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old-movies-stuff · 1 year
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soundtrackalley · 7 months
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Soundtrack Alley 169: Critters 2 - The Main Course
Welcome back to Soundtrack Alley, it’s been a little while since I posted and here I am at the beginning of October and I have a perfect campy horror sci fi film. Critters 2 is a fun movie, in fact it’s the sequel to Critters, go figure. Anyway the score is by Nicholas Pike and has some of the same cast from the first film. The series goes for five movies in all but the main four are all that…
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duranduratulsa · 7 months
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Freddy's Nightmares Intro/Ending
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Spooktober TV 📺 show song 🎵 of the day: Freddy's Nightmares Theme by Nicholas Pike (1988) #tv #television #freddysnightmares #nicholaspike #80s #spooktober #halloween #october
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providence-park · 3 months
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Ben Affleck as Nicholas Dunne
GONE GIRL (2014)
Dir. David Fincher
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hepburnicons · 3 months
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gone girl (2014) headers
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straightouttapandora · 6 months
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omnivorouscinephilia · 9 months
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The Love Witch: A Pastel Gone Girl
Here is another reprint of a review I did for HorrOrigins.com. The Love Witch continues to be a film I keep coming back o for it's singular aesthetic qualities, and for Anna Biller's idiosyncratic ethos.
This review was originally published on HorrOrigins.com on 7/18/2020  There is a subset of contemporary horror that seeks to return to the formative experiences of its artist’s encounters with the genre. The work of directors such as Ti West, David Robert Mitchell, and Adam Wingard evoke the films that got them into cinema (namely, the work of John Carpenter). This nostalgia is sincere and…
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letterboxd-loggd · 2 years
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I Care a Lot (2020) J Blakeson
October 2nd 2022
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heartlandians · 2 years
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Heartland - 8x10 - The Heart of the River
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claudia1829things · 2 years
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"WIVES AND DAUGHTERS" (1999) Review
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"WIVES AND DAUGHTERS" (1999) Review Twenty-three years have passed since the BBC first aired "WIVES AND DAUGHTERS", the 1999 adaptation of Elizabeth Gaskell’s 1865 novel. And despite the passage of time, it has a sterling reputation as one of the best adaptations of a literary source in recent years.
Adapted by Andrew Davies and directed by Nicholas Renton, "WIVES AND DAUGHTERS" told the story of Molly Gibson, the young daughter of a local village doctor during the last decade of the Georgian era. The four-part miniseries struck me as Molly’s coming-of-age story. She and her widowed father lived an idyllic life until two things occurred. One, her father married a woman she disliked, a former governess named Hyacinth “Claire” Kirkpatrick. And two, Molly fell in love with one Roger Hamley, the science-minded younger son of a local squire. If Dr. Gibson had his way, Molly would have never experienced any coming-of-age. But after one of his apprentices became romantically interested in her, he became determined to keep her in a state of perpetual adolescence. But his actions merely ensured that he would fail. First, he arranged for Molly to become the companion to Mrs. Hamley, the sickly wife of the squire. This gave Molly the opportunity to form an emotional attachment to the Hamley, befriend and fall in love with younger son, Roger. Then Dr. Gibson committed another act that defeated his purpose. He married former governess