse than the sum of the harms of each.
And now for some good news. The Consumer Finance Protection Bureau, under the leadership of Rohit Chopra, has declared war on this alliance:
https://www.techdirt.com/2023/08/16/cfpb-looks-to-restrict-the-sleazy-link-between-credit-reporting-agencies-and-data-brokers/
They've proposed new rules limiting the trade between brokers and bureaux, under the Fair Credit Reporting Act, putting strict restrictions on the transfer of information between the two:
https://www.cnn.com/2023/08/15/tech/privacy-rules-data-brokers/index.html
As Karl Bode writes for Techdirt, this is long overdue and meaningful. Remember all the handwringing and chest-thumping about Tiktok stealing Americans' data to the Chinese military? China doesn't need Tiktok to get that data – it can buy it from data-brokers. For peanuts.
The CFPB action is part of a muscular style of governance that is characteristic of the best Biden appointees, who are some of the most principled and competent in living memory. These regulators have scoured the legislation that gives them the power to act on behalf of the American people and discovered an arsenal of action they can take:
https://pluralistic.net/2022/10/18/administrative-competence/#i-know-stuff
Alas, not all the Biden appointees have the will or the skill to pull this trick off. The corporate Dems' darlings are mired in #LearnedHelplessness, convinced that they can't – or shouldn't – use their prodigious powers to step in to curb corporate power:
https://pluralistic.net/2023/01/10/the-courage-to-govern/#whos-in-charge
And it's true that privacy regulation faces stiff headwinds. Surveillance is a public-private partnership from hell. Cops and spies love to raid the surveillance industries' dossiers, treating them as an off-the-books, warrantless source of unconstitutional personal data on their targets:
https://pluralistic.net/2021/02/16/ring-ring-lapd-calling/#ring
These powerful state actors reliably intervene to hamstring attempts at privacy law, defending the massive profits raked in by data brokers and credit bureaux. These profits, meanwhile, can be mobilized as lobbying dollars that work lawmakers and regulators from the private sector side. Caught in the squeeze between powerful government actors (the true "Deep State") and a cartel of filthy rich private spies, lawmakers and regulators are frozen in place.
Or, at least, they were. The CFPB's discovery that it had the power all along to curb commercial surveillance follows on from the FTC's similar realization last summer:
https://pluralistic.net/2022/08/12/regulatory-uncapture/#conscious-uncoupling
I don't want to pretend that all privacy questions can be resolved with simple, bright-line rules. It's not clear who "owns" many classes of private data – does your mother own the fact that she gave birth to you, or do you? What if you disagree about such a disclosure – say, if you want to identify your mother as an abusive parent and she objects?
But there are so many stupid-simple privacy questions. Credit bureaux and data-brokers don't inhabit any kind of grey area. They simply should not exist. Getting rid of them is a project of years, but it starts with hacking away at their sources of profits, stripping them of defenses so we can finally annihilate them.
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I'm kickstarting the audiobook for "The Internet Con: How To Seize the Means of Computation," a Big Tech disassembly manual to disenshittify the web and make a new, good internet to succeed the old, good internet. It's a DRM-free book, which means Audible won't carry it, so this crowdfunder is essential. Back now to get the audio, Verso hardcover and ebook:
http://seizethemeansofcomputation.org
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/08/16/the-second-best-time-is-now/#the-point-of-a-system-is-what-it-does
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Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg
CC BY 3.0 https://creativecommons.org/licenses/by-sa/3.0/deed.en
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aeridanus · 6 months
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Found these two in a sketchbook from 2019 when my best friend and I were on vacation, and I think I never shared them :D We invented two legendary Pokémon for the German federal states of Bavaria and Baden-Württemberg. We wanted to complete the trio with Hesse, but never got to it again. These make more sense in German, but it's obvious that the Bavarian one spits beer and shits sausages with mustard, while the Swabian one spits wine and has pretzel rolls on its tail. Their paw prints resemble the states' coat of arms (of course stolen from Dialga's and Palkia's footprint lore).
I came across those pages when looking though old sketchbooks and I realized - there was another high point between 2018 and 2020 where I was intensely inspired and filling up sketchbooks like a mad(wo)man. That was the time when my colleage and I went to the Anatomy Tools courses in the USA, when I went to the gym every lunch break and was super lean and pretty muscular for a gal. And then, Covid came and I didn't even have a sketchbook again until 2022, and that one took one hand a half years to fill. It's also the exact fucking phase I was absent from this blog. What the fuck man - even with the giga perk of having eternal homeoffice since then, the Covid time left a sad mark even on my introverted self. I lost my drive at the same time I stopped regular and heavy exercise. Concidende? No. Then put everything else from the last posts on top, with a sprinkle of midlife crisis, and there we go.
It's good to think through all of this...
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souryogurt64 · 6 months
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i never gotten this whole recent movement in fandoms to try and reimagine bands and artists as actually something revolutionary leftist especially when they are not? maybe because i enjoy bands like radiohead and the smiths so i am just now numb to bullshit and disappointment and to know to never actually go into enjoying art expecting that the people who made that art to be something to look morally up to
but the weird notion that “um ACKSHULLY this band’s silly performance is actually a subliminal marxist leninist message to unite the workers against big bad music corporations” is so wild to me…it’s like those christian mom statements about emo bands being liberal homosexuals but this time said by chronically online tumblrinas and unironically
Right now I feel like MCR fans are under a very big insecurity complex because their band has been taunting them with an album for like 5 years now. The PR or whatever (moreso early on) is always Very Big and Very Serious so people want the album to be like the best ever and during this time several “dumb” bands like FOB and Blink have done some pretty big stuff whereas pretty much daily MCR fans have been logging on here to write conspiracy theories and fall for morse code ask box hoaxes to no avail. There was also way more content over the hiatus than there is now, and this period is rapidly approaching the length of their hiatus now. 
So everything MCR do have to be like bigger and cooler than everyone else so people aren’t forced to accept what has been the truth for half a decade now — that MCR went on a nostalgia bait reunion tour and there was never an album and they played the nostalgia bait festival like everyone else. Maybe there will be an album at some point, but in 2019, 2020, 2021, and 2022, there was no album. Which is fine, but not if youre a MCR fan who is being let down and doesn’t want to accept that. 
I also think MCR fans are very comfortable with Lying because the band arguably Lies all the time and is also Very Serious about their PR lies, unlike Cobra for example. This creates an environment where making shit up to seem cool is okay, which is like fine when it’s about comic books and ghosts or whatever
But there has been Nothing To Lie About for a very long time so people have started making up their own very not okay Tumblrina La La World where Gerard is a schizophrenic woman with an eating disorder and “smears on dollar store eyeshadow” and “slaps on thrift store dresses” at MCR shows because they “hate capitalism” instead of having Taylor Swift’s stylist make his looks. So fans still can turn around and shit on FOB for collaborating with capitalist Taylor Swift. Cuz you know, FOB have an album and they don’t. 
They also play pretend that in 2005 MCR were an underground punk band playing $20 house shows instead of accepting the reality that My Marxist Romance and every other famous band ever used to cost $20 10-15 years ago but have astronomically raised their prices by like 20x and now shows routinely cost $400+. Because if they don’t invent that world, they have to accept that MCR aren’t as like radical as they pretend and are the same as every other band like FOB and Blink—only diff is that those bands have albums. 
