Guys I watched Kubo and the Two Strings recently and I love it! I am highkey in love with Kubo's parents, their story is so sweet and so romantic and so tragic 😭
Anyway I'm kinda hyperfixating on this movie so expect more fanart 😅
Hey does anyone have a screencap of the moon king(kubo and the two strings) with the reflection of the moon and the sun(?) In his eyes? I'd like to imagine i'll redraw it but with Phosphophyllite, please and thank you
Emotionally devastating animated scene poll part 3
doing this by film rating/audience and studio also avoiding absolute horror like Coraline or tragedies like Grave of the Fireflies cause otherwise that'd be cheating
Hello. I'm sorry if this is sudden but I was wondering if you took story requests and if you do, could you make a platonic Dan heng IL story with the reader being the child of his previous incarnation Dan feng, the reader is great at telling stories and they would use the power they inherited from their mother to change the shape of pieces of paper into different people and monsters. (I was pretty inspired by the movie Kubo and the two strings) Jing Yuan is the one to tell Dan Heng about the reader even though he doesn't know them very well, but Jing Yuan felt like Dan Heng had the right to know about the reader especially after the reader had an encounter with Blade. (If this is too much that's completely understandable and I wish you a good day/afternoon and or night😊)
A/N - These 2 requests are kinda similar in a way. So I thought to mix them together in the one fic!! I hope that's alright to the two anons who requested
(づ ◕‿◕ )づ This isn't my best work, love-hate relationship with it, leaning more towards hate but I hope youse enjoy this anyways (hopefully lol)
W.C: 1149
Warnings: Wrongful imprisonment, reader was forced to stop aging with a potion, hints at abuse/torture but not said.
Extra: Reader is a child and there for shorter then most characters, Reader has horns and a tail (Vidyadhara)
“Dan Heng, there you are. I’ve been looking for you everywhere”
Dan Heng looked up from the book he was reading and stared at the white haired male.
“General?”
“Please, we’re far past formalities. In any case, there’s someone I think you should meet”
The raven haired male closed his book before it away and stood up, raising a small eyebrow at the General, crossing his arms, he spoke, inquiring more about what he meant.
“Who? I don’t think I was invited to anything”
“Your kid…well more specifically Dan Feng's kid”
Dan Hengs eyes widen just the slightest fraction, slightly taken aback by the information, but he agrees to go meet the child of his previous incarnation.
Jing Yuan offers to walk with him to where they were staying, while also providing information about them to make the “reunion” a bit more bearable in a way. Their name is [Name], although not technically biologically his, they did have his genes, Dan Heng wasn’t gonna question that.
[Name] was stuck in the Shackling Prisons for a while now. Ever since Dan Feng had been banished from the Loufu, some cloud knights thought it wasn’t enough and decided to imprison his kid as well, it wasn’t until Dan Heng came back and got the banishment lifted that they came clean.
Dan Hengs eyes grow concerned, looking at Jing Yuan.
“And the cloud knights?”
“Punished, they didn’t get any permission to send anyone to the prison. I released [Name] already, so all there is left is for you to meet them…don’t feel pressured to take them in as your kid though…I know you don’t wanna be tied to your past incarnation”
Dan Heng nodded a bit slowly, continuing to follow Jing Yuan by his side as the two continued walking. It wasn’t a long walk but Dan Heng still thought hard about what he’d do.
Eventually the sounds of kids clapping and cheering reached his ears, he looked up and caught sight of a shorter Vidyadhara talking to some of the younger Foxians. Their hands folded some paper, creating a paper crane before they clasped it fully around their hand, and out came an actual bird.
“And the bird flew away to meet with their family! Then they lived happily ever after”
The Vidyadhara chirped with a smile as the kids around them clapped, urging them to tell another one. Another story.
“[Name]! There you are, I brought over your fath- I mean…your fathers reincarnation”
The small Vidyadhara turns their head and looks curiously at the General before their eyes landed on Dan Heng. Their eyes widened a bit before they slowly walked over. And koala hugged his leg. Dan Heng was taken aback by this action but did not push the kid off, instead slowly leaning down and patting their head awkwardly. He was frozen in place due to the sudden hug.