Hyacinth Kirkpatrick in order to provide Molly with a stepmother. This action backfired, since Molly never warmed up to the selfish and socially ambitious older woman. However, she did befriend the new Mrs. Gibson’s rebellious and more worldly and daughter, Cynthia Kirkpatrick. Not only did both Kirkpatrick women managed to disrupt the Gibson household, but Molly’s relationship with Cynthia would open her eyes to a great deal more about relationships and life in general – both the good and bad. Other subplots abounded in ”WIVES AND DAUGHTERS”. Molly had a first-hand look into the conflict between the loveable, yet impatient and slightly selfish Squire Hamley and his more genteel older son, Osbourne. At first, the Hamleys seemed to regard Osbourne as the key to the family’s return to its former glory. But Osbourne’s scholastic troubles and excessive spending (for a secret French wife for whom he provided a private household) ended up disappointing Squire Hamley. Instead, he transferred his hopes to his younger and more studious son, Roger; who seemed to be on the verge of making a name for himself as a naturalist in Britain’s scientific community. Another subplot centered on Cynthia Kirkpatrick. The French-educated and very beautiful young woman seemed to have struck both the Gibson family and the village of Hollingford with the force of a whirlwind. Cynthia projected a sexuality and worldliness that attracted nearly every male around her – including Roger Hamley. Unfortunately for Molly, Mrs. Gibson’s plans for her daughter included an ambitious marriage to the older Hamley sibling, Osbourne. But when the intensely pragmatic woman discovered that the older Hamley sibling’s health was in a precarious state, she encouraged Cynthia to set her sights on Roger. And considering his feelings for her, Cynthia had no trouble in achieving her mother’s goals with an engagement. Cynthia also had a secret that eventually affected Molly. Five years before, she had become secretly engaged to Lord Cumnor’s land agent, Mr. Preston. The latter’s insistence on a wedding date and Molly’s involvement on Cynthia’s behalf led the doctor’s daughter to become a target of village gossip. Not only is Gaskell’s novel considered a masterpiece by literary critics, but this 1999 adaptation turned out to be highly regarded by television critics and viewers, as well. Some critics consider it to be the best adaptation of a Gaskell novel. Other critics believe it might be a toss-up between ”WIVES AND DAUGHTERS” and the 2007 miniseries, ”CRANFORD”. The 1999 miniseries certainly won its share of television awards. And if I must be honest, those awards were well-deserved. ”WIVES AND DAUGHTERS” provided a complex and in-depth peek into an English village society during the last decade of the Georgian era through the eyes of Molly Gibson. I must admit that I have rarely come across a movie or television series set during the 1820s or the 1830s. And I would certainly consider ”WIVES AND DAUGHTERS” among the best. Screenwriter Andrew Davies and director Nicholas Renton did a marvelous job in drawing the audience into Molly’s world. The setting and story of ”WIVES AND DAUGHTERS” - or at least most of them – seemed to perfectly represent this precarious stage in Britain’s history in which the country found itself balanced between the static world of the Georgian period and the social and scientific upheavals that ushered in the Victorian Age. Davies and Renton manifested this in Molly’s coming-of-age story, which included her father’s reluctance to allow her to develop into an adult and her relationship with Cynthia. The screenwriter and the director also manifested this precarious stage in the relationship between Squire Hamley and his two sons – Obsbourne and Roger. As for the latter, many believe that Gaskell based his character on her distant cousin, the naturalist Charles Darwin who became a prominent figure in the Victorian Age’s scientific community. Davies and Renton also did an excellent job of exploring the in-depth emotions of familial and romantic love in ”WIVES AND DAUGHTERS” also explored the in-depth emotions of familial and romantic love. Molly’s close relationship with her father – fully explored in Episode One – eventually grew