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dunmeshistash · 14 hours

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How do you feel about Milsiril? Like what do you think of her interactions between the canaries, her goals, her intentions and morality? I keep seeing people with mixed feelings about her, some saying she's just toxic or morally grey or doing bad but with good intentions or that she's just a mentally ill and literally so much more, also with the comic about Otta calling Milsiril love for her children/Kabru as just love for a pet, I always saw people take it at face value and say yes, Milsiril did love them more as pets instead of children, did she take up raising/adopting non-elf children because she felt like none of them could ridicule her like the elves did because they didn't know what an elf was supposed to be like (and also because they were children) or did she inherently view them as less? I mean the canaries and I'm pretty sure almost all of the cast in dungeon meshi have some sort perspective on different races especially because how they were taught about them, i just think it was interesting to finally see someone interpret it as Otta just misinterpreting Milsiril, I'm just really interested in her, i think shes neat, sorry for the rant!

Ooh, well to preface this, I hadn't really realized Milsiril was such a controversial character before my last post, I kinda live under a rock. She's really not a character I had given much thought besides what I wrote there before it, but I can do my best to express what I have thought since, with sources for it. I'm not sure what order to go thru so I'll just go by manga appearances and then extras, this will probably be quite a long post

This is the first time she shows up in the manga (ch55) Kabru is wondering about what future they might have if the elves take them into custody because of the ancient magic, he thinks about Milsiril as a get out of jail card, and mentions "There's a chance they would make us become permanent resident of the elven lands." with the image of Milsiril holding him. I don't think that means she would be the one to not let them leave, since this would probably be an legal issue, and the fact Milsiril lives away from other Elves. It does set up that Milsiril is quite overprotective tho, with Kabru's reaction to her teary hug. (rest is under a cut)

The next time she shows up is in ch61 right after Kabru falls down the dungeon along with Mithrun, he faints and has this flashback

She's being her overbearing self treating Kabru's small injury as if its something you need to be in bed for, hand feeding him like he's a toddler, and when he insists he wants to learn how to fight and be strong like her, she hugs him revealing to us for the first time her arm scars, she's cleary in distress too, so you wonder "what has happened to her?"

It continues in the next pages, as she tells him to stay there, where it's safe and there's cake, and describes the bad things he might encounter. Until he tells her he will go with or without her help

Honestly this is a Kabru we don't see often, this is the version of him that is usually in thought bubbles, he's blowing out in frustation over being smothered and demanding straight up what he wants, instead of trying to manipulate Milsiril, very blunt for him. Milsiril seems to flip a switch into battle mode, when she decides to train him for real.

I really thought this was funny, the visual of these cuddly toys and this Mom that was being so soft just a second ago completely flipping into something menacing is very amusing to me. She says "I'll give you an exhaustive, thorough training in how to use a sword... until you finally decide that you're ready to give up." although it sounds cruel, it seems she really trained him as best she could to make sure he would survive the dungeon. If he couldn't take the training with her there was no way he would be able to take on the dungeon, but he could, so much so that he managed to make her let him go. I can see this being seen as her trying to prevent him from going but to me it seems more like some tough love from a traumatized war veteran in this case.

The last thoughts he has is admitting his Mom was right, "Not only were there plenty of traps, monsters, and malice... but there were times when I felt so hungry and cold that I couldn't stand it."

And he concludes with "I never once thought that I wanted to go back there. That room where I could eat all the cake that I wanted..." While I can understand the interpretation that he means he would rather go thru all this than go back, perhaps cause he hated it there, I think it's rather a statement to how committed he is to defeating the dungeon, the visuals show him in rubble vs him in a soft big bed, the rough reality he fought to be able to face and the comfyness of what his life could be. Plus is mirroring exactly what Milsiril said to him. Admitting she was right about the bad things but that he won't give up for the safe easy life he had.

After that visuals of Milsiril are used while Kabru tries to sus out Mithrun but she shows up again in Mithrun's backstory.

Here she's straight up called Gloomy, which wasn't really the version of her we saw so far, gotta remember this is also how Mithrun saw her and that she was called gloomy as a way of bullying. Kabru mostly cuts off her part in the story until the end, when she's the one to find Mithrun after he was eaten by the demon

She doesn't really care much for Mithrun as we see in some extras, and she was ready to mercy kill him, but she is also the one to spare his life. This could be seen as her thinking he can still be of use, and it's how it sounds with how Kabru tells the story, but I do think this was also a merciful act, Mithrun was in rehabilitation for 20 years after being saved, by the time he was actually useful for anything Milsiril had already left the canaries and adopted Kabru.

Now for extras... About Mithrun/The Canaries, Milsiril was cleary someone that hated the people around her. This is her extra in the Adventurer's Bible

Milsiril seems to be the type that hates "popular kids" so to say, her description says she was bullied by other elves for being so introverted so I believe she holds a grudge against people like Mithrun that seem to have succeeded where she failed. But realizing he was a twisted person like her seemed to make her feel more sympathetic towards him, that's why I think she really did act with mercy when she saves Mithrun, he's now someone she sees as similar to her, she sees he also suffered like her

Her decription also mentions she left the canaries specifically because she was disgusted with how the Utaya situation was dealt with. Yet it seems like she came back to help Mithrun with his rehabilitation once she quits.

There's an interpretation to be made that she did this only to get "revenge" on the demon since she just saw the destruction of Utaya, and that she's using him. On the other hand maybe she wants to help him find a motivation to live, she's no longer a canary and she has time to actually help him now. I don't know which one is the truth but it's not obviously something self-serving if you ask me. Especially in the context that right before this scene Milsiril admits she wishes they could have talked before.

My interpretation of her relationship with the canaries and other elves is that she's someone depressed that was mistreat for her 'quirky' side, the dolls are clearly one of the ways she used to cope with anxiety/depression but it only caused her to be bullied by her own kin, she's the daughter of an important family and it's shown in other extras, including one about Mithrun, that nobles often send out the kids they don't want around to become canaries. It's an easy way to get rid of someone undesirable and I think it was the case for Milsiril. (Pattadol even assumes her parents love her less than her sisters for sending her to join the canaries).

No wonder than that now that she's finally free from the canaries she chose to seek her own happiness away from the society she felt she could never fit into, she clearly likes to take care of children too, I think it's mean to assume she only likes them because she feels superior to them when there's no indication that this is the case.

And I don't think it's a coincidence she's so overprotective of Kabru after Utaya, it's literally the tragedy that was the breaking point for her, and he's a surviving small child from that tragedy, Milsiril cares about Kabru and wanted him to have a comfortable safe life after everything he went thru...