Jing Yuan chuckled at the sight, before turning to leave.
“I’ll leave youse two it then, if you need help. You know where to find me”
“Papa?”
Before Dan Heng could even reply, the kid spoke one word that made him freeze a bit more. He never did like when people connected him to his past. Always telling people he wasn’t ‘Dan Feng’
“I’m not him…sorry…I’m Dan Heng”
“Papa!”
The kid pouted at him, eyes looking at him with puppy eyes, Dan Heng averted his gaze and tried to change the subject.
“Let’s…explore the Loufu together”
.
.
.
“Papa look! It’s a dragon plushie, can I have it please”
[Name] begged their father, looking up at him as they tugged his shirt.
“Again…not your papa but…sure, any particular reason why you want it?”
“I want to be able to cuddle you at night if you’re not there”
Dan Hengs eyes widened a bit as he looked away with an embarrassed blush. He wasn’t even in his Vidyadhara form but then again, the kid seemed to adamantly believe that he was their father.
Still, without a second thought he took out his wallet.
.
.
.
“Bellybog?”
“Belobog, like bell-o-bog”
Dan Heng speaks, guilding [Name] on how to pronounce the place. He didn’t know how it happened, but one minute he brought the kid on the express, the next March insisted they bring them to Belobog to see the snow.
“They’ve been stuck in that yucky prison for who knows how long, they gotta see the snow…oh! And build a snowman, we should have a snowball fight as well and-”
March proceeded to talk about the possible games and things they could do once they landed. So here he was helping [Name] with building a snowman.
“We should give it horns!”
“Horns?”
“Like you Papa”
He stiffened a bit at being called ‘Papa’ once more, sighing out. He takes two sticks and sticks them on the snowman's head to resemble horns.
“I’m not Dan Feng”
.
.
.
“Sooo, you have a kid now?”
Came a teasing voice, Dan Heng sighed and turned his head to Himeko who was helping to feed the kid some new things. Pom Pom wanted to see what the kid would like to eat, so Himeko was helping.
“Not mine…”
“But they see you as their father, you don’t see them as your kid?”
Dan Heng was quick to shush Himeko as the shorter Vidydhara looked curiously up at the two. He thanked the aeons they were still learning a few things due to the isolation, though…he did feel bad about it still.
Himeko could only laugh softly…until a crash was heard on the other side of the train. She muttered under her breath, something about March and the Trailblazer being irresponsible and prone to cause accidents, yet a smile was still painted on her face.
“Here Dan Heng, little [Name] here just needs to try one more things, you feed it to them”
She said, gently pushing the chair the child was sitting on to Dan Heng, he made no objections, simply sighed and fed the kid.
“Papa?”
“Hm?”
“I love you, I’m happy you’re back”
Dan Heng froze his movements at his kids' words, which in fact gave the kid some time to climb onto his lap and cuddle themselves in it, wrapping their tail around their body. They slowly fell to sleep with a smile on their face.
Dan Heng took a bit to process everything but sighed, carefully standing up and bringing the kid to his room so they could have a better sleep.
.
.
.
.
.
.
“Dan Heng, you left your-”
The red haired woman's voice died down as she saw the scene in front of her, with a knowing smile, she slowly closed the door and walked away, shushing the other passengers.
What lay in the archives was a small Vidydhara resting with their eyes closed, sleeping peacefully. Their bed? A taller Vidyadhara with his arms around the kid, cradling the kid as his tail rested around him as well.
OEDNIOFBS, the more I read this the more I hate it help :sob:
For anyone who has requested before this post, apologies for taking so long but I'll be working on it soon don't worry!!
Media in today's standard is quick and easy. Rarely is a show more than 2 hours long or 13-epiodes per-season. With that, animated movies are a lot slower than the typical films.
There is a discussion on if animation is suitable for film purposes and while it is often shunned by the Golden Globes or the Oscars or other awards. The very few outliers can prove these awards and the world very wrong.