weaker due to Dr.Gibson’s attempts to keep her close and at an adolescent stage. I found it interesting that although Squire Hamley grew to adore Molly, he made it clear to the doctor that he would never consider her – the daughter of a country doctor – as a suitable wife for either of his sons. Yet, Roger Osborne ended up married to a young French woman beneath his social station, and Roger eventually became engaged to Dr. Gibson’s step-daughter, Cynthia and married to Molly by the end of the series. Already, Victorian Britain’s social upheavals – at least in ”WIVES AND DAUGHTERS” - had began to rear its head. Cynthia’s love life, which turned out to be the best plotline in the story – also turned Molly’s life upside-down and forced her onto the path of adulthood. The miniseries’ greatest virtue turned out to be the collection of complex supporting characters that gave ”WIVES AND DAUGHTERS” its energy and drive. For me, this was especially true of five characters - Hyacinth Kirkpatrick Gibson (Francesca Annis), Squire Hamley (Michael Gambon), Osborne Hamley (Tom Hollander), Mr. Preston (Iain Glen) and Cynthia Kirkpatrick (Keeley Hawes). When the miniseries focused upon these characters, I found myself fascinated by the story. Each character struck me as so complex that it seemed a pity that none of them was the main character. Michael Gambon won both a BAFTA TV Award and a Royal Television Society Award for his portrayal of the likeable, yet socially rigid and selfish landowner, who seemed determined to return his family to its former glory, via one or both of his sons. I must admit that Squire Hamley was truly a fascinating and complex character. Although I liked him a lot, there were times I could have happily strangle him for viewing his sons as instruments for his familial ambitions and inability to truly understand them at times. Francesca Annis earned a nomination for her portrayal of the self-absorbed and social climbing Hyacinth Kirkpatrick Gibson. One would, at first, be inclined to label Hyacinth as an “evil” stepmother. But Annis’ performance made it clear that Hyacinth was not at all one-dimensional. She also managed to inject a good deal of pathos into her character, allowing one to understand that some of Hyacinth’s behavior stemmed from a sense of survival for herself and her family, due to years spent in the social wasteland as a governess and underpaid schoolteacher. Tom Hollander gave a very affecting and sympathetic performance as the poetic Osborne Hamley, the squire’s elder son who constantly disappointed his father. From other articles and reviews of ”WIVES AND DAUGHTERS”, many tend to view Osborne as a weak and self-involved man. I never got that impression from Hollander’s complex portrayal. Instead, I saw a man whose only real weakness was an inability to admit to his father that he had made a socially inacceptable marriage. It was this weakness that led to scholastic problems at the university and monetary problems. Iain Glen’s Mr. Preston seemed to be the villain of the story – at least on a superficial level. His Mr. Preston tried to coerce Cynthia into honoring her promise to marry him after five years. Superficially, Glen portrayed Mr. Preston as a smug and slightly arrogant man, who seemed obsessed with Cynthia. However, thanks to his complex performance, he revealed to audiences that Mr. Preston had been nothing more than a victim of Cynthia’s capricious and selfish behavior. As for Cynthia, Keely Hawes gave a delicious performance as Molly’s sexy and very likeable stepsister. What I found interesting about Hawes’ Cynthia is that the character possessed a talent for avoiding responsibility for her actions, along with an inability for returning love . . . yet, seems quite capable of winning the affections of everyone around her. Except for Dr. Gibson. The rest of the cast included Bill Paterson, who gave a charming, yet complex performance as Dr. Gibson; along with Barbara Flynn and Deborah Findlay as the Misses Brownings, and Rosamund Pike as Lady Harriet Cumnor, who all gave solid performances. Justine Waddell did a good job in carrying the four-part miniseries and making Molly Gibson a very likeable leading character. Yet, there were times when Waddell’s Molly came across