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#I can only apologise.
loveinhawkins · 10 months
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The problem is that a part of Steve knows the spider isn’t real.
But it’s the suggestion of it, right? Cobwebs in his hair, movement just out the corner of his eye; it’s all enough to convince him that there’s something crawling on his skin, to let out a panicked whisper to Nancy, there was a spider. It’s a black widow.
He tries to disregard it as a one-off. It’s an old creepy house. Just got him spooked for a bit, that’s all.
But then… diving into Lover’s Lake. Bats biting into his flesh. Overwhelming dizziness.
Nancy wrapping torn strips of clothing tight around—there’s something crawling, crawling underneath his skin, no, there isn’t, no, there—a bike ride through The Upside Down; one hacking cough, pushing through it, pushing through it—
Swallows it all down. Ignores the sweat, the tackiness around his bandage. Shh. Calm, calm.
Drives the RV. Doesn’t know how he’s even moving, is just grateful—grateful that his mind on autopilot seems to still function.
The War Zone. In and out. Parked. Sun in his eyes. Kids outside.
The feeling comes back. Something. Something under his skin. (In his blood, in all of him—)
“S’there something in my hair?” he asks Eddie, who’s mid-step out of the RV.
Eddie turns back with an air of amusement. “Nope,” he says. “Looks perfectly coiffed to me, man.”
“Can you—can you just check?”
Look closer, something’s wrong, something’s wrong.
“Uh, sure,” Eddie says, bemused. He sits next to Steve and tilts his head before lifting a hand uncertainly. “You want me to, uh?”
“Yeah, thanks. Just… there was a spider on me.”
It’s not what Steve wants to say at all, but there’s a sudden, terrifying disconnect between the thoughts in his head and what actually comes out of his mouth.
“Oh, you don’t like them, huh?”
Eddie’s not even teasing, just sounds understanding; he lifts up a few sections of hair carefully, taking his time. He’s so kind. Steve abruptly wants to cry.
“Yeah, I don’t blame you,” Eddie continues. “I have the same thing with mice. The way they move. Creepy little feet.” He shudders dramatically.
Steve wants to laugh at that. Can’t.
Eddie runs his fingers through Steve’s hair a couple more times, gentle.
You don’t have to, Steve thinks. Make it hurt. Get it out. Did you find it? Please say you found it.
“Good news, you’re officially spider-free, Harrington.”
Eddie claps him on the shoulder, stands up.
Steve doesn’t move.
Eddie pauses again, halfway out the door. “Hey, you okay?”
“Yeah,” Steve says. “Just need some air.”
He goes through the motions of prepping for the fight. Chats with Robin. She talks about a terrible, gnawing feeling, and he wants to scream yes, I know, I know, but he can’t tell her, why can’t he tell her?
Shh. Calm, calm.
Drives the RV. Forest Hills.
He brakes with no warning, sends bottles of alcohol rolling across the floor. He’s mad suddenly that they didn’t smash. He’s so—
Slip away.
Eddie’s trailer. Lets himself in.
Bathroom.
The wound on his stomach pulses. He doubles over the toilet. Throws up.
His skin is crawling.
There, in the back of his mind, a creeping coldness. A thought that is not his own.
I will kill them all. And I will make you watch.
Oh, God. Oh, God, he’s been so stupid.
-
Eddie finds him first.
He picks up one fallen bottle of alcohol before a gut feeling pulls him out of the RV—because Steve Harrington is a good driver, and he’d only brake like that if he had no choice.
“Steve?”
But Steve’s not waiting for them on the porch, he’s not even by the Gate.
Clattering; a strangled cry.
Eddie’s stomach lurches.
He runs towards the noise, opens the bathroom door and is instantly hit by the acrid smell of vomit.
“Steve! Jesus Christ.”
Steve’s pushed up against the cistern. There’s a damp patch all across his stomach, and his chest is heaving.
“Oh my God, Steve, what’s—”
Eddie reaches for him instinctively, and Steve flinches as if he’s been struck.
“No, don’t!”
“Jesus, you’re burning up,” Eddie whispers, drawing his hand back; Steve’s skin is feverishly hot, slick with sweat. He looks around frantically for a cloth, turns on the cold water. “Gotta get you cooled—”
Something slams into him; he’s pinned against the sink, Steve’s hand clamped around his throat.
