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#I’m just ranting here
jacarandaaaas · 9 months
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why waiting on a miracle is one of my favorite (and one of the most underrated) encanto songs:
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So this song in my humble opinion is one of the most under appreciated songs from the movie so I’m here to give it some appreciation! (Also the irony of the song being about being ignored and overlooked and that’s exactly what happened)
So waiting on a miracle is the classic “disney I want song” but to me this song is so much more than that. One thing that sticks out to me immediately is the fact unlike most I want songs, mirabel isn’t singing about wanting more than she already has shes singing about something she lacks but SHOULD have already. From the title most people gathered that she wants a magical gift like the rest of her family and whilst that is true I find it profound that it’s not the magic for the sake of magic she wants. It’s the appreciation from her family. All she wants is to contribute and fit in and she feels the only way she can do that is if she gets a gift. It’s also important to note unlike most I want songs mirabel doesn’t get *exactly* what she wants at the end which she mentions is a miracle. She does however end up getting her ultimate goal which is the acceptance and she doesn’t need a miracle to do that. Also with the title being “waiting on a miracle” a miracle is rare it’s thought to be something almost impossible or not even real. So for mirabels I want song to be about this shows that even she herself is aware it’s literally an impossible ask but she’s just dreaming of the possibilities if she got something as rare as a miracle.
I also found the instrumental quite genius as some have already pointed out all the madrigal songs are in 4/4 time… except this one. Waiting on a miracle is in 3/4 time as yet another subtle way to show she’s out of place. as lin manuel himself said “she’s literally out of beat with the rest of her family” so thanks for that lin the song was already sad enough but you just had to do that👍
also congratulations to mirabel for being one of the few disney characters to actually say when they aren’t ok “I’m not fineeee” I know that seems minuscule but it’s so refreshing to hear a character actually express that they are feeling negative emotions and it’s ok to express that. Especially since bottling up emotions is so common nowadays it’s a good message for the next generation <3
also waiting on a miracle kinda sorta predicts the whole movie? “I would move the mountains, make new trees and flowers grow” “I would heal whats broken show this family something new” she ended up achieving all of that in the movie’ 1. The mountains split when the house was collapsing. 2. She helped isabela discover what else she could do thus making new trees and flowers grow. 3. She basically healed the entire family which is what was broken and she showed them all they are enough without gifts! So that’s just a nice little bit of foreshadowing.
Ok now back to the sad stuff! in the lyric “I would heal whats broken” turns out she’s not referring to the entire family but herself. She views herself as broken because she didn’t get a gift and she wants to fix herself 💔 another lyric to note is “cant keep down the unspoken invisible pain” a lot of people talk about how inconsiderate the madrigals are towards mirabel but the thing is they don’t realize how it effects her. We know she can put on a hell of an act (see family madrigal song) and she herself refers to her pain as “invisible” she’s hiding it from everyone so they don’t realize how badly she’s hurting because she puts on the whole optimistic act. So another way the movie demonstrates the communication issues within the family.
And how can I forget mirabel literally telling herself at the beginning “dont be upset or mad at all” she’s quite literally telling herself to not feel those things that she’s “totally fine” I also love the fact the music is in the tune of “the family madrigal” up until she says “I’m not fine” I just thought that was a cool detail!
I’ve seen people complain about “open your eyes” x3 because it doesn’t get any louder or higher it just stays the same. Well there’s actually a reason for that! the song is called waiting on a miracle, mirabel is stuck in that position. She’s stuck waiting. It’s also important to note that the visual of her begging to her abuela to “open her eyes” and not being noticed implies that she’s been trying for a long time to be noticed but she keeps being stuck.
Also shoutout to Stephanie beatriz for the amazing acting because I could FEEL the emotion and the passion. and yes I know it’s because she’s in labour but I also believe even if she wasn’t in labour the song would still sound emotional as stephanie is a really great actress! I believe in an interview she stated she wanted to perform this song like it’s the first time mirabel is expressing these feelings to herself. Basically yeah that’s true she had been lying to herself for a decade and finally she decides to admit to herself she’s not fine she’s not happy and she wants a change. The voice crack on “I’m not fine” is actually heartbreaking and this is the moment her facade breaks entirely, and I love the vocal cry she does on “longing to shine like all of you shine” it’s just these little vocal details that add so much to the song and make it so powerful
I’ve also seen people complaining this song isn’t “belty” enough but it’s just not that type of song! mirabel is stuck in her position and if you notice in a lot of Disney movies once it reaches the climax of the i want song the protagonist comes to a decision of sorts. Take “how far I’ll go for example” she decides she’s going to sail beyond the reef and the music climaxes, she also has the triumphant high note at the end. Waiting on a miracle unlike how far I’ll go is NOT a triumphant song. The music does climax but only to emphasize mirabels false hope as she’s saying all the things she would do.