as a bit too ideal for my tastes. Aside from her quick temper, she seemed to lack any real personal flaws. One could name her naivety as a flaw. But that particular state of mind is something the average human being will always experience during his or her lifetime. Overall, Molly was . . . nice, but not what I would call an interesting lead character. Her reaction to her father’s new marriage and her involvement with Cynthia’s problems with Mr. Preston seemed to be the only times I truly found her interesting. I certainly could not say the same about Squire Hamley’s younger son, Roger. In fact, I did not find him interesting at all. To me, Roger was simply a BORING character. Perhaps Anthony Howell was not at fault and did all he could with the role. The actor certainly portrayed Roger as a likeable and compassionate man. But the character was just boring. If I had been Gaskell or even Davies, I would have portrayed Roger as a more complex and interesting character. Or allow Molly to fall in love with a more interesting character. Alas, neither happened. Roger’s only flaw seemed to be a habit of falling in love with women on a superficial level. Due to Molly’s idealistic personality and Roger’s dull one, I found their romance very unsatisfying. Renton handled their blossoming friendship rather nicely in Episode One. However, Roger took one look at Cynthia in Episode Two and immediately fell in love. Worse, he left England for Africa after proposing marriage to her. Roger did not return to Hollingford until past the middle of Episode Four. This left Renton and Davies at least a half hour or so to develop Roger’s romance with Molly and get them married. And how did he fall in love with her? Roger took one look at Molly wearing a sophisticated ball gown and hairstyle (courtesy of Lady Harriet) and fell in love. Ironically, he fell in love with Molly in the same manner he had fallen in love with Cynthia. That did not bode well with me. Many have praised Davies for providing a memorable ending to Gaskell’s story, considering that she died of a heart attack before completing the novel’s last chapter. I would have found it romantic myself, if I had not found the couple’s romance rushed and unsatisfying. I realize that ”WIVES AND DAUGHTERS” is not solely about Molly and Roger’s romance. I also realize that the romance was nothing more than one of the story’s subplots. But that does not excuse what I saw as a poorly dramatized romance that began and ended on a hasty note. I also found the miniseries’ early sequence – Molly’s first meeting with her future stepmother at Lord Cumnor’s estate – somewhat unnecessary. I can only assume that this sequence was supposed to establish Hyacinth Kirkpatrick’s selfish nature and Molly’s dislike of her. Yet, by the time the series ended, I had the feeling that the impact of Molly’s relationship with her stepmother did not seem as strong as I had earlier believed it would, while watching Episode One. Most of Molly's problems seemed to be centered around Cynthia's relationships with both Roger and Mr. Preston. Thankfully, ”WIVES AND DAUGHTERS” has more to offer than just an interesting tale and excellent performances. Production designer Gerry Scott did a solid job in bringing the late Georgian Era back to life in a small, English village. And if I must be honest, I adore Deirdre Clancy’s costumes. I found them colorful and strongly reminiscent of the late 1820s and early 1830s. Cinematographer Fred Tammes did justice to the miniseries’ early 19th century setting. He made Hollingsford look like a very colorful place to live and southern Africa very exotic, yet desolate. I wish I could say that I found "WIVES AND DAUGHTERS" to be a complete delight. But due to a leading female character that I found too idealistic and her unsatisfying romance with a very dull character in the miniseries’ last quarter, I cannot make that claim. And as I had stated earlier, I found the early sequence featuring Molly's first meeting with her future stepmother a bit unnecessary. But the virtues far outweighed the flaws. "WIVES AND DAUGHTERS" conveyed an interesting coming-of-age story, thanks to the leading character’s interactions with some well-written supporting characters. It also provided viewers with a tantalizing look into the changing social mores of Britain, as it prepared to transcend from the Georgian Era to the Victorian Age.