But that is not what we will be talking about today. Because while animation is popular, there is a dark horse among its sphere. One with a rich history and strong filmography that should be shared. Let's talk about;
- Have I possibly gone daffy? -
Stop-motion is a film making style that compiles multiple still images of an object being physically manipulated in small movements into one whole scene.
Majority of Stop-motion films and videos use [Clay Animation] or [Paper Animation] with several more varieties of new innovations emerging under the umbrella of stop-motion. The most popular of them in the modern era towards kids is [Lego animation] which is the manipulation of Lego models in motion.
The earliest trace of Stop-motion in films is the 1898 short [The Humpty Dumpty Circus] by Albert E. Smith and James Stuart Blackton which is said to be a lost media. To compensate, please watch [A Tribute to Stop Motion]
In its early concept, Stop-motion was used as a method to create impossible things or do practical effects under budget constrains. Such as the iconic King Kong scene at the Empire State building. Since then, Stop-motion has evolved into a full production industry. From Indies; [Righteous Robot] to Juggernauts; [Laika Studios]
- Shimmer a Little at The Edges -
Unconventional media such as stop-motion is often not a style suited for every story. Its a rather expensive type of media that requires worthy innovations top break the niche barrier. Just looking at Laika Studios alone, we see that they've develop a lot of interesting ways to improve visual effects while staying to their stop-motion roots.
One perfect example is seen in < Kubo and the Two Strings > where the animators need to create water in a still image world that feels natural. [A Perfect Storm] one other part of the stop-motion puzzle is the iron-willed discipline it to conceptualize, animate and edit a production that can take about 3 to 5 years to complete. More so of a time frame than a normal film.
This difficult curve lead to budgeted methods such as using models that already exist to tell new stories. Such as; Legos or with crude multi-jointed figures of existing characters. [MOONSHINE]
While I may say its crude, the low budget production is the selling point. Assisted with sound bites taken from gaming sessions or from shows featuring a lot of inside jokes and memes. Also, its hilarious to see a Teletubby turned into a Eldritch monster.
These attempts to make stop-motion productions accessible has captured the attention of other like-minded channels to collaborate and elevate one another. [ERB: Harry Potter vs Luke Skywalker]
- For Better Tomorrows -
With all that is said, what is the power of stop-motion? As a media that is tediously overlapping across processes. What are the better tomorrows for our inanimate subjects?
I like to think, that as filmmaking grows. Stop-motion will continue to remain as a sacred tug against live action films and traditional animation. It can be used to tell complicated stories with concepts that may look strange if its adapted in a live action.
As I have mentioned in [The Beautiful World of Hilda] animation's greatest strength is simplification. Stop-motion takes the opposite side of that philosophy.
Its a higher level of world building of the materials with willingness to accept mistakes and ruggedness that gives them that little flavor of life. As an actual touchable thing, the various cartoonish styles can take on a whole new dimension to heighten the style and give it that detail that is less polished.
Stop-motion shows that filmmaking magic can still exist despite already knowing the tricks. Its a media where every frame shown has a significant purpose that invokes a specific flow. That's the power of stop-motion.
Sith: I spent the first five minutes thinking “what the fuck am I looking at” which is exactly what I both expected and wanted from this season
Screecher’s Reach: Not satisfied with making the greatest piece of werewolf media ever, Cartoon Saloon has branched out and made the greatest piece of Star Wars media ever
In the Stars: Kubo and the Two Strings, but with more imperialism
I Am Your Mother: Every other studio: Here’s some trauma! Aardman: Here’s a cute silly story about a baby lesbian and her mum!
Journey to the Dark Head: Wow okay this sure is the studio that animated Voltron- EUGENE LEE YANG!?!!
The Spy Dancer: Yes, Star Wars is at its best when it says “fuck imperialism” but it’s also at its best when it says “man is this family fucked up or what”
The Bandits of Golak: Sandpiercer
The Pit: Someone at D’Art Shtajio watched Holes and went “Nice, but you know what would be even more fucked up?”
Aau's Song: Autism be damned this teddy bear is Force-sensitive!