with the high note I firmly believe that there’s only one significant high note at the end for a particular reason. Like I said above usually high notes in Disney songs symbolize achievement or a sense of strength found. Mirabels high note has the opposite effect. She’s quite literally begging for a miracle in desperation only to realize she’s wishing for a fantasy. “Am I too late for a miracle” is the line the song ends on and the visual is important here too. We see the fireworks fade away and mirabel is left standing alone in the dark because it was all in her mind. (Looking at you “mirabels gift is time stopping” theorists)
So yeah I find this song to be quite unique and raw for an I want song and I think the “vent” aspect of it is what makes me appreciate it even more. It’s not sugar coated. To quote stephanie beatriz herself: “real, human, imperfect, yearning to belong and hoping for something beyond what she sees in herself: an expression of hope and fear, all wrapped in teen angst.”
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So uh go stream waiting on a miracle because it’s a great song 👍(also yes this rant is a mess I’m terrible at articulating my feelings on songs but it’s also just for fun I’m like not a professional lmao)
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caramel-cream50 · 10 months
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I know this has been said but I have been queer baited time and time again, I have head canoned characters as queer time and time again, I have hoped characters would actually turn out queer so I felt like I had an ounce of actual representation time and time again.
So the fact that Crowley and Aziraphale are too genderless (or genderfull) beings who are in this relationship (being played by two men) and it’s CANON, it’s not speculation, it’s not just a head canon it’s an ACTUAL QUEER CANON RELATIONSHIP means more to me as a queer person then I can ever explain.
Good omens has done so well of making queer people feel seen by it’s variety of different characters. Another thing I love is they make it so CASUAL they make it seem so normal in a way that I’ve never seen before. And I know for certain that there’s just more of this to come.
If your a queer person (or any person at all) I would highly recommend at least giving good omens a shot because it is just amazing.
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ursamajori · 1 year
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god i love being SOOO obnoxious about my ocs everyone should be 50% more obnoxious about their ocs right neow
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ohno-the-sun · 3 months
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Sol
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chrollohearttags · 5 months
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you ever get the feeling that you’re not really liked but just kinda tolerated?…like you don’t really belong anywhere and you’re just kinda always on the outside but you don’t fit in or wtv.
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turtleblogatlast · 5 months
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One of the earliest examples of Leo’s “I’ll do my own thing to accomplish our goal without discussing it with my team first” is in episode one. It’s super, super quick, and ultimately inconsequential, but it subtly sets up a great precedent that I think is very interesting.
When the boys need to grab the medallion from Splinter without Splinter noticing, Raph, Mikey, and Donnie huddle together with Raph taking the lead in trying to devise a plan to get the mystic device. Meanwhile, Leo slinks away and grabs the device by clocking the situation (by knowing his father well enough to predict his actions - something he does with each family member multiple times in the series) and making a move on his own.
It works out perfectly fine, and is ultimately the best move, and it’s honestly okay that he didn’t consult everyone for something so small when it’s such a non issue to get it, but it nicely sets up how this tends to go in the series, including how it goes in the movie.
To be honest episode one is actually really good at setting up a lot of things for each character in the long run, this is just one example that caught my attention, as small and unassuming as it is.
#rottmnt#rottmnt leo#rise of the teenage mutant ninja turtles#im just ranting at this point feel free to ignore me I’m tired lol#anyway#Leo constantly just goes off and does his own thing#and yeah honestly his own thing often works??? but he alienates his brothers/team in the process#BUT also this isn’t necessarily a one way street#when Leo DOES try to consult his brothers or give his thoughts on matters he’s not really taken seriously#best example here is bug busters where he CONSTANTLY makes his worries and suspicions known only to have them ignored#so it’s almost understandable that he doesn’t often open up about his thought process when it’s easier to just do it#than to try and fail to justify it#after all it almost always works out for him when he does so why not?#and then the movie happens#and that line of thinking doesn’t quite hold up does it?#BUT ON ANOTHER NOTE#like I said episode one is super good at setting characters up#from showing off Donnie’s preference for tech vs magic/mystic#from showing Mikey’s innate talent for mysticism#from showing Raph’s anxieties and how easily they can stack up#there’s more but I’d have to do a closer deep dive on the ep and man am I tired#so off the head rambles it is for now#sorry everyone for my constant spam of Too Many Words into things that are prob Not That Deep#it’s honestly just fun haha#EDIT: bc I saw someone mention it! yeah all the boys have communication issues through the series and it’s super interesting and realistic#Leo in particular stands out to me here because his communication issues are a constant theme that pop up much more often#but each of them experiences this in some form
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duckiemimi · 5 months
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my gojos
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and my one geto
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phatcatphergus · 4 months
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If I see anyone, and I mean anyone, talk shit about tubbos rp abilities or spam -rp in his chat after he immediately dropped everything after seeing dapper downed in chat and then spending literal hours lookin for him even when other people weren’t really caring to look I will commit unspeakable acts that you can’t even envision with the human mind
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bruciemilf · 2 months
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I can’t explain how fucking inconvenient a lack of local transport is
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frownyalfred · 11 months
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I love writing, but these days I swear to God I wake up every morning to another rude ask, someone rewriting my story in the literal comments of my fic, or shady public bookmarks deriding my update schedule.