I think that nobody is saying that WWWY is radical protest NOW but there were several very egregious Posts going around the first time about how MCR “blew their money on confetti and didnt keep any for themselves to protest ticket prices” which were just so out of line and ridiculous to say. 
And right now one of the biggest MCR bloggers is getting (imo) one of the most massive callouts in recent band history, so people who saw the posts and disagreed with them initially but were scared of getting into fights with people who would have their followers dogpile on them finally feel comfortable making fun of the people saying that 
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100gayicons · 7 months
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Gay Icon Verka Serduchka
Verka Serduchka (aka Andriy Danylko) is the most famous drag persona in the Ukraine.
Danylko invented the character of Verka Serduchka in 1990. Verka is a flamboyant middle-aged woman from a rural family and makes a living as a railroad sleeping car attendant. Since then Verka has rocketed to stardom.
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Verka represented Ukraine in the 2007 Eurovision competition with the song “Dancing Lasha Tumbai”. The selection of Verka was controversial and heavily criticized in local media and by Ukrainian politicians, saying Verka was “grotesque and vulgar". But Verka got the last laugh - the song came in 2nd in a field of 24 countries.
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A writer for the British newspaper The Guardian even called "Dancing Lasha Tumbai" as the "best song never to win Eurovision".
Later Verka was a judge on the show that picks future Ukraine Eurovision representatives, and appeared in Melissa McCarthy’s film “Spy” (2015). Verka also judged on X-Factor on Ukrainian TV (2016-2019) and The Masked Singer (2021).
Although Andriy Danylko threatened to retire his Verka persona, he continue to perform in drag - especially as a voice against Russian’s invasion of Ukraine. Verka has performed in numerous fundraisers for Ukraine.
Verka sold Freddie Mercury’s 1974 Rolls Royce at auction in 2022, for £250,000. The auction house waved fees and the buyers premium. So that entire proceeds (£286,250 or $327,600) were donated to help fund a modern rehabilitation and prosthesis center in Ukraine for victims of the war.
Andrii Danylko was awarded the Order of Merit Third Class in 2022 by the President of the Ukraine.
Danylko has stated that he does not appear in drag outside of performing as Verka. It’s also been reported he occasionally dates women. But Verka is still an inspirational LGBT+ icon.
2007 Eurovision performance
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linguisticdiscovery · 2 years
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The Linguistics Starter Pack
Curious about linguistics but not sure where you can learn more? The Linguistics Starter Pack is for you! This is a curated list of my top recommendations for getting started in linguistics. Most of the items on this list are popular science books, aimed at a general audience, and written in a non-technical way. I’ve also included a few highly accessible introductory textbooks if you’re looking for something more structured instead.
Note: The links on this page are Amazon affiliate links, which means I get a small commission from any book you buy through these links (at no additional cost to you).
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Language myths (Bauer & Trudgill, 1998)
If there’s one book on this list you should read to introduce yourself to linguistics, it’s this one. Consisting of short, bite-sized chapters each focused on a different myth, this book dispels some of the most common misconceptions about language and linguistics. The book is almost a quarter-century old, but remains one of the best places to start learning about linguistics.
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The 5-minute linguist: Bite-sized essays on language and languages (3e) (Myrick & Wolfram, 2019)
A collection of tiny essays answering some of the most common questions about language and linguistics. This book is a more up-to-date take on Language myths (see above), except the style is more FAQ than myth-busting. This third edition is sponsored by the Linguistic Society of America because of the great impact that the first two editions had on educating the broader public about linguistics.
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How languages work: An introduction to language and linguistics (2e) (Genetti, 2018)
Hands down the best introductory linguistics textbook on the market. Extremely easy to read, and covers a variety of topics not typically included in other introductory linguistics textbooks. It also includes a number of language profiles, illustrating the rich diversity of languages in the world. The chapters are written mostly by the linguistics faculty at the University of California, Santa Barbara, one of the top linguistics departments in the world. Proceeds from the book help fund fieldwork with endangered languages.
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Through the language glass: Why the world looks different in other languages (Deutscher, 2010)
How does language influence the way we think and see the world? This book is a brilliant journey into the relationship between language and thought, covering everything from how color terms shape our perception of those colors to how grammatical gender shapes the way we categorize people and things in a surprisingly captivating writing style.
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The language myth: Why language is not an instinct (Evans, 2014)
A long-overdue introduction to language and the mind for a general audience, this book explains how humans bring to bear a huge array of cognitive skills to make language possible, debunking the idea that language is an instinct and that we all possess a Universal Grammar. Written by the foremost scholar on cognitive linguistics, this book is perhaps one of the most important popular science books published this century. Think of this book like a non-technical introduction to cognitive linguistics.
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When languages die: The extinction of the world’s languages and the erosion of human knowledge (Harrison, 2007)
This book showcases the incredible diversity of ways that Indigenous languages work, and highlights just how much of this diversity and indigenous knowledge is being lost as more and more languages stop being spoken. The book covers topics like Indigenous ways of telling time, spatial orientation, and number systems, while serving as a poignant introduction to linguistic diversity and language endangerment.
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The unfolding of language: An evolutionary tour of mankind’s greatest invention (Deutscher, 2006)
An enthralling introduction to how languages change over time, and how languages develop their incredible grammatical complexity, evolving from rudimentary utterances like “man throw spear” to the beautifully intricate Turkish sehirlilestiremediklerimizdensiniz ‘you are one of those whom we couldn’t turn into a town dweller’. This is the second book on this list by author Guy Deutscher (see Through the language glass, above), and for good reason, because his writing style makes his books impossible to put down. Think of this book like a non-technical introduction to historical linguistics.
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Empires of the word: A language history of the world (Ostler, 2011)
A history of the world told not by tracing the development of civilizations and empires, but by following the growth of the world’s major languages. Ostler weaves together a fascinating narrative that gives a fresh perspective on history. This book is a must-read for any history buff.
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The dawn of language: Axes, lies, midwifery and how we came to talk (Johansson, 2021)
Weaves together the latest research in archaeology, anthropology, neurology, and linguistics to tell the story of how language evolved.
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Language files: Materials for an introduction to language and linguistics (13e) (Ohio State University Department of Linguistics)
Want to get your hands dirty with some actual problem sets in linguistics? This is the book for you. Half textbook, half workbook, Language files is one of the most widely-adopted textbooks for introductory linguistics courses, packed with problem sets illustrating each concept in the book.
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An introduction to the languages of the world (2e) (Lyovin, Kessler, & Leben, 2017)
If you’re interested in learning about specific languages and language families, this is the book for you. It introduces the field of linguistics by taking you on a tour of the world’s languages. This is one of the most unique textbooks in linguistics, and a lot of fun to read.
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An introduction to linguistic typology (Velupillai, 2012)
A survey of the incredibly diverse ways that languages work. This is the most technical / advanced book on the list, but is the ultimate guide to the grammars of the world’s languages. This is a great reference to keep on hand when reading other books and articles about linguistics.
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its-rat-time-babey · 10 months
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Figuring out when the fuck Glitch Techs takes place.
Spoiler Alert: Not when you’d think.
Also probably spoilers for Glitch Techs idk.
Alright. Glitch Techs. I watched it, I liked it, I mourned that it was shelved by Netflix and will never get a season 3 or a conclusion to the story it was in the process of setting up, and I thought to myself:
“Hey, when does this show actually take place?”
