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copper-16 · 2 months

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You Didn't Let Me Finish

Ingrid had a rule that she had held onto ever since she started working as a stripper: she doesn't sleep with clients.

Usually.

Ingrid doesn't usually sleep with clients. Exceptions must be made for most rules anyways though, right?

(a/n: Yes it's a stripper fic. I mean absolutely no disrespect to anyone, this is just a silly little idea I had in my head and decided to write on a whim. Feel free to skip if it's not your thing! Also I didn't proofread it, so ignore any mistake lmao)

Sometimes, Ingrid wasn’t exactly sure how she had ended up here.

The Norwegian had done a semester abroad in Spain when she was in university, and found that she absolutely loved the city. So when the opportunity to move to Barcelona presented itself after graduation, she jumped at the chance to go. Her study abroad had been in Madrid, but it was still Spain, right?

And the Norwegian actually preferred Barcelona to Madrid, the longer she lived here. She enjoyed the energy of the city, how posh and lively it was, how wonderfully kind the people were. The job she was offered was modest, and despite the fact that she got by, Ingrid wasn’t all that comfortable with living from paycheck to paycheck if she didn’t have to.

Which was exactly how she had found herself at Dollhouse. It was the most exclusive strip club in Barcelona, catering only to those clients who could pay for the supreme services, and they only accepted the best when it came to their girls.

The owner had taken one look at Ingrid, roving his eyes up and down the dark haired woman with interest before he was nodding, clearly pleased with what he was seeing. Her ability to speak both English and some Spanish came in handy, and she became a regular for many of the international clients.

Ingrid was paid well, only worked three nights a week, and it helped her to nearly double her salary with the tips she was given. She gave lap dances, some pole work, did a few shows on the main stage, served customers when asked. It was an easy gig, and she couldn’t help but feel appreciated given the reaction that she could stir up in most men. It was addicting, really. She felt powerful and in control, her confidence only rising the longer she worked there.

It wasn’t sex. People often got that mixed up, that being a stripper meant sex. It could mean sex, if that was what the girls wanted, but Ingrid had little interest in the older men who came into her rooms. She was as gay as they came, and it was very rare for them to receive a female client, and Ingrid had never had the pleasure of having one, not personally.

But she wasn’t entirely opposed to the idea, if the right person came along.

It’s just, nobody had.

But perhaps that would change.

—

It was a Sunday night, which meant that the Dollhouse was relatively calm. Ingrid was in the back room with a few of the other girls, getting ready for her show in around thirty minutes when Miguel came back.

“Ingrid, Misa!” He called, and both women turned to look at him, one eyebrow raised. They stood, setting their makeup down to walk over to their boss, who was in charge of the scheduling.

Miguel was gruff but kind, and he always made sure the girls were comfortable and not exploited. He could be a bit rough around the edges but he never failed to make the girls feel cared for as people and not just objects, and in return they did their best to make his life as painless as possible. It was a good gig, they all knew that, compared to the nasty bastards at some of the other places around town.

“We have two clients in separate private rooms. Footballers, booked after winning something big I think, I want the two of you to take them,” Miguel explained, and he looked between Misa and Ingrid with a critical eye, clearly trying to decide who to send where.

Despite the fact that Ingrid was Norwegian and Misa was Spanish, the two actually looked quite similar. Ingrid was paler, taller, and less tattooed than Misa was, but in terms of build and physical appearance, they were rather alike.

“Misa, I want you in Room One and Ingrid in Room Two, Misa your Spanish is better than Ingrid’s. The girls will cover your sets for the night so don’t worry about that. They’ve booked for the rest of the night so make sure to give them their money's worth but you’re free to leave when you are done, alright?” Miguel decided, and Ingrid and Misa both nodded.

“Oh and–”

“If they do anything creepy we will come find you,” Ingrid and Misa rattled off in perfect unison, and Miguel scowled at his predictability before he shooed them away to go get changed, the two women smiling at the action.

Ingrid and Misa walked back to the changing room, each of them looking through the different lingerie sets they could wear.

“What are you thinking?” Misa asked as she pulled out a purple lace set before shaking her head, shoving it back in her closet.

“Well if they paid for the whole night then clearly they have money, probably want something expensive and distinguished. Footballers can be assholes and handsy, and they think too much with their dicks and not enough with their heads,” Ingrid scoffs lightly, and Misa snorts as she looks over at the dark haired woman’s closet.

“Hmm…you’re going to wear this,” Misa decides, pulling out a hunter green piece of lace, and Ingrid raises her brow before nodding her agreement, looking over at the Spaniard’s closet.

“And you’re going to do this, I’ve seen you in it before and your chest looks amazing in it,” Ingrid says with an air of finality, and Misa smirks at the outfit before they both went into their changing rooms to slip their clothes off and put the lace on. They don’t bother with robes, the hallway to the private rooms is secluded from the rest of the club anyways, so the two women make their way back together, chatting lightly about their day jobs, what their weeks look like.

By the time they make it to Room One and Room Two, the women are both relaxed and ready to do their job. Neither of them really has any idea what lies beyond the door besides a footballer, so with one final goodbye they both enter the passcodes to the room before stepping in.

Ingrid closes the door behind her before turning around, and she can’t help the way that her eyebrows jump in surprise when she sees who it is sitting at the table.

The room is set up with a bed, a couch and two loveseats, as well as a table with four dining room chairs. Lap dances are usually given in the chairs at the table or the loveseats, but the rest of the room can be utilized however the girls may choose to.

The thing that surprises Ingrid though, is the fact that the person sitting at the table is a woman, and not a man.

The woman stands, the chair rustling against the floor as she pushes it back before she steps forward to examine Ingrid. Her gaze is curious but not sharp, her entire body language relaxed. She’s clearly a footballer, her body muscled and well built.

She can’t be more than a few years older than Ingrid, and she’s just an inch or two shorter than her with light, sandy blonde hair that is straightened just past her shoulder. Her hazel eyes take Ingrid in, the light lace that covers her body, and she nods appreciatively for a moment before cocking her head.

“Hello,” she offers, and Ingrid is quick to respond, the woman’s gaze making her feel a little bit hot.

“Hi,” Ingrid responds, not entirely sure what to say. The woman was speaking to her in English, so clearly she recognized that the Norwegian was a foreigner, though she wasn’t exactly sure how she noticed that before she had even spoken.

“Why did they send you in here to me?” The woman asked curiously, her hazel eyes still boring into Ingrid. The question is surprising, considering the fact that they were at a strip club. They sent her in here to do her job, but the Norwegian gets the sense that isn’t what this woman means, so she answers with more candor.

“My coworkers' Spanish is better than mine. Presumably your friend only speaks Spanish, but you clearly can speak English well, so here I am,” Ingrid supposes, and the woman nods slowly before her lips quirk up in a smirk.

“My friend can speak enough English for tonight, I promise. I think you should switch rooms…I insist actually. I think she’ll be quite charmed by…” the woman looks down at Ingrid once more before her gaze returns to the dark haired woman’s eyes, “...you.”

Ingrid’s eyebrows raise in surprise before she nods in agreement, never one to say no to a client request unless it really was something she couldn’t do.

“If that’s what you wish…” Ingrid trails off, still unsure of the woman’s name.

“Alexia. And my friend's name in the other room is María,” she supplies, and Ingrid regards her for another minute before slipping out of the room, Alexia turning back to sit down in the chair she had been in originally.

The Norwegian walks over to Room One briskly, rapping on the door three times before she steps back, waiting for Misa to come out. It only takes a few seconds for the Spaniard to slide out of the room, her eyebrows furrowed in clear confusion.

“We need to switch, the other woman requested it,” Ingrid explains, and Misa nods for a second before she looks back at the room.

“Can you believe it’s women? And god, if the second one is as hot as this one…” Misa trails off, practically drooling, and Ingrid can’t help but laugh lightly, because really she quite agrees. Misa is the only other gay woman at Dollhouse, and Ingrid finds solace in the fact that she isn’t alone, calmed by the Spaniards presence.

“I don’t think you’ll be disappointed. Her name is Alexia,” Ingrid adds before the younger woman can leave, and Misa nods before she gestures back at the room next to them.

“Names Mapi,” Misa supplies, and Ingrid’s eyebrows furrow at the fact she’s now been told two separate names for this woman. But honestly, if she was even half as attractive as the first woman, Ingrid was seriously going to be in trouble.

The first woman, Alexia, hadn’t exactly been her type per say, but objectively she was very attractive.

As Misa disappears down the hallway Ingrid takes a deep breath, trying to center herself and remain calm at what is about to occur. She knew what the deal was with men, how to dance and act.

But women were different, Ingrid knew that even if she had never had a female client. They were more watchful, more appreciative, more in tune.

And well, if this woman was as attractive as Misa was making her out to be, she might be in a bit of trouble.

The green eyed woman punched in the code before she stepped into the room, once again shutting the door behind her.

Ingrid turned around, taking in the room and the woman who was settled on one of the room's two armchairs.

And god was Misa wrong.

This woman wasn’t attractive.

She was mind numbingly, astronomically stunning, and it takes everything in Ingrid not to let her jaw physically drop.

The woman had her hair down in beach waves, lighter highlights against the brunette of her hair accenting the dark strands, framing dark eyes and supple, light pink lips that are set in a smirk.

She’s wearing a button down that has far too many buttons undone, but it only serves to show off her cleavage, biceps straining against the tight black fabric. She has on gray dress pants, and she shifts her shirt sleeve up to glance at her watch before she stands, making her way over to Ingrid.

“Hola princesa,” the woman greets softly, her voice raspy and deliciously low, and if Ingrid wasn’t wet at just the sight of her, she was now.

If there was anyone who was going to break her rule of not sleeping with someone, it would be this woman. That was assuming she wanted to as well, but if the glint in her eyes was anywhere near as serious as it looked, Ingrid thought her chances might be relatively high.

She scrambled to gather as much Spanish as she possibly could. It was a little pathetic that she wasn’t more fluent, but between this being her third language and the fact that her work was in English and most of her friends spoke the language, her Spanish could definitely use some work.

“Hola,” Ingrid rushed to reply, internally cringing at how bad her accent was while understanding washed over the woman’s face, and she switched to a heavily Spanish accented English.

“Ah, English, no?” The woman suggested, no malice in her tone, and Ingrid let out a small sigh before she nodded.

“Si,” she acquiesced in a bit of a defeated tone, but the woman simply tipped her head back in a delicious laugh, something light and breathy, her neck on full display. She had a tattoo on it, and Ingrid could see more ink peaking back at her on the woman’s available skin.

It did absolutely nothing to help the green eyed woman’s aching core, but she ignored it in favor of returning to the problem at hand, to the fact that she needed to get on with the performance for this woman.

“Sit?” Ingrid asked gently, gesturing to the table and chairs that surrounded it, walking over to pull one of them out.

The woman made no move to walk over, seemingly not done with the conversation.

“I’m Mapi,” she said instead, and Ingrid raised her brow at the woman, clearly a little curious.

“I’ve been told by a confident source that your name is María,” Ingrid sidesteps the introduction to ask the question, watching the way that the woman’s eyes darkened with lust when she says her name.

“Have you now?” Mapi drawls, the surprise clear in her face. The smirk is back, and she finally begins to walk toward the table, but before she sits she stands in front of Ingrid, still only looking her in the eyes.

The Norwegian keeps waiting for her to drop her eyes down, to look over the lace that could hardly be described as modest, but the smaller woman seems hell bent on keeping her eyes trained on Ingrid’s.

“And you are?” She asks lightly, the dark haired woman answering her question quickly and easily.

“My name is Ingrid,” she murmurs, once again gesturing at the chair, and this time Mapi takes her up on her offer. The Spaniard sits down before she looks up at the Norwegian, who strolls over to turn the music on.