Y’all. Being mean to authors doesn’t make you interesting. It makes you an asshole, and it makes the authors sad :(
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Ok here’s my two cents that no one asked for on the current (sort of?) debate going on in the Creepypasta fandom on here rn.
For starters, I grew up with Creepypasta. I also grew up mentally ill. I am also autistic. So I know my way around good and bad mental health rep at this point. And to be honest? A lot of the original stories DID suck balls at representation or just horror writing in general.
However, nowadays I see other people on here, often mentally ill or any other social outcast, taking these characters and reshaping them as their own to fit their own feelings and experiences, and I don’t think anyone has the authority to criticize things like that. Cringe culture is supposed to be dead anyways, nevermind the fact it’s inherently ableist at its core.
We also need to take into account kids still exist in the fandom. Pre teens who got tired of shit like scooby doo and wanted something more “mature” or “edgy” to get into without fully going off the deep end into full blown horror movies. At least that’s how it was for me. Not everyone, especially someone who’s younger, is gonna be comfortable with the grit and gore a lot of Creepypasta “purists” are pushing for these days, and that’s okay! When a fandom gets popular it’s always inevitable and unavoidable to have the popular characters get two dimensionalized.
There’s also the whole mascot horror thing that I don’t wanna get into, but I’m 90% sure that also plays a part in the old favorites like Jeff and slenderman being brought up again. They were and still are recognizable characters. Recognizable characters aren’t a bad thing. Making horror more approachable for younger audiences isn’t a bad thing. People having their own interpretations based out of their own experiences isn’t a bad thing.
Some of us grew up and wanted the more edgy and reality based content, and that’s also not a bad thing! But neither side should be dictating or policing how the other enjoys content in this fandom. If you personally don’t like the way something is written, characterized, depicted, or drawn, no one’s forcing you to look at it. No one’s claiming it as canon. No one’s asking for you to accept it as the end all be all.
At the end of the day this fandom was built on OCs and personal depictions of stuff. I can’t name a single character or story in this community that was created by some outside party like a movie or TV studio FIRST (because I know some got so popular they breached the fandom and got their own shows/movies/comics/etc). Everything here was created by someone who wanted an outlet for their creativity, or their pain, or their coping, or whatever else.
Realism and dark headcanons aren’t bad, and neither are any of the headcanons out there who just wanna make a goofy found family of social rejects as a form of escapism.
A 13 year old drawing a fictional layout of a fictional mansion where these fictional characters live isn’t going to suddenly invalidate the horror, I promise, it’s not that deep and it never was.
A 22 year old making a dark comic on the realistic origins of Jeff who is a fictional character in a fictional world isn’t going to suddenly invalidate the more softhearted side of the fandom.
Sure, there can still be a split if people are so adamant about that, but as someone who personally enjoys both the brutal horror side and the “haha Jeff is 15 and gay” sides equally, y’all need to at least learn to be civil to anyone who has a different headcanon than you. And if that seems like too much still, the block button exists for a reason.
TL:DR this fandom is based entirely off OCs and headcanons and people can do whatever the fuck they want because none of it is real and horror comes in many shapes and sizes and intensities and no one should be bashing anyone on their headcanons or views or rewrites or whatever else.
EDIT:
Actually wait I think I have more to say-
Horror, like any genre, has NO AGE LIMIT. And by that I mean, if someone younger wants to delve into scary stuff, they should be allowed to do so without criticism. I personally grew up on “child friendly” horror media like Scooby-Doo, and the older I got the more horror I wanted to experience.