“No,” Steve repeats. “Don’t.”
“Okay,” Eddie manages. He chokes on a swallow. “S-Steve, you’re—you’re—”
His hand flails, trying to pry Steve’s fingers off.
Steve’s grip loosens ever so slightly. His eyes are wide, bloodshot. Pleading.
“Eddie,” he says through gritted teeth. “You need to hurt me.”
With the last of his strength, Eddie gets his knee up and jabs—it’s barely anything, but it works enough to break Steve’s hold.
Eddie staggers; his back slams against the door. He’s shaking.
Steve stares at him. He’s gripping onto the sink so tightly that Eddie thinks it’s a miracle that it doesn’t crack.
And then there’s a horrible, guttural noise like Steve’s started to choke too, like he’s at war with himself.
Barely audible, he says, “Get… get Nancy.”
Eddie runs.
He nearly falls into Nancy as he opens the front door. He’s breathless, can’t think of what to say, save from—
“Wheeler, he needs you.”
It happens in an instant: Nancy’s brow pinches, and then she goes very pale, and she’s shouting for Robin and Dustin to stay in the RV, like she can turn on a dime, launched into an unknown crisis.
She pushes past Eddie, and he follows her, back into the bathroom.
The cold water is still running.
Steve’s got his hands in the sink. He looks at Nancy desperately.
“S-stop me.”
Another choking sound is ripped from Steve’s throat; Eddie realises that it’s actually a dry sob.
“Nance,” Steve says. It’s half her name, half a pained whine. “Fuck. I’m sorry. I—I know everything.”
And then he’s suddenly launching towards them—it’s only the fact that he’s so completely freaked out that makes Eddie move in time, saves him from getting strangled again.
He grabs Steve’s wet hands, pins them behind his back and tries to hold him still.
“Jesus! Wheeler, what the fuck is going—”
“Do you have anything that can knock him out?” Nancy says.
“What?”
“Drugs, Eddie!”
“Are you crazy? There’s no way—oh my God, what are you—”
Crack.
Nancy’s grabbed the cistern lid, brought it down upon Steve’s head. Eddie looks at Steve lying eerily still on the floor in abject horror.
There’s blood in his hair.
Eddie feels sick.
But Nancy just watches, as if to confirm that Steve’s not moving. She looks Eddie in the eye.
“Come on. That’s only gonna work for so long.”
Eddie just follows her out, too shocked to even attempt speaking.
It’s chaotic at the RV; Dustin sees them coming, leaps out of the door as Robin yells at him.
“Where’s Steve?”
“Get back inside.”
“Nancy, where the hell is he?”
“We can talk inside.”
“Bullshit, I’m—”
“Dustin, he’s Flayed,” Nancy says, her voice breaking, and all the fight goes out of Dustin at once.
“No, that’s—he can’t—”
Eddie finally finds his voice. “Can someone tell me what the fuck you’re talking about?”
Nancy doesn’t speak, not until they’re in the RV, the door locked behind her.
“I think it’s the—the bites—”
Robin swears, a hand over her mouth.
“Flayed?” Eddie persists.
“The Mind Flayer,” Dustin says numbly. “It’s what we—it’s a part of The Upside Down. It—it used Will to… to spy on…”
“And what, it’s—” Eddie swallows. “It’s inside him?”
“Like a virus. He’s part of the Hive Mind,” Nancy says.
Eddie’s knees feel weak.
“Fuck,” Dustin says. “He knows where we are, he’ll know—”
“It’s too late to change that,” Nancy says. “We just have to—at least someone needs to stay with him.”
“I will,” Robin says instantly, eyes blazing.
“Me too,” Dustin says.
Nancy glances at him, shakes her head—firm but apologetic. “You can join Erica.” And as Dustin opens his mouth, no doubt to argue, she adds, “I’m sorry, Dustin. It’s just—we might need to… to fight him.”
Dustin doesn’t reply, but looks so utterly devastated that Eddie wishes he’d insisted on diving first, that the bats had torn into him instead.
“Keep him warm,” Nancy tells Robin urgently. “And I don’t mean just—it’s got to be unbearable.”