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Quality Control Time
okay everyone: realistically despite having read some since last tournament I can't have read all of these books as I am one person running a blog for funnies
so I'm posting a list after I've gone through the submissions and I'm counting on you guys to tell me if any of these submissions don't count (or if someone typoed something in the submission I didn't catch)
that said here are your (tentative) competitors:
Rune Saint-John- The Tarot Sequence by KD Edwards
Quinn Saint Nicholas- The Tarot Sequence by KD Edwards
Layne Dawncreek- The Hourglass Throne by KD Edwards
Silas Bell- The Spirit Bares it's Teeth by Andrew Joseph White 
Daphne Luckenbill- The Spirit Bares it's Teeth  by Andrew Joseph White 
Benjamin/Benji Woodside- Hell Followed with us by Andrew Joseph White 
Sideways Pike- The Spacegracers by HA Clarke
Tayend of Tremmelin- Magician’s Guild series (The Novice, The High Lord) by Trudi Canavan
Gideon Nav- The Locked Tomb by Tamsyn Muir
Ianthe Tridenarius, Ianthe the First- The Locked Tomb by Tamsyn Muir
Harrowhark Nonagesimus- The Locked Tomb by Tamsyn Muir
Dekka- Gone series by Michael Grant
Therem Harth rem ir Estraven- The Left Hand of Darkness by Ursula K. Le Guin
Seregil í Korit Solun Meringil Bôkthersa- Luck in the shadows/the nightrunner series by Lynn Fleweling
Victor Vale- Vicious by VE Schwab
Alucard Emery- Shades of Magic series by VE Schwab
Rhy Maresh- Shades of Magic series by VE Schwab
Elliot Schafer- In Other Lands by Sarah Rees Brennan
Sebastian Black- The Sacred Sins of Father Black by St John Starling
Father Victor Ardelian- What Manner of Man by St John Starling
Wenren È- Devil Venerable Also Wants To Know by Cyan Wings
Zhu Chongba- She Who Became The Sun by Shelley Parker-Chan
Ouyang- She Who Became The Sun by Shelley Parker-Chan
Giovanni- Giovanni's room by James Baldwin
David- Giovanni's room by James Baldwin
Danny Tozer- Dreadnought by April Daniels
Magnus Bane- The Mortal Instruments by Cassandra Clare
Alec Lightwood- The Mortal Instruments by Cassandra Clare
Thomas Lightwood- The Last Hours by Cassandra Clare
Alastair Carstairs- The Last Hours by Cassandra Clare
Alex Fierro-Magnus Chase and the Gods of Asgard series by Rick Riordan
Magnus Chase- Magnus Chase and the Gods of Asgard series by Rick Riordan
Nico di Angelo- The Sun and the Star by Rick Riordan
Frances Janvier- Radio Silence by Alice Oseman
Nick Nelson- Heartstopper by Alice Oseman
Charlie Spring- Heartstopper by Alice Oseman
Tori Spring- Solitaire by Alice Oseman
Gwen (Princess Gwendoline)- Gwen and Art Are Not in Love by Lex Croucher
Jack Alston/Lord Hawthorn- The Last Binding Trilogy by Freya Marske
Maud Blyth- The Last Binding Trilogy by Freya Marske
Robin Blyth- A Marvelous Light by Freya Marske
Silariathas “Silas”- Sorcery of Thorns by Margaret Rogerson
Nathaniel Thorn- Sorcery of Thorns by Margaret Rogerson
Ballister Blackheart- Nimona by N.D. Stevenson
Ambrosius Goldenloin- Nimona by N.D. Stevenson 
Neil Josten- All for the game by Nora Sakavic
Andrew Minyard- All for the game by Nora Sakavic
Nicky Hemick- All for the game by Nora Sakavic
Xie Lian- Heaven Official's Blessing / Tian Guan Ci Fu by Mo Xiang Tong Xiu / mxtx 
San Lang/ Hua Cheng- Heaven Official's Blessing / Tian Guan Ci Fu by Mo Xiang Tong Xiu / mxtx 
Luo Binghe- The Scum Villain’s Self-Saving System by Mo Xiang Tong Xiu / mxtx
Shen Qingqiu- The Scum Villain’s Self-Saving System by Mo Xiang Tong Xiu / mxtx
Lan Wangji/ Lan Zhan/ Han Guang Jun- Mo Dao Zu Shi (The Grandmaster of Demonic Cultivation by Mo Xiang Tong Xiu / mxtx
Wei WuXian/ Wei Ying/ Yiling Patriarch- Mo Dao Zu Shi (The Grandmaster of Demonic Cultivation by Mo Xiang Tong Xiu / mxtx
Kelly Bennett- Heartsong by TJ Klune
Linus Baker- The House in the Cerulean Sea by TJ Klune
Arthur Parnassus- The House in the Cerulean Sea by TJ Klune
Laurent- Captive Prince by C.S. Pacat
Damianos (Damen)- Captive Prince by C.S. Pacat
Will Kempen- Dark Rise Series by C.S. Pacat
Sarcean- Dark Rise Series by C.S. Pacat
James St. Clair- Dark Rise Series by C.S. Pacat