There’s no right or wrong way to “understand” horror, and I frankly think it’s ignorant and stupid to say if you don’t fully “understand” something, then you shouldn’t be involved in it at all. Horror isn’t always about gore and unspeakable violence and the eldritch entity that wants everyone’s skin inside out. That’s why horror has sub genres for fucks sake. Gut wrenching brutality against innocent people isn’t everyone’s cup of tea and that’s okay!
However, bashing anyone’s tamer headcanons, or calling anything anyone interprets differently than you “stupid”, that’s not okay. God, I feel like an exhausted parent giving this lecture to fellow adults, but this really needs to be said and stressed.
I am an adult. I like when stuff in the fandom takes a dark turn. But for nostalgia’s sake, I also love the fanon so much, because that’s what I was exposed to.
And for fucks sake if it comes down to picking sides, I would rather stick with the part of this fandom that gives zero shits how you see a character as long as you’re having fun.
You can have your serial killer 30 year old Jeff and your canon-accurate-to-that-one-image eyeless Jack, but don’t shit on other people if they don’t want the same thing. Your interpretation isn’t canon, and neither is anyone else’s for that matter.
Realistic, dark, gritty Creepypasta isn’t a new concept, and neither is “adult” Creepypasta. And by the way, Creepypasta was never stated to be for adults. That’s like saying kids and only kids can eat trix cereal. It sounds that stupid on paper.
Let people interpret things the way they wanna interpret. No one is infringing on YOUR character ideas. Creepypasta has no age limit, nor a set way the horror has to be presented. Those who do continue to claim that just sound like pretentious assholes.
Very small side note, I personally think it’s inappropriate and rude to keep using Toby as a “bad example” of mental health rep when the creator has stated multiple times the character is old, not researched, and not even in the fandom anymore. Leave the poor guy alone.
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macadam · 1 year
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Fully of the belief that Miko is only seen as an annoying character because of the dynamic between her and Jack.
Miko in isolation isn’t an annoying character. She’s reckless, and unwise, and has to be bailed out of trouble every five seconds, but this isn’t really an issue for any of the bots because as far as they’re concerned, this is Normal Human Behaviour™. They are constantly having to work with and around humans or bail them out of trouble.
Bulkhead adores Miko. He is exasperated by her like a parent is of their toddler, sure, but I wouldn’t say he is annoyed by her in any way. Her interaction with wheeljack is another example. When she exists with the bots by herself, she doesn’t come across as burdensome. She’s just limited, as every human is, by the curse of being small.
It’s only through her interactions with Jack, and his continuous challenging and calling out on her behaviour, that Miko becomes an annoying character. Frankly, it’s the tension between them which annoys the audience. We can only watch the same cyclical bickering between children before it gets old.
I have noticed that there actually are a lot of people who do like Miko, and find Jack super annoying instead. It seems like people pick one or the other depending on how you interpret which one is causing the tension. When I watched tfp as a kid, I loved Miko and hated Jack. Like, hated hated him. Because I saw Miko as a fun punk rock kid and Jack as the one needlessly calling her out. Upon rewatching tfp as an adult (who works with kids a lot) I related far more to Jack, and so the situation flipped; I saw Miko’s actions as more frustrating to watch.
The writers did eventually try to fix this, with the one heart-to-heart scene between Miko and Jack. But it was kind of rushed, and didn’t leave any lasting change to their dynamic. They went right back to arguing.
Tldr: Miko and Jack are annoying together. Fans usually pick one of em as the cause to be annoyed at but honestly, they are both fine on their own. Children bickering is annoying even in a fictional cartoon lmao
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chrollohearttags · 7 months
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y’all won’t be satisfied until you run every black writer off this app and I’m so serious. Yes, I’m being rude to anybody that takes time out of their day to post some dumb ass remarks (a recycled one at that) and uses it to disrespect black writers of any capacity. Sitting up screaming about wanting more representation and the black reader fics being nonexistent but y’all get mad about everything. Yes, I’m cussing y’all out everytime I see it and I’m blocking idc. Free, FREE content that people took time to create, y’all are being nasty about it. We don’t owe y’all grace or kindness. Especially when we can see the hypocrisy. Go to hell with gas undies on and leave us alone. And please write whatever y’all want and fuck these people. Thanks for coming to my Ted talk
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oreolesbian · 9 months
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the absolute lack of media literacy from people who haven’t even seen oppenheimer is making my head spin but whatever
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stealingyourbones · 3 months
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Spent so much time making sushi for dinner and was so excited to have a funky little sushi roll and eat it like a burrito but then my nori ripped apart mid roll and I had to eat it as a salad and apparently my brain doesn’t like the texture of imitation crab + seaweed and rice rn :(
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kentopedia · 2 months
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truthfully i want to back away from jjk but i don’t know how
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