Because we see technology from the past, present and future all in one timeframe being presented like it’s perfectly normal.
For the present (or at least 2019-2020, when the show was made), we see modern smartphones and VR gaming is a regular thing.
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(Although do keep in mind that Smartphones seem to look more like the older models of Smartphone compared to our modern 2020 ones. This will be important later)
But that’s where the first flaws start showing up.
Starting with the evidence for the past: There’s fast, modern internet and social media exists, which is a point for modern day, but social media doesn’t seem to be a completely universal thing, with only a few characters we see actually using it.
Streaming and Streamers exist, with Mitch being a former streamer and member of a streaming group, but given how little social media is relevant in the show it’s actually arguable how popular or widespread streaming is.
People definitely know about Mitch Williams and the Furious Four, but I’d argue that those people are limited to more hardcore gamers and Hinobi game enthusiasts and not many (or even any) people outside that niche really know or care.
Mitch’s career as a streamer and any fame he has in general is only really noticed by other hardcore gamers like Five, other Glitch Techs and that one kid in the Hinobi tournament (the fact that they’re in the tournament to begin with means that they’re one of the best gamers Hinobi could find) after all. Miko, a hardcore gamer, doesn’t even know Mitch had a streaming career at all until someone else tells her (although she does kinda get a pass because it’s implied that Miko is homeschooled and just doesn’t know much about social media or streaming in general).
So it appears that in the setting of Glitch Techs, social media and streaming exists, but is a rather niche concept, with only a few demographics of people being interested in that sort of thing. High schoolers and older teens for social media, and hardcore gamers and game enthusiasts for streaming. So in that regard it’s a lot like the early 2000s when that kind of thing was just taking off and wasn’t as popular.
There’s also the far more obvious fact that arcades are common and very popular. Not something that you would expect if this show happens in the modern day.
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Even TVs don’t line up with the present day. If you see a TV in glitch techs, it looks more like a TV from the 2010s than the modern day.
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Note the stand and the fact that they’re not wall mounted and too thick to be proper modern TVs.
But on the topic of TVs and video games, this is where our one piece of big future evidence exists, so I’m going to disprove it real quick to make things easier for us.
There is holographic technology easily available and commonplace in gaming equipment.
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And this isn’t just a regular case of Hinobi having advanced, futuristic technology that it only gives to its Glitch Techs (which I’m fully willing to overlook) because these holographic screens aren’t limited to just Glitch Techs. It’s an ordinary part of Hinobi’s commercial technology.
However, It can just be counted as Hinobi being really shady and advanced in terms of technology, especially since it’s only Hinobi technology that has this stuff. Phones, TVs and etc don’t have holographic screens, and there’s a canonical reason for that in the form of plixels, the Hinobi technology that creates all those glitches in the first place.
Plixels are canonically a thing that Hinobi invented to store massive amounts of data in very small spaces, which they use to make their products as advanced and high quality as possible. They’re also somewhat unstable which is what creates glitches, but that’s a whole different topic.
Point is. Plixels are extremely advanced Hinobi technology used in all of their products, and as seen in the show, can be used to create solid objects if used correctly. The holographic screens are just Hinobi Plixels being used for their intended purpose and it makes perfect sense why Hinobi has this technology, and as such doesn’t really provide any evidence of Glitch Techs happening in the future. Hinobi is strange, shady and has very advanced technology for it’s time, so we’re going to ignore most of the super advanced technology they have.
We will not however, ignore their older technology, especially the tech that parallels our own. That stuff is very useful.
Part 2: Actually solving this thing:
Here’s what we have so far for Glitch Tech’s setting:
VR gaming is a perfectly normal thing that matches or even somewhat surpasses modern VR (2020)
Smartphones exist, but visually resemble older smartphones from the early to mid 2010s
TVs resemble early 2010s TVs
The state of Social Media and Streaming seems similar to how it was in the 2000s
Arcades exist and are very popular, which dates things to anywhere from the 1970s to 1990s
Hinobi’s advanced technology fuckery can complicate things, and provides no evidence for any one time
For actually solving this, we need concrete data and that needs some assumptions regarding our world and how it relates to the world of Glitch Techs.
Because we have about three and a half pieces of hard evidence for the time period that Glitch Tech takes place in, and they don’t give completely conclusive dates, just a time frame of a few years that Glitch Techs can happen in and some explanations and rationalizations are needed to explain things that don’t line up.
It also uses the ages of some characters that I got from the wiki (which may not be completely reliable) and some educated guessing.
Those pieces of evidence are:
Ping’s creation and Emilio Nieves
Spec Ops
Phil’s files, Bitt and Bolybius
One crucial part of figuring out the Glitch Techs timeline is the fact that Video Games as a concept were created rather recently compared to our world. Five’s dad, Emilio Nieves was a former employee of Hinobi and was the creator of the first three video games, including this world’s equivalent of Pong, is still alive and according to the wiki is somewhere in his 40s.
Now we just need to figure out how old he was when he made Ping, and we have some pictures that might help.
In the episode “Ping”, we see Emilio Nieves at three different points in his life.
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A young man who appears to be either in or fresh out of college judging by the other people around him that resemble college students.
An older man (that looks the same as before) raising Five that i estimate to be around his 30s considering his current age, Five’s age in the photo and Five’s current age.
Emilio Nieves in his 40s in prison, how he currently is.
Emilio Nieves is somewhere in his 40s, and judging by the pictures and how he was responsible for the first three games, probably made ping fresh out of college, and then made the other two a few years later.
Ping’s real life equivalent, Pong, was made in the year 1972, and if we assume that Ping and Pong share a birth year and Ping really was created when Emilio Nieves was in or fresh out of college, that would put the current year of Glitch Techs in anywhere from 1992 to around 1998, depending on exactly when Ping was made in relation to Emilio Nieves’ time in college (the average college student spends about 4-5 years in college, plus 1 year for time after leaving college).
That’s a pretty big timeframe, but it can be reduced by quite a bit with the help of another equivalent game.
Spec Ops.
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Spec Ops is a game made by Hinobi that was freshly released when Five bought it in “Karate Trainer”. It’s also a very obvious parody of Metal Gear, so if we can figure out exactly what game in the Metal Gear franchise it’s closest to, we can compare its release date to the show.
And I narrowed it down to two games in the franchise. The original Metal Gear from 1998 and Metal Gear 2: Sons Of Liberty from 2001.
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I apologize for the terrible pictures of the Metal Gear Games, I just couldn’t find any good ones.
I can’t figure out exactly which of the two games are closest to what we see in the show and I don’t really believe it’s possible, but this narrows our timeframe to 1998-2001.
Next up: Phil and his secret files.
According to Bitt, Phil has been working as the manager of Hinobi’s Bailley division for 20 years, and it’s implied that he worked as a Glitch Tech for several years before becoming a manager and being given Bitt. According to the wiki, Phil is somewhere in his 40s.
Now, we see Phil in his 20s in “BITT Prime” courtesy of Bitt’s photo album and we see a much younger version of him in Phil’s hidden files at the end of the episode.
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However, you’ll probably notice that these two Phils are not the same. Notice the small beard on File Phil that’s absent on 20-Years-Ago Phil.
But we do still know roughly when this Phil existed because we have a photo close to that.