“Any requests?” Ingrid questioned, looking back at Mapi to find the woman staring at her with hooded eyes and a hungry gaze. She shakes her head, finding no offers.

“Whatever you prefer,” Mapi decides, and Ingrid observes the woman for a moment before nodding, turning back to the speaker system. She sets up her playlist, playing the song TiO by Zayn, which had been a recent favorite of hers.

The song is a bit of a quicker pace, which she liked to start out with. It was easy to flash the quick movements before she let things get sensual, and her approach for this woman is absolutely no different.

She turns back toward the table, walking over in long strides before she comes to rest in front of Mapi, her ass pressed back into the table behind her.

“Can I touch you?” Ingrid asks in a low voice, tossing her thick, dark hair over one shoulder. Mapi looks up at her with an unreadable expression, holding eye contact before she nodded carefully.

The Norwegian stood from the table, stepping forward. She turned, rounding the chair that Mapi was currently settled in, just watching. The brunette didn’t look back at her, but did meet her eyes when Ingrid finally circled all the way back to the front of the chair.

It’s at this point that Ingrid brings her hand up, resting it over the Spaniard’s collarbone carefully. She slides her hand up, coming into contact with bare skin as she pushes her middle finger inside the cuff of the woman’s popped shirt.

The dark haired woman plays with the collar for a moment before she begins moving once again. She drags her fingers around to Mapi’s back, stopping when she is standing in front of the Spaniard’s back, pressing both of her palms to the brunette’s back, fingers down. She slowly runs her hands down, into the small of the footballers back, before she shifts, moving them to caress her sides gently.

She’s gone as soon as she arrived, however, continuing around the chair. Her hands travel over the Spaniard’s arm, down her side and around the underside of her chest before she splays it over the top of the brunette's abdomen.

The muscle beneath her palm is rock hard, and she cannot help but let out a harsh breath at the feeling. She hopes that the footballer doesn’t notice, but when she looks up to see that Mapi is smirking back at her, she considers the effort fruitless.

Ingrid’s hands retract from the Spaniard’s skin, and she shifts so that she can move her hips down and into the brunette’s lap, her back to Mapi’s front. It’s a bold first move, but she’s quick, in time with the song for just a tease before she’s gone, several steps away.

Mapi is watching her with eagle eyes as Ingrid runs her hands up her own sides, squeezing at her own chest, letting her eyes flutter shut at the feeling for emphasis. It’s a little pornographic, and perhaps a little bit of a sell out, but she doesn’t care.

The Norwegian makes sure to spend several moments just watching, teasing herself in whatever way possible, reveling in the way that the Spaniards eyes darken at the sight. Her nipples strain against the lace, hard and begging to be freed, but the dark haired woman ignores them in favor of returning to the footballer.

The song changes to Lose Control by Teddy Swims, something more slow and sensual. Ingrid stalks back to the brunette, her intent clear when she places her hands on the woman’s knees, sliding them up her thighs before squeezing, lightly.

The Norwegian moves her hands up the Spaniard’s side as she settles in her lap, her knees spread wide as she presses forward into the brunette’s personal space. She moves her hips slowly in an infinity pattern, sensual and enough to drive any man crazy.

And yet still, Mapi has yet to touch her. Her arms remain listless at her sides, rather awkwardly. It’s a staunch change from the male clients she has often, who feel that they are allowed to touch, to take as much as they want. They consider the fact that Ingrid has been paid for, that they are allowed to do whatever they want to her, within reason.

This doesn’t seem to be the case for this woman, however, and it only turns Ingrid on more. She leans forward even further, placing one hand on the woman’s shoulder while the other remains firmly planted on her side. Her lips are on the shell of the woman’s ear as she speaks, her voice low.

“You can touch…you know,” the Norwegian drawls, her words breathy and filled with lust. She leaned back to look the footballer in the eyes, noting that her gaze was dark, the way her tongue flicked out to wet her lips.

They held the others' gaze for a moment, neither moving until finally, finally Ingrid felt two hands carefully, respectfully placing themselves on her side, down toward her lower back.

It was the Norwegian who moved them, removing her hands from the Spaniard to place hers over the brunette’s, sliding them lower, lower, lower, until they were resting firmly on her ass. Only then did Ingrid remove her own hands, planting them on the back of the chair as she rolled her hips down into the brunette.

Mapi was staring at her intently, and she gently palmed at the Norwegian’s ass to test, rewarded greatly for her efforts when Ingrid arched into her, letting out a breathy noise.

The dark haired woman’s body could only be described as fluid as she moved above the Spaniard, finally moving her leg to hook over the back of the chair, wrapping around the brunette’s back.

Mapi slid her hands up, pulling Ingrid’s body more flush with hers. The Norwegian smiled, their faces just centimeters from one another. The Spaniard’s breath on hers was hot and insistent, her eyes roving over Ingrid’s face, finally eyeing the lace that covered the dark haired woman’s body.

“You like it?” Ingrid purred, a smile evident in her voice as she gripped Mapi’s shoulders. The Spaniard scoffed lightly, looking back up at Ingrid.

“You could say that,” the brunette hummed, her voice thick and low. It sent a shot of heat straight to the Norwegian’s core, and she arched even further into the smaller woman.

Ingrid turned her head, brushing her nose against the Spanaird’s temple, her breathing shallow.

“I don’t sleep with clients,” the Norwegian explained, and felt the shift immediately from the woman beneath her, the instant reaction to move away.

Ingrid had to give the footballer that, she was nothing if not respectful. It only made the Norwegian want her more, only made her flush further at the thought.

It was her choice.

Ingrid intercepts her hands, shoving them back down onto her ass before she brought her own to the brunette’s neck, pulling her in.

“You didn’t let me finish,” the dark haired woman pouted, her lower lip jutting out slightly. Mapi reached forward, running her thumb over Ingrid’s lip slowly, softly.

“Lo siento, princesa,” Mapi soothed, her expression willing Ingrid to continue. The Norwegian smiled gently, leaning down so that her lips hovered over the Spaniard’s throat.

“I don’t sleep with clients, not unless I want to,” Ingrid continued, her hot breath leaving a trail of goosebumps in its wake. Her fingertips trail up Mapi’s side, running over ridges of muscles and soft skin, dipping under her shirt before they retracted. Never direct, always teasing.

“And trust me, I want to,” the Norwegian promised as she brought her face back to level with Mapi’s, her eyebrow quirked, almost daring the Spaniard to disagree.

But the brunette would never do that, especially not when she has the most gorgeous woman she had ever laid eyes on sitting in her lap.

They are left staring at one another for a few moments, their eyes flickering back and forth between the others eyes and lips, waiting to see who breaks first. A game of wills, a question of who is going to hold the power.

It’s the Spaniard who snaps first, lunging forward to capture Ingrid’s lips in her own. She’s impatient, unable to resist having Ingrid in front of her looking so delectable, without doing anything about it.

Mapi’s mouth is hot and insistent on her own, the brunette’s hands coming up to cradle Ingrid’s face as she kisses her senseless.

It’s only a few moments later that the Spaniard presses her tongue into the Norwegian’s mouth, silently asking for entrance. The dark haired woman allows her access instantly, completely floored at the feeling of Mapi’s mouth on her own.

The footballer swipes her tongue over the roof of Ingrid’s mouth, smiling into the kiss at the whine that slips past Ingrid’s lips at the feeling.

The Norwegian’s head is dizzy, completely and utterly overwhelmed with the feeling of the Spaniard, of her hands being everywhere, of the press of her lips to Ingrid’s. It feels as though life is being breathed back into her, transformed into a fire that is sent straight to her core.

She knows that she’s soaked the lace beneath her completely, but she can’t bring herself to care. Especially not when Mapi leans back, gesturing for her to stand. Ingrid is quick to comply, not bothering to try to make herself seem as cocky as she was pretending earlier.

It’s been a long time since she’s been fucked properly, and something in this woman’s eyes tells her that the Spaniard is exactly what she needs.

“Get on the bed,” Mapi instructs, and Ingrid is quick to comply, walking with purpose before laying back on the bed, sitting with her head up near the pillows, still clad only in her lace.

The Spaniard stands from her spot on the chair, flipping the lock on her watch open as she sets it on the table in front of her. She pulled her shirt up from its spot having been tucked into her pants, looking over at the Norwegian as she undid the last few buttons.

She laid the shirt down on the table, the picture of control and composure. The loss of the garment leaves her in only a black bra, which contrasts against the tan of her skin. She loses the belt she had on but elects to keep her pants on, instead moving toward the bed.

Throughout this, the footballer had never let her eyes leave contact with Ingrid, not wanting to let the Norwegian out of her sight, even for a second.

Ingrid lays back as Mapi joins her on the bed, crawling up the Norwegian’s body until she was positioned over the taller woman’s body, where she had wanted to be from the beginning.

“You tell me to stop the minute you do not like something, si?” Mapi asked, her voice clear and leaving no room for argument. The Spaniard had no interest in making Ingrid do anything she did not want to.

“Si,” the Norwegian parroted, squirming just slightly under the Spaniard, desperate for her to do something.

Once she has confirmed Ingrid’s answer, the Spaniard is quick to begin her descent down the woman’s body. She captures the dark haired woman’s lips in a bruising kiss, applying just the right amount of pressure and tongue to have Ingrid gasping for more.

She releases the Norwegian’s perfect, plump lips only in favor of working her mouth across Ingrid’s jaw, sucking and nipping lightly at the skin there. When she reaches the dark haired woman’s ear, she works her lips down and over the column of Ingrid’s throat. She pays close attention to the areas that make the taller woman let out a heavier breath, or the ghost of a whine, doubling down on her attention to those spots.

She kisses over soft, pale skin, and down toward the soft flesh of her chest. Ingrid is arching into her before she even reaches her destination, desperate for more.

“Can I–” Mapi removes her lips only to start a sentence that is never finished.

“Yes, please, do anything to me,” Ingrid gasped, her entire body on fire at the thought of Mapi’s mouth over her chest, at the apex of her thighs. A flush is blooming on her chest as the Spaniard pulls the lace down, revealing Ingrid’s chest.

Her nipples are peaked, aching to be touched and played with. The footballer doesn’t even bother with using her fingers first, simply leaning down to wrap her mouth around one of Ingrid’s nipples, her hand coming to cover the other.

“Aye, María,” Ingrid hisses at the feeling, her whole back leaving the bed as she arches into Mapi’s mouth. Her hand has flown to the Spaniard’s head, her fingers tangling in the brunette’s hair and tugging lightly.

Mapi doubles her attention at the feeling, swirling the tip of her nipple around her tongue, teasing her teeth over the sensitive area. Ingrid ate every lap of attention up, basking in it. She couldn’t remember the last time someone had made her feel so much, and it was turning her on in a way that was borderline painful.

“Please, more,” the Norwegian begged once attention had been laved to both sides of her chest, and Mapi released her other nipple with a lewd pop sound. The footballer raised a brow at her, but Ingrid shook her head, her breaths shallow and desperate.

The stripper is well aware of the irony, given her profession. She’s the one who is supposed to be pleasuring, not the other way around. But there was something about the way this woman composed herself, something about the reverence with which she touched the Norwegian that made her comfortable.

Mapi considers the request for a moment before she relents, pulling further at the lace, signaling that she wanted it off. The dark haired woman is quick to comply with her request, removing the hunter green fabric before she threw it to the ground, already forgotten.

Ingrid lay back down on the bed, her hair splaying out against the pillow. The Spaniard watched her with hungry eyes, her lips turning up into a smirk.

“So beautiful,” she murmured softly, her words filled with clear appreciation. “Espléndida, princesa,” Mapi whispered as she returned to Ingrid, softly holding the Norwegian’s face in her hands. Her lips were gentle against the taller woman this time, leaving the Norwegian with the feeling that she was delicate, and deserved to be treated as such.