Ronan Lynch- The Raven Cycle by Maggie Stiefvater
Adam Parrish- The Raven Cycle by Maggie Stiefvater
Loki- Loki- Where Mischief Lies by Mackenzi Lee
Theo Bell- Where Mischief Lies by Mackenzi Lee
Daniela- We Set the Dark on Fire by Tehlor Kay Mejia
Carmen- We Set the Dark on Fire by Tehlor Kay Mejia
Seonid Traighan Sedai- Wheel of Time series by Robert Jordan
Siuan Sanche Sedai- Wheel of Time series by Robert Jordan
Shallan Davar- The Stormlight Archive series by Brandon Sanderson
Jasnah Kholin- The Stormlight Archive series by Brandon Sanderson 
Jesper Fahey- Six of Crows by Leigh Bardugo
Wylan van Eck- Six of Crows by Leigh Bardugo
Nina Zenik- Six of Crows by Leigh Bardugo
Evelyn Hugo- The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid
Moiraine Damodred Sedai- The Wheel of Time Series by Robert Jordan 
Yan Wushi- 千秋 /Thousand Autumns/Qian Qu by Meng Xi Shi
Shen Qiao- 千秋/Qian Qiu/Thousand Autumn by Meng Xi Shi
Alex Claremont-Diaz- Red, White, and Royal Blue by Casey McQuiston
Henry Fox-Mountchristen-Windsor- Red, White, and Royal Blue by Casey McQuiston
Biyu "Jane" Su- One Last Stop by Casey McQuiston
August Landry- One Last Stop by Casey McQuiston
Jolene Whitaker- Stars Still Fall by Jules Kelley
Jude St. Francis- A Little Life by Hanya Yanagihara
Francis Abernathy- The Secret History by Donna Tartt
Ishita Dey- Hani and Ishu's Guide to Fake Dating by Adiba Jaigirdar
Carmilla Karnstein- Carmilla by J Sheridan le Fanu
Murderbot- The Murderbot Diaries by Martha Wells
Shuos Jedao- Ninefox Gambit by Yoon Ha Lee
Achilles- Song of Achilles by Madeline Miller 
Patroclus- Song of Achilles by Madeline Miller 
Yin Hanjiang- Devil Venerable Also Wants To Know by Cyan Wings
Daja Kisubo- The Circle of Magic series, The Circle Opens series, The Will of the Empress by Tamora Pierce
Simon Torquill- October Daye Series by Seanan McGuire
Kade Bronson- Wayward Children Series by Seanan McGuire
Jack Wolcott- Wayward Children Series by Seanan McGuire
Sundew- Wings of Fire by Tui T Sutherland
Zanja Na'Tarwein- The Elemental Logic Series by Laurie J. Marks
Karis G'deon- The Elemental Logic series by Laurie J. Marks
Thaniel Steepleton- The Watchmaker of Filigree Street, The Lost Future of Pepperharrow by Natasha Pulley
Raff Barden- One Night in Hartswood by Emma Denny
Penn de Foucart- One Night in Hartswood by Emma Denny
Alec Campion- Swordspoint by Ellen Kushner
Richard St Vier- Swordspoint by Ellen Kushner
Nico Ferrer De Varona- The Atlas Six by Olivie Blake
Parisa Kamali- The Atlas Six by Olivie Blake
Sam Black Crow- American Gods by Neil Gaiman
Salim- American Gods by Neil Gaiman
Hunter- Neverwhere by Neil Gaiman
Islington- Neverwhere by Neil Gaiman
Tsukiko- The Night Circus by Erin Morgenstern
Zachary Ezra Rawlins- The Starless Sea by Erin Morgenstern
Dorian- The Starless Sea by Erin Morgenstern
Katrina- The Starless Sea by Erin Morgenstern
Katherine- The Privilege of the Sword by Ellen Kushner
Geraldine- Christabel by Samuel Coleridge 
Priya- The Jasmine Throne/The Oleander Sword by Tasha Suri
Malini- The Jasmine Throne/The Oleander Sword by Tasha Suri
Henry Gaunt- In Memoriam by Alice Winn
Sidney Ellwood - In Memoriam by Alice Winn
Benji Ovich- Beartown by Frederik Backman
Renly Baratheon- A Song of Ice and Fire (ASOIAF) by George R.R. Martin
Loras Tyrell- A Song of Ice and Fire (ASOIAF) by George R.R. Martin
Oberyn Martell- A Song of Ice and Fire (ASOIAF) by George R.R. Martin
Ellaria Sand- A Song of Ice and Fire (ASOIAF) by George R.R. Martin
Ead Duryan- The Priory of the Orange Tree by Samantha Shannon
Thara Celehar- The Witness for the Dead by Katherine Addison
Iäna Pel-Thenhior- The Witness for the Dead by Katherine Addison
Vanyel Ashkevron- The Last Herald-Mage Series (Magic's Pawn, Magic's Price, Magic's Promise) by Mercedes Lackey
Galen- Paladin's Hope by T. Kingfisher 
Doctor Piper- Paladin's Hope by T. Kingfisher 
Eliot Waugh- The Magicians by Lev Grossman
Simon Spier- Simon vs. the Homo Sapiens Agenda by Becky Albertalli
Bram Greenfield- Simon vs. the Homo Sapiens Agenda by Becky Albertalli
Leah Burke- Leah on the Offbeat by Becky Albertalli
Abby Suso- Leah on the Offbeat by Becky Albertalli
Jay Gatsby- Self-Made Boys by Anna-Marie Mclemore
Harold Hutchins- Captain Underpants by Dav Pilkey
Eric "Bitty" Bittle- Check, Please! By Ngozi Ukazu 