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I’m not joking here. This is 100% serious. Notice the beard. This is the first appearance of said beard in all of Phil’s photos. Hippie Phil does have the beginnings of a moustache that File Phil lacks, but that still helps figure out when File Phil happens because it dates him to just before the photo was taken, in between Hippie Phil and the photo before it.
Hippie Phil is the 3rd picture in that photo album and assuming that each photo was taken one year apart, that means Hippie Phil happened 17 years ago, and File Phil Happened somewhere between 17 and 18 years ago, which I will simply round down to 17.
Hippies were a thing mostly in the 60s and early 70s, so if we assume that the photo was taken in the early 70s, that would place us around 1987-ish. But there’s a massive problem here: Ping puts us around 1992-1998 and Spec Ops somewhat narrows it down to 1998-2001, but now we have evidence pointing to way earlier than even the oldest possible date of 1992.
Luckily, although HIPPIES were a thing in the 60s and 70s, TIE-DYE specifically was a thing that went in and out of fashion during the 70s, 80s, 90s and even the 2000s. Phil isn’t being a Hippie in that photo, he’s just wearing tie dye, which happened to be in-style when the photo was taken, and I can’t explain the peace signs and stoned expression. Maybe some things are best left unanswered.
But this gives us another problem. Now the timeframe is too wide, spanning nearly 40 years of time. But this too can be solved using a completely different theory involving a certain arcade game that I have a love-hate relationship with:
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Polybius. More specifically it’s in-universe equivalent Bolypius.
Almost nothing is known about Bolypius other than a few hints we’re given sparsely throughout the show, including:
Bolypius is a glitch of some kind that’s incredibly dangerous and important, possibly being intelligent and able to act human
Hinobi has no idea where Bolypius currently is
Miko may be important in locating Bolypius’s current location, for reasons that are unknown but probably linked to her reset immunity
If the show hadn’t been canned by Netflix, we would have had an episode dedicated to Bolypius, named “Bolypius”
An animatic from an unreleased episode exists bringing up “Bolypius Chess” as a very old game in the Glitch Techs universe
Bolypius presumably takes many details from its real urban legend equivalent
Now taking that last fact into consideration, here’s some important, basic details about Polybius:
Polybius was made by the government and caused all sorts of physiological effects on the people that played it
Mysterious men in black would often be seen messing with the machine and taking strange data from it
One day, Polybius just vanished. Taken away by the government never to be seen again.
Taking that into consideration and assuming that Polybius and Bolypius share similarities with each other (which they most likely do), you can assume some things about Bolypius, mainly that it was most likely purposefully created by Hinobi (who take up the role of the government here because it’s Hinobi, of course they do) for whatever reason and like Polybius, just vanished one day, with the difference that Polybius was taken away BY the government and Bolypius escaped FROM the government (or Hinobi in this case).
How does this apply to Phil’s messages to his future self? Well we’ll never know what those messages involve because Netflix is a bitch but judging by Past Phil’s comments about Hinobi wiping the minds of employees, the warning he delivers about “things getting glitchy” in the future and the slow reveal of Bolypius that was supposed to happen if the show didn’t get canned, it’s pretty safe to assume that these messages involve Bolypius in some way.
We also know that this information isn’t a clue to Bolypius’s location because for one, Phil’s mind was wiped at some point after making these videos, and if Hinobi is trying to FIND Bolypius they probably wouldn’t erase the mind of someone who has a clue to their location.
No, the video is definitely talking about Bolypius, but I don’t think it’s about its location or where it went. Past Phil mentions that he took a bunch of files from Hinobi’s development lab, aka the part of Hinobi responsible for making new technology and games, so I think these files aren’t about Bolypius’ location, but rather Bolypius’ CREATION.
Like it’s real equivalent, Bolypius was made by the government (or in this case, the equally shady Hinobi), and Past Phil somehow stole files detailing that process or was possibly even directly involved in the project, but had his mind wiped afterwards. It explains not only why Hinobi would wipe Phil’s mind several times in the past, but also his Phil’s warnings and why he bothered to send his future self a message in the first place.
But more importantly than that big theory that honestly deserves its own post, Polybius has a release date: 1981.
If Bolypius was made in the same year as its real world counterpart and Phil’s message involves Bolypius’ creation like I theorized, the year 1981 lines up with everything else.
It’s 9 years after the invention of Pong/Ping, so Hinobi could be a proper game company with designated Glitch Techs by that time.
That 9 years gives us more than enough time for Phil to have gotten those pictures taken over the course of 3 years.
The 80s were a time where Tie-Dye was in style, lining up with the Tie-Dye Phil picture.
And finally, taking the year 1981 and adding 17 years (the rough amount of time since that last photo was taken) gives us the year 1998, a year that fits with the other bits of evidence perfectly.
Part 3: 1998 Evidence:
1998 specifically lines up with almost all other pieces of evidence I’ve given.
Bolypius’s presumed birthday plus the age of Phil’s messages and photos gets us 1998.
If Emilio Nieves built Ping at the end of his college years or when he was fresh out of college, it’s fully possible for him to make at least 3 other games, have Five, be arrested for hacking and end up in prison by his 40s in 1998. In fact, this is even more likely given that the Ping machine has Hinobi’s logo on it, meaning that Emilio Nieves was a Hinobi employee when he made it. He probably got hired fresh out of college and invented Ping very early in his career, something that is entirely possible because Emilio Nieves is a master programmer.
The year 1998 is the exact year that Metal Gear (1998) came out, perfectly lining it up with the in-universe Spec Ops that came out in the current Glitch Techs year.
Arcades like we see in the show were popular in the 90s, albeit losing popularity at the time, and as even more evidence, the 80s and early 90s were the time when animatronic restaurants were at their most popular, lining up with in-universe things like Joystick Jr’s using animatronics when Five was a kid.
However, there’s still the existence of high speed internet, streaming and social media (in an early 2000s-like state), VR games, smartphones and TVs (which both resemble the 2010s versions of themselves).
Luckily for that, we have an explanation in the form of Hinobi’s high tech tomfuckery. More specifically the impact it would logically have on the rest of the world’s technology and technological advancement.
High speed internet can be explained by the invention of plixels, which are supposed to be an extremely compact and fast form of data storage. The invention of that technology would 100% kickstart the internet into a version that’s a lot closer to the modern version in terms of availability and speed. Even without directly using plixels, their invention would kickstart the invention of other high speed data storage technologies that would also bring the internet up to our modern speeds.
The extremely fast upgrading of the internet courtesy of plixel technology would also probably kickstart things like social media and streaming into becoming a thing way earlier than normal, but we see that it’s still not completely known by everyone.
Hinobi’s advanced technology (at least the stuff it actually sells) could also end up influencing things like smartphones into existing early and speed up the development of TVs from bulky CRTs to the significantly less bulky plasma screens (presumably they’re plasma screens based on their looks) we see in the show. The extremely fast advancement of the internet may also affect the invention of smartphones. They’re not as advanced as the modern stuff we have as they resemble smartphones and TVs from the 2010s, but they’re still more advanced than what you’d normally see in 1998.
VR being common and actually more advanced than 2020 VR is just Hinobi being Hinobi.
So TLDR: Glitch Techs takes place in the year 1998, in a universe where certain technologies were heavily influenced and advanced by roughly a decade or two due to Hinobi’s high tech tomfuckery.