This ended up getting way too long so I'll make second part tomorrow about the rest of the extras and Kabru, and some other things I've seen said about Milsiril, but to answer the questions...

I don't think she treats her children as pets, Otta is just salty she was called out for dating like Leo Dicaprio.

Every single dungeon meshi character can be called morally grey because they all have flaws that in our world can be considered unforgivable, but they don't live in our world. To me Milsiril is doing her best in the context she lives in.

Who even is neurotypical in dungeon meshi, Milsiril is yet another flavour of a neurodivergent traumatized character among so many.

I believe she thought of the other canaries, especially Mithrun, as the same type of people that were cruel to her, probably because some of them really were, but that she generalized it to the point she thinks of all of them as bad by default. You can only get hurt so many times before you assume everyone will hurt you.

Part 2

#dungeon meshi #adventurers bible #this is REALLY long because I dont know how to say things #and I want people to make their own interpretations of this...#Milsiril #Ask #Long post #longpost #Part 1 of 2 #Edit: I went back and rewrote some stuff I thought were written in a confusing way #I keep repeating this in tags but I really am bad at writting I say things in a weird order using strange words sometimes #If you ever dont understand something I said please ask

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icedroppedinparasolcider · 3 days

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Momoi Airi is a Trans Woman

This is headcanon at the end of the day and there's nothing wrong with disagreeing, but the way she's written regarding her sense of identity as an idol, the choice of phrasing they use when she talks about herself in reference to others (namely Shizuku), and the connections her visual motifs provide to concepts and other characters tied to or commonly seen as trans just makes it incredibly hard for me to view her otherwise.

A lot of what I have to say is very personal to me; I'm a trans woman myself, and Airi's writing and experiences connect with me and my own transition journey in a way I haven't really seen anywhere else in media (I'm not a very prolific media consumer). So it's entirely possible a lot of this is just me projecting onto a character I care a lot about. But while I've adored Airi before this revelation, I didn't reach the level of attachment I have for her until the realisation of just how well she's written through the lens of a trans girl. Specifically one who's, for the most part, entirely socially transitioned but keeping the fact she is trans secret.

When Airi was little, she was, as she herself describes, very boyish. She'd get into physical fights with boys around the neighbourhood or at school, she'd come home most days covered in dirt and mud from playing with her majority boy friend group of the time. She was intensely defensive of her little sister, most of her fights being with possibly bigger-than-her boys because they were mean to her sister. It formed a reputation for Airi, a reputation that followed her as she began to deviate from these patterns and pivot her interests and activities hard and fast thanks to starting to watch idols on TV. She was enamoured with them, would rewatch recordings of their performances and interviews over and over so she could emulate it and be more like them. She'd stop getting into fights, stop playing with her rougher friends; everything started changing dramatically thanks to her being introduced to a new "type" of woman: an idol. Something Airi wanted to become, and was willing to change everything about her to be.

These changes weren't socially easy for her, though, with backlash coming from these old friends and classmates because of how girly she was trying to become. The idea of being a tomboy was something Airi started to consider a bad thing, a gross thing. During her Colourful Festival side-story, To You Who Yearns To Be an Idol, amidst a conversation with her younger self Airi calls the little girl a tomboy, something that makes the younger Airi immediately deflate and shy away from the conversation. It upset her to be called that, especially by an idol, something she wants to become. Which leads to the younger Airi talking about how she's been treated by her peers for changing the way she dresses and not playing the same way she used to, for changing the way she talks, with her being talked to like she's doing something horrible and wrong for simply chasing a dream of who she wants to be. And in this conversation, Airi says a particular line that changed everything for me:

This is said in response to Little Airi's repeating of what the boys in her class call her as she wears cuter, girly clothes. That she's some big, mean monster who shouldn't wear things like that, who could never become an idol. Effectively telling her that she could never be a girl because of the way she used to behave. She started as someone rough, someone harsh and dirty, that's not something she should—not something she could—change. Something we see in present day that she's largely internalised through her struggles with what it means to be an idol, her struggles with calling herself an idol.

For Airi, being an Idol and being a Girl have become synonymous with each other. Her ability to be an idol, to draw that attention, have a smile that sparkles on stage and in front of the camera, spread hope and joy to other people; this part of her identity has grown beyond her job, it's who she is as an individual. Being Momoi Airi, the second year Miyajo student, is inseparable from Momoi Airi, the ex-QT member and now member of MORE MORE JUMP! And if she can't be the image of an idol that exists in her head, that she's always viewed idols to be, that Haruka and Shizuku manage to embody, that Minori is becoming, then can Airi even really call herself as much of a person, of a woman, as them?

Airi's been in this constant uphill battle where she believes she doesn't sparkle as much as the other idols around her, so she puts more effort into learning how to make herself sparkle, but manages to convince herself that because she struggles with this, she's less of an idol than those very peers. It's in large part what Ice Drop is about, Airi's difficulty finding satisfaction with her work as an idol because it doesn't shape up to her own expectations and beliefs of what an idol "should be", because it doesn't match what she sees other idols she looks up to, like Shizuku, doing. Something also portrayed during Airi's conversation with Shizuku in Chasing the Radiance Beyond the Blue Sky, where she outright tells Shizuku that because she doesn't have the same physical appeal she has to fight harder and use different strategies to get any attention as an idol. And if Shizuku is the "perfect idol", and Airi will never be able to achieve that, can she even call herself an idol?

If she can't call herself an idol, does she even deserve to call herself a girl? Or are the harsh words of her grade school classmates right about whether she should be wearing the cutesy clothes?

A large part of Airi's struggle with this, why it's even a spiral in the first place, ties into her nature as a Solid Heart student as well as why I see so much of myself and my transfemme journey in Airi's story. It doesn't matter how many people tell you that you're enough and that you've done what you set out to do, not if every thought in your head is telling you they're wrong. According to everyone I know, I pass really well as a girl. My voice is naturally feminine, even without masking it very hard, I've basically never been misgendered since growing my hair out by strangers looking at me, I've even been told by close friends that they'll forget I'm trans because I'm just "one of the girls" to so many of them. And I appreciate all of it, so much; I'm very lucky to have had such a smooth social transition. But none of that changes who I see in the mirror, who I hear when I talk, what I feel when I wake up in the morning forced to acknowledge my body. I'll never be a "real girl", not until I fix these things, and it's entirely possible that it's impossible to truly get rid of this feeling.