Jack Zimmermann- Check, Please! By Ngozi Ukazu 
Ollie O'Meara- Check, Please! By Ngozi Ukazu
Pacer Wicks- Check, Please! By Ngozi Ukazu
Maurice Hall- Maurice by E.M. Forster 
Alec Scudder- Maurice by E.M. Forster 
Clive Durham- Maurice by E.M. Forster 
Cal Stephanides- Middlesex by Jeffrey Eugenides
Therese Belivet- Carol or The Price of Salt by Patricia Highsmith 
Carol Aird- Carol or The Price of Salt by Patricia Highsmith 
Baz Pitch- Carry On Series by Rainbow Rowell
Tennalhin (Tennal) Halkana- Ocean's Echo by Everina Maxwell
Evander (Andy) Mills- Lavendar House by Lev Ac Rosen
Kaiiestron (Kai) l, Prince of the Fourth House of the Underearth- Witch King by Martha Wells
Max Owen- Magical Boy by The Kao
Remy Pendergast- Silver Under Nightfall by Rin Chupeco
Ben De Backer- I Wish You All The Best by Mason Deaver
Nathan Allan- I Wish You All The Best by Mason Deaver
Genevieve Lefoux- The Parasol Protectorate series by Gail Carriger
Maddie Morrow- Havenfall by Sara Holland
Catherine St. Day- The Lady's Guide to Celestial Mechanics by Olivia Waite
Lucy Muchelney- The Lady's Guide to Celestial Mechanics by Olivia Waite
Fetter- The Saint of Bright Doors by Vajra Chandrasekera
Leonie Jackman- Her Majesty's Royal Coven by Juno Dawson
Red- This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone 
Blue- This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone 
Rose- Camp Damascus by Chuck Tingle
Li Shimin- Iron Widow by Xiran Jay Zhao
Cliopher Mdang- The Hands of the Emperor by Victoria Goddard
Lily Hu- Last Night At The Telegraph Club by Malinda Lo
Patrick O’Hara- The Guncle by Steven Rowley
Ambrose Cusk- The Darkness Outside Us by Eliot Schrefer
Kodiak Celius- The Darkness Outside Us by Eliot Schrefer
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silveragelovechild · 7 months
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Mike Flanagan, creator and director of “The Fall of the House of Usher” (Netflix) is well know for casting a repertory of actors in his productions (including his wife Kate Siegal). He must have been binge watching a lot of science fiction when he was casting this new show. I count at least 7 actors in prominent roles who are well known for appearing in other scifi projects.
Mike Flanagan - Director/Writer
Annabeth Gish - She play Eliza Usher, the crazy mother, in episode one. Of course she also played Scully’s replacement Monica Reyes in the X Files.
Bruce Greenwood - He stars in the series as Roderick Usher. Of course he also played Captain Pike in the Star Trek film Reboot.
Mark Hammill - He’s the slimy family lawyer Arthur Pym. But the world knows him as Luke Skywalker in Star Wars.
Nicholas Lea - He has the recurring role of the judge in the series. Everyone remembers him as the traitorous Alex Krycek in X Files.
Mary McDonnell - She plays Madeline Usher, Roderick’s ruthless sister. She also played the President of the 12 Colonies in the Battlestar Galactica reboot.
T'Nia Miller- she plays Roderick’s deceitful daughter Victorine LaFourcade. Recently she had roles in both Foundation & Peripheral.
Michael Truco - He plays Roderick’s ruthless boss Rufus Griselda. But he also played Anders, a human freedom fighter who learns he’s one of the Final Five in Battlestar Galactica.
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gay-dorito-dust · 2 years
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Masterlist 2.0
Klaus, cut the bullshit (tua) (closed)
Sandman (closed)
House of the dragon (closed)
Stranger things (closed)
Marvel:
Werewolf by night (closed)
Druig (eternals) 1 2 3
Disastrous life of saiki k
Saiki kusuo 1 2 3 4 5
Is this stalking? Potentially/hypothetically from a certain standpoint, yes. Yet it is. (Requested)
The legend of vox machina (closed)
Percival de rolo 1 2 3 4
Vox machina 1 2 3 4 5
Deadweight
Deadweight pt 2
Deadweight pt3
Deadweight pt4
Deadweight pt5
Deadweight pt6
Deadweight pt7
Deadweight pt 8
Comfort after disaster
How vox machina dealt with reader coming back from the dead (revival) (requested)
Prompt 29: actions that make them happy (requested)
Vax’ildan
Vax’s gn s/o takes a bit for him and Pike heals them (requested) (tw; blood, gore, Achilles heel slashing, throat slitting, a whole ass gash taking up reader’s torso.)