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episodeoftv · 8 months
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Round 1 of 8, Group 7 of 8
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propaganda and summaries are under the cut (May include spoilers)
Buffy the Vampire Slayer: 6.07 Once More, With Feeling
tw for dealing with depression and suicidal thoughts
In this musical extravaganza, Sunnydale residents find themselves bursting into song, and flame, when a demon attempts to make Dawn his bride.
The greatest musical episode of all time! Pretty much all of the songs are unironically bangers, it's better choreographed and shot than frankly a lot of the bad movie musicals that have been inflicted on us in the past few years, and despite the goofy concept it still manages to tell an incredibly affecting story about the protagonist's struggle with depression. Pulls off an absolutely monumental tonal shift from comedic musical theatre homage to devastating emotional gut punch that manages to never feel tonally dissonant / Best musical episode ever (character development, lots of bops, and spontaneous combustion)
It is the best musical episode of any TV series. It is whimsical, but also far from filler and major plot beats happen while the characters sing jaunty little toons about them. Willow and Tara have sex. Spike gets and angsty alt rock song about his unrequited buffy crush. Buffy admits that when her friends resurrected her she was violently ripped out of heaven and doesn't wanna be on earth anymore. Spike and Buffy kiss. Its the best. / Invented musical episodes and is also one of the only good ones ever to have been made. Changed the game. Insane that it’s as good as it is.
Ghosts (2019): 4.07 It's Behind You
The spectres are touched to discover that Alison has given them each a Christmas gift, so they rack their brains to come up with a special present for her in return.
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joanyio · 4 months
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TOP 9 DRAMAS I WATCHED IN 2023
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inspector koo (2021) - everyone here is a different flavor of fruit, crime show exclusively made for girls and gays and it’s the best thing that ever happened to me
when i fly towards you (2023) - this is what happiness is all about
doom at your service (2021) - “love me to the point that you want to destroy the world for me” that’s it that’s the line
love all play (2022) - wfkbj for people who aren’t annoying
little women (2022) - second half felt like a makjang damn the writers were spiraling and i couldn’t stop watching (gay little women i love you)
twinkling watermelon (2023) - worth the hype
bloodhounds (2023) - i remember my letterboxd post for this saying you can almost smell the testosterones through the screen but it was absolutely binge worthy, kinda homo if you ask me!
daily dose of sunshine (2023) - park boyoung is the loveliest human being
law school (2021) - is it insane to beg for a season 2 the chance is low but nonzero… right?
HONORABLE MENTIONS
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hidden love (2023) - im tired of people saying the word chemistry about the main couple but it’s true they invented it
designated survivor: 60 days (2019) - maybe political dramas aren’t always badly written, also han nakyung please give me a chance
celebrity (2023) - user joanyio stop finding invisible gay subtext in every show you watch challenge failed
the good bad mother (2023) - such a gem *continues to ignore mommy issues*
time and him are just right (2022) - cute and perfect for mindless watching in the background while you do other work
the worst of evil (2023) - instead of forcing the love triangle turned love square the writers should have made all four hot main characters make out with each other it would have been perfect
and because of love all play (2022), see also:
castaway diva (2023), witch’s diner (2021), and unlock my boss (2022) (although i haven’t finished this one yet) chae jonghyeop is my new lee dohyun (read: male actor i enjoy watching multiple projects of simply because he doesn’t give me the ick). i also rewatched hot stove league (2020) for park eunbin and jonghyeop after castaway diva, still one of the all time best dramas i remember it used to be my twitter handle years ago baseball is so cool i wish it was real
DRAMAS I STARTED LATE DECEMBER 2023 AND FINISHED EARLY JANUARY 2024
shining for one thing (2022) - please don’t watch this show it was made only for me and i’d like to gatekeep it forever
reset (2022) - never watched a drama execute time loop plot device as perfectly as this did
UNFINISHED BUT PLANNING TO CONTINUE SOON
derailment (2023) - i was baited by a tiktok i thought it’d be a cute silly little high school drama but boy was i surprised
one day off (2023) - she’s living the dream
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pacific-rimbaud · 5 months
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its so so sweet when we notice how writers influence each other in the community. I read DMATMOOBIL and there isn't much Panville, but when they appear they simply CANNOT get their hand off of each other. And Pac that is so you! A piece of you in another writer's fic! Maybe you didn't invent Panville but you know you solidified the idea that they have an *amazing* intimate life. Your fellow authors writing a scene where they dissappear for a while only to come back disheveled is no coincidence
I've been in fandom for 4 years now, and hands down, no question, the best contribution I ever made was A Dress with Pockets. I'd never read or heard of the ship when I wrote ADWP. When it was published in November 2019 there were 157 fics on AO3 tagged with Panville. There have been 1,288 fics since. I have no idea if isthisselfcare has read any of my stuff, but enough hugely successful Dramione writers and unbelievably talented artists read ADWP and loved it and included the pairing in their own widely viewed work that there's now a thriving Panville community. I can pop onto Twitter and see content every day of the week. It remains mind boggling to me. I love them so, so very much, and *love* that them constantly having sex is a strong part of the fanon.
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blairelythere · 8 months
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Never seen ultraman
What should I watch first to see if I like it or not?
Ultraman is a tokusatsu series with a very large variety of tones and styles. Each season is distinctly different from the last, especially in the New Generation era. Some seasons are very serious and gritty, some are slice-of-life, and some are light plot/heavy action. It's up to you on what you'd prefer!
I want to preface with the three eras (and sub eras) of Ultraman, just so you're aware of these terms when they come up:
Showa (1966 - 1987)
Heisei (1996 - 2012)
-> Heisei Trilogy/Part 1 (1996-1999)
-> Heisei Part 2/Phase 2 (2000 - 2012)
New Generation (2013 - Present)
-> Reiwa (2019 - Present)
That being said, I give you 5 equally valid options to begin:
Option 1:
Ultraman (1966)
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Start with where it all began!*
Ultraman (1966) is Japan's take on the Twilight Zone but with a superhero-esqe twist. If you enjoy older sci-fi like the early seasons of Doctor Who or the first Star Trek, you'll greatly appreciate the practical effects, deep but episodic plots, and the unique kaiju/seijin.
From there, watch in order of release and enjoy just how much the show evolves. All the highs and lows.
*(Side note - technically Ultra Q (1966) is the first show but does not feature Ultraman whatsoever. This show serves as a prequel to the idea of kaiju and seijin in the modern world. If you're a completionist, you can start here and be amazed at how there are *still* monsters and plots making reappearances from this show)
Option 2:
Ultraman Tiga (1996)
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Ultraman Tiga is the beginning of the Heisei Era and is widely regarded as one of the best series in the entire franchise.
I have lots of love to give to Tiga specifically, and this post of mine explains why that is:
Option 3:
Ultraman Mebius (2006)
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Ultraman Mebius is the 40th anniversary of the Ultra series and is a beautiful continuation and love-letter of the Showa Era timeline. It features returning cast members, monsters, and plotlines from Ultraman, Ultraseven, Jack, Ace, Taro, Leo, and 80 (which all take place on the same Earth).
This show is a perfect introductory piece to the series because it exposes you to such a large amount of lore from the past while recontextualizing it with modern effects, richer storytelling, and a more serious tone. Mebius has so much heart, happiness, and hopefulness. It's a very positive and "heroic" type show.