That's what Airi feels regarding her identity as an idol. Everyone in the world could tell her how good an idol she is, how much hope she spread as Happy Everyday, how beautiful and bright her smile is. But that will never replace or fully mask the doubt in the back of her head about whether she's really an idol, because nothing that she used to do aligns with what she's always seen idols to be, so much of what she does today is so different from the reality of her dreams. She's not that idol, so is she even an idol at all? I'm not that girl, so am I even a girl at all? Obviously I am, and obviously she is, but it's a feeling of doubt that never goes away.

Airi needs to constantly be an idol, or she's not an idol at all. And, at least to me, this has come to mean to Airi that if she's not an idol, she's not a girl. Because all of the work she put into being cute and girly was to be an idol. If she can't accomplish that, does she even deserve to be a girl at all? Or is she just a fraud wearing a mask trying to make people laugh on TV?

#pjsk #project sekai #airi momoi #character analysis #transgender #i have so much more to say #but it's getting late and this feels like a good stopping point #i'll probably add more when she invades my brain again #momoi airi......

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argumentl · 2 days

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Fan-translation

Phy.25 Kaoru Interview (April 2024)

(Interview by Hasegawa Yukinobu)

ーAlong with the new single 'The Devil In Me', you have also recorded self-covers of your songs 'Cage' and 'Yokan'. Had you already decided to do this at the time you were making your previous release '19990120'?

Yes, we had. The idea behind the last release was originally in part due to our 25th anniversary, but we also thought it would be a good chance to reconnent with those people who had been fans of Dir en grey in the old days, but who had since drifted away. But we couldn't just re-release the old songs and then be like, 'Ok, thats it'.

ーYou have to get those returned fans to listen to your new music too, right?

So, we made 19990120 and planned to release a new song straight after, but as for what to include for the coupling tracks on the new song, we decided self-covers of Cage and Yokan would be good.

ーYou re-recorded the 3 songs from your debut release for 19990120, but following this, you went for your 4th and 5th singles. By the way, I personally found it very emotional that the band chose to re-record Yokan.

Did you?

ーI think you know this, but I've loved Yokan since way back....You know that, right?

Uh, no. I didn't know that (lol)

ーDo you remember that whiteboard there used to be backstage at Studio Coast, you would use it to decide the setlist? There were magnets with song names taped onto them, and you would use them for deciding that day's setlist. I once even tried making some magnets for Yokan and Akuro no oka, and sticking them on the whiteboard myself. Thats how much I love those songs (lol)

Oh, yeah, I remember that. (lol)

ーAnyway, regardless of that, looking back at these songs from the time of your debut, I really felt the Dir en grey of 1998. How did you approach your next moves in terms of sound back then?

Back then? Well, for the first three songs, they needed to have a big impact. Then following this, the singles Cage and Yokan had the restraint of being tied to a major label. We had to figure out how to make melodious but also interesting songs.

ーMaking songs with a major label?

Thats how it always goes, right? And record companies want follow up singles to have just as much punch as the debut single. So thats the kind of situation we were in making Cage and Yokan. But within ourselves we were also making them with the album in mind.

ーNot as stand alone singles?

This was our first full album as a band, so I wanted to include a lot of songs. With 5 singles included they had to be songs that would fit well with the other songs on the album. I remember having this in mind while making Cage and Yokan.

ーA lot of visual kei came out in the second half of the 90s, but in 1999, with your first album Gauze, I really got the sense that the members didn't want to fit into that typical band mold.

At the time, we were just so driven we didn't mind being seen as unorthodox. To put it in an extreme way, it was kinda like, 'As long as we make an impact, who cares about the music!'.

ーDynamite Tommy's band 'Color' had a similar outlook. They would say in interviews, 'We are an unorthodox band!'. Maybe you were influenced by him? (lol)

No, I don't think that has anything to do with it (lol). But at the time, there were not a lot of bands with flashy visuals. I mean, there were in the following generations, but in our generation visual kei was mostly bands wearing fancy suits. With us, there was a part of us that just wanted to be different, I think thats reflected in the songs too. Whether it was the single, or the label, whatever...we just wanted to do something out of the ordinary (lol). Also, we knew that our producer at the time Yoshiki, would make it sound good for us in the end.

ー Were you aiming to get to the top by being out of the ordinary?

No, not really. I wasn't thinking about the songs selling to such an extent while I was making them. Of course, I still thought this band would sell records, but part of me also thought 'How weird for this kind of band to be big'. So instead of aiming for the top, I just aimed to make interesting work. But of course, being with a major label at the time, we would have requests come in regarding the lyrics and the music. And the more I hear this kind of thing, the more I just want to go in the complete opposite direction. These were the circumstances in which we created Gauze. So at the time, I thought to myself 'After this I'm never gonna make another album like Gauze'. (lol)

ーYou wanted to be more free to make it in your own way?

Well, actually its like this every time, but whatever I make, even if I put my all into it, I always look back with some regret wishing I had done parts of it slightly differently. So after Gauze, I did think that I always want to surpass my previous work each time. Nowadays, its less about surpassing, but more about finding something different to try.

ーTo surpass=to deny your former selves, so the band underwent some changes, didn't it? I think the turning point came in about 2005 when the band began overseas activities.

Yeah, we went overseas and I think thats when we realised the importance of just being ourselves. Foreign bands stand on stage unashamed of who they are and what they do. There is a purity to it. So for us to chase our goals, I realised it wasn't just about surpassing ourselves, but also being more defiantly ourselves.

ーWere you not as self-confident before that?

Before that there was a lot that we simply didn't understand. From making music, to playing lives, finding ourselves was like fumbling through fog, grasping at things bit by bit. Eventually I realised this was our way of trying to reach our goals. So even just standing on stage, I would still feel a bit unsteady in myself. But going over there and playing lives, I felt more grounded. I realised its ok to just stand there, even completely stripped bare, and just to be yourself.

ー That realisation, yeah.

It was the right time to realise it. Maybe thats why we discovered how to show what was truly within us at that time. Our heavy sound wasn't just a result of lowering the tuning or using a heavy amp.

ーYeah.

I can't really explain it well, but its not about searching for something that is missing, the important thing is using what you have inside you. Whatever comes out from inside the 5 of us is good enough. For example, if you look at Shinya drumming, he doesn't seem like he has a heavy sound in him, but its HIS sound, so its ok. I don't want to change or manipulate it, the band sounds the way it does because of that. Rather than wanting something more, we should be a band that uses each member's sound just as it is.

ーIts great to acknowledge each member like that.

That's all we can do.

ーThats how a band should be, but bands are also groups of people with strong egos. There are also times when too much self assertion leads to failure.

Well, we have had times like that, in the 25 plus years we have been together. But I feel like we are where we are now because of that. You could say that we are similar now to how we were at the time of our debut....because we didn't know how to make music then, but we were just being ourselves. So its kind of interesting for us to re-do these old songs now.