Robin nods, ashen-faced.
Nancy catches Eddie’s eye. “The one thing that fucker can’t stand is heat.”
She paces up and down the RV, checking for stray bottles. Then she comes to a stop right in front of Robin.
“He—he might beg,” she whispers. “And it won’t—it’ll sound like him. Like he just wants the pain to stop.”
Robin’s eyes look glassy. “Nance, I don’t—don’t know if I can—”
“I’ll do it,” Eddie says.
He feels everyone’s eyes on him, but he just looks at Nancy, at the determined set to her jaw.
He doesn’t know when he made the decision, if he can even pinpoint a conscious moment of thought—but now that the words are out, he feels the vow he’s made, deep in his chest.
Nancy hands him a bottle and cloth.
A lighter.
She fixes Eddie with a piercing look. “It’s going to look like you’re killing him,” she says.
Eddie nods.
He turns, offers Robin his hand.
“C’mon, Buckley. Let’s get that bastard out of him.”
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privateolives · 4 months
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This is probably because I grew up watching 24/7 animal planet, but what finally made the allo/aplatonic thing click for me were the nature's of big cats.
Lions are powerful, regal creatures who are uniquely adapted to pack life. They need these connections to live a healthy life; A lonely lion is a miserable creature indeed.
Jaguars are solitary, beautiful creatures who live happily solitary. They prowl their lush world with self-sufficient majesty. A jaguar is not lonely without a pack. In fact, forcing jaguars to share space with others they do not enjoy is just as damaging as forcing a lion to live alone.
A lion may choose to head out on it's own for the most part, but in the end must return to the pack to thrive. A jaguar can choose to trust and enjoy the company of others, but they never feel the need to form a pack.
Is a jaguar selfish for this? A psychopath, a narcissist or any other such horrid assumptions? Is it a less moral creature than a lion, who seeks others like it to thrive?
Is a lion pathetic, or needy, or selfish for wanting community? For requiring contact with others like they require water? For their inherent need to string complicated webs of relationships that may seem silly or dramatic to others?
Of course not. These are ridiculous questions to even ask.
They are simply lions and jaguars.
In fact, is a jaguar that chooses to spend time with you not as magical as a lion's love? For a creature that needs no bond to thrive to still enjoy your presence enough to share it a time? Is a lion who can prowl the night alone not impressive in its strength and resilience? Is it not awe-inspiring in its ability to conquer a life it was never wired for and reign still?
Are they not both beautiful and awe-inspiring in their own ways, without being wrong?
Alloplatonics. Aplatonics. Are we not both special and beautiful in both our bonds and self-confident happiness equal, in each our ways? Is there not unique beauty in lifelong bonded packs and magical encounters that need no perpetuity to carry life forward?
Are we not but lions and jaguars? Neither wrong, neither selfish, but just different and beautiful creatures in each our ways?
That's how I've come to see it, anyway.
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shitouttabuck · 7 months
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eddie diaz + tweets he definitely liked while working at dispatch
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nicepersondisorder · 1 month
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uhhh have i posted this one
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canisalbus · 2 months
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have vasco & machete ever gotten into any big arguments?
.
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demonzoro · 6 months
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i love thinking abt reiju and sanji in parallel to each other in their fucked up sibling dynamic. i always write the tension between sanji's humanity/monstrosity as intrinsic extremes in HIM that he's capable of simultaneously. but for reiju it's like. the monstrosity is the only intrinsic extreme she has. her understanding of humanity takes the form of her little brother. her understanding of humanity is forever tied up in her understanding of her brother. do you get how fucked up that is. she's incapable of knowing what's morally right unless it's directly related to sanji/communicated to her through sanji's wellbeing in some way. she doesn't free sanji bc it's morally the right thing to do - she frees him because sanji is miserable. can you imagine being capable of having the lightbulb moment of 'This Is Wrong' only in relation to the subject that you're perpetuating a cycle of violence towards. you free him from that and you'll never have a point of reference to what's right ever again. and doing so is the right thing to do. what the FUCK. she was like twelve years old btw
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ultimateyakazoo · 11 months
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chapter 3 trial
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lionheartedmusings · 5 months
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hiya everyone! i hate to be doing this again, but i got laid off a few days ago and they completely screwed me over by mysteriously losing my december schedule so i won't be able to work next month. i've already sent off resumes and hopefully that'll work out, but i'm currently jobless and don't get paid until the 11th so i'm really struggling with food.