Oh, and what a different feeling it was to be touched by the Spaniard, as opposed to the heavy handed men she usually interacted with.

To be touched and praised as though she was the most important thing in the world. No drug could compare, not to her anyways.

Even as she trails down the Norwegian’s body, Mapi stops to press kisses into her skin, imbuing the fire of their interaction with a level of sweetness and ingenuity Ingrid had not been expecting.

But nothing, absolutely nothing, could have prepared the Norwegian for what the first run of the Spaniard’s tongue through her would feel like.

She is unsure of where her voice ends and Mapi’s begins, but all she knows is that two moans are filling the room, both equally desperate. Ingrid clutched at the sheets desperately, her hands fisting the pristine white fabric beneath them as Mapi ran her tongue through her again.

The Spaniard eats her out as though it will save her, with an intent and passion that Ingrid cannot remember ever having in the bedroom. She brings her tongue up to circle the Norwegian’s clit several times, and every time a new wave of pleasure washes over her.

“You taste perfect,” Mapi mumbles against her heat, and Ingrid flushes completely at the praise, struggling to compose her own pleasure. She attempts to bring her hand up to cover her own mouth, something that Mapi notices instantly.

“Aye, I want to hear you,” the Spaniard chides softly when she sees what Ingrid is doing, and the dark haired woman lets out a filthy moan as she removes her hand, at the feeling of Mapi’s finger teasing at her entrance.

“Is this okay?” The footballer confirms, waiting for the fervent head nod that she receives from Ingrid before she finally dips her finger in at a painfully slow rate, before curling gently.

Ingrid is writhing under her, letting a string of mewls and moans that tumble from her lips of their own accord. She doesn’t care that she had no idea if anyone can hear them, only focused on her own pleasure and the feeling of the brunette’s body near her own.

“Si, si, si,” Ingrid begs, moaning unabashedly when Mapi adds a second finger, curling with more purpose this time.

The footballer could admit, her plan had been to tease more than this. She was a playful woman, and enjoyed picking her partners apart before allowing them to come, usually.

Something about this Norwegian, the flush in her chest and the noises slipping past her lips, has Mapi throwing her entire playbook out the window.

She’s more than happy to continue this, so long as Ingrid continues making those noises.

“You like that, princesa?” Mapi asks, her voice hoarse with arousal. Ingrid nods tightly, her chest arching up as the Spaniard curls her fingers deep within her.

The set of her jaw, the way it opened with pleasure left Mapi flooded with the need to please, so the Spaniard lowered her mouth down to Ingrid’s clit, sucking lightly. The dark haired woman cries out, her hips rutting down into Mapi as the footballer continued her brutal pace.

“Fuck!” Ingrid wailed, her voice dripping with need as she hurtled toward orgasm. Her hips grew erratic, jumping into Mapi’s hand as her whole body squirmed. The brunette could tell that the dark haired woman was close, doubling down on her pace and intensity, intent on getting her there.

It only took a few more curls of Mapi’s fingers from deep within the Norwegian for the taller woman to let out a sharp cry, her whole body tightening. The Spaniard couldn’t help but smirk against the dark haired woman’s core as her whole body began to shudder, her orgasm working through her like a forest fire.

Her whole body was arched off the bed, the sheets gripped in her fists as Mapi worked her through her orgasm, her entire body shaking. She collapses against the sheets, her breath coming in quick gasps as waves of pleasure flooded her system, her eyes still screwed shut.

It took her a few moments, but she forced her eyes open when Mapi removed her fingers from Ingrid. The green eyed woman looked up at the Spaniard, who had sat back on her heels, her own breath short and lustful.

The brunette reached her finger up to her own face, brushing some of the arousal away from her lips with the pad of her thumb as Ingrid looked up at her. The Norwegian’s dark hair was a sharp contrast to the pillow, the flush of her chest and stomach the complete antithesis to her pale skin.

Mapi would never see a sight prettier than this under her again, she knew that for certain. Ingrid turned her head, glancing over at the clock and realizing with a rush that they still had several hours before either of them had to go anywhere.

When the Norwegian looks back up at the Spaniard, it’s with a smirk on her lips, one eyebrow raised, almost as though she was challenging the brunette.

“Fuck, princesa,” Mapi swore before surging forward to claim Ingrid’s lips once more, pressing her back into the bed.

Ingrid let herself moan out, half at the feeling of Mapi’s body above her own, and half of the self satisfied feeling of knowing that it was going to be hard to walk tomorrow.

So yeah…maybe some rules are worth being broken every once in a while.

#ingrid engen #mapi leon #woso #barcelona femeni #alexia putellas #misa rodriguez

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ivystoryweaver · 5 months

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Jingle Bells

Summary: Santiago is a flirty cute dork and you can’t stop me

Pairing: Santiago Garcia from Triple Frontier x gn!reader

Word Count: 800

Content: fluff, mentions of Christmas songs (but story doesn’t indicate what Santiago or reader celebrate, if anything), not beta’d

*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ

Beep. Beep. Beep.

"That'll be $73.07," you mumble to your customer, waiting as she runs her credit card through the machine before handing her a receipt.

Twelve hours on the cash wrap at work, scanning grocery item after item, dealing with faulty coupons, the holiday rush and fussy customers. Your feet are sore and you're dying to get off your shift in thirty minutes.

You picked up back-to-back shifts to pay for a plumbing bill your landlord refused to cover.

"Plumbing is the responsibility of the tenant," he groused at you last week. "Read your lease."

Without even a glance, your hand reaches to scan the next customer's items.

Beep. Beep. Beep.

"Happy holidays," a soothing tenor voice greets you.

"Happy holida - " You trip over your monotonous reply when your eyes meet the most beautiful man you've ever seen in person.

Sparkling brown eyes dance underneath thick eyebrows, arched in playful curiosity. A sprinkling of gray dusts his dark curly hair.

"Hi," he greets you, chomping playfully on his gum, which draws attention to the curve of luscious, full lips and the sexy stubble on his chin.

"Good afternoon," you manage, reminding yourself to continue scanning his groceries.

"Afternoon?" He shoots back, nodding toward the darkened windows at the front of the store. "It's 9:15."

"Oh. Right," you sheepishly chuckle.

"Long day?" the handsome man genuinely questions.

Your first instinct is to shrug him off with the run-of-the-mill small talk that comes as naturally as breathing to you, as a cashier.

But something happens - a contradiction that has your heart tripping over itself.

His eyebrows shift curiously, like a puppy, while, at the same time, a smug smirk curls the corner of that mouth.

"Uhh, yes," you admit, pausing, "the longest."

"I'm sorry," he sincerely returns, reaching to swipe his next grocery item for you. "Must be busy this time of year."

"Oh, god...sorry," you stammer, reaching to finish up his order.

"'S okay," he shrugs one shoulder. "You gonna be able to get out of here soon?"

"Not soon enough," you joke. "If I hear 'Jingle Bells' one more time, I can't be held responsible for my actions."

"Hmm," he nods and then he sings, "Dashing through the snow in a one-horse open sleeeiigghh..."

"Nooo, please stop," you find yourself laughing. Out loud. When was the last time you laughed?

"Are you sure? Because I do all the hits. Siiiilent niiiight - "

"Oh my god," you giggle, "you have a terrible voice."

He pretends to be offended, "Is this how you treat all your customers?" The corners of his warm brown eyes crinkle with amusement, letting you know he's still teasing. "Because if you smile at everybody like that, you must be the best cashier in this place."

"Could you hurry it up?" A grouchy customer behind this gorgeous man interjects, almost bouncing on her toes.

And just like that, you're deflated. This is why you don't waste your time caring. No point, no time to truly connect. Everyone is in such a damn hurry, especially this time of year.

"Sorry," you mumble, flustered as you start to bag the man's groceries.

"Hi, I'm Santiago," he greets the grinch behind him. "And this is... " he glances back at you, reading off your name tag. "Been a long day. Just trying make 'em smile. I'll get out of your way."

He flashes a stunning, yet disarming smile and the woman falters.

"Oh. I-it's okay."

"Thanks," he nods, shifting his attention back to you.

You give him the total. “Hang in there,” he winks. “Bet this place would fall apart without you.”

He leaves you stupefied, but smiling.

You can’t even remember the last time someone showed kindness and warmth to you, a simple cashier - let alone made you laugh.

The remaining 27 minutes of your shift feel a little lighter.

*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ

One week later…

Beep. Beep. Beep.

“Dashing through the snoooowww…”

Your eyes snap up to find Mr. Handsome next in your checkout line.

“This is gonna get awkward if you don’t remember me.” His dark eyebrows shoot up questioningly.

“Santiago…right?” Your cheeks feel warm as he flashes you that smile.

“Guilty,” he chuckles. “I really am dying to see what happens when ‘Jingle Bells’ pushes you over the edge.”

“Don’t try me,” you laugh, scanning his grocery items. "Nobody wants me to lose control in here."

"Maybe somewhere else then," he cooly suggests, with the cutest eyebrow wiggle. "Maybe a restaurant? Or a bar? We could grab a drink when you get off?"

Your mouth drops open. "That...was..."

"Pretty smooth, right?" He grins. "Yeah, I've found that singing off key holiday songs is the way to go."

You laugh for about the twentieth time since you met Santiago.

And you go for that drink.

*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ

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#santiago garcia #santiago garcia x reader #santiago garcia x gn!reader #santiago pope garcia #triple frontier #1000 followers #oscar isaac fic #holiday fics #holiday celebration #oscar isaac characters #celebration #1000 follower celebration

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cosmicghoul99 · 8 days

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An interesting Hannibal theory I think you should know about

I'm not sure how many people know this, but if you're unaware, some really interesting things relate to the show and Hannibal's character specifically. (Wanna add that I am not religious, so apologies if I get something wrong. I mean no offense to anyone, this is just a little analysis on my part)

There are a lot of biblical references in the show. It makes sense; religion has always been a deep, moral, and philosophical concept, and Hannibal loves to incorporate the ideas of religion and God into his actions and that of those around him. One of these references is a recurring one. Hannibal is often referred to as the devil. Like this quote from Gideon:

"You really are the devil," Abel Gideon - Antipasto

Or this one from Bedelia:

"Who holds the Devil, let him hold him well. He will hardly be caught a second time." Bedelia Du Maurier - The Wrath of the Lamb

Add this to all the religious imagery, the references to stags and the wendigo, plus the season three discussions about Dante. Bedelia says that she was "swallowed whole" by the beast at the mouth of Hell. You get the picture. There is a lot of talk and allusions to Hannibal being "the Devil."

Obviously, this is a metaphor first and largely used because he is the main "evil" or antagonistic character, but there's actually some truth to this.

Both Bryan Fuller, the creator, and Mads Mikkelsen, the actor of Hannibal, have stated that Hannibal is meant to be the literal devil. He is meant to be both a personification of the devil and the literal devil.

According to Bryan Fuller, Mads Mikkelsen plays Hannibal like he is Lucifer. In an interview, he stated that "he is as close as you can come to the Devil, in the sense that the Devil has no reasons," following it up by saying that Hannibal's reactions aren’t something of a person, but of the Devil. He intentionally plays the character through the lens of the fallen angel, Lucifer. Hannibal is meant to, in the eyes of the actor, be a manifestation of the Devil

Bryan Fuller has also said in interviews and online that he believes Hannibal is the devil. Of course, he states that this is his opinion and that others are up to their own interpretation, but the show's main creator and writer believes this also means that we can reasonably see this in the show.

Throughout the show, Hannibal is simply on another level. Many times, he does not seem human but rather otherworldly. I think that is where Mad's acting presents itself, alongside whenever Hannibal is talking about humanity and God.

Hannibal loves to play at being God and also criticizes God as well. I believe it is in episode three after Will kills Hobbs, that they discuss how Will killing Hobbs felt good. Hannibal responds with this.