Option 4:
Ultraman Orb (2016)
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Ultraman Orb is, even while nestled in the near-middle of the New Gen Era, a fantastic starting piece and my typical recommendation for starters. It's quite fun and light-hearted but has an intense emotional core surrounding lost love and a broken friendship. The action and special effects are top-notch, and the main villain is an ICONIC character who pops up many times in later shows.
This show introduces fusions, which become a frequent New Gen trend (Orb does it the best of all). Great choice if you're looking to get dropped somewhere not too confusing or plot-intensive yet still action-y and engaging.
Option 5:
Ultraman Blazar (2023)
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Ultraman Blazar is the newest season of Ultraman and started airing back in July. As of writing this, we are currently at Episode 8.
Blazar is unique and inventive so far in both its plot and aesthetic. It has a semi-serious sci-fi/military feel mixed with amazing new kaiju and.... a really strange Ultra lol. Blazar is unlike most thus far. He's primitive and beastly, kinda like a caveman.
It may not be the most completely accurate representation of the series as a whole, but nothing beats the excitement of watching the newest season as it airs!! The Tsuburaya official YouTube channel simulcasts each new episode as it airs in Japan (with japanese or english audio and subs).
~
I wish you luck on your multiverse-spanning Ultraman adventures!
Feel free to ask more questions if you have any 💛💛💛
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Matt Ruff's "Destroyer of Worlds"
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In Lovecraft Country, Matt Ruff pulled off a genius inversion: retelling the racist horror tales of HP Lovecraft in reverse, from the perspective of the Black people whom Lovecraft so viciously loathed, casting as villains the white supremacist sorcerers whom Lovecraft turned into heroes:
https://memex.craphound.com/2016/02/16/matt-ruffs-lovecraft-country-where-the-horror-is-racism-not-racist/
If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/02/21/the-horror-of-white-magic/#anti-lovecraftian
Country was adapted by Jordan Peele into a spectacular TV serial — no mean feat, given how much of Ruff’s brilliant characterizations relies on the novelist’s trick of giving readers direct access to characters’ thoughts and internal states, something that is off-limits to screen adaptations without recourse to cheap tricks like voice-overs.
Today, Harpercollins releases The Destroyer of Worlds, a spectacular followup to Country that revisits the characters, setting, and supernatural dread of the original:
https://www.harpercollins.com/products/the-destroyer-of-worlds-matt-ruff?variant=40490768957474
Country was structured as a series of linked novellas, each one picking up where the previous left off, with a different focal characters. Destroyer is a much more traditional braided novel, moving swiftly amongst the characters and periodically jumping back in time to the era of American slavery, retelling the story of the settlement of the Great Dismal swamp by escaped slaves:
https://en.wikipedia.org/wiki/Great_Dismal_Swamp_maroons
Few writers can manage a cast of characters this large with Ruff’s deft hand — they are likable, individual, and we root for all of them as they strive to save themselves from the eldritch forces that can only be temporarily vanquished.
It makes for an extremely fast-paced, high-stakes read, as we ping-pong around the Jim Crow south and all the way to the end of the universe. The white sorcerers of Country are still in the frame, as ghosts and exiles — a parable for the tireless nature of white supremacist hatred, and of the festering sores on the American body politic that have suppurated and multiplied in the absence of cleansing truth and reconciliation.
HP Lovecraft was a gifted writer, but he was not a good person. Even by the standards of his day, his racism was particularly vicious, and Lovecraft mixed that viciousness with his prodigious talents to paint the targets of his loathing in the most visceral, cruel light. It was so ugly that even Robert E Howard lectured him about it:
https://web.archive.org/web/20140701000000/http://read.barretta.cc/post/89727018274/you-express-amazement-at-my-statement-that
“People claiming to possess superior civilization have always veneered their … looting, butchering and plundering… by [claims] of art, progress and culture.”
And yet, Lovecraft’s work made a substantial, undeniable mark on the field, and the literary techniques he invented, advanced and/or perfected are woven into our literature. Rather than deny this influence, some of the field’s best writers have sought to redeem it, wresting Lovecraftian techniques from Lovecraftian ideology.
Ruff is part of that tradition, but by no means all of it. 2019 saw the publication of NK Jemisin’s stunning The City We Became, an anti-racist Lovecraftian tale in which New York City’s glorious riot of race, color, language and viewpoint is set to be devoured by a conservatisizing, homogenizing eldritch power from another universe:
https://pluralistic.net/2021/01/09/the-old-crow-is-getting-slow/#i-love-ny
Exicitingly, City We Became now has a sequel, The World We Make, which has gotten rave reviews:
https://www.hachettebookgroup.com/titles/n-k-jemisin/the-world-we-make/9780316509893/
The literature of anti-racist, anti-fascist Lovecraftian horror is a broad and exciting one, including RPGs:
https://www.kickstarter.com/projects/1122788890/lovecraftesque/description
And David Nickle’s essential duology, Eutopia (2011):
https://boingboing.net/2015/03/10/eutopia-horror-novel-about-lo.html
and Volk (2017):
https://memex.craphound.com/2017/10/11/volk-a-sinister-lovecraftian-tale-of-eugenics-naziism-and-radiant-abomination/
Nickle has written well and extensively about Lovecraftian horror and race:
http://davidnickle.ca/dont-mention-the-war-some-thoughts-on-h-p-lovecraft-and-race/
And the last word on Lovecraft scholarship is certainly Les Klinger’s The New, Annotated HP Lovecraft (2014)
https://wwnorton.com/books/9780871404534
Attentive readers will recall that Klinger is the Sherlockian attorney who successfully defeated the Doyle estate’s copyfraud claims that the Sherlock Holmes stories were still in copyright:
https://pluralistic.net/2022/12/20/free-for-2023/#oy-canada
The benefits from the works of Doyle, Lovecraft, and all other authors eventually return to the public domain is neatly illustrated in this new Lovecraftian creativity. If Lovecraft had to stand alone, uninterpreted and unrebutted, we would lose his brilliance along with his wickedness. But because Lovecraft now belongs to all of us, he can be reworked, challenged, argued over, problematized, and preserved, even if he can never be redeemed.
[Image ID: The cover of Matt Ruff's 'Destroyer of Worlds.']
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lynlyndoll · 7 months
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IDOL LIFE - we are A.Is
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genre: smau, fluff, idol au, possible smut hints but i don't think it will be something very detailed (?), angst maybe (sad things WILL happen.)
pairing: idol! han x æspa 5th member! reader
appearances and specifications: ok, so it will be the whole skz, the whole æspa, as for the bestie group that y/n has: yuqi from (g)i-dle, lia and yuna from itzy, minji from newjeans. also, felix is childhood besties w y/n (I HAVE AN UNHEALTHY OBSESSION WITH BEING BESTIES W FELIX IDK). In this au, I invented a new award show, called Korean Music Award, (shortly KMA) so I won't interfere with any other award show that has amazing MCs. Also, this is my first time doing a smau (smile through the pain and struggle 😔) so yall, please be kind😞.
synopsis: Since you have debuted, you have made lots of friends from different groups that you admired. And one group you admired was your bestfriend's group, Stray Kids. Since they debuted, you have been a devotated stan, always buying their merch and albums, always watching their lives, videos and m/vs. However, you haven't had the right time to actually meet everyone face to face, being incredibly occupied with your own group's activities. As you were already a group for over 1 year, you have been selected for being an MC for KMA. What happens though, when you see that you have to MC with one of your biggest idols?
