Emily Dickinson (1830-1886)
American author of nearly 1800 poems, out of which only 10 were published during her lifetime
notable works: "Because I could not stop for Death", "I dreaded that first Robin, so", "Hope is the thing with feathers" and many other poems
her poems were unusual for her time, making use of slant rhyme (half rhyme) and unconventional punctuation and capitalization
influenced by Ralph Waldo Emerson
she had a life-long affair with her childhood friend and sister-in-law Susan Huntigton Gilbert Dickinson, and never married
she was reluctant to go out and socialize and was seen as an eccentric, oftentimes refusing to leave her house or even her bedroom and only corresponding through letters
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"I started Early – Took my Dog –
And visited the Sea –
The Mermaids in the Basement
Came out to look at me –
And Frigates – in the Upper Floor
Extended Hempen Hands –
Presuming Me to be a Mouse –
Aground – opon the Sands –
But no Man moved Me – till the Tide
Went past my simple Shoe –
And past my Apron – and my Belt
And past my Bodice – too –
And made as He would eat me up –
As wholly as a Dew
Opon a Dandelion's Sleeve –
And then – I started – too –
And He – He followed – close behind –
I felt His Silver Heel
Opon my Ankle – Then My Shoes
Would overflow with Pearl –
Until We met the Solid Town –
No One He seemed to know –
And bowing – with a Mighty look –
At me – The Sea withdrew."
("I started Early – Took my Dog", Emily Dickinson, around 1862)
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Floral Beauty: An Appreciation of Nature's Splendour
Exploring the Enchanting World of Flowers and the Kaleidoscope of Natural Hue.
This poem by Amy Lowell paints a vivid picture of a garden in early spring, where a variety of flowers are waiting to bloom. It captures the anticipation and beauty of a garden in its pre-blossom state, with the promise of different flowers about to burst into colour.
The Little Garden" by Amy Lowell
A little garden on a bleak hillside
Where deep the heavy, dazzling mountain snow
Lies far into the spring. The sun's pale glow
Is scarcely able to melt patches wide
About the single rose bush. All denied
Of nature's tender ministries. But no, —
For wonder-working faith has made it blow
With flowers many hued and starry-eyed.
Here sleeps the sun long, idle summer hours;
Here butterflies and bees fare far to rove
Amid the crumpled leaves of poppy flowers;
Here four o'clocks, to the passionate night above
Fling whiffs of perfume, like pale incense showers.
A little garden, loved with a great love!
Below are a selection of photos from spring and summer, showing the beauty of nature.
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Elm
by Silvia Plath
For Ruth Fainlight
I know the bottom, she says. I know it with my great tap root:
It is what you fear.
I do not fear it: I have been there.
Is it the sea you hear in me,
Its dissatisfactions?
Or the voice of nothing, that was your madness?
Love is a shadow.
How you lie and cry after it
Listen: these are its hooves: it has gone off, like a horse.
All night I shall gallop thus, impetuously,
Till your head is a stone, your pillow a little turf,
Echoing, echoing.
Or shall I bring you the sound of poisons?
This is rain now, this big hush.
And this is the fruit of it: tin-white, like arsenic.
I have suffered the atrocity of sunsets.
Scorched to the root
My red filaments burn and stand, a hand of wires.
Now I break up in pieces that fly about like clubs.
A wind of such violence
Will tolerate no bystanding: I must shriek.
The moon, also, is merciless: she would drag me
Cruelly, being barren.
Her radiance scathes me. Or perhaps I have caught her.
I let her go. I let her go
Diminished and flat, as after radical surgery.
How your bad dreams possess and endow me.
I am inhabited by a cry.
Nightly it flaps out
Looking, with its hooks, for something to love.
I am terrified by this dark thing
That sleeps in me;
All day I feel its soft, feathery turnings, its malignity.
Clouds pass and disperse.
Are those the faces of love, those pale irretrievables?
Is it for such I agitate my heart?
I am incapable of more knowledge.
What is this, this face
So murderous in its strangle of branches?——
Its snaky acids hiss.
It petrifies the will. These are the isolate, slow faults
That kill, that kill, that kill.
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two american poems/ pd lyons poetry project
Women Buying Guns In America
Smash the fuckin’ TV walk barefoot in the snow
Pierce ourselves with steel
Chew tequila worms ‘til the hand of god wipes our mouths
Piss wherever, say whatever fuck whoever
Fearless with the night of any street of any place
And no Thelma and Louise
We don’t die
Don’t even get caught
We hide
Disguised as geriatric cunts
Happy enough to sleep now
Two ends of the same…
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I am inert
When you are around.
You sap my strength and resolve.
My energy is sucked
Into your great abyss
That place, that void
From which your laziness wells.
I get caught in your vortex
of chill and inaction
I struggle against
your web of nothingness
in vain. It's pull
is stronger than
my will and power.
Months go by without
accomplishment,
action;
a to-do list
with no check marks
That's what you do to me.
I struggle as the years
go by
nothing to show for it.
I hate that I can't get away
from the force of that drain
as I watch my lifetime
disappear
How I wish for a weapon
a magic bullet
a word
a thought
a deed
that could free me
from the abyss
that is destroying my life.
But I am inert
when you are around.
And nothing can change.
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Marie Howe, from Magdalene: Poems; "The Teacher"
Text ID: So, I thought I had to become more than / I was, more than I'd been. / but that wasn't it. It seemed rather that / something had to go. Something had to / be let go of.
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I wish I could eat dirt the way you do. Clamp it between my wisdom teeth, spit out the worms and turn the mulch into stone and gem and something. I wish I could make
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Listen to the wind it talks. Listen to the silence it speaks. Listen to your heart it knows.
Native American Proverb
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Louise Glück, from “Poems: 1962-2012; Persephone The Wanderer", published c. 2012.
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Winter Stars by Sarah Teasdale
I went out at night alone;
The young blood flowing beyond the sea
Seemed to have drenched my spirit’s wings—
I bore my sorrow heavily.
But when I lifted up my head
From shadows shaken on the snow,
I saw Orion in the east
Burn steadily as long ago.
From windows in my father’s house,
Dreaming my dreams on winter nights,
I watched Orion as a girl
Above another city’s lights.
Years go, dreams go, and youth goes too,
The world’s heart breaks beneath its wars,
All things are changed, save in the east
The faithful beauty of the stars.
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The slime of all my yesterdays
rots in the hollow of my skull.
— Sylvia Plath, The Collected Poems, (1981)
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Listen to the wind it talks. Listen to the silence it speaks. Listen to your heart it knows.
Native American Proverb
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"Some long-forgot, enchanted, strange,
Sweet garden of a thousand years ago,"
~ Edna St. Vincent Millay, from "Interim"
via southerncrossreview.org
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my sister and I both agree that one of the best parts about china was how there's food everywhere. And not just, like, bags of chips, but real hot, cooked, tasty food. You hike to the top of a mountain and there's a guy with a cart selling chicken skewers and freshly steamed corn on the cob. When you hike to the top of a mountain in america, what do you get? Nothing. An uninterrupted view of nature. Where did we go wrong as a country
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I am almost asleep
beyond the rim of the waking world
not yet to the realm of dream
not fully alive, but not dead
dead to the world
they say.
Heart beating,
but slow and slowing
Liminal
neither conscious
nor unconscious
soon to slumber
now to nod
sleep
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