ーWhen you look at these songs which you made 25 years ago, did you feel like they were interesting songs?

I feel like I tried hard to make something interesting. I just had an idea of what I wanted. But the gap between that and the reality was huge, so I constantly felt bad about it. I was remembering this during the recording.

ーDid you feel nostalgia for your young self?

Well, I still worry about things like I did then. I still get stumped when something feels a bit off when writing songs, but now I prioritise discovering what I have in me.

ー 'What you have in you'.....could it be...'The Devil In Me'!? (lol)

Hahaha

ーAs for the new single, what kind of image did you have for it?

Well, I discussed it with the members, but even before that, I had a vision of what would be good for our next move. But if it turned out exactly as I had envisioned, it would be less fun. So the members' opinions are really important.

ーIts a song unlike any you've done before. Its less about developmets or structure, but it really establishes each member's presence. Does this song represent the band's style going forward?

Yeah, its a different style than we've previously had, but I think its ok to keep it simple. Its a chemical reaction between the members. That's what the band depends on. Its not about who does what, its what do these 5 members each make you feel. Even a song which I'm not playing in is ok, if you feel that I am.

ーThats impossible (lol)

No, its not (lol)

ー But I feel like this is the territory you have arrived in after 25 years.

I think thats the type of thing that will make the band more interesting. How can I say it, we don't even have to make it weird, it just has to sound like us. We have over 100 songs now, right? Before we would try to cram stuff into a song to make it sound like us, but now we don't have to intentionally do that. In other words, its something thats easy to convey. Something that you can feel the presence of the 5 of us when you hear it. This will feel different depening on each listener, but thats how we are doing it now. And its the same for our new song too.

#dir en grey #薫 #PHY #kaoru #The other interviews are very intetesting especially Toshiya's #But I'm a Kaoru blog so only doing this here

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geese-in-a-frock-coat · 3 days

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What's your evidence for Watts and Murdoch being autistic? (I totally agree btw)

Hello, internet stranger. Buckle up cause I've thought too hard about this.

Ok disclaimer I have not really sat down and watched the whole thing for a hot minute. Its past nine, you're just gonna have to trust me this one.

Credentials: Mega autisitc

Murdoch:

Does not understand social conventions. Like this ones pretty obvious. He doesn't understand why people keep dogs. Raises his kid in a completely non traditional way. Frequently doesn't get why people care about something that he sees as not being worth it (sports and popular trends and so forth).

Doesn't like small talk

Cares about justice NOT the law. The thing that really makes me think he's autistic is that he cares about things being just and is prepared to break the rules to do so. The main example being he lets that woman out of prison depsite the fact that he could go down for it. He turns a blind eye to Watts and lets Giles go even though they're both criminals in the eyes of the law. And on the flipside he sends George to prison because I think that's what he percieves as justice (if anyone's seen the bridge this really reminds me of Saga at the end of season 2)

Sees through hierarchy. There are so many epsiodes that play out like "I think Mr X is the killer." "But Mr x is extrememly important and influential!" "I don't care he killed her."

Interest in science and inventing. Look I know we joke about stereotypes but like, its a stereotype for a reason. He builds things with an autistic brain. He uses pattern repition through learning about previous inventions and applying them to his own devices.

Visual learner. This is not autism exclusive but he solves cases in such a unique way that it screams ND to me. Murdoch often literally builds a case. They make a joke about clue/cludo but he literally has to make the model of a house to picture where everyone is. He makes all those model of the ladies that were covered in metal. And let us not forget his famous chalk board.

Buzzkill. I say this as a long-term sufferer of leaves parties at 8:45 syndrome. He does 'boring hobbies' which autistic people often have because we don't feel the need to take up traditional ones.

Remember that scene where he attempts to read out his and Julia's book and just absolutely cannot tell that no one gives a single toss about anything he's saying.

Wears the same thing for nearly 20 years. If it ain't broke don't fix it.

Refused to let his wife cut his hair because he didn't want to change from the lady who used to do it.

breather. Part 2: watts.

Cannot read social cues: Frequently insults other station house four people. Pretty sure he called someone's baby ugly but I might have hallucinated that. "You're face is symetrical." Got chucked out of station house because he didn't get on with any of them

Disregard for societal norms: doesn't feel the need to be polite or tactful with anyone or to really follow police protocol. Acts very 'improper' a lot of the time. Only got one shoe shined that one time because that was all he needed. Puts his feet on the sofa, lies on the desk and leans over tables.

Makes limited eye contact.

The man will fidget with anything: Look this is clearly a character decision from Daniel Maslany but its an autistic character decision if ever I saw one. We're talking pencils, cups, fabric, anything. If it is on the set, he will find a way to play with out. And I don't normally like to assign autistic traits onto behaviour implemented by actors but it's basically stimming at this point. I dare you to keep an eye on this man's hands for any scene and I garuntee you they will not stay still.

Disorganised, but not: He always has tiny bits of paper and whatnot in his pockets but always seems to know where everything is. organised but doesn't have to time to be tidy. Same whenever we see his flat, it's equally disorganised. as an autistic person I find things end up all over the place because I don't have the capacity to keep them in order.

Bad handwriting and can't spell

Physicality: Most autistic people will have some sort of problem with co-ordination. He walks uneavenly. He has an odd posture. I always think about that scene where he steps in sick and moves around like a dear on ice. He's clumsy, can't sit straight and has a strange posture.

can't think when being interrupted

can't focus on two things at once.

George realised he'd been possessed by aliens because he was acting normally.

pretzels: dare i say safe food. If not, they're bland, usually the same everytime and take little mental effort to consume.

Strong sense of justic: see william murdoch.

SPECIAL MENTIONS:

Dr Emily Grace: didn't become a doctor becuase she didn't want to adopt a 'cheerful bedside manor.'

Dr Julia Ogden: Married to Murdoch (like calls to like) and sees through the bullshit of victorian society.

Susannah Murdoch: has those two as parents and I have the full confidence of genetics on this one.

In conclusion:

There's probably so much more I could talk about that I just don't remember because there is a lot more of this show than most others. But anyway. Murdoch is autistic because he has to be for the show to work and becuase he often comedic-foils far too close to the sun. And Watts is autistic because there is no way on God's green earth a man who stands like that is neurotypical.

Thank you, internet stranger, I am here all week.

#sorry this is word vomit #there is a reason i shouldn't try and be funny on the internet #murdoch mysteries #cbc murdoch #cbc mm #william murdoch queer icon #william murdoch #llewellyn watts is autistic #llewellyn watts #dr julia ogden #dr emily grace #autistic stuff

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boringmarinn · 3 days

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Why do you ship Sans x Frisk? As a person who ships them myself, what do you see in them, like about them? Personality traits, situations, tropes etc, anything that comes to mind, what makes you enjoy them and continue to breathe life to them?