i wish i could offer commissions or anything but i'm incredibly talentless, so really all i can offer is gratitude and good manifestation <3
if you could share this post or help, either or would be incredibly welcomed and thanked until the end of times. i know the holiday season is a tricky time so please don't feel the need to help if you have better places to spend your money!
p*ypal
revolut
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doehoney · 1 day
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happier than I look I swear 🥀
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clarionglass · 3 days
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so i have been bitten by the sam reich!master bug courtesy of some phenomenal art by @northernfireart and uh. as is too often the case i had to write something otherwise if i didn't get it out of my brain i would go absolutely insane
(there may be more vignettes coming if i have ideas..... there are definitely other episodes i'd like to give the Treatment to, plus with the new dw series coming out on the weekend i may have ideas for how to incorporate the dw gang! however, i promise neither more writing or no more writing. that said, this was a lot of fun so there'll probably be more at some stage :D )
this has full spoilers for the game changer ep "escape the greenroom", but hey that's been out for a while now so,,,, if you haven't seen it i'd highly recommend it as an episode!
so, without further ado:
--
Samuel Dalton was a complete fiction, of course, but that didn't mean that when Sam Reich snuck back upstairs to get tied up in the “out of order” bathroom, the Sam that remained on the monitor, laughing at the contestants, was a pre-recording. And if Brennan, Siobhan and Lou had snorted at the idea of a time-travelling evil magician great-grandfather (for good reason), going in with the actual truth of the matter would have sounded like jumping the shark.
It sounded bizarre, but the time travel bit was the only part about his new partner in crime that was confirmably real. Admittedly, the jury was still out on “evil”—he gave off a weird vibe at times, but so far, no lines had been crossed, and it had all been funny as hell—so for now, Sam was willing to roll with it. But perhaps most surprisingly, there wasn’t even the possibility of blood relation between Samuel Dalton Reich and the guy who had shown up out of the blue one day with his exact face and a plan to really fuck around with things on Game Changer.
Yeah, the whole alien thing had really ruled out that particular prospect.
There had been various bits and pieces of confirmation that this guy wasn’t human through the time Sam had known him, but the final nail in the coffin for that one was when his doppelganger had looked him dead in the eye and tried on one of the heart rate monitors—sorry, “range extenders”—for As a Cucumber. The damn thing had literally sparked up, then died completely. Trying to process input from two separate heartbeats at once would do that, apparently. 
His doppelganger was a Time Lord, or so he had nonchalantly said one afternoon in casual conversation, though Sam still wasn’t sure if that one was a joke or not. It was hard to tell, sometimes, because he said the wildest things with the straightest face, and so far, most of them had turned out to be one hundred percent certifiably true. The time travel, the space travel, even the changing faces thing—it sounded objectively insane, but the proof was undeniable. 
There were some notable exceptions, though. Saying he’d been trapped for aeons inside Neil Patrick Harris’s gold tooth went just that bit too far to be believable, though Sam did appreciate his double’s slightly warped sense of humour.
It was that offbeat line of thinking that lent itself well to game design, as it turned out. He had a knack for coming up with ideas for Game Changer episodes, albeit with the occasional suggestion that went way beyond the bounds of good taste, and, as in the case of Escape the Greenroom, had devised some blinding twists on concepts Sam had already half-formed. The letter puzzle unlocking the secret door? It was perfect.
Understandably, Sam’s doppelganger had wanted to observe the fruits of their labours in real time, rather than watching the recording later. It happened, sometimes, particularly when it was one of his ideas that had made it through to the episode list—they’d swap places for a session, with nobody being any the wiser. Watching those edits back always felt a bit weird—it was uncanny how flawless the mimicry was—but hey, the guy was right. It was always fun.
Escape the Greenroom, specifically, with its “Samuel Dalton” conceit, provided them with a unique opportunity. Instead of swapping out the camera feed for a recording when the cast piled into the tiny secret room behind the wall, as per the original plan to get Sam in position to be discovered in the bathroom, they could just swap out the people. Sam would go upstairs, and his double would take his place at the podium, ducking out of sight when everyone came back to the main stage to “defuse the bomb”.
