Alex on his way back from Paris is one of the most underrated Taylor scenes in Red White and Royal Blue and I think he did such a splendid job there. It's underrated in the sense that, it's not as talked about as his coming out to Henry scene or lake scene or Kensington palace confrontation scene, mostly possibly because it's so short (about 9 seconds). But it's one of my favorites and it owns my heart 🥺♥️. I even talked about it a bit in my little moments series part 1, but not nearly enough.
To me, this scene was incredibly beautifully acted. Taylor poured his heart and soul into it. I believe he discussed it with Matthew extensively and put a lot of thoughts on his approach to it. He knew, the focus would be on his face and he had to portray the many emotions of Alex perfectly and boy did he deliver!
Alex was seen to be so lost in thoughts on the plane, taking in all the new things that had happened, contemplating Henry and their situationship, navigating all the new feelings that were bubbling up within his chest.
He was thinking about Henry, who had become such a good friend to Alex in such a short amount of time, who listens to him, supports him, reassures him while having his own demons to deal with, his closetedness, unsympathetic grandparent. I'm sure Alex felt heard, connected, loved and at the same time feeling a new sense of responsibility towards Henry, to care for him, to protect him. He was falling so fast in love with Henry. This must have been overwhelming to him in the best possible way. And you can see it in the way he goes from pensive to taking in a deep breath. I love how it shows that he is relaxing and coming to terms with all these new feelings.
And he tears up a bit at the weight of them, the weight of all the good things, the prospect of something much bigger and more beautiful than a hook up. And he smiles, ever so softly, at how happy and at peace it made him feel.
I cropped the photo so that his teary eyes can be seen a little better. This 9 second scene is so important and sets the tone for the rest of the movie. Alex was clearly very serious after this about their relationship. His transition from showing just pure Physical want and devouring looks (at the polo match), and then just having a good time with Henry, discovering little things about each other (garden scene and Paris Cafe scene) to Paris hotel scene where they make love for the first time and him pouring his heart out to Henry, and seeing Henry say all the right things, respond in the most loving way, has been done so seamlessly and all of it culminate in this plane scene. And it's so apparent that Alex is grasping and accepting all of that. It's just amazing to see Taylor portray this with just facial expressions (and not through a convo with a friend like it's sometimes done in movies). Such a well scripted and well acted scene, it was so refreshing to watch 🥰
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Thinking about how WoT #6 makes it really clear what Aes Sedai think of women who've been stilled. The aversion, the fear, the disgust and near-reproachful attitude. Thinking of how show!Moiraine likely worried about this at least subconsciously in regards to Siuan after being shielded. Thinking of Moiraine trying desperately to hold onto her conviction as she soldiers forward in her mission, all the while cringing hopelessly away from the idea of Siuan looking at her differently now that her powers are gone. Wondering if the absence of that commonality would change the way Siuan spoke to her, respected her, loved her. Thinking of how carefully Siuan handles it once Lan tells her, how nimbly she tries to step around the pain she knows rips Moiraine apart. How gently she tries to shoulder Moiraine's burden, how willing she is to do whatever it takes to protect their mission and protect Moiraine too. Thinking about how all this goes unsaid yet is so, so clear because Rosamund and Sophie are fucking goddesses
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We only see each other at funerals
(On Jason, Thalia, Nico, Bianca, and their parallels/connections)
The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art
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When Thunder stays with Clear Sky for a while, does Clear ever insist on referring to him as Thunder Sky?
Towards the end yes, as the final detail to Thunder Storm that Clear Sky doesn't love him. He wants to ERASE him.
If Clear Sky recognizes he's made a mistake in casting Bright Storm away with their child, he's incapable of seeing it was wrong because it was cruel. He wants what he realizes he threw away, because he now sees it has value. He wants to own his oldest son the way he wants to own the entire forest-- as a reflection of his greatness.
Anything that makes Clear Sky uncomfortable about Thunder Storm has to be sanded down. The assertiveness was the first thing, he feels insecure when he's challenged, the child must learn to follow before he may learn to lead.
The second is that leg, presenting a prosthetic as a gift (that he isnt allowed to refuse), because he can't have been wrong about the choice that killed his younger brother-- here is a SOLUTION that simply didn't exist before! Behold how resourceful and wealthy his cats are, compared to your old group. We've fixed you.
(This prosthetic is a clunky piece of shit that is annoying to strap on every day, gets in the way and makes a ton of noise, and itches like hell, but the change in Clear's demeanor is immediate if Thunder doesn't wear it.)
But somehow, Thunder Storm was willing to take all of that. In hindsight, it bothers him that the tipping point wasn't the other two things.
Bright Storm gave her son her own last name. When Clear Sky sent them away and the Mountain Cats permanently split, it was pointed. "My only survivor is named for myself." SHE would raise him, alone.
Bright Storm herself slowly seemed to lose sight of the meaning, encouraging him to understand his father's good aspects, but in the meanwhile it took on a new meaning to Thunder. His mother raised him. He found a father in Shaded Flower. He grew up next to Lightning Cry and Acorn Swoop. Thunder Storm means this. It's the person he made himself, and the love they've all put into him.
Thunder SKY is just another monument to Clear Sky, stripping away the life he lived without him. And WHY? For ego? For comfort?
"What am I letting him DO to me?!"
It wasn't the final STRAW, but it was the tipping point. Once Thunder Storm had this realization, the minute he was not going to budge on something, that confrontation was inevitable. The blowout fight was making reservations.
Sunlit Frost is still the breaking point, the injury from his burn going sour, but I'm going to emphasize the way that Clear Sky only called that meeting in the first place as an abuse game. Thunder Storm knew it was coming-- but it still sickens him that it was something THIS monstrous.
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