"Killing must feel good to God, too... He does it all the time, and are we not created in His image?" Hannibal Lecter - Amuse-Bouche

Oh boy. This is such an interesting line. He talks about being created in His image. Let's be honest; he speaks as if he were God or knows God at least. His comment actually makes more sense if you view this as him being the Devil. Lucifer, the fallen angel, was cast from Heaven for rebelling against God. He feels that it was unjust. Most people talking about God and His actions view him with benevolence. Hannibal does not. In the bible, Lucifer had a problem with humans. And humans are, of course, said to be created in God's image. You could also argue that angels, especially Lucifer, were created in that same image, too. Hannibal has an issue with the rude. Why the rude particular? It is because those who are rude often showcase the worst of humanity's attributes and free will. Hannibal despises the rude because I believe that it, in some ways, represents the hatred that the Devil, or Lucifer, holds for humanity. The Devil had an issue with humans gaining free will and felt they did not deserve life via God's hands. This is similar to how Hannibal feels that those who are rude do not deserve to live. Hannibal, then, of course, being Satan himself, would be resentful of God for casting him from Heaven. Again, Hannibal often discusses God's motives, or what God feels doing certain things. Literally, a few seconds later in that episode, he says this:

"Hannibal: God's terrific. He dropped a church roof on thirty-four of his worshippers last Wednesday night in Texas while they sang a hymn.

Will: Did God feel good about that?

Hannibal: He felt powerful." Will Graham and Hannibal Lecter - Amuse-Bouche

That last line about him feeling powerful gets me thinking. Hannibal is speaking not just about this but also about his own fall. But more importantly, he's also showing us what he thinks of himself. Killing makes God feel powerful. That means that killing makes Hannibal feel powerful as well. He is both giving motives and somewhat criticizing God at the same time. Hannibal seems to find the situation amusing. I think he believes it quite funny that humans were killed while worshipping God. He might even see a comparison between what happened to him and what happened here. He is simultaneously praising God and calling Him a hypocrite.

Hannibal's motives for killing are also interesting, and I said earlier that I think the reason why he kills is because he believes that rude and ill-tempered people are the problem with humanity. And he wants to get rid of them.

Now, let's explore how this connects with other metaphors, his decisions in canon, and his relationship with Will.

Let's talk about the stag. I did some research, and in many religions, including Christianity, stags represent God and his might, at least from what I could find. I find this interesting because stags are also meant to represent opposition to the snake, another symbol of the Devil. Why is the representation of Hannibal, at least in Will's mind, a stag? I think it actually represents the darkening of Will. If stags are meant to represent good, then that means that Will starts off that way and then slowly follows the stag and is affected by it, which, to me, means that Will is slowly being corrupted. Just like the stag was corrupted due to Hannibal's influence, Will is starting to change and fall deeper and deeper into darkness. It's also interesting that the dynamic between Hannibal and Will is clearly that of one between the Devil and the person they are trying to tempt. Hannibal is trying to tempt Will into changing himself and embracing the darkness inside of him.

Will is Hannibal's realization that humans are actually not that bad. They are complex, and their free will actually makes them relate to him more than he thinks. Will is his weakness, and Hannibal is intrigued by him. If the Devil, which is Hannibal, is the snake, then, in Hannibal's own words, Will is the mongoose that preys on the snake. Hannibal originally fell because of humans, and at the end of the series, he falls because of humanity again. He fell for Will. Will is meant to represent the lamb of God. The symbolism is that Hannibal fell for Will, who sacrificed himself to keep the Devil away, getting corrupted in the process.

Dolarhyde is also a factor. The original painting, "The Great Red Dragon," represents Satan. How does that tie into this idea? I think it's not Dolarhyde who is meant to be Satan; rather, it is Hannibal. We know that Dolyrhde idolizes Hannibal in a sense. Like Will and many of his other patients, which I'll get into later, Francis is influenced by what Hannibal says. Yet another temptation by the Devil. This is also connected to Will coming into his own life because Francis is also manipulated by Will. There is a connection between Hannibal and Will, which is shared via the tempting and manipulation of Francis.

I mean, we have this statement by Jack talking about The dragon, the lamb, etc. Jack says that,

"He's not the Dragon, you are. The Devil himself bound in the pit." Jack Crawford

Hannibal compares Jack to God. But I think they both are, in some way.

Many of Hannibal's patients and the people in his life, in general, are manipulated by him. I mean, some of his patients are tempted and influenced by him to do bad things commit crimes, and murder people. That's very indicative of the Devil's work, in my opinion. Even Jack and Alana end up being manipulated and deceived by him.

There is a lot of other religious imagery and symbolism, so I'll only discuss some of it. To start with, the reference to Bedelia's presentation and Hannibal's name in Italy and what they could represent. I mentioned earlier that in season 3, Bedelia talks about her time in Florence with Hannibal. She talks about how Dante gave a physical space to Hell, a solid concept, but before that, people would say, the "mouth of Hell." Then she says that she was "swallowed by the beast." This refers to Hannibal, but here's the interesting thing. In the Bible, the Devil is also referred to as the Beast. Bedelia is yet again referring to herself being used and brought into the mouth of Hell by the Beast, Hannibal. The name that Hannibal was monikered by in Italy is also the same. "Il Mostro" translates to the monster, which can be interpreted as yet another way to refer to the devil. Then, there is the obvious references to lambs in the show, with it being a sacrificial symbol. I'm sure that's been talked about a lot, and I mentioned it earlier.

There are many mentions of justice, redemption, retribution, and more in the show. This connects with the religious themes, of course, but it also plays into Hannibal's view of himself as a God, as well as how the show depicts him as the Devil. He is the one who casts judgment onto people, like his patients, and onto the rude, like a God. He is the one who issues punishment for sins and misdeeds, like the Devil. I think it's so interesting to see them both working in tandem.

I once saw a post saying that Hannibal acts like he's lived the same life a hundred or so times. And I agree. He does. He acts like he has been around for a time so long that many have forgotten it. It makes sense why he's so confident, and nothing seems to phase him. Nothing that happens has any consequence for him. The only thing, really, that he cares about is Will. That's why he tries to get Will to have his Becoming and Fall with him. He wants Will to be there with him. Which is sweet, I think :) And not to bring up related trauma for anyone that has ever been a fan of Devilman or Devilman Crybaby, but IMO, it really really reminds me of Akira and Ryo and how Ryo is stuck in the same cycle over and over again as a lesson. Idk, my opinion. Let me know what you think.

I also wanted to touch on some other interpretations of the raven stag shown alongside the wendigo and how other religions and beliefs might relate to this.

The Wendigo is a demonic entity or evil spirit from the Algonquian people of Canada. It is a winter spirit that is meant to represent greed and gluttony. When humans succumb to greed, like being greedy for money, being cruel to people, or generally evil things, the Wendigo spirit can possess you. During harsh winters, when food is scarce, people commit taboo acts and consume another human, participating in cannibalism. This also causes a possession and turns this person into a wendigo, never to be satisfied and constantly craving forever. I am not Algonquian, or even Indigenous/Native American, so I can't speak too much on this, and I don't know too much, but I hope I explained it well enough. I apologize if I did not. The show has its own visualization of this, and Wendigos traditionally doesn't look like the one in the show, but the overall message is the same. Even if Hannibal is not the Devil, he could be some manifestation of a Wendigo. It makes sense. Remember his back story? He was forced into captivity while hiding by soldiers during an extremely harsh winter during the war. Harsh enough that food became scarce, and the soldiers had to resort to cannibalism. They fed Mischa to Hannibal, which might have triggered something. Ofc this is a reach, but I did want to bring another interpretation into this.

Obviously, this is all just speculation. I love this show, with its dark complexities and incredible depth, and I wanted to talk about something I've been thinking about for a while now. Again, not everything might be correct. I apologize if that's not the case. Please feel free to correct me. I also apologize if this made no sense or was not cohesive, it's pretty late for me, but I couldn't get this out of my head.

I hope it was interesting ;)

#hannibal #nbc hannibal #hannibal lecter #will graham #hannigram #just a little analysis #i'm sleep deprived so apologies if this makes no sense #i just really wanted to share

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dailyadventureprompts · 5 months

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Hi there! I'm a huge fan of your work, and I was wondering if you could help flesh out a vilain idea I had? I have a basic setup, but no idea how to make him a rounder character.

The gist of it is a fey king whose queen died, so, driven mad with grief and incredibly deep in denial, he reaches out into the Material Plane and kidnaps women who resemble his queen, forcibly altering their minds and bodies through fell magic to transform them into reincarnations of his queen. He keeps failing as the magic instead transforms them into horribly broken and mutated horrors, driving him to more desperate measures.

Other than that, I have no idea how to develop him further or devise an end to his evil :(( so any tips on villain development would be greatly appreciated :))

Adventure: A Covetous Love

Friend, you don't need to make your villain a rounder character, you just need to refocus your narrative onto the genuinely horrific scenario you've created where a series of women have their identities torn away piece by piece. How does it feel to go through it? What must it be like for their friends and family to watch as the woman they knew is replaced by some cruel parody in line with a stranger’s lusts? Refocusing the story on the current victim likewise gives the story human stakes, and allows the party a good entrypoint into this ongoing tragedy with the chance of possibly preventing it from repeating.

Before we get into the story itself, here’s a few more ideas I’m going to suggest:

Rather than kidnapping outright, the fey lord visits his victims in disguise courting them as if he were a wealthy, charming suitor. He offers jewelry and trinkets and other fine things, all infused with the essence of his beloved, and as each of them is accepted the victim becomes a little bit more and more like his queen. A silver comb that turns her hair into HER hair, a cup of wine that fills her dreams with memories of their pramanades through faerie together, makeup that not only wipes out any flaws but transforms the face into a mask of bloodless porcelain perfection.

Likewise, the transformation process specifically fails because the fey’s expectations are too much. If he were willing to settle for someone who only reminded him of his bride, or gods help him strike out on some new course, he could theoretically be happy… but because he keeps trying to make his victims MORE he ends up with an idea that collapses in on itself, something too perfect to live or even maintain a coherent form.

To really drive home the tragedy of the horror, I’m going to suggest that the current victim is a woman trapped in either a political marriage or one that’s long gone cold. The fey will exploit her genuine desire for romance and affection, as well as her longing to escape the cage of her life, making the offer of becoming someone else (even if it means dying in the process) all the more tempting. This makes it so that the hinge point of the adventure isn’t just a “rescue the princess” matter of getting her away from the fey, but confronting her as a person and trying to persuade her that there’s some other path to freedom than letting herself be eaten by some otherworldly waifu.

This setup also gives the party a great secondary antagonist to clash against: the jealous mortal husband, someone who technically WANTS the same thing as the party and has the resources at his back, but will actively drive the victim into the fey’s arms every time he gets involved. He wants to save the victim, but doesn’t care about her happiness, in fact he may be intent on punishing her for her infidelity. He’s there to show why the victim wants to leave.

Adventure Hooks:

The party first encounter Lady Melanie Kerridell while out in the wilderness when a stag she’s hunting blunders into their path/camp, on horseback, weapon in hand and her fine clothes streaked with mud. She’ll berate them if they let the beast escape or steal the kill for themselves, but half way through will stagger and lose track of where she is. Just about then a group of her friends and servants will crash through the foliage in a desperate state, as Melanie was out with them having a country luncheon when she spotted the stag, grabbed a weapon from the guards, and took off after it. This is not the first time this has happened, Lady Kerridell is about half way transformed into the Green-Eyed-Queen and she’s letting herself slip more and more. A concerned friend will invite the party back with them to the estate, and then politely broach the topic about how they might “look in” on Melanie and what might be causing her to act this way.

The party receive a letter from Lady Kerridell, begging for their help ridding her manor of a haunting, of a monster that has been wandering her home at night wearing her face. When they seek her out however they find her beautiful and cruel and with no idea whatsoever who sent them the letter, despite it bearing her seal.