Sam was keen—hell, if their situations had been reversed, he’d want to be there to watch, too—but caution raised a flag. “You don’t think it’s too risky?” he’d asked when the subject was first raised. “Both of us being in the same place?”
His doppelganger had shrugged one shoulder with supreme unconcern. “The crew won't notice.”
At the time, Sam had shot him a sceptical look, but right now, Sam-Reich-in-a-purple-tie and Sam-Reich-in-an-orange-tie were standing backstage post-record, clearly visible and and calmly chatting, and not a single member of the crew had given them so much as a second glance. 
…Hardly even a first glance, come to think about it. If anyone looked over their way, their eyes seemed to… not exactly go through them, but slide over the two of them like water. He was tempted to wave to Nico or Ash or someone, just out of pure curiosity, but something in the back of his mind told him that wouldn’t be the world’s greatest idea. He had a funny feeling he wouldn’t like to see what would happen next.
(He’d given the prop bomb back to the crew once the cameras stopped rolling, and though it looked the same as the one he remembered from before he’d headed upstairs, it felt different in his hands. Heavier, more… serious, somehow. He was sure nothing would have happened—but at the same time, he was suddenly very glad that the cast had cut the correct wire with no less than a minute fifteen to go.)
(The jury was still out on evil, after all.)
“Worth coming in for?” he asked instead.
“Absolutely,” his double replied with relish. “Locking those three in a small room for an hour? Brilliant, fantastic. Inspired. It was absolute chaos.”
“Have you seen up there?” Sam asked, a smile starting to spread across his face. “They messed up the set real bad.”
His doppelganger smirked at him. “You know it took literally two seconds from you telling them to escape the greenroom for Lou to smash that guitar?”
Sam shook his head. “Oh my god. Yeah, they were stressed.” 
“Mmm. Some real panic in that room,” his doppelganger agreed, and Sam chose to ignore the faint note of satisfaction in his voice.
He shifted his weight, settling back to lean against the table behind the set, in the exact instant his double decided to do the same thing. It really was freaky how similar they were, down to the smallest mannerism—like looking in a mirror, only weirder, because the face that looked back at him was truly his own face, not mirror-reversed. Even now, it still caught Sam off guard from time to time, but at least it had faded into a more comfortable kind of strange. He had an exact lookalike who was an actual time-travelling alien. Cool. Doesn’t everyone?
The pair shared a companionable silence for a few moments, before a thought Sam had been turning over for a while rose to the top of his mind. He shifted again, this time on his own, and he felt his double’s regard swing up to fix on him like a magnet. 
“Okay, real talk,” he started, and his doppelganger frowned back in an approximation of confused innocence. “What’s all this for?”
“Who says it has to be for anything? Aren't we just having fun?”
Sam hummed, considering. “Yeah. No, I'd believe that, if I didn't sometimes walk into production meetings and find out I'd apparently been very specific about the people I wanted for certain episodes.”
“Point for Sam,” his doppelganger acknowledged with a grin. “You got me. Wasn’t hard to make a few phone calls on our joint behalf.”
“Yeah, but why?” Sam pressed. “I mean, Siobhan, Brennan and Lou are always great comedy value when you put them together, and it was awesome to have them for this, but I get the feeling you’re thinking of something other than making good content.”
“Who, me?”
With that, his double gave him a look of such overdone pantomime innocence that Sam suddenly and thoroughly understood why, not half an hour earlier, Brennan had very seriously threatened to push him down the stairs. 
He rolled his eyes, which earned him a smirk for his troubles.
Dropping the act, his doppelganger continued. “I’m expecting an… old friend, I guess, to show up at some point, and—well, I’d like to put on a really special show for them. I thought it would be a good opportunity to try a few things out, you know?”
Ominous pause aside, that was actually kind of sweet. Sweeter than he’d been expecting, that’s for sure—he was half anticipating the revelation that he and his cast were subjects in some weird experiment. Hey, that still couldn’t fully be ruled out, but still.