Omg ok sooo... When I realized I was already shipping Sans and Frisk, maybe because I love the trope of the funny ironic character who has secrets and the silent protagonist who have a lot of will and power. I also have a soft spot for monster x human interactions, relationships and seeing several AUs with the two of them was what made me like it even more.

I think I liked them visually because the sprites in the game are so cute and the same size and the colors match and so on. I also see Sans more as a teenager and Frisk as well so i almost always draw and write them close. Frisk have a lot of secrets that Sans knows about and vice versa, and both have this drama about fate, about powers that can destroy, judgment and guilt, responsibility and determination i found super interesting.

I absolute love the concept of Frisk being a "more than a simple human" thing, a deity, some powerful force that can be either benevolent or dangerous when in contrast with Sans that's "just a normal boss monster" or something like that. I'm in love with Frisk being a god what just wants to live a normal life, having a normal family and a happy life and find this wish coming true with their monster family, and they find love with that one monster who has kept his eye socket on them all this time, seeing the sweetness and love that they share.

I also love the angst in the forbidden love thing, like, monster and human love being a taboo...

Frisk It's a character that ended up growing in my hand while I was drawing and creating, so to speak. I didn't want to let Frisk become that cliché of cute and lovable, so she/they transformed a little too quickly hehe. Today It's very different and that adorable cover is just a disguise for the real Frisk. Which isn't a terrible evil being either, it's just harder to comprehend and morally gray. They're determined still, to being a better person and changing the order of things and changing fate.

Sans I don't even know where and how to start because he has been my main and if not my most intense and prolonged hyperfocus. I have a lot of fun writing and drawing it in many different ways, with my favorite being this ironic, calm and funny little guy, but who carries a huge weight on his shoulders for the people he loves, a guy who worries too much about simple things and is a bit anxious and uncertain about the future.

Soo... Well i think that's a lot of reasons people like them two. They're two little guys, they go around the time and space, (like sans can teleport in space and frisk teleports in time thats so cool aaaa) them both like papyrus and toriel very much, they two are poker faced deadpan funny faces

I find them fun and even more fun is seeing other talented artists in the community doing their own interpretations of them in such unique ways. I love seeing fans making content for fans and how the characters change drastically in each person's hands, it's beautiful

#sans x frisk #underground club au #marintalks #frans #thanks for the ask!!#I really wanted to write a text like this explaining things better #I feel lighter #thanks youu!!

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jolynesmom · 5 hours

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hey can u share ur void success story? Would love to see it

hii this is the storytime I promised about getting into the void first try <3

disclaimer: this post is long asf, I like being very detailed when talking about such stuff because you may never know which insignificant detail might help someone + I always liked when people would go into detail about shifting or the void state

this happened a few months ago. I’m a reality shifter and have been trying for around 4 years and never succeeded for more than a few seconds, so I got extremely burned out with the traditional methods

I decided to research about shifting on tumblr to see if the community is popular here as well (previously I’ve only researched about it on tiktok, reddit and a bit on youtube) and found a bit of general info about shifting, but what has gotten my attention was a person who got into the void state and instantly manifested their desires. I thought it looked a lot like shifting so I read some more

I knew a tiny bit about the void state from shifttok, but I’ve never been interested to learn more until that point. the og post said that they specifically reached the void state by doing yoga nidra so I thought it was a requirement for the void at that point. I didn’t know what yoga nidra was, so I sent the person a message asking about it and went about my day deciding I’m giving up on traditional methods and will start to work with the void state

for some reason I didn’t research any further that day (probably because I was burnt out by my shifting attempt the night before and didn’t feel like ingesting more information)

at night I decided to try to shift again. I drank blue lotus tea and put on a guided meditation. after 10 minutes I get bored and switched the meditation for white, brown and pink noises and fell asleep saying affirmations

I got woken up by my alarm at around 10 a.m. (I didn’t shift) and I tried to get out of bed to really woke up, but I ended up falling asleep until 11:30 a.m. when I got woken up again by my loud parents getting ready for work, so I tried to play on my phone to get more lucid and not fall asleep again because I didn't feel like getting out of bed, but I also didn't want to continue sleeping. my eyes were practically closing by themselves atp, but I went on tumblr and saw the person I messaged the night before answered my message and said they'll post a guide one of these days. after thanking them I closed my eyes again thinking of the void state. I remember saying to myself something like “I really want to get into the void, I can’t wait for the guide so I can do yoga nidra”

for the next hour I fell asleep for 10 minutes then woke up for 1-3 minutes at least 3 times (I was very tired, probably because of the previous shifting attempt) and my thoughts were completely blank;

at some point I find myself in my kitchen trying to make coffee and I couldn't tell if I was dreaming or not because the dream was very clear and I usually make coffee after getting out of bed so I thought I had finally woken up

I noticed the jar of instant coffee was almost empty and I asked myself "why is it almost empty, I bought a new jar yesterday" (I finished my jar yesterday and wanted to buy a new one today btw), then when I went pick up the jar I was instantly hit with the realization that I was lucid dreaming, so not even a second later I threw myself to the ground in a crisscross position to allow myself to fall through the floor and shift to my dr

when I hit the ground I closed my eyes and stated my intention of wanting to shift to my jujutsu kaisen dr, but I didn’t even get to finish my intention when I felt myself being pulled through the floor in an infinite dark void; I realized I entered the void state

I was calm, but really wanted to get to my dr, so I started affirming and visualizing. I felt myself being pulled again through the void, a bit lower, before stopping again

I got annoyed and started thinking of my dr again then started hearing a voice; I listened for a bit then realized I was hearing an argument between yuuji and megumi. I didn't understand because they were talking in japanese, but at the same time I understood the message?? they were arguing about how to exorcise a curse or something like that

the weird thing about their voices is that when I dream, lucid dream, visualize or make up scenarios, all the voices are quiet and muffled in the distance and the tone never changes, but the voices I was hearing were loud and clear as if I was next to them, which has NEVER happened to me before. I think I literally stood there frozen for 15 seconds because of how loud and real (?) their voices sounded

anyways

I was getting annoyed because I kept getting distracted and started saying affirmations and trying to imagine where I wanted to wake up. I couldn't feel my body the whole time, I was pure conciseness.

I told myself that as long as I shift, I don't care where I end up, then suddenly I started to hear more voices including a girl's voice (they were most probably people from other drs of mine).