Lord Edrick Kerridell catches the party snooping around and offers to pay them if they can track down the young dandy he’s seen his wife sneaking off into the gardens to neck with. He wants to know just who the man is before he decides what to do with him, just incase these pricy gifts are from the vault of some other great family. When the party do find the dandy, he’ll lead them on a merry chase through the town, dragging them all into the feywild if they manage to corner him.

The local jeweler needs some help investigating a robbery, a few pieces were stolen, but the prize of the take was a staggeringly beautiful necklace of gold and jade, which he was in the middle of repairing. Strangeness surrounds the case: the dandy who delivered the necklace made no secret that it was for a married woman and as the jeweler worked on it he couldn’t shake the feeling of some kind of presence skirting around the edge of his workshop. When the party find the thief they’ll find her in a bit of a state, having put on the necklace and been influenced by the fey-bride’s mind, she now finds herself driven to heist the home of Lady Berridale. Ostensibly this is for more riches, but the shard of the green eyed queen seeks to complete herself, which will likely result in one of the two womens’ deaths.

Art

#prompt postage #fey #villain fey #mystery #horror #wilderness encounter #town #city #villain noble

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thedrarrylibrarian · 7 months

Note

hi!! I first off wanted to say THANK YOUU!! I came across your page abt two months ago when I needed new fics and I use your recs so often!! I was wondering, what are a few of your all-time favorite fics, if you had to choose? (:

Oh my goodness! I'm so glad to hear that you've been enjoying my blog! I can't believe I've been running this blog for 3 years today!

What a fun ask (I've been sitting on this so I could use it for today!) I really struggled to pick fics - or more accurately, not to pick ALL the fics! I picked fics that are my go to rereads - whether it's because they make me laugh or because they pull at my heartstrings, or because they're so hot, these are some of my personal favorites.

Cupboard Love by @shealwaysreads (4,184 words, rated G)

Cupboard Love: the psychoanalytic theory of an infant’s primary drive being food which, when satisfied, leads naturally to a secondary drive for attachment.

Harry’s life, and love, in food.

Still Warm, Still Warm by @tsauergrass (4,899 words, rated G)

Harry is up to something. Why else would he keep giving Draco presents?

Five Little Things by @bixgirl1 (6,197 words, rated T)

Harry was supposed to be good at this.

Headway by orphan_account (7,482 words, rated M)

“It’s called courting,” Draco spat suddenly, livid and red in the face. “I wouldn’t expect you to understand a single thing about it, actually Potter, since it’s formal, and there are rules, and neither of those are concepts you’d know anything about even if they took on human form and kicked you right in the fucking dick.”

The Exhale by spqr (7,506 words, rated T)

Hermione makes a soft, concerned sound. "Harry, look at this." She shows him an article with a photo, but the photo's not moving; it must be a Muggle newspaper. "NASA have just landed a rover on Mars. It's called Curiosity, and look, this is so--I don't know if it's sweet or sad, but--it's all alone out there, and they programmed it to sing itself Happy Birthday."

Nothing is wrong, but Harry starts crying.

Silverpoint by @tackytigerfic (8,836 words, rated E)

It seems fairly simple to you, but you know that you don't really understand love - how could you, after all? You've never known how to talk about it, but you've never had to before. Everyone you ended up loving has always understood. You've been able to show them, by fighting for them, dying for them.

That seems a bit much- after all, Malfoy just wants tea in bed and his cock in your mouth (not usually at the same time).

It's ok to love him, you reason with yourself - he doesn't have to know. No one ever has to know.

Quick as a Flash of Lightning, Unhurried as Eternity by @onbeinganangel and @babooshkart (10,000 words, rated E)

Can you fall in love with someone by simply watching them fiercely love another version of yourself?

The Way These Days Seem to Go (And Go) by @firethesound (15,230 words, rated T)

Stress baking isn’t a hobby Harry ever thought he’d pick up, but he’s surprised to find how much it helps him to get through those long months post-war. It keeps his hands busy, it keeps his mind occupied, and when Draco Malfoy steadily pushes his way back into Harry's life, it helps with that too.

Let him lead me to the banquet by @harryromper (16,066 words, rated T)

The worst part is Harry’s got no idea why Malfoy keeps sending him invites. He’s never replied to a single one. And if the whole dinner is as exclusive and sought-after as the Prophet keeps breathlessly reporting, then presumably the only reason Malfoy wants him there is in his capacity as the Chosen One. So, really, he can fuck right off. Harry doesn’t care about Draco Malfoy’s redemption tour. And he’s certainly not going to help him with it.

Draco Malfoy Absolutely Does Not Need to Be Loved by Harry Bloody Potter by @nv-md (18,153 words, rated E)

It’s not easy to be bonded to your childhood rival, turned fuckbuddy, who you also have extremely uncomfortable but repressed feelings for—just ask Draco Malfoy.

When You Kiss Me (What A Lovely Way to Burn) by @femmequixotic (22,167 words, rated E)

A drag fairytale of New York in which Draco wears red lipstick and Potter can’t get enough.

In the dark, the light by phrynne (32,203 words, rated E)

‘Potter… It’s Malfoy. Do you still want this?’ It started like that. Malfoy’s breath on his ear, his voice low, hot against his skin. Harry shivered, though he could feel the heat from Malfoy’s body just behind him, too close, but not touching him. Even if he could. For the rest of the night, he could do whatever the hell he wanted with Harry.

Clouds That Veil the Midnight Moon by @drarrytrash (36,733 words, rated E)

According to Harry’s personal narrative regarding the incident, he’d hooked up with Draco Malfoy for purely self-destructive reasons, or out of convenience, or by some unlucky accident. Looking at him, sprawled in the moonlight, Harry is devastated to recall that he’d hooked up with Draco Malfoy because he’s hot.

Draco is a secret werewolf and Harry is doing his best and they've got criminals to catch, darn it.

Boiling Point by @goldentruth813 (42,882 words, rated M)

After an Auror raid gone wrong, Draco ends up trapped in a dodgy safehouse with nothing but Harry Potter’s dubious company and a dwindling supply of food. With only each other and the walls surrounding them, they're forced to confront their past and their feelings which have long been threatening to boil over.

The Liars Department by @dorthyanndrarry (103,395 words, rated T)

This is a story about Harry meeting up with Draco Malfoy four years after the war. And a story about Harry, well, not hating his job per say, but it's not like he has much to compare it to and it seemed fine. His whole life seemed fine. Then Malfoy came along with and his flashy suits and fast car making everything seem dull in comparison, and Harry... Harry couldn't just leave well enough alone.

Grounds for Divorce by @tepre (122,217 words, rated E)

Malfoy finds a coin. Harry finds a letter.

A story about histories, a story about families. A story about a lemon tree somewhere in Upper Egypt.

What We Pretend We Can't See by @gyzym (131,086 words, rated M)

Seven years out from the war, Harry learns the hard truth of old history: it’s never quite as far behind you as you thought.

❤️ As always, if you find a fic you enjoy, please remember to leave the author a kudos or a comment! ❤️

Love forever,

The Drarry Librarian

#my favorites #my favorite fics #the drarry librarian's favorite fics #drarry #harry potter #draco malfoy #harry x draco #the drarry librarian #happy blog anniversary to me! 3 years!#blog anniversary

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dorianwolfforest · 1 year

Text

Hello I can’t stop thinking about all the stuff Harry can just. Carry around. And therefor I’ve decided the frittte bag is actually a bag of holding.

///

“Please tell me you brought everything with you when we left.” Jean has barely stepped foot into the precinct when a realization seems to come over him. You’re not sure you understand. “The gun, for example. Please tell me you have all of your shit, on your person, with you, because I’m not driving you back.”

“Oh sure”, you say, raising the frittte bag you used to haul things around with you. “Should be in here.” You didn’t need to pack as you left, everything you picked up during the investigation, you would keep in the bag.

“Should be.” He repeats with barely concealed disdain. “Check.”

You stick your hand into the bag, fingers latching onto something cold and metallic. That’ll show them, you think, as you pull out… the Kvaalsund multi-tool. The gathered crowd stares in silent disbelief at the small, pathetic little plastic bag which had somehow held both the length and weight of the multi-tool. Okay, that wasn’t your gun. Try again. The chain cutters, prybar, and flashlight all come out as you fish around for metallic objects. Kim doesn’t mention that those are technically his and probably shouldn’t be in there at all. The rest of them blink slowly as a green monkey pen, a cube that looks too valuable not to sell for some kind of substance, and several tare bottles which you insist you found on the street, appear on the desk in rapid succession. You even fish out a board game that Judit picks up and looks over. She considers telling the rest of the precinct it could be a good bonding exercise, but the realization hits that the rest of the precinct would turn it into a drinking game. Kim must realize it too, because he doesn’t tell Judit how great Suzerainty is and how you should all play it sometime. You guess you’ll have to raise that brilliant idea to the group on your own.

Eventually you tire, and turn the bag upside-down. Piles upon piles of clothes, some worn, some not, all stolen, spill out in droves on your desk. Your badge lands gently on top. No one says anything. It’s too weird to say anything, as if reality itself will hear them point out that the bag shouldn’t be able to contain most of these things and realize what a conceptual horror exists within it. You stick your hand in one last time, and finally your fingers clasp around the barrel of your gun.

“Bada-bing, badaboom!” You shout, triumphantly, as you pull it out. Attached to the other end, as if glued to the handle, is a small child’s hand, followed by an arm. Cuno’s red hair and face follow the gun out of the frittte bag.

“Fuck does Cuno care! Finders keepers, pig.” He spits, and tries to pry your grip off of the gun. Was he attached to the gun when you put it in there, or did he crawl into the bag himself as you were about to leave?

It would be so fucking funny to let him go, INLAND EMPIRE whispers, it would be so funny to just drop the gun and let him run wild in the precinct. He could live in the walls, with a gun! You give Cuno a small smile, and he scowls back, questioning your intention. Clearly, you two aren’t on the same soundless communication wavelength yet, but Kim notices it. Jean notices it. As your hand loosens around the gun, they descend upon Cuno like wolves upon a chicken.

Kim’s “Absolutely not, officer!” and Jean’s “What the fuck do you think you’re doing!?” are drowned out as you bellow “RUN, CUNO, RUN!” And Cuno takes off, deep into the precinct, shrill laughter scattering against the halls like light bouncing off of a disco ball. Possibly never to be seen again. Yeah, you’re pretty proud of that decision.

LOGIC - “He definitely got in on his own. You would have noticed a child attached to your gun.”

#disco elysium #cuno #harry du bois #‘where is C’ still in the bag obviously. she is biding her time

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jesamnelovelace · 2 months

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Many people’s negative feelings towards Terry Long lead them to wanting him to be removed completely from Donna’s history. I understand why. He was a good decade older than her, and she was freshly an adult when they began dating. He didn’t respect her career as a hero, often complaining about it despite having known beforehand what he was getting into. He took her child from her in their divorce. Etc.

Terry was not a good partner for Donna, but I don’t believe canon should just erase him. For better or for worse, Terry played a major role in Donna’s life, and removing him would change who she has become as a character/person.

The problem with Terry’s portrayal, especially prior to his and Donna’s divorce, was that the source material presented their relationship as healthy and tried to convince the readers of that. Clearly their relationship was not actually healthy.

When the age gap is brought up in the comics, it’s never for negative reasons. Sometimes it’s just a jab at Terry for being old, but often these references are used to show how mature Donna is. Wolfman has even said that he created Terry as Donna’s love interest because she needed somebody more mature like her. For him that meant she needed to date a man ten years her senior.

Only after their separation and divorce does their relationship start to be shown a bit negatively. However, even when it is, it’s not doing anything to show that the relationship was unhealthy when they were together. The negative things brought up and referenced about Terry are just that he was the one who initiated the divorce and left Donna and that he took Robbie away from Donna.