“Okay,” he acquiesced. “Well… just let me know, next time? Before you start ordering in my cast like takeout?”
“Who says they’re your cast?” his double shot back with a twinkle in his eye, and Sam snorted.
“Fine. Our cast, then. But seriously, let me know?”
His doppelganger nodded, which, if not quite fully convincing, was good enough. 
“Oh, and do you know when your friend might be arriving?” Sam asked. “Because if you wanted to plan something, we can—”
“I don’t know,” his doppelganger interrupted. “So yeah, we’ll have to move fast when they do get here. But I’ve got it under control.”
He broke off, then shot Sam a mischievous grin. “In the meantime, though, I’ve had this fun thought about time loops…”
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averlym · 1 year
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i have been thinking about this lyric all day 
#love how dlyh can be interpreted so many ways! see also: HE doesn't wanna bang you#thinking also about how i keep drawing araleyn with the dynamic of unstoppable force (anne) meets immovable object (catherine)#a unprompted araleyn post? wow asdfghjkl they. them. royal historical au with homoerotic undertones in which the mistress works the other#way around is all i'm saying. wlw supremacy.#the fine line between seeing these as proper historical figures versus characters. i'm calling it an au and calling it a day#considering the other AUs out there. i'll deal#this is fine! :>#i apologise for the poor visibility it is 2am i am making poor lighting choices. cathy parr hours fr#anyways. goodnight#six the musical#six the musical fanart#catherine of aragon#anne boleyn#aralyn#araleyn#i like the shading best in the third panel. but also the fourth panel is cool bc dark and shadowy and quiet yknow?? only issue is they don't#match with each other which breaks the flow >:/#*goes insane* hahaha. anyways does this count as pg13 for some reason it feels like the most spicy thing on the blog idk adsfghgjjl /////#i've drawn aralyn side profile in this exact up down configuration twice and if i had a nickel i'd have two nickels which isnt much but it-#not to be on the straight side of bi on main (not quite main. sideblog?) but i feel like i might be projecting emotional repression onto ara#mutual crushing rn and. i'm adamant about not wanting a rship but like this guy straight up says 'i'm okay with you leading me on' ??????#the dubious morality of it all help lmao. i'm planning to just wait it out *thumbs-up emoji*#anyway that's enough anonymous on-the-internet tea about the irl side of life! enjoy the blorbos
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pinkflyingtiger · 23 days
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The full pre Metulji Bojan (+Jan) Improv
No Scotland No Party / Here We Fucking Go
please don't repost without permission 🙏 x
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okay this is the last one I promise
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milaswriting · 5 months
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a and 17? or k and 33 whatever fits better :)
Born To Die by Lana Del Rey
Choose your last words, this is the last time 'Cause you and I—we were born to die
"Question," you murmur to A, your fingers tangled with theirs before you reach to fiddle with their bracelet.
"Okay," they utter in a soft tone, their eyes closed yet their fingertips still make contact with your hip bone under the duvet.
It's a question you've thought about for a while now, ever since you and A got together. Ever since your first argument, since the first 'I love you' they murmured to you, since you moved in together.
"Do you think about what it'll be like for you when I'm gone?" you ask, the words almost getting stuck in your throat.
The words force A to open one eye, and then the other. This wasn’t a conversation they prepared themselves to have at 1am, nor a topic that they wanted to keep them up for the rest of the night.
They know what you mean when you say gone.
“It’s just…” you begin, “you’re immortal and I’m not.”
“I’m aware,” A says, in a much harsher tone than intended, suddenly feeling the need to defend themselves. Or, specifically speaking, your relationship.
You frown. “I won’t be here one day and—“
A’s jaw clenches. “Any day,” they interrupt quickly. “Any other day. Tomorrow, the day after, whenever you want—we can have this conversation. Just…” they swallow hard, trying to clear the lump in their throat. “Not today. Please.”
A takes your hand in theirs again and you’d be lying if you said it wasn’t a touch that you immediately melt into. You try to push the topic of conversation from your mind, you nod your head, though the plaguing thought is that you’ll have to talk about this at some point.
Before it’s too late.
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chronicowboy · 8 months
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warblercore · 3 months
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goodnight, sweet prince...
(horatio!blaine and hamlet!kurt)
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