I got confused and a bit alarmed, so I asked out loud what do I have to do to shift. suddenly all the voices got muffled and a man with a lower voice started talking to me in english. I didn't know who that was and I got confused, but tried my best to follow his instructions. I started to hear noises from my cr (the cars passing my apartment as I live in a noisy area) but tried not to wake up. because of the noises I woke up and suddenly I was in my room again. I panicked but didn’t open my eyes or move my body (I could semi-feel my body, but it was mostly asleep) and literally yelled in my mind ‘I want to get back into the void!!’ suddenly I’m in the void again, this time I didn’t feel the falling sensation, it was instant

back into the void I saw nothing was working I decided to shift to my waiting room because I remembered someone once saying that a waiting room is some kind of parallel located between your cr and other realities and this is why it can be easier to shift there. I intended to shift to my waiting room then felt how my body got pulled lower into the void again, then it suddenly stopped when I heard my phone buzzing in my cr because of a notification

I got extremely frustrated and decided to fully wake up

I woke up at around 1:20 p.m. and was very happy with what I just went through.

thinking about the last voice for a bit, I initially thought it was gojo, but it sounded too different to be him, plus the man was talking in english, so I figured it could've been zhongli from my genshin dr since I scripted english is an universal language in teyvat, but then I thought it was weird that he responded since I'm not very close to him in my dr, but after some more thinking I realized that we're actually connected in my dr so it kinda makes sense to be him, but I'm still not 100% sure, I'm only sure about hearing yuuji and megumi arguing

it took me an embarrassing amount of time to realize that when I was in the void and said I want to shift to my dr and started falling then stopped and I heard yuuji and megumi, I was actually in my dr and I just needed to wake up. I thought I would get woken up instantly just like with shifting methods, but I actually had to wake myself up from the void. my information was very limited because, like I said in the beginning, I only read one or two posts about the void state beforehand

it would also make sense to hear yuuji and megumi first thing before waking up in my dr, because I scripted that when they go in the school to get sukuna’s finger, I would be asleep in one of the offices (don’t ask) and will witness the whole thing

I think the way I got into the void is an actual method; I forgot the name of it but it might’ve been the phrase method, I’m not too sure

it also shows you don’t have to have a perfect mindset as I thought I can’t possibly get into the void until I do yoga nidra for a few days, so all you need is intention and an alternate state of consciousness

additional things (you can totally skip this if you want to)

after I got into the void state that day, I continued practicing the void state and I almost got into it at least 15 times, but instead of doing it via a lucid dream, I used the lullaby and distraction methods because I have a hard time lucid dreaming. every time I would be pulled into the void with these methods I would instantly think of my cr or get impatient and be immediately be pulled out, so I’m working on that and on how to lucid dream more often

I think I’m getting close into reaching the void again, because I’ve been working on meditation and started teaching my subconscious mind not to think of my cr while going into the void state.

the months of march and april were literally stagnant for me with no little to no success because I strongly believe I got the evil eye or something like that. at the end of february I went back to my home country (which is in eastern europe) to attend my cousin’s 18th birthday and I think I might have been cursed by one of the old ladies attending. I would always get the evil eye by them as a kid, but my grandma would usually remove it for me

my manifestations stopped and I couldn’t reach the void again but I thought it was because of work and uni related stress, but then it hit me it might be something else because I literally never had issues with my manifestations but suddenly I couldn’t manifest anything anymore, so I performed a cleanse and now I’m back again manifesting like it’s my job

a few nights ago I tried to get into the void, after like 8 minutes of meditation my body fell asleep while my mind was awake and I could’ve entered the void, but I sabotaged myself because I told myself I needed to go to sleep asap because I need to wake up in 3 hours for work so I moved around a bit and went to sleep

anyways, I’ll try to get into the void again and keep y’all updated. next month I go back to my home country where is peace and quiet so I think I’ll have a better time without stressing about uni, work or the noisy area I live in

#reality shifting #shifting #desired reality #law of assumption #void state #void #void success #void succes story #manifestation #void concept

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dufferpuffer · 2 days

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What do you think lupin needs in a romantic partner to have a functioning/healthy relationship (as healthy as this man can manage atleast)? What qualities would this person have to have to be able to deal with all the more challenging aspects of being in a relationship with him? But also what does he want in a partner? And what would he absolutely not want?

Me. I am perfect. Remus Lupin hmu

Remus Romantic Partner pt1: Remus is needy Link to pt2: Remus is good (aint done it yet sorry)

In short: Remus Lupin needs an ANCHOR POINT to harbor his ship. 1. Someone interesting he can pour his attention into. 2. Generally up-beat/optimistic, so he has warmth to lean on. 3. Bold enough to be themselves - even if they're different. 4. Kind and accepting of other people 5. A little 'cute'. 'Quirky'. Small 'issues' support. (just a bonus, really) 6. Independent. Can live without him just fine but still want him. 7. Emotionally strong. Immense maturity and stability. 8. Doesn't have much temper, doesn't start drama or fights. Of course he doesn't need ALL of these boxes ticked - but the highlighted ones are the closest to a MUST for the relationship to even have a chance at being healthy. In long: Explanations (and example characters who I think fit) are below. B^)

Remus is an introverted man. He isn't shy (he can take charge of a room, he can speak publicly, he is good at getting people to like him) but when he isn't the focus he is a wall-flower. He doesn't talk much unless he has something to say. He is deeply, irreparably self-conscious. He has trauma of unintentionally hurting those he loves, so he keeps his distance.

((His parents became sick with the stress of having to move house every few months, find new work every few months, keeping their bank account drained... socially isolated with a son they had to lock away every Full Moon - lest he killed them. They loved him but that was a difficult thing for Remus to grow up witnessing, knowing he was the cause. Knowing him leaving for Hogwarts was the best thing to happen for their health since he was bitten... Of course he pushes people away. He can't help being sick - but he can help them not suffer... if he stays away.))

He is always thinking inwardly. He is always anxious. He wonders how he can make himself smaller, friendlier, less scary… Trying to plan how he wants others to relate to him. He tries to control how others think of him, to steer them away from the bad things... He is a wolf in wizards clothing. If he treats everyone as dolls to manipulate, and if they never know the real him... it will hurt everyone less when he leaves.

1. He needs someone who can bust him out of that toxic mindset. Someone that grabs his attention and pulls it away from himself. Someone interesting, skilled, passionate - living a life he can't achieve. Someone with knowledge or stories he can listen to at length and live a little through them... or they can even include him. More of a talker so he can be a listener, so he can focus on someone else's world - but they're also eager to hear whatever he has to say without prying. They aren't arrogant or loud: they can listen, too. Remus needs good, witty conversation over a cup of tea.