The ideal way, in my opinion, for what writers should do with their relationship is not to look back on it in a positive way, nor do I think they should completely ignore it ever happened. It should be acknowledged as something unhealthy that Donna didn’t seen at the time since she was young and naive. Something that took time/needs to take time for her to fully grasp.

However, this doesn’t mean I want for Donna to suddenly just completely hate him. I know many people enjoy revenge fantasies, and I know there are people that use Terry for those, and if that’s how you cope with things, that’s fine. I just personally don't see that as in character for Donna, nor do I really find it compelling.

Donna’s feelings towards Terry should be complicated. It should be something she struggles with at first that she later comes to terms with. There were some comics during and after the divorce that started to do this, but, again, her negative feelings were about the divorce itself and Terry taking Robbie away and not the relationship prior to these events.

During and after the divorce, despite everything Terry has been putting Donna through since he left her, she continues to believe she still loves him and thinks he must feel the same way about her. It ties a bit in with her issues with perfectionism. What they had was the perfect family she wanted, and she can’t fathom that she’s losing it.

She believes that despite everything he is still a good person. She has occasional moments of anger towards him, but she still feels positively about him a lot of the time. It’s heartbreaking seeing these moments.

New Titans #117

New Titans #128

Even after his death her feelings remain complicated. She grieves for him along with Robbie. After everything he put her through. It would be so easy for her to be angry at him for Robbie’s death regardless of how much at fault he is. But she doesn’t. Instead she continues to feel love for him. He took her son from her in more ways than one, and she still loves him.

Girlfrenzy! Wonder Woman: Donna Troy

This display of complicated feelings, where she continues to love somebody she has every right to be mad at, isn’t just something she does with Terry. She’s done this with the Titans of Myth as well. They messed with her memories and manipulated her, but she still feels love for them.

Return of Donna Troy #4

To me it’s just a lot more compelling for her to struggle with the fact that she still loves these people who she has every right to hate. Even as she comes to terms with how poorly they treated her. She loves Terry. He was an important part of her life. But he hurt her. From the start their relationship was unhealthy.

A story arc for Donna where it finally hits her how bad things were the whole time could be so much fun if handled correctly. And this is why I would prefer this over him being removed or just having Donna suddenly switch to just full on hating him. For her character it makes a lot more sense for things to be a bit more complex than that.

#donna troy #terry long

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mauesartetc · 9 months

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Is it me, or is Vivziepop bad at writing romantic relationships? It feels like she wants to write "problematic", drama-filled romance where the characters start out toxic, there are misunderstandings, betrayals etc cuz the show is supposed to be about "problematic gays", and that's perfectly valid, but she can't write chemistry. So far, it feels like Blitzo clings to Stolas because he's afraid he will end up alone and unloved, but doesn't actually care for him as a person. He often looks uncomfortable with Stolas' flirting even if he reciprocates sometimes.

I've seen couples in children's media with much better written-relationships and chemistry, like Roxanne and Megamind. It's clear they enjoy each other's company, they have mutual banter and flirting and he respects her intelligence.

I know Stolitz is supposed to be "toxic" pre-character development but at this point it still sucks that so far, it's impossible to tell what the characters like about each other other than the sex.

(I've been told that Stolas enjoys how Blitzo made him laugh when they met during the circus but that's not been developed enough as a concept to count).

Yeah here's a thought: When has he made Stolas laugh during adulthood?! Where was that moment? What do they even have in common other than liking dudes?

Oh shit. I think I get why fans of this show accuse critics of being homophobic. It's because this relationship has literally no substance other than "they're gay". (Or Stolas might be, anyway. Their specific orientations are never clarified in the show that I can recall.) Oh, you don't like this mlm relationship? You must hate ALL mlm relationships. Funny how the fans are the ones fixated on that aspect while no one I've seen criticize the show has ever cited the homoerotica as evidence that this relationship sucks. No, it sucks because there's absolutely no depth to it. There's nothing to make us root for it to work.

Sure, the characters have their own personalities as individuals, and there's potential for chemistry in how those personalities and backgrounds oppose each other, but the show never explores it. What would happen if Stolas tried to fit into Blitzo's poverty-stricken school of hard knocks, or if Blitzo tried to fit in with high society? What if they just had a conversation about what life has been like for each of them? Where are the bonding moments that show us this is more than just a transactional arrangement (or at least that it could be)? What made Stolas suddenly fall in love with Blitzo offscreen between Episodes 6 and 7, after treating him like an object the entire season? Why the fuck does he care if Blitzo comes to see him in the hospital or not? Why should we care as viewers?

Funny enough, this neat video by LocalScriptMan just came out (check out this channel, seriously), and it talks about going deeper into writing relationships than just smashing two characters with differing personalities together. Again, differing personalities can create potential for chemistry (as each character learns new perspectives from the other), but a pairing of opposites isn't chemistry in and of itself.

If Helluva Boss's writers gave us a good mlm relationship with actual substance, more power to 'em! Maybe we'll get one with Asmodeus and Fizzarolli, but... ehh. It's doubtful at this point.

#helluva boss #helluva critical #writing #anti stolitz #romantic chemistry #relationships #shipping #ask #chinesegal

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honeydippedwaffles · 8 months

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Request: Our Intertwined Fates

Request Information: A set of possibly two or three parts surrounding one my mutual's favourite, non-companion characters in the game: Rolan. This in a look at how Rolan and Tav's relationship builds over the course of the story from a friendship to something more.

Tav is not referred to by name.

Content Warnings: She/Her Tav

Word Count: 2.1k words

╔═══*.·:·.☽✧ ✦ ✧☾.·:·.*═══╗

The scent of rust mingled awfully with the flowering bushes surrounding the grove. Something felt wrong about strolling into such a place with goblin blood still drying on her armour and the cling of an abduction over her shoulders.

She did so regardless, muscles strung tight from a battle nearly lost and an argument she could scarcely defuse. Who knew helping somebody out would cause such trouble.

“We’re off to a great start,” she said to nobody in particular. “Barely free of some wretched pod and already we’re wrapped up in another conflict.”

Her companions and her had crashed into this isolated area of coastline just the very morning they stumbled into this grove. How they’d managed to get themselves involved in whatever impossible argument was occurring between tieflings and druids escaped her understanding.

“This really isn’t our business,” she admitted to them when they looked at her. “But I suppose if we’re going there anyway, the least we can do is talk to the head druid? It won’t do any harm.”

She lied to herself like that sometimes.

If somebody asked her for help, she’d never been able to turn them down. Offering her assistance felt negligible in the grand scheme of things and this conflict really seemed to have a solution she could find. It would help also, to have the grove’s knowledge on her side.

Those excuses really didn’t feel genuine when the threat of a tadpole behind her eyes lingered.

Yet despite having it in mind, when she overheard an argument, she couldn’t help herself but stop to listen. The trio of tieflings sounded so irritated with one another as they fought about whether they should remain with the group or forge their own path to the city. A fight they’d clearly gone over before if the exasperation said anything.

“Don’t be ridiculous, we don’t even know these people. I’m not sticking my neck out for every person we come across. With my magic, we have nothing to fear about the path to Baldur’s Gate as long as we leave now.”

“Just because we don’t know them doesn’t mean we should abandon them here. What use are all our spells and blades if we don’t even use them to help people.”

She listened curiously, not planning on interjecting but also wondering about the goal of Baldur’s Gate. Some things unfortunately rarely changed and she couldn’t help but worry for this group. “Does Baldur’s Gate welcome tieflings at all?”

Her question directed itself at nobody in particular and yet, she must have spoken loud enough for them to hear as the three all turned to her with various expressions of disinterest or appreciation. She shifted uncomfortably beneath their gazes and smiled to show she hadn’t meant to get involved.

“More so than other cities,” one of the tieflings answered. “Perhaps they’ll stare but nobody will pull a blade out. It doesn’t really matter either way because I’ll be welcomed. You’re speaking to the recently accepted apprentice of the great wizard Lorroakan.”

Tall, haughty, and certainly pretty enough to be a wizard rather than a fighter, she could tell he had a great deal of trust in what he said.

Maybe even too much.

Lorroakan sounded familiar but she couldn’t place why it felt wrong. A wizard certainly but not one whose name carried very good rumours alongside it. She could share what she knew but to do so felt wrong and so she smiled.

“Congratulations,” she urged. “You must certainly be very talented to earn yourself such a grand apprenticeship.”

“I assure you, I am.”

“Then it sounds as though your help could be invaluable to these people who are blessed with neither magic nor fighting skill.” Her gaze drifted to where children and others attempted to spar with sloppily created training dummies. “Honestly, I believe they’ll need all the help they can get.”

He frowned; caught in the small trap she’d created through his own confidence. She felt a little bad for taking advantage of his arrogance but she hadn’t been lying when she commented on the tieflings.

They probably wouldn’t survive a day against the goblins.

“That’s what I’ve been saying. We have to stay and help.”

The wizard looked between her and the others before he threw his hands up in agitation. “Fine but if we end up rotting on a road because of this, it’ll all be your fault.”

He stormed off and she glanced awkwardly at the others. Perhaps she had overestimated their skills but she doubted their chances even more if they split from the group and tried to do it alone.

But if they died, the weight would never lift from her shoulders.

“Thank you for intervening. Rolan can get obnoxiously stubborn at times but he’s a good person. He’d have regretted choosing to leave later.”

She laughed awkwardly, unsure how to respond beyond offering her name as a means of introduction before hurrying off. They had so many problems to face, far more dangerous than even taking on a slew of unending goblins. Such a thing could wait until after the worm got removed.

One poisoning later and another child rescued and they took on the very task she’d tried to avoid, regardless of Astarion’s unimpressed complaints about it.

They ended up fighting through a, quite frankly, impossible number of goblins after rescuing a massive druid from the dungeons. Followed it with a battle against shadow druids who were disguising themselves as rats. And then still ended up standing exhausted at a party with the blood not fully washed from her hair.

As tired as she was, she couldn’t skulk away into her tent so early into the night. Everybody wanted to speak to her and she was now avoiding Lae’zel as best she could after the gith caught her off-guard with the strangest proposition she’d ever heard. Flattered, but uninterested, she looked around for help and eventually caught Lia’s eyes.

“What are we doing?” she asked.

“Rolan’s going to put on a show for us,” Lia told her, excited and a little teasing. She, like many of the others, appeared a little tipsy as she gestured to her brother. “Watch.”

“Patience,” Rolan chided. “You have no respect for showmanship.”

“Performance issues,” Cal whispered to her and she laughed behind a palm despite the wizard’s glare.

After all the near misses with fireballs through the day though… well, she really hoped whatever magic he wanted to use involved snow or water. Anything she didn’t have to dodge.

He surprised her pleasantly with neither and the small cascade of dancing lights lit up the sky in pretty shades of blue. She’d seen children do similar magic when first learning of their abilities and it never failed to make her smile.

“He can also make them purple,” Cal told her proudly.

She politely clapped and tried to keep her expression supportive of the tiefling trio. Rolan had skill enough to make something of himself in Baldur’s Gate… if his tutor held up to his expectations.

And, of course, the group had to get there first but she had faith. Zevlor, if nobody else, looked well equipped to shield his group from danger.

“You’ll do brilliantly with the proper training,” she complimented when she noticed Rolan’s gaze hover over her for a second longer. “You can ask Gale about some spare scrolls we found while exploring. They may come in use during your travels.”

Rolan straightened his spine beneath the praise, pleased with his successful show. “I have no need for scrolls but I thank you for the offer.”

She laughed and raised her glass to him. “If you say so. The offer still stands.”

She bid the three siblings good luck with their further travel and stepped away to clear her head, finally seeing an opportunity to seek peace and quiet. The shadows provided some solace as she made her way into the forest.