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karina (taebackupdancer)
-> position: leader, main dancer, lead rapper, sub vocalist, visual, fotg, center
-> started training in 2017 where she met NingNing and Y/N
-> even though she is the leader, she also has her random funny moments
-> smart, but also dumb in the same time
-> always thought as an AI because of her beauty
giselle (gigikisskiss)
-> position: lead rapper, sub vocalist, dancer
-> started training in 2019 and became friends with Y/N through rap classes
-> ICONIC. aways says he most iconic things
-> gives actual good advices
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winter (iluvwinter)
-> position: main vocalist, lead dancer, visual
-> started training in 2016 and became friends with Ningning at first, then she was introduced to the other girls
-> introverted as fuck, but if she has something to say, she WILL say it
-> doesn't actually care if you like her or not, she knows her own value
ningning (nyc.fr)
-> position: main vocalist, maknae
-> she was the first one to start training, in 2016
-> she became friends with Y/N when she got to Korean Lessons
-> wildest and even, sometimez, having some random bursts of energy
-> gets along with EVERYONE
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y/n kim (iam_kimtastic)
-> position: main rapper, lead vocalist, dancer, composer
-> literally writes all of the lyrics for aespa's songs
-> the ACE of the group
-> a total MENACE
-> started training in late 2016
-> korean-australian
-> big fan of StrayKids (biases Han and Felix)
-> her private is @/ureallythought and literally all of her friends know about it, but she NEVER accepts their follow on this account
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æspa (aespa.official)
-> they debuted in 2021 with the song BLACK MAMBA
-> now they have a new mini album to be released, with the title track GIRLS (yes, I did change the order of the songs and the dates because I felt like GIRLS was their best song ever, even though ALL of their discography is UNSKIPPABLE)
taglist!!
(to be added, just write a comment)
@agi-ppangx @lisaaassophhhieee @hyunjin-lover20
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dailybrandonrogers · 7 months
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Analysing How Bryce's Creation of Elmer Clones Differs Across Timelines and The Implications it has on Pre-established Events
In the Finale of BRYCE, Bryce recalls a period of her life where she "Made clones of a baby I stole so I could harvest hearts ethically," alongside miscellaneous footage of herself from Stuff & Sam. Then, "but when I was thwarted, I took it out on the country by running for president," and footage from the Epilogue of S&S where the Eldest Elmer kidnapped her in order to torture and hold her captive.
At the end of this theory, I proposed two unanswered questions that I am now hoping to resolve with the information revealed in the Finale of BRYCE.
The chronological disreprency of the S&S Epilogue.
How Stuff & Sam occurs in The Current Timeline.
Here is a reference of the Timelines I mention:
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The first thing to investigate is the order of events in The New Timeline as recounted by Bryce Tankthrust, which will be assumed as a factual objective. Temporarily ignoring the existence of anything that happened The Old Timline, the events are as follows:
In 1990, Bobby Worst murders an abundance of people and harvests their hearts for Bryce's use. These are stored in a cooler, and Bryce uses them as needed until she runs out in the mid-nineties. We know this because footage of the empty cooler is shown before Bobby informs Bryce of her mother's release, scheduled for around 1995.
After dealing with her mother's return, Bryce kidnaps "a baby" (Elmer Phitts) and clones it in order to harvest their hearts without murdering anyone. She wants to obtain her supply ethically.
Bryce and this operation of hers gets "thwarted." Based on the events of S&S, this would mean Sam and Donna murder Bryce in their own home by enticing Baby Elmer to shoot her. Then, after obtaining the Creator's Book from Sam, the Eldest Elmer kidnaps Bryce and resurrects her. He then holds her captive, and tortures her indefinitely as payback for how she exploited the Elmers.
The next event Bryce mentions is her presidential election campaign. Before this, it be must be assumed that the events of Blame the Hero occur, as that's how she was previously depicted being freed from captivity.
I'm going to pause here to explain the initial theory I had constructed pre-BRYCE for some clarification.
In a previous post, I asserted that the version of Stuff & Sam we the audience watches takes place in The Elmer Revolution Timeline. This is because the action of Main Character Blame, and Original Blame quarrelling over the time machine in BtH's 5th episode "A Botched Beach" within The Lincoln Lives Timeline is the catalysing factor for Tattoo Shop Elmer (who is the Eldest Elmer) to travel back in time and create the Elmer Apocalypse nuke. The moment Elmer returns to the ABB scene, the timeline has shifted from Abraham Lincoln Lives to Elmer Revolution. For the remainder of BtH, the Timeline stays in The Elmer Revolution until thr climax in "The Best Ending" where Hitler and Elmer die in their respective ways, ensuring that time travel is never invented, but more importantly that Elmer never makes his apocalyptic nuke. Their deaths created The New Timline, which the BRCU has remained in ever since.
Priorly, it was accepted that S&S takes place in 2018/2019. This follows Original Blame, who was from 2033, choosing to stay in 2018 to have another chance at life. It is shown that several months later he is adopted by Sam and Donna during the events of S&S. The below screenshot is from the aforelinked theory; hopefully it explains how Original Blame remains in The Elmer Revolution Timeline, hence inundating S&S to also take place in that Timeline too.
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Even though The Elmer Revolution itself doesn't start in 2033, the Timeline still begins in 2018.
Here is where differences come into play. The BRCU is shown NOT to be a paradoxical time loop; the events of The New Timeline are very different from The Old Timeline. BRYCE in its entirety takes place in The New Timeline, including the scene where Bryce cuts out her heart for Bobby. While not shown explicitly in BRYCE, Abraham Lincoln and Hitler would have spawned in right before Bobby threw up, preventing his vomiting and the breaking of Bryce's heart. This key moment allows Bryce to grab Hitler's book about authority and decide to run away hand-in-hand with Bobby instead. From here, the BRYCE series continues as shown.
This does not necessarily mean that BtH takes place over and over again in a never-ending paradoxical loop, at least not in The New Timeline. My interpretation of this is that a paradoxical loop DOES happen infinitely in The Old Timeline, and every single time it ends the same way with formation of The New Timeline being the result. To paraphrase, these 5 different Timelines all take place in one singular Universe. But in every single Universe, BtH happens causing all the different Timelines to occur and finally end with The New Timeline. I'll save further elaboration of this for a future post, but my conclusion is that BtH does not necessarily need to happen in The New Timeline. Moreover, it's important to remember that each Timeline is replacing/building upon the one that came before it; they're not variations of The Original Timeline.
With this is mind, it could be proposed that the context surrounding The New Timeline version of Stuff & Sam proceeds as follows:
Donna Phitts, having returned to the USA from Germany after WWII (and the events of BtH's The Best Ending) eventually gives birth to her son, Elmer.
Bryce Tankthrust, now a successful CEO, kidnaps a baby Elmer Phitts sometime after 1995. She creates clones of him in order to harvest their hearts and fulfil her demand following the exhaustion of the previous collection she had given to her by Bobby Worse.
Sam, sometime before 2016, attempts to adopt a baby through Thrust Babies, and he and Donna uncover the Elmer cloning operation. They are able to rescue the original baby Elmer, but not before Bryce eventually tracks them down and gets murdered by the baby in question. Sam and Donna have a falling out after she regains her memory, which prompts Sam on a journey that eventually leads him to obtaining the Creator's Book, anr meeting the Eldest Elmer and The Secret Society of Elmers. Sam later manages to resolve his feud with Donna, but what's important is that the Eldest Elmer now possesses the Creator's Book, which he utilises to resurrect and kidnap Bryce Tankthrust in revenge.