Jjba
Anasui
Weather report
Castlevania (closed)
Alucard tepes 1 2
Dracula 1 2 3
Trevor Belmont 1 2
Wednesday (closed.)
Wednesday Addams 1
Like a date date? (Requested)
Make a move (requested)
Part 2 (requested)
Part 3 (requested)
Sucker for the baked goods (requested)
Black dahlia lovers (requested)
Part 2 (requested)
Black cat and golden retriever (requested)
Truths and lies (requested) angst/happy ending. Tw: blood, hurt, gashes.
The day Wednesday Addams understood what sound a shattered heart makes. (Requested) angst/ one sided love
Part 2; it takes two to mend a shattered heart (Requested)
Change of heart (requested)
Wednesday missing reader (not click bait) (requested)
Someone’s (Enid) is a little butt hurt (requested)
Alive (requested)
Companion of darkness (platonic Wednesday imagine request)
A nightshade always protects (requested)
Precognitions aren’t to be taken seriously when processed without the necessary context aka Wednesday learns how to cry (requested)
Mad dog of Nevermore (requested)
1068 days isn’t nearly a long enough time to keep me from you. (Requested)
Dragon of Nevermore (requested)
Rich reader spoils enid and Wednesday (requested)
The king of curses (requested)
Chaos witch (requested)
Chaos witch pt 2 (requested)
Chaos witch part 3 (requested)
Enid Sinclair 1
Liking you romantically (requested)
Sucker for the baked goods (requested)
Tomorrow’s another day (requested)
Because we work (requested)
Rich reader spoils enid and Wednesday (requested)
Xavier Thorpe
Hypothetically
Sucker for the baked goods (requested)
Finger friends (requested)
Xavier and Ajax’s no good, very bad day (requested)
Ear piercings are a bitch to heal. (Requested)
Xavier and reader’s children go to Nevermore (Requested)
Our rivalry became more because of a misdemeanour. (Requested)
Sketch your way into my heart (Requested)
Nasty bitch goblin mother fucker (requested) (may/may not include unrealistic selections of the usage/effects of marijuana otherwise known as weed)
AIB (alice in borderlands)
Chishiya
See you on the other side
On the other side (part 2 to fic above) (requested)
Name a star after me
Final Fantasy 7
Sephiroth
Cuddling headcannons (requested)
Trigun stampede
Vash the stampede
Some Vash stuff
Nicholas D. Wolfwood
Reader flusters Nicholas (requested)
Lockwood and Co
Fic page here.
Shazam
Fic list here
Resident evil 4 remake
Fic list here
Spider-man: across the Spiderverse
Fic list here
Mortal Kombat 1
Fic list here
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cowplant-snacks · 11 months
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Meet Nicholas Pike (he/him)
lazy / geek / socially awkward
Nicholas is available for download from the gallery. Feel free to tag me if you use him in your game.
Gallery ID: Cowplant-Snacks 
My townies are designed to be used with the MCCC import tag.
Default eyes + skin see my resources.
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“What have we done to each other?
What will we do?” - Gone Girl (2014)
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garadinervi · 2 years
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A [Abcd] – An Envelope Magazine of Visual Poetry, Edited by Jeremy Adler, The National Poetry Centre, London, 1975, First editions of 200 [The Idea of the Book, Portland, OR]. Feat. Nicholas Zurbrugg, Lawrence Upton, G. J. de Rook, Betty Radin, Jennifer Pike, bpNichol, Maurizio Nannucci, Jackson Mac Low, Dom Sylvester Houédard (dsh), P. C. Fencott, Paul Dutton, Bob Cobbing, Sylvia Finzi, Clemente Padín, Sean O’Huigin, Gayle Anderson, Paula Claire, Bill Bissett, Tamaki Kitamaya, et al.
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