When she came across a small clearing, she settled on a log. It had been a long day filled with unending waves of enemies and her eyes felt heavier than ever.

She’d almost drifted off when she heard footsteps behind her. Footsteps, clumsy and unused to stalking through the dark. At least she knew it not to be an assassin, she imagined.

Although she’d expected Karlach or Gale rather than the tiefling she saw.

“Rolan?” she asked, confused as to why the wizard had followed her and now hovered uncomfortably at the edge of the clearing.

“Lia made a very good point,” he said, straightening imaginary creases from his robes as he spoke. “Scrolls could be useful if we get into a situation where my magic is lacking.”

She frowned for a second before she remembered her offer and waved back at the party with a smile. “Oh, right. Those are with Gale or one of the others. I don’t know what spells they have but any magic is useful, right?”

“Obviously but they’re mainly for Lia’s peace of mind. I don’t think we’ll have any problems when I have my thunderwave to handle threats.”

She smiled. “I’m sure. Make certain to aim for the nearest cliff.”

A wince followed as she remembered shoving a goblin from one of the rafters earlier in the day. She hadn’t appreciated the crunch of bones or the smear of blood… she hadn’t cleared out a goblin camp before the day and it really didn’t suit her.

“With any hope, you’ll have no need of spells at all,” she said. “I think the path to Baldur’s Gate should be open.”

“If it wasn’t, I don’t think they’d be singing your praises so highly,” he scoffed.

He took a few seconds to place the strange jealousy in his voice as not related to handling the goblin camp but rather the heroism of it. Strange, she’d never thought of a battle as something to be envious of. She certainly left with a great deal of pain in her ribs to show for it and little else.

“Something wrong?” she asked, fixing him with a soft gaze.

Rolan shrugged but she noticed the way his tail flicked, irritated, back and forth. He watched everything besides herself, not truly meeting her eyes as he gazed around the clearing.

“Nothing,” he said. “I’m just hoping you haven’t given my siblings any ridiculous notions about going off and being a hero. They’re not the type to walk through a goblin camp with no problem.”

She smiled, understanding his concerns. “I’m sure they’ll be fine. It’s not about being a hero, it’s about giving help where it’s needed and… I suppose it was selfish too. I needed a healer and Halsin was my only option.”

“A healer?” he repeated, gaze lingering over her bruises. “Did he manage to fix whatever’s wrong with you?”

Her heart thudded a little and her stomach sank. He hadn’t been able to do anything for her. Halsin pointed her in a direction and promised to help but he couldn’t remove the tadpole from her head. Every day, she ended up closer than ever to becoming a creature from her worst nightmares and she could do nothing.

Honestly, it may have contributed more to her mood surrounding the party than the actual exhaustion had.

“No, then?” Rolan asked.

She shook her head and tried to shake free of the worries. “Unfortunately, my condition goes a bit beyond his talents but he did give me a way forward. We’re heading toward Moonrise Towers to look for answers.”

‘You don’t sound confident.”

“It’s hard to be sometimes,” she admitted. “But I don’t really have much of a choice in what I do next.”

He coughed, a little awkward as he shifted his weight from side to side. “Well, I mean you’re clearly more than capable of handling things. I’m sure getting to wherever will be easy enough for your little group of heroes.”

She laughed at the unexpected and strange praise. “Thank you, Rolan.”

He nodded and seemed about to turn around and leave so she stood and the movement momentarily froze him. She leaned forward and pressed a small kiss to cheek in thanks.

“You’re going to do great with your studies,” she said. “I’ll be sure to brag to everyone I know once your name becomes renowned.”

Somebody once told her tieflings couldn’t blush but she swore she saw colour darken the tops of his cheeks even in the dim light of the forest.

Taglist: @miwn8

#baldur's gate 3 #baldur's gate iii #rolan bg3 #bg3 rolan #rolan x tav #rolan/tav

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pinkeoni · 7 months

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...but what was Will really saying in the van?

This a post a year after the fact, when post people have already said what needs to be said, but you know what!! This is my blog and I can say whatever I want.

Will talking about himself and using El as a guise is pretty obvious. The handful of people who say that it really was from El are few and far between. El doesn't gaf about DnD, she's not even in the painting, and she even told Mike herself that she didn't know what Will was making.

Whether or not Mike actually believed Will's lie is something that I'm personally on the fence about, but I'm not talking about him today! There are plenty of great Mike posts about this if you want a Mike analysis.

The cinematography supports this as well. At the start of the scene, Will is established on the left side of the frame, and Mike is on the right. When Will tells Mike that El commissioned the painting, we get a shot of the mirror where they swap places.

The switching of frame placement suggests that something is off, and mirrors in film can be used to show deception. The shot supports the idea that Will is not being fully truthful, which is backed up by what we already know. Each mirror shot is also prompted by a shot of Jonathan, suggesting that this is always from his point of view. We also know that he was able to see through Will's lie, so that supports this idea.

But we don't get the entire monologue from this angle, because really Will isn't entirely lying, he's just lying about whose feelings it really is.

It's no secret that the painting is an expression of Will's love for his friends, but also his romantic feelings for Mike. The positioning of the painting itself as a phallus (take a shot every time I've said "phallus" in a recent analysis) displays this in the visual language of the show along with the written one.

I think that gender and the use of pronouns is important here. Will states the entire monologue using "she" and "her" and places El in the place of himself. So what he's essentially saying "My sexuality is a wonderful thing that can bring both of us joy, but only if comes from a girl." In context Mike seems specifically anxious about El so Will is reassuring him from that angle, but it also stands that Will doesn't see his sexuality and feelings as good enough to cure an ailing Mike.

There was scriptgate and the infamous "I hate who I am" line which everyone remembers where they were for, but when the scripts were said to be fake, this line seemed to no longer hold any weight within the fandom and was widely disregarded. He loves himself, actually!

But legitimacy of the script aside, does this line still ring true? Even if it were real, a unspoken internal dialogue in an action line doesn't matter unless the show actually expresses it. So do they?

After all Will said it himself, "you make [me] feel like [I'm] not a mistake at all. Like [I'm] better for being different." So that must be how he feels, right? And yet—

—he doesn't really look like someone proud of his sexuality, does he?

I find the idea that Will doesn't suffer from any internalized homophobia rather absurd. It's definitely informed by external homophobia, but it would be different if Will fought back, but instead we see time and time again Will turning his pain inward. "Zombie Boy" leads to "It just makes me feel like more of a freak." and "It's not my fault you don't like girls" leads to the destruction of Castle Byers. I know that that line is informed by Mike's internal projection and might not be intended to be homophobic, although the statement still is homophobic despite intent. If Will knows he is gay and just heard that from his friend, of course he's going to take it that way. We see a little bit of Will standing up for himself, although this usually results in Will apologizing or not accepting apologies from others even when he deserves it. The bedroom scene in Dear Billy is a big step forward because not only does Mike apologize and assert that Will wasn't in the wrong, but Will actually listens.

It is true that Will accepts that he is gay and doesn't seem to fight it, although as others have pointed out, this doesn't necessarily mean that Will is necessarily proud of who he is. The van scene is just another example of Will taking that external pain and forcing it inward. There is likely to be consequences resulting from his lie that affects all three of them, but Will has decided to go a route that (he believes) will benefit Mike and El and only cause himself pain.

Look at this way. Let's say that Will hadn't lied about the painting being from El, that he was totally honest about the painting coming from him, but Mike didn't understand it as a romantic gesture. Not only would this not really make sense, and require Mike to be a level of oblivious on an absurd level, but it would also communicate something completely different. The new meaning would be this: Will is proud of his sexuality and able to take ownership of it, and the trouble comes from Mike not understanding. The conflict is now completely external.

I've seen debate on whether or not Mike really did understand what Will was saying although I think that's beside the point. If Mike did understand that Will was talking about himself, then this was not communicated to Will. The above scenario leads the conflict to be solely relieved by Mike finally understanding, and while there is surely to still be an external conflict between Will and Mike, Will's conflict of sexuality remains to be internal. Even if Mike did tell Will that he knew it was from him, this wouldn't necessarily solve Will's problem. The remedy to Will's internal conflict can only come from himself, by being able to proudly put his name to his painting.

#will byers #byler #stranger things #my analysis #btw— i hope none of my commentary regarding mike and mike analyses comes off as a jab. thats not my intention at all #im not saying not to look at mike or analyze mike #im just saying that this particular analysis is will focused #and other very talented analysts have made their own posts about mike in the van that you should check out if you wanna hear more about tha #perspective

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kykyonthemoon · 2 months

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Limerence (noun) — a mental state of profound romantic infatuation, deep obsession, and fantastical longing.

⋆˚✿˖° This chapter is a part of a mini-series of dark fairy tales and romance sets in another universe. It consists of three chapters, each with a Male Lead and is separated from one another.

⋆˚✿˖° Character x Reader/MC, from another (OC's) point of view. Reader/MC's pronounce is "she/her/hers".

⋆˚✿˖° Warnings & tags: 16+, MDNI, angst, hurt, thriller, emotional and mind control, manipulation, love spell, obsession, unrequited love, major character death, dark fantasy, dark fairy tale, m.urder, s.uicide attempt.

⋆˚✿˖° Leonard is my OC.

⋆˚✿˖° Read more chapters:

✦ Xavier's ✦ Zayne's

⋆˚✿˖° Masterlist

⋆˚✿˖° My friend Cery made an art for this fic here: x

Chapter: The Muse — in which he brings the world his most significant work of art.

⋆˚✿˖° Word count: 3k1

These days, the artist community was vibrant, with some even competing for acceptance to the exhibition at Mo Art Studio.

So did Leonard. He had to rush around and ask for help everywhere in order to be given a chance. Money was not an issue, but the host of this exhibition was certainly not an ordinary person. He wasn't offering tickets to the highest bidder, but rather to those who possessed an artistic vision and passed his evaluation.

“The ticket will be sent to you within the next three days. Please keep in touch.” The other end of the line cut the discussion off, but Leonard's mind remained lightheaded, unable to believe the gift he had just received.

“Wait…” He spoke before the other person hung up. “Excuse me… May I do an interview with that artist in the exhibition?”

There was no response. Leonard believed they were reviewing his proposal. He held his breath and wait for a while, then the manager named Thomas spoke:

“We do not accept interviews. But a few individual queries could suffice. Of course, if you are able to leave a good impression.”

"I got it. Thank you."

Putting the phone aside, Leonard leaned back in his office chair. How to impress Linkon's most talented painter, or should he say - the world's best artist? Despite his young age, there was no one in this city who had never heard of his work.

The artist's name was Rafayel. He became well-known for his landscape paintings, which brought admirers to a dreamlike state when they stood in front of them. He seldom appeared in public, despite having organized hundreds of major and minor exhibitions. Who he truly was remained a question, and the most mysterious part was probably his disappearance a year ago.

For a whole year there were no new paintings or art activities. No one saw him in Linkon during that time. His manager and studio kept it silent, as if everything had evaporated overnight. Then, last weekend, he unexpectedly reappeared and made an important announcement, which was an exhibition called The Muse.

In contrast to his previous events, guests had no idea what they were about to witness. According to the majority of internet comments, Rafayel returned with a work of a lifetime, a painting that exceeded anything he had ever created. That was the final result of a year-long hunt for inspiration. Of course, there were those who believed he was steadily degrading since he hadn't been able to draw anything decent in a long time and had simply planned this event to earn some money.

For Leonard, either truth was fair. He must uncover all of the details and secrets surrounding Rafayel's reappearance. Since that was what he did for a living.

Leonard was a journalist who specialized in arts. Despite his greatest efforts over several years, he still had little hope of succeeding. He had been without a single decent piece for a long time. Then the opportunity to visit the Mo Art studio presented itself before his eyes. He was not going to miss the chance to see a place that had never been accessible to the public before.