2. They need to be generally up-beat, but not in a way that'll crush his down-beat. They invite him to join in if he wants - or else lean on them like they're a heater for his troubled soul while he feels down. Sometimes he will feel bad, or flat, or tired - and they can't fix it.

I don't think he has any visual preferences. What he notices first about people are their mannerisms. He is always shaping himself to fit the room, so I think he admires people who act authentically: Boldness. Bravery. Honesty. Earnestness. Brashness. So... 3. He would be more attracted to people of subcultures and/or strong interests - or are simply out-of-the-expected-norm. I think he would be fascinated about these little nooks of belonging - alternate 'normal's' when the Wizarding world can be so rigid. (Do I think he has a preference for LGBTQIA+? Yeah. General androgyny too.)

4. Kind. Accepting. They need to be kind to others in general. Because he can't always be kind to others. He puts himself first and sometimes that hurts because he WANTS to be more kind. A partner who can pick up the slack? Who he can trust to always be kind and accepting of him - because they are such a way with everyone...? That's just a requirement, really.

5. A small thing I think he likes in particular: A cute factor. A little clumsy, A little slow, Enthusiastic, Awkward, Weak, A bit short/tall... something that isn't an issue but will pop up every now and then, distract him and make him go '...cute. That was cute.' Something he can effortlessly support. Something he can be thoughtful about, thinking of their needs rather than his own. - They struggle to read quickly? He can read out loud for them. - They tend to act impulsively? He can hold them back just enough to let them to give it a second thought. - They struggle in social situations? So he can talk on their behalf. - They keep fumbling and tripping over? He can keep them steady. It's nice to feel useful and kind in a simple, effortless way. Something so obvious to proves he isn't bad at heart - even when he feels awful.

6. They need to be Independent. What he CAN'T have is someone who NEEDS him. Oh god, the pressure… He cant be trapped. He requires a high level of independence... because he WILL FAIL. He WILL leave and break their heart over nothing. He WILL make promises he doesn't intend to keep - because he intends to run away and never look back. If they NEED him, just to stay afloat…? It will break him. He can't be the bread-winner, even if he could have a stable job. He can't be a long-term emotional support, only short-term. He needs to know that WHEN he breaks down and fucks off not 'if' - even if it's FOREVER… that they will be okay without him. 'Not being ok without him' won't make him stay. He will not 'shape up under a bit of pressure'. It will only injure him.

7. He needs someone strong enough to be forgiving. Not a self-harming, forcing yourself to forgive-and-forget either. That is a very real danger with Remus: If he got with someone who was as much a people-pleasing self-depreciator as him…? He will tear them to shreds. He is a toxic man and he requires tough gloves to handle:- Genuinely emotionally strong. Someone he can lean on, far more than they lean on him. - Wise enough to see through his bullshit manipulations and lies - with enough tact to navigate them, understanding he struggles without judgement but holding him gently accountable. - Empathetic enough to understand him even when he can't explain himself properly. - Mature enough to hold him accountable. Can help him understand how he can do better. He is filled with shame - sometimes for very good reasons that need addressing.

He will go through periods of being unable to be contacted, periods of self-endangerment… He needs somewhere, someone, he can crawl back to in shame. Who WILL talk with him seriously about things… but is willing to just let him sleep quietly for the night in their arms, for now. (Am I saying he needs to date a therapist? Yeah, basically. Dating Remus isn't easy.)

8. Doesn't start fights. Doesn't lash out. Doesn't live off of drama. Remus fits himself into situations passively - he doesn't need someone making situations more difficult to feel comfortable in. If they get angry and yell at him - he will yell one hurtful thing back and leave. He has a very limited ability withstand tension. He tries to keep a level head and a level room - he needs a partner who will support those efforts, or at least not sabotage them.

Partners I think have good chemistry, for examples:

NYMPHADORA TONKS. It is annoying how perfectly she has been made to fit Remus' needs, as she is so underutilized. I wouldn't find her as frustrating if she got more fleshing out in ways that weren't the specific things suited to being with Remus… ugh. - She is a skilled Auror, especially for her age. - She lightens the mood of any room by being playful. - She is unapologetic in being herself, accepting people with ease. - She is a bit clumsy - but capable and hugely independent. - Her ability to roll with the punches is insane: every time Remus is hot-and-cold she has both the ability to hold him responsible for how much it hurts and the strength to still stand there for him. - She is firey and doesn't back down, but she isn't trying to start fights. She's just stubborn and confident in what she has to say. To make claims like 'Remus only likes her because she can shapeshift' or whatever is just... no, its because she is perfect for him.

LUNA LOVEGOOD. Surprising, I know. Perhaps in different circumstances they could have hit it off. - Strong interests, a subculture at the edge of Wizarding society yet she is always 'uniquely' and brazenly herself. - Optimistic and up-beat... a little dreamy, air-headed, focus could use some steering sometimes. - Helpful and kind to all, even those that have been mean to her. - Very used to being alone. Independent in body and soul. Quite comfortable being alone - but friends are nice, too. - Emotional strength is a specialty of hers. Even in the worst situations she keeps her head on her shoulders and, despite how aloof she appears, is intelligent, sharp and serious. - Can make demands when she needs to - not a pushover. Bonus: An interest in magical creatures, too. :)

Close, but I think have a large flaw (that might makes them spicy):

SEVERUS SNAPE - Potions Master. Dark Arts specialist. Veteran teacher. All the steady employment and deep, fascinating interests Remus wishes he could have - along with ALSO having been a Spy... and being misunderstood. They have more in common than they don't. - He isn't optimistic, but he is a problem solver, dedicated to making things better than they are. He faces problems head on while Remus would rather curl away. - He understands feeling quiet and low. He might not be warm, but he is a softer place to rest than you'd expect. - He has never changed himself for anyone. He is stubbornly himself, even when it makes him seem like an outcast weirdo. - He has little patience. He isn't gentle or nice. But he cares enough to be kind, even to those he hates... and he is loyal. It isn't ideal for Remus but it gives him a place to fit himself: If Severus is cold, he is warm. If Severus has the quirk of being a snarky, prickly bastard - Remus is skilled at the opposite. - Independent. Accustomed to being alone. Expects to be alone. Being with someone who understands him... a little daunting, really. The main place I think Severus fails here is emotional strength. He is quick to anger and lashes out. He holds grudges. He starts shit and Remus can't handle shit. Severus needs someone who can temper those anger flares, or at least weather them - and Remus can do neither. But perhaps that is the place they can meet in the middle...?

