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#Have her be CONFLICTED!!!!!!!!
silverthelovebug · 4 months
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Cupid Deity Horror this, Cupid Deity Horror that, grow up!!!
Where’s my actually canon horror, where’s my illegal crimes in EAH?
Yeah I’m talking about c@nnibal Ginger Breadhouse.
A guilty pleasure of mine are those two sole fics on AO3 that delve into what if Ginger was just really fucked up I have a love-hate relationship with horror to the point I’m morbidly curious about it and!!!! I’m so fascinated with the fact Ginger’s bloodline HAS eaten people. Sure her mother might’ve not, but what about, like, two generations before her?? What causes that craving? Was it just expected of them based on their story? Ginger in canon has a Raven type beat where she’s trying to break those stereotypes to be perceived in a more positive light, but why has the role of the Candy Witch persisted so long? Is it an active choice or something that you are destined to do? What makes Ginger exempt from the rule? Ginger being a c@nnibal is just such a dark viewing on the destiny system and how it will catch up to you, whether you’re ready for it or not.
Peep that fic where she full on eats Cerise and tastes Raven’s blood.
ALSO ALSO I saw this Headcanon where the story that her mother never did anything wrong was a lie Ginger told herself to make herself feel better, especially bc she was distancing herself already from her family by changing her last name to Breadhouse.
Obviously this is all furthest from canon, but what a thought experiment!!!!! (I want more content of this)
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bet-on-me-13 · 5 months
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The Timeline Shifted, and Sam is conflicted...
So! A Timeline Shift occurs one day (thanks Barry) while Team Phantom are in the Ghost Zone helping Clockwork with a few things. As they are going back to the Human World, Clockwork gives them another cryptic piece of advice.
"Unfortunately the world will not be the same as it once was. Samantha, you will find this especially Jarring, but keep an open mind."
Before they can ask what happened, he shoves them through their own respective Portals, and Sam lands in an Alleyway in Gotham.
She is confused, but a green glowing sticky note appears in front of her telling her 'go to the nearby park, you will see what I was talking about'
She walks over, and sees a lady with Green Skin tending to some flowers. Her head is covered by a Hat, so Sam can't see her face.
They strike up a Conversation, and Sam finds that this Lady is great. She loves taking care of Plants, she hates it when Companies pollute the Earth, and she even has Plant Powers just like Sam!
It occurs to her that she never asked for the Lady's name, so she asks and the lady lifts her Hat to reveal her face. And Sam freezes.
"Oh, sorry for not introducing myself. My name is Pamela Isley."
Thats her Mom's Maiden Name.
This lady has her Mom's Name.
This is her Mom.
Oooooooohhhhhhhhhh shit.
...
Read the tags for extra context
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chronicowboy · 3 months
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Maddie humbles him pretty severely in their conversation. Look, he knows it's stupid, knows it's selfish really, knows it's just plain crappy of him. But. But he hurt Christopher. And there wasn't some big uncontrollable variable like a tsunami that Eddie can explain it away with.
Sure, it was an accident, but it still happened. Sure, it was only a few scrapes that he'd cleaned up almost immediately with the little first aid kit tucked into the glove compartment of his Jeep - and, well, maybe part of the guilt is the way Christopher had grimaced at the added sting of the antiseptic wipes. But he'd done it. He'd made Christopher cry. And he'd ran as soon as Eddie swept in to take care of him. He'd ran before either of them could tell him to get out.
Christopher is injured, and Buck hasn't been to see him once. Christopher is injured because of Buck, and he's only checked in through a much too knowing Eddie. Because he's a coward, especially when it comes to Christopher. Jesus, nothing in the world scares him more than Christopher. Everything's so big and inconceivable with him. Buck feels it all, feels it all so strongly. The things he'd do for that kid... Well, that scares him too. Almost as much as Christopher's anger does, but he can't run from it forever. He can't stay away forever, so he shoots Eddie a quick text as he leaves Maddie's.
Can I come see Chris at some point?
He's just buckling himself into the driver's seat when his phone buzzes with a reply.
Get over here
Another buzz.
Now
His already knotted stomach twists into an even more complex shape as he turns the key in the ignition, but he has to face the music some time or another. May as well be now.
It takes him an inordinately long and nauseating time to get to the Diaz door, an even longer time to actually knock and then a terrifyingly short amount of time for Eddie to be appearing before him with those big, understanding eyes he can never seem to escape.
"Hi," he mumbles, suddenly struck with what image he must make out there on the porch. A naughty dog with a guiltily hung head and a tail between his legs just waiting to be patted on the head and told he's forgiven.