The day of the exhibition approached. Leonard had purposefully showed up early, but as he reached the gate, he noticed that about fifty formally dressed guests were already present. They were enjoying wine and food as they walked in groups into the main hall, where the primary event was held. Leonard also entered with nervousness. All of the windows and doors were wide open, allowing the sea air to convey a salty fragrance into the hallway. Rafayel's famous works are framed, and hung or placed in the center of a floral garden that the host tenderly arranged himself, giving guests the impression that they had just lost themselves in the Garden of Eden.

However, that was not the primary attention of the event. Something massive and cylindrical appeared in the center of the hall. It spanned from the ground to an exceedingly high glass ceiling. It had a diameter of up to ten meters, and was covered in a crimson velvet fabric, protecting it from inquisitive eyes of guests. Even the personnel had not an idea of what was inside.

"Rafayel did all of this himself." Thomas, the manager, spoke up. "I can't answer your questions because I'm not sure what's there. But whatever it is, it will undoubtedly live up to the name of his Muse."

The flock of intrigued guests around Thomas nodded, then split out to stroll around and admire the pillar, as if its very presence was already an art. To them, the less they comprehended something, the more valuable it became.

Leonard found a seat close to the window but not too far from the center of the hall. He was afraid of missing the opportunity to witness Rafayel's Muse. Late in the afternoon, the sun glided across the horizon, casting golden rays into the place. The guests began to get tipsy, wondering if Rafayel would show up or if this was all a hoax, when, down the stairs, the host of the party appeared.

He donned a lavish dark blue suit with sculpted sleeves and shoulders that looked to be encrusted with spectrum fish scales. His presence was as magnificent as his name, causing the entire hall to fall silent. Guests held their breath as they watched the young artist stroll down the steps, the heels of his shoes reverberating on the marble floor as if a piece of music had just been executed.

“Welcome to the exhibition.” Rafayel spoke in a solemn voice. "It appears that all of the guests here are wondering; what exactly has he been doing during the past year? Why didn't he present any of his new work? What's the point of this exhibition?"

Rafayel halted for a moment, his dark eyes behind a few purple curls scrutinizing each guest individually, as if reading them all. The corner of his mouth twisted up in delight as he effectively piqued everyone's interest. He resumed his speech:

“It all began with a muse. My muse. That's a story perhaps a lucky visitor would unveil in this exhibition. But for now…” Rafayel lifted a hand. “Let me introduce you to my one and only, Muse.”

The scorched cloth transformed into crimson tiny particles that flew all about, blending into the fiery sunset outside. The crimson sun halted in the center of the room's largest window, and emerged as an illusion was Rafayel's Muse.

Leonard blinked. In front of him stood a tank of water with a thick glass cylinder. The inside was ornamented with flowers, coral, and white pillars of broken plaster encircling an oval of the glass tank, offering him the sense that he was staring at a lost city under the depths of the ocean. There were schools of brilliant small fish swimming around, weaving between the crevices of the broken world. In the midst of the tableau, there was a woman floating in the water in an upright stance, a few meters above the tank's bottom, conveying an illusion that she was flying. Her head was adorned with pearl jewelry, eyes were closed, as if she was in deep slumber. Her hands opened, allowing the orange-red fish to whirl around her wrists. Then they invited each other to swim along her tiny unclothed arms, to her exquisite neck covered in shimmering pearls, and down to the thin white garment that was floating in the water like her own body. Her bare feet lingered above the seaweed, as if to tease them with the fact that they were unable to grasp her no matter how hard they tried.

A beauty out of this world. That was what Leonard's mind could think of. When he came here, he was full of determination to discover Rafayel's secret, but now, when he witnessed its beauty with his own eyes, he was speechless. His brain felt empty, as if that beauty had filled it and he no longer needed anything else. A melodic rhythm could be heard somewhere, distant seemingly from another universe, but apparently emanating from the tank itself.

All guests were drawn to the center. Rafayel vanished among the crowd that was cheering him. Nobody suspected that Rafayel's Muse was not a painting but an entirely distinct thing. Whatever it was, she was the size of an adult in her mid-twenties. A statue or a doll that resembled a real person?

Leonard brushed past a few astonished others to get closer to the tank. Rafayel's exhibit could easily shock the entire art field. Leonard had already begun pondering concepts for his next piece. Unlike the other guests, who were merely engaged in the beauty in front of them, he was more enthralled by the narrative behind The Muse.

Who was she? Where did her story begin? Leonard sought around for Rafayel's silhouette but could not find him. However, near the stairs, he encountered Thomas with a look of panic and utter shock on his face.

“It can't be… No… It can't be her…” Those were the words Leonard could hear before Thomas bolted out of the hall.

There were just a few people invited to the show, and after approximately an hour, they had presumably spent all of their admiration and hypothesis on the tank. They met again in groups to tour Rafayel's studio. Who knows when they would be able to return here again, in ten, twenty, or even fifty years?

Leonard took advantage of the reality that people had left the area to approach closer and examine more, now that he was the only one standing nearby. The Muse was still inside, a smile on her lips, but why did Leonard feel a suffering coming from her? He strolled around the tank to better view her. It was hard to discern whether this was in fact a sculpture by Rafayel or a real person. That was also what the guests spoke about all day.

The Muse was so genuine. To the point that Leonard expected her to open her eyes and climb out of the tank. But she remained still, absorbed in her own undersea world. He stayed frozen, unable to move his gaze away from the tank, for Rafayel had previously stated that within this, his secrets hidden.

Yet Leonard, with his mundane eyes, might never discover it. The only thing he found was possibly a tiny coating of pinkish red water coming from The Muse's breast. That ruby hue seeped through the attire that enveloped her, and it looked nothing like the color that Rafayel often used in his paintings. There was something rather odd about it. It resembled blood, from The Muse herself.

The exhibition came to an end. Guests departed on their own after being notified. Rafayel returned to the lobby. Leonard took the opportunity to ask in an instance:

“Mr. Rafayel. May I ask you a few questions regarding the exhibition?

Rafayel gazed at him. To increase his reputation, he identified himself as a journalist who specialized in writing about art.

"Ah. "I remember you." Rafayel responded. "Among the guests, you were the only one who gave an impressive answer to my question."

Leonard tried to recall the survey he was required to complete before Thomas reached him to inform he had an invitation. These questions were all about Rafayel's career, and the answers were readily accessible online. There was just one question, the last one, that sparked a lot of consideration in Leonard, while having nothing to do with Rafayel's works at all.

"If you were given a magical spell that made the person you love love you forever, would you use it?" Rafayel reiterated his query. "You're the only one who chose not to."

Leonard nodded. It was truly what he had said.

"May I know, why?" Rafayel glanced at him with curiosity. Leonard was taken aback, as he had come here expecting to be an interviewer. Who would have guessed it was the other way around?

"A spell is just an illusion." Leonard responded honestly. "That is not love." "Love must come from a true heart."

"A true heart…" Rafayel repeated each word. His eyes were as sorrowful and deep as the tranquil water, yet it was terrifying since he had no idea when the storm would arrive. "Perhaps, she would choose the same answer as you."

"Pardon?…" Leonard interrupted Rafayel's thoughts. "Who are you talking about?"

Rafayel smiled but remained silent. Fearing that the young artist might leave without answering, Leonard impatiently said:

“Aren't you talking about your Muse? Can you tell me who she is?”

Rafayel gazed at the girl in the aquarium. He smiled. Just a small movement of the lips conveyed devotion, anguish, and regret.

"She is my true heart." Rafayel's voice resembled a song. But he said nothing more, and Leonard was asked to leave right away.

The Muse's story was forever a mystery. The mystery that Leonard had yet to come very close.

That story began a year ago. Or perhaps, it had originated a long, long time ago.

When a Lemurian gives their heart to someone, it will die if not reciprocated.

Rafayel had given his to a human girl.

He met her when she was a child. She was his savior when he was expecting such a painful death on land, and she helped him return to the sea.

She could not remember who he was, nor did she know that all those years, he had been watching her from afar. Amid the waves, behind the rocks, he watched her grow up.

He met her again as a painter many years later. She happily accepted his company. But it was not all he wanted. He longed for her. He craved her touch to make her become his, in the way he had determined his heart belonged to her.

But, her heart belonged to someone else.

A year ago, she told him that she was getting married.

Rafayel could not recall how frightening his emotions were. No matter how powerful the storms were at sea, they could never match his rage at the time. And, with a dreadful calamity brewing in his head, he did what he did to her.

He bound her with an ancient Lemurian enchantment. He made her fall desperately in love with him. She did everything for him, even abandoning her engagement and following him to a far away place. A secluded island only for them. Glorious summer nights lingered forever on the beach, when she and he were entangled, merging in the waves of never-ending love. He had her how he wished.

However, like an illusion, that spell did not persist forever. It drove her to insanity. She wandered alone on the shore, tears streaming and her mouth constantly crying out the name of the person she truthfully loved with each sob. She begged of him.

“Rafayel… Please… Let me go… Please… set me free… Set me free!”

Her screams were drowned in the ocean waves. Little did she realize that seeing her in this way made his heart bleed as well.

"Please…" She sobbed. Rafayel's dagger was in her grasp, and she pressed it to her throat. "If you won't let me leave... I must free myself..."

"Hush now, my dearest…" Rafayel quietly stretched out to her. This was not her first time in this state. He approached her, placed a hand on her forehead, and brushed away her wind-blown hair. Her fingers on the dagger tightened, urging him to back away. However, Rafayel seized the blade that was cutting into her neck, forcing his hand to bleed.

"You don't want to cut yourself, dear."

She trembled and stared at Rafayel. He hummed a very familiar melody, which made her thoughts muddled once more. The dagger slipped from her hand as she collapsed to her knees on the damp beach. Screaming.

“Be still, dearest love.” Rafayel gently lowered down. His knees were next to hers, as if he, too, was begging her to stay. “I can ease all our suffering… If you listen to me now…”

She covered her ears and shook her head with ferocity as if she never wanted to hear another word from him. Rafayel smiled in bitter. She had been like this lately, forgetting who she was and how profoundly she was in love with him. But that was alright. He would help her rekindle her love. She would obey at once as soon as he began singing.

He sang their song. He sang it the first time they met, and he still sang it day by day with her by his side.

She wept tremendously. She clutched her head and pleaded with him to stop. But Rafayel could never. Just like he could not stop the waves from crashing against the shore, who could ever stop his love for her?

After a while, she became quiet. No more yelling and pleading. She gave him an empty stare and a smile.

"Rafayel." She called his name. Her hand found his body, as though she had desired to be close to him since forever. Rafayel embraced her. He stroked and kissed the top of her head. His tears sank, condensing into pearls and nestling on her hair.

“I'm sorry… I'm sorry for turning you into someone like this…” Rafayel whispered in her ear. “But I've found a way to fix everything. You shall not suffer any longer... And neither shall I..."

Rafayel held her with one hand as the other sought the dagger's hilt in the moist sand.

“Will you do this for me?”

He gazed into the eyes of hers which were dreamy under the spell of love. She nodded.

"I vow to do everything for my dearest beloved."

"Very good." Rafayel smiled as he kissed her lips. "You will always be my Muse… Mine, forever..."

The dagger swung across the fiery sunset. The water chanted its melody in an ancient ritual. Then everything fell silent.

Rafayel watched her passionately as she slept within the water tank he had specifically built for her. That was her home, now and forever.

His hand stroked across the beautiful design. Her body was adorned with jewelry crafted from his teardrops. She was a masterpiece of his lifetime, which extended to no end. His Muse. His lips found hers on the other side of the glass, and he pressed a kiss.

From now on, she would weep no more. She would feel no pain.

A crimson light emanated from inside the pocket near Rafayel's chest. He pulled out a blazing red protocore.

This entire world will soon know that, her true heart shall forever belong to him and him alone.

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