LILY EVANS - Everyone liked her. Talented, bright and strong-willed, She was a popular girl. I think Remus liked her too, but... James and Severus. - She seems a bit cheeky, quick witted - she brightens a room when she walks in. - She was best friends with Severus for years. Maybe she had other friends in her dorm - but if they were as close to her as Severus was, they would have been HIS friends, too. She was willing to be with the outcast, even when popular. - I know it's a movie quote, but I think it still fits from Remus' POV when he says Lily was an 'uncommonly kind woman' and 'had a way of seeing the beauty in others when that person cannot see it themselves.' I think she accepted him fast and firmly. - She didn't need anyone else. She stood up to James by herself. She knew what she was worth. - She seems to prefer ending fights rather than starting them. She hates a bully. Lily doesn't have the 'grit' (for lack of a better word) to take toxicity. She hated James' bullying. She dropped Severus. She has patience and an 'I can help fix him' desire - but they need to put in the effort, too. James cleaned up his act somewhat and she liked that. Remus isn't going to fully succeed at 'fixing' himself. Not just by 'putting some effort in'. It is going to take so long, and be so slow... Severus would be far easier to 'I can help fix him' - and she couldn't handle him. !!!This isn't saying Lily is weak or something. It is incredibly HEALTHY to not being able to put up with toxic shit, to have the strength to say 'enough is enough'. That is a GOOD thing.!!!

A popular partner I DON'T think works out so easily:

SIRIUS BLACK Sirius Black is a dog. He needs people. He needs constant companionship - especially after Azkaban. He is a mess who needs support, company, loyalty... and Remus can't provide any of that with regularity! Waking up in an empty bed, in a cold room, after Remus timidly promised to 'always be there' for him but was lying... it would shatter Sirius. He doesn't have the strength or stability to lose anyone else. Sirius is honest and sticks to his guns even when times get tough. He would rather DIE than turn his back on a loved one. Remus lies unprovoked and runs away with his tail between his legs at the slightest sign of trouble. Sirius, as a traumatized man, is not going to be able to understand why Remus can just throw away everything he has to run off. How he could just leave him alone again...? Doesn't he love him?! At his worst: he is more likely to try and emotionally trap Remus with him, force him to stay - and that just isn't going to work. Remus is a Wolf. He can't be locked in. I don't even think Sirius at his best, pre-Azkaban, would fit well: - He is upbeat, but in a way that tries to break others out of their funks. It's abrasive for him to hang out with someone sad. ((I'm sure he could learn to do it but his instinct is to help.)) - He is kind - but he has a limit. When that limit is passed, his care is snapped. He holds grudges and he makes judgements. - He is not and has never been independent. He is strong-willed and confident about himself, yes - but he thrives when he is at another's side. He has always been like this Azkaban just made it worse. - He doesn't have what it takes to weather Remus' bullshit. That's not a bad thing either, he know how to cut toxic people from his life when they are too heavy - but post-Azkaban he is even more scared of losing people, which makes him vulnerable. - He starts shit. He jumps into arguments, he escalates, he enjoys the thrill and the drama of it. Remus wouldn't join in, even if he agrees with Sirius, and thus would leave him unsupported. We see this very thing happen in OotP

#love you remus #remus lupin #remus my beloved #hp #severus snape #sirius black #lily evans #headcannons #nymphadora tonks

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thejournallo · 3 days

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Explain the basic: Symbology

Desclaimer: Everything I will talk about is information that I got from books and sites online and even videos on YouTube. In my years of practice, I learned as much as I could out of curiosity and what works best for me. I suggest you do the same by learning as much as you can on your own (I will be here making posts teaching this kind of stuff) from multiple sources.

As always, I will love to hear your thoughts! and if you have any questions, I will be more than happy to answer them! If you liked it, leave a comment or reblog (that is always appreciated!). If you are interested in more methods, check the masterlist!

what is "symbology"?

Symbology is the study or interpretation of symbols and their meanings within various contexts, including cultural, religious, spiritual, and artistic. Symbols are visual or conceptual representations that carry specific ideas, beliefs, or values. Symbology involves understanding the significance, origins, and interpretations of symbols, as well as how they are used and perceived by different individuals or groups. In fields such as anthropology, psychology, literature, and religious studies, symbology plays a crucial role in analyzing and understanding human culture, communication, and expression.

why is symbology important for a witch?

Symbolism is extremely important for a witch to learn because there are many ways in which you will need it. Symbolism is one of those things that is everywhere because everything can have a meaning. A good example could be the interpretation of dreams. Even if the dreams seem so strange and stupid, there is always a meaning. Another great example is receiving signs, and by that, I mean receiving signs from deitis, entitis, the universe, etc. But those are not the only cases. symbology comes in handy for a witch; knowing what symbol to use is also very important for a witch because you don't want to attract a bad thing to you.

There are symbols for everything, and they are everywhere.

how do i know is a symbol i use is good or bad?

It always depends on you and your culture. A quick search could help you avoid a lot of damage on you and your culture. A quick search could help you avoid a lot of damage to yourself, but this also depends on what you believe in. For example, I don't believe that satanism is bad, but I believe in bad people practicing satanism in the wrong way (and that goes for every religion and culture). I work with Asmodeous, and I don't see anything bad with it or his symbol (in demonology, every demon has a symbol with their name; it is pretty cool), but another person may see it as bad and dangerous and will avoid using it. It is as simple as that.

some realy popular symbols and their meaning:

-Pentagram/Pentacle: The word "pentagram" refers only to the five-pointed star, not the surrounding circle of a pentacle. Pentagrams were used symbolically in ancient Greece and Babylonia. Christians once commonly used the pentagram to represent the five wounds of Jesus. Often used as a symbol of protection, the pentacle consists of a five-pointed star within a circle. Each point represents an element (earth, air, fire, water, and spirit) and the circle symbolizes unity and wholeness.

-Moon: The moon is a powerful symbol in witchcraft, representing cycles, intuition, and the divine feminine. Different phases of the moon (waxing, full, waning) hold different meanings and energies.

-Triple Moon: This symbol consists of three moons—waxing, full, and waning—enclosed within a circle. It represents the phases of the moon, as well as the stages of a woman's life (maiden, mother, crone).

-Crescent Moon: A symbol of the waxing and waning moon, the crescent represents growth, change, and transformation.

-Ankh: Though originating from ancient Egyptian culture, the ankh is also used in modern witchcraft as a symbol of life, fertility, and divine protection.

-Symbols of the Elements: Various symbols represent the four classical elements—earth, air, fire, and water. For example, an upward-pointing triangle represents fire, while a downward-pointing triangle represents water. An equal-armed cross is often used for earth, and a stylized swirl or feather represents air.

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