"Buck, come in." Eddie rolls his eyes and practically drags him inside. Buck had been about ninety-nine per cent sure (okay, maybe more like eighty) that Eddie's texts had been fond exasperation and not actual anger, but it's not until he hears Eddie's voice that he knows for sure. He was never a bad dog in Eddie's mind. Buck's tail wags just a little as Eddie leans back against the hallway wall with his arms folded over his chest. "He's in his room and he misses his Buck."
"Even after I almost killed him?" he mutters petulantly.
"Buck, you tripped over his crutches. The both of you went down and, honestly, you walked away worse than he did." Buck opens his mouth to argue, but Eddie ploughs on. "Don't lie to me. I saw those bruises on your ribs last shift. I know how weaponised those elbows can become."
"I'm fine."
"So is he," Eddie says seriously. "You know how many times I've tripped over his crutches?"
"Did you feel guilty about it afterwards?" Buck pries, eyes trained on his shoes where they kick lightly, sheepishly at the carpet.
"Of course, I did. I always do. Hell, I accidentally got some salt in his eyes when we were cooking the other day and I almost took myself down to Athena's station." Eddie shakes his head, unimpressed. "I'm his dad, I'd send him outside in a bubble wrap suit if I could. But I've been informed that isn't 'cool'," Buck snorts, "so I'm trying my best to make peace with the fact that that he's going to get hurt and I'm not always going to be stop it. But." Eddie steps closer, drops a hand to Buck's shoulder, ducks his hand to catch his eye. And Buck feels the echo of a wave and three ragged scratches across his face. "But I can always be there after it happens, to pick him back up and tend to his wounds, yeah?"
"Yeah," Buck whispers, nodding against the whirring of his brain.
"He's already mostly healed up. Go and see for yourself." Eddie leaves with a pointed look at Christopher's door, and Buck stays staring down the hallway like he can will it into something that feels a little less like a walk on the plank.
As he takes his first step, for just a moment, he wishes he was back in the endless labyrinthine hallways of his coma dream just to postpone his fate a little longer.
See, what he hadn't told Maddie was that he had actually tried texting Christopher a few days after their tumble. A sorry and an I hope you're okay and a jokey maybe we should leave basketball to the pros which had only gleaned a thumbs up emoji in response. So, he's not feeling very optimistic when he knocks on Christopher's door.
"Who is it?"
"It's Buck, buddy." Silence. A sigh maybe, if he strains. "C-can I come in?"
Another pause.
"Fine."
Buck pushes into the room with his heart in his throat. Christopher doesn't look up from his textbook where he's propped up against his headboard, just carries on reading. Buck approaches carefully, hovering at the end of the bed where he'd normally just sit.
"How are you doing?" he asks uselessly.
"Fine."
"Yeah?" Christopher only shrugs, and Buck sighs in defeat. "I'm really sorry, bud. I didn't mean to do it, you have to know that. I'd never ever do anything to hurt you-"
"Wait." Chris finally looks up from his book with his frown. "Do you think I'm mad because you tripped me up?"
"I-I, well, yeah." Buck blinks. "So, you are mad?"
"Yeah, I'm mad, but not about that." Chris groans and slams his book shut. "Why'd you disappear?"
"B-because I thought you'd be mad at me for, you know, hurting you," Buck says dumbly. Christopher rolls his eyes so similarly to Eddie's earlier expression that Buck aches with it.
"You didn't hurt me. Gravity hurt us."
"But you're mad at me."
"Because you disappeared!" Chris bursts. Buck's mouth snaps shut with a click. "Everything's changing. You and me and dad barely ever hang out anymore. And I know I'm getting older, so I shouldn't want to, but I do. But you're both dating, so it's always just the one of you. Or the three of us and a stranger. And I hate it. And the last time this happened, you promised you weren't going anywhere, but you did! And I want you both to be happy, and I really don't want dad to feel so lonely now I'm growing up, but I wish..." Christopher ducks his head as if suddenly realising he'd revealed too much.
"You wish?" Buck asks on the exhale of a breath he'd been holding since Christopher's little outburst, something fierce and jagged latching itself to his sternum.
"I wish you both could be happy with..." He shrinks into himself a little, and Buck wraps his hand around the footboard like a lifeline - like whatever Christopher is about to say will turn the world upside down. "I wish this was enough. I wish the three of us could make you both as happy as-as it makes me." He flushes and cracks his textbook open. "It sounds dumb when I say it."
"No, no," Buck croaks, something big and unwieldy expanding against the inside of his ribs, something that could choke him if he let it. "It doesn't sound dumb at all."