Somehow, Bryce escapes. Without the baby Elmer, her cloning empire disintegrates, and she ends up making a deal with Queen Elizabeth II, where she pays five million dollars every month in exchange for orphan hearts. Eventually this deal disintegrates too, as seen in Normal British Series. However, Bryce no longer needs to harvest hearts as she has began to grow one of her own.
Now. Let's move onto the unfortunate clusterfuck of new unanswered questions, plotholes, and disreprencies this brings up.
The timeline of events in The New Timeline is so unbelievably messed up now. A majority of Bryce's videos are now implied to take place in the 1990s. There appears to be a twenty year period between 1995 - 2015 that is left pretty vague all things considered. BRYCE demonstrates that Bryce's ascendancy takes place primarily between 1990 - 1995, which is visually illustrated by her straight hair. Between 1995 and 2015, all that is mentioned is the Elmer Cloning operation. Her presidency, Normal British Series, and modern day lifestyle are all mentioned too, but these take place between 2015 - 2023.
One disreprency I think I can come up with a theory to explain though, is Bryce's age/birthyear.
We now know that at the absolute latest, Bryce began working at Callco Phones in 1989. She usurped Finchell as head of the company before 1990. Bryce was shown to be 20 at the time of her employment, suggesting she may have been born in 1969. Funny enough, here's a post from my drafts that I never ended up pursuing because 1) I did want to wait until the third episode came out, but 2) because I didn't think it held much weight.
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It's pretty irrefutable in my opinion that Bobby was born in 1971, however I am now inclined to believe that Bryce IS three years older than Bobby. A birthyear of 1968 also gives enough time for all the post-Donovan's death events to unfurl between 1988-1990. Moreover, this could be an explanation for why Bryce is slightly more mature than Bobby as a child. To surmise, I believe after some minor adjustment, the geneal dates of BRYCE series events still make sense. I can't say the same about the new 1995-2015 period, however.
The next step will be to focus on how certain Old Timeline events fit into The New Timeline in light of these order of events now partially clarified. This will also include how Bryce escapes from the Eldest Elmer, as well as what happens in BtH's place.
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jacaranda-bloom · 8 months
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Thank you to @allwaswell16 @disgruntledkittenface @uhoh-but-yeah-alright and @so-why-let-your-voice-be-tamed for tagging me to do the Fics by the numbers challenge, this was super fun!
Rules: give us the links to your fics with the most hits, second most kudos, third most comments, fourth most bookmarks, fifth most words, and fic with the fewest words.
I got a bit carried away, so I've put most of this under the cut.
Fic with the most hits: (55,698) In A Twinkling - No surprises here, I guess. My first foray into the world of Advent Fics was a whirlwind. Something about this story just (and I strongly believe the chapter-a-day release method was the driving forcer here) really drew people in. FUN FACT - Out of all of my fics, this is the only one I've never re-read. I feel like I lived and breathed this story so intensely as it was posting, and it was such a unique and special experience, that I almost want to keep it in a little time capsule forever.
Fic with the second most kudos: (1,737) When Tomorrow Comes This is probably the fic of mine that people come back to read more than any other, which is so lovely and quite surprising, as it's only 11k. I adore writing ABO. It's my fave trope, I think. I remember when I read my first ABO fic, Swim In The Smoke (and yes I know, I was late to the party here, and the world of fanfic in general), I was blown away. FUN FACT - This fic is not just 11k, it's actually exactly 11,111 words. I recall finishing the story and it landed on this word count, and I was like - whoa., okay then. But then I had to go back and make a few late edits before it posted, so I had to purposefully make sure it still came out at 11,111, because, you know. Why not?
Fic with the third most comments: (234) From Dust To Lust - This one is a bit of a surprise, but then I went back and looked at some of the comments and was reminded of the overwhelming love this fic received. This love was headed up by none other than @disgruntledkittenface, who practically inhaled this story and whose comments are so kind and enthusiastic that they give me life. Thank you, Maggie, I adore you. FUN FACT - I wrote this story for one scene and one scene only. It's in Chapter 3 and the rest of the story is just an enabler to allow me to indulge in that moment. For anyone who has read the fic, you'll know exactly which one I'm talking about, and for those who haven't, maybe this is enough of a tease to encourage you to go and check it out hahaha.
Fic with the fourth most bookmarks: (755) Player - Well, well, well. Hello there, old friend. This one is such a fun ride. Harry is a pro tennis player and Louis is his Publicist. It's an easy job for Louis 'cause, you know, Harry's amazing, until he Instagram's an x-ray to his 18 million followers that just happens to clearly show his dick. I'm a bit surprised that this has the fourth most bookmarks, but it's been appearing on a few rec lists lately (thanks @allwaswell16 !!) and is experiencing a bit of a resurgence in interest. FUN FACT - This fic was inspired by a true incident when UK tennis pro, Andy Murray, did exactly this back in 2019 after his hip surgery. No seriously. Google it. It's brilliant.
Fic with the fifth most words: (55,916) If You're Out There (I'll Find You Somehow) - Oh man. This fic. Okay, so, firstly, if I'm ever asked if there is a story of mine I've most proud of, or one that I hope people will read, it's probably this one. The challenge is, that it isn't everyone's cup of tea. It's a hybrid fic. Yup. I can already feel you scanning down this post to the next bullet point. But wait! Hear me out. Yes, Louis is a kitten hybrid (a kybrid), so he has a tail and cat ears, and he hasn't had the best life, nor have any hybrids for that matter. And it's a historical fic without any fixed time period, because the world is entirely invented, so readers have to allow themselves to be completely immersed in what I present them. But, while the world is hard and unfair at times, good triumphs in the end, and in a way that is truly uplifting. The Epilogue is possibly one of the best things I've ever written and I swear I cry happy tears every time I re-read it (which is a lot). FUN FACT - The story that nearly wasn't. At the time I wrote this story I'd sort of been inhabiting a nice little corner of the fanfic world. Each new story I put out there was easy enough to write and people were receiving them well and enjoying my imaginations. When this idea came to me though, it knocked me on my ass. I thought about it constantly. It consumed my musing by day and invaded my dreams by night. But writing a hybrid fic seemed like I was stepping out onto a new landscape and it was pretty scary not knowing how people would respond. There were plenty of times when I nearly gave up and packed it in, but I had lovely people around me to encourage me and keep that fire lit. And so, I persevered, and I'm so glad I did.
Fic with the fewest words: (666) Exposed - This fic was so much fun to write! It was written for the Trick or Treat Fest back in 2019 and had a word count requirement of exactly 666 words. I'm not much for shorter fics because I like to write whole story arcs, so the challenge for me was to try and do that in 666 words. FUN FACT - This is 1 of only 2 fics, out of 63 total fics that I've written, that is rated Mature. The other 61 are rated Explicit. I managed to justify a mature rating in 666 words because Louis is basically naked for the entirety while he's posing as a live-art installation covered in body paint hahaha.
I’m a bit behind on doing this challenge and I don't know who else has participated, but I'll tag these lovely writers if they'd like to share: @ireallysawanangel @louandhazaf @neondiamond @beardyboyzx @lululawrence @larry-hiatus @larrysballetslippers @hellolovers13.
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