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hypewinter · 6 months
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Jazz wasn't crazy. People might argue that burning her childhood home to the ground with her parents still inside would be an indicator of insanity. But how else was she supposed to react after coming back home from college to find out her parents had brutally killed her brother via vivisection?
Dying her hair blonde wasn't crazy either before anyone asked. Plenty of girls dyed their hair when they needed a change. Besides, she could never live with herself if she kept the same hair color as that vile woman.
Admittedly Jazz would have to secede moving to Gotham had been a little crazy but it was the perfect place to start fresh and blend in despite her "quirks". She had even picked out a nice new identity for herself.
Clearly Jazz was not crazy as she had managed to land a job at Arkham Asylum as a psychiatrist. If she were really insane would they have ever hired her? No they wouldn't have.
Jazz was not crazy. She was very much sane. Just like her precious Mr. J.
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buggachat · 10 months
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lovesquare keeping secrets from each other conflict PART TWO LETS GOOOOOOOOOOOO
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chironshorseass · 3 months
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the thing is, we were never meant to sympathize with luke when he betrays percy. we aren’t meant to see his inner turmoil. we aren’t meant to see hesitancy, or regret. it’s meant to be a slap in the face. luke takes percy to the woods knowing full well what he’s about to do. in tlt kronos orders him to kill percy because he’s too volatile; kronos said so himself when percy hijacked luke’s dreams and began to figure out there were bigger things at play. the thing is, when kronos orders luke to kill percy, he doesn’t hesitate. that’s the point!!! it is essential that luke is so blinded by rage and vengeance for the gods that he will stop at nothing to get what he wants (the god’s destruction). percy accuses luke that kronos is using him, but he just retaliates that the gods do the same, and they do!!! but see, the thing is, luke’s whole point is that he’s so focused on the god’s injustices that he forgets what’s important. he goes for the “greater good” but he destroys his family, his life, in the process. by attempting to dismantle a system, he turns to another system that follows the same oppressive logic. THAT is why luke fails. THAT is why it’s so important he be blinded by rage, because it’s his inevitable, tragic end. he’s doomed by the narrative from the start. yes, we’re meant to be surprised by his betrayal because of how cold and calculating it is, but also it’s important to set the grounds for luke’s character to be this angry, vengeful boy because later on we come to understand why it is that he made those choices. we see annabeth’s side of things and percy’s side. we see luke’s side. we see many sides. we see a man who is too far gone yet comes to understand, in the end, that he’s been doing more harm than good to those he was supposed to protect (annabeth is the most obvious example). we get a complex character who won’t hesitate to kill but who also won’t hesitate to sacrifice himself so that he can save the family he has left.
the thing is, luke was supposed to be angrier in the show. percy was supposed to be angrier in the show. they’re both foils. luke is what percy could become, if percy lets his anger win. so, to change—even if it’s only slightly altering—their characters, is to change the point of the story. because luke tries to kill percy in his betrayal and later percy tries to kill luke but then percy starts to understand luke…until luke is gone and kronos is gone yet the gods don’t change but percy does. and percy’s initial anger is supposed to transform and he’s supposed to see what luke saw and the cycle continues. the thing is, it’s not even one of the worst changes the show made, yet it’s still so, so telling that they failed to see why it’s important to let your characters do bad things, to make mistakes, because that’s how a story can carry on. that’s how you give a story depth.
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mobius-m-mobius · 6 months
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#a man who DESERVES A SLICE OF PIE
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sleepymrshmllow · 1 year
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insp 🌸
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noxclara · 1 year
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AITA for saving my daughter from a mortal surgery? I (M50something) saved my adoptive daughter (F14) from a mortal surgery where a medical team was supposed to take her brain to create a cure for a lethal fungus infection. She wanted to do it and we made an impossible journey to reach the hospital BUT at last minute I was told that she wasn't given the full information of how to obtain the cure and that she will die. I might have killed a bunch of people in the process of rescuing her.
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thundergrace · 1 year
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I guess this isn't surprising....
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And I guess neither is this...
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originalartblog · 1 year
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watching the storm pass (x)
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allieinarden · 5 months
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I also love the whole ship of Candace “trying to get her brothers in trouble for being young inventors, philanthropists and humanitarians” Flynn with Jeremy “has never considered that his baby sister might be evil” Johnson.
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occidentaltourist · 4 months
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bbc: Some sweet #Silvacre content for your FYP ❤️
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hellishfig · 2 months
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just finished www #23: on your way, and i have many thoughts. all of them make me want to cry.
ame knowing as soon as she got back to the cottage that her actions had burned a bridge, not just with the citadel but with one of her best friends, and yet still needing to complete her tasks as the witch of the world's heart. the spirits she awakens so as not to leave the cottage untended or unprotected, and the way she asks and does not take. the note she leaves, should her friends make it there.
eursulon in the fire, followed by the man in black, who is a brother in the way all spirits are brethren, but not the sibling eursulon seeks. leaving through the burrow, fighting monstrosities, and seeing the citadel raze cities to ruin beside a jungle of rot. finding the tree. his tree. the tree that is emblazoned on his shield, his coat of arms, what he fights to protect. and inside... his sister. a family she made for herself.
and suvi. hurt but still afraid that ame will die if she stays. determined to not let that happen. conversations with steel where she says that another wizard said that the wizard sly lied, or did not tell the full truth. commiseration, but suvi holds back the full truth, and suspects steel of doing the same. an airship to fly north. to protect ame, yes. but the mage armor mean that no creature or spirit or witch will ever be able to touch her again. broken trust, if not broken love.
and through it all, the thread that the citadel represents a threat to the world's heart itself, and to all spirits beyond. the council of elders wishes to neutralize that threat. grandmother wren did not.
questions moving forward: what is the true purpose of the war on gaothmai being waged by the empire? why does kalaya's family look like suvi? is suvi going to have a villain arc? i have my theories, but i'll get into those in other posts.
thank you to the worlds beyond number cast and crew for giving us this incredible story. i'm so excited to see where you take us next.
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mirokuna-hime · 7 months
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The HSR fandom on reddit and twitter already managed to mischaracterize Topaz as a heartless debt collector and called her a product of bad writing because she has a flawed personality.
This is why we can't have nuanced characters in this house.
The game is telling us multiple times that Topaz main goal is to save the planet of Belobog and not to collect the debt, yet people still got that wrong.
Topaz honey, I'm getting you and Numby out of here these people don't deserve you
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I'm halfway through the show, Queen of Tears, and something that I've seen floating across is the anti Hyun Woo sentiment regarding how he treated Hae In initially and was just trying to do it all for the will.
Something to understand here is that in situations such as his, where he was emotionally empty and just a shell of himself who was just functioning, he didn't have the bandwidth to understand the gravity of situation that was Hae In's terminal illness.
In Hyun Woo's mind, he didn't have Hae In's support anywhere, be it against his in-Laws or in the company. She is silent against her family and hostile and argumentative in the company. He doesn't know what all she does for him on the sly or in backstage. He is not aware and Hae In never made the effort to change that situation.
All that pressure, anxiety, gear and emotional drain took its toll on Hyun Woo's emotional capacity. Stuck in a state of constant negativity, his initial reaction to Hae In's illness might be a form of self-preservation. He shuts down completely, unable to process the additional emotional burden of her mortality.
Something to remember is also the fact, that although he was thinking of it, the one thing that pushed him to draft the divorce papers were the talk of their child, whose entire identity and life was being decided by Hae In's family while she had no opinion on that and couldn't care less. This entire situation fueled the fire of resentment burning within Hyun Woo. Here was Hae In, seemingly indifferent to the future of their potential child, the very thing that initially distanced them. It felt like a repeat of their early struggles, where her family held all the cards and Hae In remained silent, leaving him to battle alone.
This perception, however flawed it might be, explains his impulsive decision to draft the divorce papers. Exhausted and emotionally hollowed out, he saw the child issue as the final straw, a symbol of their inability to stand together. He might have been grasping at a desperate solution, a way to force a change in their dynamic, a cry for her to finally fight for him and their future.
Of course, this doesn't paint Hyun Woo as a hero. His actions were undeniably hurtful, a clumsy and emotionally charged attempt to solve a complex situation. But by understanding the immense pressure he was under, the constant negativity seeping into his core, we can see a flicker of vulnerability beneath his anger. He craved Hae In's support, her voice alongside his in the face of adversity. Perhaps, the divorce papers were a twisted plea for her to finally break her silence, to acknowledge his pain and fight for their future together.
Here's where empathy becomes crucial. While his actions are undeniably hurtful, it's important to consider if they stem from malice or a desperate attempt to cope.
Think about it this way: Imagine a cup overflowing with negativity. Hyun Woo's daily struggles with his in-laws, the lack of support at work, and the constant emotional strain have already filled his cup to the brim. When Hae In's illness is revealed, it's simply too much for him to handle at that moment. He doesn't have the emotional space to understand the gravity of her situation, let alone offer support. in fact, it's easy for him to consider her death as an easy escape since his capacity for empathy or his love for her was essentially buried under all that negativity.
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